Giselher Klebe: Difference between revisions
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{{Short description|German composer}} |
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[[Image:Giselher Klebe 2008.jpg|220px|thumb|Giselher Klebe at his desk in April 2008]] |
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{{Use dmy dates|date=May 2020}} |
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⚫ | '''Giselher Wolfgang Klebe''' |
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{{Infobox person |
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| name = Giselher Klebe |
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| image = Giselher Klebe 2008.jpg |
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| image_upright = |
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| caption = The composer at his desk in April 2008 |
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| birth_date = {{birth date|1925|06|28|df=y}} |
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| birth_place = [[Mannheim]], Germany |
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| death_date = {{death date and age|2009|10|05|1925|06|28|df=y}} |
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| death_place = [[Detmold]], Germany |
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| education = |
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| occupation = {{plainlist| |
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* Composer |
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* Academic teacher |
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}} |
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| organization = [[Hochschule für Musik Detmold]] |
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| spouse = Lore Klebe |
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| awards = [[Academy of Arts, Berlin|Academy of Arts]] |
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}} |
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⚫ | '''Giselher Wolfgang Klebe''' (28 June 1925{{spaced ndash}}5 October 2009) was a German [[composer]], and an academic teacher. He composed more than 140 works, among them 14 [[opera]]s, all based on literary works, eight [[Symphony|symphonies]], 15 solo concerts, [[chamber music]], piano works, and sacred music. |
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==Biography== |
==Biography== |
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Giselher Klebe was born in [[Mannheim]], Germany. He received musical tuition early in his life from his mother, the violinist Gertrud Klebe. The family relocated in 1932 to Munich, where his mother's sister, Melanie Michaelis, continued the training. His father's profession required a further relocation in 1936 to [[Rostock]].<ref name="Schäfer" /> |
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⚫ | After serving his [[ |
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In 1957, he succeeded [[Wolfgang Fortner]] as [[docent]] for the subjects of Composition and [[Music theory|Music Theory]] at the |
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[[Hochschule für Musik Detmold]]. He was appointed [[Professor]] in 1962; many well known composers were his pupils, e.g. [[:de:Hans Martin Corrinth|Hans Martin Corrinth]], [[:de:Theo Brandmüller|Theo Brandmüller]], [[:de:Peter Michael Braun|Peter Michael Braun]], [[Matthias Pintscher]], |
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In 1964 Klebe was appointed member of the West Berlin [[Akademie der Künste]] (Arts Academy). In 1965 he received the ''Westfälischer Musikpreis'' (later named the ''[[Hans Werner Henze|Hans-Werner-Henze-Preis]]''). In 2002, the city of [[Detmold]], where he lived, made him an [[Citizenship#Honorary_citizenship|honorary citizen]]. |
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Klebe was inspired and influenced by works of authors and artists, especially his contemporaries. In 1951 he composed ''Die Zwitschermaschine'' Op. 7, (''The Twittering Machine''), based on [[Twittering Machine|the painting]] by [[Paul Klee]].<ref name="naxos">[https://www.naxos.com/Bio/Person/Giselher_Klebe/21820 "Giselher Klebe"], Naxos, accessed 19 February 2023</ref> His first opera, based on [[Friedrich Schiller]]'s play ''Die Räuber'' (''[[The Robbers]]''), was produced in 1957.<ref name="naxos" /> He composed two operas based on plays by [[Ödön von Horváth]]. |
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In 1957, Klebe succeeded [[Wolfgang Fortner]] as [[docent]] for the subjects of Composition and [[Music theory|Music Theory]] at the [[Hochschule für Musik Detmold]]. He was appointed [[professor]] in 1962 and, over the years, taught many students who went on to become well-known composers: [[Theo Brandmüller]], {{ill|Peter Michael Braun|de}}, {{ill|Hans Martin Corrinth|de}}, [[Matthias Pintscher]], and [[Lars Woldt]].<ref name="Schäfer" /> |
