The Beggar Student (1940 novel): Difference between revisions

The Beggar Student
Author	Osamu Dazai
Original title	乞食学生
Language	Japanese
Genre	Novella
Publisher	Wakakusa
Publication date	July 1940
Publication place	Japan

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The Beggar Student (乞食学生, Kojiki Gakusei) is a 1940 Japanese novella by Osamu Dazai. Set in Tokyo during WWII, the story stars a fictionalized version of the author who is roused from his depression by a high school dropout named Saeki and convinced to take his place as the live narrator for a silent film. Sharing a title with an 1882 operetta by Carl Millöcker, the book makes frequent reference to classic European literature and touches upon aspects of early twentieth-century cinema.

Summary

A depressive thirty-something writer named Osamu Dazai, based loosely on the author, is walking on the banks of the Tamagawa Aqueduct in Mitaka when he hears somebody drowning in the water. Running blindly to the rescue, he trips over the swimmer, who has come safely ashore and is sunbathing in the nude. The annoyed boy, Saeki, grills Dazai on his knowledge of great thinkers and concludes that all writers must be dumb.

Trying to reclaim his dignity, Dazai treats Saeki to a meal of oyakodon rice in a teahouse by Inokashira Pond. Through reverse psychology, Saeki convinces Dazai to trade places with him that night as the benshi for a silent film about springtime in Hokkaido. Since Saeki has already pawned his uniform, the two head to Shibuya to visit Saeki's former classmate Kumamoto, an uptight boy who has a habit of pretending to have read great works of literature he barely knows. After the writer changes into one of Kumamoto's ill-fitting uniforms, tension grows between the two young friends, who bicker and trade insults in attempts to come across as smart.

On their way to the film, Saeki pulls a knife on Dazai, who diffuses the situation by spending all his money on beers for the boys. Kumamoto is uneasy, and Saeki becomes morose, but Dazai launches into a drunk lecture about the importance of speaking from the heart. Saeki then admits he has been lying about the silent movie this whole time, though Dazai instantly forgives him. When they hit the streets, Dazai sings an old German drinking song so loudly he is stopped by a cop, who asks the boys where they go to school.

Dazai then wakes up on the grass by the aqueduct to the sound of Saeki's voice. This time, however, Saeki is dressed in a college student's uniform and shiny shoes. He claims to not be named Saeki or know Kumamoto or have any clue what Dazai is talking about. Perplexed, the writer returns to the teahouse, where he nurses a bottle of Calpis and mulls over the lessons of the misadventure.

Style

The Beggar Student is narrated in the first person by a writer who is thirty-two years old and lives in Mitaka, both of which applied to Dazai at the time the story was published.^[a] The scholar James O'Brien notes that while the novel "seems overtly autobiographical," it includes pointedly counterfactual information, like when the protagonist introduces himself to Saeki and his friend Kumamoto as "Takeo Kimura," while confessing in an aside to the reader that Dazai is just a penname.^[1]^[2]^: 80

Like the unnamed narrator of the foreword and afterword to Dazai's opus No Longer Human, the narrator of The Beggar Student uses the gender-neutral personal pronoun "Watashi" (私), recounting the events of the story in a confessional manner. Scholar and Dazai translator Donald Keene, however, argues that Dazai was not an "I" novelist because he was "in no sense a faithful chronicler of his own life," citing how the author's attempted love suicide of 1930 is depicted in at least five different ways throughout his body of work.^[3]

Literary allusions

The Beggar Student opens with an epigraph from François Villon and contains several quotations from Villon's collection Le Testament, which Dazai is thought to have adapted from Teruo Sato's 1940 translations of Villon.^[4] The book also references Goethe's Faust and Three Tales by Gustave Flaubert, as well as a song from the 1901 play Old Heidelberg.

