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{{Short description|English composer (1937–2021)}}
{{Use dmy dates|date=June 2013}}
{{BLP sources|date=January 2010}}
{{Use dmy dates|date=September 2022}}
<!-- Deleted image removed: [[Image:Gordon Crosse (born 1937), English composer.jpg|right]] -->
<!-- Deleted image removed: [[Image:Gordon Crosse (born 1937), English composer.jpg|right]] -->
'''Gordon Crosse''' (born 1 December 1937) is an English [[composer]].
'''Gordon Crosse''' (1 December 1937 – 21 November 2021) was an English composer.


==Biography==
==Biography==
Crosse was born in [[Bury]], [[Lancashire]] and in 1961 graduated from [[St Edmund Hall, Oxford]] with a [[British undergraduate degree classification#First Class Honours|first class honours]] degree in Music. He then undertook two years of postgraduate research on early [[History of music#Renaissance music|fifteenth-century music]] before beginning an academic career at the [[University of Birmingham]]. Subsequent employment included posts at the Universities of [[University of Essex|Essex]], [[Cambridge University|Cambridge]] and [[University of California|California]]. He won the [[Worshipful Company of Musicians]]' [[Cobbett Medal]] for services to music in 1976. For two years after 1980 he taught part-time at the Royal Academy of Music in London but then retired to his [[Suffolk]] home to compose full-time.
Crosse was born in [[Bury, Lancashire]] on 1 December 1937,<ref>{{cite book | last = Humphreys | first = Maggie | title = Dictionary of composers for the Church in Great Britain and Ireland | publisher = Mansell | location = London Herndon, VA | year = 1997 | isbn = 9780720123302 | page=79}}</ref> and in 1961 graduated from [[St Edmund Hall, Oxford]] with a [[first class honours]] degree in music, where his tutors included [[Egon Wellesz]].<ref>Turner, John. [https://divineartrecords.com/remembering-gordon-crosse ''Remembering Gordon Crosse''], 22 November 2021</ref> He then undertook two years of postgraduate research on early [[History of music#Renaissance|fifteenth-century music]] before beginning an academic career at the [[University of Birmingham]]. Subsequent employment included posts at the Universities of [[University of Essex|Essex]], [[University of Cambridge|Cambridge]] and [[University of California|California]]. He won the [[Worshipful Company of Musicians]]' [[Cobbett Medal]] for services to music in 1976. For two years after 1980 he taught part-time at the Royal Academy of Music in London but then retired to his [[Suffolk]] home to compose full-time.


Crosse first came to prominence at the 1964 [[Aldeburgh Festival]] with ''Meet My Folks!'' (''Theme and Relations'', [[Opus number|op.]]10), a music theatre work for children and adults based on poems by [[Ted Hughes]]. Hughes would also provide the lyrics for five of Crosse's subsequent works: the "[[cantata]]" ''The Demon of Adachigahara'' (op.21, 1968); ''The New World'' for voice and piano (op.25); the opera ''The Story of Vasco'' (op.29, 1974); ''Wintersong'' for six singers and optional percussion (op.51); and ''Harvest Songs'' for two choirs and orchestra (op.56). ''The Demon of Adachigahara'', another music theatre work for children and adults, is a retelling of a traditional Japanese folk-tale akin to a [[Brothers Grimm]] story; it warns of the dangers of curiosity. ''The Story of Vasco'', premièred in 1974 by [[Sadler's Wells Opera]] at the [[Coliseum Theatre]] in London, is a setting of Hughes' translation and adaptation of [[Georges Schehadé]]'s play ''Histoire de Vasco''.
Crosse first came to prominence at the 1964 [[Aldeburgh Festival]] with ''Meet My Folks!'' (''Theme and Relations'', [[Opus number|op.]] 10), a music theatre work for children and adults based on poems by [[Ted Hughes]]. Hughes also provided the lyrics for five of Crosse's subsequent works: the "[[cantata]]" ''The Demon of Adachigahara'' (op. 21, 1968); ''The New World'' for voice and piano (op. 25); the opera ''The Story of Vasco'' (op. 29, 1974); ''Wintersong'' for six singers and optional percussion (op. 51); and ''Harvest Songs'' for two choirs and orchestra (op. 56). ''The Demon of Adachigahara'', another music theatre work for children and adults, is a retelling of a traditional Japanese folk-tale akin to a [[Brothers Grimm]] story; it warns of the dangers of curiosity. ''The Story of Vasco'', premièred in 1974 by [[Sadler's Wells Opera]] at the [[Coliseum Theatre]] in London, is a setting of Hughes' translation and adaptation of [[Georges Schehadé]]'s play ''Histoire de Vasco''.


''Changes'' (op. 17), for soprano, baritone, chorus and orchestra, was written for the 1966 Three Choirs Festival in Worcester. The title refers to the sound of church-bells and it sets Crosse's own choice of texts by a variety of English poets ("I spent as long choosing the text as writing the music.")<ref>Note by the composer with Lyrita CD SRCD 259.</ref>, an approach similar to that of Britten in his ''Spring Symphony''. Though the subject-matter is often dark - many of the texts relate to death - the composer aimed "to fashion something enjoyable to listener and performer alike."
''Changes'' (op. 17), for soprano, baritone, chorus and orchestra, was written for the 1966 Three Choirs Festival in Worcester. The title refers to the sound of church-bells and it sets Crosse's own choice of texts by a variety of English poets ("I spent as long choosing the text as writing the music"),<ref>Note by the composer with Lyrita CD SRCD 259.</ref> an approach similar to that of Britten in his ''Spring Symphony''. Though the subject-matter is often dark – many of the texts relate to death – the composer aimed "to fashion something enjoyable to listener and performer alike."


