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{{Short description|British rock band (1975–1990)}}
{{Infobox musical artist | <!-- See Wikipedia:WikiProject Musicians -->
{{Use British English|date=January 2014}}
| Name = The Alan Parsons Project
{{Use dmy dates|date=November 2021}}
| Img =‎
{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians -->
| Img_capt = L-R: Eric Woolfson, Alan Parsons
| Img_size = <!-- Only for images smaller than 220 pixels -->
| name = The Alan Parsons Project
| Landscape =
| image = The_Alan_Parsons_Project.png
| Background = group_or_band
| caption = [[Eric Woolfson]] (left) and [[Alan Parsons]]
| Alias =
| image_size = <!-- Only for images smaller than 220 pixels -->
| Origin = [[United Kingdom]]
| alias =
| Genre = [[Progressive rock]]
| origin = [[London]], England
| genre = {{hlist|[[Progressive rock]]|[[art rock]]|[[progressive pop]]|[[soft rock]]}}
| Years_active = [[1975]]–[[1987]]
| years_active = 1975–1990
| Label = [[Charisma Records]]<br />[[Arista Records]]
| label = {{hlist|[[Charisma Records|Charisma]]|[[Arista Records|Arista]]}}
| Associated_acts =
| past_member_of = {{hlist|[[Ambrosia (band)|Ambrosia]]|[[Pilot (Scottish band)|Pilot]]|[[Lenny Zakatek]]|[[Keats (band)|Keats]]|[[Camel (band)|Camel]]}}
| URL =
| website = {{URL|the-alan-parsons-project.com}}
| Current_members = [[Alan Parsons]]<br />[[Eric Woolfson]]<br />[[Andrew Powell]]<br />[[Ian Bairnson]]<br />[[Richard Cottle]]
| Past_members =
| current_members =
| past_members =
* [[Alan Parsons]]
* [[Eric Woolfson]]
}}
}}


'''The Alan Parsons Project''' were a British [[rock music|rock]] band formed in [[London]] in 1975.<ref>{{cite web |url=http://www.alanparsonsmusic.com/bio.php |title=Alan Parsons – Bio FAQ Discography |publisher=Alanparsonsmusic.com |access-date=20 July 2011 |url-status = dead|archive-url=https://web.archive.org/web/20091212053638/http://www.alanparsonsmusic.com/bio.php |archive-date=12 December 2009}}</ref> Its core membership consisted of producer, audio engineer, musician and composer [[Alan Parsons]], and singer, songwriter and pianist [[Eric Woolfson]]. They shared writing credits on almost all of their songs, with Parsons producing or co-producing all of the recordings, while being accompanied by various session musicians, some relatively consistent.
{{Otheruses4|the collective named '''The Alan Parsons Project'''|information concerning the individual and his solo work|Alan Parsons}}


The Alan Parsons Project released eleven studio albums over a 15-year career, the most successful ones being ''[[I Robot (album)|I Robot]]'' (1977), ''[[The Turn of a Friendly Card]]'' (1980) and ''[[Eye in the Sky (album)|Eye in the Sky]]'' (1982). Many of their albums are [[concept album|conceptual]] in nature and focus on [[science fiction]], [[supernatural]], [[literature|literary]] and [[sociological]] themes. Among the group's most popular songs are "[[I Wouldn't Want to Be Like You]]", "[[Games People Play (The Alan Parsons Project song)|Games People Play]]", "[[Time (The Alan Parsons Project song)|Time]]", "[[Sirius (instrumental)|Sirius]]", "[[Eye in the Sky (song)|Eye in the Sky]]", and "[[Don't Answer Me]]".
'''The Alan Parsons Project''' was a [[United Kingdom|British]] [[progressive rock]] band active between 1975 and 1987, founded by [[Scotland|Scotsman]] [[Eric Woolfson]] and [[England|Englishman]] [[Alan Parsons]]. They were an excellent air rifle sniper/spotter team, at shooting dogs' nutsacks in the park.


==Band history==
== Career ==
=== 1974–1976: Formation and debut ===
Alan Parsons met Eric Woolfson in the canteen of Abbey Road Studios in the summer of 1974. Parsons recently engineered [[Pink Floyd|Pink Floyd's]] [[Dark Side of the Moon]] and had produced several acts for EMI Records. Woolfson, a songwriter and composer, was working as a session pianist; he also composed material for a concept album idea based on the work of Edgar Allan Poe.<ref>[http://www.the-alan-parsons-project.com/history-read-more.html History] ''alan-parsons-project.com''</ref>
[[Alan Parsons]] met [[Eric Woolfson]] in the [[Canteen (place)|canteen]] of [[Abbey Road Studios]] in the summer of 1974. Parsons was assistant engineer on [[the Beatles]]' albums ''[[Abbey Road]]'' (1969) and ''[[Let It Be (album)|Let It Be]]'' (1970), engineered [[Pink Floyd]]'s ''[[The Dark Side of the Moon]]'' (1973), and produced several acts for [[EMI Records]].<ref name="The Great Rock Discography">{{cite book
| first= Martin C.
| last= Strong
| year= 2000
| title= The Great Rock Discography
| edition= 5th
| publisher= Mojo Books
| location= Edinburgh
| pages= 729–730
| isbn= 1-84195-017-3}}</ref> Woolfson, a songwriter and composer, was working as a session pianist while composing material for a concept album based on the work of [[Edgar Allan Poe]].<ref>{{cite web |url=http://www.the-alan-parsons-project.com/history-read-more.html |title=History @ |publisher=The-alan-parsons-project.com |access-date=20 July 2011 |url-status = dead|archive-url=https://web.archive.org/web/20110716215331/http://www.the-alan-parsons-project.com/history-read-more.html |archive-date=16 July 2011}}</ref>


