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{{Short description|Canadian artist (born 1967)}}
{{Infobox artist
{{Infobox artist
| name = Eli Langer
| name = Eli Langer
| image =
| image = Eli Langer 2010 self portrait.jpg
| imagesize = 200px
| image_size = 200px
| caption = Eli Langer, self portrait
| caption = Eli Langer - Prince Edward County, Ontario Canada- s.p. 2009 https://picasaweb.google.com/lh/photo/c_P-ns-xUrbtuefeKGIc1w?full-exif=true
| birth_name = Eli Langer
| birth_name = Eli Langer
| birth_date = {{birth-date|1967}}
| birth_date = {{birth year and age|1967}}
| birth_place = [[Montreal]], [[Quebec]], [[Canada]]
| birth_place = [[Montreal]], [[Quebec]], Canada
| death_date =
| death_date =
| death_place =
| death_place =
| nationality = [[Canada|Canadian]]
| nationality =
| field = [[Painting]], [[Drawing]]
| field = [[Painter]], [[Graphic artist]]
| training =
| training =
| movement =
| movement =
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}}
}}


'''Eli Langer''' (born 1967 in [[Montreal]], [[Quebec]]) is a [[Canada|Canadian]] visual [[artist]]. Langer rose to prominence in 1993, while 26 years old, in the [[Toronto]] art world with a solo exhibition at the [[Mercer Union]] Gallery in Toronto. The exhibition consisted of 8 paintings and 50 drawings addressing various issues of childhood sexuality.<ref name="Mercer">{{cite web | last= | first= | url=http://www.mercerunion.org/show.asp?show_id=212 | title=ARCHIVES >> Main Gallery: Eli Langer | year=2008 | publisher= Mercer Union | accessdate=2008-05-20}}</ref> Toronto police raided the exhibition under Canada's new [[child pornography]] legislation and seized 5 paintings and 35 drawings.<ref>{{cite news | title = Police to File Charges Over Seized Works | publisher = [[Toronto Sun]] | pages = | year = 1993}}</ref> This event and ensuing media coverage created a national debate over the reach of law and freedom of expression.
'''Eli Langer''' (born 1967 in [[Montreal]], [[Quebec]]) is a Canadian visual [[artist]]. Langer rose to prominence in 1993, while 26 years old, in the [[Toronto]] art world with a solo exhibition at the [[Mercer Union]] Gallery in Toronto. The exhibition consisted of 8 paintings and 50 drawings addressing various issues of childhood sexuality.<ref name="Mercer">{{cite web | url=http://www.mercerunion.org/exhibitions/main-gallery-eli-langer/ | title=ARCHIVES >> Main Gallery: Eli Langer | year=2008 | publisher= Mercer Union | access-date=2008-05-20}}</ref> Toronto police raided the exhibition under Canada's new [[child pornography]] legislation and seized 5 paintings and 35 drawings.<ref>{{cite news | title = Police to File Charges Over Seized Works | publisher = [[Toronto Sun]] | year = 1993}}</ref> This event and ensuing media coverage created a national debate over the reach of law and freedom of expression.


==1993 art show==
==1993 art show==
A press release prior to the show opening suggests the curators knew the material could be controversial:
A press release prior to the show opening suggests the curators knew the material could be controversial:


<blockquote class="toccolours" style="text-align:justify; width:60%; float:middle; padding: 10px 15px 10px 15px; display:table;">"Langer's work focuses on the tender and often abject aspects of sexuality and intimacy. His images are largely informed by intuitive personal and social drives, exploring the phenomenon of intimacy where it exists without the compensation of social or cultural consent. In this series of paintings and drawings, Langer often boldly develops a sexual ambiguity that inadvertently addresses our cultural taboos and the formation of morality."<ref name="Mercer"/></blockquote>
<blockquote class="toccolours" style="text-align:justify; width:60%; float:middle; padding: 10px 15px 10px 15px; display:table;">Langer's work focuses on the tender and often abject aspects of sexuality and intimacy. His images are largely informed by intuitive personal and social drives, exploring the phenomenon of intimacy where it exists without the compensation of social or cultural consent. In this series of paintings and drawings, Langer often boldly develops a sexual ambiguity that inadvertently addresses our cultural taboos and the formation of morality.<ref name="Mercer"/></blockquote>