Crosse's first opera, ''[[Purgatory (drama)#Opera|Purgatory]]'' (op.18), is a one-act setting of the play by [[William Butler Yeats]]. The opera reflects Crosse's admiration for the music of Benjamin Britten, in particular ''The Turn of the Screw''<ref>Note by Calum MacDonald with Lyrita CD SRCD 313</ref>. It was written in 1966 and premièred at the [[Cheltenham Music Festival]] later that year. In 1969, Crosse returned to the Aldeburgh Festival to hear the [[English Opera Group]] première his second opera ''The Grace of Todd'' (op.20) and revive ''Purgatory''. The following year, the piece ''Some Marches on a Ground''&nbsp;<ref name=excerpt>[http://www.bmic.co.uk/collection/audiolist1.asp Online excerpt] available [[Wikipedia:As of|as of]] September 2006.{{Dead link|date=January 2010}}</ref> for full orchestra elaborated material that would later appear in ''The Story of Vasco'' of 1956.
Crosse's first opera, ''[[Purgatory (drama)#Operas|Purgatory]]'' (op. 18), is a one-act setting of the play by [[William Butler Yeats]]. The opera reflects Crosse's admiration for the music of Benjamin Britten, in particular ''The Turn of the Screw''.<ref>Note by Calum MacDonald with Lyrita CD SRCD 313</ref> It was written in 1966 and premièred at the [[Cheltenham Music Festival]] later that year. In 1969, Crosse returned to the Aldeburgh Festival to hear the [[English Opera Group]] première his second opera ''The Grace of Todd'' (op. 20) and revive ''Purgatory''. The following year, the piece ''Some Marches on a Ground''&nbsp;<ref name=excerpt>[https://web.archive.org/web/20050429004342/http://www.bmic.co.uk/collection/audiolist1.asp Online excerpt] available [[Wikipedia:As of|as of]] September 2006.{{Dead link|date=January 2010}}</ref> for full orchestra elaborated material that would later appear in ''The Story of Vasco'' of 1974.


Crosse also composed the music for ''[[King Lear (1983 TV drama)|King Lear]]'', the 1983 television production of [[King Lear|Shakespeare's play]], in which [[Laurence Olivier]] played the title role, and for which the celebrated actor won the last of his five [[Emmy Award]]s.<ref>http://www.imdb.com/name/nm0000059/awards</ref> The production marked Olivier's last appearance in a Shakespearean role. This is the only television production for which Crosse has composed the music.
Crosse also composed the music for ''[[King Lear (1983 TV drama)|King Lear]]'', the 1983 television production of [[King Lear|Shakespeare's play]], in which [[Laurence Olivier]] played the title role, and for which the celebrated actor won the last of his five [[Emmy Award]]s.<ref>{{Cite web|url=https://www.imdb.com/name/nm0000059/awards|title=Laurence Olivier|publisher=[[IMDb]]}}</ref> The production marked Olivier's last appearance in a Shakespearean role. This is the only television production for which Crosse has composed the music.


Crosse's interest in the relationship between music, literature and drama is evident in his concert as well as his theatrical work. Two examples are ''Memories of Morning: Night''&nbsp;<ref name=excerpt/> for [[mezzo-soprano]] and orchestra, based on [[Jean Rhys]]' novel ''[[Wide Sargasso Sea]]''; and ''World Within'' for actress, soprano and small ensemble, based on a text by [[Emily Brontë]]. Crosse also developed an interest in [[ballet]] after he adapted his orchestral piece ''Play Ground'' (1977) for choreographer [[Kenneth MacMillan]]. The ballet version of ''Play Ground'' was premièred at the 1979 [[Edinburgh Festival]] by the [[Sadler's Wells Theatre|Sadler's Wells Royal Ballet]], after which MacMillan then choreographed Crosse's [[Chamber music|chamber]] piece ''Wildboy'' (clarinet and ensemble, 1978) to produce a ballet for the [[American Ballet Theatre]]. In 1984, following a request by choreographer [[David Bintley]], Crosse extended [[Benjamin Britten]]'s ''[[Young Apollo]]'' for use as ballet music; the resulting ballet was premièred later that year by [[The Royal Ballet]] at the [[Royal Opera House]] in Covent Garden, London.
Crosse's interest in the relationship between music, literature and drama is evident in his concert as well as his theatrical work. Two examples are ''Memories of Morning: Night''&nbsp;<ref name=excerpt/> for [[mezzo-soprano]] and orchestra, based on [[Jean Rhys]]' novel ''[[Wide Sargasso Sea]]''; and ''World Within'' for actress, soprano and small ensemble, based on a text by [[Emily Brontë]]. Crosse also developed an interest in [[ballet]] after he adapted his orchestral piece ''Play Ground'' (1977) for choreographer [[Kenneth MacMillan]]. The ballet version of ''Play Ground'' was premièred at the 1979 [[Edinburgh Festival]] by the [[Sadler's Wells Theatre|Sadler's Wells Royal Ballet]], after which MacMillan then choreographed Crosse's [[Chamber music|chamber]] piece ''Wildboy'' (clarinet and ensemble, 1978) to produce a ballet for the [[American Ballet Theatre]]. In 1984, following a request by choreographer [[David Bintley]], Crosse extended [[Benjamin Britten]]'s ''[[Young Apollo]]'' for use as ballet music; the resulting ballet was premièred later that year by [[The Royal Ballet]] at the [[Royal Opera House]] in Covent Garden, London.


Works for soloist and orchestra form the other major strand in Crosse's composition. These include two violin concertos, a cello concerto<ref name=excerpt/> (written in 1979 "in memoriam [[Luigi Dallapiccola]]", based on a [[Motif (music)|motif]] from Dallapiccola's piece ''Piccola Musica Notturna'') and three works featuring blown instruments (''Ariadne'' for oboe, ''Thel'' for flute and ''Wildboy'' for clarinet).
Works for soloist and orchestra form the other major strand in Crosse's composition. These include two violin concertos, a cello concerto<ref name=excerpt/> (written in 1979 "in memoriam [[Luigi Dallapiccola]]", based on a [[Motif (music)|motif]] from Dallapiccola's piece ''Piccola Musica Notturna'') and three works featuring blown instruments (''Ariadne'' for oboe, commissioned for the oboist Sarah Francis, ''Thel'' for flute and ''Wildboy'' for clarinet).


