Claude Rains

For the Heroes character, see Claude (Heroes).

Claude Rains
Rains in Now, Voyager (1942)
Born	William Claude Rains (1889-11-10)10 November 1889 Clapham, London, England
Died	30 May 1967(1967-05-30) (aged 77) Laconia, New Hampshire, U.S.
Citizenship	United Kingdom United States
Alma mater	Royal Academy of Dramatic Art
Occupation	Actor
Years active	1900–1965
Spouses	Isabel Jeans ​ ​ (m. 1913; div. 1915)​ Marie Hemingway ​ ​ (m. 1920; div. 1920)​ Beatrix Thomson ​ ​ (m. 1924; div. 1935)​ Frances Propper ​ ​ (m. 1935; div. 1956)​ Agi Jambor ​ ​ (m. 1959; div. 1960)​ Rosemary Clark Schrode ​ ​ (m. 1960; died 1964)​
Children	1
Father	Fred Rains

William Claude Rains (10 November 1889 – 30 May 1967) was a British-American actor whose career spanned almost seven decades. After his American film debut as Dr. Jack Griffin in The Invisible Man (1933), he appeared in The Adventures of Robin Hood (1938), Mr. Smith Goes to Washington (1939), The Wolf Man (1941), Casablanca (1942), Kings Row (1942), Notorious (1946), Lawrence of Arabia (1962), and The Greatest Story Ever Told (1965).

He was a Tony Award–winning actor and a four-time nominee for the Academy Award for Best Supporting Actor. Rains was one of the screen's great character stars who played cultured villains.

Early life

William Claude Rains was born on 10 November 1889 at 26 Tregothnan Road in Clapham, London. His parents were Emily Eliza (née Cox) and stage actor Frederick William Rains. He lived in the slums of London. Rains was one of twelve children, of whom all but four died while still infants. His mother took in boarders in order to support the family. Rains grew up with a Cockney accent and a speech impediment.

Rains in his captain's uniform during the First World War

Because his father was an actor, the young Rains would spend time in theatres and was surrounded by actors and stagehands. There he observed actors as well as the day-to-day running of a theatre. Rains made his stage debut at age 10 in the play Sweet Nell of Old Drury at the Haymarket Theatre, so that he could run around onstage as part of the production. He slowly worked his way up in the theatre, becoming a call boy (telling actors when they were due on stage) at His Majesty's Theatre and later a prompter, stage manager, understudy, and then moving on from smaller parts with good reviews to larger, better parts.

A 23-year-old Rains in one of his early theatre roles, 1912

Early career and military service

Rains moved to the United States in 1912 owing to the opportunities that were being offered in the New York theatres. However, at the outbreak of World War I in 1914, he returned to England to serve in the London Scottish Regiment, alongside fellow actors Basil Rathbone, Ronald Colman, Herbert Marshall and Cedric Hardwicke. In November 1916, Rains was involved in a gas attack at Vimy, which resulted in his permanently losing 90 percent of the vision in his right eye as well as suffering vocal cord damage. He never returned to combat but continued to serve with the Transport Workers Battalion of the Bedfordshire Regiment, in which he was commissioned as a temporary lieutenant on 9 May 1917. In March 1918, he was promoted to temporary captain, the rank he held at the end of the war. On 8 October 1918 he was appointed as adjutant, and continued to serve in that role until March 1919.

After his return to civilian life, Rains remained in England and continued to develop his acting talents. These talents were recognised by Sir Herbert Beerbohm Tree, the founder of the Royal Academy of Dramatic Art. Tree told Rains that in order to succeed as an actor, he would have to get rid of his Cockney accent and speech impediment. With this in mind, Tree paid for the elocution books and lessons that Rains needed to help him change his voice. Rains eventually shed his accent and speech impediment after practising every day. His daughter Jessica, when describing her father's voice, said, "The interesting thing to me was that he became a different person. He became a very elegant man, with a really extraordinary Mid-Atlantic accent. It was 'his' voice, nobody else spoke like that, half American, half English and a little Cockney thrown in." Soon after changing his accent, he became recognised as one of the leading stage actors in London. At age 29, he made his film debut, playing the role of Clarkis in his only silent film, the British film Build Thy House (1920).

