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{{Short description|American musician (born 1954)}}
{{Use mdy dates|date=August 2023}}
{{Infobox musical artist
{{Infobox musical artist
| name = Bruce Hornsby
| name = Bruce Hornsby
| image = BruuuceHead.jpg
| image = Bruce Hornsby (32703421057) (cropped).jpg
| caption = Hornsby performing 14 July 2006 in [[Portland, Oregon|Portland]], [[Oregon]]
| caption = Hornsby in 2019
| image_size =
| birth_name = Bruce Randall Hornsby
| birth_date = {{birth date and age|df=yes|1954|11|23}}
| birth_date = {{birth date and age|1954|11|23}}
| birth_place = [[Williamsburg, Virginia]], U.S.
| background = solo_singer
| occupation = Singer, musician
| origin = [[Williamsburg, Virginia|Williamsburg]], [[Virginia]], [[United States|U.S.]]
|instrument = Multi-instrumentalist, piano, keyboards, accordion, dulcimer
| instrument = {{hlist|Vocals|piano}}
| genre = [[Musical improvisation|Improvisational multi-genre]], [[jam band]], [[Rock music|rock]], [[heartland rock]], [[jazz]], [[Bluegrass music|bluegrass]], [[blues rock]]
| genre = [[Rock music|Rock]], [[gospel music|gospel]], [[heartland rock]], [[jazz]], [[Bluegrass music|bluegrass]], [[blues rock]]
| years_active = 1974–present
| years_active = 1974–present
| label = [[RCA Records|RCA]], [[CBS/Sony]], [[Sony BMG]]
| label = [[RCA Records|RCA]], [[CBS/Sony]], [[Sony BMG]], [[Vanguard Records|Vanguard]], [[Sire Records|Sire]]
| associated_acts = Tupac, Hornsby & the Noise Makers, Skaggs & Hornsby, Bruce Hornsby Trio, Hornsby and the Range, [[Grateful Dead]], [[The Other Ones]], Bobby Hi-Test and the Octane Kids, [[Don Henley]]
| associated_acts = [[Bruce Hornsby Trio]], [[Grateful Dead]], [[Jerry Garcia]], [[Ricky Skaggs]], [[Bob Weir]], [[Dave Matthews Band]], [[Sting (musician)|Sting]], [[Ambrosia (band)|Ambrosia]], [[Jack DeJohnette]], [[Jackson Browne]], [[Eric Clapton]], [[Huey Lewis]], [[Bonnie Raitt]], [[The Other Ones]], [[Bob Dylan]], [[Don Henley]], [[Hall & Oates]], [[Bon Iver]], [[Ezra Koenig]]
| spouse = {{marriage|Kathy Yankovich|1983}}<ref>{{cite web |title=Bruce Hornsby: Movies, TV, and Bio |url=https://www.amazon.com/prime-video/actor/Bruce-Hornsby/amzn1.dv.gti.75a65e3c-e5d0-4ed3-8c1e-256d92626b66/ |website=www.amazon.com}}</ref>
| website = {{URL|http://brucehornsby.com/}}
| website = {{URL|brucehornsby.com}}
| notable_instruments = A [[piano]] by [[Steinway & Sons]],<ref>{{cite press release | title=Steinway & Sons Names Bruce Hornsby to International Artist Roster | publisher=Steinway & Sons | date = 2004-01-21 | url= http://www.brucehornsby.com/ink/20040121_steinway.swf | format=[[SWF]] | accessdate=2007-05-04}}</ref><br>formerly a piano by [[Baldwin Piano Company]].<br>[[Synthesizer]]s by [[Korg M1]] and [[Oberheim OB-X]], [[accordion]], [[Appalachian dulcimer|dulcimer]]
}}
}}


'''Bruce Randall Hornsby''' (born November 23, 1954) is an [[United States|American]] virtuoso; a singer, [[pianist]], [[accordion]] player, songwriter, and former basketball player for the University of Miami. Known for the spontaneity and creativity of his live performances, Hornsby draws frequently from [[classical music|classical]], [[jazz]], [[bluegrass music|bluegrass]], [[folk music|folk]], [[Motown Records|Motown]], [[rock music|rock]], [[blues]], and [[jam band]] musical traditions with his songwriting and the seamless improvisations contained within.
'''Bruce Randall Hornsby''' (born November 23, 1954) is an American singer-songwriter and pianist. His music draws from [[folk rock]], [[jazz]], [[bluegrass music|bluegrass]], [[folk music|folk]], [[Southern rock]], [[country rock]], [[jam band]], [[rock music|rock]], [[heartland rock]], and [[blues rock]] musical traditions.<ref>{{cite web | title=Bobby High Test and the Octane Kids | url=https://www.realhornsby.com/octanekids.htm | publisher=RealHornsby.com| access-date=November 20, 2021}}</ref><ref>{{Cite web |url=https://www.allmusic.com/artist/bruce-hornsby-mn0000633078/biography |title=Bruce Hornsby - Biography & History |publisher=[[AllMusic]]}}</ref>


Hornsby's recordings have been recognised on a number of occasions with industry awards, including the Best New Artist [[Grammy]] in 1987 with '''Bruce Hornsby and the Range''', the Best Bluegrass Recording Grammy in 1990, and the Best Pop Instrumental Grammy in 1993.
Hornsby has won three [[Grammy Awards]]: a 1987 [[Grammy Award for Best New Artist]] with [[#The Range|Bruce Hornsby and the Range]], a 1990 [[Grammy Award for Best Bluegrass Album|Grammy Award for Best Bluegrass Recording]], and a 1994 [[Grammy Award for Best Pop Instrumental Performance]].


Hornsby has also achieved recognition for his solo albums and performances, his touring band '''Bruce Hornsby and the Noisemakers''', his bluegrass project with [[Ricky Skaggs]] and his appearances as a session- and guest-musician. He also collaborated with [[Grateful Dead]] and was a member of the band from September 1990 to March 1992, playing at many shows during that period.
Hornsby has worked with his touring band Bruce Hornsby and the Noisemakers, his bluegrass project with [[Ricky Skaggs]], and as a session and guest musician. He was a touring member of the [[Grateful Dead]] from September 1990 through March 1992, playing over 100 shows with the band.


His 23rd album, ''Flicted'', was released in May 2022.
==Early years/background information==
Bruce Randall Hornsby was born in [[Williamsburg, Virginia]], a son of Robert Stanley Hornsby (1920–1998), an attorney, real-estate developer, and former musician, and his wife, née Lois Saunier. Raised a [[Christian Science|Christian Scientist]], he has two siblings, respectfully, Robert Saunier "Bobby" Hornsby, a prominent local attorney with Hornsby Realty and locally-known musician, and Jonathan Bigelow Hornsby, an engineer who has collaborated in songwriting.<ref>[http://www.realhornsby.com/robert.htm ]{{dead link|date=May 2012}}</ref><ref>"Lois Hornsby's Activism Bears Out Her Motto", ''The Virginian-Pilot'', 23 July 1996</ref><ref>''Christian Science Sentinel'', 4 December 2000</ref>


==Early life and education==
He graduated from James Blair High School in [[Williamsburg, Virginia]] in 1973, where he played on the basketball team. He studied music at the [[University of Richmond]], as well as [[Berklee College of Music]] and the [[University of Miami]], from which he graduated in 1977.<ref name="officialbio">{{cite web | title=Biography: Bruce Hornsby | publisher= brucehornsby.com | url=http://www.brucehornsby.com/bio.htm | accessdate=2007-05-04}} {{Dead link|date=October 2010|bot=H3llBot}}</ref><ref name="hamptonroadsmag">{{cite journal | last=Khandelwal | first=Michael Jon | title=Live from Williamsburg | journal=Hampton Roads Magazine | issue=March/April 2007 | pages=86–91 | url=http://www.brucehornsby.com/ink/20070301HRM.swf | format=[[SWF]]}}</ref>
Bruce Randall Hornsby was born in [[Williamsburg, Virginia]], to Robert Stanley Hornsby (1920–1998), an attorney, real-estate developer and former musician, and Lois (née Saunier), a piano player and church community liaison who had a local middle school named after her.<ref name=hitsong>{{Cite news | url=https://www.newstatesman.com/uncategorized/2015/04/how-bruce-hornsby-survived-hit-song | title=How Bruce Hornsby survived a hit song | first=Kate |last=Mossman | work=[[New Statesman]] | date=April 24, 2015 | url-access=limited}}</ref> He has two brothers, Robert Saunier "Bobby" Hornsby, a realtor with Hornsby Realty and locally known musician, and [[John Hornsby]], an engineer with whom he has collaborated in songwriting.<ref>{{cite news| title=Lois Hornsby's Activism Bears Out Her Motto| work=[[The Virginian-Pilot]]| date=July 23, 1996}}</ref> They are cousins of actor [[David Hornsby]].<ref>{{cite web|url=http://www.tcm.com/tcmdb/person/370147%7C0/David-Hornsby/|title=Overview for David Hornsby|website=Turner Classic Movies|access-date=November 5, 2017}}</ref> While raised in the church of [[Christian Science]], Hornsby went to doctors and dentists as needed. He had a [[Liberalism in the United States|politically liberal]] upbringing.<ref name=hitsong/>


Hornsby graduated from James Blair High School in Williamsburg in 1973, where he played on the basketball team and was chosen by his senior class as most likely to succeed.<ref>{{Cite book | url=https://books.google.com/books?id=IikiA9FJN4cC&pg=PA119 | title=James City County | first=Sara E. | last=Lewis | publisher=Arcadia Publishing | year=2009| isbn=9780738568508 }}</ref>
In the spring of 1974 Hornsby's older brother Bobby, who attended the [[University of Virginia]], formed the band "Bobby Hi-Test and the Octane Kids" to play fraternity parties, featuring Bruce on [[Fender Rhodes]] and vocals.<ref name="bobbyhitest">{{cite web | title=Bobby High Test and the Octane Kids | url= http://www.realhornsby.com/octanekids.htm | accessdate = 2007-05-04}}</ref> The band, which is listed in ''Skeleton Key: A Dictionary for Deadheads'', performed covers of [[Allman Brothers Band]], [[The Band]], and predominantly [[Grateful Dead]] songs.<ref name="bobbyhitest" /> Although Hornsby's collaboration with Bobby Hornsby would be relatively short-lived, Bobby's son R.S. was a recurring guest-guitarist with Hornsby's band and periodically toured with his uncle. His performances were often looked forward to by fans. <ref name="officialbio" /><ref name="hamptonroadsmag" /> R.S. Hornsby died on January 15, 2009 in a [[car accident]] near [[Crozet, Virginia]]. He was 28.<ref>{{cite news|url=http://www.dailyprogress.com/news/article_358233e6-9bed-5263-a217-c8b37b30c790.html|title=The music keeps playing after a Hornsby's death|work=Charlottesville Daily Progress|publisher=Media General Communications Holdings|date=24 January 2009|last=Staff writer|accessdate=2012-11-30}}</ref>


He studied music at the [[University of Richmond]] for a year, at the [[Berklee College of Music]] for two semesters, and then at the [[University of Miami]], where he graduated in 1977.<ref name=Levitation>{{Cite news | url=https://www.allaboutjazz.com/bruce-hornsby-the-master-of-levitation-bruce-hornsby-by-mark-f-turner | title=Bruce Hornsby: The Master Of Levitation | first=MARK F. | last=TURNER | work=[[All About Jazz]] | date=October 27, 2009}}</ref><ref>{{Cite news | url=https://www.miaminewtimes.com/music/um-alumnus-bruce-hornsby-remembers-his-days-as-a-hurricane-8447708 | title=UM Alumnus Bruce Hornsby Remembers His Days as a Hurricane | first=LEE | last=ZIMMERMAN | work=[[Miami New Times]] | date=May 13, 2016}}</ref>
Following his graduation from the [[University of Miami]], in 1977, Bruce returned to his home, Williamsburg, VA and played in local clubs and hotel bars. In 1980, he and his younger brother (and songwriting partner) [[John Hornsby]] moved to [[Los Angeles]], where they spent three years writing for [[20th Century Fox]].<ref name="allmusic-bio">{{cite web | last=Ruhlmann | first=William | title=Bruce Hornsby: Biography | publisher=All Media Guide, LLC | url= {{Allmusic|class=artist|id=p4511/biography|pure_url=yes}} | accessdate = 2007-05-04}}</ref> Hornsby also spent time in [[Los Angeles]] as a [[session musician]] and touring with [[Sheena Easton]]'s band<ref>{{cite web | last=Tortorici | first=Frank | title=Bruce Hornsby | publisher=MTV Networks | date=1998-11-23 | url= http://www.vh1.com/artists/news/504164/19981121/hornsby_bruce.jhtml | accessdate = 2007-05-04}}</ref> before moving back to his native [[Hampton Roads|southeastern]] [[Virginia]].<ref name="hamptonroadsmag" />


==Career==
Hornsby currently uses a [[Steinway & Sons]] concert grand piano. He bought the piano in [[Zurich, Switzerland]], while on a solo show tour in Europe in 1995. With the Range and up until 1995, he used a [[Baldwin Piano|Baldwin]] concert grand piano. He currently uses a [[Korg M1]] synthesizer. With the Range, Hornsby used an [[Oberheim OB-X]] synthesizer.
In 1974, Hornsby's older brother Bobby, who attended the [[University of Virginia]], formed the band "Bobby Hi-Test and the Octane Kids" to play fraternity parties, featuring Bruce on [[Fender Rhodes]] and vocals.<ref>{{Cite news | url=https://glidemagazine.com/237007/bruce-hornsby-at-65-revisiting-the-pianist-vocalists-greatest-covers-non-hit-classics/ | title=BRUCE HORNSBY AT 65- REVISITING THE PIANIST/VOCALIST'S GREATEST COVERS & NON-HIT CLASSICS | first=Dave | last=Goodwich | work=Glide | date=November 25, 2019}}</ref><ref name="bobbyhitest">{{cite web | title=Bobby High Test and the Octane Kids | url=https://www.realhornsby.com/octanekids.htm | publisher=RealHornsby.com}}</ref> The band, which is listed in ''Skeleton Key: A Dictionary for Deadheads'', performed covers of [[Allman Brothers Band]], [[The Band]], and predominantly [[Grateful Dead]] songs.<ref name="bobbyhitest" />


Bobby Hornsby's son, Robert Saunier Hornsby, was a recurring guest-guitarist with Hornsby's band and periodically toured with his uncle until his death on January 15, 2009, in a car accident near [[Crozet, Virginia]] at age 28.<ref>{{cite news | url=https://dailyprogress.com/news/article_358233e6-9bed-5263-a217-c8b37b30c790.html | title=The music keeps playing after a Hornsby's death | first=Bryan | last=MacKenzie | work=[[The Daily Progress]] | date=January 24, 2009 | url-access=limited}}</ref><ref>{{Cite web | url=https://www.legacy.com/obituaries/name/robert-hornsby-obituary?pid=178185783 | title=Robert Saunier Hornsby Obituary | date=March 22, 2016 | publisher=[[Legacy.com]]}}</ref>
Outside the realm of music, Hornsby is a good [[basketball]] player and an avid fan of the sport.<ref name="vh1-birthday">{{cite web | title=You Say It's Your Birthday: Bruce Hornsby | publisher=MTV Networks | date=1997-11-21 | url=http://www.vh1.com/artists/news/1955/19971121/hornsby_bruce.jhtml | accessdate =2007-05-04}}</ref> As such, he can frequently be seen at [[college basketball]] games around the state of Virginia.<ref name="hamptonroadsmag" /> He is also a friend of former [[St. Louis Cardinals]] manager [[Tony La Russa]], and attends games in [[St. Louis, Missouri|St. Louis]] whenever he can. Their friendship led to La Russa introducing Hornsby to jazz bassist [[Christian McBride]], which then led to the formation of The Bruce Hornsby Trio (along with drummer [[Jack DeJohnette]]) and their first album, ''[[Camp Meeting (album)|Camp Meeting]]''.


