Joan Bennett: Difference between revisions
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{{Short description|American actress (1910–1990)}} |
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{{about||the model|Joan Bennett (model)|the mycologist|Joan W. Bennett}} |
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{{other people}} |
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{{Infobox person |
{{Infobox person |
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| image = Joan Bennett in |
| image = Joan Bennett in Photoplay December 1932.png |
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| image_size = |
| image_size = |
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| caption = in ''[[ |
| caption = Bennett in ''[[Photoplay]]'', December 1932 |
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| birth_name = Joan Geraldine Bennett |
| birth_name = Joan Geraldine Bennett |
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| birth_date = {{ |
| birth_date = {{birth date|1910|2|27}} |
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| birth_place = [[ |
| birth_place = [[Fort Lee, New Jersey]], U.S. |
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| death_date = {{ |
| death_date = {{death date and age|1990|12|7|1910|2|27}} |
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| death_place = [[Scarsdale, New York]], U.S. |
| death_place = [[Scarsdale, New York]], U.S. |
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| occupation = Actress |
| occupation = Actress |
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| years_active = |
| years_active = 1916–1982 |
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| spouse = {{plainlist| |
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| spouse = {{marriage|John Marion Fox|1926|1928}}(divorced) 1 child<br />{{marriage|[[Gene Markey]]|1932|1937}}(divorced)1 child<br />{{marriage|[[Walter Wanger]]|1940|1965}}(divorced) 2 children<br />{{marriage|David Wilde|1978|1990}} |
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* {{marriage|John Marion Fox|1926|1928|reason=div}} |
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* {{marriage|[[Gene Markey]]|1932|1937|reason=div}} |
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* {{marriage|[[Walter Wanger]]|1940|1965|reason=div}} |
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* {{marriage|David Wilde<br>|1978}} |
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}} |
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| children = 4<ref name="latimes-Joan-Bennett-Dies">{{cite news |last1=Lesher |first1=David |title=Joan Bennett, Movie, Stage, TV Star, Dies |url=https://www.latimes.com/archives/la-xpm-1990-12-09-mn-8714-story.html |access-date=2 April 2022 |work=Los Angeles Times |date=9 December 1990}}</ref> |
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| resting_place = Pleasant View Cemetery, [[Lyme, Connecticut]], U.S. |
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| parents = [[Richard Bennett (actor)|Richard Bennett]]<br />[[Adrienne Morrison]] |
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| relatives = [[Lewis Morrison]] (grandfather)<br />[[Constance Bennett]] (sister)<br /> [[Barbara Bennett]] (sister)<br /> [[Morton Downey Jr.]] (nephew) |
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}} |
}} |
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'''Joan Geraldine Bennett''' (February 27, 1910 – December 7, 1990) was an American stage, film and television actress. Besides acting on the [[theatre|stage]], Bennett appeared in more than 70 [[film|motion pictures]] from the era of [[silent film|silent movies]] well into the [[sound film|sound era]]. She is possibly best-remembered for her [[film noir]] [[femme fatale]] [[role (performing arts)|roles]] in [[film director|director]] [[Fritz Lang]]'s movies such as ''[[The Woman in the Window]]'' (1944) and ''[[Scarlet Street]]'' (1945). |
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'''Joan Geraldine Bennett''' (February 27, 1910 – December 7, 1990) was an American stage, film, and television actress, one of three acting sisters from a show-business family. Beginning her career on the stage, Bennett appeared in more than 70 films from the era of [[silent film]]s, well into the [[Sound film|sound era]]. She is best remembered for her [[film noir]] [[femme fatale]] roles in director [[Fritz Lang]]'s films—including ''[[Man Hunt (1941 film)|Man Hunt]]'' (1941), ''[[The Woman in the Window (1944 film)|The Woman in the Window]]'' (1944), and ''[[Scarlet Street]]'' (1945)—and for her television role as matriarch Elizabeth Collins Stoddard (and ancestors Naomi Collins, Judith Collins Trask, and Flora Collins in various timelines) in the gothic 1960s soap opera ''[[Dark Shadows]]'', for which she received an [[Emmy]] nomination in 1968.<ref>https://www.emmys.com/bios/joan-bennett</ref> |
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Bennett had three distinct phases to her long and successful career, first as a winsome blonde [[ingenue (stock character)|ingenue]], then as a sensuous brunette femme fatale (with looks that movie magazines often compared to those of [[Hedy Lamarr]]), and finally as a warmhearted wife/mother figure. |
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Bennett's career had three distinct phases: first as a winsome blonde ingenue, then as a sensuous brunette [[femme fatale]] (with looks that movie magazines often compared to those of [[Hedy Lamarr]]), and finally as a warmhearted wife-and-mother figure. |
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In 1951, Bennett's screen career was marred by [[scandal]] after her third husband, film producer Walter Wanger, shot and injured her [[talent agent|agent]] Jennings Lang. Wanger suspected that Lang and Bennett were having an affair,<ref>Erickson, Hal [http://www.allmovie.com/cg/avg.dll?p=avg&sql=2:5398~T1 Biography (Allmovie)]</ref> a charge which she adamantly denied.<ref name=LAT121451/> |
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In 1951, Bennett's screen career was marred by scandal after her third husband, film producer [[Walter Wanger]], shot and injured her agent [[Jennings Lang]]. Wanger suspected that she and Lang were having an affair,<ref>Erickson, Hal. [http://www.allmovie.com/cg/avg.dll?p=avg&sql=2:5398~T1 Joan Bennett: Biography] ''[[AllMovie]]''.</ref> a charge which she adamantly denied.<ref name=LAT121451/> She married four times. |
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In the 1960s, she achieved success for her portrayal of [[Elizabeth Collins Stoddard]] on [[television program|TV]]'s ''[[Dark Shadows]]'', for which she received an Emmy nomination. For her final movie role, as Madame Blanc in ''[[Suspiria]]'' (1977), she received a [[Saturn Award]] nomination. |
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For her final film role, as Madame Blanc in [[Dario Argento]]'s cult horror film ''[[Suspiria]]'' (1977), she received a [[Saturn Award]] nomination. |
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==Early life== |
==Early life== |
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[[File:Richard-Bennett-Daughters.jpg|thumb|upright|left|[[Richard Bennett (actor)|Richard Bennett]] with his three daughters (from left), [[Constance Bennett|Constance]], Joan, and [[Barbara Bennett|Barbara]] (c. 1913)]] |
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She was born in the Palisades section of [[Fort Lee, New Jersey]], the third of three daughters of actor [[Richard Bennett (actor)|Richard Bennett]] and actress/literary agent [[Adrienne Morrison]]. Adrienne Morrison's father was famous stage actor Lewis Morrison. Lewis Morrison, whose real name was Morris W. Morris, was a wealthy British/Spanish actor who served as a lieutenant during the Civil War. Her older sisters were actress [[Constance Bennett]] and actress/dancer [[Barbara Bennett]], who was the mother of [[Morton Downey, Jr.]] Miss Bennett discussed her famous acting family and ancestry, at length, in her autobiography "The Bennett Playbill". |
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Joan Geraldine Bennett was born in the Palisade section of [[Fort Lee, New Jersey]], on February 27, 1910, the youngest of three daughters of actor [[Richard Bennett (actor)|Richard Bennett]] and actress/literary agent [[Adrienne Morrison]].<ref>[https://apnews.com/1b40a14ca0cf8764d166c1a65408e2e6 "Actress Joan Bennett Dead At 80"], [[Associated Press]], December 10, 1990. Accessed December 12, 2013. "The actress, born in Fort Lee, N.J., made her 1928 debut in the Broadway play ''Jarnegan.''"</ref> Her elder sisters were actress [[Constance Bennett]] and actress/dancer [[Barbara Bennett]], who was the first wife of singer [[Morton Downey]] and the mother of [[Morton Downey Jr.]] Part of a famous theatrical family, Bennett's maternal grandfather was Jamaica-born [[Shakespearean]] actor [[Lewis Morrison]], who embarked on a stage career in the late 1860s. On the side of her maternal grandmother, actress Rose Wood, the profession dated back to traveling [[minstrel]]s in 18th-century England. |
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Bennett first appeared in a silent movie as a child with her parents and sisters in her father's drama '' |
Bennett first appeared in a silent movie as a child with her parents and sisters in her father's drama ''The Valley of Decision'' (1916), which he adapted for the screen. She attended Miss Hopkins School for Girls in Manhattan, then St. Margaret's, a [[boarding school]] in Waterbury, Connecticut, and L'Hermitage, a [[finishing school]] in Versailles, France. |
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On September 15, 1926, |
On September 15, 1926, 16-year-old Bennett married John M. Fox in London. They divorced in Los Angeles on July 30, 1928, based on charges of his alcoholism.<ref>{{cite news |title=Daughter Of Actor Divorced: Joan Bennett Fox Wins Decree on Charges of Mate's Intoxication |url=https://latimes.newspapers.com/search/#query=Daughter+Of+Actor+Divorced+---+Joan+Bennett+Fox+Wins+Decree+on+Charges+of+Mate%27s+Intoxication |url-access=subscription |newspaper=[[Los Angeles Times]] |date=July 31, 1928 |page=A20}}</ref> They had one child, Adrienne Ralston Fox (born February 20, 1928), for whom Bennett fought successfully in court to rename Diana Bennett Markey when the child was eight years old.<ref>"Wins Fight Over Daughter's Surname: Child Given New Name, Young Daughter Becomes Diana Markey Under Court Decision", ''Los Angeles Times'', August 22, 1936, p. 3.</ref> Her name changed to Diana Bennett Wanger in 1944.<ref>"Wanger Moves to Adopt Child of Joan Bennett", ''Los Angeles Times'', April 18, 1944, p. 2.</ref> |
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==Career== |
==Career== |
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[[ |
[[File:Joan Bennett in Disraeli trailer.JPG|right|thumb|Bennett in the trailer for ''[[Disraeli (1929 film)|Disraeli]]'' (1929)]] |
