Repertoire of Plácido Domingo: Difference between revisions
La Gioconda (1970) was indeed at Teatro de la Zarzuela, therefore put both in #53 & in city debuts' list; the Teatro Real (re)opened in 1997! |
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[[Plácido Domingo]] has been described by [[Tim Page (music critic)|Tim Page]] (the [[Pulitzer Prize]]-winner for criticism in 1997) in ''[[The Washington Post]]'' as "the most versatile, intelligent and altogether accomplished operatic tenor now before the public."<ref>Tim Page, [http://www.pulitzer.org/archives/5945 "Domingo’s Debut"] (Referring to his becoming General Director of the Washington National Opera in 1996), ''The Washington Post'', 11 Nov 1996 on pulitzer.org. Retrieved 29 June 2013</ref> Up to the present day, the tenor has sung as many as 144 roles overall in Italian, French, German, English, Spanish and Russian.<ref>[http://www.placidodomingo.com/inhalt.php?menu_level=2&id_kunden=196&id=830 Official repertoire list]</ref> His main [[repertoire]] however is Italian (''[[Otello]]'', Cavaradossi in ''[[Tosca]]'', ''[[Don Carlos|Don Carlo]]'', Des Grieux in ''[[Manon Lescaut (Puccini)|Manon Lescaut]]'', Dick Johnson in ''[[La fanciulla del West]]'', Radames in ''[[Aida]]''), French (''[[Faust (opera)|Faust]]'', ''[[Werther]]'', Don José in ''[[Carmen]]'', Samson in ''[[Samson et Dalila]]''), and German (''[[Lohengrin (opera)|Lohengrin]]'', ''[[Parsifal]]'', and Siegmund in ''[[Die Walküre]]''). |
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[[File:DomingoTrovatoreCommons - Cropped.jpg|thumb|Domingo (right) as the Conte di Luna in ''[[Il trovatore]]'' with Riccardo Zanellato at the 2014 [[Salzburg Festival]]]] |
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Spanish tenor [[Plácido Domingo]] has sung 151 roles in Italian, French, German, English, Spanish and Russian.<ref>[https://www.latimes.com/entertainment/arts/la-et-cm-gato-montes-opera-review-20190506-story.html "Review: In his 151st role, Plácido Domingo plays the 'wild cat' as old lion"] by [[Mark Swed]], ''[[Los Angeles Times]]'', 6 May 2019</ref><ref>[http://operachaser.blogspot.com/2019/05/domingos-151st-role-accompanies.html "Domingo's 151st role"], operachaser.blogspot.com</ref><ref>[https://www.placidodomingo.com/us-en/roles Official repertoire list], placidodomingo.com</ref> His main [[repertoire]] however is Italian (''[[Otello]]'', Cavaradossi in ''[[Tosca]]'', ''[[Don Carlos|Don Carlo]]'', Des Grieux in ''[[Manon Lescaut (Puccini)|Manon Lescaut]]'', Dick Johnson in ''[[La fanciulla del West]]'', Radames in ''[[Aida]]''), French (''[[Faust (opera)|Faust]]'', ''[[Werther]]'', Don José in ''[[Carmen]]'', Samson in ''[[Samson et Dalila]]''), and German (''[[Lohengrin (opera)|Lohengrin]]'', ''[[Parsifal]]'', and Siegmund in ''[[Die Walküre]]''). Domingo currently continues to add more operas to his repertoire. Since 2009, he has moved substantially into the baritone repertoire, especially focusing on [[Baritone#Verdi|Verdi baritone roles]]. In 2015, he made his most recent debuts as [[Macbeth (Verdi)|Macbeth]] at the [[Berlin State Opera]], Don Carlo in ''[[Ernani]]'' at the [[Metropolitan Opera]], and [[Gianni Schicchi]] at the [[Los Angeles Opera]]. [[Tim Page (music critic)|Tim Page]], a [[Pulitzer Prize]]-winner for music criticism, described Domingo in a 1996 ''[[Washington Post]]'' article as "the most versatile, intelligent and altogether accomplished operatic tenor now before the public".<ref>[[Tim Page (music critic)|Tim Page]], [http://www.pulitzer.org/archives/5945 "Domingo's Debut"] (Referring to his becoming general director of the [[Washington National Opera]] in 1996), ''[[The Washington Post]]'', 11 November 1996, via pulitzer.org. Retrieved 29 June 2013</ref> |
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He continues to add more operas to his repertoire, some of latest of which include the title role (baritone) in [[Verdi]]'s ''[[Rigoletto]]'' in August 2010 at Reignwood Theatre and Neruda in [[Daniel Catán|Catán]]'s ''[[Il Postino]]'' in September 2010 at the Los Angeles Opera. On New Year's Eve 2011, he created the role of the god [[Neptune (mythology)|Neptune]] in the original [[baroque]] [[pastiche]] ''The Enchanted Island'' at the MET, his 138th role. In March 2012, he sang for the first time the baritone role of the Cenobite monk Athanaël in [[Jules Massenet|Massenet]]'s ''[[Thaïs (opera)|Thaïs]]'', his 139th role, and he added the 140th by singing another baritone role, that of Francesco Foscari, in Verdi's ''[[I due Foscari]]'' on 15 September 2012. |
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Domingo's official repertoire list includes all of his operatic roles on stage and recordings, as well as his [[zarzuela]] and [[operetta]] debuts made in opera houses and on recordings since his operatic debut on 23 September 1959. One exception to this is Arturo in [[Gaetano Donizetti|Donizetti]]'s opera ''[[Lucia di Lammermoor]]'', in which he made his role debut on 28 October 1961 in [[Guadalajara]], Mexico, and his U.S. operatic debut on 16 November of the same year at [[Dallas Civic Opera]] in Dallas, Texas. The only other exception is his performance as Antonio in [[José María Cano|Cano's]] modern opera, ''Luna'', in which he appeared on an abridged recording in 1997 and in a concert performance at the [[Palau de la Música de València]] on 15 May 1998. |
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The official list does not include his previous roles in zarzuelas or musicals with his parents' company or theaters in Mexico prior to September 1959, nor does it include his performance as the Spanish painter [[Francisco Goya]] in the musical, ''[[Goya: A Life in Song]]'', which he recorded in both English and Spanish-language versions. It also contains only a fraction of his sung symphonic works, excluding his performances of the tenor parts in [[Giuseppe Verdi|Verdi]] and [[Andrew Lloyd Webber]]'s ''[[Requiem (Lloyd Webber)|Requiems]]'' and [[Ludwig van Beethoven|Beethoven]]'s [[Symphony No. 9 (Beethoven)|Ninth Symphony]], ''[[Missa solemnis (Beethoven)|Missa Solemnis]]'', and ''[[Christus am Ölberge]]'', among others. Some small parts sung during the same performance are listed as only one role. Danilo in ''[[The Merry Widow]]'' is listed twice: once together with Camille in a Spanish-language translation early in his career and later alone in English translation at the [[Metropolitan Opera]]. Domingo alternated the parts of Camille and Danilo during his first run of the operetta at the [[Palacio de Bellas Artes]] in 1960. |
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==Role debuts== |
==Role debuts== |
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These lists are sortable, e.g. by opera title, composer, location, or date. Operas and other works, in which Domingo appeared in world premieres, are marked in bold. All roles are tenor parts except where noted. |
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===Official repertoire=== |
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{| class="sortable wikitable" style="font-size:95%;" |
{| class="sortable wikitable" style="font-size:95%;" |
||
!Year |
!Year |
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Line 13: | Line 20: | ||
!Role |
!Role |
||
!Debut date |
!Debut date |
||
!Opera house /<br /> |
!Opera house /<br />studio recording |
||
!Location |
!Location |
||
!Genre |
|||
|- |
|- |
||
|{{hs|1959-09-23}}1959 |
|{{hs|1959-09-23}}1959 |
||
Line 21: | Line 29: | ||
|[[Giuseppe Verdi|Verdi]] |
|[[Giuseppe Verdi|Verdi]] |
||
|Borsa |
|Borsa |
||
|{{hs|1959-09-23}}23 |
|{{hs|1959-09-23}}23 September 1959 |
||
|[[Palacio de Bellas Artes]] |
|[[Palacio de Bellas Artes]] |
||
|[[Mexico City]] |
|[[Mexico City]] |
||
|[[opera]] |
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|- |
|- |
||
|{{hs|1959-10-21}} |
|{{hs|1959-10-21}} |
||
Line 33: | Line 42: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1960-00-00}}1960 |
|{{hs|1960-00-00}}1960 |
||
Line 38: | Line 48: | ||
|{{hs|Merry Widow, The}}[[The Merry Widow]] |
|{{hs|Merry Widow, The}}[[The Merry Widow]] |
||
|[[Franz Lehár|Lehár]] |
|[[Franz Lehár|Lehár]] |
||
|Danilo,<br />Camille |
|Danilo (tenor or baritone),<br />Camille |
||
|{{hs|1960-00-00}}1960 |
|{{hs|1960-00-00}}1960 |
||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|[[operetta]] |
|||
|- |
|- |
||
|{{hs|1960-09-11}} |
|{{hs|1960-09-11}} |
||
Line 51: | Line 62: | ||
|Teatro de la Ciudad |
|Teatro de la Ciudad |
||
|[[Monterrey]] |
|[[Monterrey]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1960-10-01}} |
|{{hs|1960-10-01}} |
||
Line 60: | Line 72: | ||
|Teatro de la Ciudad |
|Teatro de la Ciudad |
||
|Monterrey |
|Monterrey |
||
|opera |
|||
|- |
|- |
||
|{{hs|1960-10-05}} |
|{{hs|1960-10-05}} |
||
Line 69: | Line 82: | ||
|Teatro de la Ciudad |
|Teatro de la Ciudad |
||
|Monterrey |
|Monterrey |
||
|opera |
|||
|- |
|- |
||
|{{hs|1960-10-08}} |
|{{hs|1960-10-08}} |
||
Line 78: | Line 92: | ||
|Teatro de la Ciudad |
|Teatro de la Ciudad |
||
|Monterrey |
|Monterrey |
||
|opera |
|||
|- |
|- |
||
|{{hs|1960-10-15}} |
|{{hs|1960-10-15}} |
||
Line 87: | Line 102: | ||
|Teatro de la Ciudad |
|Teatro de la Ciudad |
||
|Monterrey |
|Monterrey |
||
|opera |
|||
|- |
|- |
||
|{{hs|1960-10-17}} |
|{{hs|1960-10-17}} |
||
Line 96: | Line 112: | ||
|Teatro de la Ciudad |
|Teatro de la Ciudad |
||
|Monterrey |
|Monterrey |
||
|opera |
|||
|- |
|- |
||