Langer's exhibition at the Mercer coincided with the addition of section 163.1<ref>[http://www.canlii.org/ca/sta/c-46/sec163.1.html Canadian Legal Information Institute: Canadian Federal Statutes and Regulations, Criminal Code, R.S.C. 1985, c. C-46 s. 163.1]</ref> (the "Child Pornography" section) to the Canadian Criminal Code. The new section of the Criminal Code forbids any depiction of a person under the age of 18 engaged in an explicit sexual activity or for a sexual purpose. The law makes no distinction between works of the imagination and works that are based on reality. Langer and the director of the Mercer Union Gallery were arrested by Toronto police, but ultimately the paintings were the only things put on trial.<ref>{{cite news | last=Farnsworth| first=Clyde H. | url=http://query.nytimes.com/gst/fullpage.html?res=9A00EED91F3EF934A35752C0A962958260 | title= Canadian Test Case: 'Pornography' vs. Imagination | publisher= [[New York Times]] | accessdate=2008-05-20 | date=1994-01-07}}</ref>
Langer's exhibition at the Mercer coincided with the addition of section 163.1<ref>[http://www.canlii.org/ca/sta/c-46/sec163.1.html Canadian Legal Information Institute: Canadian Federal Statutes and Regulations, Criminal Code, R.S.C. 1985, c. C-46 s. 163.1]</ref> (the "Child Pornography" section) to the Canadian Criminal Code. That section of the Criminal Code forbids any depiction of a person under the age of 18 engaged in an explicit sexual activity or for a sexual purpose. The law makes no distinction between works of the imagination and works that are based on reality. Langer and the director of the Mercer Union Gallery were arrested by Toronto police, but ultimately the paintings were the only things put on trial.<ref>{{cite news | last=Farnsworth| first=Clyde H. | url=https://query.nytimes.com/gst/fullpage.html?res=9A00EED91F3EF934A35752C0A962958260 | title= Canadian Test Case: 'Pornography' vs. Imagination | work=[[The New York Times]] | access-date=2008-05-20 | date=1994-01-07}}</ref>


Well-known figures of the Canadian art community participated in the trial in Langer's defence, including [[Michael Snow]], [[Avrom Isaacs]] (gallerist), Dennis Reid (former curator of the [[National Gallery of Canada]]), and [[Ronald Bloore]] (late artist). They testified that the works exhibited at the Mercer Union had "[[artistic merit]]" (a defence provided by s. 163.1 of the Criminal Code).<ref>{{cite news | last=Tyler | first=Tracey | title = Artist backs right to paint sexual work | publisher = [[Globe and Mail]] | pages = | date = October 1994}}</ref> Ultimately the works were exonerated and returned to Langer.
Well-known figures of the Canadian art community participated in the trial in Langer's defence, including [[Michael Snow]] (artist), [[Avrom Isaacs]] (gallerist), Dennis Reid (former curator of the [[National Gallery of Canada]]), and [[Ronald Bloore]] (late artist). They testified that the works exhibited at the Mercer Union had "[[artistic merit]]" (a defence provided by s. 163.1 of the Criminal Code).<ref>{{cite news | last=Tyler | first=Tracey | title = Artist backs right to paint sexual work | work=[[The Globe and Mail]] | date = October 1994}}</ref> Ultimately the works were exonerated and returned to Langer.


A witness for the Crown prosecuting the case, the late artist Ronald Bloore was no stranger to censorship of the arts in Canada. In 1965 his wife, Toronto gallery owner Dorothy Cameron,<ref>[http://www.ccca.ca/c/writing/m/murray/mur001t.html CCCA.ca writing: Murray]</ref> had been charged and prosecuted in relation to an exhibition of art at her gallery and the results had been catastrophic for her. Eli Langer remembers the apparent willingness of Bloore to testify against his art as being strange, but at trial Ronald Bloore turned the leading questions of the Crown against them, citing the state censorship of the Nazis and calling Langer's artwork "marvellous." Taken aback by the trojan horse witness, the Crown called a recess. Ronald Bloore was greeted by an elated Eli Langer and his mother Pearl, and told them, "''I've waited 27 years to get these bastards for what they did to my wife!''" To this day Langer believes the difficulty of his trial was worth it for the poetic justice done by Ronald Bloore.<ref>{{cite web | title= Quotations from or about Ron Bloore | url=http://www.ronbloore.ca/Quotes.htm}}</ref>
A witness for the Crown prosecuting the case, Ronald Bloore was no stranger to art censorship in Canada. In 1965 his wife, Toronto gallery owner Dorothy Cameron,<ref>[http://www.ccca.ca/c/writing/m/murray/mur001t.html CCCA.ca writing: Murray]</ref> had been charged and prosecuted in relation to an exhibition of art at her gallery and the results had been catastrophic for her. Eli Langer remembers the apparent willingness of Bloore to testify against his art as being strange, but at trial Ronald Bloore turned the leading questions of the Crown against them, citing the state censorship by the Nazis and calling Langer's artwork "marvellous." Taken aback by the trojan horse witness, the Crown called a recess. Bloore was greeted by an elated Eli Langer and his mother Pearl, and told them, "''I've waited 27 years to get these bastards for what they did to my wife!''" To this day Langer believes the difficulty of his trial was worth it for the poetic justice done by Ronald Bloore.<ref>{{cite web | title= Quotations from or about Ron Bloore | url=http://www.ronbloore.ca/Quotes.htm}}</ref>


