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{{Short description|2006 novel by Mark Z. Danielewski}} |
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{{About|the novel|the album by |
{{About|the novel|the album by Biffy Clyro|Only Revolutions (album)}} |
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{{Infobox book |
{{Infobox book |
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| name = Only Revolutions |
| name = Only Revolutions |
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| title_orig = |
| title_orig = |
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| translator = |
| translator = |
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| image = |
| image = Only Revolutions.jpg |
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| author = [[Mark Z. Danielewski]] |
| author = [[Mark Z. Danielewski]] |
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| cover_artist = |
| cover_artist = |
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| country = |
| country = United States |
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| language = |
| language = English |
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| series = |
| series = |
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| subject = |
| subject = |
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| genre = [[Literary fiction]] |
| genre = [[Literary fiction]] |
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| publisher = [[Pantheon Books]] |
| publisher = [[Pantheon Books]] |
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| pub_date = 12 September 2006 |
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| media_type = Print ([[Hardcover]]) |
| media_type = Print ([[Hardcover]]) |
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| pages = 360 |
| pages = 360 |
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| size_weight = 9.125 x 5.5 inches |
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| isbn = 0-375-42176-9 |
| isbn = 0-375-42176-9 |
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| dewey= 813/.54 22 |
| dewey= 813/.54 22 |
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| oclc= 64427527 |
| oclc= 64427527 |
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| preceded_by = [[The Fifty Year Sword]] |
| preceded_by = [[The Fifty Year Sword]] |
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| followed_by = |
| followed_by = [[The Familiar, Volume 1: One Rainy Day in May]] |
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}} |
}} |
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'''''Only Revolutions''''' is an American [[road trip|road novel]] by writer [[Mark Z. Danielewski]]. It was released in the United States on September 12, 2006 by [[Pantheon Books]]. It was a finalist for the 2006 [[National Book Award|National Book Award for Fiction]]. |
'''''Only Revolutions''''' is an American [[road trip|road novel]] by American writer [[Mark Z. Danielewski]].<ref>{{cite web|title=Only Revolutions (review)|url=http://www.kcrw.com/news-culture/shows/bookworm/mark-z-danielewski|publisher=KCRW|accessdate=17 August 2014}}</ref> It was released in the United States on September 12, 2006 by [[Pantheon Books]]. It was a finalist for the 2006 [[National Book Award|National Book Award for Fiction]].<ref>{{cite web|title=2006 National Book Award Finalist, Fiction|url=http://www.nationalbook.org/nba2006_fict_danielewski.html|publisher=NBA|accessdate=17 August 2014}}</ref> |
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==Plot summary== |
==Plot summary== |
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The story alternates between two different [[narrative]]s: Sam and Hailey, and Hailey and Sam, wild and wayward teenagers who never grow old. With an evolving stable of cars, the teenagers move through various places and moments in time as they try to outrace [[history]]. |
The story alternates between two different [[narrative]]s: Sam and Hailey, and Hailey and Sam, wild and wayward teenagers who never grow old. With an evolving stable of cars, the teenagers move through various places and moments in time as they try to outrace [[history]]. |
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As the story proceeds, one can note that many events are perceptual and not certain. By reading both stories some sense can be made from this poetic styled puzzle. The words written are a vague mix of [[poetry]] and [[Stream of consciousness writing|stream of consciousness]] [[prose]]. Both Hailey and Sam depict their feelings as well as ideas and thoughts towards one another |
As the story proceeds, one can note that many events are perceptual and not certain. By reading both stories some sense can be made from this poetic styled puzzle. The words written are a vague mix of [[poetry]] and [[Stream of consciousness writing|stream of consciousness]] [[prose]]. Both Hailey and Sam depict their feelings as well as ideas and thoughts towards one another. |
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==Reception== |
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It can also be noted that the end very much leads into the beginning. It is possible, after finishing the book, to continue the story from the beginning ''a la'' [[James Joyce]]'s ''[[Finnegans Wake]]''. |