==Later career and death==
His fiftieth birthday was celebrated in 1987 with featured performances at several festivals, and he was BBC Radio 3 "Composer of the Week" in December.
His fiftieth birthday was celebrated in 1987 with featured performances at several festivals, and he was BBC Radio 3 "Composer of the Week" in December. But following the completion of ''Sea Psalms'', written for Glasgow forces in its year as European City of Culture, 1990, Crosse shifted his focus to computer programming and [[music technology]], and in the following 17 years, produced little music, except several songs with recorder parts, written for the recorder player [[John Turner (recorder player)|John Turner]]. He retired from his programming job in 2004.<ref>{{Cite web|url=https://www.telegraph.co.uk/obituaries/2022/02/18/gordon-crosse-composer-set-music-works-ted-hughes-stevie-smith/|title=Gordon Crosse, composer who set to music works by Ted Hughes, Stevie Smith and Robert Graves – obituary|date=18 February 2022|access-date=1 December 2024|website=Telegraph.co.uk}}</ref>


With ''Dirge from Cymbeline'' for baritone and harp, written in 2007 for the NMC Songbook, Crosse resumed active composition. The ''Dirge'' was followed by a Trio for oboe, violin and cello (''Rhyming with Everything'') and a "Fantasia" for flute/recorder, harp and strings. Then came a stream of new works, both large scale and small. Chamber works included four more string quartets (Nos 2 to 5), ''Brief Encounter'' for oboe, recorder and strings, a trio for oboe, violin and cello, and the ''Three Kipling Songs'' (2008). Orchestral works included a Viola Concerto, a 3rd violin concerto 'Horizon' and the Symphonies No 3, 4, 5 'The Seabird's Cry' and 6 (for double string orchestra, piano, timpani and harp). OUP was the publisher of his pieces until 1990, and Cadenza Music was his primary publisher since 2008.<ref>{{Cite web|url=https://gordoncrosse.wordpress.com/about/|title=Biography|website=Gordoncrosse.wordpress.com|date=13 November 2016|access-date=1 December 2024}}</ref>
Following the completion of "Sea Psalms", written for Glasgow forces in its year as European City of Culture, 1990, Crosse shifted his focus to computer programming and [[music technology]], and in the following 17 years, produced little music, except several songs with recorder parts, written for the recorder player John Turner.


Crosse married Elizabeth Bunch in 1965 after they met at Aldeburgh, and they bought a house, Brant's Cottage in Blackheath, [[Wenhaston]], near Blythburgh, Suffolk. There were two sons.<ref>{{cite press release | url=https://brittenpearsarts.org/news/gordon-crosse-tribute | title=Gordon Crosse Tribute | website=Brittenpearsarts.org | date=December 2021 | access-date=2021-12-10}}</ref> She died of cancer in 2011. In later years his partner was the poet [[Wendy Mulford]], with whom he bought a cottage on [[Papa Westray]], the northern-most of the Orkney Islands.<ref>{{Cite web|url=https://www.britishmusicsociety.co.uk/2021/11/obituary-gordon-crosse/|title=Obituary: Gordon Crosse|website=Britishmusicsociety.co.uk|date=24 November 2021|access-date=1 December 2024}}</ref> Crosse died on 21 November 2021, at the age of 83.<ref>{{cite press release | url=https://www.nmcrec.co.uk/discover/gordon-crosse-1937-2021 | title=Gordon Crosse (1937–2021) | publisher=NMC Recordings | date=2 December 2021 | access-date=2021-12-10}}</ref>
With "Dirge from Cymbeline" for baritone and harp, written in 2007 for the NMC Songbook, Crosse is once again active as a composer and has written several larger works, notably a Trio for oboe, violin and cello (Rhyming with Everything) and a "Fantasia" for flute, harp and strings.

__NOTOC__


== Selected works ==
== Selected works ==
Line 31: Line 30:
===Orchestral===
===Orchestral===
{| style=text-align:center
{| style=text-align:center
⚫
|-
|width=40px| 2009
|width=40px| 2009
|width=245px align=left| ''Brief Encounter''
| style="width:245px; text-align:left;"| ''Brief Encounter''
|width=40px|
|width=40px|
|width=40px|
|width=40px|
Line 38: Line 38:
|-
|-
|
|
|align=left| ''Fantasia on "Ca' the Yowes"'' || || ||align=left| for recorder, harp & string orchestra
|align=left| ''Fantasia on "Ca' the Yowes"'' || || ||align=left| for flute/recorder, harp & string orchestra
|-
|-
|
|
Line 48: Line 48:
| 1979
| 1979
|align=left| ''Concerto for Violoncello and Orchestra''&nbsp;<ref name=excerpt/>
|align=left| ''Concerto for Violoncello and Orchestra''&nbsp;<ref name=excerpt/>
|| op.44 || 25' ||align=left| "In Memoriam Luigi Dallapiccola"
|| op.&nbsp;44 || 25' ||align=left| "In Memoriam Luigi Dallapiccola"
|-
|-
| 1978
| 1978
|align=left| ''Play Ground'' || op.41 || 27' ||align=left|
|align=left| ''Play Ground'' || op.&nbsp;41 || 27' ||align=left|
|-
|-
| 1975
| 1975
|align=left| ''Symphony No. 2'' || op.37 || 24' ||align=left|
|align=left| ''Symphony No. 2'' || op.&nbsp;37 || 24' ||align=left|
|-
|-
| 1974
| 1974
Line 61: Line 61:
|
|
|align=left| ''Memories of Morning: Night''&nbsp;<ref name=excerpt/>
|align=left| ''Memories of Morning: Night''&nbsp;<ref name=excerpt/>
| op.30 || 34' ||align=left| mezzo-soprano & orchestra
| op.&nbsp;30 || 34' ||align=left| mezzo-soprano & orchestra
|-
|-
|rowspan=2 valign=top| 1970
|rowspan=2 valign=top| 1970
|align=left| ''Some Marches on a Ground''&nbsp;<ref name=excerpt/>
|align=left| ''Some Marches on a Ground''&nbsp;<ref name=excerpt/>
| op.28 || 12' ||align=left|
| op.&nbsp;28 || 12' ||align=left|
|-
|-
|align=left| ''Concerto No. 2 for Violin and Orchestra''
|align=left| ''Concerto No. 2 for Violin and Orchestra''
| op.26 || 34' ||align=left|
| op.&nbsp;26 || 34' ||align=left|
|-
|-
| 1966
| 1966
|align=left| ''Changes: A Nocturnal Cycle''
|align=left| ''Changes: A Nocturnal Cycle''
| op.17 || 50' ||align=left| soprano & baritone soloists, chorus, orchestra
| op.&nbsp;17 || 50' ||align=left| soprano & baritone soloists, chorus, orchestra
|}
|}