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==Honors and legacy== |
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*In 1964 Klebe was appointed member of the West Berlin [[Akademie der Künste]] (Arts Academy). |
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*In 1965 he received the Westfälischer Musikpreis (later named the [[Hans Werner Henze|Hans-Werner-Henze-Preis]]). |
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*In 2002, the city of [[Detmold]], where he lived, made him an [[Honorary citizenship|honorary citizen]].<ref name=DT /> |
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==Marriage and family== |
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On 10 September 1946 Klebe married the violinist Lore Schiller. They had two daughters, Sonja Katharina and Annette Marianne. Lore Klebe wrote the [[libretto]]s for some of his operas, including ''[[Der Jüngste Tag]]'' (''Doomsday'').<ref name="Schäfer" /> |
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Klebe died on 5 October 2009 in Detmold at the age of 84 after a long illness.<ref name=DT>[http://www.detmold.de/startseite/leben-in-detmold/gemeinschaft-und-soziales/ehrenbuerger/giselher-klebe/ Giselher Klebe], profile, City of [[Detmold]] {{in lang|de}}</ref> |
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==Works== |
==Works== |
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{| class="wikitable" |
{| class="wikitable" |
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! Opus !! Title !! Category |
! Opus !! Title !! Translation !! Category |
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| align="right"|4 || Piano sonata || Piano sonata |
| align="right"|4 || Piano sonata || || Piano sonata |
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| align="right"|7 || Die Zwitschermaschine || |
| align="right"|7 || ''Die Zwitschermaschine'' || || Orchestral |
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| align="right"|13|| Wiegenlieder für Christinchen || |
| align="right"|13|| Wiegenlieder für Christinchen || || Piano |
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|- |
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| align="right"|22|| Elegia appassionata || Piano trio |
| align="right"|22|| ''Elegia appassionata'' || || Piano trio |
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| align="right"|25|| [[Die Räuber (opera)|Die Räuber]] |
| align="right"|25|| ''[[Die Räuber (opera)|Die Räuber]]'' || ''The Robbers'' || Opera |
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|- |
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| align="right"|26|| 4 Inventions || |
| align="right"|26|| 4 Inventions || || Piano |
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| align="right"|27|| [[Die tödlichen Wünsche]] |
| align="right"|27|| ''[[Die tödlichen Wünsche]]'' || ''The Deadly Wishes'' || Opera |
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| align="right"|29|| Cello |
| align="right"|29|| Cello Concerto No. 1 || || Cello concerto |
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| align="right"|32|| [[Die Ermordung Cäsars]] |
| align="right"|32|| ''[[Die Ermordung Cäsars]]'' || ''The Murder of Caesar''|| Opera |
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| align="right"|36|| [[Alkmene (opera)|Alkmene]] || Opera |
| align="right"|36|| ''[[Alkmene (opera)|Alkmene]]'' || || Opera |
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| align="right"|37|| Adagio and |
| align="right"|37|| Adagio and Fugue with a motif from Wagner's ''[[Die Walküre]]'' || || Orchestral |
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| align="right"|39|| 9 Duettini per pianoforte e flauto || Duo |
| align="right"|39|| 9 Duettini per pianoforte e flauto || || Duo |
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| align="right"|40|| [[Figaro |
| align="right"|40|| ''[[Figaro läßt sich scheiden]]'' || ''Figaro Gets Divorced'' || Opera |
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| align="right"|49|| [[Jacobowsky und der Oberst (opera)|Jacobowsky und der Oberst]] |
| align="right"|49|| ''[[Jacobowsky und der Oberst (opera)|Jacobowsky und der Oberst]]'' || ''Jacobovsky and the Colonel'' || Opera |
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| align="right"|50|| Concerto a cinque || |
| align="right"|50|| Concerto a cinque || || Concerto |
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| align="right"|53|| Symphony |
| align="right"|53|| Symphony No. 3 (1966) || || Symphony |
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| align="right"|55|| [[Das Märchen von der schönen Lilie]] |
