Comedian: Difference between revisions

Comedian
	Charlie Chaplin in The Champion (1915).
Occupation
Names	Comedian; comic; clown;
Occupation type	Performing art
Activity sectors	Theatre; sound recording; film; radio; television;
Description
Competencies	Acting; dance (optional); magic (optional); singing (optional); ventriloquism (optional);
Related jobs	Humorist

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A comedian (feminine comedienne) or comic is a person who seeks to entertain an audience by making them laugh. This might be through jokes or amusing situations, or acting foolishly (as in slapstick), or employing prop comedy. A comedian who addresses an audience directly is called a stand-up comedian.

A popular saying often attributed to Ed Wynn states: "A comic says funny things; a comedian says things funny."^[1] This draws a distinction between how much of the comedy can be attributed to verbal content and how much to acting and persona.^{[citation needed]}

Since the 1980s, a new wave of comedy, called alternative comedy, has grown in popularity with its more offbeat and experimental style. This normally involves more experiential, or observational reporting (e.g., Alexei Sayle, Daniel Tosh, Malcolm Hardee). As far as content is concerned, comedians such as Tommy Tiernan, Des Bishop, Kevin Hart, and Dawn French draw on their background to poke fun at themselves, while others such as Jon Stewart, Ben Elton and Sarah Silverman have very strong political and cultural undertones.^{[citation needed]}

Many comics achieve a cult following while touring famous comedy hubs such as the Just for Laughs festival in Montreal, the Edinburgh Fringe, and Melbourne Comedy Festival in Australia. Often a comic's career advances significantly when they win a notable comedy award, such as the Edinburgh Comedy Award (formerly the Perrier comedy award). Comics sometimes foray into other areas of entertainment, such as film and television, where they become more widely known (e.g., Eddie Izzard, Lee Evans). A comic's stand-up success does not always correlate to a film's critical or box-office success.^{[citation needed]}

History

Ancient Greeks

Comedians can be dated back to 425 BC, when Aristophanes, a comic author, and playwright, wrote ancient comedic plays. He wrote 40 comedies, 11 of which survive and are still being performed. Aristophanes' comedy style took the form of satyr plays.^[2]

Shakespearean comedy

The English poet and playwright William Shakespeare wrote many comedies. A Shakespearean comedy is one that has a happy ending, usually involving marriages between the unmarried characters, and a tone and style that is more light-hearted than Shakespeare's other plays.

Modern era

American performance comedy has its roots in the 1840s from the three-act, variety show format of minstrel shows (via blackface performances of the Jim Crow character); Frederick Douglass criticized these shows for profiting from and perpetuating racism.^[3]^[4] Minstrelsy monologists performed second-act, stump-speech monologues from within minstrel shows until 1896.^[5]^[6] American standup also emerged in vaudeville theatre from the 1880s to the 1930s, with such comics as W. C. Fields, Buster Keaton and the Marx Brothers.

British performance comedy has its roots in 1850 music hall theatres, where Charlie Chaplin, Stan Laurel, and Dan Leno first performed,^[7] mentored by comedian and theatre impresario Fred Karno, who developed a form of sketch comedy without dialogue in the 1890s and also pioneered slapstick comedy.^[7]

Media

In the modern era, as technology produced forms of mass communications media, these were adapted to entertainment and comedians adapted to the new media, sometimes switching to new forms as they were introduced.

Stand-up

Stand-up comedy is a comic monologue performed standing on a stage.^[8] Bob Hope became the most popular stand-up comedian of the 20th century in a nearly 80-year career that included numerous comedy film roles over a five-decade span in radio, television, and entertaining armed-service troops through the USO. Other noted stand-up comedians include Lenny Bruce, Billy Connolly, George Carlin, Richard Pryor, Victoria Wood, Joan Rivers, Whoopi Goldberg and Jo Brand.

