Jump to content

The Marshall Suite: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
No edit summary
 
(92 intermediate revisions by 68 users not shown)
Line 1: Line 1:
{{Use dmy dates|date=April 2022}}
{{Infobox Album | <!-- See Wikipedia:WikiProject_Albums -->
{{Infobox album
| Name = The Marshall Suite
| Type = [[Album]]
| name = The Marshall Suite
| Artist = [[The Fall (band)|The Fall]]
| type = studio
| artist = [[The Fall (band)|The Fall]]
| Cover = E77610wh6xm.jpg
| cover = The Fall - The Marshall Suite.jpg
| Released = [[12 October]] [[1999]]
| Recorded = ???
| alt =
| released = 19 April 1999
| Genre = [[Rock (music)|Rock]]
| Length = 39:27
| recorded = Late 1998-early 1999
| Label = [[Artful Records|Artful]]
| venue =
| studio = Battery Studios, London
| Producer = Mark E Smith, Steve Hitchcock and Bernard MacMahon
| Reviews =
| genre = [[Alternative rock]]
| length = 39:27
*[[All Music Guide]] {{rating-5|4}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:py7ibkk90akq link]
| label = Artful Records
*''[[The Guardian]]'' (favourable) [http://www.guardian.co.uk/friday_review/story/0,,296499,00.html 30 Apr. 1999]
| producer =
*[[Mark Prindle]] {{rating-10|8}} [http://www.markprindle.com/falla.htm#marshall link]
*[[Mark E Smith]]
|
*Steve Hitchcock
| Last album = ''[[Levitate (album)|Levitate]]''<br/>(1998)
| prev_title = [[Levitate (The Fall album)|Levitate]]
| This album = ''The Marshall Suite''<br/>(1999)
| prev_year = 1997
| Next album = ''[[The Unutterable]]''<br/>(2000)
| next_title = [[Live 1977]]
| next_year = 2000
| misc = {{Singles
| name = The Marshall Suite
| type = studio
| single1 = Touch Sensitive
| single1date = 22 March 1999
| single2 = F-'Oldin' Money
| single2date = 16 August 1999
}}
}}
}}
'''''The Marshall Suite''''' is a 1999 LP by [[The Fall (band)|The Fall]], which builds on the techno-influenced beats of its predeccesor ''[[Levitate (album)|Levitate]]'' (1997), while also returning to a more [[rockabilly]] influenced sound reminiscent of earlier Fall line-ups. The end result are songs like the primitive, catchy "Touch Sensitive", and the strange, complex, thumping jungle beats of "Crying Marshall" occurring in equal measure. Although this album is considered by most to be good by Fall standards, many felt disappointed by the apparent retread of themes and genres that were already explored on ''Levitate''. The album is currently out of print.
{{Album reviews
|rev1 = [[AllMusic]]
|rev1score = {{Rating|4|5}}<ref>[{{AllMusic|class=album|id=r441304|pure_url=yes}} Allmusic review]</ref>
|rev2 = ''[[The Guardian]]''
|rev2score = favourable<ref>[https://www.theguardian.com/friday_review/story/0,,296499,00.html The Guardian review]</ref>
}}<!-- Automatically generated by DASHBot-->


'''''The Marshall Suite''''' is a 1999 album by [[The Fall (band)|the Fall]], their 20th. The album builds on the techno-influenced beats of its predecessor ''[[Levitate (The Fall album)|Levitate]]'' (1997), while also returning to a more [[rockabilly]]-influenced sound reminiscent of earlier Fall lineups with songs such as the catchy "Touch Sensitive" and the strange, complex, thumping [[Drum and bass|jungle]] beats of "The Crying Marshal". The album was long out of print, but a new three-disc edition was released in the summer of 2011.
''The Marshall Suite'' was made immediately after a scandal during an American tour during which [[Mark E. Smith]] had an onstage fight with members of the band, was arrested for hitting his then girlfriend [[Julia Nagle]] while the remaining band members quit and returned to England leaving Smith in a New York jail. While Smith had to replace almost all of the line-up for The Marshall Suite, Nagle chose to stay in the band.


