Anthem (novella): Difference between revisions
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{{Short description|1938 novella by Ayn Rand}} |
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[[Image:Anthem book cover.jpg|right|Anthem]] |
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{{Infobox book |
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'''''Anthem''''' (ISBN 0451191137) is a science-fiction [[novella]] by [[Ayn Rand]], first published in [[1938]]. |
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| image = Anthem book cover.jpg |
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| caption = Cover of the first edition |
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| author = [[Ayn Rand]] |
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| name = Anthem |
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| publisher = {{plainlist| |
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* [[Cassell (publisher)|Cassell]] (first) |
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* Pamphleteers (revised) |
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}} |
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| pub_date = {{plainlist| |
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* 1938 (first) |
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* 1946 (revised) |
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}} |
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| language = English |
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| genre = [[Science fiction]] |
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| isbn =<!--n/a--> |
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| oclc= 32132103 |
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}} |
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'''''Anthem''''' is a [[dystopian fiction]] [[novella]] by Russian–American writer [[Ayn Rand]], written in 1937 and first published in 1938 in the [[United Kingdom]]. The story takes place at an unspecified future date when mankind has entered another [[Dark Ages (historiography)|Dark Age]]. Technological advancement is now carefully planned and the concept of [[Individualism|individuality]] has been eliminated. A young man known as Equality 7-2521 rebels by doing secret scientific research. When his activity is discovered, he flees into the wilderness and is followed by [[Liberty 5-3000]], a woman he loves. Together they plan to establish a new society based on rediscovered individualism. |
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Rand originally conceived of the story as a play, then decided to write for magazine publication. At her agent's suggestion, she submitted it to book publishers. The novella was first published by [[Cassell (publisher)|Cassell]] in England. It was published in the United States only after Rand's next novel, ''[[The Fountainhead]]'', became a best seller. Rand revised the text for the US edition published in 1946. |
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''Anthem'' is a dystopic science fiction story taking place at some unspecified future date. As a result of what Ayn Rand saw as the weaknesses of socialistic thinking and economics, mankind has entered another dark age. Technological advancement is now carefully planned (when it is allowed to occur, if at all) and the concept of individuality has been eliminated. As is common in her work, Ayn Rand draws a clear distinction between the "socialist/communal" values of equality and brotherhood and the "productive/capitalist" values of achievement and individuality. |
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== |
==Plot== |
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{{spoiler}} |
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Equality 7-2521, writing in a [[tunnel]] under the earth, explains his background, the society around him, and his Emmigration. His exclusive use of plural [[pronoun]]s (''we'' and ''they'') to refer to himself and others is immediately obvious. He recounts his early life. He was raised in the Home of the Infants, then transferred to the Home of the Students, where he began his schooling. At the latter, he realized that he was born with a curse: he is eager to think and question, and unwilling to give up his self for others. He excelled in math and science, and dreamed of becoming a Scholar. However, the Council of Vocations assigned him to the Home of the Street Sweepers. |
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Equality 7-2521, a 21-year-old man writing by candlelight in a tunnel under the earth, tells the story of his life up to that point. He exclusively uses plural pronouns ("we", "our", "they") to refer to himself and others. He was raised like all children in his society, away from his parents in collective homes: the Home of Infants from birth until five years old, then the Home of Students from five to fifteen. He believes he has a "curse" that makes him learn quickly and ask many questions. He excels at the Science of Things and dreams of becoming a Scholar, but when the Council of Vocations assigns his Life Mandate at fifteen, he is assigned to be a Street Sweeper. |
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Equality is assigned to work as a street sweeper to repent for his Transgression. He works with [[Internationalism (politics)|International]] 4-8818 and [[Trade_union|Union]] 5-3992. International is exceptionally tall, and a great artist. Union, "they of the half-brain," suffers from [[epilepsy]]. |
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Equality 7-2521 accepts his street sweeping assignment as penance for his Transgression of Preference in secretly desiring to be a Scholar. He works with the handicapped Union 5-3992 and International 4-8818, the latter of whom is Equality 7-2521's only friend (which is another Transgression of Preference, because all are supposedly equal in their society). Despite International 4-8818's protests that any exploration unauthorized by a Council is forbidden, Equality 7-2521 explores an underground tunnel near the City Theatre tent, and finds metal tracks. Equality 7-2521 believes the tunnel is from the Unmentionable Times of the distant past. He begins sneaking away from his community at night to use the tunnel as a laboratory for scientific experiments, using garbage he has taken from the Home of the Scholars. He is using stolen paper from the Home of the Clerks to write his journal by candlelight, using candles stolen from the larder at the Home of the Street Sweepers. |
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However, he remains curious. One day, he finds the entrance to a [[Rapid transit|subway]] tunnel in his assigned work area, and explores it, despite his colleague's protests that an action unauthorized by a council is forbidden. Equality realises that the tunnel is left over from the Unmentionable Times, and is curious about it. Every day, he enters the tunnel and undertakes [[Scientific method|scientific experiments]]. |
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While cleaning a road at the edge of the city, Equality 7-2521 meets [[Liberty 5-3000]], a 17-year-old Peasant girl who works in the fields. He commits another transgression by thinking constantly of her, instead of waiting to be assigned a woman at the annual Time of Mating, in which men aged twenty and over, and women of eighteen and over, are assigned to each other solely for breeding. She has dark eyes and golden hair, and he names her "The Golden One". When he speaks to her, he discovers that she also thinks of him. He reveals his secret name for her, and Liberty 5-3000 tells Equality 7-2521 she has named him "The Unconquered". |
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Working outside the City one day, by a field, Equality meets and falls in love with a woman, Liberty 5-3000, whom he names "The Golden One". |