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Bennett's stage debut was at age 18, acting with her father in ''Jarnegan'' (1928), which ran on |
Bennett's stage debut was at age 18, acting with her father in ''Jarnegan'' (1928), which ran on Broadway for 136 performances and for which she received good reviews. By the time she turned 20 she had become a movie star through such roles as Phyllis Benton in ''[[Bulldog Drummond (1929 film)|Bulldog Drummond]]'' starring [[Ronald Colman]], which was her first important role, and Lady Clarissa Pevensey opposite [[George Arliss]] in ''[[Disraeli (1929 film)|Disraeli]]'' (both 1929). |
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She moved quickly from movie to movie throughout the 1930s. Bennett appeared as a blonde (her natural |
She moved quickly from movie to movie throughout the 1930s. Bennett appeared as a blonde (her natural hair color) for several years. She starred in the role of Dolores Fenton in the [[United Artists]] musical ''[[Puttin' On the Ritz (film)|Puttin' On The Ritz]]'' (1930) opposite [[Harry Richman]] and as Faith Mapple, his beloved, opposite [[John Barrymore]] in an early sound version of ''[[Moby Dick (1930 film)|Moby Dick]]'' (1930) at [[Warner Bros.|Warner Brothers]]. |
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Under contract to [[Fox Film Corporation]], she appeared in several movies. |
Under contract to [[Fox Film Corporation]], she appeared in several movies. She played the role of Jane Miller opposite [[Spencer Tracy]] in ''[[She Wanted a Millionaire]]'' (1932), receiving top billing. She was billed second, after Tracy, for her role as Helen Riley, a personable waitress who trades wisecracks, in ''[[Me and My Gal]]'' (1932). |
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On March 16, 1932, she married screenwriter/film producer [[Gene Markey]] in Los Angeles,<ref>"Bennett Sister Weds Here: Actress Becomes Scenarist's Bride", ''Los Angeles Times'', March 17, 1932, p.A 2.</ref> but the couple divorced in Los Angeles on June 3, 1937.<ref>"Actress' Marital Tie Cut: Joan Bennett Granted Divorce From Gene Markey, Writer", ''Los Angeles Times'', June 4, 1937, p.3.</ref> They had one child, Melinda Markey (born February 27, 1934, on Bennett's 24th birthday). |
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[[Image:Joan Bennett in Little Women 1933.JPG|left|200px|thumb|from the trailer for ''[[Little Women]]'' (1933)]] |
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On March 16, 1932, she married screenwriter/film producer [[Gene Markey]] in Los Angeles,<ref>"Bennett Sister Weds Here --- Actress Becomes Scenarist's Bride," ''Los Angeles Times'', March 17, 1932, p.A 2</ref> but the couple divorced in Los Angeles on June 3, 1937.<ref>"Actress' Marital Tie Cut --- Joan Bennett Granted Divorce From Gene Markey, Writer", ''Los Angeles Times'', June 4, 1937, p.3</ref> They had one child, Melinda Markey (born February 27, 1934). |
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Bennett |
[[File:Joan Bennett in Little Women 1933.JPG|left|thumb|Bennett in the trailer for ''[[Little Women (1933 film)|Little Women]]'' (1933)]] |
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independent film producer [[Walter Wanger]], who signed her to a contract and began managing her career. She played the role of Sally MacGregor, a psychiatrist's young wife slipping into insanity, in ''[[Private Worlds]]'' (1935) with [[ |
Bennett left Fox to play Amy, a pert sister competing with [[Katharine Hepburn]]'s Jo in ''[[Little Women (1933 film)|Little Women]]'' (1933), which was directed by [[George Cukor]] for [[RKO Pictures|RKO]]. This movie brought Bennett to the attention of independent film producer [[Walter Wanger]], who signed her to a contract and began managing her career. She played the role of Sally MacGregor, a psychiatrist's young wife slipping into insanity, in ''[[Private Worlds]]'' (1935) with [[Joel McCrea]]. Bennett starred in the film ''[[Vogues of 1938]]'' (1937), including the title sequence, in which she donned a diamond-and-platinum bracelet set with the [[Star of Burma]] ruby.<ref>{{cite book |last=Markowitz |first=Yvonne J. |title=The Jewels of Trabert & Hoeffer-Mauboussin |url=https://books.google.com/books?id=p51FngEACAAJ |publisher=[[Museum of Fine Arts, Boston|MFA Publications]] |location=Boston |year=2014 |access-date=October 9, 2016 |lccn=2013957243 |isbn=978-0-87846-811-9}}</ref>{{rp|page=15}} Wanger and director [[Tay Garnett]] persuaded her to change her hair from blonde to brunette as part of the plot for her role as Kay Kerrigan in the scenic ''[[Trade Winds (1938 film)|Trade Winds]]'' (1938) opposite [[Fredric March]]. |
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[[Image:Joan Bennett in The Woman in the Window trailer.jpg|right|200px|thumb|from the trailer for ''[[The Woman in the Window]]'' (1944)]] |
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With her change in appearance, Bennett began an entirely new screen career as her persona evolved into that of a glamorous, seductive femme fatale. She played the role of Princess Maria Theresa in ''[[The Man in the Iron Mask (1939 film)|The Man in the Iron Mask]]'' (1939) opposite [[Louis Hayward]], and the role of the Grand Duchess Zona of Lichtenburg in ''[[The Son of Monte Cristo]]'' (1940) opposite Hayward. |
With her change in appearance, Bennett began an entirely new screen career as her persona evolved into that of a glamorous, seductive femme fatale. She played the role of Princess Maria Theresa in ''[[The Man in the Iron Mask (1939 film)|The Man in the Iron Mask]]'' (1939) opposite [[Louis Hayward]], and the role of the Grand Duchess Zona of Lichtenburg in ''[[The Son of Monte Cristo]]'' (1940) opposite Hayward. |
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During the search for an actress to play [[Scarlett O'Hara]] in ''[[Gone with the Wind (film)|Gone with the Wind]]'', Bennett was given a |
{{Citation needed span|text=During the search for an actress to play [[Scarlett O'Hara]] in ''[[Gone with the Wind (film)|Gone with the Wind]]'', Bennett was given a screen test and impressed producer [[David O. Selznick]] to such an extent that she was one of the final four actresses, along with [[Jean Arthur]], [[Vivien Leigh]], and [[Paulette Goddard]].|date=November 2024}} |
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[[File:Joan Bennett in The Woman in the Window trailer.jpg|left|thumb|Bennett in the trailer for ''[[The Woman in the Window (1944 film)|The Woman in the Window]]'' (1944)]] |
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On January 12, 1940, Bennett and [[Walter Wanger]] were married in [[Phoenix, Arizona|Phoenix]].<ref>"Joan Bennett and Wanger Marry in Phoenix Elopement – Actress and Producer Make Trip by Auto; Announce They'll Return to Hollywood Today", ''Los Angeles Times'', January 13, 1940, p.1</ref> They were divorced in September 1965 in [[Mexico]].<ref>"Joan Bennett Divorced", ''New York Times'', Sep. 21, 1965, p. SU 3_3</ref> They had two children together, Stephanie Wanger (born June 26, 1943) and Shelley Wanger (born July 4, 1948). |
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On January 12, 1940, Bennett and producer Walter Wanger were married in Phoenix, Arizona.<ref>"Joan Bennett and Wanger Marry in Phoenix Elopement – Actress and Producer Make Trip by Auto; Announce They'll Return to Hollywood Today", ''Los Angeles Times'', January 13, 1940, p.1.</ref> They were divorced in September 1965 in Mexico.<ref>[https://www.nytimes.com/1965/09/21/archives/greek-princess-alexia-baptized.html?searchResultPosition=1 "Joan Bennett Divorced"]. ''[[The New York Times]]'', September 21, 1965, p. SU 3.</ref> The couple had two children together, Stephanie Wanger (born June 26, 1943) and Shelley Wanger (born July 4, 1948). The following year, on March 13, 1949, Bennett became a grandmother at age 39. |
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Combined with her sultry eyes and husky voice, Bennett's new brunette look gave her an earthier, more arresting persona. She won praise for her performances as Brenda Bentley in |
Combined with her sultry eyes and husky voice, Bennett's new brunette look gave her an earthier, more arresting persona. She won praise for her performances as Brenda Bentley in ''[[The House Across the Bay]]'' (1940), also featuring [[George Raft]], and as Carol Hoffman in the anti-[[Nazi Party|Nazi]] drama ''[[The Man I Married]]'', a film in which [[Francis Lederer]] also starred. |
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She then appeared in a sequence of highly regarded |
She then appeared in a sequence of highly regarded film noir thrillers directed by [[Fritz Lang]], with whom she and Wanger formed their own production company. Bennett appeared in four movies under Lang's direction, including as Cockney Jerry Stokes in ''[[Man Hunt (1941 film)|Man Hunt]]'' (1941) opposite [[Walter Pidgeon]], as mysterious model Alice Reed in ''[[The Woman in the Window (1944 film)|The Woman in the Window]]'' (1944) with [[Edward G. Robinson]], and as vulgar blackmailer Katharine "Kitty" March in ''[[Scarlet Street]]'' (1945), another film with Robinson. |
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[[ |
[[File:Joan Bennett in Scarlet Street (2).jpg|right|thumb|300px|Bennett in ''[[Scarlet Street]]'' (1945)]] |
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Bennett was the shrewish, cuckolding wife, Margaret Macomber in [[Zoltan Korda]]'s ''[[The Macomber Affair]]'' (1947) opposite [[Gregory Peck]], as |
Bennett was the shrewish, cuckolding wife, Margaret Macomber, in [[Zoltan Korda]]'s ''[[The Macomber Affair]]'' (1947) opposite [[Gregory Peck]], as deceitful wife Peggy, in [[Jean Renoir]]'s ''[[The Woman on the Beach]]'' (also 1947) opposite [[Robert Ryan]] and [[Charles Bickford]], and as tormented Lucia Harper in [[Max Ophüls]]' ''[[The Reckless Moment]]'' (1949) as the victim of a blackmailer played by [[James Mason]]. Then, easily shifting images again, she changed her screen persona to that of an elegant, witty and nurturing wife and mother in two comedies directed by [[Vincente Minnelli]]. |
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Playing the role of Ellie Banks, wife of [[Spencer Tracy]] and mother of [[Elizabeth Taylor]], Bennett appeared in both ''[[Father of the Bride (1950 film)|Father of the Bride]]'' (1950) and ''[[Father's Little Dividend]]'' (1951) |
Playing the role of Ellie Banks, the wife of [[Spencer Tracy]] and mother of [[Elizabeth Taylor]], Bennett appeared in both ''[[Father of the Bride (1950 film)|Father of the Bride]]'' (1950) and ''[[Father's Little Dividend]]'' (1951). |
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She made a number of radio appearances from the 1930s to the 1950s, performing on such programs as ''[[Edgar Bergen|The Edgar Bergen and Charlie McCarthy Show]]'', ''[[Duffy's Tavern]]'', and the anthology series ''[[Lux Radio Theater]]''. |
