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{{Short description|German artist}} |
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'''Magda Hagstotz''' ([[1914]] – 2001) was a [[German]] [[painter]] and [[designer]] belonging to the post-war [[abstract art]] movement. Her major means of expression were watercolors and elaborately textured surfaces. She was a prolific artist and worked by preference small and medium sizes. |
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{{Infobox artist |
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| name = Magda Hagstotz |
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| image = Photo of Magda Hagstotz.jpg |
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| imagesize = |
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| caption = |
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| birth_name = |
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| birth_date = {{Birth date text|1914}} |
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| birth_place = Stuttgart, Germany |
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| death_date = {{Death year and age|2001|1914}} |
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| death_place = Stuttgart, Germany |
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| nationality = German |
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| education = Würtembergischen Staatlichen, Reimannschule Berlin, Kunstakademie Stuttgart |
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| field = Painting |
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| training = |
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| movement = Abstract Art |
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| works = |
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| patrons = |
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| awards = |
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| spouse = |
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}} |
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'''Magda Hagstotz''' (1914–2001) was a German [[Painting|painter]] and belonging to the post-war [[abstract art]] movement.<ref name="BrugesFineArt">{{cite web |title=Magda Hagstotz |url=http://brugesfineart.com/the_magda_hagstotz_collection |url-status=usurped |archive-url=https://web.archive.org/web/20100214183532/http://brugesfineart.com/the_magda_hagstotz_collection |archive-date=14 February 2010 |accessdate=10 December 2017 |website=Bruges Fine Art}}</ref> Her works consist mainly of watercolors and elaborately textured surfaces on small and medium canvases.<ref name="land-auf-land-ab">{{Cite book |title=Land auf, Land ab: Karlsruhe und Stuttgart im Kaleidoskop der Sammlung Würth ; [Katalog zur Ausstellung "Land Auf, Land Ab - Karlsruhe und Stuttgart im Kaleidoskop der Sammlung Würth", Kunsthalle Würth, Schwäbisch Hall, 14. März - 3. Oktober 2004] |date=2004 |publisher=Swiridoff |isbn=978-3-89929-018-9 |editor-last=Elsen-Schwedler |editor-first=Beate |location=Künzelsau |page=105 |editor-last2=Fiege |editor-first2=Kirsten |editor-last3=Kitzing-Bretz |editor-first3=Martina |editor-last4=Klee |editor-first4=Sonja |editor-last5=Weber |editor-first5=C. Sylvia |editor-last6=Kunsthalle Würth |editor-last7=Museum Würth}}</ref> |
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== Early life and education == |
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Magda Hagstotz formed her convictions and got her influences in the late twenties and the early thirties. The theories of the [[Stuttgarter Schule]] – somewhat contesting the [[Bauhaus]] model - and contemporary artists such as [[Ida Kerkovius]], [[Max Ackermann]], [[Willi Baumeister]], [[Oskar Schlemmer]], [[Adolf Hölzel]] und [[Alfred Lörcher]] were sources for inspiration. As a consequence she attended the ''Würtembergischen Staatlichen Kunstgewerbeschule'' and learnt all aspects of the applied arts. The creative versatility thus acquired helped her to survive the war years thanks to her appointment as chief designer with a reputed leather manufacturer. Her multi-faceted artistic achievement shows a marked craft influence explained by her career as designer of textiles. After the war, her artistic talent and ambitions got more headroom and the road to recognition was opened. |
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Hagstotz was born in [[Stuttgart]]<ref name="eARTde">{{cite web|title=Magda Hagstotz|url=http://www.eart.de/eigen/displayArtist.cfm?ArtistID=8610|website=eART.de|accessdate=10 December 2017}}</ref> and was influenced by the theories of the [[Stuttgarter Schule]] and by contemporary artists such as [[Ida Kerkovius]], [[Max Ackermann]], [[Willi Baumeister]], [[Oskar Schlemmer]], [[Adolf Hölzel]] and [[:de:Alfred Lörcher]].<ref name="eARTde"/> She attended the ''Würtembergischen Staatlichen [[Kunstgewerbeschule]]'' from 1930 to 1933 and the Reimannschule Berlin in 1932. She studied in London and elsewhere from 1934 to 1937, then at the Kunstakademie Stuttgart from 1938 to 1943. She studied the nude form and composition under G. Biese from 1943 to 1945.<ref name="land-auf-land-ab"/> |
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==Career== |
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1930 to 1933 Studies at the Wurt. Staatl. Kunstgewerbeschule, Stuttgart<br> |
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{{unreferenced section|date=November 2017}} |
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1932 Reimannschule Berlin<br> |
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From 1941 until 1962, she was chief designer of textiles for a colored-leather manufacturer, Pfennig u. Co.; Ludwigsburg. She also engaged in independent artistic activity from 1941 onwards. |
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1934 England, London, Studies<br> |
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1935-1937 Textiles studies<br> |
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1938 to 1943 Kunstakademie Stuttgart<br> |
