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{{short description|American country singer}}
'''Dwight Yoakam''' (born [[]]) is an American [[country music|country]] singer from [[Ohio]]. When he began his career, Nashville was oriented towards pop Urban Cowboy music, and Yoakam's brand of [[Bakersfield Sound|Bakersfield]] [[honky tonk]] was not considered marketable. He began playing live in the [[Los Angeles]] area, performing with [[punk]] bands like [[the Dead Kennedys]], [[Los Lobos]], [[the Blasters]], [[the Butthole Surfers]] and [[X (band)|X]].
{{redirect|Yoakam|the actor|Stephen Yoakam}}
{{good article}}
{{Use mdy dates|date=May 2020}}
{{Infobox person
| name = Dwight Yoakam
| image = Dwight Yoakam 2008.jpg
| caption = Yoakam in 2008
| alt = Country music singer Dwight Yoakam, singing while strumming a guitar
| birth_name = Dwight David Yoakam<ref name="allmusic"/>
| birth_date = {{Birth date and age|1956|10|23}}<ref name="whitburn"/>
| birth_place = [[Pikeville, Kentucky]], U.S.
| occupation = {{hlist|Singer|songwriter|actor|film director}}
| years_active = 1984{{ndash}}present
| awards = [[List of awards and nominations received by Dwight Yoakam|Full list]]
| spouse = {{marriage|Emily Joyce|2020}}
| children = 1
| works = {{hlist|[[Dwight Yoakam filmography]]|[[List of awards and nominations received by Dwight Yoakam]]}}
| website = {{URL|www.dwightyoakam.com/}}
| module = {{Infobox musical artist
| embed = yes
| genre = {{hlist|[[Country music|Country]]|[[country rock]]|[[alternative country]]<ref>{{cite web |url=https://amp.smh.com.au/entertainment/music/dwight-yoakam-20061021-gdon8c.html |title=Dwight Yoakam |last=Elder |first=Bruce |date=October 21, 2006 |work=The Syndney Morning Herald |access-date=2023-07-19}}</ref>|[[Bakersfield sound]]<ref name=TST/>}}
| instrument = {{hlist|Vocals|acoustic guitar}}
| discography = {{hlist|[[Dwight Yoakam albums discography]]|[[Dwight Yoakam singles discography]]}}
| label = {{hlist|[[Oak Records|Oak]]|[[Reprise Records|Reprise]]|[[MNRK Music Group|Audium]]|[[New West Records|New West]]|[[Warner Records|Warner]]|[[Sugar Hill Records (bluegrass label)|Sugar Hill]]|Via/[[Thirty Tigers]]}}
}}
}}
'''Dwight David Yoakam''' (born October 23, 1956) is an American [[Country music|country]] singer-songwriter, actor, and filmmaker. He first achieved mainstream attention in 1986 with the release of his debut album ''[[Guitars, Cadillacs, Etc., Etc.]]''. Yoakam had considerable success throughout the late 1980s onward, with a total of ten studio albums for [[Reprise Records]]. Later projects have been released on Audium (now [[MNRK Music Group]]), [[New West Records|New West]], [[Warner Records|Warner]], and [[Sugar Hill Records (bluegrass label)|Sugar Hill Records]].


His first three albums{{mdash}}''Guitars, Cadillacs, Etc., Etc.'', ''[[Hillbilly Deluxe (Dwight Yoakam album)|Hillbilly Deluxe]]'', and ''[[Buenas Noches from a Lonely Room]]''{{mdash}}all reached number one on the ''[[Billboard (magazine)|Billboard]]'' [[Top Country Albums]] chart. Yoakam also has two number-one singles on [[Hot Country Songs]] with "[[Streets of Bakersfield]]" (a duet with [[Buck Owens]]) and "[[I Sang Dixie]]", and twelve additional top-ten hits. He has won two [[Grammy Award]]s and one [[Academy of Country Music]] award. 1993's ''[[This Time (Dwight Yoakam album)|This Time]]'' is his most commercially successful album, having been [[music recording sales certification|certified]] triple-platinum by the [[Recording Industry Association of America]] (RIAA).
Yoakam debuted with the college radio staple ''[[A Town South of Bakersfield]]'' in [[1984 in music|1984]]. His debut LP was [[1986 in music|1986]]'s ''[[Guitars, Cadillacs, Etc., Etc.]]'' and it instantly launched his career. "Honky Tonk Man" ([[Johnny Horton]]) and "Guitars, Cadillacs" were hit singles. The follow-up LP, ''[[Hillbilly Deluxe]]'', was just as successful. His third LP, ''[[Buenas Noches from a Lonely Room]]'', included his first #1, a duet with [[Buck Owens]], "Streets of Bakersfield". [[1990 in music|1990]]'s ''[[If There Was a Way]]'' was another best-seller. After this, his career slowed down significantly, not releasing any hits until a cover of "Crazy Little Thing Called Love" ([[Queen (band)|Queen]]) in [[1999 in music|1999]]).

Yoakam's musical style draws from a wide variety of influences including [[alternative country]], [[neotraditional country]], [[honky-tonk]], [[Rock music|rock]], and the [[Bakersfield sound]]. He is known for his distinctive tenor singing voice, unconventional musical image, and the lead guitar work of his longtime producer and bandleader [[Pete Anderson]]. Yoakam writes most of his own songs but has recorded many successful [[cover song]]s by a wide range of artists including [[Johnny Horton]], [[Elvis Presley]], [[Cheap Trick]], [[The Blasters]], [[Lefty Frizzell]], and [[Queen (band)|Queen]]. He has collaborated with [[Beck]], [[John Mellencamp]], [[k.d. lang]], [[Ralph Stanley]], and members of [[Alison Krauss & Union Station]].

As an actor, Yoakam has appeared in the movies ''[[Red Rock West]]'', ''[[Sling Blade]]'', ''[[Panic Room]]'', ''[[The Minus Man]]'', ''[[Wedding Crashers]]'', [[Four Christmases|''Four Christmases,'']] and ''[[Logan Lucky]]'', as well as ''[[South of Heaven, West of Hell]]'', which he wrote and directed. He also appeared in the TV series ''[[P.S. I Luv U]]'' and ''[[Under the Dome (TV series)|Under the Dome]]'', as well as the [[Amazon Prime Video]] original series ''[[Goliath (TV series)|Goliath]]''.

==Biography==
[[File:Main at Grace in Pikeville.jpg|200px|thumb|left|Dwight Yoakam was born in [[Pikeville, Kentucky]].|alt=A view of buildings along a street in Pikeville, Kentucky.]]
Dwight David Yoakam was born October 23, 1956, in [[Pikeville, Kentucky]].<ref name="whitburn"/><ref name="allmusic">{{cite web | url=https://www.allmusic.com/artist/dwight-yoakam-mn0000791483/biography | title=Dwight Yoakam biography | publisher=AllMusic | access-date=September 2, 2022 | author=[[Stephen Thomas Erlewine]]}}</ref> He is the eldest of three children to Ruth (née Tibbs) and David Yoakam. At the time of Yoakam's birth, his father was serving in the [[United States Army]].<ref name="roots">{{cite web | url=https://www.columbusmonthly.com/story/lifestyle/2019/10/21/from-archives-dwight-yoakam-s/2482742007/ | title=From the Archives: Dwight Yoakam's Columbus Roots | publisher=Columbus Monthly | date=October 21, 2019 | access-date=September 2, 2022 | author=Eric Lyttle}}</ref> After David Yoakam was discharged from the Army, the Yoakams moved to [[Columbus, Ohio]].<ref name="virgin">{{cite book | title=The Virgin Encyclopedia of Country Music | publisher=Virgin Books | author=[[Colin Larkin]] | year=1998 | pages=477 | isbn=0-7535-0236-4}}</ref> By this point the couple had a second son named Ronald and a daughter named Kimberly.<ref name="roots"/> Meanwhile, David supported his family by working at a [[Westinghouse Electric Corporation]] factory and later by ownership of a [[Texaco]] gas station.<ref name="roots"/> Yoakam's father had acquired a guitar manufactured by the [[Kay Musical Instrument Company]] while in the Army, and gave it to Yoakam after being unable to learn to play it himself. Although Yoakam later broke this guitar, he received another one as a Christmas present while he was in the fourth grade. He also wrote his first song around this point.<ref name="roots"/> As a child, Yoakam took influence from the music that his parents listened to on [[phonograph record|records]] as well as [[WMNI]], then an [[AM broadcasting|AM]] country music radio station in Columbus.<ref name="roots"/> Among these records were compilations by [[Johnny Cash]] and [[Johnny Horton]].<ref name="roots"/> According to his mother, the family would also sing songs to each other when on road trips to visit Yoakam's maternal grandparents. Yoakam himself also stated that he was influenced by [[rock and roll]] acts he had seen on television, such as [[Elvis Presley]].<ref name="roots"/>

The Yoakam family moved to another neighborhood of Columbus in 1968, where Yoakam attended [[Northland High School]]. His mother encouraged all three of her children to join the school's band, in which Yoakam played drums. He also attended drama class at Northland High School, which led to him playing the role of Charlie in a production of ''[[Flowers for Algernon]]''. Yoakam later attributed this performance as giving him more confidence performing in front of others.<ref name="roots"/> In his senior year of high school, Yoakam and some classmates formed a [[rock and roll]] band to compete in the school's talent show.<ref name="allmusic"/><ref name="roots"/> The band became popular enough that they began performing at a number of private parties throughout Columbus as The Greaser Band. Yoakam attended [[Ohio State University]], but quickly dropped out in order to focus on his musical career.<ref name="allmusic"/> While playing at a club in [[Gahanna, Ohio]], Yoakam was approached by a man who promised a musical contract but later turned out to be a [[con artist]]. Despite this, Yoakam chose to move to [[Nashville, Tennessee]], to continue pursuing a career in country music. He faced difficulty in the Nashville music scene, as his style was more indebted to [[honky-tonk]] and [[bluegrass music]] at a time when such sounds were not popular compared to [[country pop]] and [[Nashville sound]].<ref name="allmusic"/>

Yoakam then moved to [[Los Angeles, California]], at the encouragement of Billy Alves, a former member of the Greaser Band. While he was initially unsuccessful there as well, he met guitarist and record producer [[Pete Anderson]] at a Los Angeles bar in 1982. The two became friends when they realized they had common interest in musicians such as [[Merle Haggard]].<ref name="allmusic"/> Anderson also observed that [[cowpunk]] and [[alternative country]] were popular in California through acts such as [[Joe Ely]], [[Rank and File (band)|Rank and File]], and [[Lone Justice]]. By performing at clubs where these acts also performed, Yoakam was thus able to gain further exposure.<ref name="roots"/>

==Musical career==
===1984{{ndash}}1986: ''Guitars, Cadillacs, Etc., Etc.''===
[[File:PeteAnderson(by Scott Dudelson).jpg|200px|thumb|right|[[Pete Anderson]], seen here in 2009, produced and played lead guitar on the majority of Yoakam's albums.|alt=Musician Pete Anderson playing an electric guitar.]]
By 1984, Yoakam had written a large number of songs. Anderson then encouraged him to record some of them on an [[extended play]]. He also served as producer and lead guitarist on the project, roles he would serve throughout most of Yoakam's career.<ref name="encyclopedia"/> The EP was titled ''[[Guitars, Cadillacs, Etc., Etc.]]'' and was released through the [[Oak Records]] label. It consisted of five of Yoakam's original compositions, plus a cover of [[Johnny Cash]]'s "[[Ring of Fire (song)|Ring of Fire]]".<ref name="roots"/> Songs from the extended play received airplay on independent radio stations throughout Los Angeles.<ref name="allmusic"/> Later in the year Yoakam was chosen to serve as an opening act for [[The Blasters]]. This led to him being discovered by [[Reprise Records]] executive Paige Levy, who helped Yoakam sign with the label in 1986.<ref name="roots"/> Reprise re-issued ''Guitars, Cadillacs, Etc., Etc.'' that year with four more tracks, thus making it his debut album.<ref name="allmusic"/> One of the added tracks was "Bury Me", a duet with [[Maria McKee]].<ref name="etc review"/> The first single off the album was a cover of [[Johnny Horton]]'s 1956 single "[[Honky-Tonk Man|Honky Tonk Man]]". Yoakam's rendition of the song charted at number three on ''[[Billboard (magazine)|Billboard]]'' [[Hot Country Songs]] in mid-1986.<ref name="whitburn"/> The song was even more successful in Canada, reaching the number one position on that nation's country music charts then published by ''[[RPM (magazine)|RPM]]''.<ref>{{cite journal | url=https://worldradiohistory.com/CANADA/RPM/80s/1986/RPM-1986-06-28.pdf | title=RPM country singles | journal=RPM | pages=12 | date=June 28, 1986}}</ref> "Honky Tonk Man" also received a [[music video]], which in 1986 became the first by a country artist to air on [[MTV]].<ref name="gq">{{cite web | url=https://www.gq.com/story/dwight-yoakam-honky-tonk-tales | title=Tall Tales With Dwight Yoakam | publisher=[[GQ]] | date=March 17, 2020 | access-date=September 3, 2022 | author=Alex Pappademas}}</ref> The album itself reached the number one position on ''Billboard'' Top Country Albums.<ref name="Country Albums">{{cite magazine|url={{BillboardURLbyName|artist=dwight yoakam|chart=Country Albums C}}|title=Dwight Yoakam Album & Song Chart History – Country Albums|magazine=[[Billboard (magazine)|Billboard]]|publisher=[[Prometheus Global Media]]|access-date=March 2, 2011}}</ref>