| align="right"|55|| ''[[Das Märchen von der schönen Lilie]]'' || ''The Fairy Tale of the Fair Lily'' || Opera |
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| align="right"|61|| Das Testament || |
| align="right"|61|| ''Das Testament'' || || Orchestral |
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| align="right"|69|| [[Ein wahrer Held]] |
| align="right"|69|| ''[[Ein wahrer Held]]'' || ''A True Hero'' || Opera |
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| align="right"|70|| Nenia || |
| align="right"|70|| ''Nenia'' || || Chamber music |
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| align="right"|72|| [[Das Mädchen aus Domrémy]] |
| align="right"|72|| ''[[Das Mädchen aus Domrémy]]'' || ''The Girl from Domrémy'' || Opera |
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| align="right"|73|| Orpheus || |
| align="right"|73|| ''Orpheus'' || || Orchestral |
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| align="right"|75|| Symphony |
| align="right"|75|| Symphony No. 5 (1976–77) || || Symphony |
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| align="right"|76|| 9 Piano pieces for Sonja || |
| align="right"|76|| 9 Piano pieces for Sonja || || Piano |
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| align="right"|78|| [[Das Rendezvous]] || Opera |
| align="right"|78|| ''[[Das Rendezvous]]'' || || Opera |
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| align="right"|82|| [[Der Jüngste Tag]] |
| align="right"|82|| ''[[Der Jüngste Tag]]'' || ''Doomsday'' || Opera |
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| align="right"|87|| String |
| align="right"|87|| String Quartet No. 3 || || String quartet |
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| align="right"|90|| [[Die Fastnachtsbeichte (opera)|Die Fastnachtsbeichte]] |
| align="right"|90|| ''[[Die Fastnachtsbeichte (opera)|Die Fastnachtsbeichte]]'' || ''Carnival Confession''|| Opera |
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| align="right"|91|| Feuersturz || |
| align="right"|91|| ''Feuersturz'' || || Piano |
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| align="right"|103|| Glockentürme || |
| align="right"|103|| ''Glockentürme'' || || Piano |
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| align="right"| |
| align="right"|107|| ''Agitato'' || || Trombone Quartet |
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| align="right"| |
| align="right"|111|| ''Nachklang'' || || Piano |
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| align="right"| |
| align="right"|119|| ''[[Gervaise Macquart]]'' || || Opera |
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| align="right"| |
| align="right"|120|| Symphony No. 6 (1996) || || Symphony |
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| align="right"| |
| align="right"|133|| ''Mignon'' || || Violin concerto |
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| align="right"| |
| align="right"|134|| ''Chara'' || || Duo |
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| align="right"|149|| ''[[Chlestakows Wiederkehr]]'' || ''Khlestakov's Return'' || Opera |
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== |
== References == |
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'''Notes''' |
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*[[:de:Giselher Klebe|Giselher Klebe]] at the German Wikipedia |
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<ref name="Schäfer">{{cite web |
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*Michael Herbert Rentzsch (with Erik Levi): "Klebe, Giselher", ''Grove Music Online'' ed. L. Macy (Accessed {{Date|2008-03-01}}), http://www.grovemusic.com |
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| url = http://www.matthies-koehn.de/german/html/klebe.html |
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| date = 28 June 2005 |
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| archive-url = https://web.archive.org/web/20121120181853/http://www.matthies-koehn.de/german/html/klebe.html |
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| archive-date = 20 November 2012 |
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| first = Brigitte |
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| last = Schäfer |
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| language = de |
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| access-date = 10 November 2014 |
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}}</ref> |
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</references> |
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'''Sources''' |
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* {{cite Grove|author1=Michael Herbert Rentzsch|author2=Erik Levi|title=Klebe, Giselher|year=2001|id=15111|ref=none}} |