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Critical reception for ''Only Revolutions'' has been divided,<ref>{{cite news|last1=Moore|first1=Steven|title=Spin Cycle|url=https://www.washingtonpost.com/wp-dyn/content/article/2006/10/19/AR2006101901283.html|newspaper=Washington Post|accessdate=17 August 2014}}</ref> with many reviewers commenting that the book's appeal would greatly depend on the reader.<ref>{{cite web|last1=Piegsa|first1=Oskar|title=Roman "Only Revolutions": Sex, Musik und Raserei mal zwei|url=http://www.spiegel.de/kultur/literatur/roman-rezension-only-revolutions-von-mark-z-danielewski-a-821645.html|publisher=Spiegel (in German)|accessdate=17 August 2014}}</ref><ref>{{cite web|last1=Patterson|first1=Troy|title=Complete 360|url=https://www.nytimes.com/2006/11/05/books/review/Patterson.t.html?_r=0|work=New York Times|accessdate=17 August 2014}}</ref><ref>{{cite web|title=Only Revolutions (review)|url=https://www.kirkusreviews.com/book-reviews/mark-z-danielewski/only-revolutions/|publisher=Kirkus Reviews|accessdate=17 August 2014}}</ref> In a review for ''The Guardian'', [[Steven Poole]] praised ''Only Revolutions'' and wrote "The book is to be admired for its sheer zest for invention, the kind of faith in ambitious literature so rare among contemporary novelists. And though it can often be baffling and tiresome, it also has enough flashes of expressionistic brilliance and sustained deliriums of invention to justify the reach."<ref>{{cite web|last1=Poole|first1=Steven|title=O how clever|url=https://www.theguardian.com/books/2006/sep/30/featuresreviews.guardianreview16|work=The Guardian|accessdate=17 August 2014}}</ref> In contrast, [[Sean O'Hagan (journalist)|Sean O'Hagan]] criticized the book as being "dense and overly-complicated" and commented that "There is enough experimentation here to keep academics and cyber-geeks satisfied for years to come, but long before the end—wherever that is—I was left longing for the lull and sway of a classic tale well told."<ref>{{cite web|last1=O'Hagan|first1=Sean|title=I wouldn't say this is unreadable ...|website=[[TheGuardian.com]] |url=https://www.theguardian.com/books/2006/sep/24/sciencefictionfantasyandhorror.features|accessdate=17 August 2014}}</ref> |
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==References== |
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==Volumes, direction, and layout== |
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{{reflist|2}} |
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[[Image:Mark Damezewski by David Shankbone 1.jpg|thumb|Mark Danielewski]] |
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''Only Revolutions'' is printed in such a way that both [[Book cover|cover]]s appear to be the front of the book. The side with the green cover is the story as told by Sam, and the side with the gold cover is the story as told by Hailey. Every page contains upside-down text in the bottom margin, which is actually later pages of the opposite volume. For example, the first page of Hailey's story contains the last several lines of Sam's story, apparently upside down. When you reach that page while reading Sam's story, those lines will appear to be the only right-side-up text on the page. |
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The first letter of each 8 page "section" is larger and bold when compared to the other letters. When the reader puts the single letters together from Hailey's side they spell out "Sam and Hailey and Sam and Hailey..." etc. When read from Sam's side, they spell out "Hailey and Sam and Hailey and Sam..." etc. |
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Each half-page contains exactly 90 words. When both stories are combined, the words add together for a total of 180 words per page, perhaps to symbolize the 180 degrees the reader must turn the book to read the opposite volume.{{Or|date=March 2009}} Also, with both pages open, the full word count is 360, essentially making a revolution (360 degrees) with every open page. |
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The publisher recommends the reading of eight pages from one story, then the other, and so on. |
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In addition, every page contains a sidebar with a date and a list of world events that happened between that date and the one which appears on the next page. Dates in Sam's story run from Nov 22, 1863 to Nov 22, 1963, while dates in Hailey's story run from Nov 22, 1963 to Jan 19, 2063. |
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This chronological sidebar, which offers a mosaic of 19th - 21st Century historical quotations, becomes blank after ''Only Revolutions''' own publication date. |
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The diverging point between Sam's line and Hailey's line is set at the date of the [[John F. Kennedy assassination]], November 22, 1963. |
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==Color== |
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In Hailey's story, all occurrences of the letter O or the numeral 0 (save a handful between pages 180-184) are printed in gold-colored ink (Pantone 146 U). In Sam's story, those characters are printed with green ink (Pantone 356 U). |