Audio recording

Some of the earliest commercial sound recordings were made by standup comedians such as Cal Stewart, who recorded collections of his humorous monologues on Edison Records as early as 1898, and other labels until his death in 1919.^[9]

Bandleader Spike Jones recorded 15 musical comedy albums satirizing popular and classical music from 1950 to his death in 1965. Tom Lehrer wrote and recorded five albums of songs satirizing political and social issues from 1953 to 1965. Musician Peter Schickele, inspired by Jones, parodied classical music with 17 albums of his music which he presented as written by "P.D.Q. Bach" (fictional son of Johann Sebastian Bach) from 1965 through 2007.

In 1968, radio surreal comedy group The Firesign Theatre revolutionized the concept of the spoken comedy album by writing and recording elaborate radio plays employing sound effects and multitrack recording, which comedian Robin Williams called "the audio equivalent of a Hieronymous Bosch painting." Comedy duo Cheech and Chong recorded comedy albums in a similar format from 1971 through 1985.

Film

Karno took Chaplin and Laurel on two trips to the United States to tour the vaudeville circuit. On the second one, they were recruited by the fledgling silent film industry. Chaplin became the most popular screen comedian of the first half of the 20th century. Chaplin and Stan Laurel were protégés of Fred Karno, the English theatre impresario of British music hall, and in his biography Laurel stated, "Fred Karno didn't teach Charlie [Chaplin] and me all we know about comedy. He just taught us most of it".^[10] Chaplin wrote films such as Modern Times and The Kid. His films still have a major impact on comedy in films today.^[11]

Laurel met Oliver Hardy in the US and teamed up as Laurel and Hardy. Keaton also started making silent comedies.

Fields appeared in Broadway musical comedies, three silent films in 1915 and 1925, and in sound films starting in 1926. The Marx brothers also made the transition to film in 1929, by way of two Broadway musicals.

Many other comedians made sound films, such as Bob Hope (both alone, and in a series of "Road to ..." comedies with partner Bing Crosby), ventriloquist Edgar Bergen, and Jerry Lewis (both with and without partner Dean Martin).

Some comedians who entered film expanded their acting skills to become dramatic actors, or started as actors specializing in comic roles, such as Dick Van Dyke, Paul Lynde, Michael Keaton, Bill Murray and Denis Leary.

Radio

Radio comedy began in the United States when Raymond Knight launched The Cuckoo Hour on NBC in 1930,^[12] along with the 1931 network debut of Stoopnagle and Budd on CBS. Most of the Hollywood comedians who did not become dramatic actors (e.g. Bergen, Fields, Groucho and Chico Marx, Red Skelton, Jack Benny, Fred Allen, Judy Canova, Hope, Martin and Lewis), transitioned to United States radio in the 1930s and 1940s.

Without a Hollywood supply of comedians to draw from, radio comedy did not begin in the United Kingdom until a generation later, with such popular 1950s shows as The Goon Show and Hancock's Half Hour. Later, radio became a proving-ground for many later United Kingdom comedians. Chris Morris began his career in 1986 at Radio Cambridgeshire, and Ricky Gervais began his comedy career in 1997 at London radio station XFM. The League of Gentlemen, Mitchell and Webb and The Mighty Boosh all transferred to television after broadcasting on BBC Radio 4.

Television

On television there are comedy talk shows where comedians make fun of current news or popular topics. Such comedians include Jay Leno, Conan O'Brien, Graham Norton, Jim Jefferies, James Corden, John Oliver, Jonathan Ross, David Letterman, and Chelsea Handler. There are sketch comedies, such as Mr. Show with Bob and David and Monty Python who created their sketch comedy show Monty Python's Flying Circus (a BBC show that influenced Saturday Night Live), and sitcoms, such as Roseanne, Only Fools and Horses, and Not Going Out, as well as popular panel shows like The Big Fat Quiz of the Year, Have I Got News for You, and Celebrity Juice. The most acclaimed sitcoms include Seinfeld and The Big Bang Theory.^[13]

Internet

Comedy is increasingly enjoyed online. Several comedians got their start through the internet such as Bo Burnham . Comedians streaming videos of their stand-up include Bridget Christie, Louis C.K. and Daniel Kitson.