==Background==
Around the time of release, rumours circulated that ''The Marshall Suite'' was a [[concept album]] about "The Crying Marshall". Smith stopped short of denying this, telling [[The Wire (magazine)|The Wire]] that ''I thought it would be good to do it as the story of his life, a themed LP, with a thread running through it. It's such an unhip thing to do''. An unpublished section of the interview, later placed on the magazine's website, suggested Smith was far from finished with his creation: ''I do want to continue the Marshall theme, develop it. Maybe a five sided thing next, the return of the Marshall''. [http://www.thewire.co.uk/web/unpublished/mark_e_smith.html].
''The Marshall Suite'' was made immediately after an American tour during which [[Mark E. Smith]] had an onstage fight with members of the band and was arrested following ongoing altercations at the hotel at which the group were staying. While the remaining band members quit and returned to England, leaving Smith in a cell in Manhattan, [[Julia Adamson|Julia Nagle]] chose to stay in the band, helping to assemble the group's new lineup. During the recording of the album, this new lineup was still taking shape; the group shed a drummer before recording could even begin, and the album features two different bassists. For these reasons, it is something of a patchwork: of 13 tracks, "On My Own" is a reworking of the previous album's "Everybody But Myself", three tracks are covers, two are sound collages, and "The Crying Marshal" is a remix by producer Steven Hitchcock of a Smith collaboration with the Filthy Three ("Real Life of the Crying Marshal"). Two songs use some of the same lyrics (a 14th track, "Tom Raggazzi", a reggae-tinged reprise of "Anecdotes...", was included on the vinyl version). Nevertheless, the album was well-received.

Around the time of the album's release, rumours circulated that ''The Marshall Suite'' was a [[concept album]] about the "Crying Marshal" character. Smith stopped short of denying this, telling ''[[The Wire (magazine)|The Wire]]'' that "I thought it would be good to do it as the story of his life, a themed LP, with a thread running through it. It's such an unhip thing to do." An unpublished section of the interview, later placed on the magazine's website, suggested that Smith was not yet finished with his creation: "I do want to continue the Marshall theme, develop it. Maybe a five-sided thing next, the return of the Marshall".<ref>{{cite web|url=http://www.thewire.co.uk/web/unpublished/mark_e_smith.html|title=Wire-Adventures in Sound and Music|publisher=Thewire.co.uk|access-date=2012-03-01}}</ref> However, he does not appear to have returned to the theme on any subsequent Fall album.

The first of the album's three covers, "F-'Oldin' Money", which Smith described as "half a cover ... based on a piece of [[rockabilly]]," is a 1959 track by American rockabilly singer [[Tommy Blake (musician)|Tommy Blake]].<ref>{{cite web|url=https://sites.google.com/site/reformationposttpm/fall-tracks/f-oldin--money|title=F-'Oldin' Money |website=Reformation! |accessdate=4 September 2021}}</ref> "Bound" is originally a 1974 [[Soul music|soul]] instrumental by The Audio Arts Strings titled "Love Bound", to which Smith added lyrics.<ref>{{cite web|url=https://sites.google.com/site/reformationposttpm/fall-tracks/bound|title=Bound |website=Reformation! |accessdate=4 September 2021}}</ref> The third cover, "[[This Perfect Day (song)|This Perfect Day]]", was first released by Australian [[punk rock|punk]] band [[The Saints (Australian band)|the Saints]] in 1977.

An edit of the album's opening track "Touch Sensitive" was used in the UK as a soundtrack to an advert for the [[Vauxhall Motors|Vauxhall]] [[Opel Corsa|Corsa]].