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Continuing his scientific work, Equality 7-2521 rediscovers [[electricity]]. In the ruins of the tunnel, he finds a glass box with wires that gives off light when he passes electricity through it. He decides to take his discovery to the World Council of Scholars; he thinks such a great gift to mankind will outweigh his many transgressions and lead to him being made a Scholar. However, one night, his absence from the Home of the Street Sweepers is noticed. He is whipped and held in the Palace of Corrective Detention. The night before the World Council of Scholars is set to meet, he easily escapes; there are no guards because no one has ever attempted escape before. The next day, he presents his work to the World Council of Scholars. Horrified that he has done unauthorized research, they assail him as a "wretch" and a "gutter cleaner" and say he must be punished. They want to destroy his discovery so it will not disrupt the plans of the World Council and the Department of Candles. Equality 7-2521 seizes the box, cursing the council before fleeing into the Uncharted Forest that lies outside the city. |
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Continuing his scientific work, he rediscovers [[electricity]] and the [[lightbulb]]. He decides to take his inventions to the World Council of Scholars, so that they will recognise his talent and allow him to work with them. He is also motivated by a socially instilled need to aid his fellow citizens. However, his absence from the Home of the Street Sweepers is noticed, and he is arrested and sent to jail, from which he easily escapes. |
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In the forest, Equality 7-2521 sees himself as damned for having left his fellow men, but he enjoys his freedom. No one will pursue him into this forbidden place. He only misses Liberty 5-3000. On his second day of living in the forest, Liberty 5-3000 appears; she followed him into the forest and vows to stay with him forever. They live together in the forest and try to express their love for one another, but they lack the words to speak of love as individuals. |
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The day after his escape, he walks in on the World Council of Scholars, and presents his finding to them. They are horrified, and reject it because it was not authorized by a Council and threatens to upset the equilibrium of their world. When they try to destroy his invention, he takes it and flees into the forest outside the City. |
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They find a house from the Unmentionable Times in the mountains and decide to live in it. While reading books from the house's library, Equality 7-2521 discovers the word "I" and tells Liberty 5-3000 about it. Her first words to him are, “I love you.” Having rediscovered individuality, they give themselves new names from the books: Equality 7-2521 becomes "[[Prometheus]]" and Liberty 5-3000 becomes "[[Gaia (mythology)|Gaea]]". Months later, Gaea is pregnant with Prometheus's child. Prometheus wonders how men in the past could have given up their individuality; he plans a future in which they will regain it. |
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After living in the forest for several days, Equality stumbles upon the Golden One, who has followed him from the City. They embrace, and struggle to express their feelings to each other, despite having no knowledge of the word "I". They find and enter a house in the mountains, and decide to live in it. |
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==History== |
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Whilst reading books from the house's library, Equality and Liberty discover the word "I", and understand the word's sacred value and the individuality it expresses. They give themselves new names from the books: Equality becomes Prometheus, and Liberty becomes Gaea. As the book closes, Prometheus talks about the past, wonders how men could give up their individuality, and charts a future in which they will regain it. |
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===Development=== |
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==''Anthem'' and ''We''== |
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[[File:Ayn Rand (1943 Talbot portrait).jpg|thumb|upright|alt=Black and white photo of Ayn Rand|[[Ayn Rand]] in 1943]] |
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''Anthem'' bears notable similarities to [[Yevgeny Zamyatin]]'s novel ''[[We (novel)|We]]'', which also influenced Aldous Huxley's ''[[Brave New World]]'' and [[George Orwell]]'s ''[[Nineteen Eighty-Four]]''. Like Zamyatin, but unlike Huxley or Orwell, Rand had some experience of the Soviet system. |
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Ayn Rand initially conceived ''Anthem'' as a play when she was a teenager living in [[Soviet Russia]].<ref>Peikoff, Leonard, "Introduction" in {{harvnb|Rand|1995|p=viii}}</ref> After migrating to the United States, Rand did not plan to write ''Anthem'', but she reconsidered after reading a short story in ''[[The Saturday Evening Post]]'' set in the future.{{efn|The story Rand read was probably "[[By the Waters of Babylon]]" by [[Stephen Vincent Benét]], which was published as "The Place of the Gods" in the July 31, 1937, issue of the ''Post''.<ref>Milgram, Shosana. "''Anthem'' in the Context of Related Literary Works". In {{harvnb|Mayhew|2005|pp=120–123}}</ref>}} Seeing that mainstream magazines would publish [[speculative fiction]], she decided to try submitting ''Anthem'' to them. She wrote the story in the summer of 1937, while taking a break from research she was doing for her next novel, ''[[The Fountainhead]]''.<ref>Peikoff, Leonard. "Introduction". In {{harvnb|Rand|1995|p=ix}}</ref> |
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Rand's working title was ''Ego''. [[Leonard Peikoff]] explains the meaning behind this title: "[Rand] is (implicitly) upholding the central principles of her philosophy and of her heroes: reason, values, volition, individualism." Thinking that the original title was too blunt, unemotional, and would give away too much of the theme, Rand changed the title to ''Anthem''. "The present novel, in Miss Rand's mind, was from the outset an ode to man's ego. It was not difficult, therefore, to change the working title: to move from 'ego' to 'ode' or 'anthem', leaving the object celebrated by the ode to be discovered by the reader."<ref>Peikoff, Leonard. "Introduction". In {{harvnb|Rand|1995|p=vi}}</ref> |
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''We'' was published before ''Anthem'', in [[1920]], and Rand would have been able to read it before it was translated into English. In fact she left Russia six years after ''We'' was published (Rand boasted that she had beaten both Orwell and Huxley into print with ''Anthem''). ''Anthem'' was first published in English in [[Britain]], in 1937, just after [[Yevgeny Zamyatin|Zamyatin]] died in [[Paris]]. ''Anthem'' was written seventeen years after ''We''. |
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There are similarities between ''Anthem'' and the 1921 novel ''[[We (novel)|We]]'' by [[Yevgeny Zamyatin]], another author who had lived in Communist Russia. These include: |
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Below is a list of the similarities and differences between the two: |
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* A novel taking the form of a secret diary or journal. |
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'''Similarities''' |
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* People are identified by codes instead of names. |
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*The narrator speaks in the first-person plural, rather than the first-person singular, i.e. "We" rather than "I", at least to begin with. |
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* Children separated from their parents and brought up by the State. |
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*People have numbers, rather than names. Although this particular Hive/Ultra-Communist set up has been much copied since in [[science fiction]], it was not so common when Zamyatin was writing. |
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* Individualism disposed of in favor of collective will. |
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*Both novels take the form of a secret journal or diary. |