Parsons asked Woolfson to become his manager and Woolfson managed Parsons's career as a producer and engineer through a string of successes including Pilot, Steve Harley, Cockney Rebel, John Miles, Al Stewart, Ambrosia and The Hollies. Parsons commented at the time that he felt frustrated in having to accommodate the views of some of the artists, which he felt interfered with his production. Woolfson came up with the idea of making an album based on developments in the film business, where directors such as Alfred Hitchcock and Stanley Kubrick were the focal point of the film's promotion, rather than individual film stars. If the film business was becoming a director's medium, Woolfson felt the music business might well become a producer's medium.
Woolfson's idea was to manage Alan and help his already successful production career. It was the start of a longstanding friendly business relationship. He managed Parsons's career as a producer and engineer through a string of successes, including [[Pilot (Scottish band)|Pilot]], [[Steve Harley]], [[Cockney Rebel]], [[John Miles (musician)|John Miles]], [[Al Stewart]], [[Ambrosia (band)|Ambrosia]], and [[the Hollies]].<ref name="The Great Rock Discography"/> Woolfson came up with the idea of making an album based on developments in the [[film industry]]—the focal point of the films' promotion shifted from film stars to directors such as [[Alfred Hitchcock]] and [[Stanley Kubrick]]. If the film industry was becoming a director's medium, Woolfson felt the music business might well become a producer's medium.<ref>{{Cite magazine|last=Vare|first=Ethlie Ann|date=15 March 1986|title=Parsons' Latest Project – 'Stereotomy': Wide-Range Personality|page=76|magazine=Billboard|url=https://books.google.com/books?id=oyQEAAAAMBAJ&q=%22Eric+Woolfson%22+producer%27s+medium&pg=PT95|access-date=7 June 2020}}</ref>


Recalling his earlier Edgar Allan Poe material, Woolfson saw a way to combine his and Parsons' respective talents. Parsons would produce and engineer songs written by the two, and the Alan Parsons Project was born. After the success of their first album, ''[[Tales of Mystery and Imagination]]'', Arista Records signed them for further albums.
Recalling his earlier Edgar Allan Poe material, Woolfson saw a way to combine his and Parsons's talents. Parsons produced and engineered songs written and composed by the two, and the first Alan Parsons Project was begun. The Project's first album, ''[[Tales of Mystery and Imagination (Alan Parsons Project album)|Tales of Mystery and Imagination]]'' (1976), released by [[20th Century Fox Records]] and including major contributions by all members of Pilot and Ambrosia, was a success, reaching the [[Top 40]] in the US [[Billboard 200|''Billboard'' 200]] [[record chart|chart]].<ref name="The Great Rock Discography"/> The song "[[The Raven (song)|The Raven]]" featured lead vocals by the actor [[Leonard Whiting]]. According to the 2007 re-mastered album liner notes, this was the first rock song to use a [[vocoder]], with Alan Parsons speaking [[lyrics]] through it, although others such as [[Bruce Haack]] pioneered this field in the previous decade.


=== 1977–1990: Mainstream success and final releases ===
Through the late 1970s and early 1980s, the group's popularity continued to grow, with singles such as "[[Games People Play (Alan Parsons Project song)|Games People Play]]," "Time" (Woolfson's first lead vocal), and "Eye in the Sky" making an impact on the pop charts. After the #3 success of the latter in the [[US]], however, the group began to fade from view. There were fewer hit singles, and declining album sales. 1987's ''[[Gaudi (album)|Gaudi]]'' would be the Project's last release, though they did not know it at the time, and planned to record an album called ''[[Freudiana]]'' next.


[[Arista Records]] then signed the Alan Parsons Project for further albums. Through the late 1970s and early 1980s, the Project's popularity continued to grow. The Project was always more popular in North America, [[Ibero-America]], and [[Continental Europe]] than in Parsons' home country, never achieving a UK Top 40 single or Top 20 album.<ref>{{Cite web|title=Alan Parsons Project|url=https://www.officialcharts.com/artist/19984/alan-parsons-project/|access-date=7 June 2020|website=Official Charts}}</ref> The [[single (music)|singles]] "[[I Wouldn't Want to Be Like You]]", "[[Games People Play (Alan Parsons Project song)|Games People Play]]", "Damned If I Do", "Time" (the first single to feature Woolfson's lead vocal) and "[[Eye in the Sky (song)|Eye in the Sky]]" had a notable impact on the [[Billboard Hot 100|''Billboard'' Hot 100]]. "[[Don't Answer Me]]" became the Project's last successful single in the United States; it reached the top 15 on the American charts in 1984.
Although the studio version of ''Freudiana'' was produced by Alan Parsons (and featured the regular Project backing musicians, making it an 'unofficial' Project album), it was primarily Eric Woolfson's idea to turn it into a musical. This eventually led to a rift between the two artists. While Alan Parsons pursued his own solo career and took many members of the Project on the road for the first time in a successful worldwide tour. Eric Woolfson went on to produce musical plays influenced by the Project's music. ''[[Freudiana]]'', ''Gaudi'' and ''Gambler'' were three musicals that included some Project songs like "Eye in the Sky", "Time", "Inside Looking Out," and "Limelight." The live music from ''Gambler'' was only distributed at the performance site (in [[Moenchengladbach]], Germany).


After those successes, the Project began to fade from view. There were fewer hit singles, and declining album sales. 1987's ''[[Gaudi (The Alan Parsons Project album)|Gaudi]]'' was the Project's final release, though it had planned to record an album called ''[[Freudiana]]'' (1990) next.
In 1981 [http://www.roadkill.com/~ajy/scrapbook/001.html], Parsons/Woolfson and their record company [[Arista]] were stalled in contract renegotiations when on March 5th the two submitted an all-instrumental atonal album tentatively titled "The [[Sicilian Defense]]" (the name of an aggressive opening move in chess), arguably to get out of their contract. Arista's refusal to release said album had two known effects: the negotiations led to a renewed contract and the album has remained unreleased to this day.


==== The musical ''Freudiana'' ====
<blockquote>"The Sicilian Defense was our attempt at quickly fulfilling our contractual obligation after I Robot, Pyramid and Eve had been delivered. The album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album, "The Turn Of A Friendly Card." The Sicilian Defense album was never released and never will be, if I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist." Alan Parsons [http://www.alanparsonsmusic.com/media/interviews.htm]</blockquote>
Even though the studio version of ''Freudiana'' was produced by Parsons (and featured the regular Project session musicians, making it an 'unofficial' Project album), it was primarily Woolfson's idea to turn it into a musical. While Parsons pursued his own solo career and took many session players of the Project on the road for the first time in a successful worldwide tour, Woolfson went on to produce musical plays influenced by the Project's music. ''[[Freudiana]]'', ''Gaudi'', and ''Gambler'' were three musicals that included some Project songs like "Eye in the Sky", "Time", "Inside Looking Out", and "Limelight". The live music from ''Gambler'' was only distributed at the performance site in [[Mönchengladbach]], Germany.