Following his graduation from the [[University of Miami]] in 1977, Hornsby returned to his hometown of Williamsburg, and played in local clubs and hotel bars. In 1980, he and his younger brother and songwriting partner [[John Hornsby]] moved to [[Los Angeles]], where they spent three years writing for [[20th Century Fox]].<ref name="allmusic-bio">{{cite web | last=Ruhlmann | first=William | title=Bruce Hornsby: Biography | url={{AllMusic|class=artist|id=p4511/biography|pure_url=yes}} | publisher=[[AllMusic]]}}</ref> Before moving back to his native [[Hampton Roads]], he also spent time in Los Angeles as a [[session musician]]. In 1982, Hornsby joined the band [[Ambrosia (band)|Ambrosia]] for their last album ''[[Road Island (album)|Road Island]]'' and can be seen in the band's video for the album's single "How Can You Love Me". After Ambrosia disbanded, he and bassist [[Joe Puerta]] performed as members of the touring band for [[Sheena Easton]].<ref>{{cite web | url=http://www.mtv.com/news/504164/bruce-hornsby/ | archive-url=https://web.archive.org/web/20210929203646/http://www.mtv.com/news/504164/bruce-hornsby/ | url-status=dead | archive-date=September 29, 2021 | last=Tortorici | first=Frank | title=Bruce Hornsby | publisher=MTV Networks | date=November 23, 1998}}</ref> In 1984, Hornsby appeared in the music video for Easton's single "[[Strut (Sheena Easton song)|Strut]]".<ref>{{cite news | url=https://www.stereogum.com/2038972/bruce-hornsby-spike-lee-grateful-dead-bon-iver-absolute-zero/interviews/weve-got-a-file-on-you/ | title=We've Got A File On You: Bruce Hornsby | first=Ryan | last=Leas | work=[[Stereogum]] | date=July 31, 2019}}</ref>
Hornsby and his wife Kathy have twin sons: Russell, who runs Division I track at the University of Oregon, and Keith, who plays [[Division I (NCAA)|Division I]] basketball for [[UNC Asheville Bulldogs]].<ref>{{cite web|title=Men's Basketball - 2011-12 Roster|url=http://www.uncabulldogs.com/SportSelect.dbml?DB_OEM_ID=19200&KEY=&SPID=11176&SPSID=92366|publisher=University of North Carolina - Asheville Athletics|accessdate=2 March 2012}}</ref> They were named after [[Leon Russell]] and [[Keith Jarrett]].


==The Range==
===The Range===
{{Infobox musical artist
In 1984 he formed '''Bruce Hornsby and the Range''', who were signed to [[RCA Records]] in 1985. Besides Hornsby, Range members were [[David Mansfield]] ([[guitar]], [[mandolin]], [[violin]]), George Marinelli (guitars and [[backing vocalist|backing vocals]]), [[Joe Puerta]], former [[Ambrosia (band) | Ambrosia]] member ([[bass guitar]] and backing vocals), and [[John Molo]] ([[drum kit|drums]]).
| name = Bruce Hornsby and the Range
| origin = [[Los Angeles]], California/[[Williamsburg, Virginia]], United States
| genre = [[Rock music|Rock]], [[pop rock]], [[soft rock]]
| years_active = 1984–1991
| label = [[RCA Records]]
| past_members = Bruce Hornsby<br />[[David Mansfield]]<br />George Marinelli<br />[[Joe Puerta]]<br />[[John Molo]]
}}

In 1984, Hornsby formed '''Bruce Hornsby and the Range''', who were signed to [[RCA Records]] in 1985. Besides Hornsby, Range members were [[David Mansfield]] ([[guitar]], [[mandolin]], [[violin]]), George Marinelli (guitars and [[backing vocalist|backing vocals]]), former [[Ambrosia (band)|Ambrosia]] member [[Joe Puerta]] ([[bass guitar]] and backing vocals), and [[John Molo]] ([[drum kit|drums]]).


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Hornsby's recording career started with the biggest hit he has had to date, "[[The Way It Is (song)|The Way It Is]]". It topped the American music charts in 1986.<ref name="againstthegrain">{{cite journal | last=Metzger | first=John | title=Against the Grain: An Interview with Bruce Hornsby | journal=The Music Box | volume=7 | issue=11 | month=November | year=2000 | url= http://www.musicbox-online.com/bh-int.html | accessdate=2007-05-04}}</ref> With a propulsive yet contemplative piano riff and the refrain, ''That's just the way it is / Some things will never change / That's just the way it is / But don't you believe them'', the song described aspects of the [[American Civil Rights movement]] and institutional racism.<ref name="songfacts-thewayitis">{{cite web | title=Songfacts: "The Way It Is" by Bruce Hornsby | url= http://www.songfacts.com/detail.php?id=5494 | accessdate=2007-05-04}}</ref> It has since been sampled by at least six [[rapping|rap]] artists, including [[Tupac Shakur]], [[E-40]], and [[Mase]].<ref name="againstthegrain" />
Hornsby's recording career started with the biggest hit he has had to date, "[[The Way It Is (Bruce Hornsby and the Range song)|The Way It Is]]". It reached number one on the [[Billboard Hot 100]] in December 1986.<ref>{{Cite web | url=https://www.billboard.com/artist/bruce-hornsby/chart-history/hsi/ | title=The Way It Is | publisher=[[Billboard (magazine)|Billboard]]}}</ref><ref name=Grain>{{cite journal | last=Metzger | first=John | title=Against the Grain: An Interview with Bruce Hornsby | journal=The Music Box | url=http://www.musicbox-online.com/bh-int.html | volume=7 | issue=11 | date=November 2000}}</ref> The song described aspects of [[homelessness]], the [[American civil rights movement]] and [[institutional racism]].<ref name="songfacts-thewayitis">{{cite web | url=https://www.songfacts.com/facts/bruce-hornsby-the-range/the-way-it-is | publisher=[[Songfacts]] | title='The Way It Is' by Bruce Hornsby }}</ref> It has since been sampled by at least six [[rapping|rap]] artists, including [[Tupac Shakur]], [[E-40]], and [[Mase]].<ref name=Grain/>


With the success of the single worldwide, the album ''[[The Way It Is (Bruce Hornsby album)|The Way It Is]]'' went [[RIAA certification|multi-platinum]]<ref>{{cite web | title=Bruce Hornsby | publisher=JamBase | url=http://www.jambase.com/Artists/Artist.aspx?ArtistID=1186| accessdate = 2007-05-04}}</ref> and produced another top five hit with "[[Mandolin Rain]]" (co-written, as many of Hornsby's early songs were, with his brother [[John Hornsby]]).<ref name="againstthegrain" /> "[[Every Little Kiss]]" also did respectably well.<ref name="againstthegrain" /> Other tracks on the album helped establish what some labeled the "Virginia sound", a mixture of [[rock music|rock]], [[jazz]], and [[bluegrass music|bluegrass]] with an observational [[Southern United States|Southern]] feel.<ref name="cathalenaeburch">{{cite news | last=Burch | first=Cathalena E | title=Musician tells it 'the way it is' | work=Arizona Daily Star | date=2005-12-29 | url= http://www.brucehornsby.com/ink/20051229_interview_ADS.swf | format=[[SWF]] | accessdate = 2007-05-04}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> Bruce Hornsby and the Range went on to win the [[Grammy Award for Best New Artist]] in 1987, beating out [[Glass Tiger]], [[Nu Shooz]], [[Simply Red]] and [[Timbuk3]].
With the success of the single, the album ''[[The Way It Is (Bruce Hornsby album)|The Way It Is]]'' received the [[RIAA certification]] of multi-platinum.<ref>{{cite web | url=https://www.jambase.com/band/bruce-hornsby | title=Bruce Hornsby | publisher=[[JamBase]]}}</ref> It included "[[Mandolin Rain]]" (co-written, as many of Hornsby's early songs were, with his brother [[John Hornsby|John]]), another top-five hit.<ref name=Grain/> "[[Every Little Kiss]]" peaked at number 14 on the [[Billboard Hot 100]] in July 1987.<ref>{{Cite web | url=https://www.billboard.com/artist/bruce-hornsby/chart-history/hsi/ | title=Every Little Kiss | publisher=[[Billboard (magazine)|Billboard]]}}</ref><ref name=Grain/> Other tracks on the album helped establish what some labeled the "Virginia sound", a mixture of [[rock music|rock]], [[jazz]], and [[bluegrass music|bluegrass]].<ref name="cathalenaeburch">{{cite news | last=Burch | first=Cathalena E. | title=Musician tells it 'the way it is' |work=[[Arizona Daily Star]] |url=https://tucson.com/entertainment/music/musician-tells-it-the-way-it-is/article_6fbb8753-1501-5ea9-a12a-189767ffd3cd.html | date=December 29, 2005 }}</ref> Bruce Hornsby and the Range won the [[Grammy Award for Best New Artist]] in 1987, beating out [[Glass Tiger]], [[Nu Shooz]], [[Simply Red]], and [[Timbuk3]].


Hornsby and the Range's sound was distinctive for its consistent use of [[syncopation]] in his piano solos, a bright piano sound and an extensive use of [[synthesizer]]s as background for Hornsby's solos, most notable on the tracks "The Show Goes On" and "The Road Not Taken". John Molo's drumbeats were often looped throughout the recorded versions of songs. They are typical double-time beats, which allowed Hornsby and the rest of the band to do more with their solos.
Hornsby and the Range's sound was distinctive for its use of [[syncopation]] in Hornsby's piano solos, a bright piano sound and an extensive use of [[synthesizer]]s as background for Hornsby's solos. John Molo's drumbeats were often looped throughout the recorded versions of songs. They are typical double-time beats, which allowed Hornsby and the rest of the band to do more with their solos.


{{Sidebar timeline
{{Bruce Hornsby timeline}}Hornsby and the Range's second album, ''[[Scenes From The Southside]]'' (on which Peter Harris replaced Mansfield) was released in 1988. It included "Look Out Any Window" and "[[The Valley Road]]" which many critics noted due to their "more spacious" musical arrangements, allowing for "more expressive" [[piano]] solos from Hornsby.<ref name="vh1-birthday" /><ref name="allmusic-scenesfromthesouthside">{{cite web | last=Iyengar | first=Vic | title=Scenes From the Southside: Overview | publisher=All Media Guide, LLC | url= {{Allmusic|class=album|id=r9511|pure_url=yes}} | accessdate=2007-05-04}}</ref> It also included "[[Jacob's Ladder (Huey Lewis and the News song)|Jacob's Ladder]]". which Hornsby wrote for musician friend [[Huey Lewis]]; Lewis' version became a number one hit from his album ''[[Fore!]]''.<ref name="deadnet">{{cite web | title=Bruce Hornsby | publisher=DeadNet | month=May | year=1995 | url=http://www.brucehornsby.com/ink/19950501_dead_net.swf | format=[[SWF]] | accessdate=2007-05-04}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> ''Scenes'' offered further slices of "Americana" and "small-town nostalgia,"<ref name="allmusic-scenesfromthesouthside" /> but it was the band's last album to perform well in the singles market.<ref name="vh1-birthday" />
| titlestyle = background: #f0e68c
| title = Bruce Hornsby Timeline


| color1 = #FF0000
In 1988, Hornsby first appeared on stage with the [[Grateful Dead]], a recurring collaboration that continued until the band's dissolution.<ref name="gratefulfamilyandfriend">{{cite web | last=Heisler | first=Brett I. | title=Grateful Family and Friend: Bruce Hornsby | publisher=philzone.com | date=2000-10-09 | url=http://www.philzone.com/interviews/hornsby/ | accessdate=2007-05-04}}</ref> Hornsby went on to appear on stage frequently as a guest before becoming a regular fixture in the touring lineup for the Dead a few years later. During the late 1980s and early 1990s Hornsby worked extensively as a producer and sideman, notably producing a comeback album for [[Leon Russell]], an idol of Hornsby's.<ref name="allmusic-bio" /> In 1989 Hornsby co-wrote and played piano on [[Don Henley|Don Henley's]] hit "[[The End of the Innocence (song)|The End of the Innocence]]", and in 1991 played piano on [[Bonnie Raitt|Bonnie Raitt's]] hit "[[I Can't Make You Love Me]]". Bruce continues to feature both of these songs in his own concerts. He also appeared on albums by [[Bob Dylan]], [[Robbie Robertson]], [[Crosby Stills and Nash]], [[Stevie Nicks]] and [[Squeeze (band)|Squeeze]].<ref name="vh1-birthday" />
| height1 = 8| years1 = 1984–1991
| members1 = Bruce Hornsby and the Range


| color2 = #A2D12E
During this era he slowly began to slip jazz and bluegrass elements into his music, first in live performance settings and later on studio work.<ref name="againstthegrain" /> In 1989, he first performed at the [[Telluride Bluegrass Festival]]. He also reworked his hit "The Valley Road" with the [[Nitty Gritty Dirt Band]] for their album ''[[Will the Circle Be Unbroken: Volume Two]]''. The song won at the [[Grammy Awards of 1990|1990]] [[Grammy Award]]s for Best Bluegrass Recording.
| height2 = 3| years2 = 1990–1992
| members2 = Grateful Dead


| color3 = #60629F
''[[A Night on the Town (Bruce Hornsby album)|A Night On The Town]]'' was released in 1990, on which he teamed up with jazz musicians [[Wayne Shorter]] and [[Charlie Haden]] as well as bluegrass pioneer [[Bela Fleck]]. A change in style became apparent as the album was much more rock- and [[guitar]]-driven, making use of [[Jerry Garcia]]'s guitar work on a number of tracks, perhaps most prominently on the single "Across the River".<ref name="allmusic-anightonthetown">{{cite web | last=Newsom | first=Jim | title=A Night on the Town: Overview | publisher=All Media Guide, LLC | url={{Allmusic|class=album|id=r9512|pure_url=yes}} | accessdate=2007-05-04}}</ref> In concert, Hornsby and the Range began to stretch out their songs, incorporating more and more "freewheeling musical exchanges."<ref name="againstthegrain" /> Critics praised the album for its production, its political relevance, and Hornsby's gestures toward expanding out of a strictly pop sound by incorporating jazz and bluegrass.<ref name="allmusic-anightonthetown" /> Ultimately, though, the core "rock band" sound of the Range limited Hornsby's aspirations, and after a final three-week tour in 1991, Hornsby disbanded the outfit to enter a new phase of his career.<ref name="againstthegrain" /> Drummer [[John Molo]] continued to perform regularly with Hornsby for another few years, although other members pursued separate musical endeavors. Following Hornsby's and Molo's involvement with [[The Other Ones]], Molo left Hornsby to become the primary drummer with [[Phil Lesh]] and Friends.
| height3 = 3| years3 = 1993–1995
| members3 = Solo Albums: ''Harbor Lights'' & ''Hot House''


| color4 = #DCAA1F
[[Image:BruceCentralPark.jpg|left|thumb|300px|Hornsby playing accordion in [[New York City|New York's]] [[Central Park]]]]
| height4 = 3| years4 = 1996–1998
| members4 = Further Festivals & The Other Ones, Solo Album: ''Spirit Trail''


| color5 = #6497C3
==The Grateful Dead==
| height5 = 10| years5 = 1998–present
Hornsby played more than a hundred shows with the [[Grateful Dead]] from 1988 until [[Jerry Garcia]]'s death in 1995. He played [[piano]] (and frequently [[accordion]]) at many gigs following the death of Grateful Dead keyboardist [[Brent Mydland]] in July 1990; Mydland's place was filled in March 1992 by [[Vince Welnick]], who became the sole keyboardist, although Hornsby still sat in with the band on occasion.
| members5 = Bruce Hornsby and the Noise Makers


| color6 = #BD3838
Hornsby's own music evolved significantly during this time period. Critics have suggested that Dead's vibrant tradition of melding [[folk music]] and the [[blues]] with [[psychedelic rock]] in "loose-knit expressions" and extended jamming "further pushed [Hornsby] outside the confines of mainstream pop."<ref name="againstthegrain" /> Critics have also commented upon the "close musical connection"<ref>{{cite web | last=Schwartz | first=Greg M. | title=Intersections of Musical Directions: An Interview with Keyboard Great Bruce Hornsby | publisher=PopMatters Media, Inc | date=2006-09-21 | url=http://www.popmatters.com/music/interviews/hornsby-bruce-060921.shtml | accessdate=2007-05-04}}</ref> formed between Hornsby and [[Jerry Garcia]], suggesting that Hornsby's particular style of jazz-fueled improvisation added to the band's repertoire,<ref>{{cite journal | last=Silberman | first=Steve | title=Chills in the Hot Seat: An Interview with Bruce Hornsby, 1993 | journal=Dupree's Diamond News | issue=29 | date=1993-10-14 | url=http://www.levity.com/digaland/hornsby93.html | archiveurl=http://web.archive.org/web/20080307164531/http://www.levity.com/digaland/hornsby93.html | archivedate=2008-03-07 | accessdate=2007-05-04}}</ref> and helped to revitalize and refocus Jerry Garcia's guitar solos in the band's sound.<ref name="gratefulfamilyandfriend" /> Hornsby's friendship with Garcia continued, both inside and outside the band, as the two "challenged" each other to expand their musicianship through several other album and live collaborations.<ref name="paulzollo">{{cite journal | last=Zollo | first=Paul | title=Bruce Hornsby: Straddling Worlds | journal=Performing Songwriter Magazine | issue=March/April 2001 | pages=28–33 | url=http://www.brucehornsby.com/ink/20010301_performing_songwriter_magazine_article.swf | format=[[SWF]] | accessdate = 2007-05-04}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> Above all, Hornsby's musical versatility and ability to slip in and out of extended freeform jams won over longtime Grateful Dead fans.<ref name="johnwbarry">{{cite web | last=Barry | first=John W | title=Bruce Hornsby Live Set Puts New Spin On Old Tunes | date=2000-11-07 | url=http://www.vh1.com/artists/news/1224281/20001107/hornsby_bruce.jhtml | accessdate=2007-05-04}}</ref>
| height6 = 1| years6 = 2007–present
| members6 = Ricky Skaggs & Bruce Hornsby