|{{hs|1961-05-19}}1961 |
|{{hs|1961-05-19}}1961 |
||
Line 105: | Line 122: | ||
|Teatro de la Ciudad |
|Teatro de la Ciudad |
||
|Monterrey |
|Monterrey |
||
|opera |
|||
|- |
|- |
||
|{{hs|1961-05-28}} |
|{{hs|1961-05-28}} |
||
|align=right|11 |
|align=right|11 |
||
|{{hs|Ultimo sueno, El}} |
|{{hs|Ultimo sueno, El}}'''{{Interlanguage link multi|El último sueño|es}}''' |
||
|{{hs|Vazquez}}Vázquez |
|{{hs|Vazquez}}Vázquez |
||
|Enrique |
|Enrique |
||
Line 114: | Line 132: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1961-06-28}} |
|{{hs|1961-06-28}} |
||
Line 123: | Line 142: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1961-07-02}} |
|{{hs|1961-07-02}} |
||
Line 132: | Line 152: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1961-08-08}} |
|{{hs|1961-08-08}} |
||
Line 141: | Line 162: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1961-08-15}} |
|{{hs|1961-08-15}} |
||
Line 150: | Line 172: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1961-08-21}} |
|{{hs|1961-08-21}} |
||
Line 159: | Line 182: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1961-09-15}} |
|{{hs|1961-09-15}} |
||
Line 168: | Line 192: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1961-09-30}} |
|{{hs|1961-09-30}} |
||
Line 177: | Line 202: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1962-03-04}}1962 |
|{{hs|1962-03-04}}1962 |
||
Line 186: | Line 212: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1962-05-10}} |
|{{hs|1962-05-10}} |
||
Line 195: | Line 222: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1962-05-17}} |
|{{hs|1962-05-17}} |
||
Line 204: | Line 232: | ||
|Palacio de Bellas Artes |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1962-10-01}} |
|{{hs|1962-10-01}} |
||
Line 213: | Line 242: | ||
|[[Teatro Degollado]] |
|[[Teatro Degollado]] |
||
|[[Guadalajara]] |
|[[Guadalajara]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1962-10-07}} |
|{{hs|1962-10-07}} |
||
Line 222: | Line 252: | ||
|Teatro Isauro Martínez |
|Teatro Isauro Martínez |
||
|[[Torreón]] |
|[[Torreón]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1962-11-26}} |
|{{hs|1962-11-26}} |
||
Line 231: | Line 262: | ||
|[[Fort Worth Opera]] |
|[[Fort Worth Opera]] |
||
|[[Fort Worth, Texas|Fort Worth]] |
|[[Fort Worth, Texas|Fort Worth]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1963-06-25}}1963 |
|{{hs|1963-06-25}}1963 |
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Line 236: | Line 268: | ||
|Carmen |
|Carmen |
||
|Bizet |
|Bizet |
||
| |
|José |
||
|{{hs|1963-06-25}}25 June 1963 |
|{{hs|1963-06-25}}25 June 1963 |
||
|[[Israeli Opera|Israeli Opera House]] |
|[[Israeli Opera|Israeli Opera House]] |
||
|[[Tel Aviv]] |
|[[Tel Aviv]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1963-09-21}} |
|{{hs|1963-09-21}} |
||
Line 245: | Line 278: | ||
|[[Don Giovanni]] |
|[[Don Giovanni]] |
||
|Mozart |
|Mozart |
||
|Don Ottavio |
|{{hs|Ottavio}}Don Ottavio |
||
|{{hs|1963-09-21}}21 September 1963 |
|{{hs|1963-09-21}}21 September 1963 |
||
|Israeli Opera House |
|Israeli Opera House |
||
|Tel Aviv |
|Tel Aviv |
||
|opera |
|||
|- |
|- |
||
|{{hs|1963-12-03}} |
|{{hs|1963-12-03}} |
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Line 258: | Line 292: | ||
|Israeli Opera House |
|Israeli Opera House |
||
|Tel Aviv |
|Tel Aviv |
||
|opera |
|||
|- |
|- |
||
|{{hs|1964-01-21}}1964 |
|{{hs|1964-01-21}}1964 |
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Line 267: | Line 302: | ||
|Israeli Opera House |
|Israeli Opera House |
||
|Tel Aviv |
|Tel Aviv |
||
|opera |
|||
|- |
|- |
||
|{{hs|1964-09-05}} |
|{{hs|1964-09-05}} |
||
Line 276: | Line 312: | ||
|Israeli Opera House |
|Israeli Opera House |
||
|Tel Aviv |
|Tel Aviv |
||
|opera |
|||
|- |
|- |
||
|{{hs|1965-01-21}}1965 |
|{{hs|1965-01-21}}1965 |
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Line 285: | Line 322: | ||
|Israeli Opera House |
|Israeli Opera House |
||
|Tel Aviv |
|Tel Aviv |
||
|opera |
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|- |
|- |
||
|{{hs|1965-07-30}} |
|{{hs|1965-07-30}} |
||
Line 294: | Line 332: | ||
|[[Chautauqua Opera]] |
|[[Chautauqua Opera]] |
||
|[[Chautauqua]] |
|[[Chautauqua]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1965-09-07}} |
|{{hs|1965-09-07}} |
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Line 301: | Line 340: | ||
|Hoffmann |
|Hoffmann |
||
|{{hs|1965-09-07}}7 September 1965 |
|{{hs|1965-09-07}}7 September 1965 |
||
| |
|Palacio de Bellas Artes |
||
|Mexico City |
|Mexico City |
||
|opera |
|||
|- |
|- |
||
|{{hs|1966-01-01}}1966 |
|{{hs|1966-01-01}}1966 |
||
|align=right|33 |
|align=right|33 |
||
|Carlota,<br />Severino,<br />La |
|Carlota,<br />Severino,<br />La mulata de Córdoba |
||
|[[Luis Sandi|Sandi]],<br />Moreno,<br />[[José Pablo Moncayo|Moncayo]] |
|[[Luis Sandi|Sandi]],<br />Moreno,<br />[[José Pablo Moncayo|Moncayo]] |
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|Maximiliano,<br />Tenor role,<br />Anselmo |
|Maximiliano,<br />Tenor role,<br />Anselmo |
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Line 312: | Line 352: | ||
|[[Gran Teatre del Liceu]] |
|[[Gran Teatre del Liceu]] |
||
|[[Barcelona]] |
|[[Barcelona]] |
||
|opera |
|||
|- |
|- |
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|{{hs|1966-02-22}} |
|{{hs|1966-02-22}} |
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Line 317: | Line 358: | ||
|[[Don Rodrigo]] |
|[[Don Rodrigo]] |
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|[[Alberto Ginastera|Ginastera]] |
|[[Alberto Ginastera|Ginastera]] |
||
|Don Rodrigo |
|{{hs|Rodrigo}}Don Rodrigo |
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|{{hs|1966-02-22}}22 February 1966 |
|{{hs|1966-02-22}}22 February 1966 |
||
|[[New York City Opera]] |
|[[New York City Opera]] |
||
|[[New York City|New York]] |
|[[New York City|New York]] |
||
|opera |
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|- |
|- |
||
|{{hs|1966-03-03}} |
|{{hs|1966-03-03}} |
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Line 330: | Line 372: | ||
|[[New Orleans Opera]] |
|[[New Orleans Opera]] |
||
|[[New Orleans]] |
|[[New Orleans]] |
||
|opera |
|||
|- |
|- |
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|{{hs|1966-04-06}} |
|{{hs|1966-04-06}} |
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Line 339: | Line 382: | ||
|[[Opera Company of Boston]] |
|[[Opera Company of Boston]] |
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|[[Boston]] |
|[[Boston]] |
||
|opera |
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|- |
|- |
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|{{hs|1966-08-09}} |
|{{hs|1966-08-09}} |
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Line 348: | Line 392: | ||
|[[Metropolitan Opera]] |
|[[Metropolitan Opera]] |
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|New York |
|New York |
||
|opera |
|||
|- |
|- |
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|{{hs|1966-09-16}} |
|{{hs|1966-09-16}} |
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Line 357: | Line 402: | ||
| Teatro Degollado |
| Teatro Degollado |
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|Guadalajara |
|Guadalajara |
||
|opera |
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|- |
|- |
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|{{hs|1966-11-15}} |
|{{hs|1966-11-15}} |
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Line 366: | Line 412: | ||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
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|{{hs|1967-03-08}}1967 |
|{{hs|1967-03-08}}1967 |
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Line 375: | Line 422: | ||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
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|{{hs|1967-05-11}} |
|{{hs|1967-05-11}} |
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Line 384: | Line 432: | ||
|[[Hamburg State Opera]] |
|[[Hamburg State Opera]] |
||
|[[Hamburg]] |
|[[Hamburg]] |
||
|opera |
|||
|- |
|- |
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|{{hs|1967-05-19}} |
|{{hs|1967-05-19}} |
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Line 389: | Line 438: | ||
|[[Don Carlos|Don Carlo]] |
|[[Don Carlos|Don Carlo]] |
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|Verdi |
|Verdi |
||
|Don Carlo |
|{{hs|Carlo}}Don Carlo |
||
|{{hs|1967-05-19}}19 May 1967 |
|{{hs|1967-05-19}}19 May 1967 |
||
|[[Vienna State Opera]] |
|[[Vienna State Opera]] |
||
|[[Vienna]] |
|[[Vienna]] |
||
|opera |
|||
|- |
|- |
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|{{hs|1967-05-31}} |
|{{hs|1967-05-31}} |
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Line 402: | Line 452: | ||
|[[Deutsche Oper Berlin]] |
|[[Deutsche Oper Berlin]] |
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|[[Berlin]] |
|[[Berlin]] |
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|opera |
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|- |
|- |
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|{{hs|1968-01-14}}1968 |
|{{hs|1968-01-14}}1968 |
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Line 411: | Line 462: | ||
|Hamburg State Opera |
|Hamburg State Opera |
||
|Hamburg |
|Hamburg |
||
|opera |
|||
|- |
|- |
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|{{hs|1968-02-15}} |
|{{hs|1968-02-15}} |
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Line 420: | Line 472: | ||
|[[Connecticut Opera]] |
|[[Connecticut Opera]] |
||
|[[Hartford, Connecticut|Hartford]] |