She made a number of radio appearances from the 1930s to the 1950s, performing on such programs as ''[[Edgar Bergen|The Edgar Bergen and Charlie McCarthy Show]]'', ''[[Duffy's Tavern]]'', ''[[The Jack Benny Program]]'', ''[[Ford Theater]]'', ''[[Suspense (radio drama)|Suspense]]'' and the anthology series ''[[Lux Radio Theater]]'' and ''[[Screen Guild Theater]]''. |
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With the increasing popularity of television, Bennett made five guest appearances in 1951, |
With the increasing popularity of television, Bennett made five guest appearances in 1951, including an episode of [[Sid Caesar]] and [[Imogene Coca]]'s ''[[Your Show of Shows]]''.{{clear|left}} |
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[[Image:Joan Bennett in Father's Little Dividend trailer 2.JPG|right|200px|thumb|from the trailer for ''[[Father's Little Dividend]]'' (1951)]] |
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==Political views== |
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She was a very active member of both the Hollywood Democratic Committee and The Hollywood Anti-Nazi League and donated her time and money to many liberal causes (such as the Civil Rights Movement) and political candidates (including [[Franklin D. Roosevelt]], [[Henry A. Wallace]], [[Adlai Stevenson II]], [[John F. Kennedy]], [[Robert F. Kennedy]], and [[Jimmy Carter]]) during her lifetime.{{citation needed|date=November 2019}} |
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==Scandal== |
==Scandal== |
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For |
For 12 years Bennett was represented by agent [[Jennings Lang]], the onetime vice-president of the [[Sam Jaffe (producer)|Sam Jaffe Agency]], who then headed [[Music Corporation of America|MCA]]'s [[West Coast of the United States|West Coast]] television operations. She and Lang met on the afternoon of December 13, 1951, to talk over an upcoming TV show.<ref name=LAT121451> |
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* {{cite news| newspaper=Los Angeles Times| date=December 14, 1951| title=Joan Bennett Sees Mate Shoot Agent: 'Thought He Was Breaking Up My Home,' Says Wanger| url=https://latimes.newspapers.com/image/381314414/?terms=Joan%2BBennett%2BSees%2BMate%2BShoot%2BAgent| url-access=subscription | page=1| access-date=July 22, 2020}} |
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* {{cite news |title=Hollywood Actors' Agent Is Shot; Joan Bennett's Husband Questioned; Hollywood Actors' Agent Is Shot; Joan Bennett's Husband Questioned Producer in Financial Trouble |url=https://www.nytimes.com/1951/12/14/archives/hollywood-actors-agent-is-shot-joan-bennetts-husband-questioned.html |access-date=2 April 2022 |work=[[The New York Times]] | url-access=subscription |date=14 December 1951}} |
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</ref> |
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Bennett parked her |
Bennett parked her Cadillac convertible in the lot at the back of the MCA offices, at Santa Monica Boulevard and Rexford Drive, across the street from the Beverly Hills Police Department, and she and Lang drove off in his car. Meanwhile, her husband [[Walter Wanger]] drove past about 2:30 p.m. and noticed his wife's car parked there. Half an hour later, he again saw her car there and stopped to wait. Bennett and Lang drove into the parking lot a few hours later and he walked her to her convertible. As she started the engine, turned on the headlights, and prepared to drive away, Lang leaned on the car, with both hands raised to his shoulders, and talked to her. |
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In a fit of jealousy, Wanger walked up and twice shot and wounded the unsuspecting agent. One bullet hit Jennings in the right thigh, near the hip, and the other penetrated his groin. Bennett said she did not see Wanger at first. She said she suddenly saw two |
In a fit of jealousy, Wanger walked up and twice shot and wounded the unsuspecting agent. One bullet hit Jennings in the right thigh, near the hip, and the other penetrated his groin.<ref name="LAPL-LAHE-Uhde-Pinker-indicating">{{cite web |title=Police Sgt. Erwin F. Uhde & Ray Pinker, director of the crime scientific laboratory, indicating .38 caliber bullet holes in Shetland grey suit worn by Agent Jennings when shot by Walter Wanger |url=https://calisphere.org/item/4ab006694e855a01c42e1fc26fedbc2e/ |department=[[calisphere]] |publisher=Los Angeles Public Library, Los Angeles Herald Examiner Collection |access-date=2 April 2022 |date=1951}}</ref> Bennett said she did not see Wanger at first. She said she suddenly saw two vivid flashes, then Lang slumped to the ground. As soon as she recognized who had fired the shots, she told Wanger, "Get away and leave us alone."<ref name=":0">{{cite book| url=https://books.google.com/books?id=Ta9mDwAAQBAJ&q=jennings+lang+shooting&pg=PA175| title=The Lives of Justine Johnstone: Follies Star, Research Scientist, Social Activist| last=Vestuto| first=Kathleen| date=July 13, 2018| publisher=McFarland| isbn=978-1476672762}}</ref> He tossed the pistol into his wife's car. |
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She and the parking lot's service station manager took Lang to the agent's doctor. He was then taken to a hospital, where he recovered. The police, |
She and the parking lot's service station manager took Lang to the agent's doctor. He was then taken to a hospital, where he recovered. The police station was located across the lot, officers had heard the shots, and came to the scene and found the gun in Bennett's car when they took Wanger into custody. Wanger was booked and fingerprinted, and underwent lengthy questioning.<ref name=":0" /> |
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"I shot him because I thought he was breaking up my home," Wanger told the |
"I shot him because I thought he was breaking up my home," Wanger told the police chief of Beverly Hills. He was booked on suspicion of assault with intent to commit murder. Bennett denied a romance. "But if Walter thinks the relationships between Mr. Lang and myself are romantic or anything but strictly business, he is wrong," she declared. She blamed the trouble on financial setbacks involving film productions Wanger was involved with, and said he was on the verge of a nervous breakdown.<ref name=LAT121451 /> The following day Wanger, out on bond, returned to their Holmby Hills home, collected his belongings and moved out. Bennett, however, said there would not be a divorce.<ref>"Detectives Shadowed Joan for Months, Says Wanger: Film Producer Tells Reasons for Jealousy; Divorce Discussed". ''Los Angeles Times'', December 15, 1951, p. 1.</ref> |
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On December 14, Bennett issued a |
On December 14, Bennett issued a statement in which she said she hoped her husband "will not be blamed too much" for wounding her agent. She read the prepared statement in the bedroom of her home to a group of newspapermen while TV cameras recorded the scene.<ref>"Joan Bennett Hopes Wanger 'Won't Be Blamed Too Much'; Statement Cites Film Producer's Money Worries". ''Los Angeles Times'', December 15, 1951, p. A</ref> |
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Wanger's attorney |
Wanger's attorney [[Jerry Giesler]] mounted a "[[temporary insanity]]" defense. He then decided to waive his right to a jury, and threw himself on the mercy of the court.<ref>"Wanger Fate Will Rest On Transcript: Producer to Escape Open Trial by Letting Judge Decide Case on Grand Jury Evidence". ''Los Angeles Times'', April 15, 1952, p. 1.</ref> Wanger served a four-month sentence in the County Honor Farm at Castaic, California, 39 miles north of Downtown Los Angeles, quickly returning to his career to make a series of successful films.<ref>"Wanger to Be Released from County Jail Today". ''Los Angeles Times'', September 13, 1952, p. A 1.</ref> |
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Meanwhile, Bennett went to |
Meanwhile, Bennett went to Chicago to appear on the stage in the role as the young witch Gillian Holroyd in ''[[Bell, Book, and Candle]]'', then went on national tour with the production.<ref>"Joan Bennett to Play Witch if Wanger Trial Is on Time". ''Los Angeles Times'', April 3, 1952, p. 4.</ref> |
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She made only five movies in the decade that followed the 1951 shooting incident, and only two films in the 1970s, for the incident was a stain on her career and she became virtually blacklisted. Blaming the scandal that occurred for destroying her career in the motion picture industry, Bennett once said, "I might as well have pulled the trigger myself." Although [[Humphrey Bogart]], a longtime friend, pleaded with [[Paramount Pictures]] on her behalf to keep her after her role as Amelie Ducotel in ''[[We're No Angels (1955 film)|We're No Angels]]'' (1955), the studio refused. |
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As the movie offers dwindled after the scandal, Bennett continued touring in stage successes, such as '' |
As the movie offers dwindled after the scandal, Bennett continued touring in stage successes, such as ''Susan and God'', ''Once More, with Feeling'', ''The Pleasure of His Company'' and ''[[Never Too Late (play)|Never Too Late]]''. Her next TV appearance was in the role of Bettina Blane in an episode of ''[[General Electric Theater]]'' in 1954. Other roles included Honora in ''[[Climax!]]'' (1955) and Vickie Maxwell in ''[[Playhouse 90]]'' (1957). In 1958, she appeared as the mother in the short-lived television comedy/drama ''Too Young to Go Steady'' to teenagers played by [[Brigid Bazlen]] and Martin Huston. |
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She starred on Broadway in the comedy '' |
She starred on Broadway in the comedy ''Love Me Little'' (1958), which ran for only eight performances. |
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Of the scandal, in a 1981 interview, Bennett contrasted the judgmental 1950s with the sensation-crazed 1970s and 1980s. "It would never happen that way today," she said, laughing. "If it happened today, I'd be a sensation. I'd be wanted by all studios for all pictures."<ref name=":1"/> |
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==Later years== |
==Later years== |
||
Despite the shooting scandal and the damage it caused Bennett's film career, she and Wanger remained married until 1965. She continued to work steadily on the stage and in television, including a guest role as Denise Mitchell in an episode of TV's ''[[Burke's Law (1963 TV series)|Burke's Law]]'' (1965). |
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[[Image:Joan Bennett in Dark Shadows.jpg|right|200px|thumb|in TV's ''[[Dark Shadows]]'']] |