| color7 = #11306A
Since his first involvement with the Grateful Dead, Hornsby's live shows have drawn [[Deadhead]]s and Hornsby has commented: "I've always liked the group of fans that we've drawn from the Grateful Dead time, because those fans are often adventurous music listeners."<ref name="officialbio" /> He has performed a number of their songs at his concerts and as homages on studio and live albums, while <ref name="gratefulfamilyandfriend" />Hornsby originals "[[The Valley Road]]" and "Stander on the Mountain" have appeared several times in the Dead's setlists. Hornsby also co-performed the improvisation "Silver Apples of the Moon" for the Grateful Dead's ''[[Infrared Roses]]''.
| height7 = 1| years7 = 2007–present
| members7 = The Bruce Hornsby Trio (with Christian McBride & Jack DeJohnette)
}}
Hornsby and the Range's second album, ''[[Scenes from the Southside]]'' (on which Peter Harris replaced Mansfield), was released in 1988.<ref>{{Cite news | url=https://www.orlandosentinel.com/news/os-xpm-1988-07-10-0050250211-story.html | title=HORNSBY KNOWS COUNTRY BY HEART | first=Agnes | last=Torres Al-Shibibi | work=[[Orlando Sentinel]] | date=July 10, 1988 | url-access=limited}}</ref> It included "Look Out Any Window" and "[[The Valley Road]]" which many critics noted for their "more spacious" musical arrangements, allowing for "more expressive" piano solos from Hornsby.<ref name=birthday/><ref name=southside>{{cite web | last=Iyengar | first=Vic | title=Scenes From the Southside: Overview | url={{AllMusic|class=album|id=r9511|pure_url=yes}} | publisher=[[AllMusic]]}}</ref> It also included "[[Jacob's Ladder (Huey Lewis and the News song)|Jacob's Ladder]]", which the Hornsby brothers wrote for musician friend [[Huey Lewis]]; Lewis's version became a number one hit from his album ''[[Fore!]]''.<ref name=leftfield>{{cite news | url=https://www.chicagotribune.com/news/ct-xpm-1986-09-05-8603060424-story.html | title=BRUCE HORNSBY, HUEY LEWIS AND THE RECORDING CONTRACT THAT SNEAKED IN FROM LEFT FIELD | first=Tom | last=Popson | work=[[Chicago Tribune]] | date=September 5, 1986 | url-access=limited}}</ref><ref>{{Cite news | url=https://www.orlandosentinel.com/news/os-xpm-1987-01-18-0100210139-story.html | title=HORNSBY'S HAPPY WITH THE WAY IT IS | first=Thom | last=Duffy | work=[[Orlando Sentinel]] | date=January 18, 1987 | url-access=limited}}</ref> ''Scenes'' offered further slices of "Americana" and "small-town nostalgia",<ref name=southside/> but it was the band's last album to perform well in the singles market.<ref name=birthday/>

During the late 1980s and early 1990s, Hornsby worked extensively as a producer and sideman, producing a comeback album ''[[Anything Can Happen (Leon Russell album)|Anything Can Happen]]'' for [[Leon Russell]].<ref name="allmusic-bio" /> In 1987, Hornsby collaborated with Irish group [[Clannad]], playing and lending vocals to their single "[[Something to Believe In (Clannad song)|Something to Believe In]]". Hornsby also appears on the official music video release for the track. In 1989, Hornsby co-wrote and played piano on [[Don Henley]]'s hit "[[The End of the Innocence (song)|The End of the Innocence]]". In 1991, he played piano on [[Bonnie Raitt]]'s hit "[[I Can't Make You Love Me]]". He also appeared on albums by [[Bob Dylan]], [[Robbie Robertson]], [[Crosby Stills and Nash]], [[Stevie Nicks]] and [[Squeeze (band)|Squeeze]].<ref name=birthday/>

He slowly began to introduce jazz and bluegrass elements into his music, first in live performance settings and later on studio work.<ref name=Grain/> In 1989, he first performed at the [[Telluride Bluegrass Festival]]. He also reworked his hit "The Valley Road" with the [[Nitty Gritty Dirt Band]] for their album ''[[Will the Circle Be Unbroken: Volume Two]]''. In February 1990, the song won Best Bluegrass Recording at the [[32nd Annual Grammy Awards]].

In May 1990, he released ''[[A Night on the Town (Bruce Hornsby album)|A Night on the Town]]'', on which he teamed up with jazz musicians [[Wayne Shorter]] (tenor saxophone) and [[Charlie Haden]] (double bass) as well as bluegrass pioneer [[Bela Fleck]] (banjo). A change in style became apparent as the album was much more rock and guitar driven, making use of [[Jerry Garcia]]'s guitar work on several tracks, including prominently on the single "[[Across the River (Bruce Hornsby song)|Across the River]]".<ref name="allmusic-anightonthetown">{{cite web | last=Newsom | first=Jim | title=A Night on the Town: Overview | url={{AllMusic|class=album|id=r9512|pure_url=yes}} | publisher=[[AllMusic]]}}</ref> In concert, Hornsby and the Range began to stretch out their songs, incorporating more and more "freewheeling musical exchanges".<ref name=Grain/> Critics praised the album for its production, its political relevance, and Hornsby's gestures toward expanding out of a strictly pop sound by incorporating jazz and bluegrass.<ref name="allmusic-anightonthetown" /> Ultimately, though, the core "rock band" sound of the Range limited Hornsby's aspirations, and after a final three-week tour in 1991, Hornsby disbanded the Range to enter a new phase of his career.<ref name=Grain/> Drummer [[John Molo]] continued to perform regularly with Hornsby for another few years, although other members pursued separate musical endeavors. Following Hornsby's and Molo's involvement with [[The Other Ones]], Molo left Hornsby to become the primary drummer with bass guitarist [[Phil Lesh and Friends]].

===Grateful Dead===
[[File:BruceCentralPark.jpg|left|thumb|Hornsby playing accordion in [[Central Park]] in [[New York City]]]]
In 1988, Hornsby first appeared on stage with the [[Grateful Dead]], a recurring collaboration that continued until the band's dissolution.<ref name=grateful>{{cite web | last=Heisler | first=Brett I. | title=Grateful Family and Friend: Bruce Hornsby | url=http://www.philzone.com/interviews/hornsby/ | publisher=philzone.com | date=October 9, 2000}}</ref> Hornsby was frequently a guest before becoming a regular fixture in the touring lineup for the Grateful Dead a few years later.

From 1988 until [[Jerry Garcia]]'s death in 1995, Hornsby played more than 100 shows with the Grateful Dead.<ref>{{cite web| url=https://ultimateclassicrock.com/bruce-hornsby-grateful-dead-interview-2015/ |title=Bruce Hornsby on the Grateful Dead, Connecting with Trey Anastasio + Going Beyond His Hits: Exclusive Interview |website=Ultimate Classic Rock |date=August 22, 2015 }}</ref> At some shows in 1988 and 1989, he joined the band as a special guest and played [[accordion]] or synthesizer. Following the death of Grateful Dead keyboardist [[Brent Mydland]] in July 1990, Hornsby played [[piano]] (and frequently accordion) at many gigs. Mydland's place was filled in September 1990 by [[Vince Welnick]], who became the sole keyboardist by March 1992, although Hornsby still sat in with the band on occasion.

Hornsby's own music evolved significantly during this time period. Critics have suggested that the Dead's vibrant tradition of melding [[folk music]] and the [[blues]] with [[psychedelic rock]] in "loose-knit expressions" and extended jamming "further pushed [Hornsby] outside the confines of mainstream pop".<ref name=Grain/> Critics have also commented upon the close musical connection formed between Hornsby and Jerry Garcia, suggesting that Hornsby's particular style of jazz-fueled improvisation added to the band's repertoire and helped to revitalize and refocus Garcia's guitar solos in the band's sound.<ref name=grateful/> Hornsby's friendship with Garcia continued, both inside and outside the band, as the two "challenged" each other to expand their musicianship through several other album and live collaborations.<ref>{{cite news | url=https://www.dailypress.com/news/dp-xpm-19951008-1995-10-08-9510060238-story.html | title=BRUCE HORNSBY: MUSIC IS HIS THERAPY | first=SAM | last=MCDONALD | work=[[Daily Press (Virginia)|Daily Press]] | date=October 8, 1995 | url-access=limited}}</ref> Above all, Hornsby's musical versatility and ability to slip in and out of extended freeform jams won over longtime Grateful Dead fans.<ref>{{cite web | last=Barry | first=John W. | title=Bruce Hornsby Live Set Puts New Spin On Old Tunes | date=November 7, 2000 | url=http://www.vh1.com/artists/news/1224281/20001107/hornsby_bruce.jhtml | archive-url=https://web.archive.org/web/20070930221006/http://www.vh1.com/artists/news/1224281/20001107/hornsby_bruce.jhtml | url-status=dead | archive-date=September 30, 2007 | access-date=May 4, 2007}}</ref><ref>{{Cite magazine | url=https://www.rollingstone.com/music/music-features/bruce-hornsby-interview-jerry-garcia-grateful-dead-1038619/ | title=Bruce Hornsby Looks Back on Jerry Garcia's Last Days: 'I Miss Him So Much' | first=DAVID | last=BROWNE | magazine=[[Rolling Stone]] | date=August 8, 2020}}</ref>

Since his first involvement with the Grateful Dead, Hornsby's live shows have drawn [[Deadhead]]s and Hornsby has commented: "I've always liked the group of fans that we've drawn from the Grateful Dead time, because those fans are often adventurous music listeners".<ref>{{Cite web | url=https://www.hollywoodbowl.com/musicdb/artists/850/bruce-hornsby-trio | title=Bruce Hornsby Trio | work=[[Hollywood Bowl]]}}</ref> He has performed several of their songs at his concerts and as homages on studio and live albums, while Hornsby originals "[[The Valley Road]]" and "Stander on the Mountain" appeared several times in the Dead's setlists. Hornsby also co-performed the improvisation "Silver Apples of the Moon" for the Grateful Dead's ''[[Infrared Roses]]''.


Hornsby was the presenter when the Grateful Dead were inducted into the [[Rock and Roll Hall of Fame]] in 1994<ref>{{cite web | title=The Grateful Dead | publisher=The Rock and Roll Hall of Fame and Museum, Inc | url=http://www.rockhall.com/inductee/the-grateful-dead | accessdate = 2007-05-06}}</ref> and in 2005 he participated in "Comes a Time", a tribute concert to Jerry Garcia. He continues to work with Dead-related projects, such as [[Bob Weir]]'s [[Ratdog]], [[Mickey Hart]]'s solo projects, and has sat in with [[The Other Ones]] and [[The Dead (band)|The Dead]].
Hornsby was the presenter when the Grateful Dead were inducted into the [[Rock and Roll Hall of Fame]] in 1994<ref>{{cite web | url=https://www.rockhall.com/inductees/grateful-dead | title=The Grateful Dead | publisher=[[Rock and Roll Hall of Fame]]}}</ref><ref>{{Cite AV media | url=https://www.youtube.com/watch?v=ccnKwiCVst4 | archive-url=https://ghostarchive.org/varchive/youtube/20211117/ccnKwiCVst4| archive-date=November 17, 2021 | url-status=live| title=Bruce Hornsby Inducts the Grateful Dead into the Rock & Roll Hall of Fame 1994 | via=[[YouTube]] | publisher=[[Rock and Roll Hall of Fame]] | date=January 18, 2012}}{{cbignore}}</ref> and in 2005 he participated in "Comes a Time", a tribute concert to Jerry Garcia. He continues to work with Dead-related projects, such as [[Bob Weir]]'s [[Ratdog]], [[Mickey Hart]]'s solo projects. He performed as part of [[The Other Ones]] in 1998 and 2000, and on occasion sat in with [[The Dead (band)|The Dead]]. Hornsby continues to be involved in the Grateful Dead and Furthur community. He played at the [[All Good Music Festival]] in 2012 with Bob Weir on rhythm guitar.<ref>{{Cite web | url=https://www.last.fm/festival/3208005+All+Good+Music+Festival+2012 | title=All Good Music Festival 2012 | publisher=[[Last.fm]]}}</ref> In mid-2013, Hornsby performed with Grateful Dead-influenced bluegrass group [[Railroad Earth]]. Hornsby reunited with surviving members of the Grateful Dead along with [[Trey Anastasio]] from [[Phish]] and Jeff Chimenti at [[Levi's Stadium]] in Santa Clara, California, and later at [[Soldier Field]] in [[Chicago]], Illinois, in July 2015.<ref>{{cite news | url=https://www.jambase.com/article/grateful-dead-celebration-with-anastasio-hornsby-in-chicago | title=Grateful Dead Celebration With Anastasio & Hornsby In Chicago | work=[[JamBase]] | date=January 16, 2015}}</ref>


==Solo==
===Solo===
[[File:BruuuceHead.jpg|thumb|Hornsby in [[Portland, Oregon]], 2006]]
Hornsby released his first solo album, ''[[Harbor Lights (album)|Harbor Lights]]'', in 1993. The record showcased him in a more jazz-oriented setting and featured an all-star lineup, including [[Pat Metheny]], [[Branford Marsalis]], [[Jerry Garcia]], [[Phil Collins]] and [[Bonnie Raitt]]. Hornsby secured his third Grammy in 1993 for Best Pop Instrumental for "Barcelona Mona" (composed with [[Branford Marsalis]] for the [[Barcelona Olympics]]).
Hornsby released his first solo album, ''[[Harbor Lights (Bruce Hornsby album)|Harbor Lights]]'', in 1993. The record showcased him in a more jazz-oriented setting and featured a lineup that included [[Pat Metheny]], [[Branford Marsalis]], [[Jerry Garcia]], [[Phil Collins]] and [[Bonnie Raitt]]. Hornsby secured his third Grammy in 1993 for Best Pop Instrumental for "Barcelona Mona" (composed with [[Branford Marsalis]] for the [[Barcelona Olympics]]).