Langer's legal victory led to reinterpretation of 'prior restraint' to prevent inexperienced police officers from again using an easily obtained "tele-warrant" to carry out similar raids on art exhibitions. Obtaining a warrant now requires the stricter scrutiny of experienced judges.<ref>{{cite news | last=Tyler | first=Tracey | title = Artist's sexual images ruled legal | publisher = [[Globe and Mail]] | pages = | date = April 1995}}</ref>
Langer's legal victory led to reinterpretation of "prior restraint" to prevent inexperienced police officers from again using an easily obtained "tele-warrant"<ref>[http://canlii.ca/t/53jff#sec487.1 Criminal Code, RSC 1985, c C-46, s 487.1].</ref> to carry out similar raids on art exhibitions. Obtaining a warrant now requires the stricter scrutiny of experienced judges.<ref>{{cite news | last=Tyler | first=Tracey | title = Artist's sexual images ruled legal | work=[[The Globe and Mail]] | date = April 1995}}</ref>


==Current artistic career==
==Current artistic career==
His difficult personal experience at the centre of the media sensationalism and legal interpretations of his practice at the time did not long interrupt his interests and development as an artist. He claims that the event was a culmination of testing the boundaries of moral and creative conventions and that the event briefly made art and freedom of expression a household topic across Canada.
His difficult personal experience at the centre of the media [[sensationalism]] and legal interpretations of his practice at the time did not long interrupt his interests and development as an artist. He claims that the event was a culmination of testing the boundaries of moral and creative conventions and that the event briefly made art and freedom of expression a household topic across Canada.


According to Langer, his art practice developed beyond the morality issue fight-picking he did as a younger painter and with which he exhausted his willingness for dealing with legal and moralistic entities. He adds that he moved on, seeking clarity and distance from the event and clearing the way for a 'more substantive articulation of ideas and art making practice'.
According to Langer, his art practice developed beyond the morality issue fight-picking he did as a younger painter and with which he exhausted his willingness for dealing with legal and moralistic entities. He adds that he moved on, seeking clarity and distance from the event and clearing the way for a "more substantive articulation of ideas and art making practice ".


He has shown painting and other works in international exhibitions none of which referred to the art or controversy of the Mercer Union show or subsequent trial.
He has shown painting and other works in international exhibitions none of which referred to the art or controversy of the Mercer Union show or subsequent trial.


On January 18, 2008, Langer had his third solo show at Daniel Hug Gallery in Los Angeles.<ref>{{cite web | url=http://www.danielhug.com/exhib.html | title= Daniel Hug Gallery Exhibitors List | year=2008 | publisher= Daniel Hug Gallery | access-date=2008-05-21}}</ref> Langer taught painting in both the undergraduate and graduate program at UCLA in 2009.<ref>{{Cite web |url=http://www.art.ucla.edu/faculty/visiting.html |title=UCLA Art Education Facility Visiting |access-date=2009-12-01 |archive-date=2010-05-01 |archive-url=https://web.archive.org/web/20100501152505/http://www.art.ucla.edu/faculty/visiting.html |url-status=dead }}</ref> Langer exhibited at Clint Roenisch<ref>{{cite web |url=http://clintroenisch.com/exhibitions/caravansary-of-joy/ |title=CARAVANSARY OF JOY {{!}} CRG |website=clintroenisch.com |url-status=dead |archive-url=https://web.archive.org/web/20150329105034/http://clintroenisch.com/exhibitions/caravansary-of-joy/ |archive-date=2015-03-29}}</ref> gallery in Toronto in 2015 and continues to paint and exhibit internationally.<ref>[http://www.google.com/profiles/elilanger1 Google Profile]</ref><ref>{{Cite web |title=Night Gallery |url=https://nightgallery.ca/ |access-date=2024-05-14 |website=nightgallery.ca}}</ref><ref>{{Cite web |title=The Finley |url=http://thefinleygallery.artcodeinc.com/ |access-date=2024-05-14 |website=thefinleygallery.artcodeinc.com}}</ref>
On January 18, 2008, Langer had his third solo show at Daniel Hug Gallery in Los Angeles.<ref>{{cite web | last= | first= | url=http://www.danielhug.com/exhib.html | title= Daniel Hug Gallery Exhibitors List | year=2008 | publisher= Daniel Hug Gallery | accessdate=2008-05-21}}</ref>
Langer taught painting in both the undergraduate and graduate program at UCLA in 2009.<ref>[http://www.art.ucla.edu/faculty/visiting.html UCLA Art Education Facility Visiting]</ref> He continues to paint and exhibit internationally.<ref>[http://www.google.com/profiles/elilanger1 Google Profile]</ref><ref>http://nightgallery.ca/</ref>, <ref>http://thefinleygallery.artcodeinc.com/</ref>.


