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{{Short description|Printmaking technique}}
[[File:CarlEugenKeel-Bar.jpg|right|thumb|190px| Linocut ''Bar'' by [[Carl Eugen Keel]]]]
[[File:Oaktree&mirrorimage.png|thumb|Linocut of a tree at a lake]]
'''Linocut''' is a [[printmaking]] technique, a variant of [[woodcut]] in which a sheet of [[linoleum]] (sometimes mounted on a wooden block) is used for the relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped [[chisel]] or [[gouge]], with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a [[brayer]]), and then impressed onto paper or fabric. The actual printing can be done by hand or with a press.
'''Linocut''', also known as '''lino print''', '''lino printing''' or '''linoleum art''', is a [[printmaking]] technique, a variant of [[woodcut]] in which a sheet of [[linoleum]] (sometimes mounted on a wooden block) is used for a [[relief printing|relief]] surface. A design is cut into the linoleum surface with a sharp knife, V-shaped [[chisel]] or [[Chisel#Gouge|gouge]], with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a [[brayer]]), and then impressed onto paper or fabric. The actual printing can be done by hand or with a [[printing press]].


==Technique==
Although linoleum as a floor covering dates to the 1860, the linocut printing technique was used first by the artists of [[Die Brücke]] in Germany between 1905-13 where it had been similarly used for wallpaper printing. They initially described their prints as [[woodcut]]s however, which sounded more shit
[[File:Preparing a Linocut Design.jpg|thumb|Using a handheld gouger to cut a design into linoleum for a linocut print]]
[[File:Printing Using a Linocut Design.jpg|thumb|Linocut printing; using a design cut into linoleum to make a print on paper]]
Since the material being carved has no [[Wood grain|directional grain]] and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of woodcuts and [[engraving]]s. Lino is generally much easier to cut than wood, especially when heated, but the pressure of the printing process degrades the plate faster and it is difficult to create larger works due to the material's fragility.


Linocuts can also be achieved by the careful application of art on the surface of the lino. This creates a surface similar to a soft ground [[etching]] and these caustic-lino plates can be printed in either a [[relief printing|relief]], [[intaglio (printmaking)|intaglio]] or a [[viscosity printing]] manner.


Colour linocuts can be made by using a different block for each colour as in a woodcut, as the artists of the [[Grosvenor School]] frequently did. As [[Pablo Picasso]] demonstrated, such prints can also be achieved using a single piece of linoleum in what is called the "reductive" print method. Essentially, after each successive colour is imprinted onto the paper, the artist then cleans the lino plate and cuts away what will not be imprinted for the subsequently applied colour.<ref>[http://www.cycleback.com/printsexamination/nine.html Judging the Authenticity of Prints by The Masters] by David Rudd Cycleback. Retrieved: 2011-12-17.</ref>
As the material being carved has no particular direction to its grain and does not tend to split, it is easier to obtain certain artistic effects with Lino than with most woods, although the resultant prints can lack the often angular grainy character of [[woodcut]]s and engravings. Lino is much easier to cut than wood; especially when heated, but the pressure of the printing process degrades the plate faster and it is difficult to create larger works due to the material's fragility.


Due to ease of use, linocut is widely used in schools to introduce children to the art of printmaking, using it to complete many tasks in the art lesson rather than going straight for the pencil and eraser. Similarly, non-professional artists often cut lino rather than wood for printing. Nevertheless, in the contemporary art world the linocut is an established professional print medium, because of its extensive use by the artists of the Grosvenor School, followed by Pablo Picasso and [[Henri Matisse]].
Linocuts can also be achieved by the careful application of [[Sodium hydroxide]] in a paste to parts of the surface of the Lino. This creates a surface similar to a soft ground [[etching]] and these Caustic-Lino plates can be printed in either a relief, intaglio or a [[viscosity printing]] manner.


