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{{Skip to talk}}
{{Peer review|archive=2}}
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{{British English}}
{{Article history
{{ArticleHistory
| action1 = GAN
|action1=GAN
| action1date = 05:39, 27 November 2007
|action1date=05:39, 27 November 2007
| action1result = listed
|action1result=listed
| action1oldid = 174070567
|action1oldid=174070567
| action2 = PR
| action2date = 3 February 2007
| action2link = Wikipedia:Peer_review/Dubstep/archive1
| action2oldid = 188401013
| currentstatus = GA
| topic = arts
}}
{{WikiProjectBannerShell|1=
{{genre|nested=yes|class=GA}}
{{WPEM|nested=yes|class=GA|importance=high}}
{{WPLondon|nested=yes|class=GA|importance=Mid}}
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{{maintained|{{user|Kaini}}, {{user|P4k}}}}
{{archive box|
*[[/Archive1|'''January 2006 - June 2007''']]
*[[/Archive2|'''June 2007 - October 2007]]'''
}}
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|action2=PR
==Beats Per Minute==
|action2date=3 February 2007
138-142BPM? Who came up with that? Dubstep is even slower than Hip-Hop, which is around 92BPM. [[Special:Contributions/83.77.236.197|83.77.236.197]] ([[User talk:83.77.236.197|talk]]) 15:02, 1 November 2008 (UTC)
|action2link=Wikipedia:Peer review/Dubstep/archive1
:Well, you could think of 142bpm as 71bpm, it's the same pace, but just in double measures. The sources all have it as around 140. - <font face="Trebuchet MS">[[User:Filelakeshoe|<font color="#60B">file</font><font color="#00B">lake</font>]][[User talk:Filelakeshoe|<font color="#0B0">shoe</font>]]</font> 15:44, 1 November 2008 (UTC)
|action2oldid=188401013
:yeah, it could be percieved as being around 69-71 bpm...
:<blockquote>Often, a track's percussion will follow a pattern which when heard alone will appear to be playing at half the tempo of the track; the double-time feel is instead achieved by other elements, usually the bassline. An excellent example of this tension generated by the conflicting tempo is Skream's Rutten, which features a very sparse rhythm almost entirely composed of kick drum, snare drum, and a sparse hi-hat, with a distinctly half time implied 69bpm tempo. The track is instead propelled by a constant sub-bass following a four to the floor 138bpm pattern, and a sampled flute phrase.</blockquote> --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 15:47, 1 November 2008 (UTC)


|action3=PR
==Was a new genre classification really needed?==
|action3date=20:08, 25 December 2008
Dubstep seems to be what Trip-Hop, Electronica, Ambient and IDM could sound like anytime. [[Special:Contributions/83.77.192.92|83.77.192.92]] ([[User talk:83.77.192.92|talk]]) 07:16, 13 September 2008 (UTC)
|action3link=Wikipedia:Peer review/Dubstep/archive2
:it's probably easier to think of this in terms of a continuum... dub/kraftwerk/grandmaster flash/loads of other stuff led to jungle which led to dnb and sorta simultaneously 2-step which eventually lead to early dubstep stuff. meanwhile the ragga/ragga jungle thing and dnb and idm and basic channel and scorn and all that other stuff was going on. and the pervasive dub under it all. so maybe it's apt to say the dubstep article captures a particular moment or phase in the continuum of bass-heavy electronic music. but it's definitely a notable one and therefore worthy of an article. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 03:51, 14 September 2008 (UTC)
|action3result=reviewed
|action3oldid=259398616
|action3debate=6478polished


|action4=PR
== sonar and the other european festivals ==
|action4date=29 February 2024
Is there a way to maybe have a section mentioning the huge back to back support dubstep has had from nearly all the of the major european festivals in both 2007 , 2008?
|action4link=Wikipedia:Peer review/Dubstep/archive3
dubstep has headlined at Glastonbury(two years in a row), Roskilde, Sonar (Two years in a row now !), Bestival, Life Festival , Outlook, Dour Festival, Massive Attack's Southbank Festival etc etc.
|action4result=not reviewed
There has been some press on some of these festivals as well. What do you guys think?
|action4oldid=1210214354
[[User:Seckle|Seckle]] ([[User talk:Seckle|talk]]) 08:18, 1 July 2008 (UTC)
:i reckon we could incorporate that info, sure. dunno about a new section, but there's lots of sourceable material out there for sure. i have a few days off work, might gather some linkage tomorrow. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 23:07, 1 July 2008 (UTC)
::[http://www.datatransmission.co.uk/features114.aspx Massive Attack at Meltdown] (as an aside, howlett getting on the dubstep wagon? awww... :( )
::[http://www.residentadvisor.net/feature-read.aspx?id=822 Mary Ann, Skream, and Kode9 at Sonar 2007] -[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 23:52, 2 July 2008 (UTC)


|topic = music
== thank you ==
|currentstatus = GA
Just read through all that Kaini and Zeibura have to go thru in maintaining this page. Thank you guys for all the long work. It's a thankless task. I think the page is looking more and more decent recently. All the basics are covered.
}}
[[User:Seckle|Seckle]] ([[User talk:Seckle|talk]]) 08:13, 1 July 2008 (UTC)
{{WikiProject banner shell|class=GA|vital=yes|collapsed=yes|1=
:you're welcome! sadly zeibura's on a wikibreak (he was an excellent editor) and i haven't seen p4k in a while, so i was glad to see you show up. inspired me to do something other than typo-fixing and reverting vandalism. would love to get more folk from dubstepforum involved. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 23:10, 1 July 2008 (UTC)
{{WikiProject Music/Music genres task force}}
Fantastic article. Great read, very informative![[User:Judyholliday|Judyholliday]] ([[User talk:Judyholliday|talk]]) 12:33, 14 July 2008 (UTC)
{{WikiProject Electronic music|importance=high}}

{{WikiProject London|importance=Mid}}
== i would ==
{{WikiProject Rave}}

}}
Highly appreciate it, if my submission were allowed to remain up.
Its in now way spam, and it was written out of the knowledge I've achieved due to being a dubstep fan living in south florida. <small>—Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[User:Smittysaint|Smittysaint]] ([[User talk:Smittysaint|talk]] • [[Special:Contributions/Smittysaint|contribs]]) 22:44, 4 November 2007 (UTC)</small><!-- Template:Unsigned --> <!--Autosigned by SineBot-->

:Please see [[WP:OR|wikipedia's policy on original research]] - all contributions must be verifiable and sourced, and your paragraphs were, like you just said, original research. If you can find sources to suggest the dubstep scene in south florida is in any way significant and verify what you've written, then add it back. Also, bear in mind Wikipedia is supposed to have global scope, so adding extensive information on regional scenes not significant to the development of the genre would ultimately overcrowd the article. - <font face="Trebuchet MS">[[User:Zeibura|Zeibura]]</font> <sup>([[User talk:Zeibura|Talk]])</sup> 00:13, 5 November 2007 (UTC)

well, they are booking awesome djs and as a writer who sees it with their own eyes, i feel that it definitely deserves a spot up there.

[[User:Smittysaint|Smittysaint]]</font> <sup>([[User talk:Smittysaint|Talk]])</sup> <small>—Preceding [[Wikipedia:Signatures|comment]] was added at 03:00, 5 November 2007 (UTC)</small><!--Template:Undated--> <!--Autosigned by SineBot-->
*Well, I'm sure they're good DJs and all, but this sort of insider/unpublished information isn't verifiable and falls under the category of original research as Zeibura says above. As an encyclopedia, Wikipedia relies on secondary sources for information. [[User:Wickethewok|Wickethewok]] 14:12, 5 November 2007 (UTC)

== britney spears and subbass ==

there is, believe it or not, a track entitled 'freakshow' on [[Blackout (Britney Spears album)|britney's latest album]] which has a proper 'wobbler' subbassline. i was taken aback by it - you can find it on youtube pretty easily. i wonder if that's worth a mention or verifiable in some form other than shocked forum posts. the vocal disc of pinch's album is extremely commercial as well. this inevitable (''just like d'n'b :('') assimilation into the mainstream might be worth sticking in at the end in some form or other. not dissing that pinch album btw - i love it. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 00:48, 21 November 2007 (UTC)

:Wow this is ridiculous. It probably is worth mentioning, and I think it's verifiable, or at least it's verifiable that some critics have talked about the song in those terms. Here are some sources:
* "When Team Britney require a dubstep track, for instance, they simply borrow some production tricks and make one. The result is "Freakshow", built around the "wobbler" effect that's a genre standby. A dubstep forum thread on the tune hit seven pages in 24 hours, mixing outrage and delight..."[http://www.pitchforkmedia.com/article/feature/47096-column-poptimist-10]
*http://blogs.ocweekly.com/heardmentality/new-releases/have-you-heard-of-this-britney/
*http://www.sputnikmusic.com/album.php?reviewid=14054
*http://arts.independent.co.uk/music/reviews/article3141456.ece
[[User:P4k|P4k]] ([[User talk:P4k|talk]]) 01:08, 21 November 2007 (UTC)
::it's mental, isn't it? flavour du jour. i have a dread of burial's new disc becoming the coffeetable album of 2008. gonna have to think about how to phrase this (unless someone else wants a a crack). And the reviews of this album have me a bit intrigued, think i'm going to check it out. apparently [[Freescha]] produces a track on it as well...--02:18, 21 November 2007 (UTC)

==GA passed!==
And here are some minor suggestions;
*A relevant image would be nice at the start of the article
*:i'm considering asking the photographer if they would release [http://farm1.static.flickr.com/95/265411992_2fed7e3f8f.jpg?v=0 this photo] to CC as an opener. or maybe [http://farm1.static.flickr.com/108/265411995_0823f9e0d7.jpg?v=0 this]. opinions? also, GA! can i get a rewind on that one? --[[User:Kaini|Kaini]] 02:32, 1 December 2007 (UTC)
*::there is also [http://farm1.static.flickr.com/87/282300606_994493cc8e.jpg?v=0 this. which i think is not only really nice, but cc-by-sa-2.0 ;) --[[User:Kaini|Kaini]] 03:10, 1 December 2007 (UTC)
*:::Those are good, but I don't think there's actually any space for a photo at the start of the article. If you look at other music genre articles (including good and featured articles) they just have an infobox like this one does.[[User:P4k|P4k]] 03:27, 1 December 2007 (UTC)
*::::That's no reason not to start a new precedent :) Then again, i fyou think it'd look worse...I dunno, I'd like it that way. [[User talk:Dihydrogen Monoxide|<font color=#12A434>'''Dihydrogen Monoxide'''</font>]] <sup>[[Portal:Music of Australia|♫]]</sup> 06:30, 1 December 2007 (UTC)
*Should "Dubstep" be capitalised? (eg. "Interest in dubstep grew further...")
*:I can set this one straight, [[WP:MOS-CL#Musical genres|nope]]. - <font face="Trebuchet MS">[[User:Zeibura|Zeibura]]</font> <sup>([[User talk:Zeibura|Talk]])</sup> 17:57, 28 November 2007 (UTC)
*::Cool, thanks for telling me that. [[User talk:Dihydrogen Monoxide|<font color=#12A434>'''Dihydrogen Monoxide'''</font>]] <sup>[[Portal:Music of Australia|♫]]</sup> 07:50, 29 November 2007 (UTC)
*"(click to enlarge)" - Not needed, that's fairly self explanatory
*:{{done}}
*Nice audio! :) Just make sure not to have too many...2 nonfree should be fine
*[[:Image:Skream1.jpg]] and [[:Image:Mala(dmystikz).jpg]] could/should be on Commons.
*:working on it --[[User:Kaini|Kaini]] 02:36, 1 December 2007 (UTC)
*::{{done}}!
*There are a few redlinks which don't look too nice...create or remove.
*"(who has also included Dubstep tracks in his sets)[47] and included on a mix" - Should be a comma between the closing bracket and the ref.
*:{{done}}
*I don't think that many external links are needed, see [[WP:EL]].
*:I've added {{tls|nomorelinks}} to the top of the section, as there have been a lot of extra links being added and removed for not being particularly useful. All the links in the list at the moment are relevant tho, so I wouldn't know where to start if we really have to thin it all down. - <font face="Trebuchet MS">[[User:Zeibura|Zeibura]]</font> <sup>([[User talk:Zeibura|Talk]])</sup> 17:57, 28 November 2007 (UTC)
*::In that case they may need better descriptions - "Mary Anne Hobbs" doesn't really tell you much... [[User talk:Dihydrogen Monoxide|<font color=#12A434>'''Dihydrogen Monoxide'''</font>]] <sup>[[Portal:Music of Australia|♫]]</sup> 07:50, 29 November 2007 (UTC)
*:::It might make sense to remove Tempa since Wikipedia has an article about them.[[User:P4k|P4k]] 03:35, 1 December 2007 (UTC)
[[User talk:Dihydrogen Monoxide|<font color=#12A434>'''Dihydrogen Monoxide'''</font>]] <sup>[[Portal:Music of Australia|♫]]</sup> 08:17, 28 November 2007 (UTC)

The following suggestions were generated by a semi-automatic [[User:AndyZ/peerreviewer|javascript program]], and might not be applicable for the article in question.
*Per [[Wikipedia:Only make links that are relevant to the context|Wikipedia:Context]] and [[Wikipedia:Manual of Style (dates and numbers)|Wikipedia:Manual of Style (dates)]], months and days of the week generally should not be linked. Years, decades, and centuries can be linked if they provide [[WP:CONTEXT|context]] for the article.<sup>[[User:AndyZ/G#contxt|[?]]]</sup>
*If there is not a [[WP:IT|free use]] image in the top right corner of the article, please try to find and include one.<sup>[[User:AndyZ/G#leadimg|[?]]]</sup>
*Per [[Wikipedia:Only make links that are relevant to the context|Wikipedia:Context]] and [[Wikipedia:Build the web]], years with full dates should be linked; for example, link [[January 15]], [[2006]].<sup>[[User:AndyZ/G#linkdate|[?]]]</sup>
*As done in [[WP:FOOTNOTE]], footnotes usually are located right after a punctuation mark (as recommended by the [[The Chicago Manual of Style|CMS]], but not mandatory), such that there is no space in between. For example, ''the sun is larger than the moon [2].'' is usually written as ''the sun is larger than the moon.[2]''<sup>[[User:AndyZ/G#footspace|[?]]]</sup>
*Please ensure that the article has gone through a thorough copyediting so that it exemplifies some of [[WP:WIAFA|Wikipedia's best work]]. See also [[User:Tony1/How to satisfy Criterion 1a]].<sup>[[User:AndyZ/G#copyedit|[?]]]</sup>
You may wish to browse through [[User:AndyZ/Suggestions]] for further ideas. Thanks, [[User talk:Dihydrogen Monoxide|<font color=#12A434>'''Dihydrogen Monoxide'''</font>]] <sup>[[Portal:Music of Australia|♫]]</sup> 08:17, 28 November 2007 (UTC)

== Dubstep news service ==

If you are interested in keeping up with the latest news in the Dubstep area, Popround runs a regularly updated service pointing to latest Dubstep news/blog posts:

[http://www.popround.com/author/dubstep-news/ Popround Dubstep News]

== drama ==

[http://dubstepforum.com/viewtopic.php?t=39037 sigh] --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 19:38, 7 February 2008 (UTC)

=== rant ===

Look on the bright side, that thread contains useful criticisms and makes up for that [[Wikipedia:Peer review/Dubstep/archive1|lack of peer review]] we got here.