In 1995, ''[[Hot House (Bruce Hornsby album)|Hot House]]'' was released with its cover art, featuring an imagined jam session between [[bluegrass music|bluegrass]] legend [[Bill Monroe]] and [[jazz]] legend [[Charlie Parker]], serving as an apt metaphor for the rich fusion of musical styles Hornsby was currently developing and expanding. The album found Hornsby expanding upon the foray into jazz sound from ''Harbor Lights'', this time reintroducing elements of bluegrass from ''A Night on the Town'' and his earlier collaborations.<ref>{{cite web | last=Miller | first=Skyler | title=Hot House: Overview | publisher=All Media Guide, LLC | url={{Allmusic|class=album|id=r216522|pure_url=yes}} | accessdate = 2007-05-04}}</ref>
In 1995, ''[[Hot House (Bruce Hornsby album)|Hot House]]'' was released, its cover art featuring an imagined jam session between [[bluegrass music|bluegrass]] musician [[Bill Monroe]] and [[jazz]] saxophonist [[Charlie Parker]]. Hornsby expanded into the jazz sound from ''Harbor Lights'', this time reintroducing elements of bluegrass from ''A Night on the Town'' and his earlier collaborations.<ref>{{cite web | last=Miller | first=Skyler | title=Hot House: Overview | url={{AllMusic|class=album|id=r216522|pure_url=yes}} | publisher=[[AllMusic]]}}</ref> "Walk in the Sun" reached number 54 on the [[Billboard Hot 100]].<ref>{{Cite magazine | url=https://www.billboard.com/artist/bruce-hornsby/chart-history/hsi/ | title=Walk In The Sun | magazine=[[Billboard (magazine)|Billboard]]}}</ref>


{| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5"
{| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5"
| style="text-align: left;" | "To be creative, spontaneous in the moment and make music in the present tense, that's what we're all about live. I write the songs, we make the records and then the records become a departure point, the basic blueprint, the basic arrangement. I'm fairly restless creatively. I was never a very good Top 40 band guy because I never liked to play the same thing every time. Too often songwriters approach their songs like museum pieces. I don't subscribe to that. I think of my songs as living beings that evolve and change and grow through the years."<ref name="officialbio" />
| style="text-align: left;" | "To be creative, spontaneous in the moment and make music in the present tense, that's what we're all about live. I write the songs, we make the records and then the records become a departure point, the basic blueprint, the basic arrangement. I'm fairly restless creatively. I was never a very good Top 40 band guy because I never liked to play the same thing every time. Too often songwriters approach their songs like museum pieces. I don't subscribe to that. I think of my songs as living beings that evolve and change and grow through the years."<ref>{{cite book | title=The Grateful Dead | url=https://books.google.com/books?id=HxCDDwAAQBAJ | first=Michele C. | last=Hollow | publisher=[[Enslow Publishing]] | date=December 15, 2018|isbn = 9781978505230}}</ref>
|-
|-
| style="text-align: left;" | — Bruce Hornsby
| style="text-align: left;" |—Bruce Hornsby
|}During this time period, "even his concerts conveyed a looser, more playful mood, and Hornsby began taking requests from the audience."<ref name="againstthegrain" /> Hornsby's concerts became "departure points" for his album compositions, which would be blended with and reworked into "lengthy spontaneous medleys".<ref name="officialbio" /><ref name="againstthegrain" /> Both in terms of audience requests and in terms of spontaneous on-stage decisions, Hornsby's performances became opportunities for him to challenge himself by trying to "find a way to seamlessly thread these seemingly disparate elements together."<ref name="againstthegrain" />
|}During this time period, "even his concerts conveyed a looser, more playful mood, and Hornsby began taking requests from the audience".<ref name=Grain/> Hornsby's concerts became "departure points" for his album compositions, which would be blended with and reworked into "lengthy spontaneous medleys".<ref name=Grain/> Both in terms of audience requests and in terms of spontaneous on-stage decisions, Hornsby's performances became opportunities for him to challenge himself by trying to "find a way to seamlessly thread these seemingly disparate elements together".<ref name=Grain/>


Hornsby next worked with several Grateful Dead reformation projects, including several Furthur Festivals and the ultimate formation of [[The Other Ones]], which resulted in the release a live album, ''[[The Strange Remain]]''. Hornsby's [[piano]] and vocals factor heavily into the band's performance of classic Dead tunes "Jack Straw" and "Sugaree" (which features Hornsby on lead vocal, in Jerry Garcia's absence), and Hornsby-originals "White-Wheeled Limousine" and "Rainbow's Cadillac" receive reworkings in the hands of The Other Ones.<ref name="gratefulfamilyandfriend" />
Hornsby next worked with several Grateful Dead reformation projects, including several Furthur Festivals and [[The Other Ones]], which resulted in the release of a live album, ''[[The Strange Remain]]''. As part of The Other Ones, Hornsby performed Grateful Dead tunes "[[Jack Straw (song)|Jack Straw]]" and "[[Sugaree]]" (which features Hornsby on lead vocal, in Jerry Garcia's absence), as well as Hornsby-originals "White-Wheeled Limousine" and "Rainbow's Cadillac". Hornsby dropped out of The Other Ones in 2002.<ref>{{Cite news | first=Joel | last=Selvin | authorlink=Joel Selvin | url=https://www.sfgate.com/entertainment/article/Other-Ones-reunite-Former-Grateful-Dead-mates-2749192.php | title=Other Ones Reunite | work=[[San Francisco Chronicle]] | date=December 1, 2002}}</ref>


Three years after ''Hot House'', Hornsby released a [[double album]], ''[[Spirit Trail]]''. Featuring a decidedly goofy picture of his uncle on the cover, the collection blended instrumental tracks with the story-telling, [[rock music|rock]], jazz, and other musical forms Hornsby had delved into over his career. The album considered "very Southern" themes with "songs about race, religion, judgment and tolerance" and "struggles with these issues."<ref name="aribendersky">{{cite web| last=Bendersky | first=Ari | title=Bruce Hornsby Redefines Himself | publisher=Rolling Stone | url=http://www.rollingstone.com/artists/brucehornsby/articles/story/5919218/bruce_hornsby_redefines_himself | date=1998-10-15 | accessdate = 2007-05-04}}</ref>—notably on "Sneaking Up on Boo Radley," which referenced the character from [[Harper Lee]]'s [[Pulitzer Prize]]-winning novel [[To Kill a Mockingbird]].
In 1998, three years after ''Hot House'', Hornsby released a double album, ''[[Spirit Trail]]''. Featuring a picture of his uncle on the cover,<ref>{{cite news | url=https://www.dailypress.com/news/dp-xpm-19981009-1998-10-09-9810140303-story.html | title=HORNSBY CONJURES A NEW 'SPIRIT' | first=SAM | last=MCDONALD | work=[[Daily Press (Virginia)|Daily Press]] | date=October 9, 1998 | url-access=limited}}</ref> the collection blended instrumental tracks with the story-telling, [[rock music|rock]], jazz, and other musical forms Hornsby had delved into over his career. The album considered "very Southern" themes with "songs about race, religion, judgment and tolerance" and "struggles with these issues".<ref>{{cite AV media | url=https://music.youtube.com/channel/MPREb_4ruCbQcQebz | title=Spirit Trail | publisher=[[YouTube]]}}</ref> An example is "Sneaking Up on Boo Radley", which references the character from [[Harper Lee]]'s [[Pulitzer Prize]]-winning novel ''[[To Kill a Mockingbird]]''.


Throughout the sequence of ''[[Harbor Lights (album)|Harbor Lights]]'', ''Hot House'', and ''Spirit Trail'', Hornsby's piano playing steadily gained further complexity, taking on a more varied array of musical styles and incorporating more and more difficult techniques, as evidenced by his two-hand-independence on ''Spirit Trail'''s "King of the Hill."<ref name="aribendersky" /> During this same span of solo album years, Hornsby made several mini-tours playing solo piano gigs for the first time in his career.<ref name="deadnet" /> The shows allowed Hornsby limitless possibilities for seguing songs into other songs, often blurring lines between classical compositions, jazz standards, traditional bluegrass, [[folk music|folk]], and [[fiddle]] tunes, Grateful Dead songs, as well as reworkings of Hornsby originals.<ref name="gratefulfamilyandfriend" /> Hornsby reflected on these periods of intensive solo performances, stating that the solo tours helped him "recommit [himself] to the study of piano" and "take [his] playing to a whole new level", explorations and improvisations that would not be possible in a band setting.<ref name="aribendersky" />
Throughout the sequence of ''[[Harbor Lights (Bruce Hornsby album)|Harbor Lights]]'', ''Hot House'', and ''Spirit Trail'', Hornsby's piano playing steadily gained further complexity, taking on a more varied array of musical styles and incorporating more difficult techniques, as evidenced by his two-hand-independence on ''Spirit Trail''{{'s}} "King of the Hill". During this same span of solo album years, Hornsby made several mini-tours playing solo piano gigs for the first time in his career.<ref name=leftfield/> The shows allowed Hornsby additional possibilities for segueing songs into other songs, often blurring lines between classical compositions, jazz standards, traditional bluegrass, [[folk music|folk]], and [[fiddle]] tunes, Grateful Dead songs, as well as reworkings of Hornsby originals.<ref name=grateful/> Hornsby reflected on these periods of intensive solo performances, stating that the solo tours helped him "recommit [himself] to the study of piano" and "take [his] playing to a whole new level", explorations and improvisations that would not be possible in a band setting.<ref>{{Cite press release | url=https://www.adelphi.edu/news/bruce-hornsby-to-perform-for-a-sold-out-audience-at-adelphi/ | title=Three-Time Grammy Award Winner Bruce Hornsby to Perform for a Sold Out Audience at the Adelphi University Performing Arts Center on February 10 | publisher=[[Adelphi University]] | date=January 23, 2012}}</ref>


In August 2014, Hornsby released his first entirely live solo album, ''Solo Concerts''.
== The Noisemakers ==
Hornsby's touring band lineup underwent extensive changes between 1998 and 2000 as well, with longtime drummer [[John Molo]] joining former [[Grateful Dead]] bassist [[Phil Lesh]] in his band [[Phil Lesh & Friends]].<ref name="gratefulfamilyandfriend" /> A set of twenty consecutive shows performed by Hornsby and his band at [[Yoshi's Jazz Club]] in [[Oakland, California]] marked a particularly innovative period of evolution for his live shows; there Hornsby and his band were "able to explore songs in a completely spontaneous fashion". Since that time Hornsby has avoided even planning set lists for his shows, preferring to choose songs on the spot based mainly on audience requests.<ref name="musicbox-herecomethenoisemakers">{{cite journal | last=Metzger | first=John | title=Bruce Hornsby: Here Come the Noisemakers | journal=The Music Box | volume=7 | issue=12 | month=December | year=2000 | url= http://www.musicbox-online.com/bh-noise.html | accessdate = 2007-05-04}}</ref> As Hornsby experimented with a different sound, ushering in frequent collaborations with such musicians as [[Steve Kimock]] on guitar and Bobby Read on heavily effects-driven electronic woodwinds, a new band, dubbed the Noisemakers, took shape. In 2000, Hornsby chronicled this journey with a compilation live album entitled ''[[Here Come The Noise Makers]]'', and did extensive touring with his new band featuring John "J. T." Thomas ([[keyboard instrument|keyboards]], [[organ (music)|organ]]), Bobby Read ([[saxophone]]s, [[woodwinds]], [[flute]]), J. V. Collier ([[bass guitar|bass]]), Doug Derryberry ([[guitar]], [[mandolin]]), and several different drummers before [[Sonny Emory]] took over full-time.


In April 2019, his 21st album, ''Absolute Zero'', was released. It features collaborations with [[Justin Vernon]] and Sean Carey of [[Bon Iver]], [[Jack DeJohnette]], [[Blake Mills]], [[yMusic]], [[The Staves]], and Brad Cook.
[[Image:BruuuceRequests.jpg|right|thumb|350px|Hornsby performing a solo piano show June 21, 2005 in [[North Bethesda, Maryland|North Bethesda]], [[Maryland]], audience requests visible across keyboard]]His next studio album of new material was not until 2002: ''[[Big Swing Face]]''. The album was Hornsby's most experimental effort to date; ''Big Swing Face'', the only album on which Hornsby barely plays any [[piano]], relied heavily on post-electronica beats, drum loops, Pro Tools editing, and dense [[synthesizer]] arrangements.<ref name="allmusic-bigswingface">{{cite web | last=Erlewine | first=Stephen Thomas | title=Big Swing Face: Overview | publisher=All Media Guide, LLC | url= {{Allmusic|class=album|id=r593251|pure_url=yes}} | accessdate = 2007-05-04}}</ref> The album also boasts a "stream-of-consciousness wordplay" of lyrics that are in many ways more eccentric and humorous than previous work.<ref name="musicbox-bigswingface">{{cite journal | last=Metzger | first=John | title=Bruce Hornsby: Big Swing Face | journal=The Music Box | volume=9 | issue=8 | month=August | year=2002 | url= http://www.musicbox-online.com/bh-swing.html | accessdate = 2007-05-04}}</ref> ''Big Swing Face'' received mixed reviews, ranging from "a new and improved Bruce Hornsby"<ref name="allmusic-halcyondays">{{cite web | last=Miller | first=Skyler | title=Halcyon Days: Overview | publisher=All Media Guide, LLC | url={{Allmusic|class=album|id=r695109|pure_url=yes}} | accessdate = 2007-05-04}}</ref> to being called one of the "strangest records of 2002".<ref name="allmusic-bigswingface" />


===The Noisemakers===
In 2004, after 19 successful years on RCA Records, Hornsby returned to a more acoustic, piano-driven sound on his [[Columbia Records]] debut ''[[Halcyon Days (Bruce Hornsby album)|Halcyon Days]]'', which reviewers described as "pure Hornsby".<ref name="rollingstone-halcyondays">{{cite web | last=Wild | first=David | title=Bruce Hornsby: Halcyon Days | publisher=Rolling Stone | date = 2004-09-02 | url= http://www.rollingstone.com/artists/brucehornsby/albums/album/6415110/review/6416461/halcyon_days | accessdate = 2007-05-04}}</ref> Guests included [[Sting (musician)|Sting]], [[Elton John]] and [[Eric Clapton]].
Hornsby's touring band lineup underwent extensive changes between 1998 and 2000, with longtime drummer [[John Molo]] joining former [[Grateful Dead]] bassist [[Phil Lesh]] in his band [[Phil Lesh & Friends]].<ref name=grateful/> A set of twenty consecutive shows performed by Hornsby and his band at [[Yoshi's Jazz Club]] in [[Oakland, California]] included a lot of spontaneity and taking requests from the audience, a form that he continues at live shows to this day.<ref>{{Cite news | url=https://www.diablomag.com/blog/popcorn-picks/awesome-exclusive-interview-with-bruce-hornsby/article_cacd09fa-2e32-5665-a9cc-85a775adc89d.html | title=Awesome Exclusive Interview with Bruce Hornsby | work=Diablo | date=March 20, 2015}}</ref> As Hornsby experimented with a different sound, ushering in frequent collaborations with such musicians as [[Steve Kimock]] on guitar and Bobby Read on heavily effects-driven electronic woodwinds, a new band, dubbed the Noisemakers, took shape. In 2000, Hornsby chronicled this journey with a compilation live album entitled ''[[Here Come the Noise Makers]]'', and did extensive touring with his new band featuring John "J.T." Thomas ([[keyboard instrument|keyboards]], [[organ (music)|organ]]), Bobby Read ([[saxophone]]s, [[woodwinds]], [[flute]]), J.V. Collier ([[bass guitar|bass]]), Doug Derryberry ([[guitar]], [[mandolin]]), and several different drummers before [[Sonny Emory]] took over full-time.


[[File:BruuuceRequests.jpg|right|thumb|Hornsby performing a solo piano show June 21, 2005, in [[North Bethesda, Maryland]], audience requests visible across keyboard]]
Throughout tours following the album's release, both with the Noisemakers and in solo performances, Hornsby continued to demonstrate his desire to "grow" as a singer and performer and to expand the instrumental possibilities of the piano in various genres.<ref name="cathalenaeburch" /> He also began to offer CD sets and digital downloads of digitally mastered soundboard recordings of live concerts via the Bruce Hornsby Live website; selected concerts have been offered since 2002.
In 2002, Hornsby released ''[[Big Swing Face (Bruce Hornsby album)|Big Swing Face]]''. The album was Hornsby's most experimental effort to date. It was the only album on which Hornsby barely plays any piano and relied heavily on post-electronica beats, drum loops, Pro Tools editing, and dense synthesizer arrangements.<ref name="allmusic-bigswingface">{{cite web | last=Erlewine | first=Stephen Thomas | title=Big Swing Face: Overview | url={{AllMusic|class=album|id=r593251|pure_url=yes}} | publisher=[[AllMusic]]}}</ref><ref>{{Cite magazine | url=https://www.billboard.com/articles/news/75176/hornsby-eschews-trademark-sound-for-big-swing-face/ | title=Hornsby Eschews Trademark Sound For 'Big Swing Face' | magazine=[[Billboard (magazine)|Billboard]] | date=July 8, 2002}}</ref> ''Big Swing Face'' received mixed reviews, ranging from "a new and improved Bruce Hornsby"<ref>{{cite web | last=Miller | first=Skyler | title=Halcyon Days: Overview | url={{AllMusic|class=album|id=r695109|pure_url=yes}} | publisher=[[AllMusic]]}}</ref> to being called one of the "strangest records of 2002".<ref name="allmusic-bigswingface" />


In 2004, after 19 successful years on RCA Records, Hornsby signed with [[Columbia Records]] and returned to a more acoustic, piano-driven sound on his Columbia Records debut album, ''[[Halcyon Days (Bruce Hornsby album)|Halcyon Days]]'', released in June 2004. Guests included [[Sting (musician)|Sting]], [[Elton John]] and [[Eric Clapton]].<ref>{{Cite press release | url=https://www.sony.com/content/sony/en/en_us/SCA/company-news/press-releases/sony-music-entertainment/2004/bruce-hornsby-comes-to-columbia-records-with-new-album-halcyon-days.html | title=Bruce Hornsby Comes to Columbia Records With New Album, Halcyon Days | publisher=[[Sony Music]] | date=June 1, 2004}}</ref>
In July 2006, Hornsby released a four-CD/DVD box set titled ''[[Intersections (1985-2005)]]''. The discs are thematically broken into three categories: “Top 90 Time,” “Solo Piano, Tribute Records, Country-Bluegrass, Movie Scores,” and “By Request (Favorites and Best Songs)”. A full third of the music is previously unreleased; many familiar tracks are presented as unreleased live versions rather than the original studio recordings, and the majority of the remaining tracks are from single b-sides, collaborations and/or tribute albums and movie soundtracks.<ref name="allaboutjazz-intersections">{{cite web | last=Kelman | first=John | title=Bruce Hornsby: Intersections &#91;1985-2005&#93; | publisher=All About Jazz | year=2006 | url=http://www.brucehornsby.com/ink/20061103_allaboutjazz_review.swf | format=[[SWF]] | accessdate = 2007-05-04}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> One song, "Song H," a new composition, was nominated for Best Pop Instrumental at the 2007 [[Grammy Awards]].