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==External links== |
==External links== |
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* [https://archiv.adk.de/bigobjekt/26386 Giselher-Klebe-Archiv], Archive of the [[Akademie der Künste]], Berlin |
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*[ |
* [https://www.klassika.info/Komponisten/Klebe_Giselher/index.html "Giselher Klebe (1925–2009)"], Klassika |
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{{Portal bar|Biography|Classical music|Opera}} |
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{{Authority control}} |
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{{DEFAULTSORT:Klebe, Giselher}} |
{{DEFAULTSORT:Klebe, Giselher}} |
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[[Category: |
[[Category:German opera composers]] |
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[[Category: |
[[Category:German male opera composers]] |
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[[Category: |
[[Category:20th-century German classical composers]] |
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[[Category:21st-century German classical composers]] |
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[[Category:1925 births]] |
[[Category:1925 births]] |
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[[Category: |
[[Category:2009 deaths]] |
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[[Category:People from Detmold]] |
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[[Category:Commanders Crosses of the Order of Merit of the Federal Republic of Germany]] |
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[[Category:Academic staff of the Hochschule für Musik Detmold]] |
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[[Category:20th-century German male musicians]] |
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[[fr:Giselher Klebe]] |
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[[Category:21st-century German male musicians]] |
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[[nl:Giselher Klebe]] |
Latest revision as of 21:36, 6 November 2024
Giselher Klebe | |
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Born | Mannheim, Germany | 28 June 1925
Died | 5 October 2009 Detmold, Germany | (aged 84)
Occupations |
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Organization | Hochschule für Musik Detmold |
Spouse | Lore Klebe |
Awards | Academy of Arts |
Giselher Wolfgang Klebe (28 June 1925 – 5 October 2009) was a German composer, and an academic teacher. He composed more than 140 works, among them 14 operas, all based on literary works, eight symphonies, 15 solo concerts, chamber music, piano works, and sacred music.
Biography
[edit]Giselher Klebe was born in Mannheim, Germany. He received musical tuition early in his life from his mother, the violinist Gertrud Klebe. The family relocated in 1932 to Munich, where his mother's sister, Melanie Michaelis, continued the training. His father's profession required a further relocation in 1936 to Rostock.[1]
Following the separation of his parents, Klebe moved with his mother and sister to Berlin. During 1938, the 13-year-old sketched his first compositions. In 1940, he began studies in violin, viola, and composition, supported by a grant from the city of Berlin.
After serving his term in the Reich Labour Service, Klebe was conscripted to military service as signalman. After the German surrender, he was taken prisoner of war by the Russian forces. Due to ill health, he was soon released.
Having convalesced, Klebe continued his music studies in Berlin (1946–1951), first under Josef Rufer, then in master classes by Boris Blacher. He worked for the radio station Berliner Rundfunk until 1948, when he began to work full-time as a composer.
Klebe was inspired and influenced by works of authors and artists, especially his contemporaries. In 1951 he composed Die Zwitschermaschine Op. 7, (The Twittering Machine), based on the painting by Paul Klee.[2] His first opera, based on Friedrich Schiller's play Die Räuber (The Robbers), was produced in 1957.[2] He composed two operas based on plays by Ödön von Horváth.
In 1957, Klebe succeeded Wolfgang Fortner as docent for the subjects of Composition and Music Theory at the Hochschule für Musik Detmold. He was appointed professor in 1962 and, over the years, taught many students who went on to become well-known composers: Theo Brandmüller, Peter Michael Braun , Hans Martin Corrinth , Matthias Pintscher, and Lars Woldt.[1]
Honors and legacy
[edit]- In 1964 Klebe was appointed member of the West Berlin Akademie der Künste (Arts Academy).
- In 1965 he received the Westfälischer Musikpreis (later named the Hans-Werner-Henze-Preis).