Jokes

There are many established formats for jokes. One example is the pun or double-entendre, where similar words are interchanged. The Two Ronnies often used puns and double-entendre.^[14] Stewart Francis and Tim Vine are examples of current comedians who deploy numerous puns. Jokes based on puns tend to be very quick and easy to digest, which sometimes leads to other joke forms being overlooked, for example in the Funniest Joke of the Fringe awards. Other jokes may rely on confounding an audience's expectations through a misleading setup (known as a 'pull back and reveal' in the UK and a 'leadaway' in the US).^[15] Ed Byrne is an example of a comedian who has used this technique.^[15] Some jokes are based on ad absurdum extrapolations, for example much of Richard Herring and Ross Noble's standup.^[16] In ironic humour there is an intentional mismatch between a message and the form in which it is conveyed (for example the work of Danielle Ward). Other joke forms include observation (Michael McIntyre), whimsy (David O'Doherty), self-deprecation (Robin Williams) and parody (Diane Morgan).

Personality traits

In a January 2014 study, conducted in the British Journal of Psychiatry, scientists found that comedians tend to have high levels of psychotic personality traits. In the study, researchers analyzed 404 male and 119 female comedians from Australia, Britain, and the United States. The participants were asked to complete an online questionnaire designed to measure psychotic traits in healthy people. They found that comedians scored "significantly higher on four types of psychotic characteristics compared to a control group of people who had non-creative jobs." Gordon Claridge, a professor of experimental psychology at the University of Oxford and leader of the study claimed, "the creative elements needed to produce humor are strikingly similar to those characterizing the cognitive style of people with psychosis—both schizophrenia and bipolar disorder."^[17] However, labeling comedians' personality traits as "psychotic" does not mean that individual is a psychopath,^[18]^[19] since psychopathy is distinct from psychosis, and neither does it mean their behavior is necessarily pathological.

Highest-paid comedians

Forbes publishes an annual list of the most financially successful comedians in the world, similarly to their Celebrity 100 list. Their data sources include Nielsen Media Research, Pollstar, Box Office Mojo and IMDb.^[20] The list was topped by Jerry Seinfeld from 2006 until 2015, who lost the title to Kevin Hart in 2016.^[21] In that year, the eight highest paid comedians were from the United States, including Amy Schumer, who became the first woman to be listed in the top ten.^[22] The top ten of 2016 are as follows:^[a]

Rank	Name	Annual earnings (USD)	Nationality	Age	Notable works
1	Kevin Hart	$87.5 million	United States	38	Kevin Hart: Let Me Explain, Ride Along, The Secret Life of Pets
2	Jerry Seinfeld	$43.5 million		63	Seinfeld, The Marriage Ref, I'm Telling You for the Last Time
3	Terry Fator	$21 million		52	America's Got Talent
4	Amy Schumer	$17 million		36	Trainwreck, Inside Amy Schumer, 2015 MTV Movie Awards
5	Jeff Dunham	$13.5 million		55	Spark of Insanity, Arguing with Myself, Jeff Dunham's Very Special Christmas Special
6	Dave Chappelle	$60 million		44	Dave Chappelle's Block Party, Half Baked, Chappelle's Show
7	Jim Gaffigan	$12.5 million		51	Jim Gaffigan: Mr. Universe, The Jim Gaffigan Show, It's Kind of a Funny Story
8	Gabriel Iglesias	$9.5 million		41	Hot and Fluffy, The Fluffy Movie, Gabriel Iglesias Presents Stand Up Revolution
9	Russell Peters	$9 million	Canada	47	Red, White and Brown, Outsourced, Breakaway
10	John Bishop	$7 million	United Kingdom	51	John Bishop's Britain, The John Bishop Show, Panto!