Two more singles followed, both of which Yoakam wrote himself. These were "[[Guitars, Cadillacs]]" and "[[It Won't Hurt]]", both of which made Hot Country Songs.<ref name="whitburn">{{cite book|last=Whitburn|first=Joel|title=Hot Country Songs 1944 to 2017|publisher=Record Research, Inc|year=2017|page=412|isbn=978-0-89820-229-8}}</ref> Thirteen years after its release, ''Guitars, Cadillacs, Etc., Etc.'' was [[music recording sales certification|certified double platinum]] by the [[Recording Industry Association of America]] (RIAA), honoring shipments of two million copies in the United States.<ref name="riaa">{{cite web | url=https://www.riaa.com/gold-platinum/?tab_active=default-award&se=dwight+yoakam#search_section | title=Search results for Dwight Yoakam | publisher=[[Recording Industry Association of America]] | access-date=September 2, 2022}}</ref> At the [[29th Annual Grammy Awards]] in 1987, the album was nominated for [[Grammy Award for Best Male Country Vocal Performance]] and "Guitars, Cadillacs" was nominated for [[Grammy Award for Best Country Song|Best Country Song]].<ref name="grammy">{{cite web | url=https://www.grammy.com/artists/dwight-yoakam/16275 | title=Search results for Dwight Yoakam | publisher=Grammy.com | access-date=September 2, 2022}}</ref> The [[Country Music Association]] (CMA) also nominated Yoakam for the Horizon Award (now called Best New Artist) and "Honky Tonk Man" for Music Video of the Year.<ref name="cma">{{cite web | url=https://cmaawards.com/past-winners-and-nominees/?appSession=58F85V8WP97CO980N9W8S4B56XS8G2470X840879749J253D76S72QQKVLHHCI7U3FRISL7313GK7UT19HIK5W299NGJZ3YI6E9P4LN3IRAD87M6YJ5V9W685K3CO5AF | title=Search results for Dwight Yoakam | publisher=[[Country Music Association]] | access-date=September 3, 2022}}</ref> Yoakam also won Top New Male Vocalist at the 1986 [[Academy of Country Music]] (ACM) awards.<ref name="acm">{{cite web | url=https://www.acmcountry.com/winners?awardTitle=dwight+yoakam&awardCategory=&awardYear=&actionButton=Submit | title=Search results for Dwight Yoakam | publisher=[[Academy of Country Music]] | access-date=September 4, 2022}}</ref>

The album was reviewed favorably. Thom Jurek of [[AllMusic]] wrote of the album that it contained influences of [[Bob Dylan]] and [[Bakersfield sound]]. His review also noted the number of personal songs written by Yoakam himself, as well as the cover versions of "Ring of Fire" and [[Ray Price (musician)|Ray Price]]'s "[[Heartaches by the Number]]".<ref name="etc review">{{cite web | url=https://www.allmusic.com/album/guitars-cadillacs-etc-etc-mw0000651008 | title=''Guitars, Cadillacs, Etc. Etc.'' review | publisher=AllMusic | access-date=September 2, 2022 | author=Thom Jurek}}</ref> Ron Fell of ''[[Gavin Report]]'' compared Yoakam's musical image favorably to [[Buddy Holly]] and [[Bruce Springsteen]] while also stating that Yoakam had "an authenticity to his persona".<ref>{{cite journal | url=https://worldradiohistory.com/Archive-All-Music/Gavin-Report/80/86/Gavin-1986-03-14.pdf | title=Ron Fell's personal picks - albums | author=Ron Fell | journal=[[Gavin Report]] | pages=19 | date=March 14, 1986}}</ref> Writing for the ''[[Rapid City Journal]]'', Leonard Running noted the use of [[fiddle]], [[steel guitar]], and [[Dobro]] in the production.<ref name="running">{{cite news | url=https://www.newspapers.com/image/351946671 | title=Dwight Yoakam - ''Guitars, Cadillacs, Etc. Etc.'' | work=[[Rapid City Journal]] | date=April 18, 1986 | access-date=September 2, 2022 | author=Leonard Running | pages=V5}}</ref>

===1987: ''Hillbilly Deluxe''===
Yoakam's second Reprise album ''[[Hillbilly Deluxe (Dwight Yoakam album)|Hillbilly Deluxe]]'' was released in 1987.<ref name="allmusic"/> The album was also led off by a cover song; specifically, [[Elvis Presley]]'s "[[Little Sister (Elvis Presley song)|Little Sister]]". After this were Yoakam's original compositions "[[Little Ways]]" and "[[Please, Please Baby]]", followed by a cover of [[Lefty Frizzell]]'s "[[Always Late with Your Kisses]]". All four of these cuts made top ten on the country music charts between 1987 and early 1988.<ref name="whitburn"/> "Little Ways" was a number one single on the Canadian ''RPM'' country charts.<ref>{{cite journal | url=https://worldradiohistory.com/CANADA/RPM/80s/1987/RPM-1987-10-24.pdf | title=RPM Country Singles | journal=RPM | pages=20 | date=October 24, 1987}}</ref> Also covered on the album was [[Stonewall Jackson (musician)|Stonewall Jackson]]'s "Smoke Along the Track".<ref name="allmusic deluxe"/> One of the other tracks on the album was "Readin', Rightin', Rt. 23", an autobiographical song which Yoakam wrote about the towns along [[U.S. Route 23 in Kentucky]] near his grandparents' houses.<ref name="roots"/> ''Hillbilly Deluxe'' was certified platinum for shipments of one million copies,<ref name="riaa"/> and earned Yoakam another Grammy Award nomination in the category Best Male Country Vocal Performance.<ref name="grammy"/> It also reached number one on Top Country Albums.<ref name="Country Albums"/> Jurek praised the cover songs in his review for AllMusic, where he compared Yoakam's vocal phrasing favorably to [[Merle Haggard]]. He also noted the use of [[lap steel guitar]] and fiddle in Anderson's production, as well as Yoakam's lyrics on "Readin', Rightin', Rt. 23".<ref name="allmusic deluxe">{{cite web | url=https://www.allmusic.com/album/hillbilly-deluxe-mw0000192537 | title=''Hillbilly Deluxe'' review | publisher=AllMusic | access-date=September 2, 2022}}</ref> An uncredited review in ''[[Music & Media]]'' magazine stated, "The album features sophisticated, yet fresh country music with rollicking C&W guitar lines, supplemented with Yoakam's straight, yearning vocals."<ref>{{cite journal | url=https://worldradiohistory.com/UK/Music-and-Media/80s/1987/M&M-1987-05-16.pdf | title=Albums of the week | journal=[[Music & Media]] | pages=22 | date=May 16, 1987}}</ref>

===1988{{ndash}}1989: ''Buenas Noches from a Lonely Room'' and ''Just Lookin' for a Hit''===
[[File:Buck Owens.jpg|200px|thumb|right|Yoakam had a number one single in 1988 with "[[Streets of Bakersfield]]", a duet with [[Buck Owens]] (pictured here in 1977).|alt=A black-and-white headshot of singer Buck Owens.]]
His third Reprise album was 1988's ''[[Buenas Noches from a Lonely Room]]''. The album was his third and final to top the ''Billboard'' country albums chart.<ref name="Country Albums"/> Its first two singles were also his only number one entries on Hot Country Songs, both peaking there in 1988. These were a cover of [[Buck Owens]]' "[[Streets of Bakersfield]]" which featured Owens on duet vocals, and "[[I Sang Dixie]]".<ref name="whitburn"/> Before "Streets of Bakersfield" was recorded for the album, Yoakam had contacted Owens (who was retired from performing at the time) and convinced him to sing the song on a television special for [[CBS]]. The commercial success of the studio version also led to Owens ending his retirement and re-signing with [[Capitol Records]] later in the decade.<ref>{{cite web | url=https://www.allmusic.com/artist/buck-owens-mn0000941579/biography | title=Buck Owens biography | publisher=AllMusic | author=Stephen Thomas Erlewine | access-date=September 2, 2022}}</ref> The third single from ''Buenas Noches from a Lonely Room'' was "[[I Got You (Dwight Yoakam song)|I Got You]]"; while this song reached number five on the country charts, the album's title track failed to enter top 40.<ref name="whitburn"/> This album once again featured Maria McKee on backing vocals, along with accompaniment by [[Tejano music|Tejano]] accordionist [[Flaco Jiménez]]. Also covered on the album were [[Hank Locklin]]'s "[[Send Me the Pillow You Dream On]]" and Johnny Cash's "[[Home of the Blues]]". Jurek thought that the album "shows the first signs of beginning to stretch out and be comfortable with his unique approach to hard honky tonk music, Bakersfield-style".<ref>{{cite web | url=https://www.allmusic.com/album/buenos-noches-from-a-lonely-room-mw0000200324 | title=''Buenas Noches from a Lonely Room'' review | publisher=AllMusic | access-date=September 2, 2022}}</ref> ''Buenas Noches from a Lonely Room'' and "Streets of Bakersfield" were respectively nominated for Best Male Country Vocal Performance and [[Grammy Award for Best Country Collaboration with Vocals|Best Country Collaboration with Vocals]] at the [[31st Annual Grammy Awards]].<ref name="grammy"/> The latter also received a CMA nomination for Vocal Event of the Year.<ref name="cma"/>

Yoakam ended the 1980s with his first [[greatest hits]] album, ''[[Just Lookin' for a Hit]]''. The album consisted of eight previously released singles and two newly recorded cover songs. These were of The Blasters' "Long White Cadillac" and [[The Flying Burrito Brothers]]' "Sin City", the latter of which Yoakam recorded as a duet with [[k.d. lang]].<ref name="encyclopedia">{{cite encyclopedia | title=Dwight Yoakam | encyclopedia=The Encyclopedia of Country Music | publisher=Oxford University Press |editor=Michael McCall |editor2=John Rumble |editor3=Paul Kingsbury | year=2012 | pages=605}}</ref><ref>{{cite web | url=https://www.allmusic.com/album/just-lookin-for-a-hit-mw0000205933 | title=''Just Lookin' for a Hit'' | publisher=AllMusic | access-date=September 2, 2022 | author=Thom Jurek}}</ref> "Long White Cadillac" was issued as a single, reaching number 35 on the country music charts.<ref name="whitburn"/><ref name="allmusic"/> The "Sin City" cover received a Grammy nomination for Best Country Vocal Collaboration.<ref name="grammy"/>

===1990{{ndash}}1992: ''If There Was a Way''===
[[File:KOSTAS - songwriter (cropped).jpg|150px|thumb|left|Yoakam wrote several songs with [[Kostas (songwriter)|Kostas]] in the 1990s.|alt=Songwriter Kostas in an outdoor setting.]]
In 1990, Yoakam entered the ''Billboard'' country charts for the thirteenth time with "[[Turn It On, Turn It Up, Turn Me Loose]]", which peaked at number eleven.<ref name="whitburn"/> This song led off his fourth studio album ''[[If There Was a Way]]''. The album would account for five more singles between 1990 and 1992: "[[You're the One (Dwight Yoakam song)|You're the One]]", "[[Nothing's Changed Here]]", "[[It Only Hurts When I Cry]]", "[[The Heart That You Own]]", and the [[Patty Loveless]] duet "Send a Message to My Heart". Of these, all except "Send a Message to My Heart" were top-20 country hits.<ref name="whitburn"/> "Turn It On, Turn It Up, Turn Me Loose" was also nominated for a Grammy Award for Best Male Country Vocal Performance, Yoakam's fourth nomination in that category.<ref name="grammy"/>