|[[Hartford, Connecticut|Hartford]] |
||
|opera |
|||
|- |
|- |
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|{{hs|1968-03-14}} |
|{{hs|1968-03-14}} |
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Line 429: | Line 482: | ||
|New Orleans Opera |
|New Orleans Opera |
||
|New Orleans |
|New Orleans |
||
|opera |
|||
|- |
|- |
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|{{hs|1969-01-02}}1969 |
|{{hs|1969-01-02}}1969 |
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Line 438: | Line 492: | ||
| Hamburg State Opera |
| Hamburg State Opera |
||
|Hamburg |
|Hamburg |
||
|opera |
|||
|- |
|- |
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|{{hs|1969-01-18}} |
|{{hs|1969-01-18}} |
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Line 443: | Line 498: | ||
|{{hs|Forza del destino, La}}[[La forza del destino]] |
|{{hs|Forza del destino, La}}[[La forza del destino]] |
||
|Verdi |
|Verdi |
||
|Don Alvaro |
|{{hs|Alvaro}}Don Alvaro |
||
|{{hs|1969-01-18}}18 January 1969 |
|{{hs|1969-01-18}}18 January 1969 |
||
| Hamburg State Opera |
| Hamburg State Opera |
||
|Hamburg |
|Hamburg |
||
|opera |
|||
|- |
|- |
||
|{{hs|1969-02-20}} |
|{{hs|1969-02-20}} |
||
Line 456: | Line 512: | ||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1969-07-16}} |
|{{hs|1969-07-16}} |
||
Line 465: | Line 522: | ||
|[[Verona Arena]] |
|[[Verona Arena]] |
||
|[[Verona]] |
|[[Verona]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1969-12-07}} |
|{{hs|1969-12-07}} |
||
Line 474: | Line 532: | ||
|[[Teatro alla Scala]] |
|[[Teatro alla Scala]] |
||
|[[Milan]] |
|[[Milan]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1970-03-00}}1970 |
|{{hs|1970-03-00}}1970 |
||
|align=right|52 |
|align=right|52 |
||
|[[Oberon ( |
|[[Oberon (Weber)|Oberon]] |
||
|[[Carl Maria von Weber|Weber]] |
|[[Carl Maria von Weber|Weber]] |
||
|Hüon |
|Hüon |
||
Line 483: | Line 542: | ||
|[[Bayerischer Rundfunk]] studio |
|[[Bayerischer Rundfunk]] studio |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1970-05-14}} |
|{{hs|1970-05-14}} |
||
Line 492: | Line 552: | ||
|[[Teatro de la Zarzuela]] |
|[[Teatro de la Zarzuela]] |
||
|[[Madrid]] |
|[[Madrid]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1970-10-15}} |
|{{hs|1970-10-15}} |
||
Line 501: | Line 562: | ||
| New York City Opera |
| New York City Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1971-03-00}}1971 |
|{{hs|1971-03-00}}1971 |
||
Line 510: | Line 572: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1971-07-00}} |
|{{hs|1971-07-00}} |
||
Line 519: | Line 582: | ||
|[[Royal Philharmonic Orchestra|Royal Philharmonic]], London |
|[[Royal Philharmonic Orchestra|Royal Philharmonic]], London |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1971-11-04}} |
|{{hs|1971-11-04}} |
||
Line 528: | Line 592: | ||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1972-08-00}}1972 |
|{{hs|1972-08-00}}1972 |
||
Line 537: | Line 602: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1972-99-98}} |
|{{hs|1972-99-98}} |
||
|align=right|59 |
|align=right|59 |
||
|{{hs|Claveles, Les}}Los |
|{{hs|Claveles, Les}}{{Interlanguage link multi|Los claveles|es}} |
||
|[[José Serrano (composer)|Serrano]] |
|[[José Serrano (composer)|Serrano]] |
||
|Fernando |
|Fernando |
||
Line 546: | Line 612: | ||
| |
| |
||
|Studio |
|Studio |
||
|[[zarzuela]] |
|||
|- |
|- |
||
|{{hs|1972-99-99}} |
|{{hs|1972-99-99}} |
||
Line 555: | Line 622: | ||
| |
| |
||
|Studio |
|Studio |
||
|zarzuela |
|||
|- |
|- |
||
|{{hs|1973-03-22}}1973 |
|{{hs|1973-03-22}}1973 |
||
Line 564: | Line 632: | ||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1973-11-03}} |
|{{hs|1973-11-03}} |
||
Line 571: | Line 640: | ||
|Vasco da Gama |
|Vasco da Gama |
||
|{{hs|1973-11-03}}3 November 1973 |
|{{hs|1973-11-03}}3 November 1973 |
||
|[[ |
|[[War Memorial Opera House]] |
||
|[[San Francisco]] |
|[[San Francisco]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1974-04-09}}1974 |
|{{hs|1974-04-09}}1974 |
||
|align=right|63 |
|align=right|63 |
||
|{{hs|Vespri Siciliani, I}}[[ |
|{{hs|Vespri Siciliani, I}}[[I vespri siciliani]] |
||
|Verdi |
|Verdi |
||
|Arrigo |
|Arrigo |
||
Line 582: | Line 652: | ||
|[[Palais Garnier]] |
|[[Palais Garnier]] |
||
|[[Paris]] |
|[[Paris]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1974-07-00}} |
|{{hs|1974-07-00}} |
||
Line 591: | Line 662: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1974-09-28}} |
|{{hs|1974-09-28}} |
||
Line 600: | Line 672: | ||
|Metropolitan Opera |
|Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1974-11-26}} |
|{{hs|1974-11-26}} |
||
Line 609: | Line 682: | ||
|[[Teatro Regio di Torino]] |
|[[Teatro Regio di Torino]] |
||
|[[Turin]] |
|[[Turin]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1975-00-00}}1975 |
|{{hs|1975-00-00}}1975 |
||
Line 618: | Line 692: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1975-09-28}} |
|{{hs|1975-09-28}} |
||
Line 627: | Line 702: | ||
|Hamburg State Opera |
|Hamburg State Opera |
||
|Hamburg |
|Hamburg |
||
|opera |
|||
|- |
|- |
||
|{{hs|1976-00-00}}1976 |
|{{hs|1976-00-00}}1976 |
||
Line 636: | Line 712: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1976-00-01}} |
|{{hs|1976-00-01}} |
||
Line 645: | Line 722: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1976-00-02}} |
|{{hs|1976-00-02}} |
||
|align=right|71 |
|align=right|71 |
||
|[[Macbeth ( |
|[[Macbeth (Verdi)|Macbeth]] |
||
|Verdi |
|Verdi |
||
|Macduff |
|Macduff |
||
Line 654: | Line 732: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1976-03-00}} |
|{{hs|1976-03-00}} |
||
Line 663: | Line 742: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1976-03-08}} |
|{{hs|1976-03-08}} |
||
Line 668: | Line 748: | ||
|{{hs|Cid, Le}}[[Le Cid (opera)|Le Cid]] |
|{{hs|Cid, Le}}[[Le Cid (opera)|Le Cid]] |
||
|Massenet |
|Massenet |
||
|Don Rodrigue |
|{{hs|Rodriguel}}Don Rodrigue |
||
|{{hs|1976-03-08}}8 March 1976 |
|{{hs|1976-03-08}}8 March 1976 |
||
|[[Opera Orchestra of New York]] |
|[[Opera Orchestra of New York]] |
||
|[[Carnegie Hall]], New York |
|[[Carnegie Hall]], New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1976-07-00}} |
|{{hs|1976-07-00}} |
||
Line 681: | Line 762: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1977-00-00}}1977 |
|{{hs|1977-00-00}}1977 |
||
Line 690: | Line 772: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1977-02-15}} |
|{{hs|1977-02-15}} |
||
Line 699: | Line 782: | ||
|Gran Teatre del Liceu |
|Gran Teatre del Liceu |
||
|Barcelona |
|Barcelona |
||
|opera |
|||
|- |
|- |
||
|{{hs|1977-12-18}} |
|{{hs|1977-12-18}} |
||
Line 708: | Line 792: | ||
|[[Bavarian State Opera]] |
|[[Bavarian State Opera]] |
||
|[[Munich]] |
|[[Munich]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1978-01-00}}1978 |
|{{hs|1978-01-00}}1978 |
||
Line 717: | Line 802: | ||
| |
| |
||
|Studio |
|Studio |
||
|[[oratorio]]/opera |
|||
|- |
|- |
||
|{{hs|1979-06-00}}1979 |
|{{hs|1979-06-00}}1979 |
||
Line 726: | Line 812: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1979-06-01}} |
|{{hs|1979-06-01}} |
||
Line 735: | Line 822: | ||
| |
| |
||
|Studio |
|Studio |
||
|oratorio |
|||
|- |
|- |
||
|{{hs|1979-07-00}} |
|{{hs|1979-07-00}} |
||
Line 744: | Line 832: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1979-09-09}} |
|{{hs|1979-09-09}} |
||
Line 753: | Line 842: | ||
|Vienna State Opera |
|Vienna State Opera |
||
|Vienna |
|Vienna |
||
|opera |
|||
|- |
|- |
||
|{{hs|1980-06-19}}1980 |
|{{hs|1980-06-19}}1980 |
||
|align=right|83 |
|align=right|83 |
||
|{{hs|Poeta, El}}El |
|{{hs|Poeta, El}}'''[[El poeta]]''' |
||
|[[Federico Moreno Torroba|Torroba]] |
|[[Federico Moreno Torroba|Moreno Torroba]] |
||
|José de Espronceda |
|José de Espronceda |
||
|{{hs|1980-06-19}}19 June 1980 |
|{{hs|1980-06-19}}19 June 1980 |
||
|[[Teatro Real]] |
|[[Teatro Real]] |
||
|Madrid |
|Madrid |
||
|opera |
|||
|- |
|- |
||
|{{hs|1981-09-21}}1981 |
|{{hs|1981-09-21}}1981 |
||
Line 771: | Line 862: | ||
|Metropolitan Opera |
|Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1982-00-00}}1982 |
|{{hs|1982-00-00}}1982 |
||
Line 780: | Line 872: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1982-05-00}} |
|{{hs|1982-05-00}} |
||
Line 789: | Line 882: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1983-09-26}}1983 |
|{{hs|1983-09-26}}1983 |
||
Line 798: | Line 892: | ||
|Metropolitan Opera |
|Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1986-04-00}}1986 |
|{{hs|1986-04-00}}1986 |
||
Line 807: | Line 902: | ||
| |
| |
||
|Studio |
|Studio |
||
|operetta |
|||
|- |
|- |
||
|{{hs|1986-11-15}} |
|{{hs|1986-11-15}} |
||
|align=right|89 |
|align=right|89 |
||
|Goya |
|'''Goya''' |
||
|Menotti |
|Menotti |
||
|Goya |
|Goya |
||
Line 816: | Line 912: | ||
|[[Washington National Opera]] |
|[[Washington National Opera]] |
||
|[[Washington, D.C.|Washington]] |
|[[Washington, D.C.|Washington]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1988-00-00}}1988 |
|{{hs|1988-00-00}}1988 |
||
Line 825: | Line 922: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1988-04-00}} |
|{{hs|1988-04-00}} |
||
Line 834: | Line 932: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1989-03-00}}1989 |
|{{hs|1989-03-00}}1989 |
||
Line 843: | Line 942: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1990-06-00}}1990 |
|{{hs|1990-06-00}}1990 |
||
Line 852: | Line 952: | ||
| |
| |
||
|Studio |
|Studio |
||
|[[Musical theatre|musical]] |
|||
|- |
|- |
||
|{{hs|1991-02-00}}1991 |
|{{hs|1991-02-00}}1991 |
||