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Despite the shooting scandal and the damage it caused Bennett's career, she and Wanger remained married until 1965. She continued to work steadily on the [[theatre|stage]] and in [[television program|television]], including her guest role as Denise Mitchell in an episode of TV's ''[[Burke's Law]]'' ({{ytv|1965}}). |
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[[File:Dark Shadows (1966) - Elizabeth Collins Stoddard (Joan Bennett).jpg|thumb|Bennett in the TV series ''[[Dark Shadows]]'']] |
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Bennett was a cast regular on the [[gothic fiction|gothic]] [[daytime television]] [[soap opera]] ''[[Dark Shadows]]'', which attracted a major [[cult television|cult TV]] following, for its entire five year run, 1966 to 1971, receiving an [[Emmy Award]] nomination in 1968 for her performance as [[Elizabeth Collins Stoddard]], mistress of the haunted [[Collinwood Mansion]]. In 1970, she appeared as Elizabeth in ''[[House of Dark Shadows]]'', the feature film adaptation of the series. She declined to appear in the sequel ''[[Night of Dark Shadows]]'' however, and her character Elizabeth was mentioned as being recently deceased. |
|||
Bennett received star billing in the gothic soap opera ''[[Dark Shadows]]'' for its entire five-year run, 1966 to 1971, receiving an [[Emmy Award]] nomination in 1968 for her performance as [[Elizabeth Collins Stoddard]], mistress of the haunted [[Collinwood Mansion]]. Her other roles in ''Dark Shadows'' were Naomi Collins, Judith Collins Trask, Elizabeth Collins Stoddard PT (parallel time, as the show described its alternate reality), Flora Collins, and Flora Collins PT. In 1970, she appeared as Elizabeth in ''[[House of Dark Shadows]]'', the feature film adaptation of the series. However, she declined to appear in the sequel ''[[Night of Dark Shadows]]'', and her character Elizabeth was mentioned therein as being recently deceased. |
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Her [[autobiography]], ''The Bennett Playbill'', written with [[Lois Kibbee]], was published in 1970.<ref>"Her Father's Daughter --- ''The Bennett Playbill'' By Joan Bennett and Lois Kibbee", ''New York Times'', Nov. 29, 1970, p.322</ref> |
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Her autobiography ''The Bennett Playbill'', written with [[Lois Kibbee]], was published in 1970.<ref>{{cite news| last=Higham| first=Charles| title=Her Father's Daughter| newspaper=The New York Times| url=https://www.nytimes.com/1970/11/29/archives/her-fathers-daughter-the-bennett-playbill.html| date=November 29, 1970| url-access=subscription| page=322}}</ref> |
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Other TV guest appearances include Bennett's roles as Joan Darlene Delaney in an episode of ''[[The Governor & J.J.]]'' (1970) and as Edith in an episode of ''[[Love, American Style]]'' (1971). She starred in five [[television movie|made-for-TV movies]] between 1972 and 1982. |
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Her other TV guest appearances include Bennett's roles as Joan Darlene Delaney in an episode of ''[[The Governor & J.J.]]'' (1970) and as Edith in an episode of ''[[Love, American Style]]'' (1971). She starred in five made-for-TV movies between 1972 and 1982. |
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Bennett also appeared in one more feature film, as Madame Blanc in [[Italian people|Italian]] director [[Dario Argento]]'s [[horror film|horror]] [[thriller (genre)|thriller]] ''[[Suspiria]]'' (1977), for which she received a 1978 [[Saturn Award]] nomination for [[Saturn Award for Best Supporting Actress|Best Supporting Actress]]. |
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Bennett also appeared in one more feature film, as Madame Blanc in director [[Dario Argento]]'s horror film ''[[Suspiria]]'' (1977), for which she received a 1978 Saturn Award nomination for [[Saturn Award for Best Supporting Actress|Best Supporting Actress]]. |
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On February 14, 1978, she and retired [[publishing|publisher]]/[[film criticism|movie critic]] David Wilde were married in [[White Plains, New York]].<ref>"Notes on People", ''New York Times'', February 16, 1978, p.C 2</ref> Their marriage lasted until her death. |
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Bennett and retired publisher/movie critic David Wilde were married on February 14, 1978, 13 days before her 68th birthday, in White Plains, New York.<ref>{{cite news| title=Notes on People| url=https://www.nytimes.com/1978/02/16/archives/notes-on-people.html| newspaper=The New York Times| date=February 16, 1978| page=C2}}</ref> Their marriage lasted until her death in 1990. |
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Celebrated for not taking herself too seriously, Bennett said in a 1986 interview, "I don't think much of most of the films I made, but being a [[movie star]] was something I liked very much."<ref>{{Cite news | last = Flint | first = Peter B. | title = Joan Bennett, Whose Roles Ripened From Sweet to Siren, Dies at 80 | newspaper = The New York Times | pages = A52 | year = 1990 | date = 9 Dec.}}</ref> |
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[[File:Joan Bennett Star HWF.JPG|thumb|right|Star on the [[Hollywood Walk of Fame]] at 6300 Hollywood Blvd.]] |
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[[File:Joan Bennett Star HWF.JPG|thumb|right|Bennett's star on the [[Hollywood Walk of Fame]] at 6300 Hollywood Blvd]] |
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==Death== |
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Celebrated for not taking herself too seriously, Bennett said in a 1986 interview, "I don't think much of most of the films I made, but being a movie star was something I liked very much."<ref name=":1">{{cite news| url=https://www.nytimes.com/1990/12/09/obituaries/joan-bennett-whose-roles-ripened-from-sweet-to-siren-dies-at-80.html| title=Joan Bennett, Whose Roles Ripened From Sweet to Siren, Dies at 80| last=Flint| first=Peter B.| date=December 9, 1990| newspaper=The New York Times| page=A52|archive-url=https://web.archive.org/web/20150525194017/http://www.nytimes.com/1990/12/09/obituaries/joan-bennett-whose-roles-ripened-from-sweet-to-siren-dies-at-80.html |archive-date=May 25, 2015}}</ref> |
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Bennett died at age 80 from a [[myocardial infarction|heart attack]] at her home in [[Scarsdale, New York]].<ref>Social Security Death Index, Name: Joan Bennett, Birth: 27 Feb 1910, SSN: 568-16-0948, Issued: California, Death: 07 Dec 1990, Last Residence: 10583 (Scarsdale, Westchester Co., NY).</ref> She is interred in Pleasant View Cemetery, [[Lyme, Connecticut]],<ref>''New York Times'', Dec. 9, 1990, "Joan Bennett, Whose Roles Ripened From Sweet to Siren, Dies at 80," p. 52</ref> with her parents. |
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Bennett has a motion pictures star on the [[Hollywood Walk of Fame]] for her contributions to the film industry. Her star is located at 6300 Hollywood Boulevard,<ref>{{cite web |url=http://www.walkoffame.com/joan-bennett |title=Hollywood Walk of Fame - Joan Bennett |website=walkoffame.com |publisher=Hollywood Chamber of Commerce |access-date=November 16, 2017}}</ref> a short distance from the star of her sister [[Constance Bennett|Constance]]. |
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==Death== |
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Bennett died of heart failure on Friday evening, December 7, 1990, aged 80, at her home in Scarsdale, New York.<ref name=":1"/> |
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==Filmography== |
==Filmography== |
||
Bennett appeared in |
Bennett appeared in many movies and television productions, listed below in their entirety. |
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===Film=== |
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[[File:Joan Bennett in Father's Little Dividend trailer 2.JPG|right|thumb|Bennett in the trailer for ''[[Father's Little Dividend]]'' (1951)]] |
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{| class="wikitable sortable" |
{| class="wikitable sortable" |
||
|+Film |
|||
|- |
|- |
||
! Year |
! Year |
||
| Line 140: | Line 158: | ||
| 1929 |
| 1929 |
||
| ''{{sortname|The|Divine Lady}}'' |
| ''{{sortname|The|Divine Lady}}'' |
||
| extra |
| extra |
||
| uncredited |
| uncredited |
||
|- |
|- |
||
| Line 154: | Line 172: | ||
|- |
|- |
||
| 1929 |
| 1929 |
||
| ''[[Disraeli (film)|Disraeli]]'' |
| ''[[Disraeli (1929 film)|Disraeli]]'' |
||
| Lady Clarissa Pevensey |
| Lady Clarissa Pevensey |
||
| |
| |
||
|- |
|- |
||
| 1929 |
| 1929 |
||
| '' |
| ''[[The Mississippi Gambler (1929 film)|The Mississippi Gambler]]'' |
||
| Lucy Blackburn |
| Lucy Blackburn |
||
| |
| |
||
|- |
|- |
||
| 1930 |
| 1930 |
||
| ''[[Puttin' |
| ''[[Puttin' On the Ritz (film)|Puttin' On the Ritz]]'' |
||
| Delores Fenton |
| Delores Fenton |
||
| |
| |
||
| Line 179: | Line 197: | ||
|- |
|- |
||
| 1930 |
| 1930 |
||
| ''[[Maybe It's Love]]'' |
| ''[[Maybe It's Love (1930 film)|Maybe It's Love]] (a.k.a. Eleven Men and a Girl)'' |
||
| Nan Sheffield |
| Nan Sheffield |
||
| |
| |
||
| Line 189: | Line 207: | ||
|- |
|- |
||
| 1931 |
| 1931 |
||
| ''[[Many a Slip ( |
| ''[[Many a Slip (film)|Many a Slip]]'' |
||
| Pat Coster |
| Pat Coster |
||
| |
| |
||
| Line 199: | Line 217: | ||
|- |
|- |
||
| 1931 |
| 1931 |
||
| ''[[Hush Money]]'' |
| ''[[Hush Money (1931 film)|Hush Money]]'' |
||
| Joan Gordon |
| Joan Gordon |
||
| |
| |
||
| Line 214: | Line 232: | ||
|- |
|- |
||
| 1932 |
| 1932 |
||
| '' |
| ''[[The Trial of Vivienne Ware]]'' |
||
| Vivienne Ware |
| Vivienne Ware |
||
| |
| |
||
| Line 240: | Line 258: | ||
| 1933 |
| 1933 |
||
| ''[[Little Women (1933 film)|Little Women]]'' |
| ''[[Little Women (1933 film)|Little Women]]'' |
||
| Amy |
| Amy March |
||
| |
| |
||
|- |
|- |
||
| 1934 |
| 1934 |
||
| '' |
| ''[[The Pursuit of Happiness (1934 film)|The Pursuit of Happiness]]'' |
||
| Prudence Kirkland |
| Prudence Kirkland |
||
| |
| |
||
|- |
|- |
||
| 1934 |
| 1934 |
||
| '' |
| ''[[The Man Who Reclaimed His Head]]'' |
||
| Adele Verin |
| Adele Verin |
||
| |
| |
||
| Line 274: | Line 292: | ||
|- |
|- |
||
| 1935 |
| 1935 |
||
| '' |
| ''[[The Man Who Broke the Bank at Monte Carlo (film)|The Man Who Broke the Bank at Monte Carlo]]'' |
||
| Helen Berkeley |
| Helen Berkeley |
||
| |
| |
||
| Line 305: | Line 323: | ||
| 1938 |
| 1938 |
||
|''[[I Met My Love Again]]'' |
|''[[I Met My Love Again]]'' |
||
|Julie |
|Julie Weir Shaw |
||
| |
| |
||
|- |
|- |
||
| Line 314: | Line 332: | ||
|- |
|- |
||
| 1938 |
| 1938 |
||
| ''[[Artists and Models |
| ''[[Artists and Models Abroad]]'' |
||
| Patricia Harper |
| Patricia Harper |
||
| |
| |
||
| Line 325: | Line 343: | ||
| 1939 |
| 1939 |
||
| ''{{sortname|The|Man in the Iron Mask|The Man in the Iron Mask (1939 film)}}'' |
| ''{{sortname|The|Man in the Iron Mask|The Man in the Iron Mask (1939 film)}}'' |
||
| Princess Maria Theresa |