Unlike his previous albums, Yoakam co-wrote several tracks on ''If There Was a Way'' with other writers. He wrote with [[Roger Miller]] on "It Only Hurts When I Cry", a song to which Miller also contributed backing vocals.<ref name="way liner"/> Yoakam had met Miller at the Grammy Awards and presented him with the title, and Miller agreed to co-write the song after Yoakam stated he was a fan of Miller's music.<ref name="right time">{{cite journal | url=https://worldradiohistory.com/Archive-All-Music/Gavin-Report/90/93/Gavin-Report-1993-03-05.pdf | title=Dwight Yoakam: The Right Time | author=Cyndi Hoelzle | journal=[[Gavin Report]] | pages=40–41 | date=March 5, 1993}}</ref> "Turn It On, Turn It Up, Turn Me Loose" was one of the first successful cuts for Greek-American songwriter [[Kostas (songwriter)|Kostas]].<ref name="new">{{cite journal |last=Simons |first=David |date=May 1994 |title=Made in Montana: Kostas Is A Hitmaking Machine From Way Up North |journal=New Country |volume=1 |issue=3 |pages=20–21 |issn=1074-536X }}</ref> Record producer [[Tony Brown (record producer)|Tony Brown]] had sent Kostas' [[demo (music)|demo]] of the song to Pete Anderson because he thought the song sounded like Yoakam had written it. Because of this, Anderson suggested that Yoakam begin writing songs with Kostas.<ref name="right time"/> The two co-wrote both "Nothing's Changed Here" and "Send a Message to My Heart" on ''If There Was a Way'', leading to further collaborations on subsequent albums.<ref name="whitburn"/> Yoakam had written "You're the One" in 1978 about a woman with whom he had ended a relationship.{{sfn|McLeese|2012|p=36}} In addition to Roger Miller, backing vocals on the album included [[Amy Ray]] (of the [[Indigo Girls]]) and bluegrass musician [[Tim O'Brien (musician)|Tim O'Brien]].<ref name="way liner">{{Cite AV media notes |title=If There Was a Way |others=Dwight Yoakam |date=1990 |type=CD booklet |publisher=Reprise Records |id=7599-26344-2}}</ref> [[Alanna Nash]] of ''[[Entertainment Weekly]]'' rated the album "A", stating that it continued on the "[[hillbilly]]" themes of his previous albums while also containing more [[rock and roll]] influence than its predecessors.<ref name="nash way">{{cite magazine | url=https://ew.com/article/1990/11/02/if-there-was-way/ | title=''If There Was a Way'' review | publisher=February 11, 1990 | magazine=Entertainment Weekly | access-date=September 2, 2022 | author=Alanna Nash}}</ref> Jurek praised the album for rock influences as well, particularly the cover of "[[Let's Work Together]]".<ref name="allmusic way"/>

Yoakam contributed to two movie soundtracks in 1992. First, he cut two songs for ''[[Falling from Grace (film)|Falling from Grace]]'', the 1992 directorial debut of rock singer [[John Mellencamp]]. Yoakam performed Mellencamp's composition "Common Day Man";<ref>{{cite web | url=https://www.allmusic.com/album/falling-from-grace-mw0000277710 | title=''Falling from Grace'' review | publisher=AllMusic | access-date=September 2, 2022}}</ref> the two also joined [[Joe Ely]], [[John Prine]], and [[James McMurtry]] on the track "Sweet Suzanne". Credited to Buzzin' Cousins, this song charted on Hot Country Songs for five weeks in early 1992.<ref>Whitburn, p. 65</ref> It also accounted for Yoakam's second CMA nomination in the category of Vocal Event of the Year.<ref name="cma"/> Later in the year, Yoakam covered Elvis Presley's "[[Suspicious Minds]]" for the soundtrack of ''[[Honeymoon in Vegas]]''. This rendition charted on Hot Country Songs by year's end.<ref name="whitburn"/> In addition to these, he re-recorded "Miner's Prayer", a track from ''Guitars, Cadillacs, Etc., Etc.'', as a duet with bluegrass singer [[Ralph Stanley]] on the latter's 1992 album '' Saturday Night & Sunday Morning''.<ref>{{cite web | url=https://www.billboard.com/music/country/dwight-yoakam-guide-bluegrass-7518949/ | title=Dwight Yoakam's Guide to Bluegrass, From Ralph Stanley to Ricky Skaggs | publisher=Billboard | date=September 28, 2016 | access-date=September 3, 2022 | author=Elias Leight}}</ref> This track was nominated for a Grammy award for Best Country Vocal Collaboration.<ref name="grammy"/> Finally, Yoakam released an album titled ''La Croix d'Amour'' for the European market in 1992. This consisted mainly of selections from other albums, as well as previously unreleased cover songs.<ref name="virgin"/>

===1993{{ndash}}1996: ''This Time'', ''Dwight Live'', and ''Gone''===
For his next studio album, 1993's ''[[This Time (Dwight Yoakam album)|This Time]]'', Yoakam wrote either by himself or in collaboration with Kostas. The only exception was the album's lead single "[[Ain't That Lonely Yet]]", which Kostas co-wrote with [[James House (singer)|James House]].<ref name="Thom Jurek">{{cite web | url=https://www.allmusic.com/album/this-time-mw0000095308 | title=''This Time'' review | publisher=AllMusic | access-date=September 3, 2022 | author=Thom Jurek}}</ref> This song peaked at number two on the ''Billboard'' country charts,<ref name="whitburn"/> while also topping the American ''[[Radio & Records]]'' country music charts and Canadian ''RPM'' country charts.<ref>{{cite journal | url=https://worldradiohistory.com/Archive-All-Music/Archive-RandR/1990s/1993/RR-1993-05-21.pdf | title=R&R Country National Airplay | journal=[[Radio & Records]] | pages=58 | date=May 21, 1993}}</ref><ref>{{cite journal | url=https://worldradiohistory.com/CANADA/RPM/90s/1993/RPM-1993-06-12.pdf | title=RPM 100 Country Tracks | journal=RPM | pages=12 | date=June 12, 1993}}</ref> It won Yoakam the Grammy Award for Best Male Country Vocal Performance in 1993, his first win from that association.<ref name="grammy"/> ''This Time'' charted four more singles between 1993 and 1994. First were "[[A Thousand Miles from Nowhere]]" and "[[Fast as You]]", which both achieved peaks of number two as well. The latter also became Yoakam's first entry on the [[Billboard Hot 100|''Billboard'' Hot 100]], peaking at 70.<ref name="whitburn"/> After these were "[[Try Not to Look So Pretty]]" and "[[Pocket of a Clown]]", which were less successful on the charts.<ref name="whitburn"/> Of the album, Anderson told ''Gavin Report'' that "It's really the first record we've made where we just took all the boundaries down", while Yoakam himself said that "I felt that my musical statements on the preceding albums were valid, but that they were complete statements and there was no need to further articulate them. It was time to allow my music latitude."<ref name="right time"/> He cited the track "Home for Sale" as an example, describing it as a "stone country" lyric backed by a [[Hammond organ]], an instrument not commonly used in country.<ref name="right time"/> Jurek noted influences of [[doo-wop]] in "Pocket of a Clown" and of [[Roy Orbison]] in "Ain't That Lonely Yet".<ref name="Thom Jurek"/> In July 1994, Yoakam began the This Time Tour, a 75-city tour which featured [[Alison Krauss and Union Station]] as an opening act.<ref name="deseret">{{cite web | url=https://www.deseret.com/1994/7/20/19120758/yoakam-s-no-yokel-with-new-hip-image | title=Yoakam's no yokel with new 'hip' image | publisher=[[Deseret News]] | date=July 20, 1994 | access-date=September 3, 2022 | author=Jerry Johnston}}</ref><ref name="right time"/> The Country Music Association nominated "Ain't That Lonely Yet" for Single of the Year in 1993, and Yoakam himself in the category Male Vocalist of the Year in 1994.<ref name="cma"/> The album achieved his highest RIAA certification, for triple-platinum in 1996.<ref name="riaa"/>

[[File:Dwight Yoakam in 2008.jpg|200px|thumb|right|Yoakam performing in 2008.|alt=Country music singer Dwight Yoakam, looking to his side while strumming a guitar.]]

Yoakam released two albums in 1995. The first was ''[[Dwight Live]]'', a live album recorded in July 1994 in [[San Francisco]].<ref name="allmusic"/> Stephen Thomas Erlewine wrote of this album that "nothing on the album improves on the original recorded versions",<ref>{{cite web | url=https://www.allmusic.com/album/dwight-live-mw0000176531 | title=''Dwight Live'' review | publisher=AllMusic | access-date=September 3, 2022 | author=Stephen Thomas Erlewine}}</ref> while Tony Scherman of ''Entertainment Weekly'' thought the album was "beautifully paced" and showed Yoakam's strengths as a vocalist.<ref>{{cite web | url=https://ew.com/article/1995/05/26/dwight-live/ | title=''Dwight Live'' | publisher=Entertainment Weekly | date=May 26, 1995 | access-date=September 3, 2022 | author=Tony Scherman}}</ref> The album was certified gold in 1996.<ref name="riaa"/> His other release for 1995 was the studio album ''[[Gone (Dwight Yoakam album)|Gone]]''. Yoakam wrote the entire album, collaborating with Kostas on two songs. Among the backing vocalists were [[Carl Jackson]], [[Jim Lauderdale]], [[Joy Lynn White]], and [[The Rembrandts]].<ref name="gone liner">{{Cite AV media notes |title=Gone |others=Dwight Yoakam |date=1995 |type=CD booklet |publisher=Reprise Records |id= 9362-46051-2}}</ref> "[[Nothing (Dwight Yoakam song)|Nothing]]", one of the collaborations with Kostas, was selected as the lead single and charted at number 20 on Hot Country Songs in 1995. The song's [[B-side]] "Gone (That'll Be Me)" and "Sorry You Asked?" were released as singles as well, though neither reached top 40.<ref name="whitburn"/> Jurek thought that individual tracks displayed influences of [[rhythm and blues]], [[mariachi]], [[Tejano music]], and [[psychedelic rock]].<ref name="gone allmusic">{{cite web | url=https://www.allmusic.com/album/gone-mw0000645809 | title=''Gone'' review | publisher=AllMusic | access-date=September 3, 2022 | author=Thom Jurek}}</ref> Jeffrey B. Remz of [[Country Standard Time]] wrote that ''Gone'' was "a critically received album, which did not do boffo numbers because Yoakam received very little airplay for what was probably his most musically diverse album. And in some parts of the country, his tour did not draw crowds either."<ref name="covers"/>

===1997{{ndash}}1998: ''Under the Covers'', ''Come On Christmas'', ''A Long Way Home''===
Yoakam's next release for Reprise was 1997's ''[[Under the Covers (Dwight Yoakam album)|Under the Covers]]'', an album composed entirely of cover songs.<ref name="allmusic"/> Yoakam and Anderson had begun recording songs for this project prior to ''Gone'', while other selections previously appeared on ''La Croix d'Amour''.<ref name="covers">{{cite web | url=https://www.countrystandardtime.com/d/print_article.asp?xid=900 | title=Dwight Yoakam peeks out from 'under the covers' | publisher=Country Standard Time | date=July 1997 | access-date=September 3, 2022 | author=Jeffrey B. Remz}}</ref> The project accounted for only one single in a rendition of [[The Everly Brothers]]' "Claudette".<ref name="whitburn"/> Bluegrass musician [[Ralph Stanley]] played banjo on a cover of [[The Clash]]'s "[[Train in Vain]]", while [[Sheryl Crow]] sang duet vocals on a cover of [[Sonny & Cher]]'s "[[Baby Don't Go]]". Jurek wrote of this album, "While this set is not perfect, it's still damn fine and warrants repeated listens to come to grips with Yoakam's visionary ambition."<ref>{{cite web | url=https://www.allmusic.com/album/under-the-covers-mw0000024521 | title=''Under the Covers'' review | publisher=AllMusic | access-date=September 3, 2022 | author=Thom Jurek}}</ref> Remz praised the covers of [[Glen Campbell]]'s "[[Wichita Lineman]]" and "Train in Vain" in particular, but criticized the cover of [[The Beatles]]' "[[Things We Said Today]]".<ref>{{cite web | url=https://www.countrystandardtime.com/d/cdreview.asp?xid=977 | title=''Under the Covers'' review | publisher=Country Standard Time | access-date=September 3, 2022 | author=Jeffrey B. Remz}}</ref> After this was an album of [[Christmas music]] titled ''[[Come On Christmas]]'', released later in the year. Yoakam wrote the title track and "Santa Can't Stay", while the rest of the album largely consisted of traditional Christmas songs such as "[[Away in a Manger]]" and "[[Silver Bells]]". Thom Owens of AllMusic wrote that the album contained "high-spirited, entertaining country-rockers that may not add anything new to Yoakam's catalog, but they make the record an enjoyable holiday album."<ref>{{cite web | url=https://www.allmusic.com/album/come-on-christmas-mw0000025120 | title=''Come On Christmas'' review | publisher=AllMusic | access-date=September 3, 2022 | author=Thom Owens}}</ref>