==Track listing==
==Track listing==
===CD version===
# "Touch Sensitive" (Nagle, Smith) – 3:16
{{track listing
# "F-'Oldin' Money" (Tommy Blake) – 2:45
| title1 = Touch Sensitive
# "Shake-Off" (Tom Head, Hitchcock, Nagle, Karen Leatham, Smith) – 3:03
| writer1 = [[Mark E. Smith]], [[Julia Nagle]]<ref group="n">Credited on the original 1999 edition to Mark E. Smith, Julia Nagle, Steve Hitchcock.</ref>
# "Bound" (Smith, [[Wilson Brothers]]) – 3:19
| length1 = 3:16
# "This Perfect Day" ([[Chris Bailey]], [[Ed Kuepper]]) – 2:10
| title2 = F-'Oldin' Money
# "(Jung Nev's) Antidotes" (Wilding, Hitchcock, Smith) – 3:27
| writer2 = [[Tommy Blake (musician)|Tommy Blake]], W. S. Stephenson, [[Carl Belew]]<ref group="n">Credited on the original 1999 edition to Tommy Blake.</ref>
# "Inevitable" (Head, Leatham, Nagle, Smith) – 3:51
| length2 = 2:45
# "Anecdotes+Antidotes in B#" (Nagle, Smith) – 2:59
| title3 = Shake-Off
# "Early Life of Crying Marshal" (Hitchcock) – 0:50
| writer3 = Smith, Nagle, Tom Head, Karen Leatham, Steve Hitchcock, Neville Wilding <ref group="n">Credited on the original 1999 edition to Mark E. Smith, Steve Hitchcock, Karen Leatham, Tom Head.</ref>
# "Crying Marshal" (Hitchcock, Smith, others) – 4:39
| length3 = 3:03
# "Birthday Song" (Nagle, Smith) – 3:38
| title4 = Bound
# "Mad. Men-Eng, Dog" (Spencer Marsden, Nagle, Smith) – 2:18
| writer4 = Smith, Frank Wilson, Henry Wilson, Vance Wilson, David Lee Cason <ref group="n">Credited on the original 1999 edition to Mark E. Smith, Wilson Bros.</ref>
# "On My Own" (Nagle, Smith, Wolstencroft) – 3:12
| length4 = 3:19
# "Tom Raggazzi (Finale)" [Head, Nagle, Smith] – 2.12
| title5 = [[This Perfect Day (song)|This Perfect Day]]
<nowiki>*</nowiki> track is exclusive to the LP edition
| writer5 = [[Chris Bailey (musician, born 1956)|Chris Bailey]], [[Ed Kuepper]]
| length5 = 2:10
| title6 = (Jung Nev's) Antidotes
| writer6 = Smith, Neville Wilding, Hitchcock
| length6 = 3:27
| title7 = Inevitable
| writer7 = Smith, Nagle, Head, Leatham
| length7 = 3:51
| title8 = Anecdotes+Antidotes in B#
| writer8 = Smith, Nagle, Head, Leatham <ref group="n">Credited on the original 1999 edition to Mark E. Smith, Julia Nagle.</ref>
| length8 = 2:59
| title9 = Early Life of Crying Marshal
| writer9 = Smith, Jason Barron, Hitchcock <ref group="n">Credited on the original 1999 edition to Steve Hitchcock.</ref>
| length9 = 0:50
| title10 = The Crying Marshal
| writer10 = Smith, Barron, Martin Neary, Hitchcock <ref group="n">Credited on the original 1999 edition to Mark E. Smith, Steve Hitchcock.</ref>
| length10 = 4:39
| title11 = Birthday Song
| writer11 = Smith, Nagle
| length11 = 3:38
| title12 = Mad. Men-Eng. Dog
| writer12 = Smith, Nagle, Spencer Marsden
| length12 = 2:18
| title13 = On My Own
| writer13 = Smith, Nagle, [[Simon Wolstencroft]]
| length13 = 3:12
| total_length =
}}

===Vinyl version===
<small>*Note: writing credits as per original vinyl edition.</small>

{{track listing
| headline = Side A
| title1 = Touch Sensitive
| writer1 = Smith, Nagle, Hitchcock
| length1 = 3:16
| title2 = F-'Oldin' Money
| writer2 = Blake
| length2 = 2:45
| title3 = Shake-Off
| writer3 = Smith, Hitchcock, Leatham, Head
| length3 = 3:03
| title4 = Bound
| writer4 = Smith, Wilson Bros.
| length4 = 3:19
| title5 = This Perfect Day
| writer5 = Bailey, Kuepper
| length5 = 2:10
}}
{{track listing
| headline = Side B
| title1 = (Jung Nev's) Antidotes
| writer1 = Smith, Wilding, Hitchcock
| length1 = 3:27
| title2 = Inevitable
| writer2 = Smith, Nagle, Head, Leatham
| length2 = 3:51
| title3 = Anecdotes+Antidotes in B#
| writer3 = Smith, Nagle
| length3 = 2:59
| title4 = Finale: Tom Raggazzi
| writer4 = Smith, Nagle, Head
| length4 = 2:21
}}
{{track listing
| headline = Side C
| title1 = Early Life of Crying Marshal
| writer1 = Hitchcock
| length1 = 0:50
| title2 = The Crying Marshal
| writer2 = Smith, Hitchcock
| length2 = 4:39
| title3 = Birthday Song
| writer3 = Smith, Nagle
| length3 = 3:38
| title4 = Mad. Men-Eng. Dog
| writer4 = Smith, Nagle, Marsden
| length4 = 2:18
| title5 = On My Own
| writer5 = Smith, Nagle, Wolstencroft
| length5 = 3:12
| total_length =
}}