During his early years, Rains taught at the Royal Academy of Dramatic Arts (RADA). John Gielgud and Charles Laughton were among his students. In an interview for Turner Classic Movies, Gielgud fondly remembered Rains:

I learnt a great deal about acting from this gentleman. Claude Rains was one of my teachers at RADA. In fact he was one of the best and most popular teachers there. He was extremely attractive and needless to say, all the girls in my class were hopelessly in love with him. He had piercing dark eyes and a beautifully throaty voice, although he had, like Marlene Dietrich, some trouble with the letter 'R'. He lacked inches and wore lifts to his shoes to increase his height. Stocky but handsome, Rains had broad shoulders and a mop of thick brown hair which he brushed over one eye. But by the time I first met him in the 1920s he was already much in demand as a character actor in London. I found him enormously helpful and encouraging to work with. I was always trying to copy him in my first years as an actor, until I decided to imitate Noël Coward instead.

Career

In London theatre, he achieved success in the title role of John Drinkwater's play Ulysses S. Grant, the follow-up to the same playwright's Abraham Lincoln. Rains portrayed Faulkland in Richard Brinsley Sheridan's The Rivals, presented at London's Lyric Theatre in 1925. He returned to New York City in 1927 and appeared in nearly 20 Broadway roles, in plays which included George Bernard Shaw's The Apple Cart and dramatisations of The Constant Nymph and Pearl S. Buck's novel The Good Earth (as a Chinese farmer).

Rains with Mary Kennedy in Camel Through the Needle's Eye on Broadway, New York City, 1929

Although he had played the single supporting role in the silent, Build Thy House (1920), Rains came relatively late to film acting. While working for the Theatre Guild, he was offered a screen test with Universal Pictures in 1932. His screen test for A Bill of Divorcement (1932) for a New York representative of RKO was a failure but, according to some accounts, led to his being cast in the title role of James Whale's The Invisible Man (1933) after his screen test and unique voice were inadvertently overheard from the next room. His agent, Harold Freedman, was a family friend of Carl Laemmle, who controlled Universal Pictures at the time, and had been acquainted with Rains in London and was keen to cast him in the role. According to Rains' daughter, this was the only film of his he ever saw. He also did not go to see the rushes of the day's filming "because he told me, every time he went he was horrified by his huge face on the huge screen, that he just never went back again."

Rains signed a long-term contract with Warner Bros. on 27 November 1935, with Warner able to exercise the right to loan him to other studios and Rains having a potential income of up to $750,000 over seven years. He played the villainous role of Prince John in The Adventures of Robin Hood (1938). Roddy McDowall once asked Rains if he had intentionally lampooned Bette Davis in his performance as Prince John, and Rains only smiled "an enigmatic smile." Rains later revealed to his daughter that he had enjoyed playing the prince as a homosexual, by using subtle mannerisms. Rains later credited the film's co-director Michael Curtiz with teaching him the more understated requirements of film acting, or "what not to do in front of a camera." On loan to Columbia Pictures, he portrayed a corrupt but honourable U.S. senator in Mr. Smith Goes to Washington (1939), for which he received his first Academy Award nomination as Best Supporting Actor. For Warner Bros., he played Dr. Alexander Tower, who commits murder-suicide to spare his daughter a life of insanity in Kings Row (1942) and the cynical police chief Captain Louis Renault in Casablanca (also 1942). On loan again, Rains played the title character in Universal's remake of Phantom of the Opera (1943).