The "beggar student" of the title refers to Saeki, a boy of modest means whose school expenses have been paid for by a wealthy politician named Hayama.^[2]^: 81 Critics have speculated that Dazai borrowed the title from a 1936 film adaptation of the Millöcker play, based on the fact that the film was released and reviewed widely in Japan in 1938, including a prominent review in the literary magazine Wakakusa where the novella was first serialized^[2]^: 82 and where Dazai published a total of ten works over a six-year period surrounding the release of the film.^[5]

Cultural impact and legacy

The Beggar Student remains closely associated with the events of the author's life due to its setting at the Tamagawa Aqueduct, where Dazai would attempt suicide for the fifth and final time in 1948. In order to give his fans a place to pay their respects, the city of Mitaka installed a memorial site at the portion of the river promenade where Dazai is thought to have ended his life.^[6]^[7] The site consists of a stone quarried in Dazai's hometown of Kanagi and a metal panel inscribed with an excerpt from chapter one of The Beggar Student, describing the river as a "tunnel of green," the way it looks in spring after the cherry blossoms fall.^[6] The panel also features an engraving of a photo by Shigeru Tamura of the author seated on the banks of the canal near where the memorial was placed.^[8]

Notes

^ as per East Asian age reckoning

References

^ Dazai, Osamu (25 October 1988). "The Beggar Student". Dazai Osamu Zenshū 3. Chikuma Shobō. Retrieved 27 December 2024 – via Aozora Bunko. Dazai to iu no wa, iwaba pen neemu deatte 太宰というのは、謂わばペンネエムであって [Dazai is what you call a pen name.]
^ ^a ^b ^c O'Brien, James (1975). Bowman, Sylvia E.; Teele, Roy E. (eds.). Dazai Osamu. Twayne's World Author Series. Vol. TWAS 348. Twayne Publishers. pp. 80–82, 86, 105.
^ Keene, Donald (1984). Dawn to the West: Japanese Literature in the Modern Era; Fiction. Holt, Rinehart and Winston. p. 1027.
^ Yamashiki, Kazuo (April 1972). "Villon tsuma ron" ヴィヨンの妻論 [On Villon's Wife]. Hihyō to Kenkyū Dazai Osamu (in Japanese). Kaga Shoten: 297. Dazai ga Villon wo gengo de yometa hazu ha naku...osoraku Satō Teruo yaku Dai yuigonsho'(Shōwa 15 nen 3 gatsu, kōbundōshobō, sekai bunko) de yonda node ha nai ka. 太宰がヴィヨンを原語でよめた筈はなく...おそらく佐藤輝夫訳「大遺言書」（昭和十五年三月、弘文堂書房、世界文庫）でよんだのではないか [It's unlikely Dazai would have been able to read Villon in the original [Middle French]...so it's safe to assume he read Teruo Sato's translation of Le Testament published in March 1940 by Kobundo Shobo in the Sekai Bunko edition.]
^ Katagi, Akiko (15 March 2022). "Dazai Osamu "Kojiki Gakusei ron: Taitoru meimei wo meguru ichikōsatsu" 太宰治「乞食学生」論 ― タイトル命名をめぐる一考察 [Dazai Osamu's "The Beggar Student" Revisited: On the Naming of the Title]. Journal of the Graduate School of Humanities (in Japanese) (28). Japan Women's University: 17–24. Retrieved 10 November 2023. Honkō ha, sakuhin happyō no ninenmae ni dōmei no eiga 'kojikigakusei' ga Nihon de kōkai sa rete iru ten ni chakugan shi, kono eiga to no kanren wo miidashinagara, honsaku no taitoruga 'kojikigakusei'dearu koto no dōjidaitekina imi wo shimesou to suru monodearu. 本稿は、作品発表の二年前に同名の映画「乞食学生」が日本で公開されている点に着眼し、この映画との関連を見出しながら、本作のタイトルが「乞食学生」であることの同時代的な意味を示そうとするものである。 [Starting from the fact that a film adapatation of The Beggar Student was released in Japan two years before Dazai's work, this article touches upon commonalities between the novella and the movie while exploring what the title would have meant at the time it was released.]
^ ^a ^b 市内の各スポット解説（三鷹駅前エリア） [Info on Sites around the City (Mitaka Eki)]. Mitaka City (in Japanese). Archived from the original on 8 March 2023. Retrieved 21 December 2024.
^ 玉鹿石（三鷹市） [Gyokka Stone (Mitaka City)]. Mitaka Navi. Archived from the original on 24 April 2024. Retrieved 21 December 2024.
^ Cather, Kirsten (2024). Scripting Suicide in Japan. University of California Press. p. 79. Retrieved 27 December 2024 – via JSTOR. Near the spot where Dazai and Yamazaki entered the canal, a memorial plaque (fig. 11) features a photo of Dazai seated cross-legged in those very grasses under blooming trees beside this quote from his 1941 short novel Kojiki gakusei (Beggar Student)