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* A male protagonist who discovers individuality through his relationship with a female character. |
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*A forest as a 'free' place outside the "dystopian" city. |
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*The society raises children away from their parents. |
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* The protagonist discovers a link to the past, when people were free, in a tunnel under the Earth. |
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There are also a number of differences between the two stories. For example, the society of ''We'' is in no scientific or technological decay, featuring X-rays, airplanes, microphones, and so on. In contrast, the people of ''Anthem'' believe that the world is flat and the sun revolves around it, and that bleeding people is a decent form of medicine. The similarities have led to speculation about whether Rand's story was directly influenced by Zamyatin's.<ref name="andre">{{harvnb|Saint-Andre|2003}}</ref><ref>{{harvnb|Gimpelevich|1997}}</ref> However, there is little evidence that Rand was influenced by or even read Zamyatin's work, and she never mentioned it in discussions of her life in Russia.<ref name="andre"/><ref>Milgram, Shosana. "''Anthem'' in the Context of Related Literary Works". In {{harvnb|Mayhew|2005|pp=136–141}}</ref> |
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'''Differences''' |
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*''Anthem'' takes place in a regressing society, "We" involves the setting off of a space craft to new worlds. |
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*Rand's characters win, but ''We'''s undergo medical treatment. |
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*''Anthem'''s society has fuller control over its subjects. |
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*''Anthem'' is serious, whereas ''We'' is more satirical. |
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===Publication history=== |
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== Copyright status == |
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[[File:Famous fantastic mysteries 195306.jpg|thumb|upright|alt=Magazine cover showing a shirtless man holding a bundle of lightning bolts.|''Anthem'' was reprinted in the June 1953 issue of the pulp magazine ''[[Famous Fantastic Mysteries]]''.]] |
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Initially, Rand planned on publishing ''Anthem'' as a magazine story or serial, but her agent encouraged her to publish it as a book. She submitted it simultaneously to [[Macmillan Publishers]] in America and [[Orion Publishing Group|Cassell]] in England. Both had handled her previous novel, ''[[We the Living]]''.<ref>{{harvnb|Heller|2009|p=104}}; {{harvnb|Burns|2009|p=50}}</ref> Cassell agreed to publish ''Anthem'', but Macmillan declined it. According to Peikoff, "[Macmillan's] comment was: the author does not understand socialism."<ref>Peikoff, Leonard. "Introduction". In {{harvnb|Rand|1995|p=x}}</ref> Another American publisher also turned it down, and Rand's agent was unable to sell it as a magazine serial. Cassell published it in England in 1938.<ref>{{harvnb|Heller|2009|p=104}}</ref> |
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After the success of ''The Fountainhead'', a revised edition of ''Anthem'' was published in the US in 1946 by [[Pamphleteers, Inc.]], a small [[libertarian]]-oriented publishing house owned by Rand's friends [[Leonard Read]] and [[William C. Mullendore]].<ref>{{harvnb|Heller|2009|p=198}}; {{harvnb|Burns|2009|p=102}}</ref> A 50th Anniversary Edition was published in 1995, including an appendix which reproduces the Cassell edition with Rand's handwritten editorial changes. |
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The introductory text of the [[Project Gutenberg]] edition asserts that ''Anthem'' is in the [[public domain]] in the United States due to an unspecified failure of the rights-holders to renew its [[copyright]] at some unspecified point in the past. It is the only one of Ayn Rand's novels to be in the public domain in the United States, because she began her writing career after [[1922]]. |
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Since its publication in 1946, the revised version of ''Anthem'' has sold more than 3.5 million copies.<ref>Ralston, Richard E. "Publishing ''Anthem''". In {{harvnb|Mayhew|2005|pp=24–27}}</ref> |
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It is still under copyright in other countries party to the [[Berne Convention for the Protection of Literary and Artistic Works|Berne Convention]], and will be until [[2033]]. |
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== |
==Reception== |
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===Critical response=== |
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The title track on the [[1976]] concept album ''[[2112]]'', by progressive rock band [[Rush (band)|Rush]], has a story that very strongly parallels ''Anthem'' (although, perhaps naturally, the protagonist of ''2112'' discovers a guitar instead of a light bulb). The liner notes of the album acknowledge "the genius of Ayn Rand." |
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The original UK edition received mostly positive reviews; several praised Rand's imagination and her support of individualism.<ref name="reviews">Berliner, Michael S. "Reviews of ''Anthem''". In {{harvnb|Mayhew|2005|pp=55–57}}</ref> In ''[[The Sunday Times]]'', reviewer [[Dilys Powell]] complimented its "simplicity and sincerity". Anti-communist journalist [[Malcolm Muggeridge]] gave a mixed review in ''[[The Daily Telegraph]]'', saying it had appeal, but its dystopia was not believable.<ref name="reviews"/> A short review by [[Maurice Richardson]] in ''[[The Observer]]'' said it was "highly unconvincing, in spite of some extremely eloquent writing".<ref>{{cite news |first=Maurice |last=Richardson |author-link=Maurice Richardson |title=New Novels: A Knot in the Old School Tie |work=The Observer |date=June 26, 1938 |via=[[Newspapers.com]] |url=https://www.newspapers.com/clip/14769319/the_observer/}}</ref> |
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Reviewing the 1953 American first hardcover edition for a genre audience, [[Anthony Boucher]] and [[J. Francis McComas]] were unsympathetic. Saying that "Rand implies that a sinister conspiracy of purveyors of brotherhood has prevented its American publication until now", they ironically concluded, "One can only regret that the conspiracy finally broke down."<ref>{{cite magazine |title=Recommended Reading |magazine=[[The Magazine of Fantasy & Science Fiction]] |date=October 1953 |page=72}}</ref> (Caxton Press offered this first U.S. edition in boards in 1953, while the [[pulp magazine]] ''[[Famous Fantastic Mysteries]]'' included reprints of both [[Franz Kafka]]'s "[[The Metamorphosis]]" and ''Anthem'' in the magazine's final, June 1953 issue.) |
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[[Neil Peart]], lyricist for Rush said that ''2112'' was based on Anthem and inspired by it; though he did say that he didn't notice that they were so alike until afterwards, and so thought that it was necessary to provide a reference. Through his success as a lyricist and drummer in pop culture, Neil Peart has become one of the biggest popularizers of Rand's ideas, although that was not the purpose of ''2112'' or his song "[[Anthem (song)|Anthem]]" on their earlier album ''Fly by Night''. |
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===Awards and nominations=== |
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Even though it was a successful album and came out a few years before her death, there is no widely known record of Rand commenting on the album. In fact, there is no evidence that she was ever aware of its existence. She had gone on record saying that she didn't like rock music, and made antagonizing comments on the fact that musicians "went back" to the use of [[drums]] during the [[20th century]] in one of her essays on [[esthetics]]. This is at least mildly ironic considering that Neil Peart was not only [[Rush]]'s lyricist, but also their drummer. |