Notes

^ The Forbes 2016 list appears to exclude people often regarded as comedians who are better known for other professions, despite having earned more than some in the list's top ten, including actors Adam Sandler and Melissa McCarthy, and late-night talk show hosts Stephen Colbert and Jimmy Fallon.

References

^ "Simpson's Contemporary Quotations, 1988". Bartleby.com. Archived from the original on 2008-03-16. Retrieved 2008-04-01.
^ Aristophanes (1996). Lysistrata. pp. ix. ISBN 9781854593252.
^ Kippola, Karl M. (August 2012). "Conclusion: Affirming White Masculinity by Deriding the Other". Acts of Manhood: The Performance of Masculinity on the American Stage, 1828–1865. Palgrave Studies in Theatre and Performance History. New York, NY: Palgrave Macmillan. pp. 176–77. doi:10.1057/9781137068774. ISBN 978-1-349-34304-1. Thomas D. Rice (1808–1860) originated the Jim Crow character, inspiring the minstrel show, which evolved into one of the most popular forms of variety entertainment through the end of the century and into the first distinctly American form of theatrical entertainment ... In the 1840s and 50s, the Virginia and Christy Minstrels built upon Rice's success, formalizing a three-act structure of music and humor, variety entertainment, and scenes from plantation life (or burlesques of popular plays). Appealing across class lines, the minstrel show employed archetypal characters, created derogatory and fictitious pictures of African American males, and provided a lens through which whites viewed blacks ... Frederick Douglass described the purveyors of minstrel entertainment as 'filthy scum of white society, who have stolen from us a complexion denied to them by nature, in which to make money, and pander to the corrupt taste of their white fellow citizens.' Minstrelsy relied on the promise of presenting 'real' Southern life.
^ Parker, Bethany (12 September 2008). "Probing Question: What are the roots of stand-up comedy?". Research. PennState News. University Park, Pennsylvania: The Pennsylvania State University. Retrieved 24 February 2019. American stand-up comedy has its beginnings in the minstrel shows of the early 1800s
^ "Forms of Variety Theater". American Variety Stage: Vaudeville and Popular Entertainment: 1870–1920. Library of Congress (exhibit). Retrieved 24 January 2021. [T]he minstrel show was the most popular form of public amusement in the United States from the 1840s through the 1870s. It virtually ended, in its original form, by 1896, although vestiges lasted well into the twentieth century. Much humor in later comedy forms originated in minstrelsy and adapted itself to new topics and circumstances. The minstrel show also provided American burlesque and other variety forms with a prototypical three-part format. The minstrel show began with a 'walk around' with a verbal exchange between the 'end' men and the interlocutor. An 'olio,' or variety section, followed. Finally, a one-act skit completed the show.
^ Oliar, Dotan; Sprigman, Christopher (2008). "There's No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy". Virginia Law Review. 94 (8): 1843. JSTOR 25470605. Retrieved 16 September 2020. Stand-up's early roots can also be traced back to minstrel, a variety show format based in racial stereotypes which was widely performed in America between the 1840s and the 1940s. Minstrel acts would script dedicated ad-lib moments for direct actor-audience communication: these spots often were used for telling quick jokes.
^ ^a ^b McCabe, John. "Comedy World of Stan Laurel". p. 143. London: Robson Books, 2005, First edition 1975
^ "'stand-up comedy' definition". Dictionary.reference.com. Retrieved 2 December 2013.
^ Ronald L. Smith, Comedy on Record: The Complete Critical Discography (1988), p. 624.
^ Burton, Alan (2000). Pimple, pranks & pratfalls: British film comedy before 1930. Flicks Books. p. 51. ISBN 9781862360105.
^ Sigler, Michael S (1 May 2001). "Charlie Chaplin Biography". Archived from the original on 26 March 2012. Retrieved 2 December 2013.
^ Hickerson, Jay. The Ultimate History of Network Radio Programming and Guide to All Circulating Shows. Hamden, Connecticut: Jay Hickerson, Box 4321, Hamden, CT 06514, second edition December 1992, page 92.
^ "Is Seinfeld the funniest sitcom of all time?". The Week. Retrieved 2022-02-27.
^ "Puns upon a time". Bbc.co.uk. December 24, 2010.
^ ^a ^b Bennett, Steve. "Missing a trick : Correspondents 2010 : Chortle : The UK Comedy Guide". Chortle.co.uk.
^ Archived at Ghostarchive and the Wayback Machine: "Richard Herring on Russell Howard's Good News Extra - Series 3". Youtube.com.
^ Kelland, Kate (16 January 2014). "Comedians have psychotic personality traits, study finds". Reuters. Retrieved 31 January 2014.
^ Suebsaeng, Asawin (18 January 2014). "Study Says Comedians Have Psychotic Personality Traits—Here's What Some Comedians Have To Say About That". Mother Jones. Retrieved 31 January 2014.
^ Cooper-White, Macrina (17 January 2014). "Comedians Have 'High Levels' Of Psychotic Personality Traits, New Study Shows". Huffington Post. Retrieved 31 January 2014.
^ Forbes (27 September 2016). "The World's Highest-Paid Comedians 2016". Forbes.com. Retrieved 18 January 2017.
^ Berg, Madeline (27 September 2016). "The Highest-Paid Comedians 2016: Kevin Hart Dethrones Jerry Seinfeld As Cash King Of Comedy With $87.5 Million Payday". Forbes.com. Retrieved 18 January 2017.
^ Desta, Yohana (27 September 2016). "Amy Schumer Is the First Woman to Land on Forbes' Highest-Paid Comedians List~". Forbes.com. Retrieved 18 January 2017.