In her 1987 memoir, This 'N That, Bette Davis stated that Rains (with whom she shared the screen four times in Juarez; Now, Voyager; Mr. Skeffington; and Deception) was her favorite co-star. Rains became the first actor to receive a million-dollar salary when he portrayed Julius Caesar in a large-budget but unsuccessful version of Shaw's Caesar and Cleopatra (1945), filmed in Britain. Shaw apparently chose him for the part, although Rains intensely disliked Gabriel Pascal, the film's director and producer. Rains followed it with Alfred Hitchcock's Notorious (1946) as a refugee Nazi agent opposite Cary Grant and Ingrid Bergman. Back in Britain, he appeared in David Lean's The Passionate Friends (1949).

Rains in Notorious (1946)

His only singing and dancing role was in a 1957 television musical version of Robert Browning's The Pied Piper of Hamelin, with Van Johnson as the Piper. The NBC colour special, broadcast as a film rather than a live or videotaped programme, was highly successful with the public. Sold into syndication after its first telecast, it was repeated annually by many local US TV stations.

Rains remained active as a character actor in the 1950s and 1960s, appearing in films and as a guest in television series. He played the ventriloquist Fabian on Alfred Hitchcock Presents Season 1 Episode 20 "And So Died Riabouchinska" which aired on February 10, 1956. He ventured into science fiction for Irwin Allen's The Lost World (1960) and Antonio Margheriti's Battle of the Worlds (1961). Two of his late screen roles were as Dryden, a cynical British diplomat in Lawrence of Arabia (1962) and King Herod in The Greatest Story Ever Told (1965), his last film. In CBS's Rawhide, he portrayed Alexander Langford, an attorney in a ghost town, in the episode "Incident of Judgement Day" (1963).

He additionally made several audio recordings, narrating some Bible stories for children on Capitol Records, and reciting Richard Strauss's setting for narrator and piano of Tennyson's poem Enoch Arden, with the piano solos performed by Glenn Gould. He starred in The Jeffersonian Heritage, a 1952 series of 13 half-hour radio programmes recorded by the National Association of Educational Broadcasters and syndicated for commercial broadcast on a sustaining (i.e., commercial-free) basis.

Reception

Jessica Rains remembered her father's work ethic:

He was interested in the process (of film). He loved acting. When he came to California to do a film, I had to "hear him his lines" as he drove me to school every morning, 10 miles [16 km]. He knew everybody's part. He knew the whole script before he came out (to film). I don't think many people did that.

Bette Davis in an interview with Dick Cavett said about Rains:

Well, of course he petrified me. The first time I played with him was in Carlotta (Juarez), and I had to make an entrance [into] the King of France's domain for a rehearsal, and he's playing the King of France (N.B. The character is actually the Emperor of the French Napoleon III) in rehearsal. As all of us "other era people," we don't just run through lines and say "turn the camera", we rehearse beforehand...Anyway Claude and I couldn't, and he was the King of France who loathed Carlotta, and I was a kid and petrified of Mr. Rains, so I thought he hated me. I didn't know he was playing the character. I thought, he thinks I just stink! What am I going to do? Eventually we worked together quite a lot and became really great friends, really great friends.

Davis later went on to describe him: "Claude was witty, amusing and beautiful, really beautiful, thoroughly enchanting to be with and brilliant." She also praised his performances: "He was marvelous in Deception and was worth the whole thing as the picture wasn't terribly good, but he was so marvelous in the restaurant scene where he's talking about all the food...brilliant, and of course in Mr. Skeffington he was absolutely brilliant as the husband, just brilliant."

Richard Chamberlain worked with Rains in what would be his second-to-last film, Twilight of Honor. In 2009, Chamberlain recorded a tribute to the actor when Rains was featured as Turner Classic Movies' Star of the Month:

Claude Rains has to be considered one of the finest actors of the 20th century. As soon as you hear that marvelous, unmistakable voice of honey mixed with gravel, he becomes instantly recognizable. And that scornful right eyebrow which could freeze an adversary faster than and more effectively than any physical threat. He stood at a mere 5′6″, yet his enormous talent and immense stage presence made him a giant among his colleagues. During a stage and film career that spanned six decades, Rains encompassed some of the most memorable and exciting characters ever created by an actor. Villains were a Rains specialty, particularly those of a suave and sarcastic nature; and yet when the role called for it, Rains could be remarkably moving and even add a touch of pathos without losing any of his effectiveness.