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1943 to 1945 under G. Biese, The nude form, Composition<br> |
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1941 to 1962 Designer with colored-leather manufacturer Pfennig u. Co.; Ludwigsburg; Golden medal Milano Triennial |
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She was awarded a gold medal at the Milano Triennial{{when|date=November 2017}}. |
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Independant artistic activity from 1941 onwards<br> |
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Numerous acquisitions by private collectors and institutions |
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A private collector in [[Bruges, Belgium]], maintains an inventory of 27 Hagstotz works. These works span the 1950s to 1980s, and consist primarily of mixed media:<ref name="BrugesFineArt" /> |
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* ''Hinein'', 1970s, unsigned (ref. 298a) |
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* ''Nachteule'', 1970s, unsigned (ref. 298b) |
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* ''Grenze'', 1970s, unsigned (ref. 298c) |
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* ''Zeuge'', 1970s, unsigned (ref. 298d) |
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* ''Die Wiese'', 1970s, unsigned (ref. 298e) |
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* ''Nachtgespinst'', 1977, signed, dated (ref. 298f) |
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* ''Versprechung'', 1980s, signed (ref. 298g) |
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* ''Engel der Nacht'', 1967, signed (ref. 298h) |
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* ''Pax Romana'', 1960s, signed (ref. 298i) |
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* ''Zwiespalt'', 1960s, signed (ref. 298j) |
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* ''Schaltung'', 1970s, signed (ref. 298k) |
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* ''Spur'', 1990, signed (ref. 298l) |
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* ''Bezauberung'', 1960s, signed, stamped (ref. 298m) |
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* ''Spiegelung'', 1960s, unsigned, stamped (ref. 298n) |
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* ''Spiel'', 1950s, unsigned, stamped (ref. 298o) |
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* ''Erlösung'', date unknown, signed (ref. 298p) |
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* ''Zeug'', date unknown, unsigned (ref. 298q) |
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* ''Strömung'', date unknown, unsigned (ref. 298r) |
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* ''Sehnsucht'', 1977, signed, dated (Reference 298s) |
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* ''Die Vereinbarung'', date unknown, unsigned (ref. 298t) |
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* ''Dissonanz'', date unknown, signed (ref. 298u) |
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* ''Ritus'', date unknown, unsigned, stamped (ref. 298v) |
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* ''Florae 1'', date unknown, unsigned, stamped (ref. 298x) |
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* ''Florae 2'', date unknown, signed, stamped (ref. 298y) |
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* ''Florae 3'', 1966, signed, dated (ref. 298z) |
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* ''Florae 4'', 1965, signed, dated (ref. 298za) |
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* ''Selbstporträt mit gewalzte Tusche'' 1972, signed, dated (ref. 298zb) |
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==References== |
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{{art-stub}} |
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{{reflist}} |
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{{DEFAULTSORT:Hagstotz, Magda}} |
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* {{cite book |title=Land auf, Land ab: Karlsruhe und Stuttgart im Kaleidoskop der Sammlung Würth ; [Katalog zur Ausstellung "Land Auf, Land Ab - Karlsruhe und Stuttgart im Kaleidoskop der Sammlung Würth", Kunsthalle Würth, Schwäbisch Hall, 14. März - 3. Oktober 2004] |date=2004 |publisher=Swiridoff |location=Künzelsau |isbn=3899290186 |page=105}} |
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{{Authority control}} |
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{{DEFAULTSORT:Hagstotz, Magda}} |
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[[Category:1914 births]] |
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[[Category:2001 deaths]] |
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[[Category:20th-century German women painters]] |
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{{Germany-painter-stub}} |
Latest revision as of 19:29, 18 November 2024
Magda Hagstotz | |
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Born | 1914 Stuttgart, Germany |
Died | 2001 (aged 86–87) Stuttgart, Germany |
Nationality | German |
Known for | Painting |
Movement | Abstract Art |
Magda Hagstotz (1914–2001) was a German painter and belonging to the post-war abstract art movement.[1] Her works consist mainly of watercolors and elaborately textured surfaces on small and medium canvases.[2]
Early life and education
[edit]Hagstotz was born in Stuttgart[3] and was influenced by the theories of the Stuttgarter Schule and by contemporary artists such as Ida Kerkovius, Max Ackermann, Willi Baumeister, Oskar Schlemmer, Adolf Hölzel and de:Alfred Lörcher.[3] She attended the Würtembergischen Staatlichen Kunstgewerbeschule from 1930 to 1933 and the Reimannschule Berlin in 1932. She studied in London and elsewhere from 1934 to 1937, then at the Kunstakademie Stuttgart from 1938 to 1943. She studied the nude form and composition under G. Biese from 1943 to 1945.[2]
Career
[edit]From 1941 until 1962, she was chief designer of textiles for a colored-leather manufacturer, Pfennig u. Co.; Ludwigsburg. She also engaged in independent artistic activity from 1941 onwards.