Between 1995 and 1997, Yoakam received three consecutive Grammy nominations in the category of Best Male Country Vocal Performance. The songs nominated in this category were "Pocket of a Clown", "A Thousand Miles from Nowhere", and "Nothing". He also received three consecutive nominations for [[Grammy Award for Best Country Album|Best Country Album]] between 1996 and 1998, with the nominations going to ''Dwight Live'', ''Gone'', and ''Under the Covers''.<ref name="grammy"/> After these was his next studio album of original content, 1998's ''[[A Long Way Home (album)|A Long Way Home]]''.<ref name="allmusic"/> Yoakam wrote the entire project by himself, making it his first not to have any co-writers or cover songs.{{sfn|McLeese|2012|p=163}} The album charted two singles in "[[Things Change (Dwight Yoakam song)|Things Change]]" and "These Arms".<ref name="whitburn"/> This album also featured Ralph Stanley, this time as a duet partner on "Traveler's Lantern".<ref name="cst"/> Brian Steinberg of Country Standard Time thought that the album was "back to basics" and comparable to Yoakam's releases in the 1980s, stating that "This isn't Yoakam's most innovative work, but it contains enough moments to make it worth attention."<ref name="cst">{{cite web | url=https://www.countrystandardtime.com/d/cdreview.asp?xid=2149 | title=''A Long Way Home'' review | publisher=Country Standard Time | access-date=September 3, 2022 | author=Brian Steinberg}}</ref> Also in 1998, Yoakam funded a charity album for release on Little Dog Records, a label which his then-producer and guitarist Pete Anderson owned. This album was titled ''Will Sing for Food'' and featured other artists recording renditions of Yoakam's songs. Among the artists contributing were [[Sara Evans]], [[Mandy Barnett]], [[Kim Richey]], [[Gillian Welch]], and [[David Ball (country singer)|David Ball]].<ref>{{cite magazine | url=https://books.google.com/books?id=rg4EAAAAMBAJ | title=Nashville Scene | author=Chet Flippo | magazine=Billboard | pages=57 | date=April 11, 1998}}</ref> Nash contrasted these two albums in a double review, calling ''A Long Way Home'' "a fresh, dynamic set, updating his trademark Bakersfield-does-L.A. sound without sacrificing his honky-tonk roots" while stating that ''Will Sing for Food'' had "stunningly original interpretations".<ref>{{cite web | url=https://ew.com/article/1998/06/12/long-way-homewill-sing-food/ | title=''A Long Way Home'' / ''Will Sing for Food'' review | publisher=Entertainment Weekly | date=June 12, 1998 | access-date=September 3, 2022 | author=Alanna Nash}}</ref> Steinberg gave the latter a mixed review, praising the contributions of [[Bonnie Bramlett]] and [[Scott Joss]] while considering other cuts on the album too similar in sound to Yoakam's originals.<ref>{{cite web | url=https://www.countrystandardtime.com/d/cdreview.asp?xid=2150 | title=''Will Sing for Food'' review | publisher=Country Standard Time | access-date=September 3, 2022 | author=Brian Steinberg}}</ref>

===1998{{ndash}}1999: ''Last Chance for a Thousand Years: Dwight Yoakam's Greatest Hits from the 90's''===
[[File:Queen – montagem – new.png|200px|thumb|right|Yoakam had a hit in 1999 with a cover of [[Queen (band)|Queen]]'s "[[Crazy Little Thing Called Love]]".|alt=A composite image showing the four members of the band Queen.]]
In 1998, [[Columbia Records]] released ''[[A Tribute to Tradition]]'', a multi-artist tribute album to 1960s and 1970s country music. Yoakam was one of several artists featured on the album's closing track "Same Old Train", an original composition by [[Marty Stuart]].<ref>{{cite web | url=https://www.allmusic.com/album/a-tribute-to-tradition-mw0000600042 | title=''A Tribute to Tradition'' | publisher=AllMusic | access-date=September 3, 2022 | author=Jana Pendragon}}</ref> The track featured twelve other country musicians, including [[Earl Scruggs]], [[Merle Haggard]], [[Clint Black]], and [[Randy Travis]]. It charted for five weeks on Hot Country Songs in late 1998.<ref>Whitburn, p. 316</ref> The song won Grammy Award for Best Country Collaboration with Vocals at the [[41st Annual Grammy Awards]], thus giving Yoakam his second win from the organization.<ref name="grammy"/> It was also nominated for CMA Vocal Event of the Year.<ref name="cma"/>

Yoakam ended the decade with his second greatest-hits package, ''[[Last Chance for a Thousand Years: Dwight Yoakam's Greatest Hits from the 90's]]''. In addition to tracks from his 1990s Reprise albums, the compilation included three new songs. These were covers of [[Queen (band)|Queen]]'s "[[Crazy Little Thing Called Love]]" and [[Waylon Jennings]]' "I'll Go Back to Her" and the new song "Thinking About Leaving", which Yoakam wrote with [[Rodney Crowell]].<ref>{{cite web | url=https://www.allmusic.com/album/mw0000243327 | title=''Last Chance for a Thousand Years: Dwight Yoakam's Greatest Hits from the 90's'' | publisher=AllMusic | access-date=September 3, 2022 | author=Stephen Thomas Erlewine}}</ref> The cover of "Crazy Little Thing Called Love" served as the album's lead single, peaking at 12 on the country charts and 64 on the Hot 100.<ref name="whitburn"/> It was also his final number one on the Canadian country music charts published by ''RPM'' before that publication closed in 2000.<ref>{{cite journal | url=https://worldradiohistory.com/CANADA/RPM/90s/1999/RPM-1999-08-16.pdf | title=RPM Country 100 | journal=RPM | pages=14 | date=August 16, 1999}}</ref> "Thinking About Leaving" was also issued as a single, but did not enter the country music top 40.<ref name="whitburn"/> In 2000, "Crazy Little Thing Called Love" was nominated for a Grammy Award for Best Male Country Vocal Performance.<ref name="grammy"/>

===2000{{ndash}}01: ''dwightyoakamacoustic.net'' and ''Tomorrow's Sounds Today''===
Yoakam's tenure with Reprise Records ended with a pair of albums both released in 2000. The first was ''[[dwightyoakamacoustic.net]]'', composed entirely of acoustic recordings with just Yoakam's vocal and acoustic guitar. The only exception was a re-recording of "Guitars, Cadillacs", which Yoakam performed ''[[a cappella]]''.<ref name="acoustic"/> Yoakam said that he was inspired to do such an album due to the success of similar acoustic renditions in his concerts. He had originally planned to release the album through his website until representatives of Reprise Records thought the album had sales potential. The album itself had minimalistic packaging as well, consisting solely of a sticker with the album's name on the front of an otherwise-clear CD case.<ref>{{cite news | url=https://www.newspapers.com/image/429082785 | title=Dwight Yoakam returns to basics | work=[[Times Leader|The Times Leader]] | date=July 28, 2000 | access-date=September 3, 2022 | author=Mario Tarradell | pages=13}}</ref> Steve Huey of AllMusic thought that the album's minimalism allowed a greater focus on Yoakam's vocal interpretation than previous albums.<ref name="acoustic">{{cite web | url=https://www.allmusic.com/album/dwightyoakamacousticnet-mw0000064106 | title=''dwightyoakamacoustic.net'' | publisher=AllMusic | access-date=September 3, 2022 | author=Steve Huey}}</ref>

His other release in 2000 was ''[[Tomorrow's Sounds Today]]''.<ref name="allmusic"/> The album accounted for two charted singles in "[[What Do You Know About Love]]" and a cover of [[Cheap Trick]]'s "[[I Want You to Want Me]]".<ref name="whitburn"/> Yoakam co-wrote with Buck Owens on three tracks: "The Sad Side of Town", "Alright, I'm Wrong", and "I Was There", the latter two of which were also recorded as duets with him. Although the two had previously sung together on "Streets of Bakersfield", Owens rejected further collaborations throughout the 1990s as he considered Yoakam "too young", but ultimately agreed to collaborate again when the two met at a concert in 1999.<ref name="route 23">{{cite web | url=https://www.cmt.com/news/rnp7tc/dwight-yoakam-route-23-came-west-too | archive-url=https://web.archive.org/web/20220904022745/https://www.cmt.com/news/rnp7tc/dwight-yoakam-route-23-came-west-too | url-status=dead | archive-date=September 4, 2022 | title=Dwight Yoakam: Route 23 came west, too | publisher=CMT | date=November 14, 2001 | access-date=September 3, 2022 | author=Robert Price}}</ref> Writing for AllMusic, Hal Horowitz thought the Owens collaborations showed Yoakam's continued influence of the [[Bakersfield sound]] of which Owens was a part. He also praised the guitar work of Pete Anderson and compared Yoakam's lyrical style to that of [[Hank Williams]].<ref name=TST>{{cite web | url=https://www.allmusic.com/album/tomorrows-sounds-today-mw0000102926 | title=''Tomorrow's Sounds Today'' | publisher=AllMusic | access-date=September 3, 2022 | author=Hal Horowitz}}</ref> Scherman was less favorable, considering the material "forgettable" despite describing Anderson's guitar work with favor.<ref>{{cite web | url=https://ew.com/article/2000/11/03/tomorrows-sounds-today/ | title=''Tomorrow's Sounds Today'' | publisher=Entertainment Weekly | date=November 3, 2000 | access-date=September 3, 2022 | author=Tony Scherman}}</ref> Yoakam received his final CMA nomination in 2001, when that institution nominated "Alright, I'm Wrong" for Vocal Event of the Year.<ref name="cma"/> At the end of his contract with Reprise, parent company [[Warner Records]] issued a [[box set]] album titled ''[[Reprise Please Baby: The Warner Bros. Years]]''. The package consisted of 89 tracks from Yoakam's Reprise catalog, including previously unreleased songs and early demos. Also included was a duet with [[Kelly Willis]] on a cover of [[George Jones]] and [[Tammy Wynette]]'s "[[Golden Ring (song)|Golden Ring]]".<ref>{{cite web | url=https://www.cmt.com/news/9ojtwc/yoakam-gets-boxed-set-treatment | archive-url=https://web.archive.org/web/20220904022743/https://www.cmt.com/news/9ojtwc/yoakam-gets-boxed-set-treatment | url-status=dead | archive-date=September 4, 2022 | title=Yoakam gets boxed set treatment | publisher=[[CMT (American TV channel)|CMT]] | date=September 20, 2002 | access-date=September 3, 2022}}</ref>

===2002{{ndash}}04: ''Population Me'' and compilations===
Yoakam spent much of 2001 and 2002 touring with [[Brooks & Dunn]]. He also founded a new record label called Electrodisc after his contract with Reprise expired.<ref>{{cite web | url=https://www.cmt.com/news/g7y1yg/yoakams-next-cd-will-be-an-electrodisc | archive-url=https://web.archive.org/web/20220904033829/https://www.cmt.com/news/g7y1yg/yoakams-next-cd-will-be-an-electrodisc | url-status=dead | archive-date=September 4, 2022 | title=Yoakam's next CD will be an electrodisc | publisher=CMT | date=July 25, 2002 | access-date=September 3, 2022 | author=Jay Orr}}</ref> The label partnered with Audium Records (now [[MNRK Music Group]]) for distribution.<ref>{{cite web | url=https://www.cmt.com/news/v5arko/yoakam-brings-electrodisc-to-audium | archive-url=https://web.archive.org/web/20220904021240/https://www.cmt.com/news/v5arko/yoakam-brings-electrodisc-to-audium | url-status=dead | archive-date=September 4, 2022 | title=Yoakam brings electrodisc to Audium | publisher=[[CMT (American TV channel)|CMT]] | date=November 20, 2002 | access-date=September 3, 2022}}</ref> His first Audium release was 2003's ''[[Population Me]]''.<ref name="allmusic"/> This album charted two singles, both of which were covers: [[Gregg Henry]]'s "The Back of Your Hand" and [[Mike Stinson]]'s "The Late Great Golden State".<ref name="whitburn"/> Also covered on this album was [[Burt Bacharach]]'s "[[Trains and Boats and Planes]]". [[Timothy B. Schmit]] provided backing vocals on "The Late Great Golden State", while [[Willie Nelson]] sang duet vocals on "If Teardrops Were Diamonds". Jurek found influences of [[Jackson Browne]], the [[Eagles (band)|Eagles]], and [[Chuck Berry]] in the album's sound.<ref>{{cite web | url=https://www.allmusic.com/album/population-me-mw0000031097 | title=''Population Me'' | publisher=AllMusic | access-date=September 3, 2022 | author=Thom Jurek}}</ref> Messinger wrote of the album that "the complex, innovative sound he and Anderson have developed certainly merits repeated exploration."<ref>{{cite web | url=https://www.countrystandardtime.com/d/cdreview.asp?xid=971 | title=''Population Me'' review | publisher=Country Standard Time | access-date=September 5, 2022 | author=Eli Messinger}}</ref>