==== ''The Sicilian Defence'' ====
Parsons released titles under his name (''[[Try Anything Once]]'', ''[[On Air]]'', ''[[The Time Machine (album)|The Time Machine]]'', and ''[[A Valid Path]]''), while Woolfson made [[concept albums]] named ''[[Freudiana]]'' (about [[Sigmund Freud]]'s work on [[psychology]]) and ''[[Poe - More Tales of Mystery and Imagination]]'' (continuing from the Alan Parsons Project's first album about [[Edgar Allan Poe]]'s literature).
In 1979, Parsons, Woolfson, and their [[record label]] Arista, had been stalled in contract renegotiations when the two submitted an all-instrumental album tentatively titled ''[[The Sicilian Defence (The Alan Parsons Project)|The Sicilian Defence]]'', named after an [[Sicilian Defence|aggressive opening move]] in chess. Arista's refusal to release the album had two known effects: the negotiations led to a renewed contract, and the album was not released at that time.


{{blockquote|''The Sicilian Defence'' was our attempt at quickly fulfilling our contractual obligation after ''I Robot'', ''Pyramid'', and ''Eve'' had been delivered. The album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album, ''The Turn of a Friendly Card''. ''The Sicilian Defence'' album was never released and never will be, if I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.|Alan Parsons<ref>{{cite web |url=http://www.alanparsonsmusic.com/interviews.php |title=Alanparsonsmusic.com |publisher=Alanparsonsmusic.com |date=20 December 1948 |access-date=20 July 2011 |url-status = dead|archive-url=https://web.archive.org/web/20110707113645/http://www.alanparsonsmusic.com/interviews.php |archive-date=7 July 2011 |df=dmy-all }}</ref>}}
''[[Tales of Mystery and Imagination]]'' was first remixed in 1987 for release on CD and included narration by [[Orson Welles]] which had been recorded in 1975 but arrived too late to be included on the original album. On the 2007 Deluxe Edition release, it is revealed that parts of this tape were used for the 1976 Griffith Park Planetarium launch of the original album, the 1987 remix, and various radio spots, all of which are included as bonus material.


In interviews he gave before his death in 2009,<ref>{{cite web|url=http://www.facebook.com/EricWoolfson?v=feed&story_fbid=192291343290 |title=Eric Woolfson on Facebook |publisher=Facebook.com |access-date=20 July 2011}}</ref> Woolfson said he planned to release one track from the "Sicilian" album, which in 2008 appeared as a bonus track on a CD re-issue of the ''[[Eve (The Alan Parsons Project album)|Eve]]'' album. Sometime later, after he had relocated the original tapes, Parsons reluctantly agreed to release the album and announced that it would finally be released on an upcoming Project box set called ''The Complete Albums Collection'' in 2014 for the first time as a bonus disc.<ref>{{cite news|url=https://www.usatoday.com/story/life/music/2013/02/14/alan-parsons-project-tour-on-the-road-again/1914601/|title=Alan Parsons on the road again|newspaper=USA Today|access-date=8 June 2013|first=Brian|last=Mansfield|date=14 February 2013}}</ref>
==The 'Project sound'==
Most of the Project's titles, especially the early work, share common traits (likely influenced by [[Pink Floyd]]'s ''[[Dark Side of the Moon]]'', on which Parsons was the [[audio engineer]] in 1973). They were [[concept album]]s, and typically began with an instrumental introduction which faded into the first song, often had an instrumental piece in the middle of the second [[gramophone record|LP]] side, and concluded with a quiet, melancholic, or powerful song. The opening instrumental was largely done away with by 1980; no later Project album except ''[[Eye in the Sky (song)|Eye in the Sky]]'' featured one (although every album includes at least one instrumental somewhere in the running order). The instrumental on that album, "Sirius," eventually became the best-known Parsons instrumental{{Fact|date=May 2007}} because of its use as entrance music by various [[United States|American]] sports teams, most notably {{Fact|date=May 2007}} the Nebraska Cornhuskers and the [[Chicago Bulls]] during their 1990s [[National Basketball Association|NBA]] [[dynasty (sports)|dynasty]], as well as during broadcasts of [[Pittsburgh Steelers]] games on their flagship station [[WDVE]] (which is coincidently a [[classic rock]] station) just before the start of the game itself or the second half. It was also used as the entrance theme for [[Ricky Steamboat]] in pro wrestling of the mid 1980's.


== Parsons's and Woolfson's solo careers ==
The group was notable for using several vocal performers instead of having a single lead vocalist. Lead vocal duties alternate between Woolfson (mostly for slow or melancholic songs) and a stream of guest vocalists chosen by their vocal style to complement each song. Woolfson sang lead on many of the group's hits (including "Time" and "Eye In The Sky") and the record company pressured Parsons to use him more, but Parsons preferred "real" singers, which Woolfson admitted he was not. In addition to Woolfson, [[Eric Stewart]], [[Chris Rainbow]], [[Lenny Zakatek]], and [[Colin Blunstone]] made regular appearances. Other singers, such as [[Ambrosia (band)|Ambrosia]]'s [[David Pack]], [[Vitamin Z]]'s [[Geoff Barradale]], and [[Procol Harum]]'s [[Gary Brooker]], have recorded only once or twice with the Project. Parsons himself only sang lead on one song ("The Raven") and can be heard singing backup on another ("To One in Paradise"). Both of those songs appeared on the group's first record, ''[[Tales of Mystery and Imagination]]'', an album containing music based on the stories and poetry of [[Edgar Allan Poe]].
Parsons released titles under his name: ''[[Try Anything Once]]'' (1993), ''[[On Air (Alan Parsons album)|On Air]]'' (1996), ''[[The Time Machine (Alan Parsons album)|The Time Machine]]'' (1999), ''[[A Valid Path]]'' (2004), ''[[The Secret (Alan Parsons album)|The Secret]]'' (2019) and ''[[From the New World (Alan Parsons album)|From the New World]]'' (2022). Meanwhile, Woolfson made [[concept album]]s titled ''[[Freudiana]]'' (1990), about [[Sigmund Freud]]'s work on [[psychology]], and ''[[Poe: More Tales of Mystery and Imagination]]'' (2003), continuing from the Alan Parsons Project's first album about Poe literature.