She was awarded a gold medal at the Milano Triennial[when?].
Works
[edit]A private collector in Bruges, Belgium, maintains an inventory of 27 Hagstotz works. These works span the 1950s to 1980s, and consist primarily of mixed media:[1]
- Hinein, 1970s, unsigned (ref. 298a)
- Nachteule, 1970s, unsigned (ref. 298b)
- Grenze, 1970s, unsigned (ref. 298c)
- Zeuge, 1970s, unsigned (ref. 298d)
- Die Wiese, 1970s, unsigned (ref. 298e)
- Nachtgespinst, 1977, signed, dated (ref. 298f)
- Versprechung, 1980s, signed (ref. 298g)
- Engel der Nacht, 1967, signed (ref. 298h)
- Pax Romana, 1960s, signed (ref. 298i)
- Zwiespalt, 1960s, signed (ref. 298j)
- Schaltung, 1970s, signed (ref. 298k)
- Spur, 1990, signed (ref. 298l)
- Bezauberung, 1960s, signed, stamped (ref. 298m)
- Spiegelung, 1960s, unsigned, stamped (ref. 298n)
- Spiel, 1950s, unsigned, stamped (ref. 298o)
- Erlösung, date unknown, signed (ref. 298p)
- Zeug, date unknown, unsigned (ref. 298q)
- Strömung, date unknown, unsigned (ref. 298r)
- Sehnsucht, 1977, signed, dated (Reference 298s)
- Die Vereinbarung, date unknown, unsigned (ref. 298t)
- Dissonanz, date unknown, signed (ref. 298u)
- Ritus, date unknown, unsigned, stamped (ref. 298v)
- Florae 1, date unknown, unsigned, stamped (ref. 298x)
- Florae 2, date unknown, signed, stamped (ref. 298y)
- Florae 3, 1966, signed, dated (ref. 298z)
- Florae 4, 1965, signed, dated (ref. 298za)
- Selbstporträt mit gewalzte Tusche 1972, signed, dated (ref. 298zb)
References
[edit]- ^ a b "Magda Hagstotz". Bruges Fine Art. Archived from the original on 14 February 2010. Retrieved 10 December 2017.
- ^ a b Elsen-Schwedler, Beate; Fiege, Kirsten; Kitzing-Bretz, Martina; Klee, Sonja; Weber, C. Sylvia; Kunsthalle Würth; Museum Würth, eds. (2004). Land auf, Land ab: Karlsruhe und Stuttgart im Kaleidoskop der Sammlung Würth ; [Katalog zur Ausstellung "Land Auf, Land Ab - Karlsruhe und Stuttgart im Kaleidoskop der Sammlung Würth", Kunsthalle Würth, Schwäbisch Hall, 14. März - 3. Oktober 2004]. Künzelsau: Swiridoff. p. 105. ISBN 978-3-89929-018-9.
- ^ a b "Magda Hagstotz". eART.de. Retrieved 10 December 2017.
Bibliography
[edit]- Schlegel, Hans K and Paul Sviridoff. Die Malerin Magda Hagstotz, Verlag Paul Sviridoff, Schwäbisch Hall, 1984 ISBN 3-921279-06-2
- Bütow, Kurt (1995). Europäisches Künstlerlexikon: Malerei und Zeichenkunst. Königsbrunn: Bavaria Kunstverlag. ISBN 3931236005.
- Nagel, Gert K. (1986). Schwäbisches Künstlerlexikon: vom Barock bis zur Gegenwart. München: Kunst und Antiquitäten. ISBN 3921811368.
- Land auf, Land ab: Karlsruhe und Stuttgart im Kaleidoskop der Sammlung Würth ; [Katalog zur Ausstellung "Land Auf, Land Ab - Karlsruhe und Stuttgart im Kaleidoskop der Sammlung Würth", Kunsthalle Würth, Schwäbisch Hall, 14. März - 3. Oktober 2004]. Künzelsau: Swiridoff. 2004. p. 105. ISBN 3899290186.