- In 2002, the city of Detmold, where he lived, made him an honorary citizen.[3]
Marriage and family
[edit]On 10 September 1946 Klebe married the violinist Lore Schiller. They had two daughters, Sonja Katharina and Annette Marianne. Lore Klebe wrote the librettos for some of his operas, including Der Jüngste Tag (Doomsday).[1]
Klebe died on 5 October 2009 in Detmold at the age of 84 after a long illness.[3]
Works
[edit]Opus | Title | Translation | Category |
---|---|---|---|
4 | Piano sonata | Piano sonata | |
7 | Die Zwitschermaschine | Orchestral | |
13 | Wiegenlieder für Christinchen | Piano | |
22 | Elegia appassionata | Piano trio | |
25 | Die Räuber | The Robbers | Opera |
26 | 4 Inventions | Piano | |
27 | Die tödlichen Wünsche | The Deadly Wishes | Opera |
29 | Cello Concerto No. 1 | Cello concerto | |
32 | Die Ermordung Cäsars | The Murder of Caesar | Opera |
36 | Alkmene | Opera | |
37 | Adagio and Fugue with a motif from Wagner's Die Walküre | Orchestral | |
39 | 9 Duettini per pianoforte e flauto | Duo | |
40 | Figaro läßt sich scheiden | Figaro Gets Divorced | Opera |
49 | Jacobowsky und der Oberst | Jacobovsky and the Colonel | Opera |
50 | Concerto a cinque | Concerto | |
53 | Symphony No. 3 (1966) | Symphony | |
55 | Das Märchen von der schönen Lilie | The Fairy Tale of the Fair Lily | Opera |
61 | Das Testament | Orchestral | |
69 | Ein wahrer Held | A True Hero | Opera |
70 | Nenia | Chamber music | |
72 | Das Mädchen aus Domrémy | The Girl from Domrémy | Opera |
73 | Orpheus | Orchestral | |
75 | Symphony No. 5 (1976–77) | Symphony | |
76 | 9 Piano pieces for Sonja | Piano | |
78 | Das Rendezvous | Opera | |
82 | Der Jüngste Tag | Doomsday | Opera |
87 | String Quartet No. 3 | String quartet | |
90 | Die Fastnachtsbeichte | Carnival Confession | Opera |
91 | Feuersturz | Piano | |
103 | Glockentürme | Piano | |
107 | Agitato | Trombone Quartet | |
111 | Nachklang | Piano | |
119 | Gervaise Macquart | Opera | |
120 | Symphony No. 6 (1996) | Symphony | |
133 | Mignon | Violin concerto | |
134 | Chara | Duo | |
149 | Chlestakows Wiederkehr | Khlestakov's Return | Opera |
References
[edit]Notes
- ^ a b c Schäfer, Brigitte (28 June 2005). "Giselher Klebe" (in German). Archived from the original on 20 November 2012. Retrieved 10 November 2014.
- ^ a b "Giselher Klebe", Naxos, accessed 19 February 2023
- ^ a b Giselher Klebe, profile, City of Detmold (in German)
Sources
- Erik Levi, "Klebe, Giselher", in The New Grove Dictionary of Opera, ed. Stanley Sadie (London, 1992) ISBN 0-333-73432-7
- Michael Herbert Rentzsch; Erik Levi (2001). "Klebe, Giselher". Grove Music Online (8th ed.). Oxford University Press. doi:10.1093/gmo/9781561592630.article.15111. ISBN 978-1-56159-263-0.
External links
[edit]- Giselher-Klebe-Archiv, Archive of the Akademie der Künste, Berlin
- "Giselher Klebe (1925–2009)", Klassika
- German opera composers
- German male opera composers
- 20th-century German classical composers
- 21st-century German classical composers
- 1925 births
- 2009 deaths
- People from Detmold
- Commanders Crosses of the Order of Merit of the Federal Republic of Germany
- Academic staff of the Hochschule für Musik Detmold
- 20th-century German male musicians
- 21st-century German male musicians