External links

Full text at Aozora Bunko (in Japanese)

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[1] s per East Asian age reckoning

[2] Dazai, Osamu (25 October 1988). "The Beggar Student". Dazai Osamu Zenshū 3. Chikuma Shobō. Retrieved 27 December 2024 – via Aozora Bunko. Dazai to iu no wa, iwaba pen neemu deatte 太宰というのは、謂わばペンネエムであって [Dazai is what you call a pen name.]

[O'Brien-3] O'Brien, James (1975). Bowman, Sylvia E.; Teele, Roy E. (eds.). Dazai Osamu. Twayne's World Author Series. Vol. TWAS 348. Twayne Publishers. pp. 80–82, 86, 105.

[Dawn-4] Keene, Donald (1984). Dawn to the West: Japanese Literature in the Modern Era; Fiction. Holt, Rinehart and Winston. p. 1027.

[Yamashiki-5] Yamashiki, Kazuo (April 1972). "Villon tsuma ron" ヴィヨンの妻論 [On Villon's Wife]. Hihyō to Kenkyū Dazai Osamu (in Japanese). Kaga Shoten: 297. Dazai ga Villon wo gengo de yometa hazu ha naku...osoraku Satō Teruo yaku Dai yuigonsho'(Shōwa 15 nen 3 gatsu, kōbundōshobō, sekai bunko) de yonda node ha nai ka. 太宰がヴィヨンを原語でよめた筈はなく...おそらく佐藤輝夫訳「大遺言書」（昭和十五年三月、弘文堂書房、世界文庫）でよんだのではないか [It's unlikely Dazai would have been able to read Villon in the original [Middle French]...so it's safe to assume he read Teruo Sato's translation of Le Testament published in March 1940 by Kobundo Shobo in the Sekai Bunko edition.]

[Katagi-6] Katagi, Akiko (15 March 2022). "Dazai Osamu "Kojiki Gakusei ron: Taitoru meimei wo meguru ichikōsatsu" 太宰治「乞食学生」論 ― タイトル命名をめぐる一考察 [Dazai Osamu's "The Beggar Student" Revisited: On the Naming of the Title]. Journal of the Graduate School of Humanities (in Japanese) (28). Japan Women's University: 17–24. Retrieved 10 November 2023. Honkō ha, sakuhin happyō no ninenmae ni dōmei no eiga 'kojikigakusei' ga Nihon de kōkai sa rete iru ten ni chakugan shi, kono eiga to no kanren wo miidashinagara, honsaku no taitoruga 'kojikigakusei'dearu koto no dōjidaitekina imi wo shimesou to suru monodearu. 本稿は、作品発表の二年前に同名の映画「乞食学生」が日本で公開されている点に着眼し、この映画との関連を見出しながら、本作のタイトルが「乞食学生」であることの同時代的な意味を示そうとするものである。 [Starting from the fact that a film adapatation of The Beggar Student was released in Japan two years before Dazai's work, this article touches upon commonalities between the novella and the movie while exploring what the title would have meant at the time it was released.]