This basically sums up why I'm on wikibreak at the moment. I'm going to do my honest job as a wikipedia administrator, and kindly remind everyone that [[WP:V]] and [[WP:RS]] must take priority in everything, basically what you said on the forum. I did do a few news searches for barefiles and couldn't find anything beyond one article which only mentioned it in passing, just listing the name and not saying anything about it or how it was any special. Searching for anything about breakstep doesn't seem particularly fruitful either.

There's a reason why, on another plane, I can't find many sources that talk about [[bassline house]] and niche apart from "it came from sheffield, people got stabbed, the club got closed down, oh yeah and heartbroken reached #2 and got played in cyprus", surrounded by loads of journalist baby talk. even I could add more to that article off my own head, and I'm not even from up north. The reason is that most "reliable sources" about new genres of music (e.g. what the national press and magazines write) just tend to say exactly the same thing.

In this article it's been a bit easier because of Martin Clark's pitchfork articles, which are invaluable pieces by a trusted music journalist who goes really deep into dubstep. Beyond that though, there isn't much else we can say unless we miraculously manage to convince the peeps at featured article review that any kind of consensus we can determine from the users of dubstepforum counts as a reliable source. Don't get me wrong, I wish we could, since I trust most of the users on that forum and because of these limitations, far more can be learned about dubstep reading those posts than any music magazine, newspaper or free encyclopedia. Any scholar would probably assert that both sources are equally (un)reliable. And once again, the fact that the content of the [[breakstep]] article was written by the same guy who we're citing as a reference yet copying some of it over would make this article unfeaturable due to original research just makes me want to skream.

Anyway, I've adapted one of Epithet's suggestions of listing some of the important websites in the lede, with reference to that article which lists barefiles and gutterbreakz in passing. Dubstepforum's already mentioned in a few of the references. The lede needs some more expansion anyways if we're ever going to get this featured. Also, the link to barefiles is still in the external links section. - <font face="Skia, Trebuchet MS">[[User:Zeibura|<font color="#0088FF">Zeibura</font>]]</font> <font color="#0088FF"><sup>( [[User talk:Zeibura|talk]] )</sup></font> 02:33, 8 February 2008 (UTC)


==Wiki Education Foundation-supported course assignment==
==Wookie==
[[File:Sciences humaines.svg|40px]] This article was the subject of a Wiki Education Foundation-supported course assignment, between <span class="mw-formatted-date" title="2020-01-09">9 January 2020</span> and <span class="mw-formatted-date" title="2020-04-18">18 April 2020</span>. Further details are available [[Wikipedia:Wiki Ed/Ontario Tech University/Writing and Publishing in the Digital Age (Winter 2020)|on the course page]]. Student editor(s): [[User:StevenTsoukas|StevenTsoukas]].
Could he be one listed in 'estabilishing of sound' section? -- [[Special:Contributions/86.57.254.215|86.57.254.215]] ([[User talk:86.57.254.215|talk]]) 11:15, 19 March 2008 (UTC)
:His 'Dirty Beats (Wookie's Dark Dub Mix)' from 2001 seems pretty dubstep. -- [[Special:Contributions/86.57.254.215|86.57.254.215]] ([[User talk:86.57.254.215|talk]]) 11:17, 19 March 2008 (UTC)


{{small|Above undated message substituted from [[Template:Dashboard.wikiedu.org assignment]] by [[User:PrimeBOT|PrimeBOT]] ([[User talk:PrimeBOT|talk]]) 20:20, 17 January 2022 (UTC)}}
== Thugstep ==
==Wiki Education Foundation-supported course assignment==
[[File:Sciences humaines.svg|40px]] This article is or was the subject of a Wiki Education Foundation-supported course assignment. Further details are available [[Wikipedia:Wiki Ed/University of Maryland/INST201-0101 Introduction to Information Science (FALL 2017)|on the course page]]. Student editor(s): [[User:AnimeWeeb|AnimeWeeb]].


{{small|Above undated message substituted from [[Template:Dashboard.wikiedu.org assignment]] by [[User:PrimeBOT|PrimeBOT]] ([[User talk:PrimeBOT|talk]]) 19:54, 16 January 2022 (UTC)}}
From the AfD for the article: This music "genre" appears to lack any reliable sources. All of the citations are either to unreliable sources (blogs/non-peer reviewed content) or to websites that do not explicitly mention "thugstep". Editors are welcome to google for themselves, but the limited results are not encouraging.
== Chillstep link ==


Please stop adding unsourced material and imaginary genres to Wikipedia for the purposes of advertising, anon. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 13:47, 17 April 2008 (UTC)
The link to chillstep in the infobox redirects back to dubstep. Also, there's no mention of it at all in the rest of the article. [[User:SierraXV|SierraXV]] ([[User talk:SierraXV|talk]]) 04:25, 24 March 2017 (UTC)
:The infobox seems to have accumulated quite a bit of cruft. Removed. [[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 12:25, 24 March 2017 (UTC)
:Again, I will ask you to stop adding unsourced material to the article.
:I was quite disappointed to see that one of the most popular subgenres of dubstep doesn't even get a mention let alone it's own page. If anyone wanted more info on chillstep they'd have to go somewhere else besides wikipedia which is a shame because chillstep is definitely notable from reliable sources and distinct from dubstep and its other subgenres. Fans of dubstep are not necessarily fans of chillstep and vice versa. There are many musicians whose genre is only defined as chillstep yet, the lack of mention of chillstep on the dubstep page stands out as misleading and incomplete. I'll look into possibly creating a stand alone wiki page for Chillstep and interlinking it with the dubstep and affiliated subgrenre pages. [[User:Admiralfoxlee|Admiralfoxlee]] ([[User talk:Admiralfoxlee|talk]]) 04:04, 23 January 2024 (UTC)
:Here are your sources-
# [http://www.blentwell.com/tags.php/thugstep a blog]
# [http://66.102.9.104/search?q=cache:K9l4_7ibOuoJ:www.dubstepforum.com/viewtopic.php%3Ft%3D25750%26start%3D0%26postdays%3D0%26postorder%3Dasc%26highlight%3D%26sid%3Def7cb5a85658a8a6da32496251cbe2ff+thugstep&hl=ru&ct=clnk&cd=18&gl=by a thread on dubstepforum]
# [http://dirtystep.nfshost.com a blog]
# [http://thebamboozla.blogspot.com/2007/03/dubstep-x-dirty-south-thugstep.html a blog]
# [http://www.riddim.ca/ a dubstep site with no mention of "thugstep"]
# [http://www.myspace.com/discjoceynappy a myspace page]
# [http://66.102.9.104/search?q=cache:tdO5m1t-tYMJ:www.houston-imports.com/forums/showthread.php%3Ft%3D370543+thugstep&hl=ru&ct=clnk&cd=30&gl=by a forum thread]
# [http://www.discogs.com/release/1232632 a discogs page]
# [http://www.myspace.com/squincyjones a myspace page]
# [http://www.mashit.com/2008/03/22/dj-mix-squincy-jones-nintendub/ a blog]


== Gorestep ==
:These are '''not notable sources''' --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 20:19, 20 April 2008 (UTC)
:: You haven't explained [http://www.mashit.com/2008/03/22/dj-mix-squincy-jones-nintendub/ why this one is not a notable source]. Though you tried it hard. -- [[Special:Contributions/86.57.254.215|86.57.254.215]] ([[User talk:86.57.254.215|talk]]) 09:24, 21 April 2008 (UTC)
*Just a slight correction here. ''Sources'' don't have to be notable - they do, however, have to be ''[[WP:RS|reliable]]''. The Mashit.com link is not a reliable source, as it doesn't appear to have any guaranteed fact-checking or oversight. Additionally it doesn't even mention "thugstep". [[User:Wickethewok|Wickethewok]] ([[User talk:Wickethewok|talk]]) 22:32, 21 April 2008 (UTC)
::whoops, yeah that's what i meant :P i was a bit flustered when i posted that --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 23:15, 21 April 2008 (UTC)
:::FWIW, the nintendub mix the anon editor linked is pretty good, a mix of nice bass, hiphop acapellas and 8bit sounds. still a genre of 1 or 2 artists, but at least an interesting one. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 23:45, 21 April 2008 (UTC)


Hey, I was thinking of adding an article to the genre titled 'Gorestep' I have an article too about it and it's been growing as a subgenre in itself. Let me know if you'd need more or better soursed articles [[Special:Contributions/120.147.37.23|120.147.37.23]] ([[User talk:120.147.37.23|talk]]) 18:45, 24 April 2017 (UTC)
== Children of men ==
[http://archive.voxmagazine.com/stories/2011/12/01/borgore-brings-gorestep-blue-note/ Borgore brings 'Gorestep' to The Blue Notework]


== External links modified ==
First off, great article, guys. So much better than all the articles for other electronic genres. But the bit about Children of Men using dubstep. Either this page is wrong or [[Children of Men]] is, because it only has one Digital Mystikz track mentioned but here you've got kode9 and a few more too. I haven't seen the film so I don't know which is right. [[User:Michael Clarke, Esq.|Michael Clarke, Esq.]] ([[User talk:Michael Clarke, Esq.|talk]]) 04:30, 18 April 2008 (UTC)


Hello fellow Wikipedians,
:the film itself features anti-war dub by mystikz (one of my favourite dubstep tracks ever, incidentally). the soundtrack features additional material, as soundtracks are wont to do these days. that being;
:*Witness (1 Hope)- Roots Manuva (not dubstep, but sorta proto-dubstep, and a cracking track)
:*Backward- Kode9 And The Spaceape
:*Money Honey- Pressure Feat. Warrior Queen
:*Indian Stomp- Cyrus (Random Trio)
--[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 23:51, 21 April 2008 (UTC)


I have just modified 7 external links on [[Dubstep]]. Please take a moment to review [https://en.wikipedia.org/enwiki/w/index.php?diff=prev&oldid=800576985 my edit]. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit [[User:Cyberpower678/FaQs#InternetArchiveBot|this simple FaQ]] for additional information. I made the following changes:
==Bad references, roots==
*Added archive https://web.archive.org/web/20120112122021/http://www.imorecords.co.uk/dubstep/hatcha-biography/ to http://www.imorecords.co.uk/dubstep/hatcha-biography/
References to Steve Gurley, El-B as early promoters of DS are not working. Further searching The Wire site results no [http://www.thewire.co.uk/search/?keywords=el-b&page=search el-b] and a link to [http://www.thewire.co.uk/articles/347/ burial's interview] in case of gurley. Discogs search on those four (el-b, bias, gurley, jay) results only el-b and jay having original dubstep production, but all those four have a massive of remixes in dark garage era (1999-2002?). Some of them should be moved to dark garage -- [[Special:Contributions/82.209.225.33|82.209.225.33]] ([[User talk:82.209.225.33|talk]]) 11:13, 22 April 2008 (UTC)
*Added archive https://web.archive.org/web/20110522042351/http://www.xlr8r.com/features/2006/09/low-end-theory to http://www.xlr8r.com/features/2006/09/low-end-theory
:the references are to the '''printed''' copy of that month's wire, which contained an excellent primer on dubstep. it's not reproduced on the site, but it's a perfectly reliable and citable reference. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 11:34, 22 April 2008 (UTC)
*Corrected formatting/usage for http://www.ilovefwd.com/
::anyway references like those do not suit the article. -- [[User:Werwerwer11|Werwerwer11]] ([[User talk:Werwerwer11|talk]]) 11:44, 22 April 2008 (UTC)
*Added archive https://web.archive.org/web/20110420044759/http://www.xlr8r.com/magazine/130 to http://www.xlr8r.com/magazine/130
:::i suggest you re-read wiki's policies on sources. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 11:48, 22 April 2008 (UTC)
*Added archive https://web.archive.org/web/20110812182552/http://www.theofficialcharts.com/archive-chart/_/1/2011-05-07 to http://www.theofficialcharts.com/archive-chart/_/1/2011-05-07/
:::: i suggest my balls in yer mouth - no page no reference -- [[Special:Contributions/82.209.225.33|82.209.225.33]] ([[User talk:82.209.225.33|talk]]) 12:10, 22 April 2008 (UTC)
*Added archive https://web.archive.org/web/20110928051407/http://www.dailygamecock.com/mix/item/1538-sbtrkt-adds-to-post-dubstep-genre to http://www.dailygamecock.com/mix/item/1538-sbtrkt-adds-to-post-dubstep-genre
::::: [[WP:CIVIL]], please. and printed sources are actually preferred to internet ones as they are less subject to link rot and are generally more stable. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 12:17, 22 April 2008 (UTC)
*Added archive https://web.archive.org/web/20110520224717/http://www.xlr8r.com/features/2011/05/bubblin-blawan-takes-post-dubste to http://www.xlr8r.com/features/2011/05/bubblin-blawan-takes-post-dubste


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==that latest ref==
there's actually a genealogical diagram/chart (by martin clark, i presume) in the liner notes. a minor obsession of mine is getting it onto wiki - would be great in MANY articles, (even as a navbar or something!) but i really can't see a way of reproducing it whilst adhering to GFDL :( --01:03, 28 May 2008 (UTC)
:This diagram shows that dubstep's origins is a 2-step garage by producers like Steve Gurley and El-B. So actually it was dark garage.--[[User:True Steppa|True Steppa]] ([[User talk:True Steppa|talk]]) 11:34, 28 May 2008 (UTC)


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== External links ==


Cheers.—[[User:InternetArchiveBot|'''<span style="color:darkgrey;font-family:monospace">InternetArchiveBot</span>''']] <span style="color:green;font-family:Rockwell">([[User talk:InternetArchiveBot|Report bug]])</span> 11:49, 14 September 2017 (UTC)
Aren't there WAY to many external links? I understand that I was reverted when I removed all of them, but I almost figured it would almost be easier to add relevant links again instead of having to look through all of them :P Anyway, links to numerous blogs and radio stations? Why? As the warning says: "WIKIPEDIA IS NOT A COLLECTION OF LINKS". [[User:Aktsu|aktsu]] ([[User talk:Aktsu|talk]]) 00:07, 4 July 2008 (UTC)
:there's been fairly extensive discussion here (check the archive) and on dubstepforum regarding this. mainly people complaining their link has been removed. the thing about this genre is a lot of it is internet-based. and as such a lot of the evolution is documented by some key sites, such as dubstepforum (where a lot of the artists interact with the fans/scene on a daily basis), getdarker, and martin clark's indispensable blog and columns in pitchfork. linking to things like these fall well within [[WP:EL]]. tell you what, give me a day or two and i'll do what i can to trim things down a bit. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 00:46, 4 July 2008 (UTC)
== Bot report : Found duplicate references ! ==
In [http://en.wikipedia.org/enwiki/w/index.php?useskin=monobook&title=Dubstep&redirect=no&oldid=230940415 the last revision I edited], I found duplicate named references, i.e. references sharing the same name, but not having the same content. Please check them, as I am not able to fix them automatically :)
* "djmag" :
** <nowiki>{{cite journal|title=The Dubstep Explosion!|journal=DJ Mag|date=2007-08-01|first=Emma|last=Warren|coauthors=|volume=4|issue=46|pages=p32|id= |url=}}</nowiki>
** <nowiki>.</nowiki>
* "Clark3" :
** <nowiki>[http://www.pitchforkmedia.com/article/feature/40344/The_Month_In_The_Month_In_Grime_Dubstep Grime / Dubstep | Pitchfork<!-- Bot generated title -->]</nowiki>
** <nowiki>[http://www.pitchforkmedia.com/article/feature/10337-column-the-month-in-grime-dubstep Pitchfork Feature: Column: The Month in Grime / Dubstep<!-- Bot generated title -->]</nowiki>
[[User:DumZiBoT|DumZiBoT]] ([[User talk:DumZiBoT|talk]]) 22:34, 10 August 2008 (UTC)


== "dark" garage ==
== External links modified ==


Hello fellow Wikipedians,
i am afraid i don't understand your reasoning here, anon. why limit the infobox to "dark" garage? show me an article called dark garage. i can certainly show you articles about [[2Step garage]] and [[UK Garage]], along with articles about [[Dub Music]] and [[Drum and Bass]]. your logic is flawed here - a closed-minded attitude to genre only limits the article. you are more than welcome to keep reverting me, i have given you my reasoning, which is logical, and i have no problem introducing arbitration to this dispute if needs be.