===Chamber===
===Chamber===
{| style=text-align:center
{| style=text-align:center
⚫
|-
|width=40px| 1986
|width=40px| 1986
|width=245px align=left| ''Wintersong''
| style="width:245px; text-align:left;"| ''Wintersong''
| op.51 || 30' ||align=left| six singers, optional&nbsp;percussion
| op.&nbsp;51 || 30' ||align=left| six singers, optional&nbsp;percussion
|-
|-
| 1983
| 1983
Line 92: Line 92:
| 1980
| 1980
|align=left| ''A Year and a Day''&nbsp;<ref name=excerpt/>
|align=left| ''A Year and a Day''&nbsp;<ref name=excerpt/>
| op.48a || 8' ||align=left| solo clarinet
| op.&nbsp;48a || 8' ||align=left| solo clarinet
|-
|-
| 1979
| 1979
|align=left| ''Verses in Memoriam David Munrow''&nbsp;<ref>Revised in 1996 for [[Spitalfields Festival]].</ref>&nbsp;&nbsp;
|align=left| ''Verses in Memoriam David Munrow''&nbsp;<ref>Revised in 1996 for [[Spitalfields Festival]].</ref>&nbsp;&nbsp;
| || 9' ||align=left| countertenor, recorder, cello and&nbsp;harpsichord
| || 9' ||align=left| counter-tenor, recorder, cello and&nbsp;harpsichord
|-
|-
|rowspan=2 valign=top| 1978
|rowspan=2 valign=top| 1978
|align=left| ''Wildboy'' || op.42 || 27' ||align=left| clarinet and ensemble
|align=left| ''Wildboy'' || op.&nbsp;42 || 27' ||align=left| clarinet and ensemble
|-
|-
|align=left| ''Thel'' || op.38 || 14' ||align=left| flute, two horns and&nbsp;string&nbsp;ensemble
|align=left| ''Thel'' || op.&nbsp;38 || 14' ||align=left| flute, two horns and&nbsp;string&nbsp;ensemble
⚫
⚫
|-
| 1973
| 1973
|align=left| ''Dreamsongs''&nbsp;<ref>Revised and enlarged for chamber orchestra as op.43.</ref>
|align=left| ''Dreamsongs''&nbsp;<ref>Revised and enlarged for chamber orchestra as op.&nbsp;43.</ref>
|| op.35 || 14' ||align=left| clarinet, oboe, bassoon, piano
|| op.&nbsp;35 || 14' ||align=left| clarinet, oboe, bassoon, piano
|-
|-
| 1972
| 1972
|align=left| ''Ariadne'' || op.31 || 23' ||align=left| oboe and ensemble
|align=left| ''Ariadne'' || op.&nbsp;31 || 23' ||align=left| oboe and ensemble
|-
|-
|
|
|align=left| ''The New World'' || op.25 || 20' ||align=left| voice and piano
|align=left| ''The New World'' || op.&nbsp;25 || 20' ||align=left| voice and piano
|}
|}


===Opera and music theatre===
===Opera and music theatre===
{| style=text-align:center
{| style=text-align:center
⚫
|-
|width=40px| 1977
|width=40px| 1977
|width=245px align=left| ''World Within''
| style="width:245px; text-align:left;"| ''World Within''
|width=40px| op.40
|width=40px| op.&nbsp;40
|width=40px| 43'
|width=40px| 43'
|align=left| actress, mezzo-soprano, ensemble
|align=left| actress, mezzo-soprano, ensemble
|-
|-
| 1974
| 1974
|align=left| ''The Story of Vasco'' || op.29 || 135' ||align=left| three-act opera
|align=left| ''The Story of Vasco'' || op.&nbsp;29 || 135' ||align=left| three-act opera
|-
|-
| 1968
| 1968
|align=left| ''The Demon of Adachigahara''
|align=left| ''The Demon of Adachigahara''
| op.21 || 30' ||align=left| children and adults
| op.&nbsp;21 || 30' ||align=left| children and adults
|-
|-
|
|
|align=left| ''The Grace of Todd'' || op.20 || 75' ||align=left| "comedy in three scenes"
|align=left| ''The Grace of Todd'' || op.&nbsp;20 || 75' ||align=left| "comedy in three scenes"
|-
|-
| 1966
| 1966
|align=left| ''Purgatory'' || op.18 || 40' ||align=left| one-act opera
|align=left| ''Purgatory'' || op.&nbsp;18 || 40' ||align=left| one-act opera
|-
|-
| 1964
| 1964
|align=left| ''Meet My Folks! (Theme and Relations)''
|align=left| ''Meet My Folks! (Theme and Relations)''
| op.10 || 25' ||align=left| children and adults
| op.&nbsp;10 || 25' ||align=left| children and adults
⚫
|-
|}
|}