Line 861: | Line 962: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1991-03-14}} |
|{{hs|1991-03-14}} |
||
Line 870: | Line 972: | ||
|Metropolitan Opera |
|Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1992-02-00}}1992 |
|{{hs|1992-02-00}}1992 |
||
Line 875: | Line 978: | ||
|{{hs|Barber of Seville, The}}The Barber of Seville |
|{{hs|Barber of Seville, The}}The Barber of Seville |
||
|Rossini |
|Rossini |
||
|Figaro |
|Figaro (baritone) |
||
|{{hs|1992-02-00}}February 1992 |
|{{hs|1992-02-00}}February 1992 |
||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1992-08-07}} |
|{{hs|1992-08-07}} |
||
Line 888: | Line 992: | ||
|[[Teatro de la Maestranza]] |
|[[Teatro de la Maestranza]] |
||
|[[Seville]] |
|[[Seville]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1992-12-19}} |
|{{hs|1992-12-19}} |
||
Line 897: | Line 1,002: | ||
| Vienna State Opera |
| Vienna State Opera |
||
|Vienna |
|Vienna |
||
|opera |
|||
|- |
|- |
||
|{{hs|1993-10-21}}1993 |
|{{hs|1993-10-21}}1993 |
||
Line 906: | Line 1,012: | ||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1994-02-00}}1994 |
|{{hs|1994-02-00}}1994 |
||
Line 915: | Line 1,022: | ||
| |
| |
||
|Studio |
|Studio |
||
|zarzuela |
|||
|- |
|- |
||
|{{hs|1994-04-00}} |
|{{hs|1994-04-00}} |
||
Line 924: | Line 1,032: | ||
| |
| |
||
|Studio |
|Studio |
||
|zarzuela |
|||
|- |
|- |
||
|{{hs|1994-06-05}} |
|{{hs|1994-06-05}} |
||
Line 933: | Line 1,042: | ||
|[[Bonn Opera|Bonn Opera House]] |
|[[Bonn Opera|Bonn Opera House]] |
||
|[[Bonn]] |
|[[Bonn]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|1994-11-01}} |
|{{hs|1994-11-01}} |
||
Line 942: | Line 1,052: | ||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1994-11-08}} |
|{{hs|1994-11-08}} |
||
Line 951: | Line 1,062: | ||
| War Memorial Opera House |
| War Memorial Opera House |
||
|San Francisco |
|San Francisco |
||
|opera |
|||
|- |
|- |
||
|{{hs|1995-00-00}}1995 |
|{{hs|1995-00-00}}1995 |
||
Line 960: | Line 1,072: | ||
| |
| |
||
|Studio |
|Studio |
||
|zarzuela |
|||
|- |
|- |
||
|{{hs|1995-01-19}} |
|{{hs|1995-01-19}} |
||
Line 969: | Line 1,082: | ||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1996-00-00}}1996 |
|{{hs|1996-00-00}}1996 |
||
Line 978: | Line 1,092: | ||
| |
| |
||
|Studio |
|Studio |
||
|zarzuela |
|||
|- |
|- |
||
|{{hs|1997-06-28}}1997 |
|{{hs|1997-06-28}}1997 |
||
Line 987: | Line 1,102: | ||
|[[Royal Opera House]] |
|[[Royal Opera House]] |
||
|London |
|London |
||
|opera |
|||
|- |
|- |
||
|{{hs|1997-10-18}} |
|{{hs|1997-10-18}} |
||
|align=right|109 |
|align=right|109 |
||
|Divinas Palabras |
|'''Divinas Palabras''' |
||
|[[Antón García Abril|Abril]] |
|[[Antón García Abril|Abril]] |
||
|Lucero |
|Lucero |
||
Line 996: | Line 1,112: | ||
|Teatro Real |
|Teatro Real |
||
|Madrid |
|Madrid |
||
|opera |
|||
|- |
|- |
||
|{{hs|1998-05-21}}1998 |
|{{hs|1998-05-21}}1998 |
||
Line 1,001: | Line 1,118: | ||
|{{hs|Prophète, Le}}[[Le prophète]] |
|{{hs|Prophète, Le}}[[Le prophète]] |
||
|Meyerbeer |
|Meyerbeer |
||
|Jean |
|Jean de Leyde |
||
|{{hs|1998-05-21}}21 May 1998 |
|{{hs|1998-05-21}}21 May 1998 |
||
| Vienna State Opera |
| Vienna State Opera |
||
|Vienna |
|Vienna |
||
|opera |
|||
|- |
|- |
||
|{{hs|1998-06-00}} |
|{{hs|1998-06-00}} |
||
Line 1,014: | Line 1,132: | ||
| |
| |
||
|Studio |
|Studio |
||
|[[symphony|symphonic]] |
|||
|- |
|- |
||
|{{hs|1998-07-00}} |
|{{hs|1998-07-00}} |
||
Line 1,019: | Line 1,138: | ||
|{{hs|Dolores, La}}[[La Dolores]] |
|{{hs|Dolores, La}}[[La Dolores]] |
||
|Bretón |
|Bretón |
||
|Lázaro |
|{{hs|Lazaro}}Lázaro |
||
|{{hs|1998-07-00}}July 1998 |
|{{hs|1998-07-00}}July 1998 |
||
| |
| |
||
|Studio |
|Studio |
||
|opera/zarzuela |
|||
|- |
|- |
||
|{{hs|1999-02-00}}1999 |
|{{hs|1999-02-00}}1999 |
||
Line 1,032: | Line 1,152: | ||
| |
| |
||
|Studio |
|Studio |
||
|symphonic |
|||
|- |
|- |
||
|{{hs|1999-02-01}} |
|{{hs|1999-02-01}} |
||
|align=right|114 |
|align=right|114 |
||
|Misa Tango |
|'''Misa Tango''' |
||
|[[Luis Bacalov|Bacalov]] |
|[[Luis Bacalov|Bacalov]] |
||
|Tenor part |
|Tenor part |
||
Line 1,041: | Line 1,162: | ||
| |
| |
||
|Studio |
|Studio |
||
|oratorio |
|||
|- |
|- |
||
|{{hs|1999-03-18}} |
|{{hs|1999-03-18}} |
||
Line 1,050: | Line 1,172: | ||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|1999-06-00}} |
|{{hs|1999-06-00}} |
||
Line 1,059: | Line 1,182: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1999-07-00}} |
|{{hs|1999-07-00}} |
||
|align=right|117 |
|align=right|117 |
||
|[[Merlin ( |
|[[Merlin (Albéniz)|Merlin]] |
||
|{{hs|Albeniz}}[[Isaac Albéniz|Albéniz]] |
|{{hs|Albeniz}}[[Isaac Albéniz|Albéniz]] |
||
|King Arthur |
|King Arthur |
||
Line 1,068: | Line 1,192: | ||
|[[Orquesta Nacional de España]],<br />Madrid |
|[[Orquesta Nacional de España]],<br />Madrid |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|1999-12-11}} |
|{{hs|1999-12-11}} |
||
Line 1,073: | Line 1,198: | ||
|[[Margarita la tornera]] |
|[[Margarita la tornera]] |
||
|[[Ruperto Chapí|Chapí]] |
|[[Ruperto Chapí|Chapí]] |
||
|Don Juan de Alarcón |
|{{hs|Juan de Alarcón, Don}}Don Juan de Alarcón |
||
|{{hs|1999-12-11}}11 December 1999 |
|{{hs|1999-12-11}}11 December 1999 |
||
|Teatro Real |
|Teatro Real |
||
|Madrid |
|Madrid |
||
|zarzuela |
|||
|- |
|- |
||
|{{hs|2000-01-00}}2000 |
|{{hs|2000-01-00}}2000 |
||
Line 1,086: | Line 1,212: | ||
| |
| |
||
|Studio |
|Studio |
||
|zarzuela |
|||
|- |
|- |
||
|{{hs|2000-02-17}} |
|{{hs|2000-02-17}} |
||
Line 1,091: | Line 1,218: | ||
|{{hs|Merry Widow, The}}The Merry Widow |
|{{hs|Merry Widow, The}}The Merry Widow |
||
|Lehár |
|Lehár |
||
|Danilo |
|Danilo (tenor or baritone) |
||
|{{hs|2000-02-17}}17 February 2000 |
|{{hs|2000-02-17}}17 February 2000 |
||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|operetta |
|||
|- |
|- |
||
|{{hs|2000-06-30}} |
|{{hs|2000-06-30}} |
||
Line 1,104: | Line 1,232: | ||
|Royal Opera House |
|Royal Opera House |
||
|London |
|London |
||
|opera |
|||
|- |
|- |
||
|{{hs|2001-01-00}}2001 |
|{{hs|2001-01-00}}2001 |
||
Line 1,113: | Line 1,242: | ||
| |
| |
||
|Studio |
|Studio |
||
|zarzuela |
|||
|- |
|- |
||
|{{hs|2002-04-01}}2002 |
|{{hs|2002-04-01}}2002 |
||
Line 1,118: | Line 1,248: | ||
|[[Sly (opera)|Sly]] |
|[[Sly (opera)|Sly]] |
||
|[[Ermanno Wolf-Ferrari|Wolf-Ferrari]] |
|[[Ermanno Wolf-Ferrari|Wolf-Ferrari]] |
||
|Christopher Sly |
|{{hs|Sly}}Christopher Sly |
||
|{{hs|2002-04-01}}1 April 2002 |
|{{hs|2002-04-01}}1 April 2002 |
||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|2003-06-18}}2003 |
|{{hs|2003-06-18}}2003 |
||
Line 1,127: | Line 1,258: | ||
|Luisa Fernanda |
|Luisa Fernanda |
||
|Torroba |
|Torroba |
||
|Vidal Hernando |
|Vidal Hernando (baritone) |
||
|{{hs|2003-06-18}}18 June 2003 |
|{{hs|2003-06-18}}18 June 2003 |
||
| Teatro alla Scala |
| Teatro alla Scala |
||
|Milan |
|Milan |
||
|zarzuela |
|||
|- |
|- |
||
|{{hs|2003-09-14}} |
|{{hs|2003-09-14}} |
||
|align=right|125 |
|align=right|125 |
||
|Nicholas and Alexandra |
|'''Nicholas and Alexandra''' |
||
|[[Deborah Drattell|Drattell]] |
|[[Deborah Drattell|Drattell]] |
||
|Rasputin |
|Rasputin |
||
Line 1,140: | Line 1,272: | ||
|[[Los Angeles Opera]] |
|[[Los Angeles Opera]] |
||
|[[Los Angeles]] |
|[[Los Angeles]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|2005-01-00}}2005 |
|{{hs|2005-01-00}}2005 |
||
Line 1,149: | Line 1,282: | ||
|EMI [[Abbey Road Studios|Abbey Road Studio 1]], London |
|EMI [[Abbey Road Studios|Abbey Road Studio 1]], London |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|2005-05-13}} |
|{{hs|2005-05-13}} |
||
Line 1,158: | Line 1,292: | ||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|2005-06-00}} |
|{{hs|2005-06-00}} |
||
Line 1,163: | Line 1,298: | ||
|[[Pepita Jiménez]] |
|[[Pepita Jiménez]] |
||
|{{hs|Albeniz}}Albéniz |
|{{hs|Albeniz}}Albéniz |
||
|Don Luis de Vargas |
|{{hs|Luis de Vargas, Don}}Don Luis de Vargas |
||
|{{hs|2005-06-00}}June 2005 |
|{{hs|2005-06-00}}June 2005 |
||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|2006-00-00}}2006 |
|{{hs|2006-00-00}}2006 |
||
Line 1,176: | Line 1,312: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|2006-12-21}} |
|{{hs|2006-12-21}} |
||
|align=right|130 |
|align=right|130 |
||
|{{hs|First Emperor, The}}[[The First Emperor]] |
|{{hs|First Emperor, The}}'''[[The First Emperor]]''' |
||
|[[Tan Dun|Tan]] |
|[[Tan Dun|Tan]] |
||
|Emperor Qin |
|{{hs|Qin}}Emperor Qin |
||
|{{hs|2006-12-21}}21 December 2006 |
|{{hs|2006-12-21}}21 December 2006 |
||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|2007-11-27}}2007 |
|{{hs|2007-11-27}}2007 |
||
Line 1,190: | Line 1,328: | ||
|[[Iphigénie en Tauride]] |
|[[Iphigénie en Tauride]] |
||
|[[Christoph Willibald Gluck|Gluck]] |
|[[Christoph Willibald Gluck|Gluck]] |
||
|Oreste (mix of baritone<br> and tenor versions)<ref>{{cite news|last=Midgette|first=Anne|author-link=Anne Midgette|title=In ''Iphigenie en Tauride'', Placido Domingo still shines|url=https://www.washingtonpost.com/lifestyle/style/in-iphigenie-en-tauride-placido-domingo-still-shines/2011/05/08/AFBz2STG_story.html|access-date=5 August 2015|newspaper=[[The Washington Post]]|date=8 May 2011|quote=[I]n ''Iphigenie'', Domingo combines the baritone and tenor versions of the role.}}</ref> |
|||
|Oreste |
|||
|{{hs|2007-11-27}}27 November 2007 |
|{{hs|2007-11-27}}27 November 2007 |
||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|2008-03-26}}2008 |
|{{hs|2008-03-26}}2008 |
||
Line 1,203: | Line 1,342: | ||
|Teatro Real |
|Teatro Real |
||
|Madrid |
|Madrid |
||
|opera |
|||