[Mitaka_City-7] 市内の各スポット解説（三鷹駅前エリア） [Info on Sites around the City (Mitaka Eki)]. Mitaka City (in Japanese). Archived from the original on 8 March 2023. Retrieved 21 December 2024.

[Mitaka_Navi-8] 玉鹿石（三鷹市） [Gyokka Stone (Mitaka City)]. Mitaka Navi. Archived from the original on 24 April 2024. Retrieved 21 December 2024.

[Cather-9] Cather, Kirsten (2024). Scripting Suicide in Japan. University of California Press. p. 79. Retrieved 27 December 2024 – via JSTOR. Near the spot where Dazai and Yamazaki entered the canal, a memorial plaque (fig. 11) features a photo of Dazai seated cross-legged in those very grasses under blooming trees beside this quote from his 1941 short novel Kojiki gakusei (Beggar Student)

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 }}
-{{nihongo|'''''The Beggar Student'''''|乞食学生|Kojiki Gakusei}} is a [[1940 in literature|1940]] [[Japanese language|Japanese]] [[novella]] by [[Osamu Dazai]]. Set in Tokyo during WWII, the story stars a fictionalized version of the author who is roused from his depression by a teenager named Saeki and convinced to take his place as the [[benshi|live narrator]] for a silent film. Sharing a title with an 1882 [[Der Bettelstudent|operetta by Carl Millöcker]], the book makes frequent reference to classic European literature and touches upon aspects of early twentieth-century cinema.
+{{nihongo|'''''The Beggar Student'''''|乞食学生|Kojiki Gakusei}} is a [[1940 in literature|1940]] [[Japanese language|Japanese]] [[novella]] by [[Osamu Dazai]]. Set in Tokyo during WWII, the story stars a fictionalized version of the author who is roused from his depression by a high school dropout named Saeki and convinced to take his place as the [[benshi|live narrator]] for a silent film. Sharing a title with an 1882 [[Der Bettelstudent|operetta by Carl Millöcker]], the book makes frequent reference to classic European literature and touches upon aspects of early twentieth-century cinema.
 == Summary ==
@@ Line 22: / Line 22: @@
 A depressive thirty-something writer named Osamu Dazai, based loosely on the author, is walking on the banks of the [[Tamagawa Aqueduct]] in [[Mitaka]] when he hears somebody drowning in the water. Running blindly to the rescue, he trips over the swimmer, who has come safely ashore and is sunbathing in the nude. The annoyed boy, Saeki, grills Dazai on his knowledge of great thinkers and concludes that all writers must be dumb.
-Trying to reclaim his dignity, Dazai treats Saeki to a meal of oyakodon rice in a teahouse by [[Inokashira Park|Inokashira Pond]]. Through reverse psychology, Saeki convinces Dazai to trade places with him that night as the [[benshi]] for a silent film about springtime in Hokkaido. Since Saeki has already pawned his uniform, the two head to Shibuya to visit Saeki's former classmate Kumamoto, an uptight boy who has a habit of pretending to have read great works of literature he barely knows. After the writer changes into one of Kumamoto's ill-fitting uniforms, tension grows between the two young friends, who bicker and trade insults in attempts to come across as smart.
+Trying to reclaim his dignity, Dazai treats Saeki to a meal of oyakodon rice in a teahouse by [[Inokashira Park|Inokashira Pond]]. Through reverse psychology, Saeki convinces Dazai to trade places with him that night as the [[benshi]] for a silent film about springtime in Hokkaido. Since Saeki has already pawned his uniform, the two head to [[Shibuya]] to visit Saeki's former classmate Kumamoto, an uptight boy who has a habit of pretending to have read great works of literature he barely knows. After the writer changes into one of Kumamoto's ill-fitting uniforms, tension grows between the two young friends, who bicker and trade insults in attempts to come across as smart.