== Recordings ==
== Recordings ==
{|
{|
|-
|width=180px| ''Meet My Folks!'' ||width=50px| op.10
| style="width:180px;"| ''Meet My Folks!'' ||width=50px| op.&nbsp;10
|width=155px| [[EMI]] CLP 1893 (LP)
| style="width:175px;"| [[EMI]] CLP 1893 (LP)
|style=font-size:90%|
|style=font-size:90%|
|-
|-
|width=180px| ''Concerto da Camera'' ||width=50px| op.6
| style="width:180px;"| ''Concerto da Camera'' ||width=50px| op.&nbsp;6
|width=155px| [[EMI]] ASD 2333 (LP)<br>[[Argo Records (UK)|Argo]] ZRG 759 (LP)<br> [[EMI]] 50999 9 18514 2 (CD)
| style="width:155px;"| [[EMI]] ASD 2333 (LP)<br>[[Argo Records (UK)|Argo]] ZRG 759 (LP)<br> [[EMI]] 50999 9 18514 2 (CD)
|style=font-size:90%| Manoug Parikian (violin), Melos Ensemble conducted by Edward Downes
|style=font-size:90%| Manoug Parikian (violin), [[Melos Ensemble]] conducted by [[Edward Downes]]
|-
|-
| ''Changes: A Nocturnal Cycle'' || op.17
| ''Changes: A Nocturnal Cycle'' || op.&nbsp;17
| [[Argo Records (UK)|Argo]] ZRG 656 (LP)<br>[[Lyrita]] SRCD 259 (CD)
| [[Argo Records (UK)|Argo]] ZRG 656 (LP)<br>[[Lyrita]] SRCD 259 (CD)
|style=font-size:90%| [[Jennifer Vyvyan|Vyvyan]], [[John Shirley-Quirk|Shirley-Quirk]], [[London Symphony Orchestra|LSO]] & Chorus [[Conducting|cond.]] [[Norman del Mar|del Mar]]
|style=font-size:90%| [[Jennifer Vyvyan|Vyvyan]], [[John Shirley-Quirk|Shirley-Quirk]], [[London Symphony Orchestra|LSO]] & Chorus conducted by [[Norman Del Mar|Del Mar]]
|-
|-
| ''Purgatory'' || op.18
| ''Purgatory'' || op.&nbsp;18
| [[Argo Records (UK)|Argo]] ZRG 810 (LP)<br>[[Lyrita]] SRCD 313 (CD)
| [[Argo Records (UK)|Argo]] ZRG 810 (LP)<br>[[Lyrita]] SRCD 313 (CD)
|style=font-size:90%|
|style=font-size:90%|
|-
|-
| ''Some Marches on a Ground'' || op.28
| ''Some Marches on a Ground'' || op.&nbsp;28
| RCA Gold Seal GL 25018 (LP)
| First Edition LS 471 (LP)<br>RCA Gold Seal GL 25018 (LP)
|style=font-size:90%| Louisville Orchestra conducted by Jorge Mester<ref>Upload on YouTube</ref>
|style=font-size:90%| [[Louisville Orchestra]] conducted by [[Jorge Mester]]<ref>{{YouTube|bwxYvcRWYjo}}</ref>
|-
|-
| ''The New World'' || op.25
| ''The New World'' || op.&nbsp;25
| [[Unicorn-Kanchana|U-K]]&nbsp;DKP&nbsp;&nbsp;9093 (CD)
| [[Unicorn-Kanchana|U-K]]&nbsp;DKP&nbsp;&nbsp;9093 (CD)
|style=font-size:90%| Muriel Dickinson (voice); Peter Dickinson (piano)
|style=font-size:90%| Muriel Dickinson (voice); Peter Dickinson (piano)
|-
|-
| ''A Year and a Day'' || op.48a
| ''A Year and a Day'' || op.&nbsp;48a
| [http://www.divine-art.co.uk/CD/92013info.htm Métier MSV 92013](CD)
| [http://www.divine-art.co.uk/CD/92013info.htm Métier MSV 92013](CD)
|style=font-size:90%| Kate Romano (clarinet); Alan Hicks (piano)
|style=font-size:90%| Kate Romano (clarinet); Alan Hicks (piano)
|-
|-
| ''Ariadne'' || op.31
| ''Ariadne'' || op.&nbsp;31
| [[Argo Records (UK)|Argo]] ZRG 842 (LP)<br>[[Lyrita]] SRCD 259 (CD)
| [[Argo Records (UK)|Argo]] ZRG 842 (LP)<br>[[Lyrita]] SRCD 259 (CD)
|style=font-size:90%|Sarah Francis (oboe); London Symphony Orchestra ensemble conducted by Michael Lankester
|style=font-size:90%|Sarah Francis (oboe); [[London Symphony Orchestra|LSO]] ensemble conducted by Michael Lankester
|-
|-
| ''Watermusic'' ||
| ''Watermusic'' ||
| [https://nl.wikipedia.org/wiki/Olympia_Compact_Discs_Ltd. Olympia] OCD 714 (CD)
| [[:nl:Olympia Compact Discs Ltd.|Olympia]] OCD 714 (CD)
|style=font-size:90%| John Turner (recorders); Peter Lawson (piano)
|style=font-size:90%| John Turner (recorders); Peter Lawson (piano)
|-
|-
| ''Wavesongs'' ||
| ''Wavesongs'' ||
| [http://www.nmcrec.co.uk/ NMC] 019 (CD)
| [http://www.nmcrec.co.uk/ NMC] D019 (CD)
|style=font-size:90%| Alexander Baillie (cello); Andrew Ball (piano)
|style=font-size:90%| Alexander Baillie (cello); [[Andrew Ball (pianist)|Andrew Ball]] (piano)
|-
|-
| ''Memories of Morning: Night''<br>''Cello Concerto''<br>''Some Marches on a Ground''
| ''Memories of Morning: Night''<br>''Cello Concerto''<br>''Some Marches on a Ground''
| op.30<br>op.44<br>op.28
| op.&nbsp;30<br>op.&nbsp;44<br>op.&nbsp;28
| [http://www.nmcrec.co.uk/ NMC] D058 (CD)
| [http://www.nmcrec.co.uk/ NMC] D058 (CD)
|style=font-size:90%| Bickley (mezzo-soprano) Alexander Baillie (cello)<br>[[BBC Symphony Orchestra|BBCSO]] conducted by Martyn Brabbins
|style=font-size:90%| Bickley (mezzo-soprano) Alexander Baillie (cello)<br>[[BBC Symphony Orchestra|BBCSO]] conducted by [[Martyn Brabbins]]
|-
|-
| ''Three Kipling Songs''<br>''Rhyming with Everything (Trio)'' ||
| ''Three Kipling Songs''<br>''Rhyming with Everything (Trio)'' ||
Line 192: Line 193:
|style=font-size:90%| Lesley-Jane Rogers (soprano), John Turner (recorder), Richard Simpson (oboe), Richard Howarth (violin), Jonathan Price (cello)
|style=font-size:90%| Lesley-Jane Rogers (soprano), John Turner (recorder), Richard Simpson (oboe), Richard Howarth (violin), Jonathan Price (cello)
|-
|-
| ''Elegy and Scherzo for string orchestra'' || op.47
| ''Elegy and Scherzo for string orchestra'' || op.&nbsp;47
| [[Dutton Vocalion|Dutton]] CDLX 7207 (CD)
| [[Dutton Vocalion|Dutton]] CDLX 7207 (CD)
|style=font-size:90%| Manchester Chamber Ensemble conducted by Richard Howarth
|style=font-size:90%| Manchester Chamber Ensemble conducted by Richard Howarth
Line 199: Line 200:
| [http://www.divine-art.co.uk/CD/77201info.htm Métier MSV 77201] (CD)
| [http://www.divine-art.co.uk/CD/77201info.htm Métier MSV 77201] (CD)
|style=font-size:90%| Matthew Jones (viola), John Turner (recorder)<br>Manchester Sinfonia conducted by Timothy Reynish
|style=font-size:90%| Matthew Jones (viola), John Turner (recorder)<br>Manchester Sinfonia conducted by Timothy Reynish
⚫
|-
|}
|}