|- |
|- |
||
|{{hs|2009-10-24}}2009 |
|{{hs|2009-10-24}}2009 |
||
Line 1,208: | Line 1,348: | ||
|Simon Boccanegra |
|Simon Boccanegra |
||
|Verdi |
|Verdi |
||
|Simon Boccanegra |
|Simon Boccanegra (baritone) |
||
|{{hs|2009-10-24}}24 October 2009 |
|{{hs|2009-10-24}}24 October 2009 |
||
|[[Berlin State Opera]] |
|[[Berlin State Opera]] |
||
|Berlin |
|Berlin |
||
|opera |
|||
|- |
|- |
||
|{{hs|2010-00-00}}2010 |
|{{hs|2010-00-00}}2010 |
||
Line 1,221: | Line 1,362: | ||
| |
| |
||
|Studio |
|Studio |
||
|symphonic |
|||
|- |
|- |
||
|{{hs|2010-00-01}} |
|{{hs|2010-00-01}} |
||
Line 1,230: | Line 1,372: | ||
| |
| |
||
|Studio |
|Studio |
||
|opera |
|||
|- |
|- |
||
|{{hs|2010-08-01}} |
|{{hs|2010-08-01}} |
||
Line 1,235: | Line 1,378: | ||
|Rigoletto |
|Rigoletto |
||
|Verdi |
|Verdi |
||
|Rigoletto |
|Rigoletto (baritone) |
||
|{{hs|2010-08-01}}1 August 2010 |
|{{hs|2010-08-01}}1 August 2010 |
||
|Reignwood Theater |
|Reignwood Theater |
||
|[[Beijing]] |
|[[Beijing]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|2010-09-23}} |
|{{hs|2010-09-23}} |
||
|align=right|137 |
|align=right|137 |
||
|{{hs|Postino, Il}}Il Postino |
|{{hs|Postino, Il}}'''[[Il Postino (opera)|Il Postino]]''' |
||
|[[Daniel Catán|Catán]] |
|[[Daniel Catán|Catán]] |
||
|Pablo Neruda |
|{{hs|Neruda, Pablo}}Pablo Neruda |
||
|{{hs|2010-09-23}}23 September 2010 |
|{{hs|2010-09-23}}23 September 2010 |
||
|Los Angeles Opera |
|Los Angeles Opera |
||
|Los Angeles |
|Los Angeles |
||
|opera |
|||
|- |
|- |
||
|{{hs|2011-12-31}}2011 |
|{{hs|2011-12-31}}2011 |
||
|align=right|138 |
|align=right|138 |
||
|{{hs|Enchanted Island, The}}[[The Enchanted Island (opera)|The Enchanted Island]] |
|{{hs|Enchanted Island, The}}'''[[The Enchanted Island (opera)|The Enchanted Island]]''' |
||
|{{hs|ZZZ}}Various |
|{{hs|ZZZ}}Various |
||
|[[Neptune (mythology)|Neptune]] |
|[[Neptune (mythology)|Neptune]] |
||
Line 1,257: | Line 1,402: | ||
| Metropolitan Opera |
| Metropolitan Opera |
||
|New York |
|New York |
||
|[[pasticcio]]/opera |
|||
|- |
|- |
||
|{{hs|2012-03-25}}2012 |
|{{hs|2012-03-25}}2012 |
||
Line 1,262: | Line 1,408: | ||
|{{hs|Thais}}[[Thaïs (opera)|Thaïs]] |
|{{hs|Thais}}[[Thaïs (opera)|Thaïs]] |
||
|Massenet |
|Massenet |
||
|Athanaël |
|Athanaël (baritone) |
||
|{{hs|2012-03-25}}25 March 2012 |
|{{hs|2012-03-25}}25 March 2012 |
||
|[[Palau de les Arts Reina |
|[[Palau de les Arts Reina Sofía]] |
||
|[[Valencia]] |
|[[Valencia]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|2012-09-15}} |
|{{hs|2012-09-15}} |
||
Line 1,271: | Line 1,418: | ||
|{{hs|Due Foscari, I}}[[I due Foscari]] |
|{{hs|Due Foscari, I}}[[I due Foscari]] |
||
|Verdi |
|Verdi |
||
|Francesco Foscari |
|Francesco Foscari (baritone) |
||
|{{hs|2012-09-15}}15 September 2012 |
|{{hs|2012-09-15}}15 September 2012 |
||
|Los Angeles Opera |
|Los Angeles Opera |
||
|Los Angeles |
|Los Angeles |
||
|opera |
|||
|- |
|- |
||
|{{hs|2013-03-14}}2013 |
|{{hs|2013-03-14}}2013 |
||
Line 1,280: | Line 1,428: | ||
|{{hs|Traviata, La}}La traviata |
|{{hs|Traviata, La}}La traviata |
||
|Verdi |
|Verdi |
||
|Giorgio Germont |
|{{hs|Germont, Giorgio}}Giorgio Germont (baritone) |
||
|{{hs|2013-03-14}}14 March 2013 |
|{{hs|2013-03-14}}14 March 2013 |
||
|Metropolitan Opera |
|Metropolitan Opera |
||
|New York |
|New York |
||
|opera |
|||
|- |
|- |
||
|{{hs|2013-04-15}} |
|{{hs|2013-04-15}} |
||
Line 1,289: | Line 1,438: | ||
|Nabucco |
|Nabucco |
||
|Verdi |
|Verdi |
||
|Nabucco |
|Nabucco (baritone) |
||
|{{hs|2013-04-15}}15 April 2013 |
|{{hs|2013-04-15}}15 April 2013 |
||
|Royal Opera House |
|Royal Opera House |
||
|London |
|London |
||
|opera |
|||
|- |
|- |
||
|{{hs|2013-08-06}} |
|{{hs|2013-08-06}} |
||
Line 1,298: | Line 1,448: | ||
|Giovanna d'Arco |
|Giovanna d'Arco |
||
|Verdi |
|Verdi |
||
|Giacomo |
|Giacomo (baritone) |
||
|{{hs|2013-08-06}}6 August 2013 |
|{{hs|2013-08-06}}6 August 2013 |
||
|[[Salzburg Festival]] |
|[[Salzburg Festival]] |
||
|[[Salzburg]] |
|[[Salzburg]] |
||
|opera |
|||
|- |
|- |
||
|{{hs|2013-11-29}} |
|{{hs|2013-11-29}} |
||
Line 1,307: | Line 1,458: | ||
|{{hs|Trovatore, Il}}Il trovatore |
|{{hs|Trovatore, Il}}Il trovatore |
||
|Verdi |
|Verdi |
||
|{{hs|Luna, Conte di}}Conte di Luna |
|{{hs|Luna, Conte di}}Conte di Luna (baritone) |
||
|{{hs|2013-11-29}}29 November 2013 |
|{{hs|2013-11-29}}29 November 2013 |
||
|[[Schiller Theater]] |
|[[Schiller Theater]] |
||
|Berlin |
|Berlin |
||
|opera |
|||
|- |
|||
|{{hs|2015-02-07}}2015 |
|||
|align=right{{!}}145 |
|||
|Macbeth |
|||
|Verdi |
|||
|Macbeth (baritone) |
|||
|{{hs|2015-02-07}}7 February 2015 |
|||
|Schiller Theater |
|||
|Berlin |
|||
|opera |
|||
|- |
|||
|{{hs|2015-03-20}} |
|||
|align=right{{!}}146 |
|||
|{{hs|Ernani}}Ernani |
|||
|Verdi |
|||
|{{hs|Carlo}}Don Carlo (baritone) |
|||
|{{hs|2015-03-20}}20 March 2015 |
|||
|Metropolitan Opera |
|||
|New York |
|||
|opera |
|||
|- |
|||
|{{hs|2015-09-12}} |
|||
|align=right|147 |
|||
|{{hs|Gianni Schicchi}}Gianni Schicchi |
|||
|Puccini |
|||
|Gianni Schicchi (baritone) |
|||
|{{hs|2015-09-12}}12 September 2015 |
|||
|[[Los Angeles Opera]] |
|||
|[[Los Angeles]] |
|||
|opera |
|||
|- |
|||
|{{hs|2017-06-11}}2017 |
|||
|align=right|148 |
|||
|Don Carlo |
|||
|Verdi |
|||
|Rodrigo di Posa (baritone) |
|||
|{{hs|2017-06-11}}11 June 2017 |
|||
|Wiener Staatsoper |
|||
|Wien |
|||
|opera |
|||
|- |
|||
|{{hs|2018-03-29}}2018 |
|||
|align=right|149 |
|||
|Luisa Miller |
|||
|Verdi |
|||
|Miller (baritone) |
|||
|{{hs|2018-03-29}}29 March 2018 |
|||
|Metropolitan Opera |
|||
|New York |
|||
|opera |
|||
|- |
|||
|{{hs|2018-08-23}} |
|||
|align=right|150 |
|||
|{{hs|Pecheurs de perles, Les}}Les pêcheurs de perles |
|||
|Bizet |
|||
|Zurga (baritone) |
|||
|{{hs|2018-08-23}}23 August 2018 |
|||
|Salzburg Festival |
|||
|Salzburg |
|||
|opera |
|||
|- |
|||
|{{hs|2019-05-04}}2019 |
|||
|align=right|151 |
|||
|{{hs|Gato montés, El}}El gato montés |
|||
|Penella |
|||
|Juanillo (baritone) |
|||
|{{hs|2019-05-04}}4 May 2019 |
|||
|Los Angeles Opera |
|||
|Los Angeles |
|||
|opera |
|||
|- |
|||
|{{hs|2022-08-25}}2022 |
|||
|align=right|152 |
|||
|{{hs|Aida}}[[Aida]] |
|||
|Verdi |
|||
|Amonasro (baritone) |
|||
|{{hs|2022-08-25}}25 August 2022 |
|||
|Verona Arena |
|||
|Verona |
|||
|opera |
|||
|} |
|||
===Additional roles (partial)=== |
|||
{| class="sortable wikitable" style="font-size:95%;" |
|||
!Year |
|||
!# |
|||
!Title |
|||
!Composer |
|||
!Role |
|||
!Debut date |
|||
!Opera house /<br />studio recording |
|||
!Location |
|||
!Genre |
|||
|- |
|||
|{{hs|1957-00-00}}1957 |
|||
|align=right|1 |
|||
|{{Interlanguage link multi|Gigantes y cabezudos (zarzuela)|es|3=Gigantes y cabezudos (zarzuela)|lt=Gigantes y cabezudos}} |
|||
|[[Manuel Fernández Caballero|Fernández Caballero]] |
|||
|Baritone part |
|||
|{{hs|1957-00-00}}1957 |
|||
| |
|||
|Mexico City |
|||
|zarzuela |
|||
|- |
|||
|{{hs|1958-00-00}}1958-9 |
|||
|align=right|2 |
|||
|[[Luisa Fernanda (zarzuela)|Luisa Fernanda]] |
|||
|[[Federico Moreno Torroba|Moreno Torroba]] |
|||
|Javier & other parts |
|||
|{{hs|1958-00-00}}1958 |
|||
| |
|||
|Veracruz |
|||
|zarzuela |
|||
|- |
|||
|{{hs|1958-01-01}} |
|||
|align=right|3 |
|||
|{{hs|Gato Montés, El}}[[El gato montés]] |
|||
|[[Manuel Penella|Penella]] |
|||
|Rafael Ruiz |
|||
|{{hs|1958-01-01}}1958 |
|||
| |
|||
|Mexico |
|||
|opera |
|||
|- |
|||
|{{hs|1958-12-12}} |
|||
|align=right|4 |
|||
|{{Interlanguage link multi|La calesera|es}} |
|||
|[[Francisco Alonso|Alonso]] |
|||
|Baritone part |
|||
|{{hs|1958-12-12}}1958/1959 |
|||
| |
|||
|Mexico |
|||
|zarzuela |
|||
|- |
|||
|{{hs|1959-00-00}} |
|||
|align=right|5 |
|||
|El balcón de palacio |
|||
|Romo |
|||
|Baritone part |
|||
|{{hs|1959-00-00}}1958/1959 |
|||
| |
|||
|Mexico |
|||
|zarzuela |
|||
|- |
|||
|{{hs|1959-01-01}} |
|||
|align=right|6 |
|||
|{{Interlanguage link multi|Katiuska, la mujer rusa|es}} |
|||
|[[Pablo Sorozábal|Sorozábal]] |
|||
|Baritone part |
|||
|{{hs|1959-01-01}}1958/1959 |
|||
| |
|||
|Mexico |
|||
|zarzuela |
|||
|- |
|||
|{{hs|1959-01-02}} |
|||
|align=right|7 |
|||
|{{hs|Gavilanes, Los}}{{Interlanguage link multi|Los gavilanes|es}} |
|||
|[[Jacinto Guerrero|Guerrero]] |
|||
|Baritone part |
|||
|{{hs|1959-01-02}}1958/1959 |
|||
| |
|||
|Mexico |
|||
|zarzuela |
|||
|- |
|||
|{{hs|1959-01-19}}1959 |
|||
|align=right|8 |
|||
|Mi bella dama ([[My Fair Lady]]) |
|||
|[[Frederick Loewe|Loewe]] |
|||
|Alfie Doolittle's friend |
|||
|{{hs|1959-01-19}}19 January 1959 |
|||
|Teatro María Teresa Montoya |
|||
|Monterrey |
|||
|musical |
|||
|- |
|||
|{{hs|1959-05-12}} |
|||
|align=right|9 |
|||
|{{Interlanguage link multi|Marina (zarzuela and opera)|es|3=Marina (ópera)|lt=Marina}} |
|||
|[[Emilio Arrieta|Arrieta]] |
|||
|Pascual (bass or baritone) |
|||
|{{hs|1959-05-12}}12 May 1959 |
|||
|Teatro Degollado |
|||
|Guadalajara |
|||
|opera/zarzuela |
|||
|- |
|||
|{{hs|1960-02-11}}1960 |
|||
|align=right|10 |
|||
|{{hs|Pelirroja, La}}La Pelirroja ([[Redhead (musical)|The Readhead]]) |
|||
|[[Albert Hague|Hague]] |
|||
|The Tenor |
|||
|{{hs|1960-02-11}}11 February 1960 |
|||
|Teatro de los Insurgentes |
|||
|Mexico City |
|||
|musical |
|||
|- |
|||
|{{hs|1961-10-28}}1961 |
|||
|align=right|11 |
|||
|[[Lucia di Lammermoor]] |
|||
|[[Gaetano Donizetti|Donizetti]] |
|||
|Arturo |
|||
|{{hs|1961-10-28}}28 October 1961 |
|||
|Palacio de Bellas Artes |
|||
|Guadalajara |
|||
|opera |
|||
|- |
|||
|{{hs|1962-08-10}}1962 |
|||
|align=right|12 |
|||
|[[Symphony No. 9 (Beethoven)|Ninth Symphony]] |
|||