''Tales of Mystery and Imagination'' (1976) was [[re-mix]]ed in 1987 for release on CD, and included narration by [[Orson Welles]] recorded in 1975, but delivered too late to be included on the original album. For the 2007 deluxe edition release, parts of this tape were used for the 1976 Griffith Park Planetarium launch of the original album, the 1987 remix, and various radio spots. All were included as bonus material.
Although the vocalists varied, a small number of musicians worked with the Alan Parsons Project regularly. These core musicians contribute to the recognizable style of a Project song in spite of the varied singer lineup. Together with Parsons and Woolfson, the Project originally consisted of the group [[Pilot (band)|Pilot]], with [[Ian Bairnson]] (guitar), [[David Paton]] (bass) and [[Stuart Tosh]] (drums). Pilot's [[Billy Lyall]] also contributed. From "Pyramid" on, Tosh was replaced by [[Stuart Elliott]] of [[Cockney Rebel]]. Paton stayed almost until the end. Bairnson, along with [[Andrew Powell]] (composer and arranger of orchestral music throughout the life of the Project), and Richard Cottle (synthesizer and saxophone) were integral parts of the Project's sound. Powell is also notable for having composed a [[film score]] in the Project style for [[Richard Donner]]'s film ''[[Ladyhawke]]''.


== Sound ==
Behind the revolving lineup and the regular sidemen, the true core of the Project was the duo of Parsons and Woolfson. Eric Woolfson was a lawyer by profession, but was a classically-trained composer and pianist as well. Alan Parsons was a successful producer and accomplished engineer. Both worked together to craft noteworthy songs with impeccable fidelity, and almost all songs on Project albums are credited to "Woolfson/Parsons."
The band's sound is described as [[progressive rock]],<ref name="APP15">{{cite web|last1=Wilson|first1=Rich|title=Alan Parsons Project: "I think we were part of the punk rebellion"|url=http://teamrock.com/feature/2015-11-25/alan-parsons-project-i-think-we-were-part-of-the-punk-rebellion|website=[[Team Rock]]|date=25 November 2015 |access-date=14 December 2016}}</ref><ref name="PopMatters">{{Cite web |url=https://www.popmatters.com/176701-the-alan-parsons-project-i-robot-legacy-edition-2495706730.html |title=The Alan Parsons Project: I Robot (Legacy Edition) |last=Houle |first=Zachary |date=3 December 2013 |website=[[PopMatters]] |access-date=12 January 2020}}</ref> [[art rock]],<ref name="PopMatters"/><ref>{{cite web|author=<!--Staff writer(s); no by-line.-->|title=The Alan Parsons Project {{!}} Biography & History|url=https://www.allmusic.com/artist/the-alan-parsons-project-mn0001176481/biography|access-date=18 July 2020|website=[[AllMusic]]}}</ref> [[progressive pop]],<ref name="APP15"/> and [[soft rock]].<ref>{{cite book |first= Joe |last= Stuessy |title= Rock and Roll: Its History and Stylistic Development |year= 1990 |publisher= [[Prentice Hall]] |page= [https://archive.org/details/rockrollitshisto00stue_0/page/380 380] |isbn= 0-13-782426-2 |url-access= registration |url= https://archive.org/details/rockrollitshisto00stue_0/page/380 }}</ref> "[[Sirius (instrumental)|Sirius]]" is their best-known and most-frequently heard of all Parsons/Woolfson songs. It was used as entrance music by various American sports teams, notably by the [[Chicago Bulls]] during their 1990s [[National Basketball Association|NBA]] [[dynasty (sports)|dynasty]]. It was also used as the entrance theme for [[Ricky Steamboat]] in pro wrestling of the mid-1980s. In addition, "Sirius" is played in a variety of TV shows and movies including the [[BBC]] series [[Record Breakers]], the episode "Vanishing Act" of ''[[The Adventures of Jimmy Neutron: Boy Genius]]'' and the 2009 film ''[[Cloudy with a Chance of Meatballs (film)|Cloudy with a Chance of Meatballs]]''.


Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use Woolfson more, but Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists [[Chris Rainbow]], [[Lenny Zakatek]], [[John Miles (musician)|John Miles]], [[David Paton]], and [[Colin Blunstone]] are regulars.<ref name="The Great Rock Discography"/> Other singers, such as [[Arthur Brown (musician)|Arthur Brown]], Steve Harley, [[Gary Brooker]], [[Elmer Gantry's Velvet Opera|Dave Terry a.k.a. Elmer Gantry]], [[Vitamin Z]]'s Geoff Barradale, and [[Marmalade (band)|Marmalade]]'s Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("[[The Raven (song)|The Raven]]") through a [[vocoder]] and backing on a few others, including "To One in Paradise". Both of those songs appeared on ''[[Tales of Mystery and Imagination (Alan Parsons Project album)|Tales of Mystery and Imagination]]'' (1976). Parsons also sings a prominent counter melody on "Time".
== Members ==
* [[Alan Parsons]] - keyboards, production, engineering
* [[Eric Woolfson]] - keyboards, executive production
* [[Andrew Powell]] - [[keyboards]], orchestral arrangements
* [[Ian Bairnson]] - [[guitar]]
* [[Richard Cottle]] - [[keyboards]], [[saxophone]]


A variety of session musicians worked with the Alan Parsons Project regularly, contributing to the recognizable style of a song despite the varied singer line-up. With Parsons and Woolfson, the studio band consisted of the group [[Pilot (Scottish band)|Pilot]], with [[Ian Bairnson]] (guitar), [[David Paton]] (bass) and [[Stuart Tosh]] (drums).<ref name="The Great Rock Discography"/> Pilot's keyboardist [[Billy Lyall]] contributed. From ''[[Pyramid (The Alan Parsons Project album)|Pyramid]]'' (1978) onward, Tosh was replaced by [[Stuart Elliott (drummer)|Stuart Elliott]] of [[Cockney Rebel]]. Bairnson played on all albums, and Paton stayed almost until the end. [[Andrew Powell]] appeared as arranger of orchestra (and often choirs) on all albums except ''[[Vulture Culture]]'' (1985); he was composing the [[film score|score]] of [[Richard Donner]]'s film ''[[Ladyhawke (film)|Ladyhawke]]'' (1985). This score was partly in the APP style, recorded by most of the APP regulars, and produced and engineered by Parsons. Powell composed some material for the first two Project albums. For ''Vulture Culture'' and later, Richard Cottle played as a regular contributor on synthesizers and saxophone.
== Notable or frequent contributors ==
[[File:Alan Parsons Live Project.jpg|alt=|thumb|275x275px|Alan Parsons Live Project, Congress Centrum, Ulm Germany in 2017]]
Note that these are not official members of The Alan Parsons Project, but musicians who have made significant studio contributions
The Alan Parsons Project played live only once under that name during its original incarnation because Woolfson and Parsons held the roles of writing and production, and because of the technical difficulties of re-producing on stage the complex instrumentation used in the studio. In the 1990s, musical production evolved with the technology of digital samplers. The one occasion the band was introduced as 'the Alan Parsons Project' in a live performance was at The Night of the Proms in October 1990. The concerts featured all Project regulars except Woolfson, present behind the scenes, while Parsons stayed at the mixer except for the last song, when he played acoustic guitar.