 On their way to the film, Saeki pulls a knife on Dazai, who diffuses the situation by spending all his money on beers for the boys. Kumamoto is uneasy, and Saeki becomes morose, but Dazai launches into a drunk lecture about the importance of speaking from the heart. Saeki then admits he has been lying about the silent movie this whole time, though Dazai instantly forgives him. When they hit the streets, Dazai sings an old German drinking song so loudly he is stopped by a cop, who asks the boys where they go to school.
 Dazai then wakes up on the grass by the aqueduct to the sound of Saeki's voice. This time, however, Saeki is dressed in a college student's uniform and shiny shoes. He claims to not be named Saeki or know Kumamoto or have any clue what Dazai is talking about. Perplexed, the writer returns to the teahouse, where he nurses a bottle of [[Calpis]] and mulls over the lessons of the misadventure.
+== Style ==
+''The Beggar Student'' is narrated in the first person by a writer who is thirty-two years old and lives in Mitaka, both of which applied to Dazai at the time the story was published.{{efn|as per [[East_Asian_age_reckoning#Japan|East Asian age reckoning]]}} The scholar James O'Brien notes that while the novel "seems overtly autobiographical," it includes pointedly counterfactual information, like when the protagonist introduces himself to Saeki and his friend Kumamoto as "Takeo Kimura," while confessing in an aside to the reader that Dazai is just a penname.<ref>{{cite book |last1=Dazai |first1=Osamu |title=Dazai Osamu Zenshū 3|chapter=The Beggar Student |date=25 October 1988 |publisher=Chikuma Shobō |url=https://www.aozora.gr.jp/cards/000035/card285.html |access-date=27 December 2024 |via=Aozora Bunko |script-quote=ja:太宰というのは、謂わばペンネエムであって |trans-quote=Dazai is what you call a pen name. |quote=Dazai to iu no wa, iwaba pen neemu deatte}}</ref><ref name="O'Brien" />{{rp|80}}
+Like the unnamed narrator of the foreword and afterword to Dazai's opus ''[[No Longer Human]]'', the narrator of ''The Beggar Student'' uses the gender-neutral [[Japanese grammar#Pronouns|personal pronoun]] {{nihongo|"Watashi"|私}}, recounting the events of the story in a confessional manner. Scholar and Dazai translator Donald Keene, however, argues that Dazai was not an [[I-novel|"I" novelist]] because he was "in no sense a faithful chronicler of his own life," citing how the author's attempted love suicide of 1930 is depicted in at least five different ways throughout his body of work.<ref name="Dawn">{{cite book |last1=Keene |first1=Donald |title=Dawn to the West: Japanese Literature in the Modern Era; Fiction |date=1984 |publisher=Holt, Rinehart and Winston |page=1027}}</ref>
 == Literary allusions ==
@@ Line 32: / Line 38: @@
 ''The Beggar Student'' opens with an epigraph from [[François Villon]] and contains several quotations from Villon's collection ''[[Le Testament]]'', which Dazai is thought to have adapted from Teruo Sato's 1940 translations of Villon.<ref name="Yamashiki">{{cite journal |last1=Yamashiki |first1=Kazuo |title=Villon tsuma ron |script-title=ja:ヴィヨンの妻論 |trans-title=On ''Villon's Wife'' |journal=Hihyō to Kenkyū Dazai Osamu |date=April 1972 |pages=297 |publisher=Kaga Shoten |language=Japanese |quote=Dazai ga Villon wo gengo de yometa hazu ha naku...osoraku Satō Teruo yaku Dai yuigonsho'(Shōwa 15 nen 3 gatsu, kōbundōshobō, sekai bunko) de yonda node ha nai ka. |script-quote=ja:太宰がヴィヨンを原語でよめた筈はなく...