===2011 reissue ===
;Disc 1
:1-13: ''as per original CD''
{{track listing
| headline =
| title14 = Tom Raggazzi (Finale)
| writer14 = Smith, Nagle, Head
| length14 = 2:21
| total_length = 41:57
}}
;Disc 2
{{track listing
| title1 = Touch Sensitive
| note1 = dance mix) ("Touch Sensitive" single B-side
| writer1 = Smith, Nagle
| length1 = 7:13
| title2 = Antidote
| note2 = "Touch Sensitive" single B-side
| writer2 = Smith, Nagle, Head, Leatham
| length2 = 3:04
| title3 = This Perfect Day
| note3 = new version) ("F-'Oldin' Money" single B-side
| writer3 = Bailey, Kuepper
| length3 = 2:21
| title4 = Birthday Song
| note4 = new mix) ("F-'Oldin' Money" single B-side
| writer4 = Smith, Nagle
| length4 = 3:39
| title5 = The REAL Life of the Crying Marshall
| note5 = new version) ("F-'Oldin' Money" single B-side
| writer5 = Smith, Baron, Neary, Hitchcock
| length5 = 4:05
| title6 = Tom Raggazzi
| note6 = new mix) ("F-'Oldin' Money" single B-side
| writer6 = Smith, Nagle, Head
| length6 = 4:05
| title7 = Touch Sensitive
| note7 = [[John Peel|Peel Session #21]]; recorded 3 February 1998
| writer7 = Smith, Nagle
| length7 = 3:39
| title8 = Bound Soul One
| note8 = Peel Session #22; recorded 18 October 1998
| writer8 = Smith, Wilson, Wilson, Wilson, Cason
| length8 = 3:53
| title9 = Antidotes
| note9 = Peel Session #22; recorded 18 October 1998
| writer9 = Smith, Nagle, Head, Leatham
| length9 = 5:00
| title10 = Shake-Off
| note10 = Peel Session #22; recorded 18 October 1998
| writer10 = Smith, Nagle, Head, Leatham, Hitchcock, Wilding
| length10 = 1:46
| title11 = This Perfect Day
| note11 = Peel Session #22; recorded 18 October 1998
| writer11 = Bailey, Kuepper
| length11 = 4:18
| total_length = 41:05
}}
;Note
* "Antidote" is the same track as "(Jung Nev's) Antidotes" on ''The Marshall Suite'' album.

;Disc 3 ''(Live show for [[XFM]] Radio, 14 April 1999)''
{{track listing
| title1 = Shake-Off
| note1 = live
| writer1 = Smith, Nagle, Head, Leatham, Hitchcock, Wilding
| length1 = 3:55
| title2 = F-'Oldin' Money
| note2 = live
| writer2 = Blake, Stephenson, Belew
| length2 = 2:41
| title3 = [[Jet Boy]]
| note3 = live
| writer3 = [[David Johansen]], [[Johnny Thunders]]
| length3 = 1:56
| title4 = Touch Sensitive
| note4 = live
| writer4 = Smith, Nagle
| length4 = 3:21
| title5 = Antidotes
| note5 = live
| writer5 = Smith, Nagle, Head, Leatham
| length5 = 2:46
| title6 = 10 Houses of Eve
| note6 = live
| writer6 = Smith, Nagle
| length6 = 3:43
| title7 = Inevitable
| note7 = live
| writer7 = Smith, Nagle, Head, Leatham
| length7 = 2:43
| title8 = This Perfect Day
| note8 = live
| writer8 = Bailey, Kuepper
| length8 = 2:30
| total_length = 23:38
}}