| Princess [[Maria Theresa of Spain|Maria Theresa]] |
||
| |
| |
||
|- |
|- |
||
| Line 334: | Line 352: | ||
|- |
|- |
||
| 1940 |
| 1940 |
||
| ''[[Green Hell]]'' |
| ''[[Green Hell (film)|Green Hell]]'' |
||
| Stephanie Richardson |
| Stephanie Richardson |
||
| |
| |
||
| Line 394: | Line 412: | ||
|- |
|- |
||
| 1944 |
| 1944 |
||
| ''{{sortname|The|Woman in the Window}}'' |
| ''{{sortname|The|Woman in the Window|The Woman in the Window (1944 film)}}'' |
||
| Alice Reed |
| Alice Reed |
||
| |
| |
||
| Line 419: | Line 437: | ||
|- |
|- |
||
| 1947 |
| 1947 |
||
| ''{{sortname|The|Woman on the Beach |
| ''{{sortname|The|Woman on the Beach}}'' |
||
|Peggy |
|Peggy Butler |
||
| |
| |
||
|- |
|- |
||
| |
| 1947 |
||
| ''[[Secret Beyond the Door...]]'' |
| ''[[Secret Beyond the Door...]]'' |
||
| Celia Lamphere |
| Celia Lamphere |
||
| |
| |
||
|-1948 The Scar |
|||
|- |
|||
| 1948 |
| 1948 |
||
| ''[[Hollow Triumph]]'' |
| ''[[Hollow Triumph]]'' (aka ''The Scar'') |
||
| Evelyn Hahn |
| Evelyn Hahn |
||
| |
| |
||
| Line 469: | Line 487: | ||
|- |
|- |
||
| 1956 |
| 1956 |
||
| ''[[There's Always Tomorrow]]'' |
| ''[[There's Always Tomorrow (1956 film)|There's Always Tomorrow]]'' |
||
| Marion Groves |
| Marion Groves |
||
| |
| |
||
|- |
|- |
||
| 1956 |
| 1956 |
||
| ''[[Navy Wife]]'' |
| ''[[Navy Wife (1956 film)|Navy Wife]]'' |
||
| Peg Blain |
| Peg Blain |
||
| |
| |
||
| Line 493: | Line 511: | ||
| |
| |
||
|- |
|- |
||
|} |
|||
{{filmography table end}} |
|||
===Television |
===Television=== |
||
{{Div col|colwidth=20em}} |
|||
#''[[Nash Airflyte Theatre]]'' (1951) episode: ''Peggy'' |
|||
*''[[The Nash Airflyte Theater]]'' (1951) episode: ''Peggy'' |
|||
*''[[Your Show of Shows]]'' (1951) 1 episode |
|||
*''[[Danger (TV series)|Danger]]'' (1951) episode: ''A Clear Case of Suicide'' |
|||
*''[[Somerset Maugham TV Theatre]]'' (1951) episode: ''Smith Serves'' |
|||
*''Somerset Maugham TV Theatre'' (1951) episode: ''The Dream'' |
|||
*''[[General Electric Theater]]'' (1954) episode: ''You Are Young Only Once'', as Bettina Blane |
|||
*''[[The Best of Broadway]]'' (1954) episode: ''The Man Who Came to Dinner'', as Lorraine Sheldon |
|||
*''[[Climax!]]'' (1955) episode: ''The Dark Fleece'', as Honora |
|||
*''[[The Ford Television Theatre]]'' (1955) episode: ''Letters Marked Personal'', as Marcia Manners |
|||
*''The Ford Television Theatre'' (1956) episode: ''Dear Diane'', as Marion |
|||
*''[[Playhouse 90]]'' (1957) episode: ''The Thundering Wave'', as Vickie Maxwell |
|||
*''[[The DuPont Show of the Month]]'' (1957) episode: ''Junior Miss'', as Grace Graves |
|||
*''[[Pursuit (TV series)|Pursuit]]'' (1958) episode: ''Epitaph for a Golden Girl'' |
|||
*''[[Too Young to Go Steady]]'' (1959) (own series), as Mary Blake |
|||
*''[[Burke's Law (1963 TV series)|Burke's Law]]'' (1965) episode: ''Who Killed Mr. Colby in Ladies' Lingerie?'', as Denise Mitchell |
|||
*''[[Dark Shadows]]'' (1966–1971) (series regular, 386 episodes), as [[Elizabeth Collins Stoddard]] / Naomi Collins / Judith Collins Trask / Flora Collins / Flora Collins (PT) / Elizabeth Collins Stoddard (PT) |
|||
#''[[Burke's Law]]'' (1965) episode: ''Who Killed Mr. Colby in Ladies' Lingerie?'' ... Denise Mitchell |
|||
*''[[The Governor & J.J.]]'' (1970) episode: ''Check the Check'', as Joan Darlene Delaney |
|||
#''[[Dark Shadows]]'' (1966–1971) (series regular, 386 episodes) ... [[Elizabeth Collins Stoddard]] |
|||
*''[[Love, American Style]]'' (1971) episode segment: ''Love and the Second Time'', as Edith |
|||
*''[[Dr. Simon Locke]]'' (1972) episode: ''The Cortessa Rose'', as Cortessa |
|||
{{div col end}} |
|||
#''[[Dr. Simon Locke]]'' (1972) episode: ''The Cortessa Rose'' ... Cortessa |
|||
===Made-for-TV movies=== |
===Made-for-TV movies=== |
||
*''[[Gidget Gets Married]]'' (1972) as Claire Ramsey |
|||
*''The Eyes of Charles Sand'' (1972) as Aunt Alexandra |
|||
*''Suddenly, Love'' (1978) as Mrs. Graham |
|||
*''[[This House Possessed]]'' (1981) as Rag Lady |
|||
*''[[Divorce Wars: A Love Story]]'' (1982) as Adele Burgess |
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===As herself=== |
===As herself=== |
||
{{Div col|colwidth=20em}} |
|||
*''Screen Actors'' (1950) (uncredited) |
*''Screen Actors'' (1950) (uncredited) |
||
*''[[The Colgate Comedy Hour]]'' (1951 |
*''[[The Colgate Comedy Hour]]'' (1951) 1 episode |
||
*''[[What's My Line?]]'' (1951) 1 episode |
*''[[What's My Line?]]'' (1951) 1 episode |
||
*''[[The Ken Murray Show]]'' |
*''[[The Ken Murray Show]]'' (1951) 1 episode |
||
*''[[Ford Festival]]'' (1951) |
*''[[Ford Festival]]'' (1951) |
||
*''[[I've Got A Secret]]'' (1953) |
|||
*''[[Climax!]]'' (1956) episode: ''The Louella Parsons Story'' |
*''[[Climax!]]'' (1956) episode: ''The Louella Parsons Story'' |
||
*''[[To Tell the Truth]]'' (1958) 1 episode |
*''[[To Tell the Truth]]'' (1958) 1 episode |
||
*''[[The Mike Douglas Show]]'' (1964, 1967, 1970, 1970, 1977) 5 episodes |
*''[[The Mike Douglas Show]]'' (1964, 1967, 1970, 1970, 1977) 5 episodes |
||
*''[[The Merv Griffin Show]]'' (1967) 1 episode |
*''[[The Merv Griffin Show]]'' (1967) 1 episode |
||
*''Personality'' (1968) |
*''Personality'' (1968) 1 episode |
||
*''[[The Hollywood Squares]]'' (1970) 1 episode |
*''[[The Hollywood Squares]]'' (1970) 1 episode |
||
*'' |
*''The Virginia Graham Show'' (1970) 1 episode |
||
*''[[The Hollywood Greats]]'' (1977) 2 episodes: ''Humphrey Bogart''; ''Spencer Tracy'' |
*''[[The Hollywood Greats]]'' (1977) 2 episodes: ''Humphrey Bogart''; ''Spencer Tracy'' |
||
*''[[The Guiding Light]]'' (1982) 1 episode |
*''[[The Guiding Light]]'' (1982) 1 episode |
||
*'' |
*''The Spencer Tracy Legacy: A Tribute by Katharine Hepburn'' (1986) |
||
{{div col end}} |
|||
===Short subject=== |
===Short subject=== |
||
| Line 550: | Line 572: | ||
*''Screen Actors'' (1950) (uncredited) |
*''Screen Actors'' (1950) (uncredited) |
||
== |
===Radio appearances=== |
||
{| class="wikitable" |
|||
*[http://www.archive.org/details/OTR_Legends_Joan_Bennett A collection of old time radio recordings featuring Joan Bennett] |
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|- |
|||
! Year !! Program !! Episode/source |
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|- |
|||
| 1941|| ''[[Philip Morris Playhouse]]'' || ''[[Girl in the News]]''<ref>{{cite news| title=WHP Radio Programs for the Entire Week Starting November 16, 1941| url=https://www.newspapers.com/clip/2888123/harrisburg_telegraph/| newspaper=Harrisburg Telegraph| date=November 15, 1941| page=29| via=[[Newspapers.com]]| access-date=July 26, 2015}} {{Open access}}</ref> |
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|- |
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| 1946|| ''[[The Screen Guild Theater|Screen Guild Players]]'' || ''[[Experiment Perilous]]''<ref>{{cite news| title=Bennett, Brent, Menjou Star on "Screen Guild"| url=https://www.newspapers.com/clip/3334731/harrisburg_telegraph/| newspaper=Harrisburg Telegraph| date=October 12, 1946| page=17| via=Newspapers.com| access-date=October 1, 2015}} {{Open access}}</ref> |
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|- |
|||
| 1947|| ''[[Suspense (radio program)|Suspense]]'' || "Overture in Two Keys"<ref>{{Cite web|url=https://www.escape-suspense.com/2012/02/suspense-overture-in-two-keys.html|title=Suspense - Overture in Two Keys|website=Escape and Suspense!|access-date=Aug 11, 2019}}</ref> |
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|} |
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==References== |
==References== |
||
{{reflist}} |
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===Notes=== |
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{{reflist|2}} |
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==Further reading== |
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* |
* {{cite book| last=Bennett| first=Joan| year=1943| title=How to Be Attractive| location=New York| publisher=[[Alfred A. Knopf]]| url=https://books.google.com/books?id=AkkSAQAAMAAJ&q=how+to+be+attractive}} |
||
* |
* {{cite book |title=The Bennett Playbill |first=Joan |last=Bennett |author2=Lois Kibbee |author2-link=Lois Kibbee |year=1970 |location=New York |publisher=[[Holt McDougal|Holt, Rinehart and Winston]] |isbn=978-0030818400 |url=https://archive.org/details/bennettplaybill00benn |url-access=registration}} |
||
* {{cite book| last1=Hamrick| first1=Craig| author2=R. J. Jamison| title=Barnabas & Company: The Cast of the TV Classic Dark Shadows| edition=Revised| year=2012| pages=41–53| publisher=iUniverse| url=https://books.google.com/books?id=ZEL22AIPqKAC&q=joan+bennett| isbn=978-1-4759-1034-6}} |
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*''The Bennetts: An Acting Family'', by [[Brian Kellow]], [[2004 in literature|2004]], [[Lexington, Kentucky|Lexington]], [[University Press of Kentucky]], 530 pp. |
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* {{cite book| last=Kellow| first=Brian| date=November 26, 2004| title=The Bennetts: An Acting Family| url=https://books.google.com/books?id=QcoS2DglYzgC&q=The+Bennetts%3A+An+Acting+Family| location=Lexington, KY| publisher=[[University Press of Kentucky]]| isbn=978-0813123295}} |
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* {{cite podcast |
|||
| url= https://feeds.megaphone.fm/loveisacrime |
|||
| title=Love Is a Crime |
|||
| website=[[Vanity Fair (magazine)|Vanity Fair]] |
|||
| publisher=[[Condé Nast]] and [[Cadence13]] |
|||
| host1= [[Karina Longworth]] |
|||
| host2= Vanessa Hope |
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| others= [[Zooey Deschanel]] as Joan Bennett, [[Jon Hamm]] as [[Walter Wanger]], and [[Griffin Dunne]] as [[Jennings Lang]] |
|||
| date= |
|||
| time= |
|||
| access-date=2 April 2022 |
|||
}} |
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==External links== |
==External links== |
||
{{Wikiquote}} |
|||
{{Commons}} |
{{Commons}} |
||
* {{IMDb name|0000910}} |
* {{IMDb name|0000910}} |
||
* {{IBDB name|31713}} |
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* {{Amg name|5398}} |
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* {{tcmdb name|id=13863|name=Joan Bennett}} |
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* [http://film.virtual-history.com/person.php?personid=1271 Joan Bennett Photo Gallery] |
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* {{Find a Grave|20184}} |
* {{Find a Grave|20184}} |
||
* {{IBDB name}} |
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* {{Tcmdb name}} |
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* [http://thenedscottarchive.com/hollywood/films/trade-winds-movie.html Photos of Joan Bennett in 'Trade Winds' 1938] {{Webarchive|url=https://web.archive.org/web/20181226233043/https://www.thenedscottarchive.com/hollywood/films/trade-winds-movie.html |date=2018-12-26 }} by [[Ned Scott]] |
|||
* [http://film.virtual-history.com/person.php?personid=1271 Joan Bennett Photo Gallery] |