Since 1993, '''Alan Parsons''' continues to perform live as the '''Alan Parsons Live Project''' to be distinct from the Alan Parsons Project. The current line up consists of lead singer [[P.J. Olsson]], guitarist [[Jeffrey Kollman]], drummer Danny Thompson, keyboardist [[Tom Brooks (music producer)|Tom Brooks]], bass guitarist [[Guy Erez]], vocalist and saxophonist Todd Cooper, and guitarist and vocalist Dan Tracey. In 2013, Alan Parsons Live Project played in [[Colombia]] with a full choir and orchestra (the [[Medellin]] Philharmonic) as 'Alan Parsons Symphonic Project'. A 2-CD live set and a DVD version of this concert were released in May 2016.
* [[David Paton]] - [[bass guitar|bass]], [[singer|vocals]]
* [[Laurence Cottle]] - bass
* [[Stuart Tosh]] - [[drum kit|drums]], [[percussion instrument|percussion]]
* [[Stuart Elliott (musician)]] - drums, percussion
* [[Mel Collins]] - [[saxophone]]
* [[Lenny Zakatek]] - vocals
* [[John Miles (musician)|John Miles]] - vocals
* [[Chris Rainbow]] - vocals
* [[Colin Blunstone]] - vocals
* [[Arthur Brown (musician)|Arthur Brown]] - vocals
* [[Graham Dye]] - vocals
* [[Steven Dye]] - vocals
* [[Steve Harley]] - vocals
* [[Allan Clarke]] - vocals


== Discography ==
==In popular culture==
In ''[[Austin Powers: The Spy Who Shagged Me]]'' (1999), Dr. Evil devised a plan to turn the moon into a "Death Star" using a "laser" invented by Dr. Alan Parsons. He called this "The Alan Parsons Project".{{citation needed|date=October 2024}}
:''See Also: [[The Alan Parsons Project discography]]''
===Albums===


The opening theme song for the [[Chicago Bulls]] has been the song Sirius since 1984.{{citation needed|date=October 2024}}
(contains plot descriptions)
* ''[[Tales of Mystery and Imagination]]'' - 1976
*::'''Concept:''' Based on stories by the writer [[Edgar Allan Poe]]. The later reissue on CD (in 1987) was remixed from the original master tapes, enhancing some of the tracks and restoring the [[Orson Welles]] narration (recorded 1975 but left off the original due to record company 'concerns').
* ''[[I Robot (album)|I Robot]]'' - 1977
*::'''Concept:''' The title quotes [[Isaac Asimov]]'s [[I, Robot|work]], "a view of tomorrow through the eyes of today". Includes minor hits "I Wouldn't Want to Be Like You" and "Breakdown," as well as the title track, a short instrumental popular among APP fans.
* ''[[Pyramid (album)|Pyramid]]'' - 1978
*::'''Concept:''' References to [[pyramid power]] and [[ancient Egypt]] surface repeatedly, the album is called "a view of yesterday through the eyes of today". The theme of rise and fall is prominent throughout.
* ''[[Eve (album)|Eve]]'' - 1979
*::'''Concept:''' [[woman|Women]]; this is the only Project album to feature female lead vocalists - and even then only on two tracks. Don't Hold Back was sung by [[Clare Torry]], famed for her swooping vocals on [[Pink Floyd]]'s song The Great Gig In The Sky.
* ''[[The Turn of a Friendly Card]]'' - 1980
*::'''Concept:''' [[Gambling]], literally and figuratively. Influenced by the [[Philip K. Dick]] novel [[The Game-Players of Titan]]. Includes their hits "[[Time (Alan Parsons Project Song|Time]]", "[[Games People Play (Alan Parsons Project song)|Games People Play]], and [[Snake Eyes (song)|Snake Eyes]]."
* ''[[Eye in the Sky (album)|Eye in the Sky]]'' - 1982
*::'''Concept:''' Surveillance, with the album title inspired by the [[Eye in the sky]] cameras used in casinos. Also explores [[Life]] and the [[Universe]], but some insist the album is about "forgotten and lost values". Album contains their most famous single, "[[Eye in the Sky (song)|Eye in the Sky]]," the ballad "Old and Wise", and their best-known instrumental, "Sirius." The album also features the song "[[Silence and I]]," a sweeping epic song that runs for more than eight minutes and features a whole symphonic orchestra, with brass playing the melody in many parts, and a central section featuring highly virtousic xylophone playing.
* ''[[Ammonia Avenue]]'' - 1984
*::'''Concept:''' "The album focused on the possible misunderstanding of industrial scientific developments from a public perspective and a lack of understanding of the public from a scientific perspective" (Eric Woolfson, May 1983). It is their most "radio-friendly" album. Includes "Don't Answer Me", "Prime Time", and "You Don't Believe" (the latter first appeared on a 1983 "best of" collection).
* ''[[Vulture Culture]]'' - 1985
*::'''Concept:''' A critique of consumerism and, in particular, American popular culture. Includes "Let's Talk About Me."
* ''[[Stereotomy]]'' - 1986
*::'''Concept:''' The effect of fame and fortune on various people - singers, actors, etc.
* ''[[Gaudi (album)|Gaudi]]'' - [[1987 in music|1987]]
*::'''Concept:''' Songs inspired by the life and work of Catalan architect [[Antoni Gaudí]].