==Personnel==
==Personnel==
*The Fall:
'''[[The Fall (band)|The Fall]]'''
**[[Mark E. Smith]] – [[vocals]], guitar, keyboard
* [[Mark E. Smith]] – [[Singing|vocals]], [[keyboard instrument|keyboards]], [[guitar]], [[bass guitar]] on "Tom Raggazzi (Finale)"
**[[Julia Nagle]] – [[keyboard instrument|keyboards]], guitar, [[computer programming]]
* [[Julia Nagle]] – keyboards, guitar, [[Programming (music)|programming]]
**Neville Wilding – [[guitar]], vocals
* Neville Wilding – guitar, vocals
**Adam Halal – [[bass guitar]]
* Adam Helal – bass guitar
**Karen Leatham – bass guitar
* Karen Leatham – bass guitar
**Tom Head – [[drums]]
* Tom Head – [[Drum kit|drums]]
'''Additional personnel'''
*Steve Hitchcock - [[Stringed_instruments|string arrangements]]
* Steve Hitchcock - string arrangements
* [[Steve Hanley (musician)|Steve Hanley]] - bass on Peel session #21
* [[Karl Burns]] - drums on Peel session #21
* John Rolleson - backing vocals on Peel session #21
* Speth Hughes - special effects on Peel session #22
Technical
* Mark E. Smith – [[record producer|production]]
* Steve Hitchcock - production
* Elspeth Hughes - engineering
* Jim Brumby - engineering
* Richard Flack - engineering
* [[:fr:Pascal Le Gras|Pascal Le Gras]] - photography
* Warne/Trustam - design
* Mike Robinson - production on Peel session #21
* Nick Scripps - engineering on Peel session #21
* Mike Engles - production on Peel session #¤22
* Kevin Rumble - engineering on Peel session #22
* Andy Pierce - remastering (2011 reissue)


==External link==
== Notes ==
{{Reflist|2|group=n}}
*[http://www.freehosting.hostrave.com/p/fall/lyrics.html?http%3A//www.freehosting.hostrave.com/p/fall/ms.html Lyrics]

==References==
{{Reflist}}

==External links==
* A web page with photos, relating to the album ''The Marshall Suite'' from [http://www.invisiblegirl.co.uk/archive/1995.html Invisiblegirl.co.uk]
* [http://annotatedfall.doomby.com/pages/arranged-by-album/the-marshall-suite/ Lyrics]


{{The Fall}}
{{The Fall}}


{{Authority control}}
[[Category:1999 albums|Marshall Suite]]

[[Category:The Fall albums|Marshall Suite]]
{{DEFAULTSORT:Marshall Suite}}
[[Category:1999 albums]]
[[Category:The Fall (band) albums]]

Latest revision as of 02:48, 9 April 2024

The Marshall Suite
Studio album by
The Fall
Released19 April 1999
RecordedLate 1998-early 1999
StudioBattery Studios, London
GenreAlternative rock
Length39:27
LabelArtful Records
Producer
The Fall chronology
Levitate
(1997) 		The Marshall Suite
(1999) 		Live 1977
(2000)
Singles from The Marshall Suite
  1. "Touch Sensitive"
    Released: 22 March 1999
  2. "F-'Oldin' Money"
    Released: 16 August 1999
Professional ratings
Review scores
SourceRating
AllMusic[1]
The Guardianfavourable[2]

The Marshall Suite is a 1999 album by the Fall, their 20th. The album builds on the techno-influenced beats of its predecessor Levitate (1997), while also returning to a more rockabilly-influenced sound reminiscent of earlier Fall lineups with songs such as the catchy "Touch Sensitive" and the strange, complex, thumping jungle beats of "The Crying Marshal". The album was long out of print, but a new three-disc edition was released in the summer of 2011.

Background

[edit]

The Marshall Suite was made immediately after an American tour during which Mark E. Smith had an onstage fight with members of the band and was arrested following ongoing altercations at the hotel at which the group were staying. While the remaining band members quit and returned to England, leaving Smith in a cell in Manhattan, Julia Nagle chose to stay in the band, helping to assemble the group's new lineup. During the recording of the album, this new lineup was still taking shape; the group shed a drummer before recording could even begin, and the album features two different bassists. For these reasons, it is something of a patchwork: of 13 tracks, "On My Own" is a reworking of the previous album's "Everybody But Myself", three tracks are covers, two are sound collages, and "The Crying Marshal" is a remix by producer Steven Hitchcock of a Smith collaboration with the Filthy Three ("Real Life of the Crying Marshal"). Two songs use some of the same lyrics (a 14th track, "Tom Raggazzi", a reggae-tinged reprise of "Anecdotes...", was included on the vinyl version). Nevertheless, the album was well-received.