==Footnotes==
==Footnotes==
Line 46: Line 46:


==External links==
==External links==
{{commons category}}
*[http://elilanger.com EliLanger.Com]
*{{Official website|http://elilanger.com}}
*[http://www.paulpetro.com/langer/index.shtml Paul Petro's page profile of Langer]
*[https://web.archive.org/web/20060908224611/http://www.paulpetro.com/langer/index.shtml Paul Petro's page profile of Langer]
*[http://whitehotmagazine.com/whitehot_articles.cfm?id=851 Eli Langer @ Paul Petro Gallery] by whitehot Magazine
*[https://web.archive.org/web/20071110232337/http://whitehotmagazine.com/whitehot_articles.cfm?id=851 Eli Langer @ Paul Petro Gallery] by whitehot Magazine
*[http://www.artslant.com/global/artists/show/10799-eli-langer ArtSlant.com Global Artists Show]
*[http://www.artslant.com/global/artists/show/10799-eli-langer ArtSlant.com Global Artists Show] {{Webarchive|url=https://web.archive.org/web/20090105220706/http://artslant.com/global/artists/show/10799-eli-langer |date=2009-01-05 }}

{{authority control}}


{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
| NAME =Langer, Eli
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION =
| DATE OF BIRTH =1967
| PLACE OF BIRTH =[[Montreal]], [[Quebec]], [[Canada]]
| DATE OF DEATH =
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Langer, Eli}}
{{DEFAULTSORT:Langer, Eli}}
[[Category:1967 births]]
[[Category:1967 births]]
[[Category:Canadian painters]]
[[Category:20th-century Canadian painters]]
[[Category:Canadian male painters]]
[[Category:21st-century Canadian painters]]
[[Category:Artists from Montreal]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:People from Montreal]]
[[Category:20th-century Canadian male artists]]
[[Category:21st-century Canadian male artists]]

Latest revision as of 18:38, 23 December 2024

Eli Langer
Eli Langer, self portrait
Born
Eli Langer

1967 (age 56–57)
Montreal, Quebec, Canada
Known forPainter, Graphic artist
Notable work1993 Exhibit at Mercer Union

Eli Langer (born 1967 in Montreal, Quebec) is a Canadian visual artist. Langer rose to prominence in 1993, while 26 years old, in the Toronto art world with a solo exhibition at the Mercer Union Gallery in Toronto. The exhibition consisted of 8 paintings and 50 drawings addressing various issues of childhood sexuality.[1] Toronto police raided the exhibition under Canada's new child pornography legislation and seized 5 paintings and 35 drawings.[2] This event and ensuing media coverage created a national debate over the reach of law and freedom of expression.