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* [https://archive.org/details/OTR_Legends_Joan_Bennett A collection of old time radio recordings featuring Joan Bennett] |
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{{Portal bar|Biography|New York (state)|New Jersey|California|Radio|Film|Television|Theater}} |
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{{Authority control}} |
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{{Persondata |
|||
|NAME= Bennett, Joan |
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|ALTERNATIVE NAMES= Bennett, Joan Geraldine |
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|SHORT DESCRIPTION= Actress |
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|DATE OF BIRTH= February 27, 1910 |
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|PLACE OF BIRTH= [[Palisades Park, New Jersey]], U.S. |
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|DATE OF DEATH= December 7, 1990 |
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|PLACE OF DEATH= [[Scarsdale, New York]], U.S. |
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}} |
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{{DEFAULTSORT:Bennett, Joan}} |
{{DEFAULTSORT:Bennett, Joan}} |
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[[Category:1910 births]] |
[[Category:1910 births]] |
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[[Category:1990 deaths]] |
[[Category:1990 deaths]] |
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[[Category:American |
[[Category:American people of English descent]] |
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[[Category:American |
[[Category:American people of Jewish descent]] |
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[[Category:American |
[[Category:American people of Spanish descent]] |
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[[Category:American |
[[Category:American film actresses]] |
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[[Category:American silent film actresses]] |
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[[Category:American stage actresses]] |
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[[Category:American television actresses]] |
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[[Category:American radio personalities]] |
[[Category:American radio personalities]] |
||
[[Category:American memoirists]] |
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Latest revision as of 17:15, 22 December 2024
Joan Bennett | |
|---|---|
 Bennett in Photoplay, December 1932 | |
| Born | Joan Geraldine Bennett February 27, 1910 Fort Lee, New Jersey, U.S. |
| Died | December 7, 1990 (aged 80) Scarsdale, New York, U.S. |
| Resting place | Pleasant View Cemetery, Lyme, Connecticut, U.S. |
| Occupation | Actress |
| Years active | 1916–1982 |
| Spouses | John Marion Fox
(m. 1926; div. 1928)David Wilde
(m. 1978) |
| Children | 4[1] |
| Parent(s) | Richard Bennett Adrienne Morrison |
| Relatives | Lewis Morrison (grandfather) Constance Bennett (sister) Barbara Bennett (sister) Morton Downey Jr. (nephew) |
Joan Geraldine Bennett (February 27, 1910 – December 7, 1990) was an American stage, film, and television actress, one of three acting sisters from a show-business family. Beginning her career on the stage, Bennett appeared in more than 70 films from the era of silent films, well into the sound era. She is best remembered for her film noir femme fatale roles in director Fritz Lang's films—including Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street (1945)—and for her television role as matriarch Elizabeth Collins Stoddard (and ancestors Naomi Collins, Judith Collins Trask, and Flora Collins in various timelines) in the gothic 1960s soap opera Dark Shadows, for which she received an Emmy nomination in 1968.[2]
Bennett's career had three distinct phases: first as a winsome blonde ingenue, then as a sensuous brunette femme fatale (with looks that movie magazines often compared to those of Hedy Lamarr), and finally as a warmhearted wife-and-mother figure.
In 1951, Bennett's screen career was marred by scandal after her third husband, film producer Walter Wanger, shot and injured her agent Jennings Lang. Wanger suspected that she and Lang were having an affair,[3] a charge which she adamantly denied.[4] She married four times.
For her final film role, as Madame Blanc in Dario Argento's cult horror film Suspiria (1977), she received a Saturn Award nomination.
Early life
[edit]
Joan Geraldine Bennett was born in the Palisade section of Fort Lee, New Jersey, on February 27, 1910, the youngest of three daughters of actor Richard Bennett and actress/literary agent Adrienne Morrison.[5] Her elder sisters were actress Constance Bennett and actress/dancer Barbara Bennett, who was the first wife of singer Morton Downey and the mother of Morton Downey Jr. Part of a famous theatrical family, Bennett's maternal grandfather was Jamaica-born Shakespearean actor Lewis Morrison, who embarked on a stage career in the late 1860s. On the side of her maternal grandmother, actress Rose Wood, the profession dated back to traveling minstrels in 18th-century England.
Bennett first appeared in a silent movie as a child with her parents and sisters in her father's drama The Valley of Decision (1916), which he adapted for the screen. She attended Miss Hopkins School for Girls in Manhattan, then St. Margaret's, a boarding school in Waterbury, Connecticut, and L'Hermitage, a finishing school in Versailles, France.
On September 15, 1926, 16-year-old Bennett married John M. Fox in London. They divorced in Los Angeles on July 30, 1928, based on charges of his alcoholism.[6] They had one child, Adrienne Ralston Fox (born February 20, 1928), for whom Bennett fought successfully in court to rename Diana Bennett Markey when the child was eight years old.[7] Her name changed to Diana Bennett Wanger in 1944.[8]
Career
[edit]
Bennett's stage debut was at age 18, acting with her father in Jarnegan (1928), which ran on Broadway for 136 performances and for which she received good reviews. By the time she turned 20 she had become a movie star through such roles as Phyllis Benton in Bulldog Drummond starring Ronald Colman, which was her first important role, and Lady Clarissa Pevensey opposite George Arliss in Disraeli (both 1929).
She moved quickly from movie to movie throughout the 1930s. Bennett appeared as a blonde (her natural hair color) for several years. She starred in the role of Dolores Fenton in the United Artists musical Puttin' On The Ritz (1930) opposite Harry Richman and as Faith Mapple, his beloved, opposite John Barrymore in an early sound version of Moby Dick (1930) at Warner Brothers.
Under contract to Fox Film Corporation, she appeared in several movies. She played the role of Jane Miller opposite Spencer Tracy in She Wanted a Millionaire (1932), receiving top billing. She was billed second, after Tracy, for her role as Helen Riley, a personable waitress who trades wisecracks, in Me and My Gal (1932).
On March 16, 1932, she married screenwriter/film producer Gene Markey in Los Angeles,[9] but the couple divorced in Los Angeles on June 3, 1937.[10] They had one child, Melinda Markey (born February 27, 1934, on Bennett's 24th birthday).
Bennett left Fox to play Amy, a pert sister competing with Katharine Hepburn's Jo in Little Women (1933), which was directed by George Cukor for RKO. This movie brought Bennett to the attention of independent film producer Walter Wanger, who signed her to a contract and began managing her career. She played the role of Sally MacGregor, a psychiatrist's young wife slipping into insanity, in Private Worlds (1935) with Joel McCrea. Bennett starred in the film Vogues of 1938 (1937), including the title sequence, in which she donned a diamond-and-platinum bracelet set with the Star of Burma ruby.[11]: 15 Wanger and director Tay Garnett persuaded her to change her hair from blonde to brunette as part of the plot for her role as Kay Kerrigan in the scenic Trade Winds (1938) opposite Fredric March.
With her change in appearance, Bennett began an entirely new screen career as her persona evolved into that of a glamorous, seductive femme fatale. She played the role of Princess Maria Theresa in The Man in the Iron Mask (1939) opposite Louis Hayward, and the role of the Grand Duchess Zona of Lichtenburg in The Son of Monte Cristo (1940) opposite Hayward.
During the search for an actress to play Scarlett O'Hara in Gone with the Wind, Bennett was given a screen test and impressed producer David O. Selznick to such an extent that she was one of the final four actresses, along with Jean Arthur, Vivien Leigh, and Paulette Goddard.[citation needed]
On January 12, 1940, Bennett and producer Walter Wanger were married in Phoenix, Arizona.[12] They were divorced in September 1965 in Mexico.[13] The couple had two children together, Stephanie Wanger (born June 26, 1943) and Shelley Wanger (born July 4, 1948). The following year, on March 13, 1949, Bennett became a grandmother at age 39.
Combined with her sultry eyes and husky voice, Bennett's new brunette look gave her an earthier, more arresting persona. She won praise for her performances as Brenda Bentley in The House Across the Bay (1940), also featuring George Raft, and as Carol Hoffman in the anti-Nazi drama The Man I Married, a film in which Francis Lederer also starred.
She then appeared in a sequence of highly regarded film noir thrillers directed by Fritz Lang, with whom she and Wanger formed their own production company. Bennett appeared in four movies under Lang's direction, including as Cockney Jerry Stokes in Man Hunt (1941) opposite Walter Pidgeon, as mysterious model Alice Reed in The Woman in the Window (1944) with Edward G. Robinson, and as vulgar blackmailer Katharine "Kitty" March in Scarlet Street (1945), another film with Robinson.
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Bennett was the shrewish, cuckolding wife, Margaret Macomber, in Zoltan Korda's The Macomber Affair (1947) opposite Gregory Peck, as deceitful wife Peggy, in Jean Renoir's The Woman on the Beach (also 1947) opposite Robert Ryan and Charles Bickford, and as tormented Lucia Harper in Max Ophüls' The Reckless Moment (1949) as the victim of a blackmailer played by James Mason. Then, easily shifting images again, she changed her screen persona to that of an elegant, witty and nurturing wife and mother in two comedies directed by Vincente Minnelli.
Playing the role of Ellie Banks, the wife of Spencer Tracy and mother of Elizabeth Taylor, Bennett appeared in both Father of the Bride (1950) and Father's Little Dividend (1951).
She made a number of radio appearances from the 1930s to the 1950s, performing on such programs as The Edgar Bergen and Charlie McCarthy Show, Duffy's Tavern, The Jack Benny Program, Ford Theater, Suspense and the anthology series Lux Radio Theater and Screen Guild Theater.
With the increasing popularity of television, Bennett made five guest appearances in 1951, including an episode of Sid Caesar and Imogene Coca's Your Show of Shows.