Around the time of the album's release, rumours circulated that The Marshall Suite was a concept album about the "Crying Marshal" character. Smith stopped short of denying this, telling The Wire that "I thought it would be good to do it as the story of his life, a themed LP, with a thread running through it. It's such an unhip thing to do." An unpublished section of the interview, later placed on the magazine's website, suggested that Smith was not yet finished with his creation: "I do want to continue the Marshall theme, develop it. Maybe a five-sided thing next, the return of the Marshall".[3] However, he does not appear to have returned to the theme on any subsequent Fall album.

The first of the album's three covers, "F-'Oldin' Money", which Smith described as "half a cover ... based on a piece of rockabilly," is a 1959 track by American rockabilly singer Tommy Blake.[4] "Bound" is originally a 1974 soul instrumental by The Audio Arts Strings titled "Love Bound", to which Smith added lyrics.[5] The third cover, "This Perfect Day", was first released by Australian punk band the Saints in 1977.

An edit of the album's opening track "Touch Sensitive" was used in the UK as a soundtrack to an advert for the Vauxhall Corsa.

Track listing

[edit]

CD version

[edit]
No.TitleWriter(s)Length
1."Touch Sensitive"Mark E. Smith, Julia Nagle[n 1]3:16
2."F-'Oldin' Money"Tommy Blake, W. S. Stephenson, Carl Belew[n 2]2:45
3."Shake-Off"Smith, Nagle, Tom Head, Karen Leatham, Steve Hitchcock, Neville Wilding [n 3]3:03
4."Bound"Smith, Frank Wilson, Henry Wilson, Vance Wilson, David Lee Cason [n 4]3:19
5."This Perfect Day"Chris Bailey, Ed Kuepper2:10
6."(Jung Nev's) Antidotes"Smith, Neville Wilding, Hitchcock3:27
7."Inevitable"Smith, Nagle, Head, Leatham3:51
8."Anecdotes+Antidotes in B#"Smith, Nagle, Head, Leatham [n 5]2:59
9."Early Life of Crying Marshal"Smith, Jason Barron, Hitchcock [n 6]0:50
10."The Crying Marshal"Smith, Barron, Martin Neary, Hitchcock [n 7]4:39
11."Birthday Song"Smith, Nagle3:38
12."Mad. Men-Eng. Dog"Smith, Nagle, Spencer Marsden2:18
13."On My Own"Smith, Nagle, Simon Wolstencroft3:12

Vinyl version

[edit]

*Note: writing credits as per original vinyl edition.

Side A
No.TitleWriter(s)Length
1."Touch Sensitive"Smith, Nagle, Hitchcock3:16
2."F-'Oldin' Money"Blake2:45
3."Shake-Off"Smith, Hitchcock, Leatham, Head3:03
4."Bound"Smith, Wilson Bros.3:19
5."This Perfect Day"Bailey, Kuepper2:10
Side B
No.TitleWriter(s)Length
1."(Jung Nev's) Antidotes"Smith, Wilding, Hitchcock3:27
2."Inevitable"Smith, Nagle, Head, Leatham3:51
3."Anecdotes+Antidotes in B#"Smith, Nagle2:59
4."Finale: Tom Raggazzi"Smith, Nagle, Head2:21
Side C
No.TitleWriter(s)Length
1."Early Life of Crying Marshal"Hitchcock0:50
2."The Crying Marshal"Smith, Hitchcock4:39
3."Birthday Song"Smith, Nagle3:38
4."Mad. Men-Eng. Dog"Smith, Nagle, Marsden2:18
5."On My Own"Smith, Nagle, Wolstencroft3:12