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The dates at the top of the sidebars are printed in purple (Pantone 2602 U), as well as the words "creep" and "The Creep." |
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The book includes a concordance of sorts, titled "Now Here Found" in red ink, which lists the word "house" in blue ink (a throwback to Danielewski's first novel, ''[[House of Leaves]]''), bringing the total number of colors in the book to five. |
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==Spelling== |
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Occurrences of words beginning with ''al-'' are misspelled with a doubled l's, such as 'allso', 'allone', and 'allready' throughout the book. |
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==Publicity== |
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For at least two years before the official title was released, its working title was '''''THAT'''''. Danielewski has referred to ''THAT'' in interviews, many of which can be found online. |
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There was also talk of a secret group of recipients of the ARC (Advanced Reader's Copy) prior to the release of the book. Soon before the official release date of ''Only Revolutions'', it was revealed that there had, in fact, been a secret forum on the MZD discussion boards, where the book had been discussed since Spring 2006. After September 12 (the public release date of OR), the ARC forum has been merged with the regular one. |
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Special downloadable content is available at the book's official website. |
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==Reader participation== |
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Danielewski, most likely fueled by the [[cult following]] of his fans gained after the release of ''[[House of Leaves]]'', has on numerous occasions called for participation from his readers on certain aspects of the novel. While writing ''THAT'', readers were asked on Danielewski's discussion board to send in their reply to a list of questions pertaining to famous or personal events, their favorite car, animals they respected, and plants that "made them stop", presumably to gather specifics for the book. Several of the forumites' responses were ultimately used in the book. |
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Also, once the novel was in its final stages, Danielewski called an Open Audition for readers for the audio version of the novel, again on his online forum. |
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==Cover== |
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{{cleanup-book|section|date=August 2007}} |
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The cover of a spine, two front covers, and two inside flaps. The two front covers appear to be identical in all respects save two. On the dust jacket of the hardback edition, on one cover, the background image is a green eye flecked in the center with gold, and on the opposite cover, the background image is a gold eye flecked in the center with green. Second, the "O's" on the covers are printed in the color appropriate to the narrator, as described above. One of the soft-cover edition covers features a photograph taken on the road with mountains in the background, the partially cloudy sky, the distant mountains, and road are blue, and the areas aside the road are green with vegetation, and the "O"s in the title are a bluish purple. The other cover's photograph is much warmer in composition: it features a red desert at milestone 30 of a road in the southwestern United States, and the sky (as well as the road reflecting its tinge) are grey with a muted red. Accordingly, the "O"s in the title are brownish purple. |
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On both sides of the paperback edition, the "o"s in "a novel" and "Author of House of Leaves" are the same neutral grey, except in the word "House", which is blue. Similarly, there are three exceptions on the dust jacket to the rule that "O's" are printed in the color of the eye of the associated narrator. Two occur on the dust jacket covers, and they occur on both the gold cover and the green cover. The word "HOUSE" is printed entirely in blue, as it was throughout "House of Leaves," and the word "novel" is printed entirely in purple within the pupil of the eye on each cover. The third exception is the ISBN bar code on the spine; it is printed entirely in black, including zeros and the letter "O" in "fiction." |
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The covers are identical in the following respects. The pupil of the eye is entirely black save for the author's name, printed in an arc of white block letters around the top of the pupil, the name of the novel, printed in an arc of white block letters (save for the three "O's") around the bottom of the pupil, and the phrase "a novel," printed in purple lower-case lettering in the center of the pupil. Along the bottom of each cover is the phrase "author of "HOUSE OF LEAVES," printed in white lettering save for the word "house" as described above. |