I have just modified 4 external links on [[Dubstep]]. Please take a moment to review [[special:diff/813727357|my edit]]. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit [[User:Cyberpower678/FaQs#InternetArchiveBot|this simple FaQ]] for additional information. I made the following changes:
you have accused me of [[WP:OWN]] on my talk page; i simply want this article to be as good as it can be, and i cannot regard the <s>addition</s> substitution into the article of a sub-subgenre whose validity did not pass an AfD in the past to be constructive. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 00:37, 19 September 2008 (UTC)
*Added archive https://web.archive.org/web/20071109111914/http://blogs.ocweekly.com/heardmentality/new-releases/have-you-heard-of-this-britney/ to http://blogs.ocweekly.com/heardmentality/new-releases/have-you-heard-of-this-britney
*Added archive https://web.archive.org/web/20090830230349/http://www.dazedgroup.com/Music/article/1000/1/Hank_Shocklee to http://www.dazedgroup.com/Music/article/1000/1/Hank_Shocklee
*Added archive https://web.archive.org/web/20111026083915/http://www.theofficialcharts.com/archive-chart/_/1/2010-09-04/ to http://www.theofficialcharts.com/archive-chart/_/1/2010-09-04/
*Added archive https://web.archive.org/web/20120107053638/http://www.mixmag.net/words/features/united-bass-of-america to http://mixmag.net/words/features/united-bass-of-america


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''(replicating some discussion from talk pages)''


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Hello, how about to check references in [[Dark 2step]] article. Most of them clearly state Dark 2step mutated into Dubstep. Or arent those references good enough for wikipedia? -- [[Special:Contributions/86.57.139.141|86.57.139.141]] ([[User talk:86.57.139.141|talk]]) 00:40, 19 September 2008 (UTC)
:anyway, please take this dispute to the talk page of the article, where i've expanded on my reasoning a bit. sorry if i come across as a bit grumpy, it's just that i'm sick of this argument. and as i have explained over there, no [[WP:OWN]] implied. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 00:40, 19 September 2008 (UTC)
:you will find that i have just [[WP:PROD]]ded the article you mention, as the references are poor and it definitely does not pass [[WP:N]] in my opinion. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 00:47, 19 September 2008 (UTC)
::Please discuss it in here. Thanks. First reference is from british "Pitchfork" magazine where it is stated that dark 2step is a genre of music by putting ("nu dark swing") alternative name to it to article. Second reference is from german "Groove" magazine where it is mentioned about "dark 2step sound" as precursor to dubstep. Third reference is from canadian "Kick" magazine where both grime and dark 2step are mentioned as direct precursors to dubstep, btw dark 2step is called a "genre" in the article. Fourth reference is from australian "Cyclic Defrost" magazine, where dark 2step sound is described. Why they dont suit wikipedia?
::So, please, stop unconstructive edits (like, adding nonsense template to article). By the way, there is no such thing as sub-subgenre. Thanks -- [[Special:Contributions/86.57.139.141|86.57.139.141]] ([[User talk:86.57.139.141|talk]]) 01:00, 19 September 2008 (UTC)
::::no, please discuss it on the talk page of the article, where anyone interested in the article can participate in the discussion. you are limiting the article. anyway from a musical point of view a lot of what [[Horsepower Productions]] did certainly could not be called 'dark'. indeed a lot of what [[Steve Gurley]] did might not be either. what you're doing is introducing, with subtlety, a [[WP:NPOV|point of view]] into the article. and that is not what wikipedia is about --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 01:12, 19 September 2008 (UTC)
:::::Well, as the discussion touches at least two articles (Dark 2step, Dubstep), it hardly should be discussed at "Dubstep". Thanks. And, as seeing you are inadequate in calling citation from electronic music magazines "as point of view", and putting nonsense templates to the article, i am cancelling this discussion. See [[WP:OWN]]. Thanks. -- 86.57.139.141 (talk) 01:16, 19 September 2008 (UTC)
::::::well, anonymous editor, you are welcome to keep reverting me, and i shall do likewise whilst remaining within the letter of wiki policy, if perhaps not the spirit. and if this drags on, i have no problem with introducing arbitration into the process. i am sick of having this argument. --Kaini (talk) 01:23, 19 September 2008 (UTC)
reverted. see comment. besides anything else, i think that dark garage introduces a POV issue. you are discounting very influential producers like zed bias and horsepower in the specificity of your additions. surely it is better to leave the genre at garage/2step without making this even more specific? it's an infobox. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 02:23, 22 September 2008 (UTC)


Cheers.—[[User:InternetArchiveBot|'''<span style="color:darkgrey;font-family:monospace">InternetArchiveBot</span>''']] <span style="color:green;font-family:Rockwell">([[User talk:InternetArchiveBot|Report bug]])</span> 22:51, 4 December 2017 (UTC)
== the infobox as it is at present ==


== External links modified ==
[[2-step garage]] and [[dark 2-step]] are both derivatives of [[UK garage]]. As I've stated, I'm perfectly willing to compromise (I'm interested in improving the 2-step article!) but seeing as UK garage is sort of progenitor of many of the rhythms and tropes of the sound, i really feel it needs to stay in the infobox. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 02:22, 8 October 2008 (UTC)


Hello fellow Wikipedians,
== genres in infoboxes ==


I have just modified one external link on [[Dubstep]]. Please take a moment to review [[special:diff/819402800|my edit]]. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit [[User:Cyberpower678/FaQs#InternetArchiveBot|this simple FaQ]] for additional information. I made the following changes:
current editors of this article might find [[Wikipedia talk:WikiProject Music#Time to remove genre section on info box?|this discussion]] interesting. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 21:07, 10 October 2008 (UTC)
*Added archive https://web.archive.org/web/20110713051745/http://inyourbass.com/articles/39 to http://inyourbass.com/articles/39


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== references in the infobox..==


{{sourcecheck|checked=false|needhelp=}}
...should not be necessary. Everything in the infobox should be a very quick summary of prose in the article dictated by the field names, which should be referenced within the article where it's written as prose. currently this is not the case, there is no mention of "dark 2-step" in the article except in the infobox, and if it's as easily sourcable as it seems then there should be. - <font face="Trebuchet MS">[[User:Filelakeshoe|<font color="#60B">file</font><font color="#00B">lake</font>]][[User talk:Filelakeshoe|<font color="#0B0">shoe</font>]]</font> 23:09, 10 October 2008 (UTC)
:exactly. please, anon editor, if you are going to include things in the infobox, back them up with improvements in the article.
::like [http://en.wikipedia.org/enwiki/w/index.php?title=Dubstep&diff=244558284&oldid=244483226 this]. if you want to help, you should be improving the article, not engaging in an edit war over an infobox. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 12:35, 11 October 2008 (UTC)
:anyway considering the debate raging at present which i linked to above, this might all be utterly moot soon. i am removing dark 2step from the infobox until material that passes [[WP:RS]] is added to the article to support it. i won't even get into my feelings regarding the article on that "genre", bar saying it's mergeworthy at best --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 23:13, 10 October 2008 (UTC)


Cheers.—[[User:InternetArchiveBot|'''<span style="color:darkgrey;font-family:monospace">InternetArchiveBot</span>''']] <span style="color:green;font-family:Rockwell">([[User talk:InternetArchiveBot|Report bug]])</span> 04:50, 9 January 2018 (UTC)
== Characteristics section ==


== Decline/death of dubstep ==
Look at how many times '''often''' is used in this section. Such use makes it sound as if there is no definitive nature to the genre and appear [[wp:weasel|weaselly]]. Actually, this entire section presents an appearance when read, that dubstep can not be defined. Perhaps instead of using often so much, provide examples of use. What B-side releases contain these experiments? Which dubstep artists have incorporated a variety of outside influences, instead of '''some'''? What releases present a dark feel; tracks using a minor key and featuring dissonant harmonies such as the diminished chord, in place of frequently and often?


[https://trends.google.com/trends/explore?date=all&q=dubstep Interest in dubstep has declined dramatically since 2011]. Anyone else think the genre's death needs its own section? - [[User:HappyWaldo|HappyWaldo]] ([[User talk:HappyWaldo|talk]]) 12:16, 11 January 2018 (UTC)
<blockquote>Dubstep's early roots are in the more experimental releases of UK garage producers, seeking to incorporate elements of [[Grime (music)|grime]] into the [[South London]]-based [[2-step garage|2-step]]. These experiments often ended up on the B-side of a [[white label]] or commercial garage release.<ref name="teleg">{{cite news|work=[[The Daily Telegraph]] |date=[[2006-10-14]] |last = de Wilde |first=Gervase |url=http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2006/10/14/bmdubstep14.xml |title=Put a bit of dub in your step: a new form of dance music from Croydon is ready to conquer the world}}</ref><ref name="wire279">{{cite journal|url=http://www.thewire.co.uk/current/index.php |journal=[[The Wire (magazine)|The Wire]] |issue=279 |title=The Primer: Dubstep}}</ref><ref name="plasticman">{{cite web|title= Interview: Plasticman|work= Riddim.ca |url=http://www.riddim.ca/index.php?option=com_content&task=view&id=49&Itemid=39 |author=Pearsall |date=[[2005-06-18]]}}</ref> Dubstep is generally [[instrumental music|instrumental]]. Like another, more vocal garage hybrid, [[Grime (music)|grime]], the genre's feel is often dark; tracks frequently use a [[minor key]] and often feature [[dissonant]] harmonies such as the [[diminished chord]]. Other distinguishing features often found are the use of [[sample (music)|samples]], a propulsive, sparse rhythm,<ref name="cbc">[http://www.cbc.ca/arts/music/dub_style.html "South London calling" from CBC.ca website] Matthew McKinnon, January 30 2007</ref> and an almost omnipresent [[sub-bass]]. Some dubstep artists have also incorporated a variety of outside influences, from dub-influenced [[techno]] such as [[Basic Channel]] to [[classical music]] or [[heavy metal]].<ref name="cbc" /><ref name = "Pitch5" /><ref name="RA101" /></blockquote>
:{{ping|HappyWaldo}}, I agree. I found this article, published all the way back in 2016, that argues it happened around that time. I've added this to the main article
<nowiki>By 2016, the genre had declined drastically in popularity, particularly in the United States. <ref name="dubstepdeadpitchfork">{{cite web|last1=Sherborne|first1=Philip|title=Popping the Drop: A Timeline of How EDM’s Bubble Burst|url=https://pitchfork.com/thepitch/1086-popping-the-drop-a-timeline-of-how-edms-bubble-burst/|website=[[Pitchfork.com]]|publisher=Conde Nast|accessdate=23 January 2018|date=5 April 2016}}</ref></nowiki>
-- [[User:R9tgokunks|Gokunks]] <small>([[User talk:R9tgokunks|Speak to me]])</small> 09:45, 23 January 2018 (UTC)
::{{ping|R9tgokunks}} I think we should change this section title to "Decline in Mainstream Popularity" considering the genre is still very popular. The current title implies a global decline in popularity whereas the 'underground' (rather, the non-brostep) dubstep community is thriving. The genre certainly isn't dead. - [[User:Eartaker|Eartaker]] ([[User talk:Eartaker|talk]]) 22:12, 21 February 2018 (UTC)
-- [[User:R9tgokunks|NuclearCouch]] I agree, we need to get an edit on this it's very misleading as of current. Dubstep is still an extremely popular sub-genre of EDM and has grown into the mainstream in terms of live electronic music events. You can't go to a EDM music festival nowadays without hearing dubstep. [[User:NuclearCouch|NuclearCouch]] ([[User talk:NuclearCouch|talk]]) 19:36, 8 August 2018 (UTC)