Between 2003 and 2004, Yoakam released three more compilations of covers albums to fulfill contractual obligations with his labels.{{sfn|McLeese|2012|p=191}} The first was 2003's ''[[In Others' Words]]'' on Reprise. This consisted entirely of cover songs mostly from movie soundtracks and tribute albums to which Yoakam contributed. The oldest track was a cover of the [[Grateful Dead]]'s "[[Truckin']]", which Yoakam cut in 1991.<ref>{{cite web | url=https://www.cmt.com/news/jmw6sl/yoakams-second-album-of-covers-due | archive-url=https://web.archive.org/web/20220904035338/https://www.cmt.com/news/jmw6sl/yoakams-second-album-of-covers-due | url-status=dead | archive-date=September 4, 2022 | title=Yoakam's second album of covers due | publisher=CMT | date=July 30, 2003 | access-date=September 3, 2022}}</ref> Jurek wrote that the compilation was "far from a stellar set but does fill in the gaps nicely."<ref>{{cite web | url=https://www.allmusic.com/album/in-others-words-mw0000317949 | title=''In Others' Words'' | publisher=AllMusic | access-date=September 3, 2022}}</ref> [[Rhino Records]] released a greatest-hits package titled ''[[The Very Best of Dwight Yoakam]]'' in 2004. This compilation was certified gold after its release.<ref name="riaa"/> Erlewine thought that while the album did not contain many of his earlier songs, it otherwise showed the range of his styles and would have potential appeal to fans who preferred his more rock-influenced cuts such as the covers of "Crazy Little Thing Called Love" and "I Want You to Want Me".<ref>{{cite web | url=https://www.allmusic.com/album/the-very-best-of-dwight-yoakam-mw0000207796 | title=''The Very Best of Dwight Yoakam'' | publisher=AllMusic | access-date=September 5, 2022 | author=Stephen Thomas Erlewine}}</ref> His third and final compilation was ''[[Dwight's Used Records]]'' on Audium also in 2004. Among the collaborators on this project were [[Heather Myles]], [[Deana Carter]], and the [[Nitty Gritty Dirt Band]]. Artists covered included [[John Prine]]'s "[[Paradise (John Prine song)|Paradise]]", [[ZZ Top]]'s "[[I'm Bad, I'm Nationwide]]", and [[Johnny Cash]]'s "[[Understand Your Man]]".<ref>{{cite web | url=https://www.allmusic.com/album/dwights-used-records-mw0000333310 | title=''Dwight's Used Records'' | publisher=AllMusic | access-date=September 3, 2022 | author=Mark Deming}}</ref> Country Standard Time writer Eli Messinger thought that, by drawing from a decade's worth of material, the album showed new variety in Yoakam's style over his traditional studio albums.<ref>{{cite web | url=https://www.countrystandardtime.com/d/cdreview.asp?xid=970 | title=''Dwight's Used Records'' | publisher=Country Standard Time | access-date=September 3, 2022 | author=Eli Messinger}}</ref>

===2005{{ndash}}2007: ''Blame the Vain'' and ''Dwight Sings Buck''===
In 2005, Yoakam signed with [[New West Records]], an [[Americana music]] label based out of California. His first release for the label was 2005's ''[[Blame the Vain]]''. It was also Yoakam's first credit as a producer, as he had ended his relationship with Pete Anderson in 2004. At the time, former [[RCA Records]] artist [[Keith Gattis]] had taken over as Yoakam's guitarist and bandleader.{{sfn|McLeese|2012|p=191-192}} Yoakam said that he had contacted a number of producers until Gattis encouraged him to produce by himself.<ref name="joyful">{{cite magazine | url=https://books.google.com/books?id=zhQEAAAAMBAJ | title=A joyful return for Yoakam | author=Phyllis Stark | magazine=Billboard | pages=39, 40 | date=June 25, 2005}}</ref> New West partnered with [[Columbia Records]] to release two singles to radio.<ref name="joyful"/> These were "Intentional Heartache" and the title track, which both made the lower regions of the country charts in 2005 and accounted for Yoakam's last appearance there.<ref name="whitburn"/> In the book ''Dwight Yoakam: A Thousand Miles from Nowhere'', Don McLeese thought that Anderson's absence gave the album "an unbridled lack of restraint", citing the [[hard rock]] sound and spoken-word coda of "Intentional Heartache" as examples.{{sfn|McLeese|2012|p=192-193}} Ray Waddell of ''Billboard'' also noted a "hard-charging" sound to the album, comparing various tracks to [[Elvis Presley]].<ref>{{cite magazine | url=https://books.google.com/books?id=zBQEAAAAMBAJ | title=Reviews | author=Ray Waddell | magazine=Billboard | pages=42 | date=July 2, 2005}}</ref> Rhino Records re-issued ''Guitars, Cadillacs, Etc, Etc.'' in 2006 to honor the album's 20th anniversary. This re-issue included previously unreleased demos and live tracks, along with liner notes written by Yoakam.<ref>{{cite web | url=http://www.cmt.com/news/vnltt4/dwight-yoakams-debut-album-to-be-reissued-expanded | archive-url=https://web.archive.org/web/20220904035123/https://www.cmt.com/news/vnltt4/dwight-yoakams-debut-album-to-be-reissued-expanded | url-status=dead | archive-date=September 4, 2022 | title=Dwight Yoakam's debut album to be reissued, expanded | publisher=CMT | date=July 25, 2006 | access-date=September 3, 2022}}</ref>

After Buck Owens' death in 2006, Yoakam began performing covers of his songs in concert. This culminated in his 2007 album ''[[Dwight Sings Buck]]'', composed entirely of Owens covers. Yoakam recorded the project with his touring band, which at the time included then-former [[The Mavericks|Mavericks]] member [[Eddie Perez (guitarist)|Eddie Perez]] on lead guitar. Yoakam stated that he and the band listened to Owens' originals to draw inspiration from the recordings. Among the songs chosen were "[[Act Naturally]]", "[[Crying Time]]", and "Close Up the Honky Tonks", the last of which served as the lead single.<ref>{{cite magazine | url=https://books.google.com/books?id=ow4EAAAAMBAJ | title=Nashville Scene | author=Ken Tucker | magazine=Billboard | pages=65 | date=October 13, 2007}}</ref> A review in AllMusic was favorable, stating that "He doesn't set out to imitate Owens' style or delivery, but he does capture the essence of each song, playing them as Buck intended: no frills, no foolin' around".<ref>{{cite web | url=https://www.allmusic.com/album/dwight-sings-buck-mw0000488962 | title=''Dwight Sings Buck'' | publisher=AllMusic | access-date=September 3, 2022 | author=Jeff Tamarkin}}</ref>

===2008{{ndash}}present: ''3 Pears'', ''Second Hand Heart'', and ''Swimmin' Pools, Movie Stars...''===
Yoakam performed at the [[CMA Music Festival]] in [[Nashville, Tennessee]], in 2008, where he was joined by [[Faith Hill]]. This was Yoakam's first appearance at the event in over 20 years.<ref>{{cite news | url=https://www.newspapers.com/image/282417510/ | title=Dwight Yoakam back at CMA fest | work=[[The Jackson Sun]] | date=June 6, 2008 | access-date=September 3, 2022 | pages=2B}}</ref> He otherwise performed very few concerts in 2009 and 2010, citing the [[Great Recession]] and the rise of digital music distribution as a reason behind the slower pace of his career at the time. Despite this, he still stated that he planned to continue releasing albums.<ref>{{cite news | url=https://www.newspapers.com/image/505268525/ | title=Country star has eyes on the digital future | work=[[The Record (North Jersey)|The Record]] | date=January 7, 2010 | access-date=September 3, 2022 | author=David J. Spatz}}</ref> In July 2011, he re-signed with Warner for his next album, 2012's ''[[3 Pears]]''.<ref>{{cite news | url=https://www.cmt.com/news/mzcybw/dwight-yoakam-reunites-with-warner-music-group-for-new-album | archive-url=https://web.archive.org/web/20220904033827/https://www.cmt.com/news/mzcybw/dwight-yoakam-reunites-with-warner-music-group-for-new-album | url-status=dead | archive-date=September 4, 2022 | title=Dwight Yoakam reunites with Warner Music Group for new album | work=CMT | date=July 5, 2011 | access-date=September 3, 2022}}</ref> The album included production from rock musician [[Beck]] on two tracks. Upon release it became his highest entry on the [[Billboard 200|''Billboard'' 200]] albums chart, reaching number 18.<ref name="allmusic"/> Mikael Wood of the ''Los Angeles Times'' thought the album displayed a "softer side" than Yoakam's previous efforts.<ref>{{cite web|url=https://www.latimes.com/entertainment/music/la-xpm-2012-oct-04-la-et-ms-dwight-yoakam-3-pears-20121005-story.html|title=Dwight Yoakam shows a softer side on '3 Pears'|last=Wood|first=Mikael|date=October 4, 2012|work=[[Los Angeles Times]]|access-date=May 7, 2020}}</ref> Stephen Thomas Erlewine wrote of the album, "Yoakam has surprised by digging deeper into every one of his obsessions, creating a record that captures the careening, adventurous spirit of the '60s without ever feeling doggedly retro. It's as fresh as any music he's ever made, and one of his very best albums."<ref>{{cite web | url=https://www.allmusic.com/album/mw0002408332 | title=''3 Pears'' | publisher=AllMusic | access-date=September 3, 2022 | author=Stephen Thomas Erlewine}}</ref>

His next Warner album was 2015's ''[[Second Hand Heart (album)|Second Hand Heart]]''. It reached the number two position on Top Country Albums after its release, his highest peak on that chart since ''Buenas Noches from a Lonely Room'' in 1988.<ref>{{cite magazine|last1=Trust|first1=Gary|title=Reba McEntire, George Strait & Dwight Yoakam Return to Country Charts|url=https://www.billboard.com/articles/columns/chart-beat/6545726/reba-mcentire-george-strait-dwight-yoakam-country-charts|access-date=April 23, 2015|magazine=[[Billboard (magazine)|Billboard]]|date=April 23, 2015}}</ref> It consisted almost entirely of original songs written by Yoakam, except a cover of the standard "[[Man of Constant Sorrow]]" and [[Anthony Crawford (musician)|Anthony Crawford]]'s "V's of Birds". Erlewine found influences of The Beatles, Buck Owens, and [[cowpunk]] in the album's arrangements.<ref>{{cite web | url=https://www.allmusic.com/album/second-hand-heart-mw0002820353 | title=''Second Hand Heart'' | publisher=AllMusic | access-date=September 3, 2022}}</ref> Ann Powers of [[NPR]]'s First Listen shared a similar opinion of the album, also praising the "brightness" of its sound.<ref>{{cite web | url=https://www.npr.org/2015/04/05/396881299/first-listen-dwight-yoakam-second-hand-heart | title=Review: Dwight Yoakam, 'Second Hand Heart' | publisher=NPR | date=April 5, 2015 | access-date=September 3, 2022 | author=Ann Powers}}</ref>

In 2016 Yoakam was contacted by a label executive of [[Sugar Hill Records (bluegrass label)|Sugar Hill Records]], who wanted him to record a [[bluegrass music]] album for them.<ref name="odessa"/> This album, ''[[Swimmin' Pools, Movie Stars...]]'', was released that same year. It mostly comprises re-recordings of previous songs in his career, including "Guitars, Cadillacs" and "Please, Please Baby".<ref name="dauphin"/> Yoakam co-produced with [[Jon Randall]] and [[Gary Paczosa]].<ref>{{cite news |last1=Thanki |first1=Juli |title=Back to bluegrass |work=The Tennessean |date=August 3, 2016 |page=A2}}</ref> The album included musical accompaniment by [[Alison Krauss & Union Station]] members [[Adam Steffey]] and [[Barry Bales]] on [[mandolin]] and [[upright bass]] respectively. Also contributing were guitarist [[Bryan Sutton]], fiddler [[Stuart Duncan]], and banjoist [[Scott Vestal]].<ref name="odessa">{{cite news | url=https://www.newspapers.com/image/507568787 | title=Country legend on stage Oct. 20 | work=[[The Odessa American]] | date=October 12, 2018 | access-date=September 4, 2022 | pages=6A}}</ref> In addition to his own material, Yoakam covered [[Prince (musician)|Prince]]'s "[[Purple Rain (song)|Purple Rain]]".<ref name="dauphin">{{cite web | url=https://www.soundslikenashville.com/reviews/album-review-dwight-yoakams-swimmin-pools-movie-stars/ | title=Album review: Dwight Yoakam's ''Swimmin' Pools, Movie Stars...'' | publisher=Sounds Like Nashville | date=September 22, 2016 | access-date=September 3, 2022 | author=Chuck Dauphin}}</ref> Yoakam chose to cover the song the day Prince died, as he had seen the news of the musician's death on television prior to recording.<ref>{{cite news |last1=Devlin |first1=Mike |title=Yoakam's rebellious streak burns bright; Country star to play Manitoulin Country Fest in August |work=The Sudbury Star |date=January 28, 2017 |page=C3}}</ref> Chuck Dauphin of Sounds Like Nashville thought the album brought out the bluegrass influences already present in such songs as "What I Don't Know".<ref name="dauphin"/> Deming called the album "a stylistic detour for Dwight Yoakam, but its execution sums up many of his greatest strengths as an artist".<ref>{{cite web | url=https://www.allmusic.com/album/swimmin-pools-movie-stars-mw0002974546 | title=''Swimmin' Pools, Movie Stars...'' | publisher=AllMusic | access-date=September 3, 2022 | author=Mark Deming}}</ref> Also in 2016, Yoakam released covers of [[The Monkees]]' "Tomorrow's Gonna Be Another Day" and [[Johnny Rivers]]' "[[Mountain of Love]]" on limited edition vinyl through [[Third Man Records]], a label owned by [[Jack White]].<ref>{{cite web|url=https://theboot.com/dwight-yoakam-special-edition-third-man-records/|title=Dwight Yoakam to Release Special Edition Vinyl Via Third Man Records|work=The Boot|date=June 10, 2016}}</ref>