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The spine of the dust jacket contains five elements. At the top and bottom of the spine there are two identical ISBN bar codes. Between the ISBN bar codes and the center of the spine are two identical (save for the "O's" as described above) circles with "Only Revolutions" in black block letters forming the top of the circle and the author's name forming the bottom of the circle, with the Pantheon logo in the center. In the center of the spine there is a single multicolored circle with two parallel black vertical lines in the center. The multicolored circle itself is green at the top and yellow at the bottom when viewed from the perspective of the green cover being the front. The area of the circle where green turns to yellow is shaded purple. The paperback's spine is similar: there are two identical but inverse Pantheon logos at each end, in between which are the pair of ISBN bar codes, and in between those is the title. With the blue cover up, the title is right side up, and the same goes for the red cover and the author's name - between the two is a blue line. In the title on the spine, the first "O" is the brownish purple of the red cover, the last is the bluish purple of the other cover, and the middle is green with two vertical lines in the center. |
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The inside flaps are identical in the following respects. Both list the price of the book in the US, Canada, and the UK. Both contain identical photographs of the author, below which appear identical author biographies. Both include a note from the publisher instructing the reader to alternate between Sam and Hailey (or "Hailey and Sam," depending on which flap you examine), reading eight pages at a time. Both contain identical credits for the author photograph, jacket design, and jacket photograph, and both contain the Pantheon logo and web addresses for Pantheon's website and the book's website. On the paperback, identical photographs and author descriptions are obtained, but on the blue cover's flap is a quote from the National Book Award Finalist Judge's Citation, and on the red cover's flap is a quote from the New York Times Book Review (which mentions that the book should be read 8 pages at a time, flipping it). |
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The blurbs that appear on the inside flaps differ slightly in character, though the structure of the sentences and paragraphs is nearly identical. In accordance with the general flavor of the two narratives, Sam's blurb (inside the green cover) is slightly darker in its imagery and word choice than Hailey's. |
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==Binding== |
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The actual bound cover of the book is printed with a full-color still-life photograph of artwork created by Jessica Grindstaff, of various items lying on a flat surface that appears to be particle board. The photograph is shot from directly above the surface, so no clue to an absolute "up" or "down" can betray the true "front" and "back" covers of the book. The composition of the photograph does seem slightly to favor viewing from Hailey's perspective, that is, with the "front" cover of the book opening to reveal Hailey's narrative. |
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When viewed from this perspective, the photograph has five main color zones. The top right of the photograph is yellow, dominated by several dozen yellow [[rose]]s. Other items in the yellow zone include gold-painted [[leaves]] and [[twigs]], a vial of yellow liquid with its lid wrapped loosely in a gold [[ribbon]], a chunk of pale yellow mineral of some kind, possibly [[sulfur]], a lock of blonde hair, a [[sunflower]], several yellowish pieces of [[amber]] with [[fossil]] [[insect]] inclusions (visible as black specks), and one item of unknown identity, a translucent cylinder wrapped in gold thread. |
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The bottom left of the photograph is green, dominated by moss and twenty-four [[butterflies]] with wings of pale green tipped with forest green. Other items in the green zone include drying leaves, two green-tinted brown [[nautilus]] shells, five brilliantly colored green insects, and a white mouse. |
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The top left of the photograph is white, dominated by a plant with white buds and a paper-thin substance that resembles birch bark. Other items in the upper white zone include two tiles painted with images of trees and a swatch of a silvery tinsel-like substance. |
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The bottom right of the photograph is also white, dominated by what looks like snow but is probably white cotton batting. Other items in the lower white zone include the [[skull]] of a small cat, two white [[moths]], a pile of small bones (all are the [[wishbones]], or furculae, of birds), a tuft of white fur, and what is either an egg or a spider's egg sac. A large number of straight pins are also visible in this zone. |
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Between the two zones on the left and the two zones on the right is a red zone, dominated by red seed pods. Other items in the red zone include a bird's nest, two [[magnolia]] cones, two brown birds, a pile of red leaves, a pile of several dozen [[honeybees]], a desiccated or mummified grey-green [[anole]] (visibly pinned down by straight pins), and two small brown [[mollusk]] or [[snail]] shells. |