In Twilight of Honor Rains played a retired lawyer acting as a mentor to Chamberlain's character. Reminiscing about his work with Rains, Chamberlain said:

He was in his seventies then and in failing health, yet he was charming and totally professional on the set. It was clear to us that he loved practicing his craft; he dazzled us all. Claude was an extremely private man—he never discussed his humble beginnings, his six marriages. But get him into a conversation about acting, and he opened up with delightful anecdotes and fascinating stories about his long life as a thespian.

One day on the set I mentioned to him that Notorious was one of my favorite films, and Claude related with amusement the filming of a particular scene with Ingrid Bergman. Rains was a very small man and Bergman was quite tall, so in order to shoot them in close-up together (in the key scene) the resourceful Alfred Hitchcock had a ramp installed, so as Rains approaches Bergman on camera he appears taller than his co-star. Claude found this ramp business a bit embarrassing and very funny.

I got another taste of Claude's witty nature shooting a scene in his [next-to-last] film, in which he had a long piece of dialogue. Generally he had no problem remembering his lines despite getting along in years. However, there was one particularly long scene shot late at night where he was having a lot of trouble with the dialogue, and kept making excuses. And finally he paused and said with a sheepish look "Alibi Ike, good old Alibi Ike" ("Alibi Ike" being an expression based on a 1935 film of the same name, in which the lead character has a penchant for making up excuses). Of course in the finished film he played the scene flawlessly, as he always did. Claude Rains: truly a class act, on and off screen.

Many years after Rains had gone to Hollywood and become a well-known film actor, John Gielgud commented, tongue-in-cheek:

There was somebody who taught me a very great deal at drama school, and I am certainly grateful to him for his kindness and consideration. His name was Claude Rains. I don't know whatever happened to him. I think he failed, and had to go to America.

Gielgud later went on to recollect a time when he was in New York and in the audience during an event that included a focus on Bette Davis: "A number of clips from many of her most successful films were shown and I was particularly delighted, when, as soon as Claude Rains appeared in the close-up of one of the clips, the whole audience burst into a great wave of applause."

Bette Davis often cited Rains as one of her favorite actors and colleagues. Gielgud said that he once wrote that "The London stage suffered a great loss when Claude Rains deserted it for motion pictures," and that he later added, "but when I see him now on the screen and remember him, I must admit that the London stage's loss was the cinema's gain. And the striking virtuosity that I witnessed as a young actor is now there for audiences everywhere to see for all time. I'm so glad of that."

Personal life and death

The ivory military uniform Rains wore in Casablanca was sold at auction in 2011 for $55,000.

Rains became a naturalized citizen of the United States in 1939.

He married six times and was divorced from the first five of his wives: Isabel Jeans (married 1913–1915); Marie Hemingway (to whom Rains was married for less than a year in 1920); Beatrix Thomson (1924–8 April 1935); Frances Propper (9 April 1935 – 1956); and the classical pianist Agi Jambor (4 November 1959 – 1960). In 1960, he married Rosemary Clark Schrode, to whom he was married until her death on 31 December 1964. His only child, Jennifer, was the daughter of Frances Propper. As an actress, she is known as Jessica Rains.

He acquired the 380-acre (1.5 km²) Stock Grange Farm, built in 1747 in West Bradford Township, Pennsylvania (just outside Coatesville), in 1941. The farm became one of the "great prides" of his life. Here, he became a "gentleman farmer" and could relax and enjoy farming life with his then wife (Frances) churning the butter, their daughter collecting the eggs, with Rains himself ploughing the fields and cultivating the vegetable garden. He spent much of his time between film takes reading up on agricultural techniques to try when he got home. He sold the farm when his marriage to Propper ended in 1956; the building now, as then, is still referred to by locals as "Rains' Place". Rains spent his final years in Sandwich, New Hampshire.