== Emergence of the technique in America ==
Colour linocuts can be made by using a different block for each colour as in a woodcut, but, as [[Pablo Picasso]] demonstrated quite effectively, such prints can also be achieved using a single piece of linoleum in what is called the 'reductive' print method. Essentially, after each successive colour is imprinted onto the paper, the artist then cleans the lino plate and cuts away what will not be imprinted for the subsequently applied colour.[http://www.cycleback.com/printsexamination/nine.html]
"Linoleum art" was first displayed in New York City in 1911 by the Czech émigré [[Vojtěch Preissig]]. In his publications on linocuts (1926–29) the respected American printmaker, [[Pedro Joseph de Lemos]], simplified the methods for art schools and introduced new techniques for color linocuts, including the printing of the key block first.<ref name="edwardsrw">{{cite book|last1=Edwards|first1=Robert W.| title=Pedro de Lemos, Lasting Impressions: Works on Paper| date=2015|publisher=Davis Publications Inc.| location=Worcester, Mass.|isbn=9781615284054|pages=68–69, 92 notes 370–373}}</ref> The first large-scale colour linocuts made by an American artist were created {{Circa|1943–45}} by [[Walter Inglis Anderson]], and exhibited at the [[Brooklyn Museum]] in 1949.

Due to ease of use, linocut is widely used in [[school]]s to introduce children to the [[art]] of [[printmaking]]; similarly, non-professional artists often cut lino rather than wood for printing. In the modern day art world however, after the input of [[Pablo Picasso|Picasso]] and [[Henri Matisse]], the linocut is an established professional print medium.

== Emergence of the technique in America==
The first large colour linocuts made by an American artist were those of [[Walter Inglis Anderson]], ca. 1943-1945, which were exhibited at the Brooklyn Museum in 1949. Today, linocut is a popular technique among street artists and street art-related fine art. Prominent practitioners include [[Swoon (artist)|Swoon]], [[Josh MacPhee]] and Jim Pollock.


==Selected artists==
==Selected artists==
[[File:Sündinud Nõukogude Liidus.tif|thumb|"Born in the Soviet Union". Linocut by [[Peeter Allik]].]]
[[File:Ethel Spowers. Wet afternoon, 1930. Linocut.jpg|thumb|"Wet Afternoon". Linocut by [[Ethel Spowers]].]]