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The Libertarian Futurist Society awarded ''Anthem'' its [[Prometheus Award|Hall of Fame Award]] in 1987.<ref>{{cite web |url=http://www.lfs.org/awards.shtml |title=Prometheus Awards |publisher=Libertarian Futurist Society |access-date=July 6, 2014}}</ref> In 2014, ''Anthem'' was nominated for a [[Retrospective Hugo Award]] for "Best Novella".<ref>{{cite web |url=http://www.thehugoawards.org/hugo-history/1939-retro-hugo-awards/ |title=1939 Retro-Hugo Awards |date=18 April 2014 |publisher=[[The Hugo Awards]] |access-date=July 6, 2014}}</ref> |
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==Legacy== |
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===Adaptations=== |
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Following the release of ''Anthem'' in the United States, Rand explored opportunities for having it adapted to other media. She had discussions about potential film, opera, and ballet adaptations, but these projects were never realized.<ref>Britting, Jeff. "Adapting ''Anthem'': Projects that Were and Might Have Been". In {{harvnb|Mayhew|2005|pp=61–63, 65}}</ref> In 1946, Rand wrote to [[Walt Disney]] that if a screen adaptation were possible, "I would like to see it done in stylized drawings, rather than with living actors."<ref>Peikoff, Leonard. ''Introduction'' in '' Anthem: 50th Anniversary Edition '' by Rand, Ayn. P. viii. {{ISBN|0451191137}}.</ref> |
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In 1950, a radio adaptation was done for ''The Freedom Story'', a weekly radio program produced by Spiritual Mobilization, a Christian libertarian group.<ref>Britting, Jeff. "Adapting ''Anthem'': Projects that Were and Might Have Been". In {{harvnb|Mayhew|2005|p=64}}</ref> |
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In 2011, it was released as an unabridged audiobook by ABN, the narration by Jason McCoy described as 'stirring and evocative'.<ref>[http://bookloverbookreviews.com/2011/05/book-review-anthem-by-ayn-rand.html "Audiobook Review - Anthem by Ayn Rand (narrated by Jason McCoy)"], ''Booklover Book Reviews''</ref> |
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In 1991, [[Michael Paxton]] wrote, directed, and co-produced a stage adaptation of ''Anthem'', which appeared at the Lex Theater in [[Hollywood, Los Angeles|Hollywood]].<ref>{{cite web |title=Anthem (Stage Play version) |publisher=michaelpaxton.com |url=http://www.michaelpaxton.com/past_projects.php?project=29 |access-date=October 26, 2017 |archive-url=https://web.archive.org/web/20171027024556/http://www.michaelpaxton.com/past_projects.php?project=29 |archive-date=October 27, 2017 |url-status=dead }}</ref> The book was adapted into a stage play in 2013 by [[Jeff Britting]], the department manager of the Ayn Rand Archives at the [[Ayn Rand Institute]]. First performed in Denver, it opened [[Off-Broadway]] in September 2013 at the [[Jerome Robbins Theater]]. ''The New York Times'' review stated, "For a play that celebrates the individual, ''Anthem'' sure doesn’t trust its audience. Instead of illustrating ideas, this sporadically interesting show too often delivers exposition, desperate to overexplain rather than risk a moment of misunderstanding."<ref>{{cite news |first=Ken |last=Jarorowski |title=The Me Generation Would Struggle Here |work=The New York Times |date=October 8, 2013 |page=C6 |url=https://www.nytimes.com/2013/10/09/theater/reviews/anthem-brings-ayn-rand-to-the-stage.html}}</ref> The novella also inspired a spoof rock musical, premiering Off-Broadway at the Lynn Redgrave Theatre in May 2014. The cast included Randy Jones of [[Village People|The Village People]], Jason Gotay, Jenna Leigh Green, Remy Zaken, and Ashley Kate Adams.<ref>{{cite web |url=http://io9.com/at-long-last-were-getting-an-ayn-rand-musical-1561604779 |title=At Long Last, We're Getting An Ayn Rand Musical |first=Charlie Jane |author-link=Charlie Jane Anders |last=Anders |publisher=[[io9]] |date=April 4, 2014 |access-date=May 21, 2014}}</ref> The review in ''The New York Times'' criticized the acting of the leads, but called the show "exuberant" and better than a straight adaptation.<ref>{{cite news |first=Andy |last=Webster |title=Songs, Jokes and Twirls? Just Don't Tell Ayn Rand |work=The New York Times |date=May 29, 2014 |page=C3 |url=https://www.nytimes.com/2014/05/30/theater/a-spoofy-spin-on-ayn-rands-anthem.html?_r=0}}</ref> |
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In 2011, ''Anthem'' was adapted into a [[graphic novel]] by Charles Santino, with artwork by [[Joe Staton]].<ref>{{cite web |url=http://www.nyjournalofbooks.com/review/anthem-graphic-novel |first=Robert |last=Randle |title=Anthem: A Graphic Novel |publisher=New York Journal of Books |access-date=January 3, 2015}}</ref> In 2018, a second graphic novel adaptation was produced, unrelated to the 2011 adaptation, adapted by Jennifer Grossman and [[Dan Parsons]].<ref>{{Cite journal|url=https://www.jstor.org/stable/10.5325/jaynrandstud.20.1.0146|jstor = 10.5325/jaynrandstud.20.1.0146|doi = 10.5325/jaynrandstud.20.1.0146|title = Illustrated Rand: Three Recent Graphic Novels|year = 2020|last1 = Skoble|journal = The Journal of Ayn Rand Studies|volume = 20|issue = 1|pages = 146–150|s2cid = 226727243}}</ref> |
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===Influence=== |
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The work has inspired many [[Musical composition|musical pieces]], including full-length albums. According to [[Enzo Stuarti]], [[Pat Boone]] composed the lyrics and his friend [[Frank Lovejoy]] wrote the, quoting Stuarti, "Prelude to this next offering," of "The Exodus Song", featured in the album ''Stuarti Arrives at Carnegie Hall''. The song begins with a line right out of ''Anthem''. In another point of the song it reads: "...I guard my treasures: my thought, my will, my land, and my freedom. And the greatest of these is freedom." In ''Anthem'', it reads: "...I guard my treasures: my thought, my will, my land, my freedom. And the greatest of these is freedom." A memo to Rand dated May 4, 1964, mentions the unauthorized adaptation, but there is no indication that she took any legal action.<ref>Britting, Jeff. "Adapting ''Anthem'': Projects that Were and Might Have Been". In {{harvnb|Mayhew|2005|pp=66–67}}</ref> |
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[[Robert Silverberg]]'s 1971 novel ''[[A Time of Changes]]'' also depicts a society where ''I'' is a forbidden word and where the protagonist rebels against this prohibition. In a 2009 preface to a reprint edition of his novel, Silverberg said he had read ''Anthem'' in 1953, but had long forgotten it when he wrote ''A Time of Changes''. He was surprised to see the similarities when he rediscovered Rand's story, but said overall the two books are very different.<ref>{{harvnb|Silverberg|2009|pp=10–12}}</ref> |
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''Anthem'' is also credited by [[Neil Peart]] for influencing [[Rush (band)|Rush]]'s "[[2112 (song)|2112]]" with strong parallels to the plot, structure, and theme of ''Anthem''. Peart has said that although he read ''Anthem'', he was not consciously thinking of the story when he wrote the song; however when he recognized there were similarities, he gave credit to "the genius of Ayn Rand" in the liner notes.<ref>{{cite interview |last=Peart |first=Neil |subject-link=Neil Peart |interviewer=Bob Coburn |title=Rockline 1991-12-02 Neil Peart |work=Rush: The Complete Rockline Broadcasts 1984–2008 |date=December 2, 1991 |publisher= |location= |url=https://archive.org/details/RushCompleteRocklineBroadcastsVol.110/Rush+-+The+Complete+Rockline+Broadcasts+1984-2008+-+Vol.+1-10/Rush+-+The+Complete+Rockline+Broadcasts+Vol.+4+1991-12-02+and+1992-05-18/1991-12-02+Neil+Peart/1991-12-02_Neil_Peart_07.flac |access-date=June 27, 2021 |via=[[Internet Archive]]}}</ref> The band also released a song called "Anthem" on their ''[[Fly by Night (album)|Fly by Night]]'' album, and their Canadian record label (co-founded by Rush manager [[Ray Danniels]]) is [[Anthem Records]]. |