== Bibliography ==
== Bibliography ==
* Gordon Crosse, ''Meet My Folks! A theme and relations. For speaker, children’s chorus, children’s percussion band, and adult percussion and instrumental players (Opus 10)'', setting of a book of children's poems by [[Ted Hughes]] ([[Oxford University Press]], Oxford, 1965, with cover and illustrations by [[George Worsley Adamson|George Adamson]])<ref>{{Cite web|url=https://georgewadamson.com/publications.html|title=Book illustration: the work of George Adamson, 1913–2005, illustrator and humorist|website=Georgewadamson.com|access-date=1 December 2024}}</ref>
* Gordon Crosse, ''The Demon of Adachigahara'', setting of a poem by Ted Hughes ([[Oxford University Press]], Oxford, 1969)<ref>Keith Sagar and Stephen Tabor: ''Ted Hughes: A Bibliography 1946-1980'', Mansell Publishing Limited, London, 1983, p. 211.</ref>
* Gordon Crosse, ''The New World'', setting of six poems by Ted Hughes ([[Oxford University Press]], Oxford, 1975)<ref>Keith Sagar and Stephen Tabor: ''Ted Hughes: A Bibliography 1946-1980'', Mansell Publishing Limited, London, 1983, p. 212.</ref>
* ed. Lewis Foreman, ''British Music Now: A Guide to the Work of Younger Composers'' (Paul Elek Ltd.: London, September 1975)
* ed. Lewis Foreman, ''British Music Now: A Guide to the Work of Younger Composers'' (Paul Elek Ltd.: London, September 1975)
* ed. Walsh, Holden and Kenyon, ''Viking Opera Guide: Gordon Crosse'' (Viking: London, 1993; ISBN 0-670-81292-7)
* ed. Walsh, Holden and Kenyon, ''Viking Opera Guide: Gordon Crosse'' (Viking: London, 1993; {{ISBN|0-670-81292-7}})
* Crosse has written for and been written about in the journal [[Tempo (journal)|''Tempo'']].
* Crosse has written for and been written about in the journal [[Tempo (journal)|''Tempo'']].
* Burn, Andrew, ''Gordon Crosse at 50'', in ''Musical Times'', Vol. 128, No. 1738, p.&nbsp;679 (December 1987)
* Burn, Andrew, ''Gordon Crosse at 50'', in ''Musical Times'', Vol. 128, No. 1738, p.&nbsp;679 (December 1987)

== References ==
{{reflist}}


== External links ==
== External links ==
* [https://gordoncrosse.wordpress.com/ website of Gordon Crosse].
* [http://www.oup.co.uk/music/repprom/crosse/prognotes/ Programme notes by Gordon Crosse on his music] held by [[Oxford University Press|OUP]].
* [http://www.oup.co.uk/music/repprom/crosse/prognotes/ Programme notes by Gordon Crosse on his music] held by [[Oxford University Press|OUP]].
* [https://composersedition.com/gordoncrosse/ Scores published by Composers Edition]
* [http://ukcatalogue.oup.com/category/music/composers/crosse.do] Details of Crosse's scores published by [[Oxford University Press|OUP]].
* [http://ukcatalogue.oup.com/category/music/composers/crosse.do] Details of Crosse's scores published by [[Oxford University Press|OUP]].
* [http://blogs.telegraph.co.uk/culture/michaelwhite/100059612/gordon-crosse-a-lost-figure-of-british-music-but-resplendently-back-in-business-at-last-nights-park-lane-group-concert/] Comments on Gordon Crosse's music in review by Michael White from the ''Daily Telegraph''
* [https://web.archive.org/web/20120118003726/http://blogs.telegraph.co.uk/culture/michaelwhite/100059612/gordon-crosse-a-lost-figure-of-british-music-but-resplendently-back-in-business-at-last-nights-park-lane-group-concert/] Comments on Gordon Crosse's music in review by Michael White from the ''Daily Telegraph''
* [http://www.musicweb-international.com/classrev/2013/July13/Mixed_doubles_MSV77201.htm] Review of Crosse CD on Music Web Interntaional
* [http://www.musicweb-international.com/classrev/2013/July13/Mixed_doubles_MSV77201.htm Mixed Doubles Reynish MÉTIER MSV77201[JF]: Classical Music Reviews - July 2013 MusicWeb-International] Review of Crosse CD on Music Web International
* [https://soundcloud.com/gordonx Recordings of multiple works by Gordon Crosse on Soundcloud]

* {{Discogs artist|Gordon Crosse}}
== Footnotes ==
* {{IMDb name|0189168}}
<div class=references-small><references/></div>


{{Authority control|VIAF=383688}}
{{Authority control}}


{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
⚫
| NAME = Crosse, Gordon
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = British composer
| DATE OF BIRTH = 1 December 1937
| PLACE OF BIRTH =
| DATE OF DEATH =
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Crosse, Gordon}}
{{DEFAULTSORT:Crosse, Gordon}}
<!--Categories-->
[[Category:1937 births]]
[[Category:1937 births]]
[[Category:2021 deaths]]
[[Category:English composers]]
[[Category:English composers]]
[[Category:Alumni of St Edmund Hall, Oxford]]
[[Category:Alumni of St Edmund Hall, Oxford]]
[[Category:Academics of the University of Essex]]
[[Category:Academics of the University of Essex]]
[[Category:People from Bury]]
[[Category:People from Bury, Greater Manchester]]
[[Category:Living people]]
[[Category:Honorary members of the Royal Academy of Music]]
[[Category:Honorary Members of the Royal Academy of Music]]

Latest revision as of 16:27, 1 December 2024

Gordon Crosse (1 December 1937 – 21 November 2021) was an English composer.

Biography

[edit]

Crosse was born in Bury, Lancashire on 1 December 1937,[1] and in 1961 graduated from St Edmund Hall, Oxford with a first class honours degree in music, where his tutors included Egon Wellesz.[2] He then undertook two years of postgraduate research on early fifteenth-century music before beginning an academic career at the University of Birmingham. Subsequent employment included posts at the Universities of Essex, Cambridge and California. He won the Worshipful Company of Musicians' Cobbett Medal for services to music in 1976. For two years after 1980 he taught part-time at the Royal Academy of Music in London but then retired to his Suffolk home to compose full-time.