* [[Irving Amen]], American artist
* [[Josef Albers]], German artist
* [[Peeter Allik]], Estonian artist
* [[Valenti Angelo]], American printmaker & illustrator
* [[Valenti Angelo]], American printmaker and illustrator
* [[Walter Inglis Anderson]] American artist
* [[Walter Inglis Anderson]] American artist
* [[Sybil Andrews]] English/Canadian artist
* [[Sybil Andrews]] English-Canadian artist
* [[Hans Anton Aschenborn]], German painter
* [[Georg Baselitz]], German artist
* [[Georg Baselitz]], German artist
* [[Torsten Billman]], Swedish artist
* [[Emma Bormann]], Austrian printmaker and painter
* [[Gail Brodholt]], English artist
* [[Horace Brodzky]], Australian/British artist
* [[Angel Botello]], Spanish-Puerto Rican artist
* [[Angel Botello]], Spanish-Puerto Rican artist
* [[Carlos Cortez]] American poet and artist
* [[Margaret Taylor-Burroughs|Margaret Burroughs]], American artist
* [[Carlos Cortez]], American poet and artist
* [[Stanley Donwood]], British artist (most famous for his work with British band [[Radiohead]]). His work for [[Thom Yorke]]'s album [[The Eraser]] was originally done in linocut.
* [[Bill Fick]], American printmaker & illustrator
* [[David Call]], American Deaf artist
* [[Stanley Donwood]], British artist
* [[Jacques Hnizdovsky]], [[Ukrainians|Ukrainian]]-American printmaker, painter, book illustrator and ex libris designer
* [[Yvonne Drewry]], English artist
* [[Janet Doub Erickson]], American printmaker and artist
* [[M. C. Escher]], Dutch artist
* [[Bill Fick]], American printmaker and illustrator
* [[Folly Cove Designers]] American design collective
* [[Jacques Hnizdovsky]], Ukrainian/American artist
* [[Helmi Juvonen]], American artist
* [[William Kermode]], Australian illustrator
* [[William Kermode]], Australian illustrator
* [[Georgy Kovenchuk|Gaga Kovenchuk]], Russian artist
* [[Henri Matisse]], French painter
* [[Henri Matisse]], French painter
* [[Pablo Picasso]], Spanish painter
* [[Pablo Picasso]], Spanish painter
* [[Cyril Edward Power]], English artist
* [[Cyril Edward Power]], English artist
* [[Everett Ruess]], American Painter, printmaker, writer and poet. Well known for his depiction of scenes from the [[American southwest]].
* [[Everett Ruess]], American painter, printmaker, writer, and poet
* [[Ken Sprague]], English artist and activist
* [[Karl Schmidt-Rottluff]], German printmaker and painter
* [[John Shaw (painter)|John Shaw]], American/Canadian painter and printmaker
* [[Irena Sibley]], Australian artist, children's book author, and art teacher
* [[James Blanding Sloan]], American printmaker, educator, and theatrical designer
* [[Ethel Spowers]], Australian printmaker
* [[Ken Sprague (cartoonist)|Ken Sprague]], English artist and activist
* [[Hannah Tompkins (artist)|Hannah Tompkins]], American artist and printmaker
* [[Hannah Tompkins (artist)|Hannah Tompkins]], American artist and printmaker
* [[Folly Cove Designers]] American design collective
* [[Tom Hazelmyer]], American artist
* [[M. C. Escher]], Dutch artist known for his mathematically inspired works
* [[Gwen Frostic]], American artist, poet, printmaker, writer
* [[Irena Sibley]], Australian artist, children's book author and illustrator
* [[Vanessa Lubach]], British artist, painter, printmaker


==See also==
==See also==
* [[Block printing]]
* [[Block printing]]
* [[Gyotaku]]
* [[Gyotaku]]
* [[Letterboxing (hobby)|Letterboxing]]
* [[List of art techniques]]
* [[Printmaking]]
* [[Printmaking]]
* [[Rubber stamp]]
* [[Rubber stamp]]
* [[Through and through]]
* Through and through
* [[Woodcut]]
* [[Grosvenor School]]
* [[Letterboxing]]


==Further reading==
==References==
{{Reflist}}


==Further reading==
* Rice, William S., ''Block Prints: How to Make Them'', Milwaukee: Bruce Publishing Company, 1941.
* Rice, William S., ''Block Prints: How to Make Them'', Milwaukee: Bruce Publishing Company, 1941.
* Draffin, Nicholas, ''Australian Woodcuts and Linocuts of the 1920s and 1930s'', South Melbourne: Sun Books, 1976.
* Draffin, Nicholas, ''Australian Woodcuts and Linocuts of the 1920s and 1930s'', South Melbourne: Sun Books, 1976.
*[http://artatm.com/2011/12/30-awesome-and-fabulous-examples-of-lino-printing/ 30 Awesome and Fabulous Examples of Lino Printing] articles by Artatm Creative Art Mazazine
*[https://web.archive.org/web/20120830191208/http://www.joachimgraf.com/categories/14-Lehrgang-Linolschnitt-Und-was-es-sonst-noch-gibt photo series: Linocut] articles by German printmaker Joachim Graf
*Wheaton-Smith, Simon. [http://www.linocutsandprints.com Lino Cuts And Prints]: How to screw them up, and how to fix them once you have. Free 200 page book.
*Orozco, Miguel (2024). ''[https://www.academia.edu/124636869/Picasso_Linocuts_Catalogue_Raisonn%C3%A9 Picasso Linocuts. Catalogue Raisonné]'', San Francisco, California. Academia.edu