Throughout tours following the album's release, both with the Noisemakers and in solo performances, Hornsby continued to demonstrate his desire to "grow" as a singer and performer and to expand the instrumental possibilities of the piano in various genres.<ref name="cathalenaeburch" />
In 2007 Hornsby began playing classical music: at a concert in [[Saint Louis, Missouri]], during Hornsby's improvisational session in "The Way It Is", he began playing [[J.S. Bach]]'s [[Goldberg Variations]] along with the drums. In a different city he played five straight Goldberg Variations over the drum intro of "Gonna Be Some Changes Made."


In July 2006, Hornsby released a four-CD/DVD box set titled ''[[Intersections (1985–2005)]]''. The discs are thematically broken into three categories: "Top 90 Time", "Solo Piano, Tribute Records, Country-Bluegrass, Movie Scores", and "By Request (Favorites and Best Songs)".<ref>{{Cite news | url=https://www.austinchronicle.com/music/2006-08-25/397721/ | title=Bruce Hornsby | first=JIM | last=CALIGIURI | work=[[The Austin Chronicle]] | date=August 25, 2006}}</ref> A full third of the music is previously unreleased; many familiar tracks are presented as unreleased live versions rather than the original studio recordings, and the majority of the remaining tracks are from single [[B-side]]s, collaborations or tribute albums, and movie soundtracks.<ref>{{cite web | title=Bruce Hornsby: Intersections | publisher=[[All About Jazz]] | url=https://www.allaboutjazz.com/bruce-hornsby-intersections-1985-2005-by-john-kelman.php | last=Kelman | first=John | date=November 4, 2006}}</ref> One song, "Song H", a new composition, was nominated for Best Pop Instrumental in 2007 at the [[49th Annual Grammy Awards]].<ref>{{Cite web | url=https://www.grammy.com/grammys/awards/winners-nominees/193 | title=GRAMMY Awards Winners & Nominees for Best Pop Instrumental Performance | publisher=[[Grammy Awards]]}}</ref>
On September 15, 2009, Bruce Hornsby and the Noisemakers released their fourth album, ''[[Levitate (Bruce Hornsby album)|Levitate]]'', to mixed reviews; it mixed new solo material with several songs co-written with Chip DiMatteo for the Broadway play SCKBSTD. May 2011 saw the release of the band's latest live album, ''Bride of the Noisemakers.''


In 2007, Hornsby began more regularly playing classical music: at a concert in [[St. Louis]], Missouri, during Hornsby's improvisational session in "The Way It Is", he began playing [[J.S. Bach]]'s [[Goldberg Variations]] along with the drums. In a different city, he played five straight Goldberg Variations over the drum intro of "Gonna Be Some Changes Made".<ref name=hitsong/>
==Skaggs & Hornsby/The Bruce Hornsby Trio (2007-present)==
In March 2007 Hornsby teamed with bluegrass player [[Ricky Skaggs]] to produce a bluegrass album, ''[[Ricky Skaggs & Bruce Hornsby]]'', and played several tour dates together. The seeds for the album had been sown in 2000 when the pair collaborated on "Darlin' Cory", a track on the ''Big Mon'' [[Bill Monroe]] [[bluegrass music|bluegrass]] tribute album and then proposed recording an album together.<ref name="musicbox-skaggsandhornsby">{{cite journal | last=Metzger | first=John | title=Ricky Skaggs & Bruce Hornsby: Ricky Skaggs & Bruce Hornsby | journal=The Music Box | volume=14 | issue=4 | month=April | year=2007 | url=http://www.musicbox-online.com/reviews-2007/ricky-skaggs-bruce-hornsby.html | accessdate = 2007-05-04}}</ref> ''Ricky Skaggs & Bruce Hornsby'', featuring the duo backed by Skaggs's band Kentucky Thunder, combined bluegrass, traditional [[country music|country]], "a tinge of Hornsby's jazzy piano and a splash of humor" on a spectrum of songs from the traditional to new compositions such as the opening track "The
Dreaded Spoon," "a humorous tale of a youthful ice cream heist."<ref name="skaggs-hornsby-review">{{cite web | title=Music reviews of The Rounders, Ricky Skaggs & Bruce Hornsby and Uncle Earl | publisher=The Evansville Courier Co | url=http://www.brucehornsby.com/ink/20070323_courierpress_review.swf | format=[[SWF]] | accessdate=2007-05-04}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> The pair also reinvented Hornsby's hit "Mandolin Rain" as a minor key acoustic ballad and "give his cautionary tale of backwoods violence", "A Night On the Town," a treatment highlighting the "Appalachian storytelling tradition that was always at the song's heart."<ref name="skaggs-hornsby-review" />
The album ended with a surprise cover of [[Rick James]]'s [[funk]] hit "[[Super Freak]]" in a bluegrass arrangement. ''Ricky Skaggs & Bruce Hornsby'' topped ''[[Billboard (magazine)|Billboard]]'''s bluegrass charts for several weeks.<ref>{{cite press release | title=Skaggs and Hornsby on Conan Tonight; NY Times Praises Live Show | publisher=Shore Fire Media | date=2007-04-27 | url=http://www.shorefire.com/index.php?a=pressrelease&o=970 | accessdate=2007-05-07}}</ref> The album showed Hornsby carving out a place for [[piano]] within traditional bluegrass, disproving the notion that the piano is not compatible with "string-oriented" bluegrass.<ref name="stewartoksenhorn">{{cite web | last=Oksenhorn | first=Stewart | title=Hornsby reworks classics and takes a bluegrass ride: A Review | publisher=The Aspen Times | date=2007-03-09}}</ref>


On September 15, 2009, Bruce Hornsby and the Noisemakers released their fourth album, ''[[Levitate (Bruce Hornsby album)|Levitate]]'' to mixed reviews; it included new solo material with several songs co-written with Chip DiMatteo for the Broadway play ''[[SCKBSTD]]''.
Concurrently with the bluegrass project, Hornsby recorded a [[jazz]] album, ''[[Camp Meeting (album)|Camp Meeting]]''. with [[Christian McBride]] ([[Double bass|bass]]) and [[Jack DeJohnette]] ([[drum kit|drums]]).<ref>{{cite web | title=Newsletter | publisher=Bruce Hornsby | year=2005 | url=http://www.brucehornsby.com/newsletter.htm | accessdate = 2007-05-04}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> Alongside original compositions by Hornsby, the trio delivered "newly reharmonized versions" of tunes by [[John Coltrane]], [[Miles Davis]], [[Thelonious Monk]] and [[Bud Powell]], a previously unrecorded [[Ornette Coleman]] work ("Questions and Answers") and an early [[Keith Jarrett]] composition ("Death and the Flower.")<ref>{{cite web | title="Camp Meeting" Press Release | publisher=Legacy Recordings | url=http://www.brucehornsby.com/ink/2007_camp_meeting_release.swf | accessdate=2007-06-14}} {{Dead link|date=October 2010|bot=H3llBot}}</ref> The trio made a series of appearances in the summer of 2007, including the [[Playboy Jazz Festival]], the [[Newport Jazz Festival]] and at the [[Hollywood Bowl]].<ref name="hamptonroadsmag" /><ref>{{cite web | title=Tour dates | publisher=Bruce Hornsby | url=http://www.brucehornsby.com/tour.htm | accessdate=2007-05-04}} {{Dead link|date=October 2010|bot=H3llBot}}</ref>


In May 2011, the band released a live album, ''Bride of the Noisemakers''.
On January 4, 2007, former Grateful Dead members [[Bob Weir]], [[Bill Kreutzmann]] and [[Mickey Hart]] reunited along with Hornsby, [[Mike Gordon]] (of [[Phish]] and the [[Rhythm Devils]]) and [[Warren Haynes]] to play two sets. including Dead classics, at a post-inauguration fundraising party for [[Nancy Pelosi]], the first woman to serve as [[Speaker of the House]] in the [[United States Congress]].


On June 17, 2016, Bruce Hornsby and the Noisemakers released their sixth album and fourth studio album, ''Rehab Reunion''. Hornsby only plays the [[dulcimer]] on the album and does not play piano. The album was also Hornsby's first release on 429 Records. Like on many of his previous releases, ''Rehab Reunion'' features collaborations with guest artists. [[Justin Vernon]] of [[Bon Iver]] sings background vocals on "Over the Rise". [[Mavis Staples]] duets with Hornsby on "Celestial Railroad". Also noteworthy is a folk version of "The Valley Road", originally a hit in 1988 with Hornsby's first backing band, the Range.<ref>{{cite news | url=https://www.niagara-gazette.com/news/night_and_day/jennings-bruce-hornsbys-show-will-be-the-way-it-is/article_ba5e862a-b61b-5fe1-9fa4-34a1bf006ff8.html | title=JENNINGS: Bruce Hornsby's show will be 'The Way It Is' | first=Thom | last=Jennings | work=[[Niagara Gazette]] | date=June 14, 2018}}</ref>
Hornsby wrote songs for a [[Broadway Musical]], titled "[[SCKBSTD]]"; one song from this project, a playful biographical tune about real-estate tycoon [[Donald Trump]] titled "The Don of Dons," made several appearances in setlists during his early-2007 solo piano performances.<ref name="hamptonroadsmag" /> He also composed the score for [[Spike Lee]]'s [[ESPN]] documentary, ''Kobe Doin' Work'', about [[NBA]] star [[Kobe Bryant]] and his MVP season.


===Skaggs & Hornsby/The Bruce Hornsby Trio===
Outside of music composition and performance, Hornsby has taken an ownership interest in Williamsburg area radio station "The Tide," WTYD 92.3 [[FM broadcasting|FM]], and he has endowed the [http://www.creativeamericanmusic.net/ Bruce Hornsby Creative American Music Program] at [[University of Miami]]'s [[Frost School of Music]], encouraging the study of songwriting broadly across traditional genres.<ref name="hamptonroadsmag" /> Hornsby played himself in a cameo role in the [[Robin Williams]] movie ''[[World's Greatest Dad]]'', in which Williams' character is a Bruce Hornsby fan.
In March 2007, Hornsby teamed with bluegrass player [[Ricky Skaggs]] to produce a bluegrass album, ''[[Ricky Skaggs & Bruce Hornsby]]'', followed by a tour. In 2000, the pair had collaborated on "Darlin' Cory", a track on the ''Big Mon'' [[Bill Monroe]] [[bluegrass music]].<ref>{{cite news | url=https://www.startribune.com/bruce-hornsby-and-ricky-skaggs-bring-bluesgrass-to-burnsville-nov-2/229395091/ | title=Bruce Hornsby and Ricky Skaggs bring bluesgrass to Burnsville Nov. 2 | first=Liz | last=Rolfsmeier | work=[[Star Tribune]] | date=October 26, 2013}}</ref> ''Ricky Skaggs & Bruce Hornsby'', featuring the duo backed by Skaggs's band Kentucky Thunder, combined bluegrass, traditional [[country music]], jazzy piano and a splash of humor on a spectrum of songs from the traditional to new compositions such as the opening track, "The Dreaded Spoon", a humorous tale of a youthful ice cream heist. The pair also reinvented Hornsby's hit "Mandolin Rain" as a [[minor key]] acoustic ballad and give his cautionary tale of backwoods violence, "A Night on the Town", a treatment highlighting the "[[Appalachia]]n storytelling tradition that was always at the song's heart".<ref>{{Cite news | url=https://www.nytimes.com/2007/04/26/arts/music/26skag.html | title=A Collaboration Recalls an Isolated Rural America | first=Jon | last=Pareles | authorlink=Jon Pareles | work=[[The New York Times]] | date=April 26, 2007 | url-access=limited}}</ref><ref>{{cite news | url=https://www.popmatters.com/ricky-skaggs-and-bruce-hornsby-ricky-skaggs-and-bruce-hornsby-2496199211.html | title=Ricky Skaggs and Bruce Hornsby | work=[[PopMatters]] | date=May 14, 2007}}</ref>


The album ended with a cover of [[Rick James]]'s [[funk]] hit "[[Super Freak]]" in a bluegrass arrangement. The album peaked at number one on the ''[[Billboard (magazine)|Billboard]]'' Bluegrass Albums list; it was on the charts for 52 weeks.<ref>{{cite web | url=https://www.billboard.com/artist/ricky-skaggs/chart-history/bgr/ | title=Ricky Skaggs & Bruce Hornsby | publisher=[[Billboard (magazine)|Billboard]]}}</ref> With the album, Hornsby disproved the notion that the piano is not compatible with "string-oriented" bluegrass. The duo released the live album ''Cluck Ol' Hen'' in September 2013.<ref>{{cite web | url=https://www.ksut.org/music/2013-09-05/ricky-skaggs-bruce-hornsby-cluck-ol-hen-feature-cd-9-6 | title=Ricky Skaggs & Bruce Hornsby, Cluck Ol' Hen, feature CD 9/6 | publisher=[[KSUT]] | date=September 5, 2013}}</ref>
He has also been honored by piano makers [[Steinway & Sons]] with their Limited Edition Signature Piano Series. Hornsby selected ten Model B Steinway Grands to be featured in this collection, each one personalized with his signature. Hornsby owns three 9-foot Model D Steinway Grands himself.


Concurrently with the bluegrass project, Hornsby recorded a [[jazz]] album, ''[[Camp Meeting (album)|Camp Meeting]]'' with [[Christian McBride]] ([[Double bass|bass]]) and [[Jack DeJohnette]] ([[drum kit|drums]]).<ref>{{cite news | url=https://www.offbeat.com/music/bruce-hornsby-christian-mcbride-jack-dejohnette-camp-meeting-sony-legacy/ | title=Bruce Hornsby, Christian McBride, Jack DeJohnette, Camp Meeting (Sony Legacy) | first=MARK | last=LAMAIRE | work=[[OffBeat (music magazine)|OffBeat]] | date=December 1, 2007}}</ref> Alongside original compositions by Hornsby, the trio delivered newly reharmonized versions of tunes by [[John Coltrane]], [[Miles Davis]], [[Thelonious Monk]] and [[Bud Powell]], a previously unrecorded [[Ornette Coleman]] work ("Questions and Answers") and an early [[Keith Jarrett]] composition ("Death and the Flower").<ref>{{cite news | url=https://www.telegram.com/article/20070831/NEWS/708310382 | title=Bruce Hornsby: life after pop stardom | first=Charles J. | last=Gans | work=[[Telegram & Gazette]] | agency=[[Associated Press]] | date=August 31, 2007}}</ref> The trio made a series of appearances in the summer of 2007, including the [[Playboy Jazz Festival]], the [[Newport Jazz Festival]] and at the [[Hollywood Bowl]].<ref>{{cite news | url=https://www.telegram.com/article/20070805/column14/708050388 | title=I get them with the rhythm | first=Scott | last=McLennan | work=[[Telegram & Gazette]] | date=August 5, 2007 }}</ref>
==Discography==
{{main|Bruce Hornsby discography}}
{{col-begin}}
{{col-2}}


