Eduardo Recife: Difference between revisions
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{{Short description|Brazilian artist}} |
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'''Eduardo Recife''' is an artist, illustrator, [[graphic design]]er, and [[typographer]] from [[Brazil]]. He is creator of Misprinted Type, a website featuring his personal works, collages, drawings, and typefaces. Recife's clients include ''[[The New York Times]]'', ''[[Entertainment Weekly]]'', [[HBO]], and [[Showtime (TV network)|Showtime]]. He does freelance illustration and design for professional clients, but he sells his personal works to galleries or to individual clients upon request.<ref>{{cite web |url=http://siouxwire-annex.blogspot.com/2007/04/interview-eduardo-recife-of-misprinted.html |title=SiouxWIRE Annex: Interview: EDUARDO RECIFE of Misprinted Type |accessdate=2008-04-30 |author= |date=2007-03-29 |work=SiouxWIRE Annex |publisher=SiouxWIRE}}</ref> He has been in the business of design since the mid-1990s. |
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{{BLP sources|date=February 2021}}{{Infobox artist |
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| caption = Collage Work "Reaching Peaceful Waters" (2015) |
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| birth_date = {{birth date and age|1980|8|12}} |
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| birth_place = [[Belo Horizonte]], Brazil<ref>{{cite book |last1=Stanic |first1=Elena |last2=Corina |first2=Lipavsky |title=Atlas of Graphic Designers |date=June 2009 |publisher=Rockport Publishers |isbn=978-1-61673-614-9 |url=https://books.google.com/books?id=f_g2_RCwtQsC&q=%22Eduardo+Recife%22&pg=PA356 |language=en}}</ref> |
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| field = [[Graphic design]], [[typography]] |
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'''Eduardo Recife''' is an artist, illustrator and [[typographer]] from Brazil, known for his distinct collage style which combines vintage imagery, magazine cuts, textures, stains and many details and symbols.<ref>{{cite book |last1=Hyland |first1=Angus |title=The Picture Book: Contemporary Illustration |date=9 November 2006 |publisher=Laurence King Publishing |isbn=978-1-85669-467-4 |pages=90–91 |url=https://books.google.com/books?id=4yvEkh9JiNAC&q=%22eduardo+recife%22&pg=PA90 |language=en}}</ref><ref>{{cite book |last1=Borges |first1=Adélia |title=Brazilian design today: frontiers |year=2009 |publisher=Museu de Arte Moderna de São Paulo |isbn=978-85-86871-28-3 |page=60 |url=https://books.google.com/books?id=uZ0nAQAAIAAJ&q=%22eduardo+recife%22 |language=pt-BR}}</ref> Recife is also known for his 35 typefaces, of which the majority is freeware. |
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==Creative works== |
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Recife has worked with pencil, paint, computer, photography, and collages. Recife’s illustrations have a characteristic vintage feel and an old-era style, which he discusses in an interview with Adriana de Barros of ''Scene 360''.<ref>{{cite web |url=http://scene360.com/articles/941/an-interview-with-collage-and-typography-maker-eduardo-recife/ |title=Eduardo Recife: Art Direction |accessdate=2008-04-30 |author=Adriana de Barros |date= |work=Scene 360 |publisher=}}</ref> |
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Recife received the Cannes Lion Gold (2011), the American Illustration (2009) and the Young Illustrations Award (2014). In the field of photography, the artist has had his work acknowledged with the publishing of his book “My Dear India” (2010). |
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{{quote|I think old graphics were unbelievably more beautiful than what we have today. It was more poetic, and the colors were more attractive. Throughout my whole life I've liked old stuff. When I was younger, I used to get worn clothes and shoes from my older cousins, and I loved it! Even today, I am really fond of vintage (second-hand) t-shirts, etc. Besides all this, I think that the vintage, worn look gives a sensation it was touched by the hands of time or by the artist. Somehow clean lines from the computer bother me, because it feels so cold and mechanical. |
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Most of my digital collages are processed by hand: creating textures, stains, scratches, doodles, and more. I want the computer to help me compose — not to slave me between the mouse and the chair.}} |
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Recife is also known for his mechanical |
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letter-forms and his love of typography. He states that "[t]ypography for me is so strong because it’s a mixture of both 'words' and 'image'. What can be more powerful than that when trying to communicate something?"<ref name="antitype.org">{{cite web |url=http://www.antitype.org/?p=29 |title=» Eduardo Recife antitype studios |accessdate=2008-04-30 |author= |date=2008-03-12 |work=Antitype Studios |publisher=}}</ref> |
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==Career== |
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{{Empty section|date=July 2010}} |
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==References== |
==References== |
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{{reflist}} |
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==External links== |
==External links== |
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* [http://www. |
* [http://www.eduardorecife.com Official website] |
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* [http://www.illustrationmundo.com/wp/6870 Eduardo Recife's Interview on IllustrationMundo] |
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{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. --> |
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| ALTERNATIVE NAMES = Misprinted Type |
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| SHORT DESCRIPTION = Brazilian artist |
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| DATE OF BIRTH = 1980 |
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| PLACE OF BIRTH = Brazil |
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{{DEFAULTSORT:Recife, Eduardo}} |
{{DEFAULTSORT:Recife, Eduardo}} |
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[[Category:Brazilian contemporary artists]] |
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[[Category:Collage artists]] |
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[[Category:1980 births]] |
[[Category:1980 births]] |
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[[Category: |
[[Category:Living people]] |
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[[Category:People from Belo Horizonte]] |
[[Category:People from Belo Horizonte]] |
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[[Category: |
[[Category:21st-century Brazilian artists]] |
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Latest revision as of 18:11, 3 July 2024
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Eduardo Recife | |
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| Born | August 12, 1980 Belo Horizonte, Brazil[1] |
| Known for | Graphic design, typography |
| Website | www.eduardorecife.com |
Eduardo Recife is an artist, illustrator and typographer from Brazil, known for his distinct collage style which combines vintage imagery, magazine cuts, textures, stains and many details and symbols.[2][3] Recife is also known for his 35 typefaces, of which the majority is freeware.
Recife received the Cannes Lion Gold (2011), the American Illustration (2009) and the Young Illustrations Award (2014). In the field of photography, the artist has had his work acknowledged with the publishing of his book “My Dear India” (2010).
References
[edit]- ^ Stanic, Elena; Corina, Lipavsky (June 2009). Atlas of Graphic Designers. Rockport Publishers. ISBN 978-1-61673-614-9.
- ^ Hyland, Angus (9 November 2006). The Picture Book: Contemporary Illustration. Laurence King Publishing. pp. 90–91. ISBN 978-1-85669-467-4.
- ^ Borges, Adélia (2009). Brazilian design today: frontiers (in Brazilian Portuguese). Museu de Arte Moderna de São Paulo. p. 60. ISBN 978-85-86871-28-3.