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Among Rand's works, ''Anthem'' is one of the most commonly assigned as secondary school reading.<ref>Salmieri, Gregory. "An Introduction to the Study of Ayn Rand". In {{harvnb|Gotthelf|Salmieri|2016|p=4}}.</ref> The Ayn Rand Institute provides free copies of the novel for use in schools, and holds an annual ''Anthem'' essay contest for students.<ref>Berliner, Michael S. "Reviews of ''Anthem''". In {{harvnb|Mayhew|2005|p=60}}</ref> |
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==See also== |
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* [[Linguistic relativity]] |
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* [[We (1982 film)|''We'' (1982 film)]] |
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* [[We (novel)|''We'' (novel)]] |
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==Notes== |
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{{Notelist}} |
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==References== |
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{{Reflist}} |
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===Works cited=== |
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* {{Cite book |title=Goddess of the Market: Ayn Rand and the American Right |title-link=Goddess of the Market |last=Burns |first=Jennifer |author-link=Jennifer Burns (historian) |location=New York |publisher=Oxford University Press |year=2009 |isbn=978-0-19-532487-7}} |
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* {{Cite journal |last=Gimpelevich |first=Zina |year=1997 |title='We' and 'I' in Zamyatin's ''We'' and Rand's ''Anthem'' |journal=Germano-Slavica |volume=10 |issue=1 |pages=13–23}} |
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* {{cite book |title=A Companion to Ayn Rand |editor1-last=Gotthelf |editor1-first=Allan |editor1-link=Allan Gotthelf |editor2-last=Salmieri |editor2-first=Gregory |location=Chichester, United Kingdom |publisher=[[Wiley Blackwell]] |year=2016 |isbn=978-1-4051-8684-1 |series=Blackwell Companions to Philosophy |name-list-style=amp}} |
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* {{Cite book |title=Ayn Rand and the World She Made |title-link=Ayn Rand and the World She Made |last=Heller |first=Anne C. |location=New York |publisher=Doubleday |year=2009 |isbn=978-0-385-51399-9}} |
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* {{Cite book |title=Essays on Ayn Rand's Anthem |editor-last=Mayhew |editor-first=Robert |location=Lanham, Maryland |publisher=Lexington Books |year=2005 |isbn=0-7391-1030-6}} |
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* {{Cite book |last=Rand |first=Ayn |title=Anthem |edition=50th anniversary |others=Introduction and appendix by Leonard Peikoff |location=New York |publisher=Dutton |year=1995 |orig-year=1938 |isbn=0-525-94015-4}} |
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* {{Cite journal |last=Saint-Andre |first=Peter |title=Zamyatin and Rand |journal=Journal of Ayn Rand Studies |volume=4 |date=Spring 2003 |pages=285–304 |url=https://stpeter.im/writings/rand/zamyatin-rand.html |issue=2}} |
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* {{Cite book |last=Silverberg |first=Robert |author-link=Robert Silverberg |title=A Time of Changes |chapter=Preface |location=New York |publisher=Tom Doherty Associates |year=2009 |orig-year=1971 |isbn=978-0-7653-2231-9}} |
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==Further reading== |
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* {{Cite book |title=The New Ayn Rand Companion |last=Gladstein |first=Mimi Reisel |author-link=Mimi Reisel Gladstein |location=Westport, Connecticut |publisher=Greenwood Press |year=1999 |isbn=0-313-30321-5 |url-access=registration |url=https://archive.org/details/newaynrandcompan0000glad}} |
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* {{Cite book |title=Ayn Rand |last=Gladstein |first=Mimi Reisel |location=New York |publisher=Continuum |year=2009 |isbn=978-0-8264-4513-1 |series=Major Conservative and Libertarian Thinkers series}} |
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* {{Cite book |title=Feminist Interpretations of Ayn Rand |editor1-last=Gladstein |editor1-first=Mimi Reisel |editor2-last=Sciabarra |editor2-first=Chris Matthew |editor2-link=Chris Matthew Sciabarra |location=University Park, Pennsylvania |publisher=Pennsylvania State University Press |year=1999 |isbn=0-271-01830-5 |series=Re-reading the Canon series |name-list-style=amp |url-access=registration |url=https://archive.org/details/feministinterpre0000unse_o1t1}} |
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* {{Cite book |title=Ayn Rand: First Descriptive Bibliography |last=Perinn |first=Vincent L. |location=Rockville, Maryland |publisher=Quill & Brush |year=1990 |isbn=0-9610494-8-0 |url-access=registration |url=https://archive.org/details/aynrandfirstdesc0000peri}} |
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* {{Cite book |title=The Ideas of Ayn Rand |last=Merrill |first=Ronald E. |location=La Salle, Illinois |publisher=Open Court Publishing |year=1991 |isbn=0-8126-9157-1 |url-access=registration |url=https://archive.org/details/ideasofaynrand00merr}} |
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* {{Cite book |first=Ayn |last=Rand |editor-first=Tore |editor-last=Boeckmann |title=The Art of Fiction: A Guide for Writers and Readers |title-link=The Art of Fiction: A Guide for Writers and Readers |location=New York |publisher=Plume |year=2000 |isbn=0-452-28154-7}} |
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==External links== |
==External links== |
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{{Wikisource|Anthem (Rand)|Anthem}} |
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* [http://www.ayn-rand.com/ayn-rand-anthem.asp Book outline] |
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{{Commons category|Anthem (novella)}} |
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* [http://www.gutenberg.net/etext/1250 The Project Gutenberg E-text of Anthem] |
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{{Gutenberg|no=1250|name=Anthem}} |
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* [http://www.noblesoul.com/orc/texts/anthem/complete.html Annotated E-text] |
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* {{Google books|BocJx_KiZfsC|Anthem}} |
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* [http://catalog.hathitrust.org/Record/001377058 Page images of 1953 edition] from [[HathiTrust]] |
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* [http://www.cliffsnotes.com/literature/a/anthem/ayn-rand-biography ''Anthem''] study guide from [[CliffsNotes]] |
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* {{librivox book | title=Anthem | author=Ayn RAND}} |
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{{Ayn Rand|state=autocollapse}} |
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{{philos-novel-stub}} |
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{{DEFAULTSORT:Anthem (Novella)}} |
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[[Category:1938 books]] |
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[[Category:1938 American novels]] |
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[[Category:1938 science fiction novels]] |
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[[Category:American science fiction novels]] |
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[[Category:American novellas]] |
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Latest revision as of 04:38, 3 January 2025
Author | Ayn Rand |
---|---|
Language | English |
Genre | Science fiction |
Publisher |
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Publication date |
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OCLC | 32132103 |
Anthem is a dystopian fiction novella by Russian–American writer Ayn Rand, written in 1937 and first published in 1938 in the United Kingdom. The story takes place at an unspecified future date when mankind has entered another Dark Age. Technological advancement is now carefully planned and the concept of individuality has been eliminated. A young man known as Equality 7-2521 rebels by doing secret scientific research. When his activity is discovered, he flees into the wilderness and is followed by Liberty 5-3000, a woman he loves. Together they plan to establish a new society based on rediscovered individualism.