Heres a good article on how dubstep is actually very alive from the words of Zha, owner of Fent Plates, White Peach, and Yellow Flower. https://www.redbull.com/gb-en/dubstep-back-at-cutting-edge This section needs major revisions in general, the sex assault case isn't relevant and the other mentioned artists activities aren't indicative of the genre as a whole. Surprisingly Skream and Loefah moving onto different genres isn't mentioned here despite both of them being very instrumental figures. Also shouldn't this be part of the History section? [[User:Eartaker|Eartaker]] ([[User talk:Eartaker|talk]]) 08:51, 17 August 2018 (UTC)
Not knowing anything about dubstep, once I read this section, I stopped and almost went on to another article because I thought, well this doesn't tell me anything. Perhaps this can be rewritten and better defined? Only a suggestion of course. Cheers. --<small><span style="border:1px solid black;padding:1px;">[[User:JavierMC|<font style="color:#fef;background:darkblue;">'''Javier'''</font>]][[User talk:JavierMC|<font style="color:darkblue;background:white;">'''MC''']]</font></span></small> 00:21, 14 October 2008 (UTC)
:This could be added, though i'm not 100% sure about its reliability. As many people have said, dubstep isn't really dying, it's just not mainstream. I suggest that the 'Decline in popularity' section should be changed to 'Decline in the mainstream' or some other topic to better represent the genre's status. In this section, Rusko's new EP could be added (<ref>{{Cite news|url=https://mixmag.net/read/dubstep-pioneer-rusko-returns-and-has-made-five-more-songs-news|title=Dubstep pioneer Rusko returns and 'Has Made Five More Songs'|work=[[Mixmag]]|access-date=2018-08-18|archive-url=https://web.archive.org/web/20180404234746/http://mixmag.net/read/dubstep-pioneer-rusko-returns-and-has-made-five-more-songs-news|archive-date=2018-04-04|dead-url=no|df=}}</ref><ref>{{Cite news|url=https://www.youredm.com/2018/04/04/rusko-has-made-five-more-songs/|title=Rusko Unleashes 5 Brand New Songs Fresh From Beating Cancer [LISTEN]|date=2018-04-04|work=Your EDM|access-date=2018-08-18|language=en-US|archive-url=https://web.archive.org/web/20180614164523/https://www.youredm.com/2018/04/04/rusko-has-made-five-more-songs/|archive-date=2018-06-14|dead-url=no|df=}}</ref><ref>{{Cite news|url=https://dancingastronaut.com/2018/04/rusko-returns-highly-anticipated-new-ep-made-five-songs/|title=Rusko returns with highly anticipated new EP|date=2018-04-04|work=[[Dancing Astronaut]]|access-date=2018-08-18|language=en-US|archive-url=https://web.archive.org/web/20180404203054/https://dancingastronaut.com/2018/04/rusko-returns-highly-anticipated-new-ep-made-five-songs/|archive-date=2018-04-04|dead-url=no|df=}}</ref>) and Truth in general(<ref>{{Cite news|url=https://www.youredm.com/2017/05/02/edm-interview-truth-talk-dubstep-truth-wilderness-mirrors-video/|title=Your EDM Interview: Truth Talk Dubstep, Truth and the "Wilderness of Mirrors" [video] {{!}} Your EDM|date=2017-05-02|work=Your EDM|access-date=2018-08-18|language=en-US|archive-url=https://web.archive.org/web/20170515024212/http://www.youredm.com/2017/05/02/edm-interview-truth-talk-dubstep-truth-wilderness-mirrors-video/|archive-date=2017-05-15|dead-url=no|df=}}</ref>).
{{Reflist}}
[[User:MicroPowerpoint|Micro]] ([[User talk:MicroPowerpoint|Talk]]) 14:03, 18 August 2018 (UTC)
:{{ping|MicroPowerpoint}}Yes I do agree that this section should have been about dubstep's relevance in the ''mainstream'' and not in general, I originally asked about that in an earlier reply. What about the article seems dubious? I don't think either of Rusko or Truth's new releases are an indication of the scenes health, thats just two artists. Rusko and Truth ''are'' more mainstream, but this section should be about the scene overall. There have been ~40 releases this month alone (if you think the Reddit community /r/realdubstep does a good job at cataloging), plenty of which are on major labels. There isn't much mainstream presence, but there's quite a lot going on in the underground. [[User:Eartaker|Eartaker]] ([[User talk:Eartaker|talk]]) 09:02, 21 August 2018 (UTC)
:::While Reddit isn't a good source to use, you could get some info and from the subreddit you stated and see if any of the songs got any coverage. The decline from mainstream could also feature brostep and riddim releases such as Excision, Dion Timmer, Dubloadz, etc as those genres are still relatively popular and there should be reliable coverage on recent releases such as Excision's newest album. Pair that with the references I linked above and the Red Bull article and it should be good. I found some more potentially usable references for this section, including three references for Capsa's Ghost Town EP (2017)<ref>{{Cite news|url=https://dancingastronaut.com/2017/11/listen-caspas-ominous-3-track-ghost-town-ep-2/|title=Listen to Caspa's ominous 3-track 'Ghost Town' EP - Dancing Astronaut|date=2017-11-23|work=Dancing Astronaut|access-date=2018-08-21|language=en-US|archive-url=https://web.archive.org/web/20171130060551/http://dancingastronaut.com/2017/11/listen-caspas-ominous-3-track-ghost-town-ep-2/|archive-date=2017-11-30|dead-url=no|df=}}</ref><ref>{{Cite news|url=https://edm.com/music-releases/caspa-ghost-town|title=Dubstep Pioneer Caspa Releases New EP "Ghost Town" on Bassrush|work=EDM.com - The Latest Electronic Dance Music News, Reviews & Artists|access-date=2018-08-21|language=en}}</ref><ref>{{Cite news|url=https://nesthq.com/caspa-ghost-town-ep|title=Caspa's 'Ghost Town' EP Is Dirty, Dark, And Sexy Underground Bass - NEST HQ|date=2017-11-22|work=[[Nest HQ]]|access-date=2018-08-21|language=en-US|archive-url=https://web.archive.org/web/20180224112413/https://nesthq.com/caspa-ghost-town-ep|archive-date=2018-02-24|dead-url=no|df=}}</ref> and one for Ganja White Night.<ref>{{Cite news|url=https://ukf.com/words/everything-need-know-ganja-white-night-origins/21272|title=Everything You Need To Know About Ganja White Night – The Origins|date=2018-02-06|work=[[UKF Music|UKF]]|access-date=2018-08-21|language=en-US}}</ref>. Basically the section can be reworked into saying how although dubstep has left the mainstream, various artists still produce the genre, though brostep/riddim tends to be a much more popular subgenre compared to "real" dubstep.
{{Reflist}}
[[User:MicroPowerpoint|Micro]] ([[User talk:MicroPowerpoint|Talk]]) 14:32, 21 August 2018 (UTC)
::::Yeah Reddit itself is obviously not a good source, but I think its a decent reflection of the state of the culture, especially now that dubstepforum is less active. Sites like Duploc and Trusik give very regular coverage in the form of reviews and interviews for the more underground sounds in the scene, e.g. https://trusik.co.uk/2018/03/02/soukah-windowlicka-ep-rare7/ or https://duploc.com/artkl034/. Charts like Beatport have "deep dubstep" as a popular category of "leftfield bass" https://www.beatport.com/genre/leftfield-bass/85/top-100. Yeah thats exactly what this section should be about, the presences is weak in the mainstream but its still being pushed in the underground. [[User:Eartaker|Eartaker]] ([[User talk:Eartaker|talk]]) 04:06, 22 August 2018 (UTC)
{{od}}While those sites are pretty neat because they actually give coverage to underground artists/releases, i don't think either of them are usable as they both look like they are run by fans and dubstep enthusiasts instead of having actual editorial oversight or staff like sites such as Your EDM, [[Dancing Astronaut]], [[Billboard (magazine)|Billboard]], etc. While you can't use beatport as a reference as it is both a [[WP:BADCHARTS]] and a primary source with no info, you can use reliable sites that have covered the beatport chart additions of deep dubstep, leftfield bass (I have no idea what that is), garage and grime.<ref>{{Cite web|url=https://www.residentadvisor.net/news.aspx?id=39747|title=Beatport expands bass music section with three new genre categories|website=[[Resident Advisor]]|access-date=2018-08-22}}</ref><ref>{{Cite news|url=https://edm.com/news/beatport-back-to-bass|title=Beatport Goes "Back To Bass" by Adding Three New Genres|work=EDM.com - The Latest Electronic Dance Music News, Reviews & Artists|access-date=2018-08-22|language=en}}</ref> You previously mentioned that there is no mention of Skream and Loefah moving onto different genres and although i couldn't really find anything about Loefah, I found two references that are usable to just mention that Skream moved away from dubstep to techno and house.<ref>{{Cite news|url=https://dancingastronaut.com/2018/07/skream-goes-full-techno-new-single-poison/|title=Skream goes full techno on new single, 'Poison' - Dancing Astronaut|date=2018-07-14|work=Dancing Astronaut|access-date=2018-08-22|language=en-US}}</ref><ref>{{Cite news|url=https://mixmag.net/feature/skream-shares-the-tracks-lighting-up-his-marathon-open-to-close-sets|title=Skream shares the tracks lighting up his marathon Open-To-Close sets|work=Mixmag|access-date=2018-08-22|archive-url=https://web.archive.org/web/20180117200838/http://mixmag.net/feature/skream-shares-the-tracks-lighting-up-his-marathon-open-to-close-sets|archive-date=2018-01-17|dead-url=no|df=}}</ref> The main thing is to pretty much structure and actually construct the section that includes everything talked about here.
{{Reflist}}
[[User:MicroPowerpoint|Micro]] ([[User talk:MicroPowerpoint|Talk]]) 10:24, 22 August 2018 (UTC)
{{od}}Here's a little mockup section for a replacement for the "Decline in popularity" section, the riddim part might make more sense to be added to the "Brostep and American developments" section. Would need further editing.
=== Decline in mainstream popularity ===
By 2016, dubstep had declined drastically in popularity, particularly in the United States, where many formerly successful dubstep artists became most popular. Artists such as Skrillex, for instance, moved on to producing tracks for [[Trap music (EDM)|trap]] and [[Pop music|pop]] artists,<ref name="dubstepdeadpitchfork">{{cite web|url=https://pitchfork.com/thepitch/1086-popping-the-drop-a-timeline-of-how-edms-bubble-burst/|title=Popping the Drop: A Timeline of How EDM’s Bubble Burst|last1=Sherborne|first1=Philip|date=5 April 2016|website=[[Pitchfork.com]]|publisher=Conde Nast|accessdate=23 January 2018|archive-url=https://web.archive.org/web/20180104020847/https://pitchfork.com/thepitch/1086-popping-the-drop-a-timeline-of-how-edms-bubble-burst/|archive-date=2018-01-04|dead-url=no|df=}}</ref><ref>{{cite web|url=http://www.startribune.com/bassnectar-hates-the-label-electronic-music-but-loves-summer-set/321766261/|title=Metalhead turned dance-music star Bassnectar is happy to headline this weekend's Summer Set fest because its lineup is more eclectic than "electronic."|last1=Chris|first1=Riemenschneider|date=13 August 2015|website=Startribune.com|publisher=[[The Minneapolis Star-Tribune]]|accessdate=23 January 2018|quote="''Dubstep obviously is already a thing of the past.''"|archive-url=https://web.archive.org/web/20180124005702/http://www.startribune.com/bassnectar-hates-the-label-electronic-music-but-loves-summer-set/321766261/|archive-date=2018-01-24|dead-url=no|df=}}</ref><ref>{{cite web|url=https://thump.vice.com/en_ca/article/pg8n7m/dubstep-may-be-dying-just-dont-tell-canadians-that|title=Dubstep May Be Dying, Just Don’t Tell Canadians That|last1=Champagne|first1=Jesse|date=14 Mar 2014|website=[[Vice.com]]|publisher=VICE Magazine|accessdate=23 January 2018|quote="''Dubstep is DEAD… The movement is over.''"|archive-url=https://web.archive.org/web/20180123190841/https://thump.vice.com/en_ca/article/pg8n7m/dubstep-may-be-dying-just-dont-tell-canadians-that|archive-date=2018-01-23|dead-url=no|df=}}</ref> while artists such as Mount Kimbie and [[James Blake (musician)|James Blake]] shifted their sounds from post-dubstep into more experimental or soulful electronic influenced music.<ref>{{cite news|url=https://www.theguardian.com/music/2017/sep/07/mount-kimbie-love-what-survives-review-electric-wit-and-wisdom-from-london-synth-duo|title=Mount Kimbie: Love What Survives review – electric wit and wisdom from London synth duo|last1=Aroesti|first1=Rachel|date=7 September 2017|newspaper=[[The Guardian]]|accessdate=23 January 2018|archive-url=https://web.archive.org/web/20171111212509/https://www.theguardian.com/music/2017/sep/07/mount-kimbie-love-what-survives-review-electric-wit-and-wisdom-from-london-synth-duo|archive-date=2017-11-11|dead-url=no|df=}}</ref><ref>{{cite web|url=http://pitchfork.com/reviews/albums/21906-the-colour-in-anything/|title=James Blake: The Colour in Anything|last=Lozano|first=Kevin|date=10 May 2016|website=[[Pitchfork Media]]|access-date=2018-08-25|archive-url=https://web.archive.org/web/20180817193410/https://pitchfork.com/reviews/albums/21906-the-colour-in-anything/|archive-date=2018-08-17|dead-url=no|df=}}</ref> Early influencers and pioneers of dubstep such as Skream and Loefah moved away from the genre, moving onto other genres instead. Loefah stopped playing and producing dubstep and moved onto UK bass music, founding his record label Swamp81 in the process.<ref>{{Cite news|url=https://www.clashmusic.com/features/pleasure-principle-loefah|title=Pleasure Principle: Loefah|last=|first=|date=|work=[[Clash Magazine]]|access-date=2018-08-24|language=en|archive-url=https://web.archive.org/web/20151118051206/http://www.clashmusic.com/features/pleasure-principle-loefah|archive-date=2015-11-18|dead-url=no|df=}}</ref> Skream shifted away from dubstep, choosing to instead produce play largely house and techno music in his DJ sets and releasing various techno songs on Alan Fitzpatrick's record label We Are The Brave.<ref>{{Cite news|url=https://mixmag.net/feature/skream-shares-the-tracks-lighting-up-his-marathon-open-to-close-sets|title=Skream shares the tracks lighting up his marathon Open-To-Close sets|work=Mixmag|access-date=2018-08-22|archive-url=https://web.archive.org/web/20180117200838/http://mixmag.net/feature/skream-shares-the-tracks-lighting-up-his-marathon-open-to-close-sets|archive-date=2018-01-17|dead-url=no|df=}}</ref><ref>{{Cite news|url=https://dancingastronaut.com/2018/07/skream-goes-full-techno-new-single-poison/|title=Skream goes full techno on new single, 'Poison' - Dancing Astronaut|date=2018-07-14|work=Dancing Astronaut|access-date=2018-08-22|language=en-US}}</ref>