[23] The Forbes 2016 list appears to exclude people often regarded as comedians who are better known for other professions, despite having earned more than some in the list's top ten, including actors Adam Sandler and Melissa McCarthy, and late-night talk show hosts Stephen Colbert and Jimmy Fallon.

[Bartleby-1] "Simpson's Contemporary Quotations, 1988". Bartleby.com. Archived from the original on 2008-03-16. Retrieved 2008-04-01.

[2] Aristophanes (1996). Lysistrata. pp. ix. ISBN 9781854593252.

[:0-3] Kippola, Karl M. (August 2012). "Conclusion: Affirming White Masculinity by Deriding the Other". Acts of Manhood: The Performance of Masculinity on the American Stage, 1828–1865. Palgrave Studies in Theatre and Performance History. New York, NY: Palgrave Macmillan. pp. 176–77. doi:10.1057/9781137068774. ISBN 978-1-349-34304-1. Thomas D. Rice (1808–1860) originated the Jim Crow character, inspiring the minstrel show, which evolved into one of the most popular forms of variety entertainment through the end of the century and into the first distinctly American form of theatrical entertainment ... In the 1840s and 50s, the Virginia and Christy Minstrels built upon Rice's success, formalizing a three-act structure of music and humor, variety entertainment, and scenes from plantation life (or burlesques of popular plays). Appealing across class lines, the minstrel show employed archetypal characters, created derogatory and fictitious pictures of African American males, and provided a lens through which whites viewed blacks ... Frederick Douglass described the purveyors of minstrel entertainment as 'filthy scum of white society, who have stolen from us a complexion denied to them by nature, in which to make money, and pander to the corrupt taste of their white fellow citizens.' Minstrelsy relied on the promise of presenting 'real' Southern life.