Rand originally conceived of the story as a play, then decided to write for magazine publication. At her agent's suggestion, she submitted it to book publishers. The novella was first published by Cassell in England. It was published in the United States only after Rand's next novel, The Fountainhead, became a best seller. Rand revised the text for the US edition published in 1946.
Plot
[edit]Equality 7-2521, a 21-year-old man writing by candlelight in a tunnel under the earth, tells the story of his life up to that point. He exclusively uses plural pronouns ("we", "our", "they") to refer to himself and others. He was raised like all children in his society, away from his parents in collective homes: the Home of Infants from birth until five years old, then the Home of Students from five to fifteen. He believes he has a "curse" that makes him learn quickly and ask many questions. He excels at the Science of Things and dreams of becoming a Scholar, but when the Council of Vocations assigns his Life Mandate at fifteen, he is assigned to be a Street Sweeper.
Equality 7-2521 accepts his street sweeping assignment as penance for his Transgression of Preference in secretly desiring to be a Scholar. He works with the handicapped Union 5-3992 and International 4-8818, the latter of whom is Equality 7-2521's only friend (which is another Transgression of Preference, because all are supposedly equal in their society). Despite International 4-8818's protests that any exploration unauthorized by a Council is forbidden, Equality 7-2521 explores an underground tunnel near the City Theatre tent, and finds metal tracks. Equality 7-2521 believes the tunnel is from the Unmentionable Times of the distant past. He begins sneaking away from his community at night to use the tunnel as a laboratory for scientific experiments, using garbage he has taken from the Home of the Scholars. He is using stolen paper from the Home of the Clerks to write his journal by candlelight, using candles stolen from the larder at the Home of the Street Sweepers.
While cleaning a road at the edge of the city, Equality 7-2521 meets Liberty 5-3000, a 17-year-old Peasant girl who works in the fields. He commits another transgression by thinking constantly of her, instead of waiting to be assigned a woman at the annual Time of Mating, in which men aged twenty and over, and women of eighteen and over, are assigned to each other solely for breeding. She has dark eyes and golden hair, and he names her "The Golden One". When he speaks to her, he discovers that she also thinks of him. He reveals his secret name for her, and Liberty 5-3000 tells Equality 7-2521 she has named him "The Unconquered".
Continuing his scientific work, Equality 7-2521 rediscovers electricity. In the ruins of the tunnel, he finds a glass box with wires that gives off light when he passes electricity through it. He decides to take his discovery to the World Council of Scholars; he thinks such a great gift to mankind will outweigh his many transgressions and lead to him being made a Scholar. However, one night, his absence from the Home of the Street Sweepers is noticed. He is whipped and held in the Palace of Corrective Detention. The night before the World Council of Scholars is set to meet, he easily escapes; there are no guards because no one has ever attempted escape before. The next day, he presents his work to the World Council of Scholars. Horrified that he has done unauthorized research, they assail him as a "wretch" and a "gutter cleaner" and say he must be punished. They want to destroy his discovery so it will not disrupt the plans of the World Council and the Department of Candles. Equality 7-2521 seizes the box, cursing the council before fleeing into the Uncharted Forest that lies outside the city.
In the forest, Equality 7-2521 sees himself as damned for having left his fellow men, but he enjoys his freedom. No one will pursue him into this forbidden place. He only misses Liberty 5-3000. On his second day of living in the forest, Liberty 5-3000 appears; she followed him into the forest and vows to stay with him forever. They live together in the forest and try to express their love for one another, but they lack the words to speak of love as individuals.
They find a house from the Unmentionable Times in the mountains and decide to live in it. While reading books from the house's library, Equality 7-2521 discovers the word "I" and tells Liberty 5-3000 about it. Her first words to him are, “I love you.” Having rediscovered individuality, they give themselves new names from the books: Equality 7-2521 becomes "Prometheus" and Liberty 5-3000 becomes "Gaea". Months later, Gaea is pregnant with Prometheus's child. Prometheus wonders how men in the past could have given up their individuality; he plans a future in which they will regain it.
History
[edit]Development
[edit]Ayn Rand initially conceived Anthem as a play when she was a teenager living in Soviet Russia.[1] After migrating to the United States, Rand did not plan to write Anthem, but she reconsidered after reading a short story in The Saturday Evening Post set in the future.[a] Seeing that mainstream magazines would publish speculative fiction, she decided to try submitting Anthem to them. She wrote the story in the summer of 1937, while taking a break from research she was doing for her next novel, The Fountainhead.[3]
Rand's working title was Ego. Leonard Peikoff explains the meaning behind this title: "[Rand] is (implicitly) upholding the central principles of her philosophy and of her heroes: reason, values, volition, individualism." Thinking that the original title was too blunt, unemotional, and would give away too much of the theme, Rand changed the title to Anthem. "The present novel, in Miss Rand's mind, was from the outset an ode to man's ego. It was not difficult, therefore, to change the working title: to move from 'ego' to 'ode' or 'anthem', leaving the object celebrated by the ode to be discovered by the reader."[4]
There are similarities between Anthem and the 1921 novel We by Yevgeny Zamyatin, another author who had lived in Communist Russia. These include:
- A novel taking the form of a secret diary or journal.
- People are identified by codes instead of names.
- Children separated from their parents and brought up by the State.
- Individualism disposed of in favor of collective will.
- A male protagonist who discovers individuality through his relationship with a female character.
- A forest as a 'free' place outside the "dystopian" city.
- The protagonist discovers a link to the past, when people were free, in a tunnel under the Earth.