2011 reissue

[edit]
Disc 1
1-13: as per original CD
No.TitleWriter(s)Length
14."Tom Raggazzi (Finale)"Smith, Nagle, Head2:21
Total length:41:57
Disc 2
No.TitleWriter(s)Length
1."Touch Sensitive" (dance mix) ("Touch Sensitive" single B-side)Smith, Nagle7:13
2."Antidote" ("Touch Sensitive" single B-side)Smith, Nagle, Head, Leatham3:04
3."This Perfect Day" (new version) ("F-'Oldin' Money" single B-side)Bailey, Kuepper2:21
4."Birthday Song" (new mix) ("F-'Oldin' Money" single B-side)Smith, Nagle3:39
5."The REAL Life of the Crying Marshall" (new version) ("F-'Oldin' Money" single B-side)Smith, Baron, Neary, Hitchcock4:05
6."Tom Raggazzi" (new mix) ("F-'Oldin' Money" single B-side)Smith, Nagle, Head4:05
7."Touch Sensitive" (Peel Session #21; recorded 3 February 1998)Smith, Nagle3:39
8."Bound Soul One" (Peel Session #22; recorded 18 October 1998)Smith, Wilson, Wilson, Wilson, Cason3:53
9."Antidotes" (Peel Session #22; recorded 18 October 1998)Smith, Nagle, Head, Leatham5:00
10."Shake-Off" (Peel Session #22; recorded 18 October 1998)Smith, Nagle, Head, Leatham, Hitchcock, Wilding1:46
11."This Perfect Day" (Peel Session #22; recorded 18 October 1998)Bailey, Kuepper4:18
Total length:41:05
Note
  • "Antidote" is the same track as "(Jung Nev's) Antidotes" on The Marshall Suite album.
Disc 3 (Live show for XFM Radio, 14 April 1999)
No.TitleWriter(s)Length
1."Shake-Off" (live)Smith, Nagle, Head, Leatham, Hitchcock, Wilding3:55
2."F-'Oldin' Money" (live)Blake, Stephenson, Belew2:41
3."Jet Boy" (live)David Johansen, Johnny Thunders1:56
4."Touch Sensitive" (live)Smith, Nagle3:21
5."Antidotes" (live)Smith, Nagle, Head, Leatham2:46
6."10 Houses of Eve" (live)Smith, Nagle3:43
7."Inevitable" (live)Smith, Nagle, Head, Leatham2:43
8."This Perfect Day" (live)Bailey, Kuepper2:30
Total length:23:38

Personnel

[edit]

The Fall

Additional personnel

  • Steve Hitchcock - string arrangements
  • Steve Hanley - bass on Peel session #21
  • Karl Burns - drums on Peel session #21
  • John Rolleson - backing vocals on Peel session #21
  • Speth Hughes - special effects on Peel session #22

Technical

  • Mark E. Smith – production
  • Steve Hitchcock - production
  • Elspeth Hughes - engineering
  • Jim Brumby - engineering
  • Richard Flack - engineering
  • Pascal Le Gras - photography
  • Warne/Trustam - design
  • Mike Robinson - production on Peel session #21
  • Nick Scripps - engineering on Peel session #21
  • Mike Engles - production on Peel session #¤22
  • Kevin Rumble - engineering on Peel session #22
  • Andy Pierce - remastering (2011 reissue)

Notes

[edit]
  1. ^ Credited on the original 1999 edition to Mark E. Smith, Julia Nagle, Steve Hitchcock.
  2. ^ Credited on the original 1999 edition to Tommy Blake.
  3. ^ Credited on the original 1999 edition to Mark E. Smith, Steve Hitchcock, Karen Leatham, Tom Head.
  4. ^ Credited on the original 1999 edition to Mark E. Smith, Wilson Bros.
  5. ^ Credited on the original 1999 edition to Mark E. Smith, Julia Nagle.
  6. ^ Credited on the original 1999 edition to Steve Hitchcock.
  7. ^ Credited on the original 1999 edition to Mark E. Smith, Steve Hitchcock.

References

[edit]
  1. ^ Allmusic review
  2. ^ The Guardian review
  3. ^ "Wire-Adventures in Sound and Music". Thewire.co.uk. Retrieved 1 March 2012.
  4. ^ "F-'Oldin' Money". Reformation!. Retrieved 4 September 2021.
  5. ^ "Bound". Reformation!. Retrieved 4 September 2021.
[edit]
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=The_Marshall_Suite&oldid=1217988322"