In his final years, he decided to write his memoirs and engaged the help of journalist Jonathan Root to assist him. Rains' declining health delayed their completion and with Root's death in March 1967 the project was never completed. A chronic alcoholic, Rains died from cirrhosis of the liver, having an abdominal hemorrhage in Laconia on 30 May 1967, aged 77. His daughter said, "And, just like most actors, he died waiting for his agent to call." He was buried at the Red Hill Cemetery in Moultonborough, New Hampshire. He designed his own tombstone which reads "All things once, Are things forever, Soul, once living, lives forever".

In 2010, many of Rains' personal effects were put into an auction at Heritage Auctions, including his 1951 Tony award, rare posters, letters and photographs. Also included in the auction were many volumes of his private leather-bound scrapbooks which contained many of his press cuttings and reviews from the beginning of his career. The majority of the items were used to help David J. Skal write his book on Rains, An Actor's Voice. In 2011, the ivory military uniform (complete with medals) he wore as Captain Renault in Casablanca was put up for auction when noted actress and film historian Debbie Reynolds sold her collection of Hollywood costumes and memorabilia which she had amassed as a result of the 1970 MGM auction.

Acting credits

Filmography

Year	Title	Role	Director	Notes
1920	Build Thy House	Clarkis	Fred Goodwins	Film debut
1933	The Invisible Man	Dr. Jack Griffin/The Invisible Man	James Whale
1934	Crime Without Passion	Lee Gentry	Ben Hecht, Charles MacArthur
	The Man Who Reclaimed His Head	Paul Verin	Edward Ludwig
1935	The Mystery of Edwin Drood	John Jasper	Stuart Walker
	The Clairvoyant	Maximus	Maurice Elvey
	The Last Outpost	John Stevenson	Louis Gasnier, Charles Barton
	Scrooge	Jacob Marley	Henry Edwards	Uncredited
1936	Hearts Divided	Napoleon Bonaparte	Frank Borzage
	Anthony Adverse	Marquis Don Luis	Mervyn LeRoy
1937	Stolen Holiday	Stefan Orloff	Michael Curtiz
	The Prince and the Pauper	Earl of Hertford	William Keighley
	They Won't Forget	District Attorney Andrew J. "Andy" Griffin	Mervyn LeRoy
1938	White Banners	Paul Ward	Edmund Goulding
	Gold is Where You Find It	Colonel Christopher "Chris" Ferris	Michael Curtiz	Technicolor
	The Adventures of Robin Hood	Prince John	Michael Curtiz	Technicolor
	Four Daughters	Adam Lemp	Michael Curtiz
1939	They Made Me a Criminal	Detective Monty Phelan	Busby Berkeley
	Juarez	Emperor Louis Napoleon III	William Dieterle
	Sons of Liberty	Haym Salomon	Michael Curtiz	Technicolor; two-reel short
	Daughters Courageous	Jim Masters	Michael Curtiz
	Mr. Smith Goes to Washington	Senator Joseph Harrison Paine	Frank Capra
	Four Wives	Adam Lemp	Michael Curtiz
1940	Saturday's Children	Mr. Henry Halevy	Vincent Sherman
	The Sea Hawk	Don José Álvarez de Córdoba	Michael Curtiz	Sepia tone (sequence)
	Lady with Red Hair	David Belasco	Curtis Bernhardt
1941	Four Mothers	Adam Lemp	William Keighley
	Here Comes Mr. Jordan	Mr. Jordan	Alexander Hall
	The Wolf Man	Sir John Talbot	George Waggner
1942	Kings Row	Dr. Alexander Tower	Sam Wood
	Moontide	Nutsy	Archie Mayo
	Now, Voyager	Dr. Jaquith	Irving Rapper
	Casablanca	Captain Louis Renault	Michael Curtiz
1943	Forever and a Day	Ambrose Pomfret	Herbert Wilcox (sequence with Rains)
	Phantom of the Opera	Erique Claudin/The Phantom of the Opera	Arthur Lubin	Technicolor
1944	Passage to Marseille	Captain Freycinet	Michael Curtiz