Although he has not released any albums since 2016, Yoakam has continued to tour and perform.<ref name="odessa"/> In 2017, Yoakam covered "Wichita Lineman" at a tribute ceremony to songwriter [[Jimmy Webb]] held at [[Carnegie Hall]].<ref>{{cite web | url=https://www.rollingstone.com/music/music-country/see-dwight-yoakams-powerful-wichita-lineman-at-jimmy-webb-tribute-119542/ | title=See Dwight Yoakam's Powerful 'Wichita Lineman' at Jimmy Webb Tribute | publisher=Rolling Stone | date=May 4, 2017 | access-date=September 4, 2022 | author=Stephen L. Betts}}</ref> In 2018, Yoakam was selected by [[SiriusXM]] satellite radio to curate his own show, Bakersfield Beat, on that company's Prime Country channel. The success of this led to Yoakam receiving his own channel also named Bakersfield Beat, in which he plays his own songs as well as those in the genres of [[Bakersfield sound]], [[cowpunk]], and [[country rock]].<ref>{{cite web | url=https://www.rollingstone.com/music/music-country/dwight-yoakam-to-program-new-siriusxm-channel-the-bakersfield-beat-206159/ | title=Dwight Yoakam to Program New SiriusXM Channel 'The Bakersfield Beat' | publisher=[[Rolling Stone]] | date=February 22, 2018 | access-date=September 4, 2022 | author=Jeff Gage}}</ref>

In 2022, he started the LSD Tour with [[Lucinda Williams]] and [[Steve Earle]].<ref>{{cite web | url=https://www.daily-jeff.com/story/news/2022/02/01/dwight-yoakam-brings-his-lsd-tour-wheeling/9271868002/ | title=What's the Buzz: Dwight Yoakam brings his LSD Tour to Wheeling | publisher=The Daily Jeff | date=February 1, 2022 | access-date=September 3, 2022 | author=Heather Sevigny}}</ref> He also performed a concert with [[Old Crow Medicine Show]] in 2022 to honor the 30th anniversary of ''Hillbilly Deluxe''.<ref>{{cite web | url=https://www.theoaklandpress.com/2022/08/24/dueling-dudes-keith-urban-dwight-yoakam/ | title=Dueling Dudes: Keith Urban, Dwight Yoakam to perform Friday | publisher=[[The Oakland Press]] | date=August 24, 2022 | access-date=September 3, 2022 | author=Gary Graff}}</ref>

Yoakam announced in November 2024 the release of his first studio album in nine years, ''Brighter Days''. The album is his first for Via Records/[[Thirty Tigers]] and it includes the single "I'll Pay the Price". Also released in advance of the album was a duet with [[Post Malone]] titled "I Don't Know How to Say Goodbye".<ref>{{cite web | url=https://www.countrystandardtime.com/news/newsitem.asp?xid=14340 | title=Yoakam proclaims "I'll Pay The Price" | publisher=Country Standard Time | date=November 6, 2024 | accessdate=November 6, 2024}}</ref>

==Acting==
{{Main|Dwight Yoakam filmography}}
[[File:Billy Bob Thornton 2017 (cropped).jpg|thumb|150px|right|Yoakam starred in the 1996 movie ''[[Sling Blade]]'', written and directed by [[Billy Bob Thornton]].|alt=A headshot of actor Billy Bob Thornton.]]
Yoakam holds several acting roles in both film and television. One of his first was a recurring role in the 1991 [[CBS]] crime drama ''[[P.S. I Luv U]]''. He also had a role in the 1993 movie ''[[Red Rock West]]''. In 1994 Yoakum portrayed rancher Mac Brazel in the made-for-TV movie ''[[Roswell (film)|Roswell]]''.<ref name="roanoke">{{cite web | url=https://scholar.lib.vt.edu/VA-news/ROA-Times/issues/1994/rt9406/940614/06170145.htm | title=Same night, two very different choices | publisher=[[Roanoke Times]] | date=June 14, 1994 | access-date=September 3, 2022 | author=Mark Morrison}}</ref> In 1996, actor-director [[Billy Bob Thornton]] cast Yoakam as the character Doyle Hargraves in the film ''[[Sling Blade]]''.<ref>{{cite news | url=https://www.newspapers.com/image/223652125/ | title=Well-knowns star quietly in Thornton's 'Sling Blade' | work=[[St. Cloud Times]] | date=April 3, 1997 | access-date=September 3, 2022 | pages=9E}}</ref> Yoakam had been recommended the role by his manager, and told the website Country Daily in 2016 that ''Sling Blade'' was the first role in his acting career which he thought would have a lasting impact.<ref>{{cite web | url=https://www.thecountrydaily.com/2016/11/25/dwight-yoakam-reflects-on-20-years-of-sling-blade-one-of-the-seminal-moments-of-my-life-as-an-artist/ | title=Dwight Yoakam Reflects on 20 Years of "Sling Blade"—"One of the Seminal Moments of My Life as an Artist" | publisher=Country Daily | date=November 25, 2016 | access-date=September 3, 2022 | author=Jim Casey}}</ref> Yoakam and the rest of the film's cast were nominated in 1997 for a [[Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture]].<ref>{{cite web | url=https://www.allmovie.com/movie/sling-blade-v136170/awards | title=Sling Blade awards | publisher=[[AllMovie]] | access-date=September 3, 2022}}</ref> He appeared in the 1998 [[Richard Linklater]] film ''[[The Newton Boys]]'', and wrote most of the songs for his album ''A Long Way Home'' at this film's shooting locations throughout [[Austin, Texas]].{{sfn|McLeese|2012|p=163}} In 1999, Yoakam and [[Sheryl Crow]] appeared in the thriller ''[[The Minus Man]]''.<ref>{{cite web | url=https://www.mtv.com/news/827tva/sheryl-crow-to-star-with-dwight-yoakam-in-minus-man | archive-url=https://web.archive.org/web/20220904004249/https://www.mtv.com/news/827tva/sheryl-crow-to-star-with-dwight-yoakam-in-minus-man | url-status=dead | archive-date=September 4, 2022 | title=Sheryl Crow To Star With Dwight Yoakam In 'Minus Man' | publisher=[[MTV]] | date=August 17, 1998 | access-date=September 3, 2022}}</ref>

A year later he co-wrote, directed, and starred in a [[Western (genre)|Western]] film titled ''[[South of Heaven, West of Hell]]''. He also composed a [[South of Heaven, West of Hell (soundtrack)|soundtrack of the same name]].<ref>{{cite web |date=December 15, 2000 |first=Kevin |last=Thomas |url=https://www.latimes.com/archives/la-xpm-2000-dec-15-ca-183-story.html|title=Yoakam's 'South of Heaven' Ends Up Going Over the Top |work=[[Los Angeles Times]] |access-date=Jan 3, 2022 }}</ref> The movie was a financial failure, leading to many of its crew members filing claims against Yoakam in [[small claims court]].<ref>{{cite web|title=Movie-Making Experience a "Little Bit of Hell" for Yoakam |url=https://www.cmt.com/news/dwtyif/movie-making-experience-a-little-bit-of-hell-for-yoakam|archive-url=https://web.archive.org/web/20220906002255/https://www.cmt.com/news/dwtyif/movie-making-experience-a-little-bit-of-hell-for-yoakam|url-status=dead|archive-date=September 6, 2022|publisher=[[CMT (U.S. TV channel)|CMT]]|date=August 8, 2003|access-date=April 3, 2016}}</ref> In addition, Yoakam fired Pete Anderson from his touring band in 2002 as a means of recouping the finances lost by this movie.<ref name="blues">{{cite web | url=https://www.styleweekly.com/richmond/for-petes-sake/Content?oid=1593867 | title=For Pete's Sake: Once Dwight Yoakam's right-hand man, guitarist Pete Anderson now plays the blues. | publisher=[[Style Weekly]] | date=August 12, 2011 | access-date=September 5, 2022}}</ref> Zac Johnson of AllMusic criticized the soundtrack for including snippets of film dialogue between tracks, although he praised the individual songs and their inclusion of collaborators such as [[Bekka Bramlett]], [[Mick Jagger]], and [[Billy Gibbons]].<ref>{{cite web | url=https://www.allmusic.com/album/south-of-heaven-west-of-hell-mw0000014435 | title=''South of Heaven, West of Hell'' | publisher=AllMusic | access-date=September 5, 2022 | author=Zac Johnson}}</ref>

In 2002, Yoakam had a role in the [[David Fincher]] movie ''[[Panic Room]]''. Before the movie's release, he told the [[Associated Press]] that he did not consider acting significantly different from recording music because both roles were "fragmented" and required "repetition of performance".<ref>{{cite web | url=https://www.mrt.com/news/article/Dwight-Yoakam-Acts-in-Panic-Room-7821073.php | title=Dwight Yoakam Acts in 'Panic Room' | publisher=[[Associated Press]] | work=[[Midland Reporter-Telegram]] | date=April 1, 2002 | access-date=September 3, 2022}}</ref> Between 2005 and 2006, he also appeared in the movies ''[[Bandidas]]'', ''[[The Three Burials of Melquiades Estrada]]'', and ''[[Wedding Crashers]]''.<ref name="joyful"/> In 2008, he appeared in [[Four Christmases|''Four Christmases'']] as Pastor Phil. In 2014, Yoakam had a recurring role in season two of the CBS science fiction series ''[[Under the Dome (TV series)|Under the Dome]]''.<ref>{{cite web |first=Lesley |last=Goldberg |title=''Under the Dome'' Enlists Dwight Yoakam |url=https://www.hollywoodreporter.com/live-feed/under-dome-enlists-dwight-yoakam-689557 |work=[[The Hollywood Reporter]] |date=March 19, 2014 |access-date=December 18, 2016}}</ref> He also reunited with Thornton for season one of the [[Amazon Prime Video]] original series ''[[Goliath (TV series)|Goliath]]''.<ref>{{cite web | url=https://www.rollingstone.com/music/music-country/dwight-yoakam-reunites-with-billy-bob-thornton-in-new-drama-goliath-59771/ | title=Dwight Yoakam Reunites With Billy Bob Thornton in New Drama 'Goliath' | publisher=Rolling Stone | date=June 15, 2016 | access-date=September 4, 2022 | author=Beville Dunkerley}}</ref>

==Musical styles and influences==
Yoakam's style is defined by a variety of influences both inside and outside country music. These influences include [[rockabilly]],<ref name=Meredith>{{cite web |url=https://www.pastemagazine.com/music/dwight-yoakam/catching-up-with-dwight-yoakam/ |title=Catching Up With Dwight Yoakam |last=Meredith |first=Kyle |date=September 4, 2014 |publisher=Paste Magazine |access-date=2022-09-14}}</ref> [[honky-tonk]], [[neotraditional country]], [[Bakersfield sound]], and [[country rock]]. Colin Larkin wrote in ''The Virgin Encyclopedia of Country Music'' that Yoakam's music showed influences of "the honky-tonk country music of [[Buck Owens]] and [[Lefty Frizzell]]" and "a distinct antipathy toward the [[Nashville sound|Nashville pop]]/country scene."<ref name="virgin"/> Stephen Thomas Erlewine of AllMusic stated that "With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s."<ref name="allmusic"/> Erlewine also noted that Yoakam's fanbase typically consisted of people who listened to [[roots rock]] and [[rock and roll]].<ref name="allmusic"/> Thom Jurek of AllMusic thought that Pete Anderson's electric guitar work was also an important part of his sound, comparing such work to [[Don Rich]] of Buck Owens' backing band [[The Buckaroos]].<ref name="allmusic way">{{cite web | url=https://www.allmusic.com/album/if-there-was-a-way-mw0000316840 | title=''If There Was a Way'' review | publisher=AllMusic | access-date=September 3, 2022 | author=Thom Jurek}}</ref> Jurek also thought that the prominent uses of electric guitar and [[Hammond organ]] were examples of Yoakam's rock influences.<ref name="allmusic way"/>

Yoakam describes his own songwriting style as "fragmented". He told Al Caudell of ''[[American Songwriter]]'' that he usually wrote songs by coming up with a melody and then determining the intended mood. From there, he said he would come up with a "thesis" for the song. He also stated that he preferred not to write in a linear fashion, as he thought writing a song in one sitting would cause him to feel creatively burnt out.<ref name="caudell"/> He also said that memories of his childhood were influential in his songwriting style, particularly in the bluegrass music to which he listened; he told ''American Songwriter'' that he enjoyed the "irony that's always been part of bluegrass in that it sets melodic, lilting melodies and upbeat tempos with the most tragic lyrics."<ref name="caudell"/>