There are also a number of differences between the two stories. For example, the society of We is in no scientific or technological decay, featuring X-rays, airplanes, microphones, and so on. In contrast, the people of Anthem believe that the world is flat and the sun revolves around it, and that bleeding people is a decent form of medicine. The similarities have led to speculation about whether Rand's story was directly influenced by Zamyatin's.[5][6] However, there is little evidence that Rand was influenced by or even read Zamyatin's work, and she never mentioned it in discussions of her life in Russia.[5][7]
Publication history
[edit]Initially, Rand planned on publishing Anthem as a magazine story or serial, but her agent encouraged her to publish it as a book. She submitted it simultaneously to Macmillan Publishers in America and Cassell in England. Both had handled her previous novel, We the Living.[8] Cassell agreed to publish Anthem, but Macmillan declined it. According to Peikoff, "[Macmillan's] comment was: the author does not understand socialism."[9] Another American publisher also turned it down, and Rand's agent was unable to sell it as a magazine serial. Cassell published it in England in 1938.[10]
After the success of The Fountainhead, a revised edition of Anthem was published in the US in 1946 by Pamphleteers, Inc., a small libertarian-oriented publishing house owned by Rand's friends Leonard Read and William C. Mullendore.[11] A 50th Anniversary Edition was published in 1995, including an appendix which reproduces the Cassell edition with Rand's handwritten editorial changes.
Since its publication in 1946, the revised version of Anthem has sold more than 3.5 million copies.[12]
Reception
[edit]Critical response
[edit]The original UK edition received mostly positive reviews; several praised Rand's imagination and her support of individualism.[13] In The Sunday Times, reviewer Dilys Powell complimented its "simplicity and sincerity". Anti-communist journalist Malcolm Muggeridge gave a mixed review in The Daily Telegraph, saying it had appeal, but its dystopia was not believable.[13] A short review by Maurice Richardson in The Observer said it was "highly unconvincing, in spite of some extremely eloquent writing".[14]
Reviewing the 1953 American first hardcover edition for a genre audience, Anthony Boucher and J. Francis McComas were unsympathetic. Saying that "Rand implies that a sinister conspiracy of purveyors of brotherhood has prevented its American publication until now", they ironically concluded, "One can only regret that the conspiracy finally broke down."[15] (Caxton Press offered this first U.S. edition in boards in 1953, while the pulp magazine Famous Fantastic Mysteries included reprints of both Franz Kafka's "The Metamorphosis" and Anthem in the magazine's final, June 1953 issue.)
Awards and nominations
[edit]The Libertarian Futurist Society awarded Anthem its Hall of Fame Award in 1987.[16] In 2014, Anthem was nominated for a Retrospective Hugo Award for "Best Novella".[17]
Legacy
[edit]Adaptations
[edit]Following the release of Anthem in the United States, Rand explored opportunities for having it adapted to other media. She had discussions about potential film, opera, and ballet adaptations, but these projects were never realized.[18] In 1946, Rand wrote to Walt Disney that if a screen adaptation were possible, "I would like to see it done in stylized drawings, rather than with living actors."[19]
In 1950, a radio adaptation was done for The Freedom Story, a weekly radio program produced by Spiritual Mobilization, a Christian libertarian group.[20] In 2011, it was released as an unabridged audiobook by ABN, the narration by Jason McCoy described as 'stirring and evocative'.[21]
In 1991, Michael Paxton wrote, directed, and co-produced a stage adaptation of Anthem, which appeared at the Lex Theater in Hollywood.[22] The book was adapted into a stage play in 2013 by Jeff Britting, the department manager of the Ayn Rand Archives at the Ayn Rand Institute. First performed in Denver, it opened Off-Broadway in September 2013 at the Jerome Robbins Theater. The New York Times review stated, "For a play that celebrates the individual, Anthem sure doesn’t trust its audience. Instead of illustrating ideas, this sporadically interesting show too often delivers exposition, desperate to overexplain rather than risk a moment of misunderstanding."[23] The novella also inspired a spoof rock musical, premiering Off-Broadway at the Lynn Redgrave Theatre in May 2014. The cast included Randy Jones of The Village People, Jason Gotay, Jenna Leigh Green, Remy Zaken, and Ashley Kate Adams.[24] The review in The New York Times criticized the acting of the leads, but called the show "exuberant" and better than a straight adaptation.[25]
In 2011, Anthem was adapted into a graphic novel by Charles Santino, with artwork by Joe Staton.[26] In 2018, a second graphic novel adaptation was produced, unrelated to the 2011 adaptation, adapted by Jennifer Grossman and Dan Parsons.[27]
Influence
[edit]The work has inspired many musical pieces, including full-length albums. According to Enzo Stuarti, Pat Boone composed the lyrics and his friend Frank Lovejoy wrote the, quoting Stuarti, "Prelude to this next offering," of "The Exodus Song", featured in the album Stuarti Arrives at Carnegie Hall. The song begins with a line right out of Anthem. In another point of the song it reads: "...I guard my treasures: my thought, my will, my land, and my freedom. And the greatest of these is freedom." In Anthem, it reads: "...I guard my treasures: my thought, my will, my land, my freedom. And the greatest of these is freedom." A memo to Rand dated May 4, 1964, mentions the unauthorized adaptation, but there is no indication that she took any legal action.[28]
Robert Silverberg's 1971 novel A Time of Changes also depicts a society where I is a forbidden word and where the protagonist rebels against this prohibition. In a 2009 preface to a reprint edition of his novel, Silverberg said he had read Anthem in 1953, but had long forgotten it when he wrote A Time of Changes. He was surprised to see the similarities when he rediscovered Rand's story, but said overall the two books are very different.[29]
Anthem is also credited by Neil Peart for influencing Rush's "2112" with strong parallels to the plot, structure, and theme of Anthem. Peart has said that although he read Anthem, he was not consciously thinking of the story when he wrote the song; however when he recognized there were similarities, he gave credit to "the genius of Ayn Rand" in the liner notes.[30] The band also released a song called "Anthem" on their Fly by Night album, and their Canadian record label (co-founded by Rush manager Ray Danniels) is Anthem Records.