Crosse first came to prominence at the 1964 Aldeburgh Festival with Meet My Folks! (Theme and Relations, op. 10), a music theatre work for children and adults based on poems by Ted Hughes. Hughes also provided the lyrics for five of Crosse's subsequent works: the "cantata" The Demon of Adachigahara (op. 21, 1968); The New World for voice and piano (op. 25); the opera The Story of Vasco (op. 29, 1974); Wintersong for six singers and optional percussion (op. 51); and Harvest Songs for two choirs and orchestra (op. 56). The Demon of Adachigahara, another music theatre work for children and adults, is a retelling of a traditional Japanese folk-tale akin to a Brothers Grimm story; it warns of the dangers of curiosity. The Story of Vasco, premièred in 1974 by Sadler's Wells Opera at the Coliseum Theatre in London, is a setting of Hughes' translation and adaptation of Georges Schehadé's play Histoire de Vasco.

Changes (op. 17), for soprano, baritone, chorus and orchestra, was written for the 1966 Three Choirs Festival in Worcester. The title refers to the sound of church-bells and it sets Crosse's own choice of texts by a variety of English poets ("I spent as long choosing the text as writing the music"),[3] an approach similar to that of Britten in his Spring Symphony. Though the subject-matter is often dark – many of the texts relate to death – the composer aimed "to fashion something enjoyable to listener and performer alike."

Crosse's first opera, Purgatory (op. 18), is a one-act setting of the play by William Butler Yeats. The opera reflects Crosse's admiration for the music of Benjamin Britten, in particular The Turn of the Screw.[4] It was written in 1966 and premièred at the Cheltenham Music Festival later that year. In 1969, Crosse returned to the Aldeburgh Festival to hear the English Opera Group première his second opera The Grace of Todd (op. 20) and revive Purgatory. The following year, the piece Some Marches on a Ground [5] for full orchestra elaborated material that would later appear in The Story of Vasco of 1974.

Crosse also composed the music for King Lear, the 1983 television production of Shakespeare's play, in which Laurence Olivier played the title role, and for which the celebrated actor won the last of his five Emmy Awards.[6] The production marked Olivier's last appearance in a Shakespearean role. This is the only television production for which Crosse has composed the music.

Crosse's interest in the relationship between music, literature and drama is evident in his concert as well as his theatrical work. Two examples are Memories of Morning: Night [5] for mezzo-soprano and orchestra, based on Jean Rhys' novel Wide Sargasso Sea; and World Within for actress, soprano and small ensemble, based on a text by Emily Brontë. Crosse also developed an interest in ballet after he adapted his orchestral piece Play Ground (1977) for choreographer Kenneth MacMillan. The ballet version of Play Ground was premièred at the 1979 Edinburgh Festival by the Sadler's Wells Royal Ballet, after which MacMillan then choreographed Crosse's chamber piece Wildboy (clarinet and ensemble, 1978) to produce a ballet for the American Ballet Theatre. In 1984, following a request by choreographer David Bintley, Crosse extended Benjamin Britten's Young Apollo for use as ballet music; the resulting ballet was premièred later that year by The Royal Ballet at the Royal Opera House in Covent Garden, London.

Works for soloist and orchestra form the other major strand in Crosse's composition. These include two violin concertos, a cello concerto[5] (written in 1979 "in memoriam Luigi Dallapiccola", based on a motif from Dallapiccola's piece Piccola Musica Notturna) and three works featuring blown instruments (Ariadne for oboe, commissioned for the oboist Sarah Francis, Thel for flute and Wildboy for clarinet).

Later career and death

[edit]

His fiftieth birthday was celebrated in 1987 with featured performances at several festivals, and he was BBC Radio 3 "Composer of the Week" in December. But following the completion of Sea Psalms, written for Glasgow forces in its year as European City of Culture, 1990, Crosse shifted his focus to computer programming and music technology, and in the following 17 years, produced little music, except several songs with recorder parts, written for the recorder player John Turner. He retired from his programming job in 2004.[7]

With Dirge from Cymbeline for baritone and harp, written in 2007 for the NMC Songbook, Crosse resumed active composition. The Dirge was followed by a Trio for oboe, violin and cello (Rhyming with Everything) and a "Fantasia" for flute/recorder, harp and strings. Then came a stream of new works, both large scale and small. Chamber works included four more string quartets (Nos 2 to 5), Brief Encounter for oboe, recorder and strings, a trio for oboe, violin and cello, and the Three Kipling Songs (2008). Orchestral works included a Viola Concerto, a 3rd violin concerto 'Horizon' and the Symphonies No 3, 4, 5 'The Seabird's Cry' and 6 (for double string orchestra, piano, timpani and harp). OUP was the publisher of his pieces until 1990, and Cadenza Music was his primary publisher since 2008.[8]

Crosse married Elizabeth Bunch in 1965 after they met at Aldeburgh, and they bought a house, Brant's Cottage in Blackheath, Wenhaston, near Blythburgh, Suffolk. There were two sons.[9] She died of cancer in 2011. In later years his partner was the poet Wendy Mulford, with whom he bought a cottage on Papa Westray, the northern-most of the Orkney Islands.[10] Crosse died on 21 November 2021, at the age of 83.[11]

Selected works

[edit]

Orchestral

[edit]
2009 Brief Encounter for oboe d'amore, recorder & string orchestra
Fantasia on "Ca' the Yowes" for flute/recorder, harp & string orchestra
Viola Concerto for viola & string orchestra with French horn
1986 Array 30' for trumpet & string orchestra
1979 Concerto for Violoncello and Orchestra [5] op. 44 25' "In Memoriam Luigi Dallapiccola"
1978 Play Ground op. 41 27'
1975 Symphony No. 2 op. 37 24'
1974 Young Apollo 30'
Memories of Morning: Night [5] op. 30 34' mezzo-soprano & orchestra
1970 Some Marches on a Ground [5] op. 28 12'
Concerto No. 2 for Violin and Orchestra op. 26 34'
1966 Changes: A Nocturnal Cycle op. 17 50' soprano & baritone soloists, chorus, orchestra