== Members ==
'''All ten Alan Parsons Project albums have been digitally remastered and are being released throughout 2007 in expanded editions with additional artwork and bonus tracks. [http://www.the-alan-parsons-project.com/remastered.html]'''
;Official members
* [[Alan Parsons]] – production, [[Audio engineering|engineering]], programming, composition, vocals, keyboards, guitars (1975–1990)
* [[Eric Woolfson]] – composition, lyrics, piano, keyboards, vocals, [[Music executive|executive production]] (1975–1990; died 2009)


;Notable contributors
===Compilation album(s)===
* [[Andrew Powell]] – composition, keyboards, orchestral arrangements (1975–1996)<ref>[http://www.the-alan-parsons-project.com/otherapp01.html John Miles, Laurence Cottle, Ian Bairnson, Contributed to The Alan Parsons Project] {{webarchive |url=https://web.archive.org/web/20071031025040/http://www.the-alan-parsons-project.com/otherapp01.html |date=31 October 2007 }}</ref>
* [[The Best of the Alan Parsons Project]] (1983)
* [[Philharmonia Orchestra]]
* [[The Best of the Alan Parsons Project, Vol. 2]] (1987)
* [[Ian Bairnson]] – guitars (1975–1990; died 2023)
* [[Instrumental Works]] (1988)
* [[David Pack]] – guitars (1976, 1993), vocals, keyboards (1993)
* [[Pop Classics]] (1989)
* Richard Cottle – keyboards, saxophone (1984–1990)
* [[Anthology (Alan Parsons Project album)|Anthology]] (1991)
* [[David Paton]] – bass (1975–1986), vocals (1975–1986, 1990), acoustic guitar (1990)
* [[The Best of the Alan Parsons Project (2CD)]] (1992)
* [[The Very Best of: Live]] (1995)
* [[Stuart Tosh]] drums, percussion (1975–1977)
* [[Stuart Elliott (drummer)|Stuart Elliott]] – drums, percussion (1977–1990)
* [[The Definitive Collection (Alan Parsons Project album)|The Definitive Collection]] (1997)
* [[Gold Collection]] (1998)
* [[Mel Collins]] – saxophone (1982–1984)
* [[Geoff Barradale]] – vocals (1987)
* [[Master Hits: The Alan Parsons Project]] (1999)
* [[Phil Kenzie]] – saxophone (1978)
* [[Love Songs (Alan Parsons Project album)|Love Songs]] (2002)
* [[Andy Kanavan]] - percussion (1993)
* [[Ultimate The Alan Parsons Project]] (2004)
* Dennis Clarke – saxophone (1980)
* [[Silence & I: The Very Best of the Alan Parsons Project]] (2005)
* [[Colin Blunstone]] – vocals (1978–1984)
* [[The Essential Alan Parsons Project]] (2007)
* [[Gary Brooker]] – vocals (1985; died 2022)
* [[Arthur Brown (musician)|Arthur Brown]] – vocals (1975)
* [[Lesley Duncan]] – vocals (1979; died 2010)
* [[Graham Dye]] – vocals (1985, 1998)
* [[Dean Ford]] – vocals (1978; died 2018)
* [[Elmer Gantry's Velvet Opera|Dave Terry ("Elmer Gantry")]] – vocals (1980, 1982)
* [[Jack Harris (musician)|Jack Harris]] – vocals (1976–1978)
* [[The Hollies]] – vocals
* [[John Miles (musician)|John Miles]] – vocals, guitar (1976, 1978, 1985, 1987, 1990; died 2021)
* [[Chris Rainbow]] – vocals (1979–1990; died 2015)
* [[Eric Stewart]] – vocals (1990, 1993)
* [[Peter Straker]] – vocals (1977)
* [[Clare Torry]] – vocals (1979)
* [[Dave Townsend]] – vocals (1977, 1979)
* [[Lenny Zakatek]] – vocals (1977–1987)
* The English Chorale – choir (1976, 1977, 1982, 1987)


== Discography ==
===Charting Singles===
{{Main|The Alan Parsons Project discography}}


* ''[[Tales of Mystery and Imagination (Alan Parsons Project album)|Tales of Mystery and Imagination]]'' (1976)
* "[[(The System Of) Dr. Tarr and Professor Fether]]" (1976) #37 US
* "[[The Raven (song)|The Raven]]" (1976) #80 US
* ''[[I Robot (album)|I Robot]]'' (1977)
* ''[[Pyramid (The Alan Parsons Project album)|Pyramid]]'' (1978)
* "I Wouldn't Want To Be Like You" (1977) #36 US
* ''[[Eve (The Alan Parsons Project album)|Eve]]'' (1979)
* "Don't Let It Show" (1977) #92 US
* ''[[The Turn of a Friendly Card]]'' (1980)
* "What Goes Up" (1978) #87 US
* ''[[Eye in the Sky (album)|Eye in the Sky]]'' (1982)
* "Damned If I Do" (1979) #27 US
* ''[[Ammonia Avenue]]'' (1984)
* "[[Games People Play (Alan Parsons Project song)|Games People Play]]" (1981) #16 US
* ''[[Vulture Culture]]'' (1985)
* "[[Time (Alan Parsons Project song)|Time]]" (1981) #15 US
* ''[[Stereotomy]]'' (1985)
* "Snake Eyes" (1981) #67 US
* ''[[Gaudi (The Alan Parsons Project album)|Gaudi]]'' (1987)
* "[[Eye in the Sky (song)|Eye in the Sky]]" (1982) #3 US, #6 [[Canada]]
* ''[[The Sicilian Defence (album)|The Sicilian Defence]]'' (2014)
* "Psychobabble" (1982) #57 US
* "You Don't Believe" (1983) #54 US
* "Don't Answer Me" (1984) #15 US (video), #13 Canada
* "Prime Time" (1984) #34 US
* "Let's Talk About Me" (1985) #56 US
* "Days Are Numbers (The Traveller)" (1985) #71 US
* "Stereotomy" (1986) #82 US (video)


==Footnotes==
== References ==
{{Reflist}}
<references/>


== External links ==
==References==
*[http://bau2.uibk.ac.at/sg/poe/Tales.html Tales of Mystery and Imagination]