Among Rand's works, Anthem is one of the most commonly assigned as secondary school reading.[31] The Ayn Rand Institute provides free copies of the novel for use in schools, and holds an annual Anthem essay contest for students.[32]
See also
[edit]Notes
[edit]- ^ The story Rand read was probably "By the Waters of Babylon" by Stephen Vincent Benét, which was published as "The Place of the Gods" in the July 31, 1937, issue of the Post.[2]
References
[edit]- ^ Peikoff, Leonard, "Introduction" in Rand 1995, p. viii
- ^ Milgram, Shosana. "Anthem in the Context of Related Literary Works". In Mayhew 2005, pp. 120–123
- ^ Peikoff, Leonard. "Introduction". In Rand 1995, p. ix
- ^ Peikoff, Leonard. "Introduction". In Rand 1995, p. vi
- ^ a b Saint-Andre 2003
- ^ Gimpelevich 1997
- ^ Milgram, Shosana. "Anthem in the Context of Related Literary Works". In Mayhew 2005, pp. 136–141
- ^ Heller 2009, p. 104; Burns 2009, p. 50
- ^ Peikoff, Leonard. "Introduction". In Rand 1995, p. x
- ^ Heller 2009, p. 104
- ^ Heller 2009, p. 198; Burns 2009, p. 102
- ^ Ralston, Richard E. "Publishing Anthem". In Mayhew 2005, pp. 24–27
- ^ a b Berliner, Michael S. "Reviews of Anthem". In Mayhew 2005, pp. 55–57
- ^ Richardson, Maurice (June 26, 1938). "New Novels: A Knot in the Old School Tie". The Observer – via Newspapers.com.
- ^ "Recommended Reading". The Magazine of Fantasy & Science Fiction. October 1953. p. 72.
- ^ "Prometheus Awards". Libertarian Futurist Society. Retrieved July 6, 2014.
- ^ "1939 Retro-Hugo Awards". The Hugo Awards. 18 April 2014. Retrieved July 6, 2014.
- ^ Britting, Jeff. "Adapting Anthem: Projects that Were and Might Have Been". In Mayhew 2005, pp. 61–63, 65
- ^ Peikoff, Leonard. Introduction in Anthem: 50th Anniversary Edition by Rand, Ayn. P. viii. ISBN 0451191137.
- ^ Britting, Jeff. "Adapting Anthem: Projects that Were and Might Have Been". In Mayhew 2005, p. 64
- ^ "Audiobook Review - Anthem by Ayn Rand (narrated by Jason McCoy)", Booklover Book Reviews
- ^ "Anthem (Stage Play version)". michaelpaxton.com. Archived from the original on October 27, 2017. Retrieved October 26, 2017.
- ^ Jarorowski, Ken (October 8, 2013). "The Me Generation Would Struggle Here". The New York Times. p. C6.
- ^ Anders, Charlie Jane (April 4, 2014). "At Long Last, We're Getting An Ayn Rand Musical". io9. Retrieved May 21, 2014.
- ^ Webster, Andy (May 29, 2014). "Songs, Jokes and Twirls? Just Don't Tell Ayn Rand". The New York Times. p. C3.
- ^ Randle, Robert. "Anthem: A Graphic Novel". New York Journal of Books. Retrieved January 3, 2015.
- ^ Skoble (2020). "Illustrated Rand: Three Recent Graphic Novels". The Journal of Ayn Rand Studies. 20 (1): 146–150. doi:10.5325/jaynrandstud.20.1.0146. JSTOR 10.5325/jaynrandstud.20.1.0146. S2CID 226727243.
- ^ Britting, Jeff. "Adapting Anthem: Projects that Were and Might Have Been". In Mayhew 2005, pp. 66–67
- ^ Silverberg 2009, pp. 10–12
- ^ Peart, Neil (December 2, 1991). "Rockline 1991-12-02 Neil Peart". Rush: The Complete Rockline Broadcasts 1984–2008 (Interview). Interviewed by Bob Coburn. Retrieved June 27, 2021 – via Internet Archive.
- ^ Salmieri, Gregory. "An Introduction to the Study of Ayn Rand". In Gotthelf & Salmieri 2016, p. 4.
- ^ Berliner, Michael S. "Reviews of Anthem". In Mayhew 2005, p. 60
Works cited
[edit]- Burns, Jennifer (2009). Goddess of the Market: Ayn Rand and the American Right. New York: Oxford University Press. ISBN 978-0-19-532487-7.
- Gimpelevich, Zina (1997). "'We' and 'I' in Zamyatin's We and Rand's Anthem". Germano-Slavica. 10 (1): 13–23.
- Gotthelf, Allan & Salmieri, Gregory, eds. (2016). A Companion to Ayn Rand. Blackwell Companions to Philosophy. Chichester, United Kingdom: Wiley Blackwell. ISBN 978-1-4051-8684-1.
- Heller, Anne C. (2009). Ayn Rand and the World She Made. New York: Doubleday. ISBN 978-0-385-51399-9.
- Mayhew, Robert, ed. (2005). Essays on Ayn Rand's Anthem. Lanham, Maryland: Lexington Books. ISBN 0-7391-1030-6.
- Rand, Ayn (1995) [1938]. Anthem. Introduction and appendix by Leonard Peikoff (50th anniversary ed.). New York: Dutton. ISBN 0-525-94015-4.
- Saint-Andre, Peter (Spring 2003). "Zamyatin and Rand". Journal of Ayn Rand Studies. 4 (2): 285–304.
- Silverberg, Robert (2009) [1971]. "Preface". A Time of Changes. New York: Tom Doherty Associates. ISBN 978-0-7653-2231-9.
Further reading
[edit]- Gladstein, Mimi Reisel (1999). The New Ayn Rand Companion. Westport, Connecticut: Greenwood Press. ISBN 0-313-30321-5.
- Gladstein, Mimi Reisel (2009). Ayn Rand. Major Conservative and Libertarian Thinkers series. New York: Continuum. ISBN 978-0-8264-4513-1.
- Gladstein, Mimi Reisel & Sciabarra, Chris Matthew, eds. (1999). Feminist Interpretations of Ayn Rand. Re-reading the Canon series. University Park, Pennsylvania: Pennsylvania State University Press. ISBN 0-271-01830-5.
- Perinn, Vincent L. (1990). Ayn Rand: First Descriptive Bibliography. Rockville, Maryland: Quill & Brush. ISBN 0-9610494-8-0.
- Merrill, Ronald E. (1991). The Ideas of Ayn Rand. La Salle, Illinois: Open Court Publishing. ISBN 0-8126-9157-1.
- Rand, Ayn (2000). Boeckmann, Tore (ed.). The Art of Fiction: A Guide for Writers and Readers. New York: Plume. ISBN 0-452-28154-7.
External links
[edit]- Anthem at Project Gutenberg
- Anthem at Google Books
- Page images of 1953 edition from HathiTrust
- Anthem study guide from CliffsNotes
- Anthem public domain audiobook at LibriVox
- 1938 American novels
- 1938 science fiction novels
- American science fiction novels
- American novellas
- Cassell (publisher) books
- Dystopian novels
- English-language novels
- American novels adapted into plays
- Novels adapted into radio programs
- Novels by Ayn Rand
- Russian-American novels
- Russian novellas
- Novels set in the future
- Totalitarianism in fiction