L'Estampe Moderne: Difference between revisions
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[[File:Louis John Rhead00.jpg|thumb|{{center|''Woman with Peacocks''<br>by [[Louis Rhead]]}}]] |
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[[File:L'Estampe Moderne01.jpg|thumb| |
[[File:L'Estampe Moderne01.jpg|thumb|{{center|Cover of first folio}}]] |
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[[File:L'Estampe Moderne02a.jpg|thumb|{{center|Blindstamp of ''L'Estampe Moderne''}}]] |
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'''''L'Estampe Moderne''''' appeared in 1897- |
'''''L'Estampe Moderne''''' appeared in 1897-1899 as a series of 24 monthly [[fascicle (book)|fascicles]], each of 4 original lithographs, priced at 3 francs 50 centimes and printed by Imprimerie Champenois of [[Paris]]. Many accomplished European [[Art Nouveau]] painters contributed works to this publication. The richly lithographed prints had as a blindstamp (or embossed device), the imprint of a young woman's profile in the lower right corner. The prints are much sought after in the current art world.<ref>[http://www.rare-posters.com/estampemoderne.html Rare Posters]</ref> |
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In the 1890s various fascicles of original prints were issued by French publishers. ''L’épreuve'' was edited by [[Maurice Dumont]] and appeared monthly between December 1894 and December 1895 - '' |
In the 1890s various fascicles of original prints were issued by French publishers. ''L’épreuve'' was edited by [[Maurice Dumont]] and appeared monthly between December 1894 and December 1895 - ''[[L’Estampe originale]]'' was a quarterly edited by André Marty between 1893 and 1895 - the original ''L’estampe moderne'' was published in five folios between November 1895 and March 1896 edited by [[Loÿs Delteil]] - the second ''L’Estampe Moderne'' was published monthly between May 1897 and April 1899. |
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The publication was edited by Charles Masson and H. Piazza. Each issue came in a paper cover bearing an original lithograph by [[Alphonse Mucha]]. The publisher offered two extra lithographs a year, the |
The publication was edited by Charles Masson and H. Piazza. Each issue came in a paper cover bearing an original lithograph by [[Alphonse Mucha]]. The publisher offered two extra lithographs a year, the "planches de prime", as an incentive to prospective subscribers. The aim was to promote the art of printmaking by commissioning images from noted Art Nouveau artists, such as [[Alphonse Mucha]], [[Louis Rhead]], Marcel-Lenoir, [[Henri Boutet]], [[Henri Fantin-Latour]], [[Edward Burne-Jones]] and [[Théophile Steinlen]].<ref>[http://www.georgeglazer.com/prints/art20c/porteur.html George Glazer Gallery]</ref><ref>[http://adventuresintheprinttrade.blogspot.com/2009/02/lestampe-moderne.html Adventures in the Print Trade]</ref> |
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<ref>[http://adventuresintheprinttrade.blogspot.com/2009/02/lestampe-moderne.html Adventures in the Print Trade]</ref> |
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== Gallery == |
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<gallery> |
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File:Armand Point La légende dorée.png|''The Golden Legend'' by [[Armand Point]], 1897 |
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File:Alfred Agache Imperia 1899.png|''Imperia'' by [[Alfred Agache (painter)|Alfred Agache]], 1899 |
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File:Helleu Parisienne.png|''Parisian'' by [[Paul César Helleu]], 1898 |
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File:Henri Fantin Latour Immortalité.png|''Immortalité by'' [[Henri Fantin-Latour]], 1897 |
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File:Henri Martin - Dante rencontre Béatrix.jpg|''Dante meets Béatrice by'' [[Henri-Jean Guillaume Martin]], 1898 |
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File:Louis Rhead Jane.png|''Jane'' by [[Louis Rhead]], 1897 |
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File:Jacques Wely Fleur de lande.jpg|''Fleur de lande'' by Jacques Wely, 1897 |
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File:Le Sidaner-La ronde.jpg|''La Ronde'' by [[Henri Le Sidaner]], 1899 |
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</gallery> |
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==References== |
==References== |
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Latest revision as of 15:35, 19 November 2022
L'Estampe Moderne appeared in 1897-1899 as a series of 24 monthly fascicles, each of 4 original lithographs, priced at 3 francs 50 centimes and printed by Imprimerie Champenois of Paris. Many accomplished European Art Nouveau painters contributed works to this publication. The richly lithographed prints had as a blindstamp (or embossed device), the imprint of a young woman's profile in the lower right corner. The prints are much sought after in the current art world.[1]
In the 1890s various fascicles of original prints were issued by French publishers. L’épreuve was edited by Maurice Dumont and appeared monthly between December 1894 and December 1895 - L’Estampe originale was a quarterly edited by André Marty between 1893 and 1895 - the original L’estampe moderne was published in five folios between November 1895 and March 1896 edited by Loÿs Delteil - the second L’Estampe Moderne was published monthly between May 1897 and April 1899.
The publication was edited by Charles Masson and H. Piazza. Each issue came in a paper cover bearing an original lithograph by Alphonse Mucha. The publisher offered two extra lithographs a year, the "planches de prime", as an incentive to prospective subscribers. The aim was to promote the art of printmaking by commissioning images from noted Art Nouveau artists, such as Alphonse Mucha, Louis Rhead, Marcel-Lenoir, Henri Boutet, Henri Fantin-Latour, Edward Burne-Jones and Théophile Steinlen.[2][3]
Gallery
[edit]-
The Golden Legend by Armand Point, 1897
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Imperia by Alfred Agache, 1899
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Parisian by Paul César Helleu, 1898
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Immortalité by Henri Fantin-Latour, 1897
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Dante meets Béatrice by Henri-Jean Guillaume Martin, 1898
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Jane by Louis Rhead, 1897
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Fleur de lande by Jacques Wely, 1897
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La Ronde by Henri Le Sidaner, 1899
References
[edit]