1993 art show

[edit]

A press release prior to the show opening suggests the curators knew the material could be controversial:

Langer's work focuses on the tender and often abject aspects of sexuality and intimacy. His images are largely informed by intuitive personal and social drives, exploring the phenomenon of intimacy where it exists without the compensation of social or cultural consent. In this series of paintings and drawings, Langer often boldly develops a sexual ambiguity that inadvertently addresses our cultural taboos and the formation of morality.[1]

Langer's exhibition at the Mercer coincided with the addition of section 163.1[3] (the "Child Pornography" section) to the Canadian Criminal Code. That section of the Criminal Code forbids any depiction of a person under the age of 18 engaged in an explicit sexual activity or for a sexual purpose. The law makes no distinction between works of the imagination and works that are based on reality. Langer and the director of the Mercer Union Gallery were arrested by Toronto police, but ultimately the paintings were the only things put on trial.[4]

Well-known figures of the Canadian art community participated in the trial in Langer's defence, including Michael Snow (artist), Avrom Isaacs (gallerist), Dennis Reid (former curator of the National Gallery of Canada), and Ronald Bloore (late artist). They testified that the works exhibited at the Mercer Union had "artistic merit" (a defence provided by s. 163.1 of the Criminal Code).[5] Ultimately the works were exonerated and returned to Langer.

A witness for the Crown prosecuting the case, Ronald Bloore was no stranger to art censorship in Canada. In 1965 his wife, Toronto gallery owner Dorothy Cameron,[6] had been charged and prosecuted in relation to an exhibition of art at her gallery and the results had been catastrophic for her. Eli Langer remembers the apparent willingness of Bloore to testify against his art as being strange, but at trial Ronald Bloore turned the leading questions of the Crown against them, citing the state censorship by the Nazis and calling Langer's artwork "marvellous." Taken aback by the trojan horse witness, the Crown called a recess. Bloore was greeted by an elated Eli Langer and his mother Pearl, and told them, "I've waited 27 years to get these bastards for what they did to my wife!" To this day Langer believes the difficulty of his trial was worth it for the poetic justice done by Ronald Bloore.[7]

Langer's legal victory led to reinterpretation of "prior restraint" to prevent inexperienced police officers from again using an easily obtained "tele-warrant"[8] to carry out similar raids on art exhibitions. Obtaining a warrant now requires the stricter scrutiny of experienced judges.[9]

Current artistic career

[edit]

His difficult personal experience at the centre of the media sensationalism and legal interpretations of his practice at the time did not long interrupt his interests and development as an artist. He claims that the event was a culmination of testing the boundaries of moral and creative conventions and that the event briefly made art and freedom of expression a household topic across Canada.

According to Langer, his art practice developed beyond the morality issue fight-picking he did as a younger painter and with which he exhausted his willingness for dealing with legal and moralistic entities. He adds that he moved on, seeking clarity and distance from the event and clearing the way for a "more substantive articulation of ideas and art making practice ".

He has shown painting and other works in international exhibitions none of which referred to the art or controversy of the Mercer Union show or subsequent trial.

On January 18, 2008, Langer had his third solo show at Daniel Hug Gallery in Los Angeles.[10] Langer taught painting in both the undergraduate and graduate program at UCLA in 2009.[11] Langer exhibited at Clint Roenisch[12] gallery in Toronto in 2015 and continues to paint and exhibit internationally.[13][14][15]

Footnotes

[edit]
  1. ^ a b "ARCHIVES >> Main Gallery: Eli Langer". Mercer Union. 2008. Retrieved 2008-05-20.
  2. ^ "Police to File Charges Over Seized Works". Toronto Sun. 1993.
  3. ^ Canadian Legal Information Institute: Canadian Federal Statutes and Regulations, Criminal Code, R.S.C. 1985, c. C-46 s. 163.1
  4. ^ Farnsworth, Clyde H. (1994-01-07). "Canadian Test Case: 'Pornography' vs. Imagination". The New York Times. Retrieved 2008-05-20.
  5. ^ Tyler, Tracey (October 1994). "Artist backs right to paint sexual work". The Globe and Mail.
  6. ^ CCCA.ca writing: Murray
  7. ^ "Quotations from or about Ron Bloore".
  8. ^ Criminal Code, RSC 1985, c C-46, s 487.1.
  9. ^ Tyler, Tracey (April 1995). "Artist's sexual images ruled legal". The Globe and Mail.
  10. ^ "Daniel Hug Gallery Exhibitors List". Daniel Hug Gallery. 2008. Retrieved 2008-05-21.
  11. ^ "UCLA Art Education Facility Visiting". Archived from the original on 2010-05-01. Retrieved 2009-12-01.
  12. ^ "CARAVANSARY OF JOY | CRG". clintroenisch.com. Archived from the original on 2015-03-29.
  13. ^ Google Profile
  14. ^ "Night Gallery". nightgallery.ca. Retrieved 2024-05-14.
  15. ^ "The Finley". thefinleygallery.artcodeinc.com. Retrieved 2024-05-14.
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