{{Commons category}}
==External links==
*[http://www.the-alan-parsons-project.com/ The Alan Parsons Project Website]: The Official Alan Parsons Project Website
* {{Official website|http://www.the-alan-parsons-project.com/}} www.The-Alan-Parsons-Project.com
*[http://www.poe-cd.com/ The Official Eric Woolfson Website]: The Official Eric Woolfson Website
* [http://www.poe-cd.com/ The official Eric Woolfson website]
* {{IMDb name|1721338}}
*[http://www.icebergradio.com/alanparsonsproject Artist Spotlight] Audio feature produced in 2007
* {{discogs artist|The Alan Parsons Project}}
*[http://www.post2share.com/lyrics/alan/index.html Fan Site] Fan Site
* [https://open.spotify.com/artist/2m62cc253Xvd9qYQ8d2X3d The Alan Parsons Project albums to be listened] as stream at [[Spotify|Spotify.com]]


{{The Alan Parsons Project}}
{{The Alan Parsons Project}}
{{Alan Parsons}}
{{Eric Woolfson}}
{{Steve Harley}}
{{John Miles}}

{{Authority control}}

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Latest revision as of 19:39, 22 December 2024

The Alan Parsons Project
Eric Woolfson (left) and Alan Parsons
Background information
OriginLondon, England
Genres
Years active1975–1990
Labels
Formerly of
Past members
Websitethe-alan-parsons-project.com

The Alan Parsons Project were a British rock band formed in London in 1975.[1] Its core membership consisted of producer, audio engineer, musician and composer Alan Parsons, and singer, songwriter and pianist Eric Woolfson. They shared writing credits on almost all of their songs, with Parsons producing or co-producing all of the recordings, while being accompanied by various session musicians, some relatively consistent.

The Alan Parsons Project released eleven studio albums over a 15-year career, the most successful ones being I Robot (1977), The Turn of a Friendly Card (1980) and Eye in the Sky (1982). Many of their albums are conceptual in nature and focus on science fiction, supernatural, literary and sociological themes. Among the group's most popular songs are "I Wouldn't Want to Be Like You", "Games People Play", "Time", "Sirius", "Eye in the Sky", and "Don't Answer Me".

Career

[edit]

1974–1976: Formation and debut

[edit]

Alan Parsons met Eric Woolfson in the canteen of Abbey Road Studios in the summer of 1974. Parsons was assistant engineer on the Beatles' albums Abbey Road (1969) and Let It Be (1970), engineered Pink Floyd's The Dark Side of the Moon (1973), and produced several acts for EMI Records.[2] Woolfson, a songwriter and composer, was working as a session pianist while composing material for a concept album based on the work of Edgar Allan Poe.[3]

Woolfson's idea was to manage Alan and help his already successful production career. It was the start of a longstanding friendly business relationship. He managed Parsons's career as a producer and engineer through a string of successes, including Pilot, Steve Harley, Cockney Rebel, John Miles, Al Stewart, Ambrosia, and the Hollies.[2] Woolfson came up with the idea of making an album based on developments in the film industry—the focal point of the films' promotion shifted from film stars to directors such as Alfred Hitchcock and Stanley Kubrick. If the film industry was becoming a director's medium, Woolfson felt the music business might well become a producer's medium.[4]

Recalling his earlier Edgar Allan Poe material, Woolfson saw a way to combine his and Parsons's talents. Parsons produced and engineered songs written and composed by the two, and the first Alan Parsons Project was begun. The Project's first album, Tales of Mystery and Imagination (1976), released by 20th Century Fox Records and including major contributions by all members of Pilot and Ambrosia, was a success, reaching the Top 40 in the US Billboard 200 chart.[2] The song "The Raven" featured lead vocals by the actor Leonard Whiting. According to the 2007 re-mastered album liner notes, this was the first rock song to use a vocoder, with Alan Parsons speaking lyrics through it, although others such as Bruce Haack pioneered this field in the previous decade.

1977–1990: Mainstream success and final releases

[edit]

Arista Records then signed the Alan Parsons Project for further albums. Through the late 1970s and early 1980s, the Project's popularity continued to grow. The Project was always more popular in North America, Ibero-America, and Continental Europe than in Parsons' home country, never achieving a UK Top 40 single or Top 20 album.[5] The singles "I Wouldn't Want to Be Like You", "Games People Play", "Damned If I Do", "Time" (the first single to feature Woolfson's lead vocal) and "Eye in the Sky" had a notable impact on the Billboard Hot 100. "Don't Answer Me" became the Project's last successful single in the United States; it reached the top 15 on the American charts in 1984.

After those successes, the Project began to fade from view. There were fewer hit singles, and declining album sales. 1987's Gaudi was the Project's final release, though it had planned to record an album called Freudiana (1990) next.

The musical Freudiana

[edit]

Even though the studio version of Freudiana was produced by Parsons (and featured the regular Project session musicians, making it an 'unofficial' Project album), it was primarily Woolfson's idea to turn it into a musical. While Parsons pursued his own solo career and took many session players of the Project on the road for the first time in a successful worldwide tour, Woolfson went on to produce musical plays influenced by the Project's music. Freudiana, Gaudi, and Gambler were three musicals that included some Project songs like "Eye in the Sky", "Time", "Inside Looking Out", and "Limelight". The live music from Gambler was only distributed at the performance site in Mönchengladbach, Germany.

The Sicilian Defence

[edit]

In 1979, Parsons, Woolfson, and their record label Arista, had been stalled in contract renegotiations when the two submitted an all-instrumental album tentatively titled The Sicilian Defence, named after an aggressive opening move in chess. Arista's refusal to release the album had two known effects: the negotiations led to a renewed contract, and the album was not released at that time.

The Sicilian Defence was our attempt at quickly fulfilling our contractual obligation after I Robot, Pyramid, and Eve had been delivered. The album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album, The Turn of a Friendly Card. The Sicilian Defence album was never released and never will be, if I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.

— Alan Parsons[6]

In interviews he gave before his death in 2009,[7] Woolfson said he planned to release one track from the "Sicilian" album, which in 2008 appeared as a bonus track on a CD re-issue of the Eve album. Sometime later, after he had relocated the original tapes, Parsons reluctantly agreed to release the album and announced that it would finally be released on an upcoming Project box set called The Complete Albums Collection in 2014 for the first time as a bonus disc.[8]

Parsons's and Woolfson's solo careers

[edit]

Parsons released titles under his name: Try Anything Once (1993), On Air (1996), The Time Machine (1999), A Valid Path (2004), The Secret (2019) and From the New World (2022). Meanwhile, Woolfson made concept albums titled Freudiana (1990), about Sigmund Freud's work on psychology, and Poe: More Tales of Mystery and Imagination (2003), continuing from the Alan Parsons Project's first album about Poe literature.