Cyndi Hoelzle of ''[[Gavin Report]]'' noted Yoakam's appeal outside traditional country music, stating in 1993 that "[h]is records sold across the board-to middle-aged [[Stonewall Jackson (musician)|Stonewall Jackson]] fans and to young punk rockers who'd seen Dwight do his thing in L.A., opening shows for [[Los Lobos]] and the [[Violent Femmes]]."<ref name="right time"/> Richard Cromelin of ''[[The Los Angeles Times]]'' noted that Yoakam's musical image was that of a "brooding, intensely private figure driven by restless ambition and an edgy intellectuality more commonly found in rock stars."<ref name="times">{{cite news | url=https://www.latimes.com/archives/la-xpm-1993-04-04-ca-18755-story.html | title=The Solitary Outsider: A country rebel with a shadowy edge, Dwight Yoakam shuns conventional guidelines to preserve the isolation he values, making contact from the stage with his music, and now acting | work=[[The Los Angeles Times]] | date=April 4, 1993 | access-date=September 3, 2022 | author=Richard Cromelin}}</ref> In the same article, Yoakam stated that "I found out early that one of the ways I was able to make contact was through musical expression."<ref name="times"/> Similarly, he told ''Gavin Report'' in 1993 that "My nature is to be absolutely dissectively analytic. But with songwriting I have to leave it in a place that's not."<ref name="right time"/> Al Caudell of ''American Songwriter'' called Yoakam "a bluntly outspoken advocate of hardcore honky-tonk music".<ref name="caudell">{{cite web | url=https://americansongwriter.com/dwight-yoakam-yoakam-has-image-and-style/ | title=Dwight Yoakam: Yoakam Has Image and Style | publisher=[[American Songwriter]] | access-date=September 3, 2022 | author=Al Caudell| date=July 1991 }}</ref> Yoakam received negative attention from the Nashville music scene early in his career due to his constant criticism of the genre. Among his criticisms were [[Columbia Records]] dropping [[Johnny Cash]] and MTV refusing to play country music videos.<ref name="max">{{cite news | url=https://www.newspapers.com/image/725385280/ | title=The thinking man's hillbilly | work=Evening Standard | date=September 25, 1992 | access-date=September 4, 2022 | author=Max Bell | pages=25}}</ref> Of these criticisms, he later stated that "I learned a couple albums in... that my opinions and observations on the industry were not pertinent to what I needed to do as an artist, so I just really began to focus solely on what I was doing at the time."<ref name="route 23"/>

Yoakam's musical image is also defined by his typical outfits when onstage. Colin Larkin of ''The Virgin Encyclopedia of Country Music'' wrote that "like [[Don Williams]] and others, he retains the traditional [[Stetson]] hat."<ref name="virgin"/> Alanna Nash wrote in a review of ''If There Was a Way'' that "When Dwight Yoakam first came on the scene, with his hip retro-attitude, concha-studded jeans, and music that often grazed the edge of rock & roll, it was hard to tell whether the California cowboy was for real. The verdict was clear by his third album, ''Buenas Noches from a Lonely Room'', whose key cycle of songs is a classic murder tale that echoes the pride, heartbreak, betrayal, and vengeance of the age-old hillbilly experience."<ref name="nash way"/> Al Caudell of ''American Songwriter'' noted that Yoakam frequently wore "ripped jeans".<ref name="caudell"/> Darryl Smyers of the ''[[Dallas Observer]]'' wrote that "With his absurdly large hat and [[Flying Burrito Brothers]] fashion sense, Yoakam was championed by a surprising mix of punks, rockabilly hounds, and hard-core honky-tonkers."<ref>{{cite web | url=https://www.dallasobserver.com/music/hokum-or-yoakam-6379073 | title=Hokum or Yoakam? | publisher=[[Dallas Observer]] | date=April 13, 2006 | access-date=September 3, 2022}}</ref>

Leonard Running of the ''Rapid City Journal'' referred to Yoakam's singing style as a "plaintive, [[yodel]]-edged voice".<ref name="running"/> An uncredited review of ''Gone'' in ''[[No Depression (magazine)|No Depression]]'' stated, "His voice is pure and sweet, but a precise tool. Only rarely, like on 'Try Not to Look So Pretty'...does it really fall down into an emotional fit."<ref>{{cite web | url=https://www.nodepression.com/album-reviews/dwight-yoakam-gone | title=''Gone'' review | publisher=No Depression | date=November 1, 1996 | access-date=September 3, 2022}}</ref> J. D. Considine of ''[[The Baltimore Sun]]'' wrote of Yoakam's singing voice that it was a "high, lonesome [[twang]]" and a "sweetly nasal tenor".<ref>{{cite web | url=https://www.baltimoresun.com/news/bs-xpm-1998-06-11-1998162160-story.html | title=Yoakam has the voice and the band | publisher=[[The Baltimore Sun]] | work=June 11, 1998 | access-date=September 3, 2022 | author=J. D. Considine| date=June 11, 1998 }}</ref> Similarly, the editors of ''The Encyclopedia of Country Music'' described Yoakam as having a "twangy tenor... simply too spellbinding for country radio to ignore."<ref name="encyclopedia"/> These editors also thought that Yoakam was more able to break through into mainstream country music than contemporaries such as [[Lyle Lovett]] and [[Steve Earle]] because "mainstream country has found it easier to digest distorted guitars than ironic lyrics".<ref name="encyclopedia"/>

==Personal life==
In 1992, Yoakam began dating actress [[Sharon Stone]].<ref name="virgin"/><ref name="max"/> He appeared alongside her at that year's [[Academy Awards]] ceremony.<ref name="virgin"/><ref name="gq"/> This encounter led to both of them receiving media attention from tabloids, along with rumors from fans that songs on ''This Time'' were about Stone. Yoakam denied these rumors and stated that the two only dated for five weeks.<ref name="right time"/> Yoakam met MTV personality [[Karen Duffy]] at a party in 1994 and began dating soon afterward.<ref>{{cite news | url=https://www.newspapers.com/image/411936372/ | title=Yoakam rebounding | work=[[The Billings Gazette]] | date=January 1, 1994 | access-date=September 4, 2022 | pages=1C}}</ref> The two ended their relationship in 1996.<ref>{{cite news | url=https://www.newspapers.com/image/240300375/ | title=Yoakam gives coyness own twist | work=Argus-Leader | date=May 23, 1996 | access-date=September 4, 2022 | author=Bob Keyes | pages=3}}</ref> Yoakam married Emily Joyce on May 4, 2020, in [[Santa Monica, California]]. Because their wedding occurred during the [[COVID-19 pandemic]], only ten guests were in attendance.<ref>{{cite web | url=https://people.com/country/dwight-yoakam-marries-emily-joyce-before-coronavirus/ | title=Dwight Yoakam Marries Emily Joyce in Front of Less Than 10 Guests — All 6 Feet Apart | publisher=People | date=May 4, 2020 | access-date=September 3, 2022 | author=Darlene Aderoju}}</ref> The couple had their first child on August 16, 2020.<ref>{{cite web | url=https://tasteofcountry.com/dwight-yoakam-wife-emily-joyce-first-child-son-baby-boy/ | title=Dwight Yoakam, wife Emily Joyce welcom first child | publisher=[[Taste of Country]] | date=August 22, 2020 | access-date=September 3, 2022 | author=Sterling Whittaker}}</ref>

===Legal issues===
Longtime producer and guitarist Pete Anderson filed a lawsuit against him in 2004, stating that he had breached an oral contract by failing to perform a number of concert dates in mid-2002. The lawsuit claimed that by failing to perform these concerts, Yoakam had cost Anderson over $44,000 in salary.<ref>{{cite web | url=https://www.billboard.com/music/music-news/music-director-sues-dwight-yoakam-1429324/ | title=Music Director Sues Dwight Yoakam | publisher=Billboard | date=September 6, 2004 | access-date=September 3, 2022}}</ref> Yoakam and Anderson settled the lawsuit out of court, with the former stating that some of the financial issues stemming from these concerts were due to money lost in the commercial failure of ''South of Heaven, West of Hell''. This financial dispute also ended the two's musical partnership, with Anderson saying that Yoakam "didn't want [him] around anymore".{{sfn|McLeese|2012|p=166, 182, 183}} Anderson told ''[[Style Weekly]]'' in 2011 that he still respected Yoakam's artistry but had no intention of working with him again.<ref name="blues"/>

Yoakam filed a lawsuit against Warner Music in 2021 when the label withdrew several of his songs from streaming services due to expiration of contract. He claimed that the label was denying his reclamation of copyright toward the songs.<ref>{{cite web | url=https://www.rollingstone.com/pro/news/dwight-yoakam-copyright-lawsuit-record-label-warner-1125836/ | title=Here's Why Dwight Yoakam Is Suing His Old Record Label | publisher=Rolling Stone | date=February 9, 2021 | access-date=September 4, 2022 | author=Samantha Hissong}}</ref> The dispute was resolved in February 2022 and the songs re-appeared on streaming services soon afterward.<ref>{{cite web | url=https://www.reuters.com/legal/transactional/warner-music-country-star-dwight-yoakam-settle-copyrights-dispute-2022-02-14/ | title=Warner Music, country star Dwight Yoakam settle copyrights dispute | publisher=[[Reuters]] | date=February 14, 2022 | access-date=September 4, 2022 | author=Blake Brittain}}</ref>

==Discography==
{{main|Dwight Yoakam albums discography|Dwight Yoakam singles discography}}

===Studio albums===
*''[[Guitars, Cadillacs, Etc., Etc.]]'' (1986)
*''[[Hillbilly Deluxe (Dwight Yoakam album)|Hillbilly Deluxe]]'' (1987)
*''[[Buenas Noches from a Lonely Room]]'' (1988)
*''[[If There Was a Way]]'' (1990)
*''[[This Time (Dwight Yoakam album)|This Time]]'' (1993)
*''[[Gone (Dwight Yoakam album)|Gone]]'' (1995)
*''[[A Long Way Home (album)|A Long Way Home]]'' (1998)
*''[[dwightyoakamacoustic.net]]'' (2000)
*''[[Tomorrow's Sounds Today]]'' (2000)
*''[[South of Heaven, West of Hell (album)|South of Heaven, West of Hell]]'' (2001, soundtrack)
*''[[Population Me]]'' (2003)
*''[[Blame the Vain]]'' (2005)
*''[[3 Pears]]'' (2012)
*''[[Second Hand Heart (album)|Second Hand Heart]]'' (2015)
*''[[Swimmin' Pools, Movie Stars...]]'' (2016)
*''Brighter Days'' (2024)

===Cover albums===
*''[[Come On Christmas]]'' (1997)
*''[[Under the Covers (Dwight Yoakam album)|Under the Covers]]'' (1997)
*''[[In Others' Words]]'' (2003)
*''[[Dwight's Used Records]]'' (2004)
*''[[Dwight Sings Buck]]'' (2007)

=== Live albums ===

* ''[[Dwight Live]]'' (1995)
* ''Fillmore Auditorium San Francisco, CA Dec 31, 1985'' (2017)

=== Compilation albums ===
*''[[Just Lookin' for a Hit]]'' (1989)
*''La Croix D'Amour'' (1992)
*''[[Last Chance for a Thousand Years: Dwight Yoakam's Greatest Hits from the 90's|Last Chance for a Thousand Years]]'' (1999)
*''[[Reprise Please Baby: The Warner Bros. Years]]'' (2002)
*''[[The Very Best of Dwight Yoakam]]'' (2004)
*''Original Album Series'' (2012)

==Awards and nominations==
{{Main|List of awards and nominations received by Dwight Yoakam}}
Yoakam has won two [[Grammy Awards]] and one [[Academy of Country Music]] award.<ref name="grammy"/><ref name="acm"/>

==References==
{{reflist}}

;Works cited
*{{cite book |last1=McLeese |first1=Don |title=Dwight Yoakam: A Thousand Miles from Nowhere |date=2012 |publisher=University of Texas Press |isbn=978-0292723818}}

==External links==
{{sister project links|d=Q713099|c=Category:Dwight Yoakam|n=no|b=no|v=no|voy=no|m=no|mw=no|species=no|s=no|wikt=no|q=no}}
*{{Official website}}
*{{AllMusic}}
*{{Discogs artist}}
*{{IMDb name}}
*{{MusicBrainz artist}}
{{Dwight Yoakam|state=expanded}}
{{Dwight Yoakam singles}}
{{Authority control}}