==External links==
{{Commons category|Linocut}}
{{Wiktionary}}

* [https://www.youtube.com/watch?v=f0oWrgfd9iE Large scale hand printed linocut video]
* [https://www.tate.org.uk/art/art-terms/l/linocut Explanation of art term 'Linocut' on Tate Gallery website]
* [https://hickmandesign.co.uk/resources/printmaking-guides/lino-printing-process/ The Lino Printing Process]

{{Authority control}}


[[Category:Relief printing]]
[[Category:Printmaking]]
[[Category:Printmaking]]
[[Category:Relief printing]]
[[Category:Woodcuts]]
[[Category:Woodcuts]]


[[bs:Linorez]]
[[cs:Linoryt]]
[[de:Linolschnitt]]
[[et:Linoollõige]]
[[es:Linograbado]]
[[fr:Linogravure]]
[[hr:Linorez]]
[[hu:Linóleummetszet]]
[[nl:Linosnede]]
[[no:Linoleumstrykk]]
[[pl:Linoryt]]
[[ro:Linogravură]]
[[ru:Линогравюра]]
[[sk:Linorez]]
[[sr:Линорез]]
[[fi:Taidegrafiikka#Linoleikkaus]]
[[fi:Taidegrafiikka#Linoleikkaus]]
[[sv:Linoleumsnitt]]
[[uk:Ліногравюра]]

Latest revision as of 17:24, 18 December 2024

Linocut of a tree at a lake

Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press.

Technique

[edit]
Using a handheld gouger to cut a design into linoleum for a linocut print
Linocut printing; using a design cut into linoleum to make a print on paper

Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of woodcuts and engravings. Lino is generally much easier to cut than wood, especially when heated, but the pressure of the printing process degrades the plate faster and it is difficult to create larger works due to the material's fragility.

Linocuts can also be achieved by the careful application of art on the surface of the lino. This creates a surface similar to a soft ground etching and these caustic-lino plates can be printed in either a relief, intaglio or a viscosity printing manner.

Colour linocuts can be made by using a different block for each colour as in a woodcut, as the artists of the Grosvenor School frequently did. As Pablo Picasso demonstrated, such prints can also be achieved using a single piece of linoleum in what is called the "reductive" print method. Essentially, after each successive colour is imprinted onto the paper, the artist then cleans the lino plate and cuts away what will not be imprinted for the subsequently applied colour.[1]

Due to ease of use, linocut is widely used in schools to introduce children to the art of printmaking, using it to complete many tasks in the art lesson rather than going straight for the pencil and eraser. Similarly, non-professional artists often cut lino rather than wood for printing. Nevertheless, in the contemporary art world the linocut is an established professional print medium, because of its extensive use by the artists of the Grosvenor School, followed by Pablo Picasso and Henri Matisse.

Emergence of the technique in America

[edit]

"Linoleum art" was first displayed in New York City in 1911 by the Czech émigré Vojtěch Preissig. In his publications on linocuts (1926–29) the respected American printmaker, Pedro Joseph de Lemos, simplified the methods for art schools and introduced new techniques for color linocuts, including the printing of the key block first.[2] The first large-scale colour linocuts made by an American artist were created c. 1943–45 by Walter Inglis Anderson, and exhibited at the Brooklyn Museum in 1949.

Selected artists

[edit]
"Born in the Soviet Union". Linocut by Peeter Allik.
"Wet Afternoon". Linocut by Ethel Spowers.

See also

[edit]

References

[edit]
  1. ^ Judging the Authenticity of Prints by The Masters by David Rudd Cycleback. Retrieved: 2011-12-17.
  2. ^ Edwards, Robert W. (2015). Pedro de Lemos, Lasting Impressions: Works on Paper. Worcester, Mass.: Davis Publications Inc. pp. 68–69, 92 notes 370–373. ISBN 9781615284054.

Further reading

[edit]
[edit]