Political views
[edit]She was a very active member of both the Hollywood Democratic Committee and The Hollywood Anti-Nazi League and donated her time and money to many liberal causes (such as the Civil Rights Movement) and political candidates (including Franklin D. Roosevelt, Henry A. Wallace, Adlai Stevenson II, John F. Kennedy, Robert F. Kennedy, and Jimmy Carter) during her lifetime.[citation needed]
Scandal
[edit]For 12 years Bennett was represented by agent Jennings Lang, the onetime vice-president of the Sam Jaffe Agency, who then headed MCA's West Coast television operations. She and Lang met on the afternoon of December 13, 1951, to talk over an upcoming TV show.[4]
Bennett parked her Cadillac convertible in the lot at the back of the MCA offices, at Santa Monica Boulevard and Rexford Drive, across the street from the Beverly Hills Police Department, and she and Lang drove off in his car. Meanwhile, her husband Walter Wanger drove past about 2:30 p.m. and noticed his wife's car parked there. Half an hour later, he again saw her car there and stopped to wait. Bennett and Lang drove into the parking lot a few hours later and he walked her to her convertible. As she started the engine, turned on the headlights, and prepared to drive away, Lang leaned on the car, with both hands raised to his shoulders, and talked to her.
In a fit of jealousy, Wanger walked up and twice shot and wounded the unsuspecting agent. One bullet hit Jennings in the right thigh, near the hip, and the other penetrated his groin.[14] Bennett said she did not see Wanger at first. She said she suddenly saw two vivid flashes, then Lang slumped to the ground. As soon as she recognized who had fired the shots, she told Wanger, "Get away and leave us alone."[15] He tossed the pistol into his wife's car.
She and the parking lot's service station manager took Lang to the agent's doctor. He was then taken to a hospital, where he recovered. The police station was located across the lot, officers had heard the shots, and came to the scene and found the gun in Bennett's car when they took Wanger into custody. Wanger was booked and fingerprinted, and underwent lengthy questioning.[15]
"I shot him because I thought he was breaking up my home," Wanger told the police chief of Beverly Hills. He was booked on suspicion of assault with intent to commit murder. Bennett denied a romance. "But if Walter thinks the relationships between Mr. Lang and myself are romantic or anything but strictly business, he is wrong," she declared. She blamed the trouble on financial setbacks involving film productions Wanger was involved with, and said he was on the verge of a nervous breakdown.[4] The following day Wanger, out on bond, returned to their Holmby Hills home, collected his belongings and moved out. Bennett, however, said there would not be a divorce.[16]
On December 14, Bennett issued a statement in which she said she hoped her husband "will not be blamed too much" for wounding her agent. She read the prepared statement in the bedroom of her home to a group of newspapermen while TV cameras recorded the scene.[17]
Wanger's attorney Jerry Giesler mounted a "temporary insanity" defense. He then decided to waive his right to a jury, and threw himself on the mercy of the court.[18] Wanger served a four-month sentence in the County Honor Farm at Castaic, California, 39 miles north of Downtown Los Angeles, quickly returning to his career to make a series of successful films.[19]
Meanwhile, Bennett went to Chicago to appear on the stage in the role as the young witch Gillian Holroyd in Bell, Book, and Candle, then went on national tour with the production.[20]
She made only five movies in the decade that followed the 1951 shooting incident, and only two films in the 1970s, for the incident was a stain on her career and she became virtually blacklisted. Blaming the scandal that occurred for destroying her career in the motion picture industry, Bennett once said, "I might as well have pulled the trigger myself." Although Humphrey Bogart, a longtime friend, pleaded with Paramount Pictures on her behalf to keep her after her role as Amelie Ducotel in We're No Angels (1955), the studio refused.
As the movie offers dwindled after the scandal, Bennett continued touring in stage successes, such as Susan and God, Once More, with Feeling, The Pleasure of His Company and Never Too Late. Her next TV appearance was in the role of Bettina Blane in an episode of General Electric Theater in 1954. Other roles included Honora in Climax! (1955) and Vickie Maxwell in Playhouse 90 (1957). In 1958, she appeared as the mother in the short-lived television comedy/drama Too Young to Go Steady to teenagers played by Brigid Bazlen and Martin Huston.
She starred on Broadway in the comedy Love Me Little (1958), which ran for only eight performances.
Of the scandal, in a 1981 interview, Bennett contrasted the judgmental 1950s with the sensation-crazed 1970s and 1980s. "It would never happen that way today," she said, laughing. "If it happened today, I'd be a sensation. I'd be wanted by all studios for all pictures."[21]
Later years
[edit]Despite the shooting scandal and the damage it caused Bennett's film career, she and Wanger remained married until 1965. She continued to work steadily on the stage and in television, including a guest role as Denise Mitchell in an episode of TV's Burke's Law (1965).
_-_Elizabeth_Collins_Stoddard_(Joan_Bennett).jpg)
Bennett received star billing in the gothic soap opera Dark Shadows for its entire five-year run, 1966 to 1971, receiving an Emmy Award nomination in 1968 for her performance as Elizabeth Collins Stoddard, mistress of the haunted Collinwood Mansion. Her other roles in Dark Shadows were Naomi Collins, Judith Collins Trask, Elizabeth Collins Stoddard PT (parallel time, as the show described its alternate reality), Flora Collins, and Flora Collins PT. In 1970, she appeared as Elizabeth in House of Dark Shadows, the feature film adaptation of the series. However, she declined to appear in the sequel Night of Dark Shadows, and her character Elizabeth was mentioned therein as being recently deceased.
Her autobiography The Bennett Playbill, written with Lois Kibbee, was published in 1970.[22]
Her other TV guest appearances include Bennett's roles as Joan Darlene Delaney in an episode of The Governor & J.J. (1970) and as Edith in an episode of Love, American Style (1971). She starred in five made-for-TV movies between 1972 and 1982.
Bennett also appeared in one more feature film, as Madame Blanc in director Dario Argento's horror film Suspiria (1977), for which she received a 1978 Saturn Award nomination for Best Supporting Actress.
Bennett and retired publisher/movie critic David Wilde were married on February 14, 1978, 13 days before her 68th birthday, in White Plains, New York.[23] Their marriage lasted until her death in 1990.
Celebrated for not taking herself too seriously, Bennett said in a 1986 interview, "I don't think much of most of the films I made, but being a movie star was something I liked very much."[21]
Bennett has a motion pictures star on the Hollywood Walk of Fame for her contributions to the film industry. Her star is located at 6300 Hollywood Boulevard,[24] a short distance from the star of her sister Constance.
Death
[edit]Bennett died of heart failure on Friday evening, December 7, 1990, aged 80, at her home in Scarsdale, New York.[21]
Filmography
[edit]Bennett appeared in many movies and television productions, listed below in their entirety.
Film
[edit]
| Year | Title | Role | Notes |
|---|---|---|---|
| 1916 | The Valley of Decision | unborn soul | |
| 1923 | The Eternal City | Page | uncredited |
| 1928 | Power | a dame | |
| 1929 | The Divine Lady | extra | uncredited |
| 1929 | Bulldog Drummond | Phyllis Benton | |
| 1929 | Three Live Ghosts | Rose Gordon | |
| 1929 | Disraeli | Lady Clarissa Pevensey | |
| 1929 | The Mississippi Gambler | Lucy Blackburn | |
| 1930 | Puttin' On the Ritz | Delores Fenton | |
| 1930 | Crazy That Way | Ann Jordan | |
| 1930 | Moby Dick | Faith Mapple, his beloved | |
| 1930 | Maybe It's Love (a.k.a. Eleven Men and a Girl) | Nan Sheffield | |
| 1930 | Scotland Yard | Xandra, Lady Lasher | |
| 1931 | Many a Slip | Pat Coster | |
| 1931 | Doctors' Wives | Nina Wyndram | |
| 1931 | Hush Money | Joan Gordon | |
| 1932 | She Wanted a Millionaire | Jane Miller | |
| 1932 | Careless Lady | Sally Brown | |
| 1932 | The Trial of Vivienne Ware | Vivienne Ware | |
| 1932 | Week Ends Only | Venetia Carr | |
| 1932 | Wild Girl | Salomy Jane | |
| 1932 | Me and My Gal | Helen Riley | |
| 1933 | Arizona to Broadway | Lynn Martin | |
| 1933 | Little Women | Amy March | |
| 1934 | The Pursuit of Happiness | Prudence Kirkland | |
| 1934 | The Man Who Reclaimed His Head | Adele Verin | |
| 1935 | Private Worlds | Sally MacGregor | |
| 1935 | Mississippi | Lucy Rumford | |
| 1935 | Two for Tonight | Bobbie Lockwood | |
| 1935 | She Couldn't Take It | Carol Van Dyke | |
| 1935 | The Man Who Broke the Bank at Monte Carlo | Helen Berkeley | |
| 1936 | Big Brown Eyes | Eve Fallon | |
| 1936 | Thirteen Hours by Air | Felice Rollins | |
| 1936 | Two in a Crowd | Julia Wayne | |
| 1936 | Wedding Present | Monica "Rusty" Fleming | |
| 1937 | Vogues of 1938 | Wendy Van Klettering | |
| 1938 | I Met My Love Again | Julie Weir Shaw | |
| 1938 | The Texans | Ivy Preston | |
| 1938 | Artists and Models Abroad | Patricia Harper | |
| 1938 | Trade Winds | Kay Kerrigan | |
| 1939 | The Man in the Iron Mask | Princess Maria Theresa | |
| 1939 | The Housekeeper's Daughter | Hilda | |
| 1940 | Green Hell | Stephanie Richardson | |
| 1940 | The House Across the Bay | Brenda Bentley | |
| 1940 | The Man I Married | Carol Hoffman | |
| 1940 | The Son of Monte Cristo | Grand Duchess Zona of Lichtenburg | |
| 1941 | She Knew All the Answers | Gloria Winters | |