	Mr. Skeffington	Job Skeffington	Vincent Sherman
1945	Strange Holiday	John Stevenson	Arch Oboler
	This Love of Ours	Joseph Targel	William Dieterle
	Caesar and Cleopatra	Julius Caesar	Gabriel Pascal	Technicolor
1946	Notorious	Alexander Sebastian	Alfred Hitchcock
	Angel on My Shoulder	Nick	Archie Mayo
	Deception	Alexander Hollenius	Irving Rapper
1947	The Unsuspected	Victor Grandison	Michael Curtiz
1949	The Passionate Friends	Howard Justin	David Lean
	Rope of Sand	Arthur "Fred" Martingale	William Dieterle
	Song of Surrender	Elisha Hunt	Mitchell Leisen
1950	The White Tower	Paul DeLambre	Ted Tetzlaff	Technicolor
	Where Danger Lives	Frederick Lannington	John Farrow
1951	Sealed Cargo	Captain Skalder	Alfred L. Werker
1952	The Man Who Watched the Trains Go By	Kees Popinga	Harold French	Technicolor
1956	Alfred Hitchcock Presents	John Fabian	Robert Stevenson	Season 1 Episode 20: "And So Died Riabouchinska"
	Lisbon	Aristides Mavros	Ray Milland	Trucolor; Naturama
1957	Alfred Hitchcock Presents	Charles Gresham	Herschel Daugherty	Season 2 Episode 24: "The Cream of the Jest"
	The Pied Piper of Hamelin	The Mayor of Hamelin	Bretaigne Windust	Technicolor
1959	Alfred Hitchcock Presents	Andrew Thurgood	Herschel Daugherty	Season 4 Episode 20: "The Diamond Necklace"
	This Earth Is Mine	Philippe Rambeau	Henry King	Technicolor; CinemaScope
	Judgment at Nuremberg	Judge Haywood	George Roy Hill	Playhouse 90
1960	The Lost World	Professor George Edward Challenger	Irwin Allen	Deluxe color; CinemaScope
1961	Alfred Hitchcock Presents	Father Amion	Alfred Hitchcock	Season 6 Episode 22: "The Horseplayer"
	Battle of the Worlds	Professor Benson	Antonio Margheriti	Colour
1962	Alfred Hitchcock Presents	Sergeant Shaw	Herschel Daugherty	Season 7 Episode 15: "The Door Without a Key"
	Lawrence of Arabia	Mr. Dryden	David Lean	Technicolor; Super Panavision 70
1963	Twilight of Honor	Art Harper	Boris Sagal
1965	The Greatest Story Ever Told	Herod the Great	George Stevens	Final film

Theatre

Rains starred in multiple plays and productions over the course of his career, playing a variety of leading and supporting parts. As his film career began to flourish, he found less time to perform in the theatre in both England and America.

Year	Play title	Role	Theatre	Notes
1900	Sweet Nell of Old Drury	Child	Haymarket Theatre	Stage debut, aged 10 as an "unbilled child extra "running around a fountain."
1901	Herod	Child	His Majesty's Theatre	Unbilled
1904	Last of the Dandies	Winkles		Rains' debut speaking role in the theatre
1911	The Gods of the Mountain	Thahn	Haymarket Theatre	Shared role with Reginald Owen
1913	The Green Cockatoo	Grasset	Aldwych Theatre	Stage Manager as well
	Typhoon	Omayi	Haymarket Theatre	First heavy character role
1919	Reparation	Ivan Petrovitch	St. James's Theatre	Stage Manager as well
	Uncle Ned	Mears	Lyceum Theatre	Marked Rains' return to the stage after being wounded in WWI
1920	Julius Caesar	Casca	St. James's Theatre	Ernest Milton played Brutus
1925	The Rivals	Faulkland	Lyric Hammersmith
1926	The Government Inspector	The Inspector	Gaiety Theatre	Professional debut of his RADA student, Charles Laughton
1926	Made in Heaven	Martin Walmer	Everyman Theatre, London	This was Rains' last appearance on the London Stage.
1951	Darkness at Noon	Rubashov	Alvin Theatre/Royale Theatre
1954	The Confidential Clerk	Sir Claude Mulhammer	Morosco Theatre
1956	Night of the Auk	Doctor Bruner	Playhouse Theatre	Featuring Christopher Plummer