おそらく佐藤輝夫訳「大遺言書」（昭和十五年三月、弘文堂書房、世界文庫）でよんだのではないか |trans-quote=It's unlikely Dazai would have been able to read Villon in the original [Middle French]...so it's safe to assume he read Teruo Sato's translation of ''Le Testament'' published in March 1940 by Kobundo Shobo in the Sekai Bunko edition.}}</ref> The book also references [[Goethe's Faust|Goethe's ''Faust'']] and ''[[Three Tales (Flaubert)|Three Tales]]'' by [[Gustave Flaubert]], as well as a song from the 1901 play ''[[Old Heidelberg (play)|Old Heidelberg]]''.
-Critics have speculated that Dazai borrowed the title from a [[The Beggar Student (1936 film)|1936 film adaptation]] of the Millöcker play, based on the fact that the film was released and reviewed widely in Japan in 1938, including a prominent review in the literary magazine ''Wakakusa'' where the novella was first serialized and where Dazai published a total of ten works over a six-year period surrounding the release of the film.<ref name="Katagi">{{cite journal |last1=Katagi |first1=Akiko |title=Dazai Osamu "Kojiki Gakusei ron: Taitoru meimei wo meguru ichikōsatsu |journal=Journal of the Graduate School of Humanities |date=15 March 2022 |issue=28 |pages=17-24 |url=https://jwu.repo.nii.ac.jp/records/3560 |access-date=10 November 2023 |script-title=ja:太宰治「乞食学生」論 ― タイトル命名をめぐる一考察 |trans-title=Dazai Osamu's "The Beggar Student" Revisited: On the Naming of the Title |publisher=Japan Women's University |language=Japanese |quote=Honkō ha, sakuhin happyō no ninenmae ni dōmei no eiga 'kojikigakusei' ga Nihon de kōkai sa rete iru ten ni chakugan shi, kono eiga to no kanren wo miidashinagara, honsaku no taitoruga 'kojikigakusei'dearu koto no dōjidaitekina imi wo shimesou to suru monodearu.|script-quote=ja:本稿は、作品発表の二年前に同名の映画「乞食学生」が日本で公開されている点に着眼し、この映画との関連を見出しながら、本作のタイトルが「乞食学生」であることの同時代的な意味を示そうとするものである。|trans-quote=Starting from the fact that a film adapatation of ''The Beggar Student'' was released in Japan two years before Dazai's work, this article touches upon commonalities between the novella and the movie while exploring what the title would have meant at the time it was released.}}</ref>
+The "beggar student" of the title refers to Saeki, a boy of modest means whose school expenses have been paid for by a wealthy politician named Hayama.<ref name="O'Brien">{{cite book |last1=O'Brien |first1=James |editor1-last=Bowman |editor1-first=Sylvia E. |editor2-last=Teele |editor2-first=Roy E. |title=Dazai Osamu |year=1975 |publisher=Twayne Publishers |series=Twayne's World Author Series |volume=TWAS 348 |pages=80-82, 86, 105}}</ref>{{rp|81}} Critics have speculated that Dazai borrowed the title from a [[The Beggar Student (1936 film)|1936 film adaptation]] of the Millöcker play, based on the fact that the film was released and reviewed widely in Japan in 1938, including a prominent review in the literary magazine ''Wakakusa'' where the novella was first serialized<ref name="O'Brien" />{{rp|82}} and where Dazai published a total of ten works over a six-year period surrounding the release of the film.