Various artists continue to produce the genre, including British bass music producer Caspa, who had released his ''Ghost Town EP'' released on 17 November 2017.''<ref>{{Cite news|url=https://dancingastronaut.com/2017/11/listen-caspas-ominous-3-track-ghost-town-ep-2/|title=Listen to Caspa's ominous 3-track 'Ghost Town' EP - Dancing Astronaut|date=2017-11-23|work=Dancing Astronaut|access-date=2018-08-21|language=en-US|archive-url=https://web.archive.org/web/20171130060551/http://dancingastronaut.com/2017/11/listen-caspas-ominous-3-track-ghost-town-ep-2/|archive-date=2017-11-30|dead-url=no|df=}}</ref><ref>{{Cite news|url=https://edm.com/music-releases/caspa-ghost-town|title=Dubstep Pioneer Caspa Releases New EP "Ghost Town" on Bassrush|work=EDM.com - The Latest Electronic Dance Music News, Reviews & Artists|access-date=2018-08-21|language=en}}</ref><ref>{{Cite news|url=https://nesthq.com/caspa-ghost-town-ep|title=Caspa's 'Ghost Town' EP Is Dirty, Dark, And Sexy Underground Bass - NEST HQ|date=2017-11-22|work=[[Nest HQ]]|access-date=2018-08-21|language=en-US|archive-url=https://web.archive.org/web/20180224112413/https://nesthq.com/caspa-ghost-town-ep|archive-date=2018-02-24|dead-url=no|df=}}</ref>'' On 4 April 2018, British brostep producer Rusko released his first solo extended play in three years titled ''Has Made 5 More Songs,'' which was described as a grime and reggae-infused tribute to the production techniques that popularised dubstep a decade prior.<ref>{{Cite news|url=https://mixmag.net/read/dubstep-pioneer-rusko-returns-and-has-made-five-more-songs-news|title=Dubstep pioneer Rusko returns and 'Has Made Five More Songs'|work=[[Mixmag]]|access-date=2018-08-18|archive-url=https://web.archive.org/web/20180404234746/http://mixmag.net/read/dubstep-pioneer-rusko-returns-and-has-made-five-more-songs-news|archive-date=2018-04-04|dead-url=no|df=}}</ref><ref>{{Cite news|url=https://dancingastronaut.com/2018/04/rusko-returns-highly-anticipated-new-ep-made-five-songs/|title=Rusko returns with highly anticipated new EP|date=2018-04-04|work=[[Dancing Astronaut]]|access-date=2018-08-18|language=en-US|archive-url=https://web.archive.org/web/20180404203054/https://dancingastronaut.com/2018/04/rusko-returns-highly-anticipated-new-ep-made-five-songs/|archive-date=2018-04-04|dead-url=no|df=}}</ref><ref>{{Cite news|url=https://www.youredm.com/2018/04/04/rusko-has-made-five-more-songs/|title=Rusko Unleashes 5 Brand New Songs Fresh From Beating Cancer|date=2018-04-04|work=Your EDM|access-date=2018-08-18|language=en-US|archive-url=https://web.archive.org/web/20180614164523/https://www.youredm.com/2018/04/04/rusko-has-made-five-more-songs/|archive-date=2018-06-14|dead-url=no|df=}}</ref> Examples of relatively new artists who produce the genre include Belgian duo Ganja White Night and New Zealand-based duo [[Truth (duo)|Truth]].<ref>{{Cite news|url=https://www.youredm.com/2017/05/02/edm-interview-truth-talk-dubstep-truth-wilderness-mirrors-video/|title=Your EDM Interview: Truth Talk Dubstep, Truth and the "Wilderness of Mirrors" [video] {{!}} Your EDM|date=2017-05-02|work=Your EDM|access-date=2018-08-18|language=en-US|archive-url=https://web.archive.org/web/20170515024212/http://www.youredm.com/2017/05/02/edm-interview-truth-talk-dubstep-truth-wilderness-mirrors-video/|archive-date=2017-05-15|dead-url=no|df=}}</ref><ref>{{Cite news|url=https://ukf.com/words/everything-need-know-ganja-white-night-origins/21272|title=Everything You Need To Know About Ganja White Night – The Origins|date=2018-02-06|work=[[UKF Music|UKF]]|access-date=2018-08-21|language=en-US}}</ref>
:thank you for the feedback, javier. i kinda agree with you. i tried to declunkify the clunkiest sentence in that section tonight, but it's still maybe a bit fuzzy. to quote filelakeshoe from a related article (substitute your favourite genres ad hoc):
::''Bassline, dubstep and grime are all sub-genres of UK garage, hence why they're in the UK garage footer. UK garage as a "genre" is pretty contentious anyway, any musicologist would laugh in our faces.''
:i'll try and improve this section (the increasing influence from [[minimal techno]] and [[Basic Channel|dub techno]] is mentioned elsewhere in the article, but maybe needs more incorporation into this particular section). --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 00:57, 14 October 2008 (UTC)


Zha, owner of dubstep and grime record labels Fent Plates, White Peach, and Yellow Flower believed that 2018 and the following years would provide "another golden era" similar to the mid-to-late 2000s with the rise of artists similar to Skream, Mala, Caspa and Rusko.<ref>{{Cite web|url=https://www.redbull.com/gb-en/dubstep-back-at-cutting-edge|title=Why dubstep is back at the cutting edge in 2018|last=|first=|date=|website=[[Red Bull GmbH|Red Bull]]|language=en|archive-url=|archive-date=|dead-url=|access-date=2018-08-25}}</ref> In August 2018, American [[online music store]] [[Beatport]] added several dubstep-related subgenres to its genre catalogue including 'leftfield bass', 'garage/bassline/grime' and 'deep dubstep'.<ref>{{Cite news|url=https://edm.com/news/beatport-back-to-bass|title=Beatport Goes "Back To Bass" by Adding Three New Genres|work=EDM.com - The Latest Electronic Dance Music News, Reviews & Artists|access-date=2018-08-22|language=en}}</ref> The subgenres were added to expand upon Beatport's bass music section, which (since 2010) had previously only included dubstep.<ref>{{Cite web|url=https://www.residentadvisor.net/news.aspx?id=39747|title=Beatport expands bass music section with three new genre categories|website=[[Resident Advisor]]|access-date=2018-08-22}}</ref>
:Well, from what you've said about weaselling, either the options are to imply that '''''all''''' "releases ended up on the B-side of a [[white label]] or commercial garage release", which is obviously rubbish, or "some of these experiments such as blahblah by blahblah blah remix and blah blah blah have ended up..." do you mean to say that that would sound better? It still sounds weaselly, and also adds a vanity-magnet for self proclaimed bedroom producers to add their tracks to the list. I do see what you're saying about dubstep being undefinable as a genre (although I would disagree in that I personally feel it's a lot more seperately definable than other electronic music "genres" such as bassline house - the stuff about the rhythm and the bassline dominating the track ''should'', if it doesn't already, give off this impression), but people still know it as a scene and this does honestly seem to be the most effective way of describing the development of said scene without going into too much detail and making the article sound like a rant on a music blog. Cheers for the feedback though, will think about this some more. - <font face="Trebuchet MS">[[User:Filelakeshoe|<font color="#60B">file</font><font color="#00B">lake</font>]][[User talk:Filelakeshoe|<font color="#0B0">shoe</font>]]</font> 01:05, 14 October 2008 (UTC)
::to paraphrase kode9, what we are attempting to capture are snapshots of a transition in the hardcore continuum. there is no definitive moment when everyone stopped calling this stuff experimental garage, dark 2-step, nu dark swing, or whatever else and started calling it dubstep, despite whatever some book, magazine, academic publication or website says.
::what i think we've done a good job on with this article with is documenting the evolution of a rather odd offshoot of DnB,garage,2-step, whatever into a sound that generates enough of a blip on the radar for trendy producers to use similar sounds on a britney track. the article is relatively neutral in tone and demarcating the borders within genres particularly within electronic music is a notoriously fuzzy endeavour. with this particular task, you will '''never''' please '''everybody'''. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 01:20, 14 October 2008 (UTC)


In the mid-2010s, ''riddim'' emerged as a subgenre of dubstep, with Subtronics, an American producer of the subgenre, describing the subgenre as counter mainstream, saying that "it was cool because it wasn't cool", ultimately describing the subgenre as a re-hashing of the old school style of UK dubstep being introduced back into American culture.<ref name=":0">{{Cite news|url=https://edm.com/interviews/subtronics-on-bass-music|title=Subtronics On The Rise Of Riddim, Key To Sound Design & Future Of Bass Music|work=EDM.com - The Latest Electronic Dance Music News, Reviews & Artists|access-date=2018-08-25|language=en}}</ref> the subgenre is usually composed at a tempo of 140–150 beats per minute, with Dave Jenkins of [[UKF Music|UKF]] describing the subgenre as Deep, roomy and moody.<ref name=":1">{{Cite news|url=https://ukf.com/words/infekts-guide-riddim/20631|title=Infekt’s Guide To Riddim|date=2017-10-27|work=UKF|access-date=2018-08-25|language=en-US}}</ref><ref name=":0" /><ref name=":1" /><ref>{{Cite news|url=https://www.forbes.com/sites/lisakocay/2018/07/10/circus-records-dubstep/#6e04a1b156bb|title=How Circus Records Helped Bring Dubstep Into The Mainstream|last=Kocay|first=Lisa|date=|work=[[Forbes]]|access-date=2018-08-25|language=en|archive-url=https://web.archive.org/web/20180713184956/https://www.forbes.com/sites/lisakocay/2018/07/10/circus-records-dubstep/#6e04a1b156bb|archive-date=2018-07-13|dead-url=no|df=}}</ref>
::This was only my perception from reading the section. I guarantee you I have no expertize on the subject and when I was reading and kept encountering the use of often and other such vague phrasing, it just left me with the impression of a fringe genre. Maybe it can't be better defined, I just thought I'd leave the interested editors with my thoughts. But like Kaini says, not everyone can be pleased, I just wish I had some knowledge to help, but alas, I do not.--<small><span style="border:1px solid black;padding:1px;">[[User:JavierMC|<font style="color:#fef;background:darkblue;">'''Javier'''</font>]][[User talk:JavierMC|<font style="color:darkblue;background:white;">'''MC''']]</font></span></small> 01:42, 14 October 2008 (UTC)
{{Reflist}}
[[User:MicroPowerpoint|Micro]] ([[User talk:MicroPowerpoint|Talk]]) 11:24, 25 August 2018 (UTC)
::Many of the artists listed are red links and should not be mentioned (non-notable). We also need to keep some perspective. [https://trends.google.com/trends/explore?date=all&q=dubstep See the tiny spike in early 2018]? That's the Datsik controversy. That's the most exposure dubstep has received in a long time, hence why it was originally mentioned in the article (has since been removed by another editor, calling it irrelevant information). Enough time has passed for dubstep's decline to be measured and documented. We need even more time before we can assess whether it is or will experience a "renaissance" of any real importance. 01:23, 26 August 2018 (UTC)
:::Yea, the section does need heavy editing, most of the artists listed should either have a wiki article or should have reliable articles about how they make riddim. I was the one who removed the datsik stuff because, in my opinion, it really had nothing to do with dubstep, Datsik just so happened to be a dubstep producer. I was pretty sure that the whole Datsik thing didn't give much exposure to dubstep, because that happened in March, so I [https://www.google.com.au/search?q=dubstep&rlz=1C1CHWA_enAU630AU630&source=lnt&tbs=cdr%3A1%2Ccd_min%3A5%2F6%2F2018%2Ccd_max%3A6%2F23%2F2018&tbm= looked up a google search restricted to the time frame of the spike] (6 May 2018 - 23 June 2018) and it might be because how Deadpool 2 had a whole thing going on with dubstep, I dunno, I didn't see the movie. The whole "renaissance" thing is just an opinion of a riddim artist, pretty much just a placeholder. [[User:MicroPowerpoint|Micro]] ([[User talk:MicroPowerpoint|Talk]]) 06:00, 26 August 2018 (UTC)


Dubstep has made a bit of a resurgence into the mainstream again thanks to mega radio star Marshmello AKA Chris Comstock - Previously known as DotCom, he produced mostly dubstep from 2010-2014, wasn't too popular and began a new alias as Marshmello which clearly took off. The Marshmello alias "sound" has revolved mostly around a "happy" "joyful" vibe, probably closest in genre to Future Bass. In 2019, I suppose mello decided he wanted to change it up and started working on a track with popular dubstep riddim producer SVDDEN DEATH under the name of "Sell Out". <ref>https://www.billboard.com/articles/news/dance/8496862/marshmello-svdden-death-announce-new-collaboration-sell-out</ref>.<ref>https://dancingastronaut.com/2019/02/marshmello-foray-dubstep-sell-out-just-that/</ref><ref>https://www.youredm.com/2019/02/06/marshmello-svdden-death-collab-first-listen/</ref> "Sell Out" did very well for a dubstep track in current times ranking at 36 on the Billboard Hot Dance/Electronic charts..<ref>https://www.billboard.com/music/Marshmello/chart-history/DAN</ref> The track has over 3.1 million plays on youtube, an amount no other song belonging to the dubstep genre has reached since Torro Torro - Make a Move (Skrillex Remix) in 2016.<ref>https://www.youtube.com/watch?v=aAv8AtxuF8s</ref> There was much backlash from Mellos typical fans, as they were not used to this style of music, as well as backlash from Svdden Death fans as they didn't want to believe Marshmello had any part in the song because again, it didn't really sound like his style. <ref>https://www.bandwagon.asia/articles/marshmello-fires-back-at-the-haters-on-new-track-sell-out-with-svdden-death</ref> <ref>https://www.youredm.com/2019/02/08/marshmello-and-svdden-death-release-fiery-collab-sell-out/</ref> <ref>https://en.wikipedia.org/wiki/Sell_Out_(Marshmello_and_Svdden_Death_song)</ref> Following the release of Sell Out, Marshmello and Svdden Death began working on a new collab titled Crusade. It released February 24th, 2020 and did very well on youtube amassing over 2 million viewers. <ref>https://edm.com/music-releases/marshmello-svdden-death-crusade</ref> <ref>https://www.youtube.com/watch?v=NJeWO1mW9eI</ref> In June 2020, popular dubstep-riddim producer Virtual Riot collaborated with Skrillex, Ty Dolla $ign, and Ant Clemons on a tribute track titled "Sullen Sunday" <ref>https://dancingastronaut.com/2020/10/skrillex-and-virtual-riot-appear-on-sullen-sunday-from-roc-nations-reprise-compilation/</ref> [[User:NuclearCouch|NuclearCouch]] ([[User talk:NuclearCouch|talk]]) 18:50, 27 November 2020 (UTC)
:The section now says "dissonant harmonies such as the [[tritone|flattened third]] within a riff". A tritone is not a flattened third (or a flattened third is not a tritone, however you want to look at it). Just read the tritone article! Second sentence - "The tritone is the same as an augmented fourth, which in 12-tone equal temperament is enharmonic to a diminished fifth" [[Special:Contributions/87.80.191.149|87.80.191.149]] ([[User talk:87.80.191.149|talk]]) 20:02, 2 November 2008 (UTC)
::Also a flattened third is hardly a "dissonant harmony", unless the piece is in a major key... am I to assume this was supposed to say flattened fifth? - <font face="Trebuchet MS">[[User:Filelakeshoe|<font color="#60B">file</font><font color="#00B">lake</font>]][[User talk:Filelakeshoe|<font color="#0B0">shoe</font>]]</font> 21:54, 2 November 2008 (UTC)
:::yep, that should read flattened fifth, i reckon. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 22:43, 2 November 2008 (UTC)


== Semi-protected edit request on 8 August 2018 ==
== [[:Category:Dubstep musicians]] ==