Chamber

[edit]
1986 Wintersong op. 51 30' six singers, optional percussion
1983 Wavesongs [5] 30' cello and piano
1982 Watermusic [12] 11' recorders (one player) and piano
1980 A Year and a Day [5] op. 48a 8' solo clarinet
1979 Verses in Memoriam David Munrow [13]   9' counter-tenor, recorder, cello and harpsichord
1978 Wildboy op. 42 27' clarinet and ensemble
Thel op. 38 14' flute, two horns and string ensemble 1973 Dreamsongs [14] op. 35 14' clarinet, oboe, bassoon, piano
1972 Ariadne op. 31 23' oboe and ensemble
The New World op. 25 20' voice and piano

Opera and music theatre

[edit]
1977 World Within op. 40 43' actress, mezzo-soprano, ensemble
1974 The Story of Vasco op. 29 135' three-act opera
1968 The Demon of Adachigahara op. 21 30' children and adults
The Grace of Todd op. 20 75' "comedy in three scenes"
1966 Purgatory op. 18 40' one-act opera
1964 Meet My Folks! (Theme and Relations) op. 10 25' children and adults

Recordings

[edit]
Meet My Folks! op. 10 EMI CLP 1893 (LP)
Concerto da Camera op. 6 EMI ASD 2333 (LP)
Argo ZRG 759 (LP)
EMI 50999 9 18514 2 (CD) 		Manoug Parikian (violin), Melos Ensemble conducted by Edward Downes
Changes: A Nocturnal Cycle op. 17 Argo ZRG 656 (LP)
Lyrita SRCD 259 (CD) 		Vyvyan, Shirley-Quirk, LSO & Chorus conducted by Del Mar
Purgatory op. 18 Argo ZRG 810 (LP)
Lyrita SRCD 313 (CD)
Some Marches on a Ground op. 28 First Edition LS 471 (LP)
RCA Gold Seal GL 25018 (LP) 		Louisville Orchestra conducted by Jorge Mester[15]
The New World op. 25 U-K DKP  9093 (CD) Muriel Dickinson (voice); Peter Dickinson (piano)
A Year and a Day op. 48a Métier MSV 92013(CD) Kate Romano (clarinet); Alan Hicks (piano)
Ariadne op. 31 Argo ZRG 842 (LP)
Lyrita SRCD 259 (CD) 		Sarah Francis (oboe); LSO ensemble conducted by Michael Lankester
Watermusic Olympia OCD 714 (CD) John Turner (recorders); Peter Lawson (piano)
Wavesongs NMC D019 (CD) Alexander Baillie (cello); Andrew Ball (piano)
Memories of Morning: Night
Cello Concerto
Some Marches on a Ground 		op. 30
op. 44
op. 28 		NMC D058 (CD) Bickley (mezzo-soprano) Alexander Baillie (cello)
BBCSO conducted by Martyn Brabbins
Three Kipling Songs
Rhyming with Everything (Trio)		 Prima Facie PFCD0004 (CD) Lesley-Jane Rogers (soprano), John Turner (recorder), Richard Simpson (oboe), Richard Howarth (violin), Jonathan Price (cello)
Elegy and Scherzo for string orchestra op. 47 Dutton CDLX 7207 (CD) Manchester Chamber Ensemble conducted by Richard Howarth
Brief Encounter
Viola Concerto
Fantasia on 'Ca the Yowes'		 Métier MSV 77201 (CD) Matthew Jones (viola), John Turner (recorder)
Manchester Sinfonia conducted by Timothy Reynish

Bibliography

[edit]
  • Gordon Crosse, Meet My Folks! A theme and relations. For speaker, children’s chorus, children’s percussion band, and adult percussion and instrumental players (Opus 10), setting of a book of children's poems by Ted Hughes (Oxford University Press, Oxford, 1965, with cover and illustrations by George Adamson)[16]
  • Gordon Crosse, The Demon of Adachigahara, setting of a poem by Ted Hughes (Oxford University Press, Oxford, 1969)[17]
  • Gordon Crosse, The New World, setting of six poems by Ted Hughes (Oxford University Press, Oxford, 1975)[18]
  • ed. Lewis Foreman, British Music Now: A Guide to the Work of Younger Composers (Paul Elek Ltd.: London, September 1975)
  • ed. Walsh, Holden and Kenyon, Viking Opera Guide: Gordon Crosse (Viking: London, 1993; ISBN 0-670-81292-7)
  • Crosse has written for and been written about in the journal Tempo.
  • Burn, Andrew, Gordon Crosse at 50, in Musical Times, Vol. 128, No. 1738, p. 679 (December 1987)

References

[edit]
  1. ^ Humphreys, Maggie (1997). Dictionary of composers for the Church in Great Britain and Ireland. London Herndon, VA: Mansell. p. 79. ISBN 9780720123302.
  2. ^ Turner, John. Remembering Gordon Crosse, 22 November 2021
  3. ^ Note by the composer with Lyrita CD SRCD 259.
  4. ^ Note by Calum MacDonald with Lyrita CD SRCD 313
  5. ^ a b c d e f g h Online excerpt available as of September 2006.[dead link‍]
  6. ^ "Laurence Olivier". IMDb.
  7. ^ "Gordon Crosse, composer who set to music works by Ted Hughes, Stevie Smith and Robert Graves – obituary". Telegraph.co.uk. 18 February 2022. Retrieved 1 December 2024.
  8. ^ "Biography". Gordoncrosse.wordpress.com. 13 November 2016. Retrieved 1 December 2024.
  9. ^ "Gordon Crosse Tribute". Brittenpearsarts.org (Press release). December 2021. Retrieved 10 December 2021.
  10. ^ "Obituary: Gordon Crosse". Britishmusicsociety.co.uk. 24 November 2021. Retrieved 1 December 2024.
  11. ^ "Gordon Crosse (1937–2021)" (Press release). NMC Recordings. 2 December 2021. Retrieved 10 December 2021.
  12. ^ Another version replaces the piano with a string orchestra.
  13. ^ Revised in 1996 for Spitalfields Festival.
  14. ^ Revised and enlarged for chamber orchestra as op. 43.
  15. ^ Video on YouTube
  16. ^ "Book illustration: the work of George Adamson, 1913–2005, illustrator and humorist". Georgewadamson.com. Retrieved 1 December 2024.
  17. ^ Keith Sagar and Stephen Tabor: Ted Hughes: A Bibliography 1946-1980, Mansell Publishing Limited, London, 1983, p. 211.
  18. ^ Keith Sagar and Stephen Tabor: Ted Hughes: A Bibliography 1946-1980, Mansell Publishing Limited, London, 1983, p. 212.
[edit]
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