|[[Ludwig van Beethoven|Beethoven]] |
|||
|Tenor part |
|||
|{{hs|1962-08-10}}10 August 1962 |
|||
| |
|||
|Mexico City |
|||
|symphonic |
|||
|- |
|||
|{{hs|1965-12-10}}1965 |
|||
|align=right|13 |
|||
|[[Messiah (Handel)|Messiah]] |
|||
|[[Händel]] |
|||
|Tenor part |
|||
|{{hs|1965-12-10}}10 December 1965 |
|||
| |
|||
|Boston |
|||
|oratorio |
|||
|- |
|||
|{{hs|1966-05-26}}1966 |
|||
|align=right|14 |
|||
|[[Elijah (oratorio)|Elijah]] |
|||
|[[Mendelssohn]] |
|||
|Tenor part |
|||
|{{hs|1966-05-26}}26 May 1966 |
|||
| |
|||
|Mexico City |
|||
|oratorio |
|||
|- |
|||
|{{hs|1967-02-23}}1967 |
|||
|align=right|15 |
|||
|[[Creation Mass]] |
|||
|[[Haydn]] |
|||
|Tenor part |
|||
|{{hs|1967-02-23}}23 February 1967 |
|||
| |
|||
|Boston |
|||
|oratorio |
|||
|- |
|||
|{{hs|1969-05-20}}1969 |
|||
|align=right|16 |
|||
|[[Requiem (Verdi)|Requiem]] |
|||
|[[Verdi]] |
|||
|Tenor part |
|||
|{{hs|1969-05-20}}20 May 1969 |
|||
| |
|||
|London |
|||
|oratorio |
|||
|- |
|||
|{{hs|1970-05-23}}1970 |
|||
|align=right|17 |
|||
|[[Missa solemnis (Beethoven)|Missa Solemnis]] |
|||
|Beethoven |
|||
|Tenor part |
|||
|{{hs|1970-05-23}}23 May 1970 |
|||
|[[St. Peter's Basilica]] |
|||
|Rome |
|||
|oratorio |
|||
|- |
|||
|{{hs|1984-09-30}}1984 |
|||
|align=right|18 |
|||
|'''[[Requiem (Lloyd Webber)|Requiem]]''' |
|||
|[[Andrew Lloyd Webber|Lloyd Webber]] |
|||
|Tenor part |
|||
|{{hs|1984-09-30}}1984 (studio)<br> 25 February 1985 (live) |
|||
|<br>St. Thomas Church |
|||
|Studio<br> New York<ref name="ALW.com compositions">{{cite web |url=http://www.andrewlloydwebber.com/music/compositions |title=Compositions |website=andrewlloydwebber.com |accessdate=14 September 2015}}</ref> |
|||
|oratorio |
|||
|- |
|||
|{{hs|1989-03-00}}1989 |
|||
|align=right|19 |
|||
|'''[[Goya: A Life in Song]]''' |
|||
|[[Maury Yeston|Yeston]] |
|||
|Goya |
|||
|{{hs|1989-03-00}}March 1989 |
|||
| |
|||
|Studio |
|||
|musical |
|||
|- |
|||
|{{hs|1998-06-15}}1998 |
|||
|align=right|20 |
|||
|'''[[Luna (opera)|Luna]]''' |
|||
|[[José María Cano|Cano]] |
|||
|Antonio |
|||
|{{hs|1998-06-15}}15 June 1998 |
|||
|[[Palau de la Música de València]] |
|||
|Valencia |
|||
|opera |
|||
|- |
|||
|{{hs|2003-11-00}}2003 |
|||
|align=right|21 |
|||
|[[Christus am Ölberge]] |
|||
|Beethoven |
|||
|Jesus |
|||
|{{hs|2003-11-00}}2003 |
|||
| |
|||
|Studio |
|||
|oratorio |
|||
|} |
|} |
||
==Major opera house and festival debuts== |
==Major opera house and festival debuts== |
||
{| class="wikitable" style="font-size:95%;" |
{| class="wikitable" style="font-size:95%;" |
||
!Year<ref>[http://www.placidodomingo.com/inhalt.php?id=801&menu_level=2&id_mnu=1092&id_kunden=196 Opera house |
!Year<ref>[https://web.archive.org/web/20120227175614/http://www.placidodomingo.com/inhalt.php?id=801&menu_level=2&id_mnu=1092&id_kunden=196 Opera house debuts] Retrieved from archive.org</ref> |
||
!Opera house / Festival |
!Opera house / Festival |
||
!Opera |
!Opera |
||
|- |
|||
|1965 |
|||
|[[New York City Opera]] |
|||
|[[Madama Butterfly]] |
|||
|- |
|||
|1966 |
|||
|[[Gran Teatre del Liceu]] |
|||
|Carlota,<br />Severino,<br />La mulata de Córdoba |
|||
|- |
|- |
||
|1967 |
|1967 |
||
Line 1,330: | Line 1,793: | ||
|[[Metropolitan Opera]] |
|[[Metropolitan Opera]] |
||
|[[Adriana Lecouvreur]] |
|[[Adriana Lecouvreur]] |
||
|- |
|||
| |
|||
|[[Lyric Opera of Chicago]] |
|||
|[[Manon Lescaut (Puccini)|Manon Lescaut]] |
|||
|- |
|- |
||
|1969 |
|1969 |
||
Line 1,366: | Line 1,833: | ||
|[[Salzburg Festival]] |
|[[Salzburg Festival]] |
||
|[[Don Carlo]] |
|[[Don Carlo]] |
||
|- |
|||
|1986 |
|||
|[[Los Angeles Opera]] |
|||
|[[Otello]] |
|||
|- |
|||
| |
|||
|[[Washington National Opera]] |
|||
|Goya (Menotti) |
|||
|- |
|- |
||
|1992 |
|1992 |
||
Line 1,384: | Line 1,859: | ||
==External links== |
==External links== |
||
* [https://www.theguardian.com/arts/features/story/0,11710,1525039,00.html "I must live up to what people expect"] by [[Peter Conrad (academic)|Peter Conrad]], ''[[The Observer]]'', 10 July 2005 |
|||
{{Commons category|Plácido Domingo}} |
|||
* [http://www.kennedy-center.org/explorer/artists/?entity_id=3525 Profile] at the [[John F. Kennedy Center for the Performing Arts|Kennedy Center]] |
|||
* [http://www.placidodomingo.com Official website] |
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* [https://www.theguardian.com/world/2007/jan/25/classicalmusic.musicnews "A tenor no more: Domingo to make switch to baritone"] by [[Martin Kettle]], ''[[The Guardian]]'', 25 January 2007 |
|||
* [http://www.operalia.org/ Plácido Domingo International ''Operalia'' Opera Singer Contest] |
|||
* [http://www.placidodomingo-tour.com World Tour Homepage] |
|||
{{Plácido Domingo}} |
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* [http://www.emiclassics.com/phpNewSite/artists/artists_disk.php?id=14 Discography on EMI Classics website] |
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{{Portal bar|Opera}} |
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* [http://www.deutschegrammophon.com/artist/one.htms?ART_ID=DOMPL Discography on DG Classics website] |
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* [http://www.faz.net/s/Rub4D7EDEFA6BB3438E85981C05ED63D788/Doc~E14C7685EA5984D32AB2477894BDB33C2~ATpl~Ecommon~Scontent.html Opera is expensive, singers are cheap], Plácido Domingo about too small Operas, Casting-Singers as Paul Potts and the humility before a great career (Interview by Nahuel Lopez in German, ''[[Frankfurter Allgemeine Sonntagszeitung]]'', 17 March 2009) |
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* [http://www.guardian.co.uk/arts/features/story/0,11710,1525039,00.html Interview with Domingo from ''The Guardian'', 10 July 2005] |
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* [http://www.kennedy-center.org/calendar/index.cfm?fuseaction=showIndividual&entitY_id=3525&source_type=A Biography] at the [[John F. Kennedy Center for the Performing Arts|Kennedy Center]] |
|||
* [http://www.youtube.com/results?search_query=Pl%C3%A1cido+Domingo&search=Search Plácido Domingo's video of concerts and Opera] from YouTube.com |
|||
* [http://music.guardian.co.uk/classical/story/0,,1997948,00.html?gusrc=rss&feed=1 Guardian article] detailing his switch to baritone. |
|||
*[http://historyofthetenor.com/page.php?92 History of the Tenor - Sound Clips and Narration] |
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{{DEFAULTSORT:Domingo, Placido}} |
{{DEFAULTSORT:Domingo, Placido}} |
||
[[Category:Opera-related lists]] |
[[Category:Opera-related lists]] |
||
[[Category: |
[[Category:Plácido Domingo albums]] |
Latest revision as of 21:02, 14 October 2024
Spanish tenor Plácido Domingo has sung 151 roles in Italian, French, German, English, Spanish and Russian.[1][2][3] His main repertoire however is Italian (Otello, Cavaradossi in Tosca, Don Carlo, Des Grieux in Manon Lescaut, Dick Johnson in La fanciulla del West, Radames in Aida), French (Faust, Werther, Don José in Carmen, Samson in Samson et Dalila), and German (Lohengrin, Parsifal, and Siegmund in Die Walküre). Domingo currently continues to add more operas to his repertoire. Since 2009, he has moved substantially into the baritone repertoire, especially focusing on Verdi baritone roles. In 2015, he made his most recent debuts as Macbeth at the Berlin State Opera, Don Carlo in Ernani at the Metropolitan Opera, and Gianni Schicchi at the Los Angeles Opera. Tim Page, a Pulitzer Prize-winner for music criticism, described Domingo in a 1996 Washington Post article as "the most versatile, intelligent and altogether accomplished operatic tenor now before the public".[4]
Domingo's official repertoire list includes all of his operatic roles on stage and recordings, as well as his zarzuela and operetta debuts made in opera houses and on recordings since his operatic debut on 23 September 1959. One exception to this is Arturo in Donizetti's opera Lucia di Lammermoor, in which he made his role debut on 28 October 1961 in Guadalajara, Mexico, and his U.S. operatic debut on 16 November of the same year at Dallas Civic Opera in Dallas, Texas. The only other exception is his performance as Antonio in Cano's modern opera, Luna, in which he appeared on an abridged recording in 1997 and in a concert performance at the Palau de la Música de València on 15 May 1998.
The official list does not include his previous roles in zarzuelas or musicals with his parents' company or theaters in Mexico prior to September 1959, nor does it include his performance as the Spanish painter Francisco Goya in the musical, Goya: A Life in Song, which he recorded in both English and Spanish-language versions. It also contains only a fraction of his sung symphonic works, excluding his performances of the tenor parts in Verdi and Andrew Lloyd Webber's Requiems and Beethoven's Ninth Symphony, Missa Solemnis, and Christus am Ölberge, among others. Some small parts sung during the same performance are listed as only one role. Danilo in The Merry Widow is listed twice: once together with Camille in a Spanish-language translation early in his career and later alone in English translation at the Metropolitan Opera. Domingo alternated the parts of Camille and Danilo during his first run of the operetta at the Palacio de Bellas Artes in 1960.
Role debuts
[edit]These lists are sortable, e.g. by opera title, composer, location, or date. Operas and other works, in which Domingo appeared in world premieres, are marked in bold. All roles are tenor parts except where noted.
