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{{Short description|Sequence of sonnets by William Shakespeare}}
The term '''procreation sonnets''' is a name given to [[Shakespeare's sonnets|Shakespearean sonnets]] numbers [[Sonnet 1|I]] to [[Sonnet 17|XVII]] (1 to 17).
The '''procreation sonnets'''{{sfn|Green|1979|p=12}} are [[Shakespeare's sonnets]] numbers [[Sonnet 1|1]] through [[Sonnet 17|17]].


Although Sonnet 15 does not directly refer to procreation, the single-minded urgings in the previous sonnets, may suggest to the reader that procreation is intended in the last line: "I engraft you new". Sonnet 16 continues the thought and makes clear that engrafting refers to recreating the young man in "barren rhyme". Sonnet 16 goes on to urge the youth to marry and have children.{{sfn|Booth|1977|p=155-159}}
They are referred to as the ''procreation sonnets'' because they all argue that the [[Shakespeare's sonnets#Fair Youth|young man]] to whom they are addressed should marry and father children, hence procreate. Throughout the procreation sonnets, Shakespeare usually argues that the child will be a copy of the young man, who will therefore live through his child.


They are referred to as the ''procreation sonnets'' because they encourage the [[Shakespeare's sonnets#Fair Youth|young man]] they address to marry and father children. In these sonnets, Shakespeare's speaker several times suggests that the child will be a copy of the young man, who will therefore live on through his child.
The actual historical identity of the man to whom they were written is a mystery, but the most commonly suggested individuals are [[Henry Wriothesley]] (W.H. backwards), or [[William Herbert, 3rd Earl of Pembroke]]. If the latter, it has been suggested that the 17 sonnets correspond in number to Herbert's age at the time.


The actual historical identity, if any, of the young man is a mystery; two candidates that have received the most consideration are [[Henry Wriothesley, 3rd Earl of Southampton]]; and [[William Herbert, 3rd Earl of Pembroke]].
[[Sonnet 18]] ("shall I compare three to a summer's day") changes the tone dramatically towards romantic intimacy.


[[Sonnet 18]] ("Shall I compare thee to a summer's day?") turns away from the theme of procreation and introduces a new and greater perspective, in which the speaker of the sonnets begins to express his own devotion to the young man.{{sfn|Duncan-Jones|2010|p=100}}
==See also==
* [[Shakespeare's sonnets]]


==External links==
==References==
{{reflist|20em}}
*[http://oldpoetry.com/opoem/47896 The Procreation Sonnets (1 - 17)]


==Sources==
{{shakespearesonnets}}
{{refbegin|30em}}
*{{cite book
|title = Shakespeare's Sonnets
|last = Shakespeare
|first = William
|authorlink = William Shakespeare
|display-authors = 0
|editor1-last = Booth
|editor1-first = Stephen
|editor1-link = Stephen Booth (academic)
|series =
|edition =
|publisher = [[Yale University]]
|year = 1977
|isbn = 0300024959
|ref = {{harvid|Booth|1977}}
}}
*{{cite book
|title = Shakespeare's Sonnets
|last = Shakespeare
|first = William
|authorlink = William Shakespeare
|display-authors = 0
|editor1-last = Duncan-Jones
|editor1-first = Katherine
|editor1-link = Katherine Duncan-Jones
|series = [[The Arden Shakespeare]], third series
|edition = Revised
|publisher = [[Bloomsbury Publishing]]
|year = 2010
|isbn = 978-1408017975
|ref = {{harvid|Duncan-Jones|2010}}
}}
*{{cite book
|title = The Labyrinth of Shakespeare's Sonnets: An Examination of Sexual Elements in Shakespeare's Language
|last = Green
|first = Martin
|authorlink = Martin Green (writer, born 1928)
|display-authors =
|editor1-last =
|editor1-first =
|editor1-link =
|series =
|edition =
|publisher = Skilton
|year = 1974
|isbn =
|ref = {{harvid|Green|1979}}
}}
{{refend}}

{{shakespeare's sonnets}}


{{DEFAULTSORT:Procreation Sonnets}}
{{DEFAULTSORT:Procreation Sonnets}}
[[Category:Sonnets by William Shakespeare|*]]
[[Category:Sonnets by William Shakespeare| Procreation]]
[[Category:Sonnet studies]]
[[Category:Sonnet studies]]

[[he:סונטות ההולדה]]

Latest revision as of 18:58, 9 February 2022

The procreation sonnets[1] are Shakespeare's sonnets numbers 1 through 17.

Although Sonnet 15 does not directly refer to procreation, the single-minded urgings in the previous sonnets, may suggest to the reader that procreation is intended in the last line: "I engraft you new". Sonnet 16 continues the thought and makes clear that engrafting refers to recreating the young man in "barren rhyme". Sonnet 16 goes on to urge the youth to marry and have children.[2]

They are referred to as the procreation sonnets because they encourage the young man they address to marry and father children. In these sonnets, Shakespeare's speaker several times suggests that the child will be a copy of the young man, who will therefore live on through his child.

The actual historical identity, if any, of the young man is a mystery; two candidates that have received the most consideration are Henry Wriothesley, 3rd Earl of Southampton; and William Herbert, 3rd Earl of Pembroke.

Sonnet 18 ("Shall I compare thee to a summer's day?") turns away from the theme of procreation and introduces a new and greater perspective, in which the speaker of the sonnets begins to express his own devotion to the young man.[3]

References

[edit]
  1. ^ Green 1979, p. 12.
  2. ^ Booth 1977, p. 155-159.
  3. ^ Duncan-Jones 2010, p. 100.

Sources

[edit]
  • Booth, Stephen, ed. (1977). Shakespeare's Sonnets. Yale University. ISBN 0300024959.
  • Duncan-Jones, Katherine, ed. (2010). Shakespeare's Sonnets. The Arden Shakespeare, third series (Revised ed.). Bloomsbury Publishing. ISBN 978-1408017975.
  • Green, Martin (1974). The Labyrinth of Shakespeare's Sonnets: An Examination of Sexual Elements in Shakespeare's Language. Skilton.