On January 4, 2007, former Grateful Dead members [[Bob Weir]], [[Bill Kreutzmann]] and [[Mickey Hart]] reunited along with Hornsby, [[Mike Gordon]] (of [[Phish]] and the [[Rhythm Devils]]) and [[Warren Haynes]] to play two sets, including Dead classics, at a post-inauguration fundraising party for [[Speaker of the United States House of Representatives]] [[Nancy Pelosi]].<ref>{{Cite news | url=https://www.washingtonpost.com/archive/lifestyle/2007/01/06/partying-dead-wake-up-the-democrats/98ec267c-78a5-4feb-a3b4-bac2f6c76929/ | title=Partying Dead Wake Up The Democrats | first=J. Freedom | last=du Lac | newspaper=[[The Washington Post]] | date=January 6, 2007 | url-access=limited}}</ref><ref>{{Cite news | url=https://www.mercurynews.com/2007/01/07/speaker-pelosi-hosts-day-of-the-dead-in-d-c/ | title=Speaker Pelosi hosts day of the Dead in D.C. | work=[[The Mercury News]] | date=January 7, 2007}}</ref>
===Bruce Hornsby albums===
::'''with The Range'''
* ''[[The Way It Is (Bruce Hornsby album)|The Way It Is]]'' (1986) No.&nbsp;3 US (RIAA: 3xPlatinum)
* ''The Way It Is Tour (1986–1987)'' (1987) (Japan)
* ''[[Scenes from the Southside]]'' (1988) No.&nbsp;5 US (RIAA: Platinum)
* ''[[A Night on the Town (Bruce Hornsby album)|A Night on the Town]]'' (1990) No.&nbsp;20 US
::'''Solo work'''
* ''[[Harbor Lights (album)|Harbor Lights]]'' (1993) No.&nbsp;46 US
* ''[[Hot House (Bruce Hornsby album)|Hot House]]'' (1995) No.&nbsp;68 US
* ''[[Spirit Trail]]'' (1998) No.&nbsp;148 US
* ''Piano Jazz, Marian McPartland / Bruce Hornsby'' (2005)
* ''[[Intersections (1985-2005)]]'' (2006) US ([[Legacy Recordings]])
::'''with The Noise Makers'''
* ''[[Here Come The Noise Makers]]'' (2000) No.&nbsp;167 US
* ''[[Big Swing Face]]'' (2002)
* ''[[Halcyon Days (Bruce Hornsby album)|Halcyon Days]]'' (2004) No.&nbsp;86 US
* ''[[Levitate (Bruce Hornsby album)|Levitate]]'' (September 15, 2009)
* ''[[Bride of the Noisemakers]]'' (2011)
::'''with Ricky Skaggs'''
* ''[[Ricky Skaggs & Bruce Hornsby]]'' (2007) US ([[Legacy Recordings|SonyBMG/Legacy]])
::'''with The Bruce Hornsby Trio'''
* ''[[Camp Meeting (album)|Camp Meeting]]'' (2007)
::'''Compilations'''
* ''Greatest Radio Hits'' (2004)
::'''''Bruce Hornsby Live'''''
* ([[Bruce Hornsby discography#Bruce Hornsby Live releases|42 Album Releases]])


Hornsby wrote songs for ''[[SCKBSTD]]'', a [[Broadway Musical]]; one song from this project, a playful biographical tune about real-estate tycoon [[Donald Trump]] titled "The Don of Dons", was played often at Hornsby's solo piano performances in early 2007. In 2009, he composed the score for [[Spike Lee]]'s [[ESPN]] documentary, ''[[Kobe Doin' Work]]'', about [[NBA]] star [[Kobe Bryant]] and his MVP season.<ref name=Levitation/>
{{col-2}}


Hornsby invested in Williamsburg area radio station "The Tide" [[WTYD]] 92.3 [[FM broadcasting|FM]]. He has endowed the Bruce Hornsby Creative American Music Program at the [[Frost School of Music]] of [[University of Miami]].<ref>{{Cite web | url=https://cam.frost.miami.edu/ | title=CREATIVE AMERICAN MUSIC | publisher=[[Frost School of Music]]}}</ref> Hornsby played himself in a cameo role in the [[Robin Williams]] movie ''[[World's Greatest Dad]]'', in which Williams' character is a Bruce Hornsby fan.
===Albums with associated acts===

::'''with the Grateful Dead'''
==Additional collaborations==
* ''[[Infrared Roses]]'', Grateful Dead, (1991)
On July 10, 1990, Hornsby made a guest appearance with the Grateful Dead onstage at [[Carter-Finley Stadium]] in [[Raleigh, NC]], playing accordion during portions of the first and second sets. Grateful Dead keyboardist Brent Mydland died just over two weeks later, and Hornsby was summoned as a temporary replacement. The Grateful Dead released this concert on YouTube in its entirety on July 10, 2020, the 30th anniversary of the performance.<ref>{{cite web |title=Grateful Dead - Live at Carter-Finley Stadium 7/10/90 [Full Concert] |url=https://www.youtube.com/watch?v=QaMvpDDuGuw&t=0s |website=YouTube.com | date=July 10, 2020 |access-date=24 September 2023}}</ref>
* ''[[Dick's Picks Volume 9]]'', Grateful Dead, (1997)

* ''[[So Many Roads (1965-1995)]]'', Grateful Dead, (1999)
On October 18, 1991, Hornsby joined [[Pink Floyd]], co-founder [[Roger Waters]] on stage at Auditorio de la Cartuja in [[Seville]], Spain. Playing keyboards and singing the choruses of [[Comfortably Numb]].<ref>{{Cite web |last=Kahn |first=Andy |title=Happy Birthday Bruce Hornsby: Joining Pink Floyd's Roger Waters In 1991 |url=https://www.jambase.com/article/bruce-hornsby-pink-floyd-roger-waters-comfortably-numb |access-date=August 11, 2023 |website=[[JamBase]] |language=en-US}}</ref>
* ''[[Dick's Picks Volume 17]]'', Grateful Dead, (2000)

* ''[[View From The Vault, Volume Two]]'', Grateful Dead, (2001), also released as DVD
In 2014, Hornsby toured selected dates with Pat Metheny Unity Group.
* ''[[Grateful Dead Download Series Volume 11]]'', Grateful Dead, (2006)

::'''with The Other Ones'''
In 2016, Hornsby performed on a track, "Black Muddy River", along with indie folk band (and [[Justin Vernon]]'s former band) [[DeYarmond Edison]] on ''Day of the Dead'', a Grateful Dead [[cover album]], benefiting the [[Red Hot Organization]], an international charity dedicated to raising funds and awareness for [[HIV]] and [[AIDS]]. Hornsby performed the song alongside Vernon that same year in [[Eau Claire, Wisconsin]]. Hornsby performed alongside Vernon at Coachella in 2017, performing Bonnie Raitt's "I Can't Make You Love Me;" the performance also featured [[Jenny Lewis]].<ref>{{Cite news | url=https://indyweek.com/music/archives/justin-vernon-megafaun-reunite-cover-grateful-dead-...-bruce-hornsby/ | title=Justin Vernon and Megafaun Reunite to Cover the Grateful Dead ... With Bruce Hornsby? | first=DAVID | last=KLEIN | work=[[Indy Week]] | date=March 28, 2016}}</ref>
* ''[[The Strange Remain]]'', The Other Ones, (1999)

::'''Grateful Dead-related Album Contributions'''
Hornsby has composed and performed for many projects with filmmaker [[Spike Lee]], including end-title songs for two films, ''[[Clockers (film)|Clockers]]'' (1995) with [[Chaka Khan]] and ''[[Bamboozled]]'' (2001). He contributed music for ''[[If God Is Willing and da Creek Don't Rise]]'' (2010), ''[[Oldboy (2013 film)|Old Boy]]'' (2013) and ''[[Chi-Raq]]'' (2015), and full film scores for Lee's [[Kobe Bryant]] documentary for ESPN: ''[[Kobe Doin' Work]]'' (2009), ''[[Red Hook Summer]]'' (2012), ''[[Da Sweet Blood of Jesus]]'' (2015), and Lee's film for the NBA 2K16 video game (2015). He scored Lee's Netflix production ''[[She's Gotta Have It]]'' (2017, 2019). Hornsby wrote and performed new music for Lee's film ''[[BlacKkKlansman]]'' (2018). in 1993, Lee directed the video for Hornsby's song "Talk Of The Town".
* ''[[Deadicated: A Tribute to the Grateful Dead]]'', Various Artists, (1991)

* ''Grayfolded : Transitive Axis'', Grateful Dead / John Oswald, (1994)
On July 3, 2023, Bruce appeared with The Doobie Brothers in Portsmouth, Virginia during their extended 50th anniversary tour, where he performed on keyboards and soloed on several songs.
* ''Grayfolded : Mirror Ashes'', Grateful Dead / John Oswald, (1995)

* ''The Concert For The Rock And Roll Hall Of Fame'', Various Artists, (1996)
On December 9, 2023, Bruce appeared with [[Goose (American band)|Goose]] in Hampton, Virginia during their Goosemas run, where he performed "The Way It Is" on keyboards.
* ''[[Mickey Hart's Mystery Box]]'', Mickey Hart, (1996)

* ''Furthur'', Various Artists, (1997)
==Equipment==
* ''Furthur More'', Various Artists, (1997)
Hornsby uses a [[Steinway & Sons]] [[concert grand piano]]. With the Range and up until 1995, he used a [[Baldwin Piano|Baldwin]] concert grand piano. He currently uses a [[Korg M1]] synthesizer. With the Range, Hornsby used an [[Oberheim OB-X]] synthesizer.
* ''[[Grayfolded]]'', Grateful Dead / John Oswald, (1996)

* ''Furthur Most'', Various Artists, (2000)
Hornsby selected ten Model B Steinway Grands to be featured in its Limited Edition Signature Piano Series, each one personalized with his signature. Hornsby owns three {{cvt|9|ft|m|sigfig=2}} Model D Steinway Grands.
* ''[[The Best of Mickey Hart: Over the Edge and Back]]'', Mickey Hart, (2002)

* ''Gilford, NH, September 2, 2005'', Ratdog, (2005)
For his 2016 album ''Rehab Reunion'', he played [[Appalachian dulcimer]] made by BlueLion.<ref>{{cite web |url=https://www.kmuw.org/post/bruce-hornsby-picks-dulcimer-rehab-reunion |title=Bruce Hornsby Picks Up The Dulcimer For 'Rehab Reunion'| first=Jedd |last=Beaudoin | work=[[KMUW]] | date=May 17, 2016}}</ref>
* ''Atlantic City, NJ, September 4, 2005'', Ratdog, (2005)

* ''Pure Jerry: Hampton, Virginia, November 9, 1991'', Jerry Garcia Band, (2006)
==Personal life==
{{col-end}}
Hornsby and his wife Kathy have twin sons, born 1992: Russell, who ran for the [[Oregon Ducks track and field]] team at the [[University of Oregon]], and [[Keith Hornsby|Keith]], who played Division I [[college basketball|basketball]] for the [[University of North Carolina Asheville]] [[UNC Asheville Bulldogs men's basketball|Bulldogs]] from [[2011–12 UNC Asheville Bulldogs men's basketball team|2011]] to [[2012–13 UNC Asheville Bulldogs men's basketball team|2013]], transferred to [[LSU Tigers basketball|Louisiana State University]] and played for LSU from [[2014–15 LSU Tigers basketball team|2014]] to [[2015–16 LSU Tigers basketball team|2016]].<ref>{{cite news | url=https://www.espn.com/mens-college-basketball/story/_/id/9397761 | first=Jeff | last=Goodman | title=Hornsby, son of musician, transfers to LSU| work=[[ESPN]] | date=June 17, 2013}}</ref> They were named after musicians [[Leon Russell]] and [[Keith Jarrett]], respectively.<ref>{{Cite news | url=https://www.oklahoman.com/article/2430537/hornsby-hails-home-recording | title=Hornsby Hails Home Recording | first=DAVID | last=BAUDER | work=[[The Oklahoman]] | date=May 14, 1993 | url-access=limited | archive-date=September 30, 2021 | access-date=September 30, 2021 | archive-url=https://web.archive.org/web/20210930041511/https://www.oklahoman.com/article/2430537/hornsby-hails-home-recording | url-status=dead }}</ref><ref>{{Cite news | url=https://www.mcall.com/news/mc-xpm-1993-11-05-2949251-story.html | title=IN TAKING RISKS, BRUCE HORNSBY FINDS SAFE HARBOR | first=GEOFF | last=GEHMAN | work=[[The Morning Call]] | date=November 5, 1993 | url-access=limited}}</ref>

Hornsby is a regular [[basketball]] player and an avid fan of the sport.<ref name=birthday>{{cite web | url=http://www.mtv.com/news/1955/you-say-its-your-birthday-bruce-hornsby/ | archive-url=https://web.archive.org/web/20210930043002/http://www.mtv.com/news/1955/you-say-its-your-birthday-bruce-hornsby/ | url-status=dead | archive-date=September 30, 2021 | title=You Say It's Your Birthday: Bruce Hornsby | publisher=[[MTV Networks]] | date=November 21, 1997}}</ref> As such, he can frequently be seen at [[college basketball]] games throughout Virginia. Hornsby stated that he beat [[Allen Iverson]] in one-on-one basketball three games in a row after helping him get out of jail.<ref>{{cite news | first=Bruce | last=Hornsby | title=Radio interview | work=[[The Dan Le Batard Show with Stugotz]] | interviewer=Dan LeBatard | publisher=[[ESPN Radio]] | date=March 21, 2017}}</ref> He is also a friend of [[National Baseball Hall of Fame and Museum|baseball Hall of Fame]] manager [[Tony La Russa]] and attends games in [[St. Louis]]. Their friendship led to La Russa introducing Hornsby to jazz bassist [[Christian McBride]], which then led to the formation of The Bruce Hornsby Trio (along with drummer [[Jack DeJohnette]]) and their first album, ''[[Camp Meeting (album)|Camp Meeting]]''.

==Awards and nominations==
{| class="wikitable sortable plainrowheaders"
|-
! scope="col" | Award
! scope="col" | Year
! scope="col" | Nominee(s)
! scope="col" | Category
! scope="col" | Result
! scope="col" class="unsortable"| {{Abbr|Ref.|References}}
|-
! scope="row" rowspan=3|[[ASCAP Pop Music Awards]]
| 1988
| "[[The Way It Is (Bruce Hornsby and the Range song)|The Way It Is]]"
| rowspan=3|Most Performed Songs
| {{won}}
| <ref>{{cite web | url=https://worldradiohistory.com/Archive-All-Music/Billboard/80s/1988/BB-1988-06-04.pdf#page=5 | title=Billboard | date=May 25, 1991}}</ref>
|-
| 1990
| rowspan=2|"[[The End of the Innocence (song)|The End of the Innocence]]"
| {{won}}
| <ref>{{cite web|url=https://worldradiohistory.com/Archive-All-Music/Cash-Box/90s/1990/CB-1990-06-23.pdf|title=Cash Box|date=June 23, 1990|website=Worldradiohistory.com|access-date=March 17, 2022}}</ref>
|-
| 1991
| {{won}}
| <ref>{{cite web|url=https://worldradiohistory.com/Archive-All-Music/Billboard/90s/1991/BB-1991-05-25.pdf#page=113|format=PDF|title=Billboard|date=May 25, 1991|website=Worldradiohistory.com|access-date=March 17, 2022}}</ref>
|-
!scope="row" rowspan=13|[[Grammy Awards]]
| [[1987 Grammy Awards|1987]]
| [[Bruce Hornsby & the Range]]
| [[Best New Artist]]
| {{won}}
| rowspan=13|<ref>{{Cite web|url=https://www.grammy.com/grammys/artists/bruce-hornsby/3432|title=Bruce Hornsby|date=November 23, 2020}}</ref>
|-
| rowspan=3|[[1990 Grammy Awards|1990]]
| "[[The Valley Road]]"
| [[Grammy Award for Best Bluegrass Album|Best Bluegrass Recording]]
| {{won}}
|-
| rowspan=2|"[[The End of the Innocence (song)|The End of the Innocence]]"
| [[Grammy Award for Song of the Year|Song of the Year]]
| {{nom}}
|-
| [[Record of the Year]]
| {{nom}}
|-
| [[1991 Grammy Awards|1991]]
| "Across the River"
| [[Best Pop Performance by a Duo or Group with Vocal]]
| {{nom}}
|-
| [[1994 Grammy Awards|1994]]
| "Barcelona Mona"
| rowspan=3|[[Best Pop Instrumental Performance]]
| {{won}}
|-
| [[1995 Grammy Awards|1995]]
| "The Star Spangled Banner"
| {{nom}}
|-
|rowspan=2|[[1996 Grammy Awards|1996]]
| "Song B"
| {{nom}}
|-
| "Love Me Still"
| [[Grammy Award for Best Song Written for Visual Media|Best Song Written for Visual Media]]
| {{nom}}
|-
| [[2000 Grammy Awards|2000]]
| "Song C"
| rowspan=3|[[Best Pop Instrumental Performance]]
| {{nom}}
|-
| [[2005 Grammy Awards|2005]]
| "Song F"
| {{nom}}
|-
| [[2007 Grammy Awards|2007]]
| "Song H"
| {{nom}}
|-
| [[2009 Grammy Awards|2009]]
| "Is This America?"
| [[Grammy Award for Best Country Instrumental Performance|Best Country Instrumental Performance]]
| {{nom}}
|-
!scope="row"|[[MTV Video Music Awards]]
| [[1987 MTV Video Music Awards|1987]]
| "[[The Way It Is (Bruce Hornsby and the Range song)|The Way It Is]]"
| [[MTV Video Music Award for Push Best New Artist|Best New Artist in a Video]]
| {{nom}}
| <ref>{{Cite web|url=http://www.imdb.com/name/nm3519776/awards|title=Bruce Hornsby & The Range|website=IMDb|access-date=September 16, 2021}}</ref>
|-
!scope="row" rowspan=3|[[Pollstar|Pollstar Concert Industry Awards]]
| 1987
| rowspan=2|[[Bruce Hornsby & the Range]]
| rowspan=2|Next Major Arena Headliner
| {{nom}}
| <ref>{{Cite web|url=http://www.pollstarpro.com/PCIA-Static/awards1986.htm|title=Pollstar Awards Archive - 1986|date=March 20, 2017|archive-url=https://web.archive.org/web/20170320043538/http://www.pollstarpro.com/PCIA-Static/awards1986.htm|access-date=September 16, 2021|archive-date=March 20, 2017}}</ref>
|-
| rowspan=2|1988
| {{nom}}
| rowspan=2|<ref>{{Cite web|url=http://www.pollstarpro.com/PCIA-Static/awards1987.htm|title=Pollstar Awards Archive - 1987|date=March 20, 2017|archive-url=https://web.archive.org/web/20170320044007/http://www.pollstarpro.com/PCIA-Static/awards1987.htm|access-date=September 16, 2021|archive-date=March 20, 2017}}</ref>
|-
| ''Tour''
| Small Hall Tour Of The Year
| {{won}}
{{end}}