Radio

1949. Ford Theatre. The horn blows at midnight with Jack Benny.

https://www.google.com/search?q=Ford+Theatre+radio+show+the+Horn+blows+at+midnight&ie=UTF-8&oe=UTF-8&hl=en-us&client=safari

Year	Programme	Episode/source
1952	Cavalcade of America	Three Words
1959	Playhouse 90	Judgement At Nuremberg

Discography

Year	Title	Recording Company
1946	The Christmas Tree	Mercury Childcraft Records
1948	Bible Stories for Children	Capitol Records
1950	Builders of America	Columbia Masterworks
1952	David and Goliath	Capitol Records
1957	The Song of Songs and Heloise and Abelard	Caedmon Records
1960	Remember The Alamo	Noble Records
1962	Enoch Arden	Columbia Masterworks

Awards and nominations

Academy Awards

Year	Category	Nominated work	Result	Ref.
1939	Best Supporting Actor	Mr. Smith Goes to Washington	Nominated
1943		Casablanca	Nominated
1944		Mr. Skeffington	Nominated
1946		Notorious	Nominated

Drama League Awards

Year	Category	Nominated work	Result	Ref.
1951	Distinguished Performance Award	Darkness at Noon	Won

Grammy Awards

Year	Category	Nominated work	Result	Ref.
1962	Best Documentary or Spoken Word Recording (Other Than Comedy)	Enoch Arden	Nominated

Online Film & Television Association Awards

Year	Honor	Result	Ref.
2023	Film Hall of Fame: Actors	Inducted

Tony Awards

Year	Category	Nominated work	Result	Ref.
1951	Best Actor in a Play	Darkness at Noon	Won

See also

• List of actors with Academy Award nominations

General sources

• Harmetz, Aljean (1992). Round Up the Usual Suspects: The Making of "Casablanca" (hardcover) (First ed.). Westport, CT: Hyperion. ISBN 978-1-56282-941-4.
• Soister, John T.; Wioskowski, JoAnna (2006). Claude Rains: A Comprehensive Illustrated Reference to His Work in Film, Stage, Radio, Television and Recordings (softcover) (Reprint ed.). Jefferson, NC: McFarland. ISBN 978-0-7864-2855-7. OCLC 41580407.
• Skal, David J. (2008). Claude Rains: An Actor's Voice (hardcover) (First ed.). Lexington, KY: The University Press of Kentucky. ISBN 978-1-7200-3837-5. JSTOR j.ctt2jcg4f.

Further reading

• Alistair, Rupert (2018). "Claude Rains". The Name Below the Title : 65 Classic Movie Character Actors from Hollywood's Golden Age (softcover) (First ed.). Great Britain: Independently published. pp. 215–217. ISBN 978-1-7200-3837-5.
• Felice, Carmella (2006). The Life and Times of Claude Rains (softcover) (First ed.). Bloomington, IN: AuthorHouse. ISBN 978-1-4259-5301-0.

External links

• Claude Rains at IMDb 
• Claude Rains at AllMovie
• Claude Rains at the TCM Movie Database
• Claude Rains at the British Film Institute
• Claude Rains at the BFI's Screenonline
• Claude Rains at the Internet Broadway Database
• Performances listed in Theatre Archive of the University of Bristol