[:1-4] Parker, Bethany (12 September 2008). "Probing Question: What are the roots of stand-up comedy?". Research. PennState News. University Park, Pennsylvania: The Pennsylvania State University. Retrieved 24 February 2019. American stand-up comedy has its beginnings in the minstrel shows of the early 1800s

[5] "Forms of Variety Theater". American Variety Stage: Vaudeville and Popular Entertainment: 1870–1920. Library of Congress (exhibit). Retrieved 24 January 2021. [T]he minstrel show was the most popular form of public amusement in the United States from the 1840s through the 1870s. It virtually ended, in its original form, by 1896, although vestiges lasted well into the twentieth century. Much humor in later comedy forms originated in minstrelsy and adapted itself to new topics and circumstances. The minstrel show also provided American burlesque and other variety forms with a prototypical three-part format. The minstrel show began with a 'walk around' with a verbal exchange between the 'end' men and the interlocutor. An 'olio,' or variety section, followed. Finally, a one-act skit completed the show.

[6] Oliar, Dotan; Sprigman, Christopher (2008). "There's No Free Laugh (Anymore): The Emergence of Intellectual Property Norms and the Transformation of Stand-Up Comedy". Virginia Law Review. 94 (8): 1843. JSTOR 25470605. Retrieved 16 September 2020. Stand-up's early roots can also be traced back to minstrel, a variety show format based in racial stereotypes which was widely performed in America between the 1840s and the 1940s. Minstrel acts would script dedicated ad-lib moments for direct actor-audience communication: these spots often were used for telling quick jokes.

[Karno-7] McCabe, John. "Comedy World of Stan Laurel". p. 143. London: Robson Books, 2005, First edition 1975

[8] "'stand-up comedy' definition". Dictionary.reference.com. Retrieved 2 December 2013.

[9] Ronald L. Smith, Comedy on Record: The Complete Critical Discography (1988), p. 624.

[10] Burton, Alan (2000). Pimple, pranks & pratfalls: British film comedy before 1930. Flicks Books. p. 51. ISBN 9781862360105.

[11] Sigler, Michael S (1 May 2001). "Charlie Chaplin Biography". Archived from the original on 26 March 2012. Retrieved 2 December 2013.

[Hickerson-12] Hickerson, Jay. The Ultimate History of Network Radio Programming and Guide to All Circulating Shows. Hamden, Connecticut: Jay Hickerson, Box 4321, Hamden, CT 06514, second edition December 1992, page 92.

[13] "Is Seinfeld the funniest sitcom of all time?". The Week. Retrieved 2022-02-27.

[14] "Puns upon a time". Bbc.co.uk. December 24, 2010.

[auto-15] Bennett, Steve. "Missing a trick : Correspondents 2010 : Chortle : The UK Comedy Guide". Chortle.co.uk.

[16] Archived at Ghostarchive and the Wayback Machine: "Richard Herring on Russell Howard's Good News Extra - Series 3". Youtube.com.

[Kelland-Psychotic-17] Kelland, Kate (16 January 2014). "Comedians have psychotic personality traits, study finds". Reuters. Retrieved 31 January 2014.

[Seubsaeng-Study-18] Suebsaeng, Asawin (18 January 2014). "Study Says Comedians Have Psychotic Personality Traits—Here's What Some Comedians Have To Say About That". Mother Jones. Retrieved 31 January 2014.

[Cooper-White-19] Cooper-White, Macrina (17 January 2014). "Comedians Have 'High Levels' Of Psychotic Personality Traits, New Study Shows". Huffington Post. Retrieved 31 January 2014.

[20] Forbes (27 September 2016). "The World's Highest-Paid Comedians 2016". Forbes.com. Retrieved 18 January 2017.

[21] Berg, Madeline (27 September 2016). "The Highest-Paid Comedians 2016: Kevin Hart Dethrones Jerry Seinfeld As Cash King Of Comedy With $87.5 Million Payday". Forbes.com. Retrieved 18 January 2017.

[22] Desta, Yohana (27 September 2016). "Amy Schumer Is the First Woman to Land on Forbes' Highest-Paid Comedians List~". Forbes.com. Retrieved 18 January 2017.

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