==Discography==

{{main|Bruce Hornsby discography}}
{{col div}}
* ''[[The Way It Is (Bruce Hornsby album)|The Way It Is]]'' (1986)
* ''[[Scenes from the Southside]]'' (1988)
* ''[[A Night on the Town (Bruce Hornsby album)|A Night on the Town]]'' (1990)
* ''[[Harbor Lights (Bruce Hornsby album)|Harbor Lights]]'' (1993)
* ''[[Hot House (Bruce Hornsby album)|Hot House]]'' (1995)
* ''[[Spirit Trail]]'' (1998)
* ''[[Here Come the Noise Makers|Here Come the Noisemakers]]'' (2000) (live album)
* ''[[Big Swing Face (Bruce Hornsby album)|Big Swing Face]]'' (2002)
* ''[[Halcyon Days (Bruce Hornsby album)|Halcyon Days]]'' (2004)
* ''[[Greatest Radio Hits]]'' (2004) (compilation)
* ''[[Camp Meeting (album)|Camp Meeting]]'' (2007)
* ''[[Levitate (Bruce Hornsby album)|Levitate]]'' (2009)
* ''[[Bride of the Noisemakers]]'' (2011) (live album)
* ''[[Red Hook Summer]]'' (2012)
* ''Solo Concerts'' (2014) (live album)
* ''[[Rehab Reunion]]'' (2016)
* ''[[Absolute Zero (Bruce Hornsby album)|Absolute Zero]]'' (2019)
* ''Non-Secure Connection'' (2020)
* '''Flicted'' (2022)
{{col div end}}


==References==
==References==
{{Reflist|2}}
{{Reflist}}


==External links==
==External links==
* {{Official website|https://www.brucehornsby.com/}}
{{External links|date=March 2012}}
* [https://www.bruuuce.com/ Bruuuce.com]—Bruce Hornsby fan website
*{{Official website|http://www.brucehornsby.com/}}
** [https://www.bruuuce.com/2024/08/02/bruce-hornsby-searchable-database/ Bruce Hornsby setlist database]
*{{Twitter|brucehornsby|Bruce Hornsby}}
* [http://www.agitators.com/gd/bruce.html List of shows played with the Grateful Dead]
*{{Facebook|brucehornsby|Bruce Hornsby}}
*{{Myspace|brucehornsby}}
* {{IMDb name|id=0395193}}
* [http://thewaster.com/index.php?option=com_content&view=article&id=1774:bruce-hornsby-talking-shop-with-an-improv-troubadour&catid=1:interview&Itemid=2 Interview with Bruce Hornsby], TheWaster.com
*[http://www.bruuuce.com/ Bruuuce.com -- Bruce Hornsby fan website]
*[http://www.nndb.com/people/305/000073086/ Bruce Hornsby profile at NNDB]
*[http://www.bruuuce.com/2011/07/09/brucebase BruuuceBase: Bruce Hornsby set lists]
*[https://www.munckmusic.com/wms/hornsby/index.html Bruce Hornsby Live concert releases]
*[http://thewaster.com/index.php?option=com_content&view=article&id=1774:bruce-hornsby-talking-shop-with-an-improv-troubadour&catid=1:interview&Itemid=2 Interview with Bruce Hornsby for TheWaster.com]


{{BruceHornsby}}
{{BruceHornsby}}
{{GratefulDead}}
{{GratefulDead}}
{{Grammy Award for Best New Artist}}
{{Grammy Award for Best New Artist}}
{{Authority control}}


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{{Persondata
|NAME= Hornsby, Bruce
|ALTERNATIVE NAMES=
|SHORT DESCRIPTION= American singer, [[pianist]], and songwriter
|DATE OF BIRTH= 23 November 1954
|PLACE OF BIRTH= [[Williamsburg, Virginia]], US
|DATE OF DEATH=
|PLACE OF DEATH=
}}
{{DEFAULTSORT:Hornsby, Bruce}}
{{DEFAULTSORT:Hornsby, Bruce}}
[[Category:Bruce Hornsby| ]]
[[Category:1954 births]]
[[Category:1954 births]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:20th-century American keyboardists]]
[[Category:20th-century American pianists]]
[[Category:21st-century American keyboardists]]
[[Category:21st-century American accordionists]]
[[Category:Ambrosia (band) members]]
[[Category:American blues pianists]]
[[Category:American country keyboardists]]
[[Category:American country singer-songwriters]]
[[Category:American jazz pianists]]
[[Category:American jazz pianists]]
[[Category:American male singers]]
[[Category:American male jazz pianists]]
[[Category:American male singer-songwriters]]
[[Category:American pop pianists]]
[[Category:American pop pianists]]
[[Category:American singer-songwriters]]
[[Category:American rock pianists]]
[[Category:Songwriters from Virginia]]
[[Category:American keyboardists]]
[[Category:American bluegrass musicians]]
[[Category:Berklee College of Music alumni]]
[[Category:Berklee College of Music alumni]]
[[Category:University of Miami alumni]]
[[Category:Bluegrass musicians from Virginia]]
[[Category:Ambrosia (band) members]]
[[Category:Bruce Hornsby and the Range members]]
[[Category:Bruce Hornsby and the Range members]]
[[Category:Columbia Records artists]]
[[Category:Columbia Records artists]]
[[Category:Grammy Award-winning artists]]
[[Category:Country musicians from Virginia]]
[[Category:Grammy Award winners]]
[[Category:Jazz musicians from Virginia]]
[[Category:Musicians from Los Angeles]]
[[Category:People from Williamsburg, Virginia]]
[[Category:People from Williamsburg, Virginia]]
[[Category:Musicians from Virginia]]
[[Category:Singer-songwriters from California]]
[[Category:Singer-songwriters from Virginia]]
[[Category:University of Miami alumni]]

Latest revision as of 00:43, 8 January 2025

Bruce Hornsby
Hornsby in 2019
Hornsby in 2019
Background information
Birth nameBruce Randall Hornsby
Born (1954-11-23) November 23, 1954 (age 70)
Williamsburg, Virginia, U.S.
GenresRock, gospel, heartland rock, jazz, bluegrass, blues rock
Occupation(s)Singer, musician
Instruments
  • Vocals
  • piano
Years active1974–present
LabelsRCA, CBS/Sony, Sony BMG, Vanguard, Sire
Spouse
Kathy Yankovich
(m. 1983)
[1]
Websitebrucehornsby.com

Bruce Randall Hornsby (born November 23, 1954) is an American singer-songwriter and pianist. His music draws from folk rock, jazz, bluegrass, folk, Southern rock, country rock, jam band, rock, heartland rock, and blues rock musical traditions.[2][3]

Hornsby has won three Grammy Awards: a 1987 Grammy Award for Best New Artist with Bruce Hornsby and the Range, a 1990 Grammy Award for Best Bluegrass Recording, and a 1994 Grammy Award for Best Pop Instrumental Performance.

Hornsby has worked with his touring band Bruce Hornsby and the Noisemakers, his bluegrass project with Ricky Skaggs, and as a session and guest musician. He was a touring member of the Grateful Dead from September 1990 through March 1992, playing over 100 shows with the band.

His 23rd album, Flicted, was released in May 2022.

Early life and education

[edit]

Bruce Randall Hornsby was born in Williamsburg, Virginia, to Robert Stanley Hornsby (1920–1998), an attorney, real-estate developer and former musician, and Lois (née Saunier), a piano player and church community liaison who had a local middle school named after her.[4] He has two brothers, Robert Saunier "Bobby" Hornsby, a realtor with Hornsby Realty and locally known musician, and John Hornsby, an engineer with whom he has collaborated in songwriting.[5] They are cousins of actor David Hornsby.[6] While raised in the church of Christian Science, Hornsby went to doctors and dentists as needed. He had a politically liberal upbringing.[4]

Hornsby graduated from James Blair High School in Williamsburg in 1973, where he played on the basketball team and was chosen by his senior class as most likely to succeed.[7]

He studied music at the University of Richmond for a year, at the Berklee College of Music for two semesters, and then at the University of Miami, where he graduated in 1977.[8][9]

Career

[edit]

In 1974, Hornsby's older brother Bobby, who attended the University of Virginia, formed the band "Bobby Hi-Test and the Octane Kids" to play fraternity parties, featuring Bruce on Fender Rhodes and vocals.[10][11] The band, which is listed in Skeleton Key: A Dictionary for Deadheads, performed covers of Allman Brothers Band, The Band, and predominantly Grateful Dead songs.[11]

Bobby Hornsby's son, Robert Saunier Hornsby, was a recurring guest-guitarist with Hornsby's band and periodically toured with his uncle until his death on January 15, 2009, in a car accident near Crozet, Virginia at age 28.[12][13]

Following his graduation from the University of Miami in 1977, Hornsby returned to his hometown of Williamsburg, and played in local clubs and hotel bars. In 1980, he and his younger brother and songwriting partner John Hornsby moved to Los Angeles, where they spent three years writing for 20th Century Fox.[14] Before moving back to his native Hampton Roads, he also spent time in Los Angeles as a session musician. In 1982, Hornsby joined the band Ambrosia for their last album Road Island and can be seen in the band's video for the album's single "How Can You Love Me". After Ambrosia disbanded, he and bassist Joe Puerta performed as members of the touring band for Sheena Easton.[15] In 1984, Hornsby appeared in the music video for Easton's single "Strut".[16]

The Range

[edit]
Bruce Hornsby and the Range
OriginLos Angeles, California/Williamsburg, Virginia, United States
GenresRock, pop rock, soft rock
Years active1984–1991
LabelsRCA Records
Past membersBruce Hornsby
David Mansfield
George Marinelli
Joe Puerta
John Molo

In 1984, Hornsby formed Bruce Hornsby and the Range, who were signed to RCA Records in 1985. Besides Hornsby, Range members were David Mansfield (guitar, mandolin, violin), George Marinelli (guitars and backing vocals), former Ambrosia member Joe Puerta (bass guitar and backing vocals), and John Molo (drums).

Hornsby's recording career started with the biggest hit he has had to date, "The Way It Is". It reached number one on the Billboard Hot 100 in December 1986.[17][18] The song described aspects of homelessness, the American civil rights movement and institutional racism.[19] It has since been sampled by at least six rap artists, including Tupac Shakur, E-40, and Mase.[18]

With the success of the single, the album The Way It Is received the RIAA certification of multi-platinum.[20] It included "Mandolin Rain" (co-written, as many of Hornsby's early songs were, with his brother John), another top-five hit.[18] "Every Little Kiss" peaked at number 14 on the Billboard Hot 100 in July 1987.[21][18] Other tracks on the album helped establish what some labeled the "Virginia sound", a mixture of rock, jazz, and bluegrass.[22] Bruce Hornsby and the Range won the Grammy Award for Best New Artist in 1987, beating out Glass Tiger, Nu Shooz, Simply Red, and Timbuk3.

Hornsby and the Range's sound was distinctive for its use of syncopation in Hornsby's piano solos, a bright piano sound and an extensive use of synthesizers as background for Hornsby's solos. John Molo's drumbeats were often looped throughout the recorded versions of songs. They are typical double-time beats, which allowed Hornsby and the rest of the band to do more with their solos.

Bruce Hornsby Timeline
1984–1991 Bruce Hornsby and the Range
1990–1992 Grateful Dead
1993–1995 Solo Albums: Harbor Lights & Hot House
1996–1998 Further Festivals & The Other Ones, Solo Album: Spirit Trail
1998–present Bruce Hornsby and the Noise Makers
2007–present Ricky Skaggs & Bruce Hornsby
2007–present The Bruce Hornsby Trio (with Christian McBride & Jack DeJohnette)

Hornsby and the Range's second album, Scenes from the Southside (on which Peter Harris replaced Mansfield), was released in 1988.[23] It included "Look Out Any Window" and "The Valley Road" which many critics noted for their "more spacious" musical arrangements, allowing for "more expressive" piano solos from Hornsby.[24][25] It also included "Jacob's Ladder", which the Hornsby brothers wrote for musician friend Huey Lewis; Lewis's version became a number one hit from his album Fore!.[26][27] Scenes offered further slices of "Americana" and "small-town nostalgia",[25] but it was the band's last album to perform well in the singles market.[24]

During the late 1980s and early 1990s, Hornsby worked extensively as a producer and sideman, producing a comeback album Anything Can Happen for Leon Russell.[14] In 1987, Hornsby collaborated with Irish group Clannad, playing and lending vocals to their single "Something to Believe In". Hornsby also appears on the official music video release for the track. In 1989, Hornsby co-wrote and played piano on Don Henley's hit "The End of the Innocence". In 1991, he played piano on Bonnie Raitt's hit "I Can't Make You Love Me". He also appeared on albums by Bob Dylan, Robbie Robertson, Crosby Stills and Nash, Stevie Nicks and Squeeze.[24]

He slowly began to introduce jazz and bluegrass elements into his music, first in live performance settings and later on studio work.[18] In 1989, he first performed at the Telluride Bluegrass Festival. He also reworked his hit "The Valley Road" with the Nitty Gritty Dirt Band for their album Will the Circle Be Unbroken: Volume Two. In February 1990, the song won Best Bluegrass Recording at the 32nd Annual Grammy Awards.

In May 1990, he released A Night on the Town, on which he teamed up with jazz musicians Wayne Shorter (tenor saxophone) and Charlie Haden (double bass) as well as bluegrass pioneer Bela Fleck (banjo). A change in style became apparent as the album was much more rock and guitar driven, making use of Jerry Garcia's guitar work on several tracks, including prominently on the single "Across the River".[28] In concert, Hornsby and the Range began to stretch out their songs, incorporating more and more "freewheeling musical exchanges".[18] Critics praised the album for its production, its political relevance, and Hornsby's gestures toward expanding out of a strictly pop sound by incorporating jazz and bluegrass.[28] Ultimately, though, the core "rock band" sound of the Range limited Hornsby's aspirations, and after a final three-week tour in 1991, Hornsby disbanded the Range to enter a new phase of his career.[18] Drummer John Molo continued to perform regularly with Hornsby for another few years, although other members pursued separate musical endeavors. Following Hornsby's and Molo's involvement with The Other Ones, Molo left Hornsby to become the primary drummer with bass guitarist Phil Lesh and Friends.

Grateful Dead

[edit]
Hornsby playing accordion in Central Park in New York City

In 1988, Hornsby first appeared on stage with the Grateful Dead, a recurring collaboration that continued until the band's dissolution.[29] Hornsby was frequently a guest before becoming a regular fixture in the touring lineup for the Grateful Dead a few years later.

From 1988 until Jerry Garcia's death in 1995, Hornsby played more than 100 shows with the Grateful Dead.[30] At some shows in 1988 and 1989, he joined the band as a special guest and played accordion or synthesizer. Following the death of Grateful Dead keyboardist Brent Mydland in July 1990, Hornsby played piano (and frequently accordion) at many gigs. Mydland's place was filled in September 1990 by Vince Welnick, who became the sole keyboardist by March 1992, although Hornsby still sat in with the band on occasion.

Hornsby's own music evolved significantly during this time period. Critics have suggested that the Dead's vibrant tradition of melding folk music and the blues with psychedelic rock in "loose-knit expressions" and extended jamming "further pushed [Hornsby] outside the confines of mainstream pop".[18] Critics have also commented upon the close musical connection formed between Hornsby and Jerry Garcia, suggesting that Hornsby's particular style of jazz-fueled improvisation added to the band's repertoire and helped to revitalize and refocus Garcia's guitar solos in the band's sound.[29] Hornsby's friendship with Garcia continued, both inside and outside the band, as the two "challenged" each other to expand their musicianship through several other album and live collaborations.[31] Above all, Hornsby's musical versatility and ability to slip in and out of extended freeform jams won over longtime Grateful Dead fans.[32][33]

Since his first involvement with the Grateful Dead, Hornsby's live shows have drawn Deadheads and Hornsby has commented: "I've always liked the group of fans that we've drawn from the Grateful Dead time, because those fans are often adventurous music listeners".[34] He has performed several of their songs at his concerts and as homages on studio and live albums, while Hornsby originals "The Valley Road" and "Stander on the Mountain" appeared several times in the Dead's setlists. Hornsby also co-performed the improvisation "Silver Apples of the Moon" for the Grateful Dead's Infrared Roses.