{{edit semi-protected|Dubstep|answered=yes}}
I'm doing it.. I hope it's ok --[[User:True Steppa|True Steppa]] ([[User talk:True Steppa|talk]]) 22:31, 14 October 2008 (UTC)
My grammar is terrible but if someone can figure out how to put this to paper, heres the info you.
:looking nice so far :) --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 23:49, 14 October 2008 (UTC)
The entire "Decline in popularity" section needs to be edited. "By 2016, dubstep had declined drastically in popularity, particularly in the United States" This is wrong, Dubstep declined in the UK but Brostep (Which in the states is still called Dubstep by most) has continued to thrive in America and has reached monumental popularity.<ref>https://subculturezero.com/blogs/dubstep/is-dubstep-in-2018-now-dead</ref> A dubstep artist that has been around in the states named "Excision" has created his own event company and runs his own all dubstep music festivals in the US <ref>http://www.lostlandsfestival.com/ {{Webarchive|url=https://web.archive.org/web/20180804093129/http://www.lostlandsfestival.com/ |date=2018-08-04 }}, https://www.basscanyon.com/ {{Webarchive|url=https://web.archive.org/web/20180824204947/https://www.basscanyon.com/ |date=2018-08-24 }}, https://excision.ca/ {{Webarchive|url=https://web.archive.org/web/20180811203947/https://excision.ca/ |date=2018-08-11 }}</ref> Dubstep continues to thrive on soundcloud in the US with older british artists like Hatcha and Dodge and Fuski creating a new label, "Disciple Records" <ref>https://ukf.com/words/dodge-fuski-vs-astronaut-8-golden-disciple-recordings-moments/11822</ref> Disciple is home to many of the very popular names in dubstep today (Virtual Riot, Barely Alive, Panda Eyes, Modestep, PhaseOne, 12th Planet, Fox Stevenson, etc). Many of the other awesome names in dubstep are on another label, "Never Say Die Records", also created by another extremely popular british dubstep artist "Skism" <ref>{{Cite web |url=http://wewillneversaydie.com/artists/skism/ |title={title} |access-date=2018-08-09 |archive-url=https://web.archive.org/web/20180123080156/http://wewillneversaydie.com/artists/skism/ |archive-date=2018-01-23 |dead-url=no |df= }}</ref> (see the pattern here, dubstep is thriving in america because the brits brought it here)- The label is Home to Zomboy, Spag Heddy, Dr Ozi, Eptic, RickyxSan, Space Laces, Must Die, Laxx, Svdden Death - You will see these names all over US EDM festivals. There is also Riddim now, riddim is considered the dark, sort of metaly sub-genre of brostep/dubstep. Both of the top popular labels mentioned above (Discple and NSD) have separate junior labels that are primarily for these Riddim producers to prove themselves as they are newest to the game (Disciple Round Table and Never Say Die Black Label).<ref>{{Cite web |url=https://www.youredm.com/2017/09/05/skism-calls-myro-dodge-fuski-disciple-stealing-black-label-marketing-plan/ |title={title} |access-date=2018-08-09 |archive-url=https://web.archive.org/web/20180205225447/http://www.youredm.com/2017/09/05/skism-calls-myro-dodge-fuski-disciple-stealing-black-label-marketing-plan/ |archive-date=2018-02-05 |dead-url=no |df= }}</ref> Riddim is based around wonky/funky rhythms, usually very repetitive - artists like MONXX, Excision, Subtronics, Svdden Death, Murda and others have brought it to the EDM mainstream.


This piece "In March 2018, Canadian producer Datsik became embroiled in a sexual assault controversy, resulting in public furor and cancellation of all Datsik tour dates; in response, he stepped down from his record label.[122]" is true but sort of weirdly thrown in there - this section really needs some work. [[User:NuclearCouch|NuclearCouch]] ([[User talk:NuclearCouch|talk]]) 19:59, 8 August 2018 (UTC)
== do we really need Category:Burial albums? ==
:Get some actual reliable sources and references and see if anything you just said can be verified. If so, the article might be edited to support it. [[User:MicroPowerpoint|Micro]] ([[User talk:MicroPowerpoint|Talk]]) 01:48, 9 August 2018 (UTC)
::added what I could in terms of references, too busy moderating the EDM subreddits to fix this trash wiki page as well [[User:NuclearCouch|NuclearCouch]] ([[User talk:NuclearCouch|talk]]) 02:31, 9 August 2018 (UTC)
{{reflist}}
:::None of these, except for the Your EDM and UKF ones are useable in a good-article class wiki page. [[User:MicroPowerpoint|Micro]] ([[User talk:MicroPowerpoint|Talk]]) 02:53, 9 August 2018 (UTC)


your input is welcome over at [[Category talk:Burial albums]]. not gonna CfD it yet, i just wanna see what people think. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 22:33, 14 October 2008 (UTC)
Well I guess this page is never getting fixed then. [[User:NuclearCouch|NuclearCouch]] ([[User talk:NuclearCouch|talk]]) 03:21, 9 August 2018 (UTC)
:It's a level-5 vital article, highly important in terms of electronic music and has the second highest rating-class (behind featured article) on Wikipedia. It'll do fine without your help. [[User:MicroPowerpoint|Micro]] ([[User talk:MicroPowerpoint|Talk]]) 03:35, 9 August 2018 (UTC)
:[[File:Red information icon with gradient background.svg|20px|link=|alt=]] '''Not done:'''<!-- Template:ESp --> This appears to be already answered. Closing for bot/category purposes. [[User:Dolotta|Dolotta]] ([[User talk:Dolotta|talk]]) 06:25, 9 August 2018 (UTC)


== [[Zed Bias]] ==


pretty notable artist. i just started the article. please check and improve/expand. thanks--[[User:True Steppa|True Steppa]] ([[User talk:True Steppa|talk]]) 23:42, 14 October 2008 (UTC)
:i think i have some nice refs in my [[The Wire (magazine)|wire]] collection somewhere, both in reviews and in the dubstep primer article that's a big ref in ''this'' article. i'll have a look... --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 23:49, 14 October 2008 (UTC)


Throughout the years, it has become evident to me that mainstream dubstep has seen a complete decline in popularity, and that the most popular genre surrounding dubstep today is titled "riddim", which is a subgenre of dubstep. Is it plausible to add additional information of the subgenre "riddim" to this article, and have it retain its good article status? My problem is that this article is simply looking to be more and more outdated as time passes, and that "riddim" as a subgenre seems to be replacing dubstep in the dubstep community as whole. Thanks.
== [[Hauntology music]] ==
:It is plausible. I did a little thing a while ago (scroll up for that garbage), but the main problem was that to add an entire thing about riddim, it has to stay consistent with the rest of the article and that would be a bit of work. The actual Riddim article is only a start-class article and probably has a bunch of problems with it, while this is a good-class article. Also, riddim isn't replacing dubstep, it's just a micro-genre that became a trend. [[User:MicroPowerpoint|Micro]] ([[User talk:MicroPowerpoint|Talk]])
:I think it is reasonable for Riddim to have its own article. Its stylistically distinct enough from its parent genre, and there are record labels that are large and focus pretty much entirely on Riddim (i.e. Never Say Die: Black Label). Yes, dubstep seems to have had it's time in the 'mainstream' and is now back to being primarily enjoyed by people who already like bass heavy EDM in the first place, but that's how it's spent most of it's history regardless. Riddim has not replaced more traditional Dubstep, there are still plenty of Dubstep artists who do not make Riddim. I will not dispute that it is popular or trendy within the scene right now, but it's not replacing Dubstep proper. [[User:Euphoria42|''<span style="color:#6600CC">-</span><span style="color:#990099">Euphoria</span><span style="color:#6600CC">42</span>'']] ([[User talk:Euphoria42|talk]]) 22:54, 12 September 2020 (UTC)


what is that? --[[User:True Steppa|True Steppa]] ([[User talk:True Steppa|talk]]) 00:08, 15 October 2008 (UTC)
[[User:StevenTsoukas|StevenTsoukas]] ([[User talk:StevenTsoukas|talk]]) 01:46, 13 April 2020 (UTC) "How to Talk to Your Kids About Riddim | Insomniac". Retrieved 2020-04-12.
"Disciple Round Table". EDM Wiki. Retrieved 2020-04-13.
:this is one of the other types of music that i'm fondest of at the moment. it is "haunted audio". music that sounds like it is haunted by the ghosts of the past. the name is based on a [[pun]] on [[ontology]], almost a joke, made by [[Jacques Derrida]]. burial is often included in this genre because his music sounds 'haunted' by 'the ghosts of house and garage' as i have seen paraphrased in several reviews.
D'Errico, Mike (2015-01-06). "Electronic Dance Music in the Dubstep Era". Oxford Handbooks Online. doi:10.1093/oxfordhb/9780199935321.001.0001/oxfordhb-9780199935321-e-74. Retrieved 2020-04-13.
:if you are interested, a very good place to start is with EVERYTHING released on [[Ghost Box Records]] and [[Trunk Records]], as well as the [[BBC Radiophonic Workshop]] and maybe some [[Silver Apples]],[[Broadcast]] or [[Stereolab]] as well. --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 00:16, 15 October 2008 (UTC)
Härter, Christoph (2008-01-01). "The Dub Renaissance – Reflections on the Aesthetics of Dub in Contemporary British Music". Multi-Ethnic Britain 2000+: 263–280. doi:10.1163/9789401206587_016. [[User:StevenTsoukas|StevenTsoukas]] ([[User talk:StevenTsoukas|talk]]) 01:46, 13 April 2020 (UTC)
::i mean how it's connected to the dubstep music? burial is not 'a genre' :)--[[User:True Steppa|True Steppa]] ([[User talk:True Steppa|talk]]) 00:41, 15 October 2008 (UTC)
:::indeed, and that is now [http://en.wikipedia.org/enwiki/w/index.php?title=Hauntology_music&diff=245342056&oldid=244496785 fixed]! man that's a lot of citation neededs :( --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 00:51, 15 October 2008 (UTC)


Really still not much change to this page, sad to see. It does not accurately represent recent dubstep in the slightest. The riddim section especially should not only be 2012–2013, it is still very popular today, probably the most popular micro genre and I have given so many sources to show that as have others. I don't really agree with it having an entirely separate page, its very much a part of dubstep and many of the artists also make non-riddim dubstep. Also, the micro genres go even deeper with poly riddim, melodic riddim, briddim (brostep riddim). I suggest the name of the section be changed to Dubstep-Riddim and merge most of the stuff from the existing riddim page over. [[User:NuclearCouch|NuclearCouch]] ([[User talk:NuclearCouch|talk]]) 19:06, 27 November 2020 (UTC)
== AfD: "Wonky" ==


== Proposed merge of [[Riddim (EDM)]] into [[Dubstep]] ==
Feel free to express your opinion here: [[Wikipedia:Articles for deletion/Wonky (music)]] - <font face="Trebuchet MS">[[User:Filelakeshoe|<font color="#60B">file</font><font color="#00B">lake</font>]][[User talk:Filelakeshoe|<font color="#0B0">shoe</font>]]</font> 12:02, 8 November 2008 (UTC)


recentism, not enough solid [[WP:RS]] for full article, and it's also essentially dubstep renamed by Americans with no awareness of the music's history. [[User:Acousmana|Acousmana]] ([[User talk:Acousmana|talk]]) 11:01, 11 June 2020 (UTC)
== wobbler bass ==


Riddim is very much so part of Dubstep. It is a micro genre, as are Polyriddim, Chillstep, Gorestep, Briddim. Chillstep doesn't have its own page, neither do any of the others. Those who make riddim consider themselves dubstep or dubstep-riddim artists - recent pioneers of the dubstep industry like Virtual Riot deserve to have their name on this page, not the riddim one. <!-- Template:Unsigned --><span class="autosigned" style="font-size:85%;">—&nbsp;Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[User:NuclearCouch|NuclearCouch]] ([[User talk:NuclearCouch#top|talk]] • [[Special:Contributions/NuclearCouch|contribs]]) 19:12, 27 November 2020 (UTC)</span> <!--Autosigned by SineBot-->
i've been thinking... would a subsection describing 'wobbler' bass in some manner be fitting under characteristics? it's ''very'' prevalent (perhaps too much) and it's pretty easily described (an LFO modulating the cutoff or occasionally some other element of a very low sine wave)... coming up with a subsection title other than 'wobbler' might perhaps be the biggest challenge :P --[[User:Kaini|Kaini]] ([[User talk:Kaini|talk]]) 00:12, 10 December 2008 (UTC)


* Disagree with the merge. It's pretty specific and still-living subgenre of dubstep with distinct sound. Sources seems ok. I actually frustrated that most dubstep offshot articles were merged into the parent, instead of being developed further. And even there they've been merged into history paragraphs instead of staying under subgenres. I'd even say it's disruptive. [[User:Solidest|Solidest]] ([[User talk:Solidest|talk]]) 14:02, 24 February 2021 (UTC)
== Earliest example of Dubstep sound ? ==


* Also disagree with the merge. Riddim dubstep has so much more substance to it than what's easily accessible. Riddim is very misunderstood by most of the EDM community, and generally people don't want to dig deeper into riddim than Virtual Riot's or Excisions discography, despite them being more "dubstep" artists than anything. I would honestly say that Virtual Riot's "Pray for Riddim" EP is hardly even riddim- but that's my take. (No disrespect to those people or artists, it's all good music, just not riddim.) I think it should be mentioned on this page, as riddims recent influence on dubstep as a whole is certainly notable, but the world of riddim goes so far beyond the reach of "Dubstep" trying to articulate what specifically riddim is or it's appeal when compared to "heavy dubstep," "wonky dubstep," etc. is like speaking in code. (Even those mini-genres just mentioned have riddim influence. It's hard to pin down.) I think Riddim is a sub-genre, but truthfully cannot be defined- which is why it deserves to have it's own page.
First Dubstep sounding track - Autchre - Anvil Empire EP - Track 4. Second Peng - 1995! <small><span class="autosigned">—Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[User:JaseFace|JaseFace]] ([[User talk:JaseFace|talk]] • [[Special:Contributions/JaseFace|contribs]]) 21:51, 15 December 2008 (UTC)</span></small><!-- Template:Unsigned --> <!--Autosigned by SineBot-->
:'''Closing''', given the consensus not to merge. [[User:Klbrain|Klbrain]] ([[User talk:Klbrain|talk]]) 17:48, 2 August 2021 (UTC)


== Pitchfork Feature =
== 2020s: revival ==


Dubstep is back on the upswing, with artists like Skrillex back to releasing dubstep albums ([[Quest for Fire (album)|Quest for Fire]]). c.f. [https://www.redbull.com/gb-en/dubstep-back-at-cutting-edge] <small>(2018 is very early start of revival era however)</small>, [https://ra.co/reviews/36010]. Just something to keep in mind/an eye out for for future expansion to the article. <b style="border:1px solid #0800aa"> [[User:Nixinova|Nixinova]] </b> <b style="border:1px solid #006eff"> [[User talk:Nixinova|T]] </b> <b style="border:1px solid #00a1ff"> [[Special:Contribs/Nixinova|C]] </b>  01:37, 26 April 2024 (UTC)
It's called "this month in Grime/2-Step", not "Grime/Dubstep" as it says in the wiki article, so I guess it should be removed?