Official repertoire
[edit]Year | # | Title | Composer | Role | Debut date | Opera house / studio recording |
Location | Genre |
---|---|---|---|---|---|---|---|---|
1959 | 1 | Rigoletto | Verdi | Borsa | 23 September 1959 | Palacio de Bellas Artes | Mexico City | opera |
2 | Dialogues of the Carmelites | Poulenc | Chaplain | 21 October 1959 | Palacio de Bellas Artes | Mexico City | opera | |
1960 | 3 | The Merry Widow | Lehár | Danilo (tenor or baritone), Camille |
1960 | Palacio de Bellas Artes | Mexico City | operetta |
4 | Turandot | Puccini | Altoum | 11 September 1960 | Teatro de la Ciudad | Monterrey | opera | |
5 | Turandot | Puccini | Pang | 1 October 1960 | Teatro de la Ciudad | Monterrey | opera | |
6 | Lucia di Lammermoor | Donizetti | Normanno | 5 October 1960 | Teatro de la Ciudad | Monterrey | opera | |
7 | La traviata | Verdi | Gastone | 8 October 1960 | Teatro de la Ciudad | Monterrey | opera | |
8 | Carmen | Bizet | Remendado | 15 October 1960 | Teatro de la Ciudad | Monterrey | opera | |
9 | Otello | Verdi | Cassio | 17 October 1960 | Teatro de la Ciudad | Monterrey | opera | |
1961 | 10 | La traviata | Verdi | Alfredo | 19 May 1961 | Teatro de la Ciudad | Monterrey | opera |
11 | El último sueño | Vázquez | Enrique | 28 May 1961 | Palacio de Bellas Artes | Mexico City | opera | |
12 | Amelia goes to the ball | Menotti | Lover | 28 June 1961 | Palacio de Bellas Artes | Mexico City | opera | |
13 | Fedora | Giordano | Désire, Baron Rouvel |
2 July 1961 | Palacio de Bellas Artes | Mexico City | opera | |
14 | Boris Godunov | Mussorgsky | Simpleton, Shuisky |
8 August 1961 | Palacio de Bellas Artes | Mexico City | opera | |
15 | Andrea Chénier | Giordano | Abbé, Incredibile |
15 August 1961 | Palacio de Bellas Artes | Mexico City | opera | |
16 | Tosca | Puccini | Spoletta | 21 August 1961 | Palacio de Bellas Artes | Mexico City | opera | |
17 | Madama Butterfly | Puccini | Goro | 15 September 1961 | Palacio de Bellas Artes | Mexico City | opera | |
18 | Tosca | Puccini | Cavaradossi | 30 September 1961 | Palacio de Bellas Artes | Mexico City | opera | |
1962 | 19 | La bohème | Puccini | Rodolfo | 4 March 1962 | Palacio de Bellas Artes | Mexico City | opera |
20 | Così fan tutte | Mozart | Ferrando | 10 May 1962 | Palacio de Bellas Artes | Mexico City | opera | |
21 | Adriana Lecouvreur | Cilea | Maurizio | 17 May 1962 | Palacio de Bellas Artes | Mexico City | opera | |
22 | Trittico Francescano | Refice | 1 October 1962 | Teatro Degollado | Guadalajara | opera | ||
23 | Madama Butterfly | Puccini | Pinkerton | 7 October 1962 | Teatro Isauro Martínez | Torreón | opera | |
24 | Lucia di Lammermoor | Donizetti | Edgardo | 26 November 1962 | Fort Worth Opera | Fort Worth | opera | |
1963 | 25 | Carmen | Bizet | José | 25 June 1963 | Israeli Opera House | Tel Aviv | opera |
26 | Don Giovanni | Mozart | Don Ottavio | 21 September 1963 | Israeli Opera House | Tel Aviv | opera | |
27 | Faust | Gounod | Faust | 3 December 1963 | Israeli Opera House | Tel Aviv | opera | |
1964 | 28 | Les pêcheurs de perles | Bizet | Nadir | 21 January 1964 | Israeli Opera House | Tel Aviv | opera |
29 | Eugene Onegin | Tchaikovsky | Lensky | 5 September 1964 | Israeli Opera House | Tel Aviv | opera | |
1965 | 30 | Cavalleria rusticana | Mascagni | Turiddu | 21 January 1965 | Israeli Opera House | Tel Aviv | opera |
31 | Samson and Delilah | Saint-Saëns | Samson | 30 July 1965 | Chautauqua Opera | Chautauqua | opera | |
32 | Les contes d'Hoffmann | Offenbach | Hoffmann | 7 September 1965 | Palacio de Bellas Artes | Mexico City | opera | |
1966 | 33 | Carlota, Severino, La mulata de Córdoba |
Sandi, Moreno, Moncayo |
Maximiliano, Tenor role, Anselmo |
1 January 1966 | Gran Teatre del Liceu | Barcelona | opera |
34 | Don Rodrigo | Ginastera | Don Rodrigo | 22 February 1966 | New York City Opera | New York | opera | |
35 | Andrea Chénier | Giordano | Andrea Chénier | 3 March 1966 | New Orleans Opera | New Orleans | opera | |
36 | Hippolyte et Aricie | Rameau | Hippolyte | 6 April 1966 | Opera Company of Boston | Boston | opera | |
37 | Pagliacci | Leoncavallo | Canio | 9 August 1966 | Metropolitan Opera | New York | opera | |
38 | The Barber of Seville | Rossini | Almaviva | 16 September 1966 | Teatro Degollado | Guadalajara | opera | |
39 | Anna Bolena | Donizetti | Lord Percy | 15 November 1966 | Metropolitan Opera | New York | opera | |
1967 | 40 | Il tabarro | Puccini | Luigi | 8 March 1967 | Metropolitan Opera | New York | opera |
41 | Aida | Verdi | Radames | 11 May 1967 | Hamburg State Opera | Hamburg | opera | |
42 | Don Carlo | Verdi | Don Carlo | 19 May 1967 | Vienna State Opera | Vienna | opera | |
43 | Un ballo in maschera | Verdi | Riccardo | 31 May 1967 | Deutsche Oper Berlin | Berlin | opera | |
1968 | 44 | Lohengrin | Wagner | Lohengrin | 14 January 1968 | Hamburg State Opera | Hamburg | opera |
45 | Manon Lescaut | Puccini | Des Grieux | 15 February 1968 | Connecticut Opera | Hartford | opera | |
46 | Il trovatore | Verdi | Manrico | 14 March 1968 | New Orleans Opera | New Orleans | opera | |
1969 | 47 | Rigoletto | Verdi | Il Duca | 2 January 1969 | Hamburg State Opera | Hamburg | opera |
48 | La forza del destino | Verdi | Don Alvaro | 18 January 1969 | Hamburg State Opera | Hamburg | opera | |
49 | Manon | Massenet | Des Grieux | 20 February 1969 | Metropolitan Opera | New York | opera | |
50 | Turandot | Puccini | Calaf | 16 July 1969 | Verona Arena | Verona | opera | |
51 | Ernani | Verdi | Ernani | 7 December 1969 | Teatro alla Scala | Milan | opera | |
1970 | 52 | Oberon | Weber | Hüon | March 1970 | Bayerischer Rundfunk studio | Studio | opera |
53 | La Gioconda | Ponchielli | Enzo | 14 May 1970 | Teatro de la Zarzuela | Madrid | opera | |
54 | Roberto Devereux | Donizetti | Devereux | 15 October 1970 | New York City Opera | New York | opera | |
1971 | 55 | Der Rosenkavalier | R. Strauss | Italian singer | March 1971 | Studio | opera | |
56 | I Lombardi alla prima crociata | Verdi | Oronte | July 1971 | Royal Philharmonic, London | Studio | opera | |
57 | Luisa Miller | Verdi | Rodolfo | 4 November 1971 | Metropolitan Opera | New York | opera | |
1972 | 58 | Giovanna d'Arco | Verdi | Carlo VII | August 1972 | Studio | opera | |
59 | Los claveles | Serrano | Fernando | 1972 | Studio | zarzuela | ||
60 | La dolorosa | Serrano | Rafael | 1972 | Studio | zarzuela | ||
1973 | 61 | Francesca da Rimini | Zandonai | Paolo | 22 March 1973 | Metropolitan Opera | New York | opera |
62 | L'Africaine | Meyerbeer | Vasco da Gama | 3 November 1973 | War Memorial Opera House | San Francisco | opera | |
1974 | 63 | I vespri siciliani | Verdi | Arrigo | 9 April 1974 | Palais Garnier | Paris | opera |
64 | Mefistofele | Boito | Faust | July 1974 | Studio | opera | ||
65 | Roméo et Juliette | Gounod | Roméo | 28 September 1974 | Metropolitan Opera | New York | opera | |
66 | La fanciulla del West | Puccini | Dick Johnson | 26 November 1974 | Teatro Regio di Torino | Turin | opera | |
1975 | 67 | La Navarraise | Massenet | Araquil | 1975 | Studio | opera | |
68 | Otello | Verdi | Otello | 28 September 1975 | Hamburg State Opera | Hamburg | opera | |
1976 | 69 | Gianni Schicchi | Puccini | Rinuccio | 1976 | Studio | opera | |
70 | Louise | Charpentier | Julien | 1976 | Studio | opera | ||
71 | Macbeth | Verdi | Macduff | 1976 | Studio | opera | ||
72 | Die Meistersinger von Nürnberg | Wagner | Walther von Stolzing | March, 1976 | Studio | opera | ||
73 | Le Cid | Massenet | Don Rodrigue | 8 March 1976 | Opera Orchestra of New York | Carnegie Hall, New York | opera | |
74 | L'amore dei tre re | Montemezzi | Avito | July 1976 | Studio | opera | ||
1977 | 75 | L'elisir d'amore | Donizetti | Nemorino | 1977 | Studio | opera | |
76 | Fedora | Giordano | Loris | 15 February 1977 | Gran Teatre del Liceu | Barcelona | opera | |
77 | Werther | Massenet | Werther | 18 December 1977 | Bavarian State Opera | Munich | opera | |
1978 | 78 | La damnation de Faust | Berlioz | Faust | January 1978 | Studio | oratorio/opera | |
1979 | 79 | Le Villi | Puccini | Roberto | June 1979 | Studio | opera | |
80 | Requiem | Berlioz | Tenor part | June 1979 | Studio | oratorio | ||
81 | Béatrice et Bénédict | Berlioz | Bénédict | July 1979 | Studio | opera | ||
82 | Il Giuramento | Mercadante | Viscardo | 9 September 1979 | Vienna State Opera | Vienna | opera | |
1980 | 83 | El poeta | Moreno Torroba | José de Espronceda | 19 June 1980 | Teatro Real | Madrid | opera |
1981 | 84 | Norma | Bellini | Pollione | 21 September 1981 | Metropolitan Opera | New York | opera |
1982 | 85 | La rondine | Puccini | Ruggero | 1982 | Studio | opera | |
86 | Nabucco | Verdi | Ismaele | May 1982 | Studio | opera | ||
1983 | 87 | Les Troyens | Berlioz | Enée | 26 September 1983 | Metropolitan Opera | New York | opera |
1986 | 88 | Die Fledermaus | J. Strauss | Alfred | April 1986 | Studio | operetta | |
89 | Goya | Menotti | Goya | 15 November 1986 | Washington National Opera | Washington | opera | |
1988 | 90 | Iris | Mascagni | Osaka | 1988 | Studio | opera | |
91 | Tannhäuser | Wagner | Tannhäuser | April 1988 | Studio | opera | ||
1989 | 92 | Die Frau ohne Schatten | R. Strauss | Der Kaiser | March 1989 | Studio | opera | |
1990 | 93 | Man of La Mancha | Leigh | Don Quixote | June 1990 | Studio | musical | |
1991 | 94 | The Flying Dutchman | Wagner | Erik | February 1991 | Studio | opera | |
95 | Parsifal | Wagner | Parsifal | 14 March 1991 | Metropolitan Opera | New York | opera | |
1992 | 96 | The Barber of Seville | Rossini | Figaro (baritone) | February 1992 | Studio | opera | |
97 | El gato montés | Penella | Rafaele Ruiz | 7 August 1992 | Teatro de la Maestranza | Seville | opera | |
98 | Die Walküre | Wagner | Siegmund | 19 December 1992 | Vienna State Opera | Vienna | opera | |