<ref name="Katagi">{{cite journal |last1=Katagi |first1=Akiko |title=Dazai Osamu "Kojiki Gakusei ron: Taitoru meimei wo meguru ichikōsatsu |journal=Journal of the Graduate School of Humanities |date=15 March 2022 |issue=28 |pages=17-24 |url=https://jwu.repo.nii.ac.jp/records/3560 |access-date=10 November 2023 |script-title=ja:太宰治「乞食学生」論 ― タイトル命名をめぐる一考察 |trans-title=Dazai Osamu's "The Beggar Student" Revisited: On the Naming of the Title |publisher=Japan Women's University |language=Japanese |quote=Honkō ha, sakuhin happyō no ninenmae ni dōmei no eiga 'kojikigakusei' ga Nihon de kōkai sa rete iru ten ni chakugan shi, kono eiga to no kanren wo miidashinagara, honsaku no taitoruga 'kojikigakusei'dearu koto no dōjidaitekina imi wo shimesou to suru monodearu.|script-quote=ja:本稿は、作品発表の二年前に同名の映画「乞食学生」が日本で公開されている点に着眼し、この映画との関連を見出しながら、本作のタイトルが「乞食学生」であることの同時代的な意味を示そうとするものである。|trans-quote=Starting from the fact that a film adapatation of ''The Beggar Student'' was released in Japan two years before Dazai's work, this article touches upon commonalities between the novella and the movie while exploring what the title would have meant at the time it was released.}}</ref>
+== Cultural impact and legacy ==
+''The Beggar Student'' remains closely associated with the events of the author's life due to its setting at the Tamagawa Aqueduct, where Dazai would attempt suicide for the fifth and final time in 1948. In order to give his fans a place to pay their respects, the city of Mitaka installed a memorial site at the portion of the river promenade where Dazai is thought to have ended his life.<ref name="Mitaka City">{{cite web |script-title=ja:市内の各スポット解説（三鷹駅前エリア）|trans-title=Info on Sites around the City (Mitaka Eki) |url=https://www.city.mitaka.lg.jp/c_service/017/017073.html |website=Mitaka City |access-date=21 December 2024 |archive-url=https://web.archive.org/web/20230308034120/https://www.city.mitaka.lg.jp/c_service/017/017073.html |archive-date=8 March 2023 |language=Japanese |url-status=live}}</ref><ref name="Mitaka Navi">{{cite web |trans-title=
+Gyokka Stone (Mitaka City) |script-title=ja:玉鹿石（三鷹市） |url=https://mitakanavi.com/photo/dazai/gyokka/ |website=Mitaka Navi |access-date=21 December 2024 |url-status=live |archive-url=https://web.archive.org/web/20240424020527/https://mitakanavi.com/photo/dazai/gyokka/ |archive-date=24 April 2024 }}</ref>  The site consists of a stone quarried in Dazai's hometown of [[Kanagi, Aomori|Kanagi]] and a metal panel inscribed with an excerpt from chapter one of ''The Beggar Student,'' describing the river as a "tunnel of green," the way it looks in spring after the cherry blossoms fall.<ref name="Mitaka City" /> The panel also features an engraving of a photo by [[Shigeru Tamura (photographer)|Shigeru Tamura]] of the author seated on the banks of the canal near where the memorial was placed.<ref name="Cather">{{cite book |last1=Cather |first1=Kirsten |title=Scripting Suicide in Japan |date=2024 |publisher=University of California Press |page=79 |url=https://www.jstor.org/stable/jj.18799921.10  |via=JSTOR |url-access=subscription |access-date=27 December 2024 |quote=Near the spot where Dazai and Yamazaki entered the canal, a memorial plaque (fig. 11) features a photo of Dazai seated cross-legged in those very grasses under blooming trees beside this quote from his 1941 short novel ''Kojiki gakusei'' (''Beggar Student'')}}</ref>
+== Notes ==
+{{notelist}}
 == See also ==
 *''[[No Longer Human]]''
 *''[[Der Bettelstudent]]''
-*''[[Old Heidelberg (play)|Alt Heidelberg]]
+*''[[Old Heidelberg (play)|Alt Heidelberg]]''
 *[[François Villon]]
 *[[Gustave Flaubert]]
@@ Line 47: / Line 61: @@
 *[https://www.aozora.gr.jp/cards/000035/card285.html Full text] at [[Aozora Bunko]] (in Japanese)
-{{DEFAULTSORT:Flowers Of Buffoonery}}
+{{DEFAULTSORT:Beggar Student}}
 [[Category:1940 novels]]
 [[Category:20th-century Japanese novels]]