Latest revision as of 01:37, 26 April 2024

Good articleDubstep has been listed as one of the Music good articles under the good article criteria. If you can improve it further, please do so. If it no longer meets these criteria, you can reassess it.
Article milestones
DateProcessResult
November 27, 2007Good article nomineeListed
February 3, 2007Peer reviewReviewed
December 25, 2008Peer reviewReviewed
February 29, 2024Peer reviewNot reviewed
Current status: Good article

Wiki Education Foundation-supported course assignment

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This article was the subject of a Wiki Education Foundation-supported course assignment, between 9 January 2020 and 18 April 2020. Further details are available on the course page. Student editor(s): StevenTsoukas.

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Wiki Education Foundation-supported course assignment

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This article is or was the subject of a Wiki Education Foundation-supported course assignment. Further details are available on the course page. Student editor(s): AnimeWeeb.

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[edit]

The link to chillstep in the infobox redirects back to dubstep. Also, there's no mention of it at all in the rest of the article. SierraXV (talk) 04:25, 24 March 2017 (UTC)[reply]

The infobox seems to have accumulated quite a bit of cruft. Removed. Kaini (talk) 12:25, 24 March 2017 (UTC)[reply]
I was quite disappointed to see that one of the most popular subgenres of dubstep doesn't even get a mention let alone it's own page. If anyone wanted more info on chillstep they'd have to go somewhere else besides wikipedia which is a shame because chillstep is definitely notable from reliable sources and distinct from dubstep and its other subgenres. Fans of dubstep are not necessarily fans of chillstep and vice versa. There are many musicians whose genre is only defined as chillstep yet, the lack of mention of chillstep on the dubstep page stands out as misleading and incomplete. I'll look into possibly creating a stand alone wiki page for Chillstep and interlinking it with the dubstep and affiliated subgrenre pages. Admiralfoxlee (talk) 04:04, 23 January 2024 (UTC)[reply]

Gorestep

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Hey, I was thinking of adding an article to the genre titled 'Gorestep' I have an article too about it and it's been growing as a subgenre in itself. Let me know if you'd need more or better soursed articles 120.147.37.23 (talk) 18:45, 24 April 2017 (UTC)[reply]

Borgore brings 'Gorestep' to The Blue Notework
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Decline/death of dubstep

[edit]

Interest in dubstep has declined dramatically since 2011. Anyone else think the genre's death needs its own section? - HappyWaldo (talk) 12:16, 11 January 2018 (UTC)[reply]

@HappyWaldo:, I agree. I found this article, published all the way back in 2016, that argues it happened around that time. I've added this to the main article
By 2016, the genre had declined drastically in popularity, particularly in the United States. <ref name="dubstepdeadpitchfork">{{cite web|last1=Sherborne|first1=Philip|title=Popping the Drop: A Timeline of How EDM’s Bubble Burst|url=https://pitchfork.com/thepitch/1086-popping-the-drop-a-timeline-of-how-edms-bubble-burst/|website=[[Pitchfork.com]]|publisher=Conde Nast|accessdate=23 January 2018|date=5 April 2016}}</ref>

-- Gokunks (Speak to me) 09:45, 23 January 2018 (UTC)[reply]

@R9tgokunks: I think we should change this section title to "Decline in Mainstream Popularity" considering the genre is still very popular. The current title implies a global decline in popularity whereas the 'underground' (rather, the non-brostep) dubstep community is thriving. The genre certainly isn't dead. - Eartaker (talk) 22:12, 21 February 2018 (UTC)[reply]

-- NuclearCouch I agree, we need to get an edit on this it's very misleading as of current. Dubstep is still an extremely popular sub-genre of EDM and has grown into the mainstream in terms of live electronic music events. You can't go to a EDM music festival nowadays without hearing dubstep. NuclearCouch (talk) 19:36, 8 August 2018 (UTC)[reply]

Heres a good article on how dubstep is actually very alive from the words of Zha, owner of Fent Plates, White Peach, and Yellow Flower. https://www.redbull.com/gb-en/dubstep-back-at-cutting-edge This section needs major revisions in general, the sex assault case isn't relevant and the other mentioned artists activities aren't indicative of the genre as a whole. Surprisingly Skream and Loefah moving onto different genres isn't mentioned here despite both of them being very instrumental figures. Also shouldn't this be part of the History section? Eartaker (talk) 08:51, 17 August 2018 (UTC)[reply]

This could be added, though i'm not 100% sure about its reliability. As many people have said, dubstep isn't really dying, it's just not mainstream. I suggest that the 'Decline in popularity' section should be changed to 'Decline in the mainstream' or some other topic to better represent the genre's status. In this section, Rusko's new EP could be added ([1][2][3]) and Truth in general([4]).
  1. ^ "Dubstep pioneer Rusko returns and 'Has Made Five More Songs'". Mixmag. Archived from the original on 2018-04-04. Retrieved 2018-08-18. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  2. ^ "Rusko Unleashes 5 Brand New Songs Fresh From Beating Cancer [LISTEN]". Your EDM. 2018-04-04. Archived from the original on 2018-06-14. Retrieved 2018-08-18. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  3. ^ "Rusko returns with highly anticipated new EP". Dancing Astronaut. 2018-04-04. Archived from the original on 2018-04-04. Retrieved 2018-08-18. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  4. ^ "Your EDM Interview: Truth Talk Dubstep, Truth and the "Wilderness of Mirrors" [video] | Your EDM". Your EDM. 2017-05-02. Archived from the original on 2017-05-15. Retrieved 2018-08-18. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)

Micro (Talk) 14:03, 18 August 2018 (UTC)[reply]

@MicroPowerpoint:Yes I do agree that this section should have been about dubstep's relevance in the mainstream and not in general, I originally asked about that in an earlier reply. What about the article seems dubious? I don't think either of Rusko or Truth's new releases are an indication of the scenes health, thats just two artists. Rusko and Truth are more mainstream, but this section should be about the scene overall. There have been ~40 releases this month alone (if you think the Reddit community /r/realdubstep does a good job at cataloging), plenty of which are on major labels. There isn't much mainstream presence, but there's quite a lot going on in the underground. Eartaker (talk) 09:02, 21 August 2018 (UTC)[reply]
While Reddit isn't a good source to use, you could get some info and from the subreddit you stated and see if any of the songs got any coverage. The decline from mainstream could also feature brostep and riddim releases such as Excision, Dion Timmer, Dubloadz, etc as those genres are still relatively popular and there should be reliable coverage on recent releases such as Excision's newest album. Pair that with the references I linked above and the Red Bull article and it should be good. I found some more potentially usable references for this section, including three references for Capsa's Ghost Town EP (2017)[1][2][3] and one for Ganja White Night.[4]. Basically the section can be reworked into saying how although dubstep has left the mainstream, various artists still produce the genre, though brostep/riddim tends to be a much more popular subgenre compared to "real" dubstep.
  1. ^ "Listen to Caspa's ominous 3-track 'Ghost Town' EP - Dancing Astronaut". Dancing Astronaut. 2017-11-23. Archived from the original on 2017-11-30. Retrieved 2018-08-21. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  2. ^ "Dubstep Pioneer Caspa Releases New EP "Ghost Town" on Bassrush". EDM.com - The Latest Electronic Dance Music News, Reviews & Artists. Retrieved 2018-08-21.
  3. ^ "Caspa's 'Ghost Town' EP Is Dirty, Dark, And Sexy Underground Bass - NEST HQ". Nest HQ. 2017-11-22. Archived from the original on 2018-02-24. Retrieved 2018-08-21. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  4. ^ "Everything You Need To Know About Ganja White Night – The Origins". UKF. 2018-02-06. Retrieved 2018-08-21.

Micro (Talk) 14:32, 21 August 2018 (UTC)[reply]

Yeah Reddit itself is obviously not a good source, but I think its a decent reflection of the state of the culture, especially now that dubstepforum is less active. Sites like Duploc and Trusik give very regular coverage in the form of reviews and interviews for the more underground sounds in the scene, e.g. https://trusik.co.uk/2018/03/02/soukah-windowlicka-ep-rare7/ or https://duploc.com/artkl034/. Charts like Beatport have "deep dubstep" as a popular category of "leftfield bass" https://www.beatport.com/genre/leftfield-bass/85/top-100. Yeah thats exactly what this section should be about, the presences is weak in the mainstream but its still being pushed in the underground. Eartaker (talk) 04:06, 22 August 2018 (UTC)[reply]

While those sites are pretty neat because they actually give coverage to underground artists/releases, i don't think either of them are usable as they both look like they are run by fans and dubstep enthusiasts instead of having actual editorial oversight or staff like sites such as Your EDM, Dancing Astronaut, Billboard, etc. While you can't use beatport as a reference as it is both a WP:BADCHARTS and a primary source with no info, you can use reliable sites that have covered the beatport chart additions of deep dubstep, leftfield bass (I have no idea what that is), garage and grime.[1][2] You previously mentioned that there is no mention of Skream and Loefah moving onto different genres and although i couldn't really find anything about Loefah, I found two references that are usable to just mention that Skream moved away from dubstep to techno and house.[3][4] The main thing is to pretty much structure and actually construct the section that includes everything talked about here.

  1. ^ "Beatport expands bass music section with three new genre categories". Resident Advisor. Retrieved 2018-08-22.
  2. ^ "Beatport Goes "Back To Bass" by Adding Three New Genres". EDM.com - The Latest Electronic Dance Music News, Reviews & Artists. Retrieved 2018-08-22.
  3. ^ "Skream goes full techno on new single, 'Poison' - Dancing Astronaut". Dancing Astronaut. 2018-07-14. Retrieved 2018-08-22.
  4. ^ "Skream shares the tracks lighting up his marathon Open-To-Close sets". Mixmag. Archived from the original on 2018-01-17. Retrieved 2018-08-22. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)

Micro (Talk) 10:24, 22 August 2018 (UTC)[reply]

Here's a little mockup section for a replacement for the "Decline in popularity" section, the riddim part might make more sense to be added to the "Brostep and American developments" section. Would need further editing.

Decline in mainstream popularity

[edit]

By 2016, dubstep had declined drastically in popularity, particularly in the United States, where many formerly successful dubstep artists became most popular. Artists such as Skrillex, for instance, moved on to producing tracks for trap and pop artists,[1][2][3] while artists such as Mount Kimbie and James Blake shifted their sounds from post-dubstep into more experimental or soulful electronic influenced music.[4][5] Early influencers and pioneers of dubstep such as Skream and Loefah moved away from the genre, moving onto other genres instead. Loefah stopped playing and producing dubstep and moved onto UK bass music, founding his record label Swamp81 in the process.[6] Skream shifted away from dubstep, choosing to instead produce play largely house and techno music in his DJ sets and releasing various techno songs on Alan Fitzpatrick's record label We Are The Brave.[7][8]

Various artists continue to produce the genre, including British bass music producer Caspa, who had released his Ghost Town EP released on 17 November 2017.[9][10][11] On 4 April 2018, British brostep producer Rusko released his first solo extended play in three years titled Has Made 5 More Songs, which was described as a grime and reggae-infused tribute to the production techniques that popularised dubstep a decade prior.[12][13][14] Examples of relatively new artists who produce the genre include Belgian duo Ganja White Night and New Zealand-based duo Truth.[15][16]

Zha, owner of dubstep and grime record labels Fent Plates, White Peach, and Yellow Flower believed that 2018 and the following years would provide "another golden era" similar to the mid-to-late 2000s with the rise of artists similar to Skream, Mala, Caspa and Rusko.[17] In August 2018, American online music store Beatport added several dubstep-related subgenres to its genre catalogue including 'leftfield bass', 'garage/bassline/grime' and 'deep dubstep'.[18] The subgenres were added to expand upon Beatport's bass music section, which (since 2010) had previously only included dubstep.[19]

In the mid-2010s, riddim emerged as a subgenre of dubstep, with Subtronics, an American producer of the subgenre, describing the subgenre as counter mainstream, saying that "it was cool because it wasn't cool", ultimately describing the subgenre as a re-hashing of the old school style of UK dubstep being introduced back into American culture.[20] the subgenre is usually composed at a tempo of 140–150 beats per minute, with Dave Jenkins of UKF describing the subgenre as Deep, roomy and moody.[21][20][21][22]

  1. ^ Sherborne, Philip (5 April 2016). "Popping the Drop: A Timeline of How EDM's Bubble Burst". Pitchfork.com. Conde Nast. Archived from the original on 2018-01-04. Retrieved 23 January 2018. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  2. ^ Chris, Riemenschneider (13 August 2015). "Metalhead turned dance-music star Bassnectar is happy to headline this weekend's Summer Set fest because its lineup is more eclectic than "electronic."". Startribune.com. The Minneapolis Star-Tribune. Archived from the original on 2018-01-24. Retrieved 23 January 2018. Dubstep obviously is already a thing of the past. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  3. ^ Champagne, Jesse (14 Mar 2014). "Dubstep May Be Dying, Just Don't Tell Canadians That". Vice.com. VICE Magazine. Archived from the original on 2018-01-23. Retrieved 23 January 2018. Dubstep is DEAD… The movement is over. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  4. ^ Aroesti, Rachel (7 September 2017). "Mount Kimbie: Love What Survives review – electric wit and wisdom from London synth duo". The Guardian. Archived from the original on 2017-11-11. Retrieved 23 January 2018. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  5. ^ Lozano, Kevin (10 May 2016). "James Blake: The Colour in Anything". Pitchfork Media. Archived from the original on 2018-08-17. Retrieved 2018-08-25. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  6. ^ "Pleasure Principle: Loefah". Clash Magazine. Archived from the original on 2015-11-18. Retrieved 2018-08-24. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  7. ^ "Skream shares the tracks lighting up his marathon Open-To-Close sets". Mixmag. Archived from the original on 2018-01-17. Retrieved 2018-08-22. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  8. ^ "Skream goes full techno on new single, 'Poison' - Dancing Astronaut". Dancing Astronaut. 2018-07-14. Retrieved 2018-08-22.
  9. ^ "Listen to Caspa's ominous 3-track 'Ghost Town' EP - Dancing Astronaut". Dancing Astronaut. 2017-11-23. Archived from the original on 2017-11-30. Retrieved 2018-08-21. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  10. ^ "Dubstep Pioneer Caspa Releases New EP "Ghost Town" on Bassrush". EDM.com - The Latest Electronic Dance Music News, Reviews & Artists. Retrieved 2018-08-21.
  11. ^ "Caspa's 'Ghost Town' EP Is Dirty, Dark, And Sexy Underground Bass - NEST HQ". Nest HQ. 2017-11-22. Archived from the original on 2018-02-24. Retrieved 2018-08-21. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  12. ^ "Dubstep pioneer Rusko returns and 'Has Made Five More Songs'". Mixmag. Archived from the original on 2018-04-04. Retrieved 2018-08-18. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  13. ^ "Rusko returns with highly anticipated new EP". Dancing Astronaut. 2018-04-04. Archived from the original on 2018-04-04. Retrieved 2018-08-18. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  14. ^ "Rusko Unleashes 5 Brand New Songs Fresh From Beating Cancer". Your EDM. 2018-04-04. Archived from the original on 2018-06-14. Retrieved 2018-08-18. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  15. ^ "Your EDM Interview: Truth Talk Dubstep, Truth and the "Wilderness of Mirrors" [video] | Your EDM". Your EDM. 2017-05-02. Archived from the original on 2017-05-15. Retrieved 2018-08-18. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  16. ^ "Everything You Need To Know About Ganja White Night – The Origins". UKF. 2018-02-06. Retrieved 2018-08-21.
  17. ^ "Why dubstep is back at the cutting edge in 2018". Red Bull. Retrieved 2018-08-25. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  18. ^ "Beatport Goes "Back To Bass" by Adding Three New Genres". EDM.com - The Latest Electronic Dance Music News, Reviews & Artists. Retrieved 2018-08-22.
  19. ^ "Beatport expands bass music section with three new genre categories". Resident Advisor. Retrieved 2018-08-22.
  20. ^ a b "Subtronics On The Rise Of Riddim, Key To Sound Design & Future Of Bass Music". EDM.com - The Latest Electronic Dance Music News, Reviews & Artists. Retrieved 2018-08-25.
  21. ^ a b "Infekt's Guide To Riddim". UKF. 2017-10-27. Retrieved 2018-08-25.
  22. ^ Kocay, Lisa. "How Circus Records Helped Bring Dubstep Into The Mainstream". Forbes. Archived from the original on 2018-07-13. Retrieved 2018-08-25. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)