| 1941 | Man Hunt | Jerry Stokes | |
| 1941 | Wild Geese Calling | Sally Murdock | |
| 1941 | Confirm or Deny | Jennifer Carson | |
| 1942 | The Wife Takes a Flyer | Anita Woverman | |
| 1942 | Twin Beds | Julie Abbott | |
| 1942 | Girl Trouble | June Delaney | |
| 1943 | Margin for Error | Sophia Baumer | |
| 1944 | The Woman in the Window | Alice Reed | |
| 1945 | Nob Hill | Harriet Carruthers | |
| 1945 | Scarlet Street | Katharine "Kitty" March | |
| 1946 | Colonel Effingham's Raid | Ella Sue Dozier | |
| 1947 | The Macomber Affair | Margaret Macomber | |
| 1947 | The Woman on the Beach | Peggy Butler | |
| 1947 | Secret Beyond the Door... | Celia Lamphere | |
| 1948 | Hollow Triumph (aka The Scar) | Evelyn Hahn | |
| 1949 | The Reckless Moment | Lucia Harper | |
| 1950 | Father of the Bride | Ellie Banks | |
| 1950 | For Heaven's Sake | Lydia Bolton | |
| 1951 | Father's Little Dividend | Ellie Banks | |
| 1951 | The Guy Who Came Back | Kathy Joplin | |
| 1954 | Highway Dragnet | Mrs. Cummings | |
| 1955 | We're No Angels | Amelie Ducotel | |
| 1956 | There's Always Tomorrow | Marion Groves | |
| 1956 | Navy Wife | Peg Blain | |
| 1960 | Desire in the Dust | Mrs. Marquand | |
| 1970 | House of Dark Shadows | Elizabeth Collins Stoddard | |
| 1977 | Suspiria | Madame Blanc |
Television
[edit]- The Nash Airflyte Theater (1951) episode: Peggy
- Your Show of Shows (1951) 1 episode
- Danger (1951) episode: A Clear Case of Suicide
- Somerset Maugham TV Theatre (1951) episode: Smith Serves
- Somerset Maugham TV Theatre (1951) episode: The Dream
- General Electric Theater (1954) episode: You Are Young Only Once, as Bettina Blane
- The Best of Broadway (1954) episode: The Man Who Came to Dinner, as Lorraine Sheldon
- Climax! (1955) episode: The Dark Fleece, as Honora
- The Ford Television Theatre (1955) episode: Letters Marked Personal, as Marcia Manners
- The Ford Television Theatre (1956) episode: Dear Diane, as Marion
- Playhouse 90 (1957) episode: The Thundering Wave, as Vickie Maxwell
- The DuPont Show of the Month (1957) episode: Junior Miss, as Grace Graves
- Pursuit (1958) episode: Epitaph for a Golden Girl
- Too Young to Go Steady (1959) (own series), as Mary Blake
- Burke's Law (1965) episode: Who Killed Mr. Colby in Ladies' Lingerie?, as Denise Mitchell
- Dark Shadows (1966–1971) (series regular, 386 episodes), as Elizabeth Collins Stoddard / Naomi Collins / Judith Collins Trask / Flora Collins / Flora Collins (PT) / Elizabeth Collins Stoddard (PT)
- The Governor & J.J. (1970) episode: Check the Check, as Joan Darlene Delaney
- Love, American Style (1971) episode segment: Love and the Second Time, as Edith
- Dr. Simon Locke (1972) episode: The Cortessa Rose, as Cortessa
Made-for-TV movies
[edit]- Gidget Gets Married (1972) as Claire Ramsey
- The Eyes of Charles Sand (1972) as Aunt Alexandra
- Suddenly, Love (1978) as Mrs. Graham
- This House Possessed (1981) as Rag Lady
- Divorce Wars: A Love Story (1982) as Adele Burgess
As herself
[edit]- Screen Actors (1950) (uncredited)
- The Colgate Comedy Hour (1951) 1 episode
- What's My Line? (1951) 1 episode
- The Ken Murray Show (1951) 1 episode
- Ford Festival (1951)
- I've Got A Secret (1953)
- Climax! (1956) episode: The Louella Parsons Story
- To Tell the Truth (1958) 1 episode
- The Mike Douglas Show (1964, 1967, 1970, 1970, 1977) 5 episodes
- The Merv Griffin Show (1967) 1 episode
- Personality (1968) 1 episode
- The Hollywood Squares (1970) 1 episode
- The Virginia Graham Show (1970) 1 episode
- The Hollywood Greats (1977) 2 episodes: Humphrey Bogart; Spencer Tracy
- The Guiding Light (1982) 1 episode
- The Spencer Tracy Legacy: A Tribute by Katharine Hepburn (1986)
Short subject
[edit]- Screen Snapshots (1932)
- Hollywood on Parade No. A-12 (1933)
- The Fashion Side of Hollywood (1935)
- Hollywood Party (1937)
- Screen Snapshots Series 19, No. 9: Sports in Hollywood (1940)
- Hedda Hopper's Hollywood, No. 6 (1942)
- Screen Actors (1950) (uncredited)
Radio appearances
[edit]| Year | Program | Episode/source |
|---|---|---|
| 1941 | Philip Morris Playhouse | Girl in the News[25] |
| 1946 | Screen Guild Players | Experiment Perilous[26] |
| 1947 | Suspense | "Overture in Two Keys"[27] |
References
[edit]- ^ Lesher, David (9 December 1990). "Joan Bennett, Movie, Stage, TV Star, Dies". Los Angeles Times. Retrieved 2 April 2022.
- ^ https://www.emmys.com/bios/joan-bennett
- ^ Erickson, Hal. Joan Bennett: Biography AllMovie.
- ^ a b c
- "Joan Bennett Sees Mate Shoot Agent: 'Thought He Was Breaking Up My Home,' Says Wanger". Los Angeles Times. December 14, 1951. p. 1. Retrieved July 22, 2020.
- "Hollywood Actors' Agent Is Shot; Joan Bennett's Husband Questioned; Hollywood Actors' Agent Is Shot; Joan Bennett's Husband Questioned Producer in Financial Trouble". The New York Times. 14 December 1951. Retrieved 2 April 2022.
- ^ "Actress Joan Bennett Dead At 80", Associated Press, December 10, 1990. Accessed December 12, 2013. "The actress, born in Fort Lee, N.J., made her 1928 debut in the Broadway play Jarnegan."
- ^ "Daughter Of Actor Divorced: Joan Bennett Fox Wins Decree on Charges of Mate's Intoxication". Los Angeles Times. July 31, 1928. p. A20.
- ^ "Wins Fight Over Daughter's Surname: Child Given New Name, Young Daughter Becomes Diana Markey Under Court Decision", Los Angeles Times, August 22, 1936, p. 3.
- ^ "Wanger Moves to Adopt Child of Joan Bennett", Los Angeles Times, April 18, 1944, p. 2.
- ^ "Bennett Sister Weds Here: Actress Becomes Scenarist's Bride", Los Angeles Times, March 17, 1932, p.A 2.
- ^ "Actress' Marital Tie Cut: Joan Bennett Granted Divorce From Gene Markey, Writer", Los Angeles Times, June 4, 1937, p.3.
- ^ Markowitz, Yvonne J. (2014). The Jewels of Trabert & Hoeffer-Mauboussin. Boston: MFA Publications. ISBN 978-0-87846-811-9. LCCN 2013957243. Retrieved October 9, 2016.
- ^ "Joan Bennett and Wanger Marry in Phoenix Elopement – Actress and Producer Make Trip by Auto; Announce They'll Return to Hollywood Today", Los Angeles Times, January 13, 1940, p.1.
- ^ "Joan Bennett Divorced". The New York Times, September 21, 1965, p. SU 3.
- ^ "Police Sgt. Erwin F. Uhde & Ray Pinker, director of the crime scientific laboratory, indicating .38 caliber bullet holes in Shetland grey suit worn by Agent Jennings when shot by Walter Wanger". calisphere. Los Angeles Public Library, Los Angeles Herald Examiner Collection. 1951. Retrieved 2 April 2022.
- ^ a b Vestuto, Kathleen (July 13, 2018). The Lives of Justine Johnstone: Follies Star, Research Scientist, Social Activist. McFarland. ISBN 978-1476672762.
- ^ "Detectives Shadowed Joan for Months, Says Wanger: Film Producer Tells Reasons for Jealousy; Divorce Discussed". Los Angeles Times, December 15, 1951, p. 1.
- ^ "Joan Bennett Hopes Wanger 'Won't Be Blamed Too Much'; Statement Cites Film Producer's Money Worries". Los Angeles Times, December 15, 1951, p. A
- ^ "Wanger Fate Will Rest On Transcript: Producer to Escape Open Trial by Letting Judge Decide Case on Grand Jury Evidence". Los Angeles Times, April 15, 1952, p. 1.
- ^ "Wanger to Be Released from County Jail Today". Los Angeles Times, September 13, 1952, p. A 1.
- ^ "Joan Bennett to Play Witch if Wanger Trial Is on Time". Los Angeles Times, April 3, 1952, p. 4.
- ^ a b c Flint, Peter B. (December 9, 1990). "Joan Bennett, Whose Roles Ripened From Sweet to Siren, Dies at 80". The New York Times. p. A52. Archived from the original on May 25, 2015.
- ^ Higham, Charles (November 29, 1970). "Her Father's Daughter". The New York Times. p. 322.
- ^ "Notes on People". The New York Times. February 16, 1978. p. C2.
- ^ "Hollywood Walk of Fame - Joan Bennett". walkoffame.com. Hollywood Chamber of Commerce. Retrieved November 16, 2017.
- ^ "WHP Radio Programs for the Entire Week Starting November 16, 1941". Harrisburg Telegraph. November 15, 1941. p. 29. Retrieved July 26, 2015 – via Newspapers.com.
- ^ "Bennett, Brent, Menjou Star on "Screen Guild"". Harrisburg Telegraph. October 12, 1946. p. 17. Retrieved October 1, 2015 – via Newspapers.com.
- ^ "Suspense - Overture in Two Keys". Escape and Suspense!. Retrieved Aug 11, 2019.
Further reading
[edit]- Bennett, Joan (1943). How to Be Attractive. New York: Alfred A. Knopf.
- Bennett, Joan; Lois Kibbee (1970). The Bennett Playbill. New York: Holt, Rinehart and Winston. ISBN 978-0030818400.
- Hamrick, Craig; R. J. Jamison (2012). Barnabas & Company: The Cast of the TV Classic Dark Shadows (Revised ed.). iUniverse. pp. 41–53. ISBN 978-1-4759-1034-6.
- Kellow, Brian (November 26, 2004). The Bennetts: An Acting Family. Lexington, KY: University Press of Kentucky. ISBN 978-0813123295.
- Karina Longworth; Vanessa Hope. "Love Is a Crime". Vanity Fair (Podcast). Zooey Deschanel as Joan Bennett, Jon Hamm as Walter Wanger, and Griffin Dunne as Jennings Lang. Condé Nast and Cadence13. Retrieved 2 April 2022.
External links
[edit]
Wikiquote has quotations related to Joan Bennett.
Wikimedia Commons has media related to Joan Bennett.
- Joan Bennett at IMDb
- Joan Bennett at Find a Grave
- Joan Bennett at the Internet Broadway Database
- Joan Bennett at the TCM Movie Database
- Photos of Joan Bennett in 'Trade Winds' 1938 Archived 2018-12-26 at the Wayback Machine by Ned Scott
- Joan Bennett Photo Gallery
- A collection of old time radio recordings featuring Joan Bennett
Categories:
- 1910 births
- 1990 deaths
- American people of English descent
- American people of Jewish descent
- American people of Spanish descent
- American film actresses
- American silent film actresses
- American stage actresses
- American television actresses
- American radio personalities
- 20th-century American memoirists
- American women memoirists
- Actresses from New Jersey
- Actors from Fort Lee, New Jersey
- People from Scarsdale, New York
- 20th-century American actresses
- 20th Century Studios contract players
- RKO Pictures contract players