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In the lower central portion of the red zone is a brilliant [[bluebird]] lying on its back with a green insect on its chest. The bird is clutching a green ribbon flecked with yellow in its claws. |
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Attached to the spine are two ribbon bookmarks, one at each end corresponding to the green and gold colors associated with the characters. |
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The [[endpaper]]s contain text arranged in circular patterns and printed backwards on a background corresponding to the colors associated with each character. |
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==External links== |
==External links== |
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*{{official website|http://www.onlyrevolutions.com}} |
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*[http://www.amazon.com/gp/product/0375421769 ''Only Revolutions'' product page at Amazon.com] |
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*[http://www.randomhouse.com/pantheon/catalog/display.pperl?isbn=9780375421761 Pantheon Books catalog page] |
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*[http://www.onlyrevolutions.com Official ''Only Revolutions'' website] |
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*[http://markzdanielewski.info/ Exploration Z] |
*[http://markzdanielewski.info/ Exploration Z] |
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{{Mark Z. Danielewski}} |
{{Mark Z. Danielewski}} |
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[[Category:2006 novels]] |
[[Category:2006 American novels]] |
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[[Category:Novels by Mark Z. Danielewski]] |
[[Category:Novels by Mark Z. Danielewski]] |
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[[Category:Postmodern novels]] |
[[Category:Postmodern novels]] |
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[[Category:Pantheon Books books]] |
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[[Category:Tête-bêche books]] |
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[[de:Only Revolutions]] |
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Latest revision as of 14:38, 20 October 2023
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| Author | Mark Z. Danielewski |
|---|---|
| Language | English |
| Genre | Literary fiction |
| Publisher | Pantheon Books |
Publication date | 12 September 2006 |
| Publication place | United States |
| Media type | Print (Hardcover) |
| Pages | 360 |
| ISBN | 0-375-42176-9 |
| OCLC | 64427527 |
| 813/.54 22 | |
| LC Class | PS3554.A5596 O55 2006 |
| Preceded by | The Fifty Year Sword |
| Followed by | The Familiar, Volume 1: One Rainy Day in May |
Only Revolutions is an American road novel by American writer Mark Z. Danielewski.[1] It was released in the United States on September 12, 2006 by Pantheon Books. It was a finalist for the 2006 National Book Award for Fiction.[2]
Plot summary
[edit]The story alternates between two different narratives: Sam and Hailey, and Hailey and Sam, wild and wayward teenagers who never grow old. With an evolving stable of cars, the teenagers move through various places and moments in time as they try to outrace history.
As the story proceeds, one can note that many events are perceptual and not certain. By reading both stories some sense can be made from this poetic styled puzzle. The words written are a vague mix of poetry and stream of consciousness prose. Both Hailey and Sam depict their feelings as well as ideas and thoughts towards one another.
Reception
[edit]Critical reception for Only Revolutions has been divided,[3] with many reviewers commenting that the book's appeal would greatly depend on the reader.[4][5][6] In a review for The Guardian, Steven Poole praised Only Revolutions and wrote "The book is to be admired for its sheer zest for invention, the kind of faith in ambitious literature so rare among contemporary novelists. And though it can often be baffling and tiresome, it also has enough flashes of expressionistic brilliance and sustained deliriums of invention to justify the reach."[7] In contrast, Sean O'Hagan criticized the book as being "dense and overly-complicated" and commented that "There is enough experimentation here to keep academics and cyber-geeks satisfied for years to come, but long before the end—wherever that is—I was left longing for the lull and sway of a classic tale well told."[8]
References
[edit]- ^ "Only Revolutions (review)". KCRW. Retrieved 17 August 2014.
- ^ "2006 National Book Award Finalist, Fiction". NBA. Retrieved 17 August 2014.
- ^ Moore, Steven. "Spin Cycle". Washington Post. Retrieved 17 August 2014.
- ^ Piegsa, Oskar. "Roman "Only Revolutions": Sex, Musik und Raserei mal zwei". Spiegel (in German). Retrieved 17 August 2014.
- ^ Patterson, Troy. "Complete 360". New York Times. Retrieved 17 August 2014.
- ^ "Only Revolutions (review)". Kirkus Reviews. Retrieved 17 August 2014.
- ^ Poole, Steven. "O how clever". The Guardian. Retrieved 17 August 2014.
- ^ O'Hagan, Sean. "I wouldn't say this is unreadable ..." TheGuardian.com. Retrieved 17 August 2014.