Micro (Talk) 11:24, 25 August 2018 (UTC)[reply]

Many of the artists listed are red links and should not be mentioned (non-notable). We also need to keep some perspective. See the tiny spike in early 2018? That's the Datsik controversy. That's the most exposure dubstep has received in a long time, hence why it was originally mentioned in the article (has since been removed by another editor, calling it irrelevant information). Enough time has passed for dubstep's decline to be measured and documented. We need even more time before we can assess whether it is or will experience a "renaissance" of any real importance. 01:23, 26 August 2018 (UTC)
Yea, the section does need heavy editing, most of the artists listed should either have a wiki article or should have reliable articles about how they make riddim. I was the one who removed the datsik stuff because, in my opinion, it really had nothing to do with dubstep, Datsik just so happened to be a dubstep producer. I was pretty sure that the whole Datsik thing didn't give much exposure to dubstep, because that happened in March, so I looked up a google search restricted to the time frame of the spike (6 May 2018 - 23 June 2018) and it might be because how Deadpool 2 had a whole thing going on with dubstep, I dunno, I didn't see the movie. The whole "renaissance" thing is just an opinion of a riddim artist, pretty much just a placeholder. Micro (Talk) 06:00, 26 August 2018 (UTC)[reply]

Dubstep has made a bit of a resurgence into the mainstream again thanks to mega radio star Marshmello AKA Chris Comstock - Previously known as DotCom, he produced mostly dubstep from 2010-2014, wasn't too popular and began a new alias as Marshmello which clearly took off. The Marshmello alias "sound" has revolved mostly around a "happy" "joyful" vibe, probably closest in genre to Future Bass. In 2019, I suppose mello decided he wanted to change it up and started working on a track with popular dubstep riddim producer SVDDEN DEATH under the name of "Sell Out". [1].[2][3] "Sell Out" did very well for a dubstep track in current times ranking at 36 on the Billboard Hot Dance/Electronic charts..[4] The track has over 3.1 million plays on youtube, an amount no other song belonging to the dubstep genre has reached since Torro Torro - Make a Move (Skrillex Remix) in 2016.[5] There was much backlash from Mellos typical fans, as they were not used to this style of music, as well as backlash from Svdden Death fans as they didn't want to believe Marshmello had any part in the song because again, it didn't really sound like his style. [6] [7] [8] Following the release of Sell Out, Marshmello and Svdden Death began working on a new collab titled Crusade. It released February 24th, 2020 and did very well on youtube amassing over 2 million viewers. [9] [10] In June 2020, popular dubstep-riddim producer Virtual Riot collaborated with Skrillex, Ty Dolla $ign, and Ant Clemons on a tribute track titled "Sullen Sunday" [11] NuclearCouch (talk) 18:50, 27 November 2020 (UTC)[reply]

Semi-protected edit request on 8 August 2018

[edit]

My grammar is terrible but if someone can figure out how to put this to paper, heres the info you. The entire "Decline in popularity" section needs to be edited. "By 2016, dubstep had declined drastically in popularity, particularly in the United States" This is wrong, Dubstep declined in the UK but Brostep (Which in the states is still called Dubstep by most) has continued to thrive in America and has reached monumental popularity.[12] A dubstep artist that has been around in the states named "Excision" has created his own event company and runs his own all dubstep music festivals in the US [13] Dubstep continues to thrive on soundcloud in the US with older british artists like Hatcha and Dodge and Fuski creating a new label, "Disciple Records" [14] Disciple is home to many of the very popular names in dubstep today (Virtual Riot, Barely Alive, Panda Eyes, Modestep, PhaseOne, 12th Planet, Fox Stevenson, etc). Many of the other awesome names in dubstep are on another label, "Never Say Die Records", also created by another extremely popular british dubstep artist "Skism" [15] (see the pattern here, dubstep is thriving in america because the brits brought it here)- The label is Home to Zomboy, Spag Heddy, Dr Ozi, Eptic, RickyxSan, Space Laces, Must Die, Laxx, Svdden Death - You will see these names all over US EDM festivals. There is also Riddim now, riddim is considered the dark, sort of metaly sub-genre of brostep/dubstep. Both of the top popular labels mentioned above (Discple and NSD) have separate junior labels that are primarily for these Riddim producers to prove themselves as they are newest to the game (Disciple Round Table and Never Say Die Black Label).[16] Riddim is based around wonky/funky rhythms, usually very repetitive - artists like MONXX, Excision, Subtronics, Svdden Death, Murda and others have brought it to the EDM mainstream.

This piece "In March 2018, Canadian producer Datsik became embroiled in a sexual assault controversy, resulting in public furor and cancellation of all Datsik tour dates; in response, he stepped down from his record label.[122]" is true but sort of weirdly thrown in there - this section really needs some work. NuclearCouch (talk) 19:59, 8 August 2018 (UTC)[reply]

Get some actual reliable sources and references and see if anything you just said can be verified. If so, the article might be edited to support it. Micro (Talk) 01:48, 9 August 2018 (UTC)[reply]
added what I could in terms of references, too busy moderating the EDM subreddits to fix this trash wiki page as well NuclearCouch (talk) 02:31, 9 August 2018 (UTC)[reply]
  1. ^ https://www.billboard.com/articles/news/dance/8496862/marshmello-svdden-death-announce-new-collaboration-sell-out
  2. ^ https://dancingastronaut.com/2019/02/marshmello-foray-dubstep-sell-out-just-that/
  3. ^ https://www.youredm.com/2019/02/06/marshmello-svdden-death-collab-first-listen/
  4. ^ https://www.billboard.com/music/Marshmello/chart-history/DAN
  5. ^ https://www.youtube.com/watch?v=aAv8AtxuF8s
  6. ^ https://www.bandwagon.asia/articles/marshmello-fires-back-at-the-haters-on-new-track-sell-out-with-svdden-death
  7. ^ https://www.youredm.com/2019/02/08/marshmello-and-svdden-death-release-fiery-collab-sell-out/
  8. ^ https://en.wikipedia.org/wiki/Sell_Out_(Marshmello_and_Svdden_Death_song)
  9. ^ https://edm.com/music-releases/marshmello-svdden-death-crusade
  10. ^ https://www.youtube.com/watch?v=NJeWO1mW9eI
  11. ^ https://dancingastronaut.com/2020/10/skrillex-and-virtual-riot-appear-on-sullen-sunday-from-roc-nations-reprise-compilation/
  12. ^ https://subculturezero.com/blogs/dubstep/is-dubstep-in-2018-now-dead
  13. ^ http://www.lostlandsfestival.com/ Archived 2018-08-04 at the Wayback Machine, https://www.basscanyon.com/ Archived 2018-08-24 at the Wayback Machine, https://excision.ca/ Archived 2018-08-11 at the Wayback Machine
  14. ^ https://ukf.com/words/dodge-fuski-vs-astronaut-8-golden-disciple-recordings-moments/11822
  15. ^ "{title}". Archived from the original on 2018-01-23. Retrieved 2018-08-09. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  16. ^ "{title}". Archived from the original on 2018-02-05. Retrieved 2018-08-09. {{cite web}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
None of these, except for the Your EDM and UKF ones are useable in a good-article class wiki page. Micro (Talk) 02:53, 9 August 2018 (UTC)[reply]

Well I guess this page is never getting fixed then. NuclearCouch (talk) 03:21, 9 August 2018 (UTC)[reply]

It's a level-5 vital article, highly important in terms of electronic music and has the second highest rating-class (behind featured article) on Wikipedia. It'll do fine without your help. Micro (Talk) 03:35, 9 August 2018 (UTC)[reply]
 Not done: This appears to be already answered. Closing for bot/category purposes. Dolotta (talk) 06:25, 9 August 2018 (UTC)[reply]


Throughout the years, it has become evident to me that mainstream dubstep has seen a complete decline in popularity, and that the most popular genre surrounding dubstep today is titled "riddim", which is a subgenre of dubstep. Is it plausible to add additional information of the subgenre "riddim" to this article, and have it retain its good article status? My problem is that this article is simply looking to be more and more outdated as time passes, and that "riddim" as a subgenre seems to be replacing dubstep in the dubstep community as whole. Thanks.

It is plausible. I did a little thing a while ago (scroll up for that garbage), but the main problem was that to add an entire thing about riddim, it has to stay consistent with the rest of the article and that would be a bit of work. The actual Riddim article is only a start-class article and probably has a bunch of problems with it, while this is a good-class article. Also, riddim isn't replacing dubstep, it's just a micro-genre that became a trend. Micro (Talk)
I think it is reasonable for Riddim to have its own article. Its stylistically distinct enough from its parent genre, and there are record labels that are large and focus pretty much entirely on Riddim (i.e. Never Say Die: Black Label). Yes, dubstep seems to have had it's time in the 'mainstream' and is now back to being primarily enjoyed by people who already like bass heavy EDM in the first place, but that's how it's spent most of it's history regardless. Riddim has not replaced more traditional Dubstep, there are still plenty of Dubstep artists who do not make Riddim. I will not dispute that it is popular or trendy within the scene right now, but it's not replacing Dubstep proper. -Euphoria42 (talk) 22:54, 12 September 2020 (UTC)[reply]

StevenTsoukas (talk) 01:46, 13 April 2020 (UTC) "How to Talk to Your Kids About Riddim | Insomniac". Retrieved 2020-04-12. "Disciple Round Table". EDM Wiki. Retrieved 2020-04-13. D'Errico, Mike (2015-01-06). "Electronic Dance Music in the Dubstep Era". Oxford Handbooks Online. doi:10.1093/oxfordhb/9780199935321.001.0001/oxfordhb-9780199935321-e-74. Retrieved 2020-04-13. Härter, Christoph (2008-01-01). "The Dub Renaissance – Reflections on the Aesthetics of Dub in Contemporary British Music". Multi-Ethnic Britain 2000+: 263–280. doi:10.1163/9789401206587_016. StevenTsoukas (talk) 01:46, 13 April 2020 (UTC)[reply]

Really still not much change to this page, sad to see. It does not accurately represent recent dubstep in the slightest. The riddim section especially should not only be 2012–2013, it is still very popular today, probably the most popular micro genre and I have given so many sources to show that as have others. I don't really agree with it having an entirely separate page, its very much a part of dubstep and many of the artists also make non-riddim dubstep. Also, the micro genres go even deeper with poly riddim, melodic riddim, briddim (brostep riddim). I suggest the name of the section be changed to Dubstep-Riddim and merge most of the stuff from the existing riddim page over. NuclearCouch (talk) 19:06, 27 November 2020 (UTC)[reply]

Proposed merge of Riddim (EDM) into Dubstep

[edit]

recentism, not enough solid WP:RS for full article, and it's also essentially dubstep renamed by Americans with no awareness of the music's history. Acousmana (talk) 11:01, 11 June 2020 (UTC)[reply]

Riddim is very much so part of Dubstep. It is a micro genre, as are Polyriddim, Chillstep, Gorestep, Briddim. Chillstep doesn't have its own page, neither do any of the others. Those who make riddim consider themselves dubstep or dubstep-riddim artists - recent pioneers of the dubstep industry like Virtual Riot deserve to have their name on this page, not the riddim one. — Preceding unsigned comment added by NuclearCouch (talkcontribs) 19:12, 27 November 2020 (UTC)[reply]

  • Disagree with the merge. It's pretty specific and still-living subgenre of dubstep with distinct sound. Sources seems ok. I actually frustrated that most dubstep offshot articles were merged into the parent, instead of being developed further. And even there they've been merged into history paragraphs instead of staying under subgenres. I'd even say it's disruptive. Solidest (talk) 14:02, 24 February 2021 (UTC)[reply]
  • Also disagree with the merge. Riddim dubstep has so much more substance to it than what's easily accessible. Riddim is very misunderstood by most of the EDM community, and generally people don't want to dig deeper into riddim than Virtual Riot's or Excisions discography, despite them being more "dubstep" artists than anything. I would honestly say that Virtual Riot's "Pray for Riddim" EP is hardly even riddim- but that's my take. (No disrespect to those people or artists, it's all good music, just not riddim.) I think it should be mentioned on this page, as riddims recent influence on dubstep as a whole is certainly notable, but the world of riddim goes so far beyond the reach of "Dubstep" trying to articulate what specifically riddim is or it's appeal when compared to "heavy dubstep," "wonky dubstep," etc. is like speaking in code. (Even those mini-genres just mentioned have riddim influence. It's hard to pin down.) I think Riddim is a sub-genre, but truthfully cannot be defined- which is why it deserves to have it's own page.
Closing, given the consensus not to merge. Klbrain (talk) 17:48, 2 August 2021 (UTC)[reply]

2020s: revival

[edit]

Dubstep is back on the upswing, with artists like Skrillex back to releasing dubstep albums (Quest for Fire). c.f. [1] (2018 is very early start of revival era however), [2]. Just something to keep in mind/an eye out for for future expansion to the article.  Nixinova T  C   01:37, 26 April 2024 (UTC)[reply]