1993 | 99 | Stiffelio | Verdi | Stiffelio | 21 October 1993 | Metropolitan Opera | New York | opera |
1994 | 100 | Doña Francisquita | Vives | Fernando | February 1994 | Studio | zarzuela | |
101 | La verbena de la Paloma | Bretón | Julian | April 1994 | Studio | zarzuela | ||
102 | Il Guarany | Gomes | Pery | 5 June 1994 | Bonn Opera House | Bonn | opera | |
103 | Idomeneo | Mozart | Idomeneo | 1 November 1994 | Metropolitan Opera | New York | opera | |
104 | Hérodiade | Massenet | Jean | 8 November 1994 | War Memorial Opera House | San Francisco | opera | |
1995 | 105 | Luisa Fernanda | Torroba | Javier | 1995 | Studio | zarzuela | |
106 | Simon Boccanegra (1881 version) |
Verdi | Adorno | 19 January 1995 | Metropolitan Opera | New York | opera | |
1996 | 107 | La tabernera del puerto | Sorozábal | Leandro | 1996 | Studio | zarzuela | |
1997 | 108 | Simon Boccanegra (1857 version) |
Verdi | Adorno | 28 June 1997 | Royal Opera House | London | opera |
109 | Divinas Palabras | Abril | Lucero | 18 October 1997 | Teatro Real | Madrid | opera | |
1998 | 110 | Le prophète | Meyerbeer | Jean de Leyde | 21 May 1998 | Vienna State Opera | Vienna | opera |
111 | Faust Symphony | Liszt | Tenor part | June 1998 | Studio | symphonic | ||
112 | La Dolores | Bretón | Lázaro | July 1998 | Studio | opera/zarzuela | ||
1999 | 113 | Das Lied von der Erde | Mahler | Tenor part | February 1999 | Studio | symphonic | |
114 | Misa Tango | Bacalov | Tenor part | February 1999 | Studio | oratorio | ||
115 | The Queen of Spades | Tchaikovsky | Hermann | 18 March 1999 | Metropolitan Opera | New York | opera | |
116 | Fidelio | Beethoven | Florestan | June 1999 | Studio | opera | ||
117 | Merlin | Albéniz | King Arthur | July 1999 | Orquesta Nacional de España, Madrid |
Studio | opera | |
118 | Margarita la tornera | Chapí | Don Juan de Alarcón | 11 December 1999 | Teatro Real | Madrid | zarzuela | |
2000 | 119 | La Gran Vía | Chueca | Caballero de Gracía | January 2000 | Studio | zarzuela | |
120 | The Merry Widow | Lehár | Danilo (tenor or baritone) | 17 February 2000 | Metropolitan Opera | New York | operetta | |
121 | La battaglia di Legnano | Verdi | Arrigo | 30 June 2000 | Royal Opera House | London | opera | |
2001 | 122 | La Revoltosa | Chapí | Felipe | January 2001 | Studio | zarzuela | |
2002 | 123 | Sly | Wolf-Ferrari | Christopher Sly | 1 April 2002 | Metropolitan Opera | New York | opera |
2003 | 124 | Luisa Fernanda | Torroba | Vidal Hernando (baritone) | 18 June 2003 | Teatro alla Scala | Milan | zarzuela |
125 | Nicholas and Alexandra | Drattell | Rasputin | 14 September 2003 | Los Angeles Opera | Los Angeles | opera | |
2005 | 126 | Tristan und Isolde | Wagner | Tristan | January 2005 | EMI Abbey Road Studio 1, London | Studio | opera |
127 | Cyrano de Bergerac | Alfano | Cyrano | 13 May 2005 | Metropolitan Opera | New York | opera | |
128 | Pepita Jiménez | Albéniz | Don Luis de Vargas | June 2005 | Studio | opera | ||
2006 | 129 | Edgar | Puccini | Edgar | 2006 | Studio | opera | |
130 | The First Emperor | Tan | Emperor Qin | 21 December 2006 | Metropolitan Opera | New York | opera | |
2007 | 131 | Iphigénie en Tauride | Gluck | Oreste (mix of baritone and tenor versions)[5] |
27 November 2007 | Metropolitan Opera | New York | opera |
2008 | 132 | Tamerlano | Handel | Bajazet | 26 March 2008 | Teatro Real | Madrid | opera |
2009 | 133 | Simon Boccanegra | Verdi | Simon Boccanegra (baritone) | 24 October 2009 | Berlin State Opera | Berlin | opera |
2010 | 134 | La Nuit de Mai | Leoncavallo | Tenor part | 2010 | Studio | symphonic | |
135 | I Medici | Leoncavallo | Giuliano Medici | 2010 | Studio | opera | ||
136 | Rigoletto | Verdi | Rigoletto (baritone) | 1 August 2010 | Reignwood Theater | Beijing | opera | |
137 | Il Postino | Catán | Pablo Neruda | 23 September 2010 | Los Angeles Opera | Los Angeles | opera | |
2011 | 138 | The Enchanted Island | Various | Neptune | 31 December 2011 | Metropolitan Opera | New York | pasticcio/opera |
2012 | 139 | Thaïs | Massenet | Athanaël (baritone) | 25 March 2012 | Palau de les Arts Reina Sofía | Valencia | opera |
140 | I due Foscari | Verdi | Francesco Foscari (baritone) | 15 September 2012 | Los Angeles Opera | Los Angeles | opera | |
2013 | 141 | La traviata | Verdi | Giorgio Germont (baritone) | 14 March 2013 | Metropolitan Opera | New York | opera |
142 | Nabucco | Verdi | Nabucco (baritone) | 15 April 2013 | Royal Opera House | London | opera | |
143 | Giovanna d'Arco | Verdi | Giacomo (baritone) | 6 August 2013 | Salzburg Festival | Salzburg | opera | |
144 | Il trovatore | Verdi | Conte di Luna (baritone) | 29 November 2013 | Schiller Theater | Berlin | opera | |
2015 | 145 | Macbeth | Verdi | Macbeth (baritone) | 7 February 2015 | Schiller Theater | Berlin | opera |
146 | Ernani | Verdi | Don Carlo (baritone) | 20 March 2015 | Metropolitan Opera | New York | opera | |
147 | Gianni Schicchi | Puccini | Gianni Schicchi (baritone) | 12 September 2015 | Los Angeles Opera | Los Angeles | opera | |
2017 | 148 | Don Carlo | Verdi | Rodrigo di Posa (baritone) | 11 June 2017 | Wiener Staatsoper | Wien | opera |
2018 | 149 | Luisa Miller | Verdi | Miller (baritone) | 29 March 2018 | Metropolitan Opera | New York | opera |
150 | Les pêcheurs de perles | Bizet | Zurga (baritone) | 23 August 2018 | Salzburg Festival | Salzburg | opera | |
2019 | 151 | El gato montés | Penella | Juanillo (baritone) | 4 May 2019 | Los Angeles Opera | Los Angeles | opera |
2022 | 152 | Aida | Verdi | Amonasro (baritone) | 25 August 2022 | Verona Arena | Verona | opera |
Additional roles (partial)
[edit]Year | # | Title | Composer | Role | Debut date | Opera house / studio recording |
Location | Genre |
---|---|---|---|---|---|---|---|---|
1957 | 1 | Gigantes y cabezudos | Fernández Caballero | Baritone part | 1957 | Mexico City | zarzuela | |
1958-9 | 2 | Luisa Fernanda | Moreno Torroba | Javier & other parts | 1958 | Veracruz | zarzuela | |
3 | El gato montés | Penella | Rafael Ruiz | 1958 | Mexico | opera | ||
4 | La calesera | Alonso | Baritone part | 1958/1959 | Mexico | zarzuela | ||
5 | El balcón de palacio | Romo | Baritone part | 1958/1959 | Mexico | zarzuela | ||
6 | Katiuska, la mujer rusa | Sorozábal | Baritone part | 1958/1959 | Mexico | zarzuela | ||
7 | Los gavilanes | Guerrero | Baritone part | 1958/1959 | Mexico | zarzuela | ||
1959 | 8 | Mi bella dama (My Fair Lady) | Loewe | Alfie Doolittle's friend | 19 January 1959 | Teatro María Teresa Montoya | Monterrey | musical |
9 | Marina | Arrieta | Pascual (bass or baritone) | 12 May 1959 | Teatro Degollado | Guadalajara | opera/zarzuela | |
1960 | 10 | La Pelirroja (The Readhead) | Hague | The Tenor | 11 February 1960 | Teatro de los Insurgentes | Mexico City | musical |
1961 | 11 | Lucia di Lammermoor | Donizetti | Arturo | 28 October 1961 | Palacio de Bellas Artes | Guadalajara | opera |
1962 | 12 | Ninth Symphony | Beethoven | Tenor part | 10 August 1962 | Mexico City | symphonic | |
1965 | 13 | Messiah | Händel | Tenor part | 10 December 1965 | Boston | oratorio | |
1966 | 14 | Elijah | Mendelssohn | Tenor part | 26 May 1966 | Mexico City | oratorio | |
1967 | 15 | Creation Mass | Haydn | Tenor part | 23 February 1967 | Boston | oratorio | |
1969 | 16 | Requiem | Verdi | Tenor part | 20 May 1969 | London | oratorio | |
1970 | 17 | Missa Solemnis | Beethoven | Tenor part | 23 May 1970 | St. Peter's Basilica | Rome | oratorio |
1984 | 18 | Requiem | Lloyd Webber | Tenor part | 1984 (studio) 25 February 1985 (live) |
St. Thomas Church |
Studio New York[6] |
oratorio |
1989 | 19 | Goya: A Life in Song | Yeston | Goya | March 1989 | Studio | musical | |
1998 | 20 | Luna | Cano | Antonio | 15 June 1998 | Palau de la Música de València | Valencia | opera |
2003 | 21 | Christus am Ölberge | Beethoven | Jesus | 2003 | Studio | oratorio |
Major opera house and festival debuts
[edit]Year[7] | Opera house / Festival | Opera |
---|---|---|
1965 | New York City Opera | Madama Butterfly |
1966 | Gran Teatre del Liceu | Carlota, Severino, La mulata de Córdoba |
1967 | Hamburg State Opera | Tosca |
Vienna State Opera | Don Carlo | |
1968 | Metropolitan Opera | Adriana Lecouvreur |
Lyric Opera of Chicago | Manon Lescaut | |
1969 | Verona Arena | Turandot |
San Francisco Opera | La bohème | |
Teatro alla Scala | Ernani | |
1970 | Teatro de la Zarzuela | La Gioconda |
Edinburgh Festival | Missa Solemnis | |
1971 | Royal Opera House | Tosca |
1972 | Bavarian State Opera | La bohème |
1973 | Paris Opéra | Il trovatore |
1975 | Salzburg Festival | Don Carlo |
1986 | Los Angeles Opera | Otello |
Washington National Opera | Goya (Menotti) | |
1992 | Bayreuth Festival | Parsifal |
See also
[edit]- Plácido Domingo discography
- The Three Tenors
- Christmas in Vienna I, II, III, and VI
- Grammy Award for Best Opera Recording
- Category:Plácido Domingo albums
References
[edit]- ^ "Review: In his 151st role, Plácido Domingo plays the 'wild cat' as old lion" by Mark Swed, Los Angeles Times, 6 May 2019
- ^ "Domingo's 151st role", operachaser.blogspot.com
- ^ Official repertoire list, placidodomingo.com
- ^ Tim Page, "Domingo's Debut" (Referring to his becoming general director of the Washington National Opera in 1996), The Washington Post, 11 November 1996, via pulitzer.org. Retrieved 29 June 2013
- ^ Midgette, Anne (8 May 2011). "In Iphigenie en Tauride, Placido Domingo still shines". The Washington Post. Retrieved 5 August 2015.
[I]n Iphigenie, Domingo combines the baritone and tenor versions of the role.
- ^ "Compositions". andrewlloydwebber.com. Retrieved 14 September 2015.
- ^ Opera house debuts Retrieved from archive.org
External links
[edit]- "I must live up to what people expect" by Peter Conrad, The Observer, 10 July 2005
- Profile at the Kennedy Center
- "A tenor no more: Domingo to make switch to baritone" by Martin Kettle, The Guardian, 25 January 2007