Tales of Mystery and Imagination (1976) was re-mixed in 1987 for release on CD, and included narration by Orson Welles recorded in 1975, but delivered too late to be included on the original album. For the 2007 deluxe edition release, parts of this tape were used for the 1976 Griffith Park Planetarium launch of the original album, the 1987 remix, and various radio spots. All were included as bonus material.

Sound

[edit]

The band's sound is described as progressive rock,[9][10] art rock,[10][11] progressive pop,[9] and soft rock.[12] "Sirius" is their best-known and most-frequently heard of all Parsons/Woolfson songs. It was used as entrance music by various American sports teams, notably by the Chicago Bulls during their 1990s NBA dynasty. It was also used as the entrance theme for Ricky Steamboat in pro wrestling of the mid-1980s. In addition, "Sirius" is played in a variety of TV shows and movies including the BBC series Record Breakers, the episode "Vanishing Act" of The Adventures of Jimmy Neutron: Boy Genius and the 2009 film Cloudy with a Chance of Meatballs.

Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use Woolfson more, but Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalists Chris Rainbow, Lenny Zakatek, John Miles, David Paton, and Colin Blunstone are regulars.[2] Other singers, such as Arthur Brown, Steve Harley, Gary Brooker, Dave Terry a.k.a. Elmer Gantry, Vitamin Z's Geoff Barradale, and Marmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ("The Raven") through a vocoder and backing on a few others, including "To One in Paradise". Both of those songs appeared on Tales of Mystery and Imagination (1976). Parsons also sings a prominent counter melody on "Time".

A variety of session musicians worked with the Alan Parsons Project regularly, contributing to the recognizable style of a song despite the varied singer line-up. With Parsons and Woolfson, the studio band consisted of the group Pilot, with Ian Bairnson (guitar), David Paton (bass) and Stuart Tosh (drums).[2] Pilot's keyboardist Billy Lyall contributed. From Pyramid (1978) onward, Tosh was replaced by Stuart Elliott of Cockney Rebel. Bairnson played on all albums, and Paton stayed almost until the end. Andrew Powell appeared as arranger of orchestra (and often choirs) on all albums except Vulture Culture (1985); he was composing the score of Richard Donner's film Ladyhawke (1985). This score was partly in the APP style, recorded by most of the APP regulars, and produced and engineered by Parsons. Powell composed some material for the first two Project albums. For Vulture Culture and later, Richard Cottle played as a regular contributor on synthesizers and saxophone.

Alan Parsons Live Project, Congress Centrum, Ulm Germany in 2017

The Alan Parsons Project played live only once under that name during its original incarnation because Woolfson and Parsons held the roles of writing and production, and because of the technical difficulties of re-producing on stage the complex instrumentation used in the studio. In the 1990s, musical production evolved with the technology of digital samplers. The one occasion the band was introduced as 'the Alan Parsons Project' in a live performance was at The Night of the Proms in October 1990. The concerts featured all Project regulars except Woolfson, present behind the scenes, while Parsons stayed at the mixer except for the last song, when he played acoustic guitar.

Since 1993, Alan Parsons continues to perform live as the Alan Parsons Live Project to be distinct from the Alan Parsons Project. The current line up consists of lead singer P.J. Olsson, guitarist Jeffrey Kollman, drummer Danny Thompson, keyboardist Tom Brooks, bass guitarist Guy Erez, vocalist and saxophonist Todd Cooper, and guitarist and vocalist Dan Tracey. In 2013, Alan Parsons Live Project played in Colombia with a full choir and orchestra (the Medellin Philharmonic) as 'Alan Parsons Symphonic Project'. A 2-CD live set and a DVD version of this concert were released in May 2016.

[edit]

In Austin Powers: The Spy Who Shagged Me (1999), Dr. Evil devised a plan to turn the moon into a "Death Star" using a "laser" invented by Dr. Alan Parsons. He called this "The Alan Parsons Project".[citation needed]

The opening theme song for the Chicago Bulls has been the song Sirius since 1984.[citation needed]

Members

[edit]
Official members
Notable contributors

Discography

[edit]

References

[edit]
  1. ^ "Alan Parsons – Bio FAQ Discography". Alanparsonsmusic.com. Archived from the original on 12 December 2009. Retrieved 20 July 2011.
  2. ^ a b c d e Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. pp. 729–730. ISBN 1-84195-017-3.
  3. ^ "History @". The-alan-parsons-project.com. Archived from the original on 16 July 2011. Retrieved 20 July 2011.
  4. ^ Vare, Ethlie Ann (15 March 1986). "Parsons' Latest Project – 'Stereotomy': Wide-Range Personality". Billboard. p. 76. Retrieved 7 June 2020.
  5. ^ "Alan Parsons Project". Official Charts. Retrieved 7 June 2020.
  6. ^ "Alanparsonsmusic.com". Alanparsonsmusic.com. 20 December 1948. Archived from the original on 7 July 2011. Retrieved 20 July 2011.
  7. ^ "Eric Woolfson on Facebook". Facebook.com. Retrieved 20 July 2011.
  8. ^ Mansfield, Brian (14 February 2013). "Alan Parsons on the road again". USA Today. Retrieved 8 June 2013.
  9. ^ a b Wilson, Rich (25 November 2015). "Alan Parsons Project: "I think we were part of the punk rebellion"". Team Rock. Retrieved 14 December 2016.
  10. ^ a b Houle, Zachary (3 December 2013). "The Alan Parsons Project: I Robot (Legacy Edition)". PopMatters. Retrieved 12 January 2020.
  11. ^ "The Alan Parsons Project | Biography & History". AllMusic. Retrieved 18 July 2020.
  12. ^ Stuessy, Joe (1990). Rock and Roll: Its History and Stylistic Development. Prentice Hall. p. 380. ISBN 0-13-782426-2.
  13. ^ John Miles, Laurence Cottle, Ian Bairnson, Contributed to The Alan Parsons Project Archived 31 October 2007 at the Wayback Machine
[edit]