Hornsby was the presenter when the Grateful Dead were inducted into the Rock and Roll Hall of Fame in 1994[35][36] and in 2005 he participated in "Comes a Time", a tribute concert to Jerry Garcia. He continues to work with Dead-related projects, such as Bob Weir's Ratdog, Mickey Hart's solo projects. He performed as part of The Other Ones in 1998 and 2000, and on occasion sat in with The Dead. Hornsby continues to be involved in the Grateful Dead and Furthur community. He played at the All Good Music Festival in 2012 with Bob Weir on rhythm guitar.[37] In mid-2013, Hornsby performed with Grateful Dead-influenced bluegrass group Railroad Earth. Hornsby reunited with surviving members of the Grateful Dead along with Trey Anastasio from Phish and Jeff Chimenti at Levi's Stadium in Santa Clara, California, and later at Soldier Field in Chicago, Illinois, in July 2015.[38]

Solo

[edit]
Hornsby in Portland, Oregon, 2006

Hornsby released his first solo album, Harbor Lights, in 1993. The record showcased him in a more jazz-oriented setting and featured a lineup that included Pat Metheny, Branford Marsalis, Jerry Garcia, Phil Collins and Bonnie Raitt. Hornsby secured his third Grammy in 1993 for Best Pop Instrumental for "Barcelona Mona" (composed with Branford Marsalis for the Barcelona Olympics).

In 1995, Hot House was released, its cover art featuring an imagined jam session between bluegrass musician Bill Monroe and jazz saxophonist Charlie Parker. Hornsby expanded into the jazz sound from Harbor Lights, this time reintroducing elements of bluegrass from A Night on the Town and his earlier collaborations.[39] "Walk in the Sun" reached number 54 on the Billboard Hot 100.[40]

"To be creative, spontaneous in the moment and make music in the present tense, that's what we're all about live. I write the songs, we make the records and then the records become a departure point, the basic blueprint, the basic arrangement. I'm fairly restless creatively. I was never a very good Top 40 band guy because I never liked to play the same thing every time. Too often songwriters approach their songs like museum pieces. I don't subscribe to that. I think of my songs as living beings that evolve and change and grow through the years."[41]
—Bruce Hornsby

During this time period, "even his concerts conveyed a looser, more playful mood, and Hornsby began taking requests from the audience".[18] Hornsby's concerts became "departure points" for his album compositions, which would be blended with and reworked into "lengthy spontaneous medleys".[18] Both in terms of audience requests and in terms of spontaneous on-stage decisions, Hornsby's performances became opportunities for him to challenge himself by trying to "find a way to seamlessly thread these seemingly disparate elements together".[18]

Hornsby next worked with several Grateful Dead reformation projects, including several Furthur Festivals and The Other Ones, which resulted in the release of a live album, The Strange Remain. As part of The Other Ones, Hornsby performed Grateful Dead tunes "Jack Straw" and "Sugaree" (which features Hornsby on lead vocal, in Jerry Garcia's absence), as well as Hornsby-originals "White-Wheeled Limousine" and "Rainbow's Cadillac". Hornsby dropped out of The Other Ones in 2002.[42]

In 1998, three years after Hot House, Hornsby released a double album, Spirit Trail. Featuring a picture of his uncle on the cover,[43] the collection blended instrumental tracks with the story-telling, rock, jazz, and other musical forms Hornsby had delved into over his career. The album considered "very Southern" themes with "songs about race, religion, judgment and tolerance" and "struggles with these issues".[44] An example is "Sneaking Up on Boo Radley", which references the character from Harper Lee's Pulitzer Prize-winning novel To Kill a Mockingbird.

Throughout the sequence of Harbor Lights, Hot House, and Spirit Trail, Hornsby's piano playing steadily gained further complexity, taking on a more varied array of musical styles and incorporating more difficult techniques, as evidenced by his two-hand-independence on Spirit Trail's "King of the Hill". During this same span of solo album years, Hornsby made several mini-tours playing solo piano gigs for the first time in his career.[26] The shows allowed Hornsby additional possibilities for segueing songs into other songs, often blurring lines between classical compositions, jazz standards, traditional bluegrass, folk, and fiddle tunes, Grateful Dead songs, as well as reworkings of Hornsby originals.[29] Hornsby reflected on these periods of intensive solo performances, stating that the solo tours helped him "recommit [himself] to the study of piano" and "take [his] playing to a whole new level", explorations and improvisations that would not be possible in a band setting.[45]

In August 2014, Hornsby released his first entirely live solo album, Solo Concerts.

In April 2019, his 21st album, Absolute Zero, was released. It features collaborations with Justin Vernon and Sean Carey of Bon Iver, Jack DeJohnette, Blake Mills, yMusic, The Staves, and Brad Cook.

The Noisemakers

[edit]

Hornsby's touring band lineup underwent extensive changes between 1998 and 2000, with longtime drummer John Molo joining former Grateful Dead bassist Phil Lesh in his band Phil Lesh & Friends.[29] A set of twenty consecutive shows performed by Hornsby and his band at Yoshi's Jazz Club in Oakland, California included a lot of spontaneity and taking requests from the audience, a form that he continues at live shows to this day.[46] As Hornsby experimented with a different sound, ushering in frequent collaborations with such musicians as Steve Kimock on guitar and Bobby Read on heavily effects-driven electronic woodwinds, a new band, dubbed the Noisemakers, took shape. In 2000, Hornsby chronicled this journey with a compilation live album entitled Here Come the Noise Makers, and did extensive touring with his new band featuring John "J.T." Thomas (keyboards, organ), Bobby Read (saxophones, woodwinds, flute), J.V. Collier (bass), Doug Derryberry (guitar, mandolin), and several different drummers before Sonny Emory took over full-time.

Hornsby performing a solo piano show June 21, 2005, in North Bethesda, Maryland, audience requests visible across keyboard

In 2002, Hornsby released Big Swing Face. The album was Hornsby's most experimental effort to date. It was the only album on which Hornsby barely plays any piano and relied heavily on post-electronica beats, drum loops, Pro Tools editing, and dense synthesizer arrangements.[47][48] Big Swing Face received mixed reviews, ranging from "a new and improved Bruce Hornsby"[49] to being called one of the "strangest records of 2002".[47]

In 2004, after 19 successful years on RCA Records, Hornsby signed with Columbia Records and returned to a more acoustic, piano-driven sound on his Columbia Records debut album, Halcyon Days, released in June 2004. Guests included Sting, Elton John and Eric Clapton.[50]

Throughout tours following the album's release, both with the Noisemakers and in solo performances, Hornsby continued to demonstrate his desire to "grow" as a singer and performer and to expand the instrumental possibilities of the piano in various genres.[22]

In July 2006, Hornsby released a four-CD/DVD box set titled Intersections (1985–2005). The discs are thematically broken into three categories: "Top 90 Time", "Solo Piano, Tribute Records, Country-Bluegrass, Movie Scores", and "By Request (Favorites and Best Songs)".[51] A full third of the music is previously unreleased; many familiar tracks are presented as unreleased live versions rather than the original studio recordings, and the majority of the remaining tracks are from single B-sides, collaborations or tribute albums, and movie soundtracks.[52] One song, "Song H", a new composition, was nominated for Best Pop Instrumental in 2007 at the 49th Annual Grammy Awards.[53]

In 2007, Hornsby began more regularly playing classical music: at a concert in St. Louis, Missouri, during Hornsby's improvisational session in "The Way It Is", he began playing J.S. Bach's Goldberg Variations along with the drums. In a different city, he played five straight Goldberg Variations over the drum intro of "Gonna Be Some Changes Made".[4]

On September 15, 2009, Bruce Hornsby and the Noisemakers released their fourth album, Levitate to mixed reviews; it included new solo material with several songs co-written with Chip DiMatteo for the Broadway play SCKBSTD.

In May 2011, the band released a live album, Bride of the Noisemakers.

On June 17, 2016, Bruce Hornsby and the Noisemakers released their sixth album and fourth studio album, Rehab Reunion. Hornsby only plays the dulcimer on the album and does not play piano. The album was also Hornsby's first release on 429 Records. Like on many of his previous releases, Rehab Reunion features collaborations with guest artists. Justin Vernon of Bon Iver sings background vocals on "Over the Rise". Mavis Staples duets with Hornsby on "Celestial Railroad". Also noteworthy is a folk version of "The Valley Road", originally a hit in 1988 with Hornsby's first backing band, the Range.[54]

Skaggs & Hornsby/The Bruce Hornsby Trio

[edit]

In March 2007, Hornsby teamed with bluegrass player Ricky Skaggs to produce a bluegrass album, Ricky Skaggs & Bruce Hornsby, followed by a tour. In 2000, the pair had collaborated on "Darlin' Cory", a track on the Big Mon Bill Monroe bluegrass music.[55] Ricky Skaggs & Bruce Hornsby, featuring the duo backed by Skaggs's band Kentucky Thunder, combined bluegrass, traditional country music, jazzy piano and a splash of humor on a spectrum of songs from the traditional to new compositions such as the opening track, "The Dreaded Spoon", a humorous tale of a youthful ice cream heist. The pair also reinvented Hornsby's hit "Mandolin Rain" as a minor key acoustic ballad and give his cautionary tale of backwoods violence, "A Night on the Town", a treatment highlighting the "Appalachian storytelling tradition that was always at the song's heart".[56][57]

The album ended with a cover of Rick James's funk hit "Super Freak" in a bluegrass arrangement. The album peaked at number one on the Billboard Bluegrass Albums list; it was on the charts for 52 weeks.[58] With the album, Hornsby disproved the notion that the piano is not compatible with "string-oriented" bluegrass. The duo released the live album Cluck Ol' Hen in September 2013.[59]

Concurrently with the bluegrass project, Hornsby recorded a jazz album, Camp Meeting with Christian McBride (bass) and Jack DeJohnette (drums).[60] Alongside original compositions by Hornsby, the trio delivered newly reharmonized versions of tunes by John Coltrane, Miles Davis, Thelonious Monk and Bud Powell, a previously unrecorded Ornette Coleman work ("Questions and Answers") and an early Keith Jarrett composition ("Death and the Flower").[61] The trio made a series of appearances in the summer of 2007, including the Playboy Jazz Festival, the Newport Jazz Festival and at the Hollywood Bowl.[62]

On January 4, 2007, former Grateful Dead members Bob Weir, Bill Kreutzmann and Mickey Hart reunited along with Hornsby, Mike Gordon (of Phish and the Rhythm Devils) and Warren Haynes to play two sets, including Dead classics, at a post-inauguration fundraising party for Speaker of the United States House of Representatives Nancy Pelosi.[63][64]

Hornsby wrote songs for SCKBSTD, a Broadway Musical; one song from this project, a playful biographical tune about real-estate tycoon Donald Trump titled "The Don of Dons", was played often at Hornsby's solo piano performances in early 2007. In 2009, he composed the score for Spike Lee's ESPN documentary, Kobe Doin' Work, about NBA star Kobe Bryant and his MVP season.[8]

Hornsby invested in Williamsburg area radio station "The Tide" WTYD 92.3 FM. He has endowed the Bruce Hornsby Creative American Music Program at the Frost School of Music of University of Miami.[65] Hornsby played himself in a cameo role in the Robin Williams movie World's Greatest Dad, in which Williams' character is a Bruce Hornsby fan.

Additional collaborations

[edit]

On July 10, 1990, Hornsby made a guest appearance with the Grateful Dead onstage at Carter-Finley Stadium in Raleigh, NC, playing accordion during portions of the first and second sets. Grateful Dead keyboardist Brent Mydland died just over two weeks later, and Hornsby was summoned as a temporary replacement. The Grateful Dead released this concert on YouTube in its entirety on July 10, 2020, the 30th anniversary of the performance.[66]

On October 18, 1991, Hornsby joined Pink Floyd, co-founder Roger Waters on stage at Auditorio de la Cartuja in Seville, Spain. Playing keyboards and singing the choruses of Comfortably Numb.[67]

In 2014, Hornsby toured selected dates with Pat Metheny Unity Group.

In 2016, Hornsby performed on a track, "Black Muddy River", along with indie folk band (and Justin Vernon's former band) DeYarmond Edison on Day of the Dead, a Grateful Dead cover album, benefiting the Red Hot Organization, an international charity dedicated to raising funds and awareness for HIV and AIDS. Hornsby performed the song alongside Vernon that same year in Eau Claire, Wisconsin. Hornsby performed alongside Vernon at Coachella in 2017, performing Bonnie Raitt's "I Can't Make You Love Me;" the performance also featured Jenny Lewis.[68]

Hornsby has composed and performed for many projects with filmmaker Spike Lee, including end-title songs for two films, Clockers (1995) with Chaka Khan and Bamboozled (2001). He contributed music for If God Is Willing and da Creek Don't Rise (2010), Old Boy (2013) and Chi-Raq (2015), and full film scores for Lee's Kobe Bryant documentary for ESPN: Kobe Doin' Work (2009), Red Hook Summer (2012), Da Sweet Blood of Jesus (2015), and Lee's film for the NBA 2K16 video game (2015). He scored Lee's Netflix production She's Gotta Have It (2017, 2019). Hornsby wrote and performed new music for Lee's film BlacKkKlansman (2018). in 1993, Lee directed the video for Hornsby's song "Talk Of The Town".

On July 3, 2023, Bruce appeared with The Doobie Brothers in Portsmouth, Virginia during their extended 50th anniversary tour, where he performed on keyboards and soloed on several songs.

On December 9, 2023, Bruce appeared with Goose in Hampton, Virginia during their Goosemas run, where he performed "The Way It Is" on keyboards.

Equipment

[edit]

Hornsby uses a Steinway & Sons concert grand piano. With the Range and up until 1995, he used a Baldwin concert grand piano. He currently uses a Korg M1 synthesizer. With the Range, Hornsby used an Oberheim OB-X synthesizer.

Hornsby selected ten Model B Steinway Grands to be featured in its Limited Edition Signature Piano Series, each one personalized with his signature. Hornsby owns three 9 ft (2.7 m) Model D Steinway Grands.

For his 2016 album Rehab Reunion, he played Appalachian dulcimer made by BlueLion.[69]

Personal life

[edit]

Hornsby and his wife Kathy have twin sons, born 1992: Russell, who ran for the Oregon Ducks track and field team at the University of Oregon, and Keith, who played Division I basketball for the University of North Carolina Asheville Bulldogs from 2011 to 2013, transferred to Louisiana State University and played for LSU from 2014 to 2016.[70] They were named after musicians Leon Russell and Keith Jarrett, respectively.[71][72]

Hornsby is a regular basketball player and an avid fan of the sport.[24] As such, he can frequently be seen at college basketball games throughout Virginia. Hornsby stated that he beat Allen Iverson in one-on-one basketball three games in a row after helping him get out of jail.[73] He is also a friend of baseball Hall of Fame manager Tony La Russa and attends games in St. Louis. Their friendship led to La Russa introducing Hornsby to jazz bassist Christian McBride, which then led to the formation of The Bruce Hornsby Trio (along with drummer Jack DeJohnette) and their first album, Camp Meeting.

Awards and nominations

[edit]
Award Year Nominee(s) Category Result Ref.
ASCAP Pop Music Awards 1988 "The Way It Is" Most Performed Songs Won [74]
1990 "The End of the Innocence" Won [75]
1991 Won [76]
Grammy Awards 1987 Bruce Hornsby & the Range Best New Artist Won [77]
1990 "The Valley Road" Best Bluegrass Recording Won
"The End of the Innocence" Song of the Year Nominated
Record of the Year Nominated
1991 "Across the River" Best Pop Performance by a Duo or Group with Vocal Nominated
1994 "Barcelona Mona" Best Pop Instrumental Performance Won
1995 "The Star Spangled Banner" Nominated
1996 "Song B" Nominated
"Love Me Still" Best Song Written for Visual Media Nominated
2000 "Song C" Best Pop Instrumental Performance Nominated
2005 "Song F" Nominated
2007 "Song H" Nominated
2009 "Is This America?" Best Country Instrumental Performance Nominated
MTV Video Music Awards 1987 "The Way It Is" Best New Artist in a Video Nominated [78]
Pollstar Concert Industry Awards 1987 Bruce Hornsby & the Range Next Major Arena Headliner Nominated [79]
1988 Nominated [80]
Tour Small Hall Tour Of The Year Won

Discography

[edit]

References

[edit]
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