{{DEFAULTSORT:Yoakam, Dwight}}
[[Category:1956 births]]
[[Category:20th-century American male actors]]
[[Category:20th-century American singer-songwriters]]
[[Category:21st-century American male actors]]
[[Category:21st-century American singer-songwriters]]
[[Category:American alternative country singers]]
[[Category:American country rock singers]]
[[Category:American country singer-songwriters]]
[[Category:American male film actors]]
[[Category:American male singer-songwriters]]
[[Category:Country musicians from California]]
[[Category:Country musicians from Ohio]]
[[Category:Grammy Award winners]]
[[Category:Country musicians from Kentucky]]
[[Category:Living people]]
[[Category:Ohio State University alumni]]
[[Category:MNRK Music Group artists]]
[[Category:Musicians from Columbus, Ohio]]
[[Category:People from Los Angeles]]
[[Category:People from Pikeville, Kentucky]]
[[Category:Oak Records artists]]
[[Category:Reprise Records artists]]
[[Category:Singer-songwriters from California]]
[[Category:Sugar Hill Records artists]]
[[Category:New West Records artists]]
[[Category:Warner Records artists]]
[[Category:Musicians from Appalachia]]
[[Category:Singer-songwriters from Kentucky]]
[[Category:Singers from Los Angeles]]
[[Category:Singer-songwriters from Ohio]]
[[Category:20th-century American guitarists]]
[[Category:20th-century American male singers]]
[[Category:21st-century American male singers]]
[[Category:Thirty Tigers artists]]

Latest revision as of 13:50, 24 December 2024

Dwight Yoakam
Country music singer Dwight Yoakam, singing while strumming a guitar
Yoakam in 2008
Born
Dwight David Yoakam[1]

(1956-10-23) October 23, 1956 (age 68)[2]
Occupations
  • Singer
  • songwriter
  • actor
  • film director
Years active1984–present
Works
Spouse
Emily Joyce
(m. 2020)
Children1
AwardsFull list
Musical career
Genres
Instruments
  • Vocals
  • acoustic guitar
Discography
Labels
Websitewww.dwightyoakam.com

Dwight David Yoakam (born October 23, 1956) is an American country singer-songwriter, actor, and filmmaker. He first achieved mainstream attention in 1986 with the release of his debut album Guitars, Cadillacs, Etc., Etc.. Yoakam had considerable success throughout the late 1980s onward, with a total of ten studio albums for Reprise Records. Later projects have been released on Audium (now MNRK Music Group), New West, Warner, and Sugar Hill Records.

His first three albums—Guitars, Cadillacs, Etc., Etc., Hillbilly Deluxe, and Buenas Noches from a Lonely Room—all reached number one on the Billboard Top Country Albums chart. Yoakam also has two number-one singles on Hot Country Songs with "Streets of Bakersfield" (a duet with Buck Owens) and "I Sang Dixie", and twelve additional top-ten hits. He has won two Grammy Awards and one Academy of Country Music award. 1993's This Time is his most commercially successful album, having been certified triple-platinum by the Recording Industry Association of America (RIAA).

Yoakam's musical style draws from a wide variety of influences including alternative country, neotraditional country, honky-tonk, rock, and the Bakersfield sound. He is known for his distinctive tenor singing voice, unconventional musical image, and the lead guitar work of his longtime producer and bandleader Pete Anderson. Yoakam writes most of his own songs but has recorded many successful cover songs by a wide range of artists including Johnny Horton, Elvis Presley, Cheap Trick, The Blasters, Lefty Frizzell, and Queen. He has collaborated with Beck, John Mellencamp, k.d. lang, Ralph Stanley, and members of Alison Krauss & Union Station.

As an actor, Yoakam has appeared in the movies Red Rock West, Sling Blade, Panic Room, The Minus Man, Wedding Crashers, Four Christmases, and Logan Lucky, as well as South of Heaven, West of Hell, which he wrote and directed. He also appeared in the TV series P.S. I Luv U and Under the Dome, as well as the Amazon Prime Video original series Goliath.

Biography

[edit]
A view of buildings along a street in Pikeville, Kentucky.
Dwight Yoakam was born in Pikeville, Kentucky.

Dwight David Yoakam was born October 23, 1956, in Pikeville, Kentucky.[2][1] He is the eldest of three children to Ruth (née Tibbs) and David Yoakam. At the time of Yoakam's birth, his father was serving in the United States Army.[5] After David Yoakam was discharged from the Army, the Yoakams moved to Columbus, Ohio.[6] By this point the couple had a second son named Ronald and a daughter named Kimberly.[5] Meanwhile, David supported his family by working at a Westinghouse Electric Corporation factory and later by ownership of a Texaco gas station.[5] Yoakam's father had acquired a guitar manufactured by the Kay Musical Instrument Company while in the Army, and gave it to Yoakam after being unable to learn to play it himself. Although Yoakam later broke this guitar, he received another one as a Christmas present while he was in the fourth grade. He also wrote his first song around this point.[5] As a child, Yoakam took influence from the music that his parents listened to on records as well as WMNI, then an AM country music radio station in Columbus.[5] Among these records were compilations by Johnny Cash and Johnny Horton.[5] According to his mother, the family would also sing songs to each other when on road trips to visit Yoakam's maternal grandparents. Yoakam himself also stated that he was influenced by rock and roll acts he had seen on television, such as Elvis Presley.[5]

The Yoakam family moved to another neighborhood of Columbus in 1968, where Yoakam attended Northland High School. His mother encouraged all three of her children to join the school's band, in which Yoakam played drums. He also attended drama class at Northland High School, which led to him playing the role of Charlie in a production of Flowers for Algernon. Yoakam later attributed this performance as giving him more confidence performing in front of others.[5] In his senior year of high school, Yoakam and some classmates formed a rock and roll band to compete in the school's talent show.[1][5] The band became popular enough that they began performing at a number of private parties throughout Columbus as The Greaser Band. Yoakam attended Ohio State University, but quickly dropped out in order to focus on his musical career.[1] While playing at a club in Gahanna, Ohio, Yoakam was approached by a man who promised a musical contract but later turned out to be a con artist. Despite this, Yoakam chose to move to Nashville, Tennessee, to continue pursuing a career in country music. He faced difficulty in the Nashville music scene, as his style was more indebted to honky-tonk and bluegrass music at a time when such sounds were not popular compared to country pop and Nashville sound.[1]

Yoakam then moved to Los Angeles, California, at the encouragement of Billy Alves, a former member of the Greaser Band. While he was initially unsuccessful there as well, he met guitarist and record producer Pete Anderson at a Los Angeles bar in 1982. The two became friends when they realized they had common interest in musicians such as Merle Haggard.[1] Anderson also observed that cowpunk and alternative country were popular in California through acts such as Joe Ely, Rank and File, and Lone Justice. By performing at clubs where these acts also performed, Yoakam was thus able to gain further exposure.[5]

Musical career

[edit]

1984–1986: Guitars, Cadillacs, Etc., Etc.

[edit]
Musician Pete Anderson playing an electric guitar.
Pete Anderson, seen here in 2009, produced and played lead guitar on the majority of Yoakam's albums.

By 1984, Yoakam had written a large number of songs. Anderson then encouraged him to record some of them on an extended play. He also served as producer and lead guitarist on the project, roles he would serve throughout most of Yoakam's career.[7] The EP was titled Guitars, Cadillacs, Etc., Etc. and was released through the Oak Records label. It consisted of five of Yoakam's original compositions, plus a cover of Johnny Cash's "Ring of Fire".[5] Songs from the extended play received airplay on independent radio stations throughout Los Angeles.[1] Later in the year Yoakam was chosen to serve as an opening act for The Blasters. This led to him being discovered by Reprise Records executive Paige Levy, who helped Yoakam sign with the label in 1986.[5] Reprise re-issued Guitars, Cadillacs, Etc., Etc. that year with four more tracks, thus making it his debut album.[1] One of the added tracks was "Bury Me", a duet with Maria McKee.[8] The first single off the album was a cover of Johnny Horton's 1956 single "Honky Tonk Man". Yoakam's rendition of the song charted at number three on Billboard Hot Country Songs in mid-1986.[2] The song was even more successful in Canada, reaching the number one position on that nation's country music charts then published by RPM.[9] "Honky Tonk Man" also received a music video, which in 1986 became the first by a country artist to air on MTV.[10] The album itself reached the number one position on Billboard Top Country Albums.[11]

Two more singles followed, both of which Yoakam wrote himself. These were "Guitars, Cadillacs" and "It Won't Hurt", both of which made Hot Country Songs.[2] Thirteen years after its release, Guitars, Cadillacs, Etc., Etc. was certified double platinum by the Recording Industry Association of America (RIAA), honoring shipments of two million copies in the United States.[12] At the 29th Annual Grammy Awards in 1987, the album was nominated for Grammy Award for Best Male Country Vocal Performance and "Guitars, Cadillacs" was nominated for Best Country Song.[13] The Country Music Association (CMA) also nominated Yoakam for the Horizon Award (now called Best New Artist) and "Honky Tonk Man" for Music Video of the Year.[14] Yoakam also won Top New Male Vocalist at the 1986 Academy of Country Music (ACM) awards.[15]

The album was reviewed favorably. Thom Jurek of AllMusic wrote of the album that it contained influences of Bob Dylan and Bakersfield sound. His review also noted the number of personal songs written by Yoakam himself, as well as the cover versions of "Ring of Fire" and Ray Price's "Heartaches by the Number".[8] Ron Fell of Gavin Report compared Yoakam's musical image favorably to Buddy Holly and Bruce Springsteen while also stating that Yoakam had "an authenticity to his persona".[16] Writing for the Rapid City Journal, Leonard Running noted the use of fiddle, steel guitar, and Dobro in the production.[17]

1987: Hillbilly Deluxe

[edit]

Yoakam's second Reprise album Hillbilly Deluxe was released in 1987.[1] The album was also led off by a cover song; specifically, Elvis Presley's "Little Sister". After this were Yoakam's original compositions "Little Ways" and "Please, Please Baby", followed by a cover of Lefty Frizzell's "Always Late with Your Kisses". All four of these cuts made top ten on the country music charts between 1987 and early 1988.[2] "Little Ways" was a number one single on the Canadian RPM country charts.[18] Also covered on the album was Stonewall Jackson's "Smoke Along the Track".[19] One of the other tracks on the album was "Readin', Rightin', Rt. 23", an autobiographical song which Yoakam wrote about the towns along U.S. Route 23 in Kentucky near his grandparents' houses.[5] Hillbilly Deluxe was certified platinum for shipments of one million copies,[12] and earned Yoakam another Grammy Award nomination in the category Best Male Country Vocal Performance.[13] It also reached number one on Top Country Albums.[11] Jurek praised the cover songs in his review for AllMusic, where he compared Yoakam's vocal phrasing favorably to Merle Haggard. He also noted the use of lap steel guitar and fiddle in Anderson's production, as well as Yoakam's lyrics on "Readin', Rightin', Rt. 23".[19] An uncredited review in Music & Media magazine stated, "The album features sophisticated, yet fresh country music with rollicking C&W guitar lines, supplemented with Yoakam's straight, yearning vocals."[20]

1988–1989: Buenas Noches from a Lonely Room and Just Lookin' for a Hit

[edit]
A black-and-white headshot of singer Buck Owens.
Yoakam had a number one single in 1988 with "Streets of Bakersfield", a duet with Buck Owens (pictured here in 1977).

His third Reprise album was 1988's Buenas Noches from a Lonely Room. The album was his third and final to top the Billboard country albums chart.[11] Its first two singles were also his only number one entries on Hot Country Songs, both peaking there in 1988. These were a cover of Buck Owens' "Streets of Bakersfield" which featured Owens on duet vocals, and "I Sang Dixie".[2] Before "Streets of Bakersfield" was recorded for the album, Yoakam had contacted Owens (who was retired from performing at the time) and convinced him to sing the song on a television special for CBS. The commercial success of the studio version also led to Owens ending his retirement and re-signing with Capitol Records later in the decade.[21] The third single from Buenas Noches from a Lonely Room was "I Got You"; while this song reached number five on the country charts, the album's title track failed to enter top 40.[2] This album once again featured Maria McKee on backing vocals, along with accompaniment by Tejano accordionist Flaco Jiménez. Also covered on the album were Hank Locklin's "Send Me the Pillow You Dream On" and Johnny Cash's "Home of the Blues". Jurek thought that the album "shows the first signs of beginning to stretch out and be comfortable with his unique approach to hard honky tonk music, Bakersfield-style".[22] Buenas Noches from a Lonely Room and "Streets of Bakersfield" were respectively nominated for Best Male Country Vocal Performance and Best Country Collaboration with Vocals at the 31st Annual Grammy Awards.[13] The latter also received a CMA nomination for Vocal Event of the Year.[14]

Yoakam ended the 1980s with his first greatest hits album, Just Lookin' for a Hit. The album consisted of eight previously released singles and two newly recorded cover songs. These were of The Blasters' "Long White Cadillac" and The Flying Burrito Brothers' "Sin City", the latter of which Yoakam recorded as a duet with k.d. lang.[7][23] "Long White Cadillac" was issued as a single, reaching number 35 on the country music charts.[2][1] The "Sin City" cover received a Grammy nomination for Best Country Vocal Collaboration.[13]

1990–1992: If There Was a Way

[edit]
Songwriter Kostas in an outdoor setting.
Yoakam wrote several songs with Kostas in the 1990s.

In 1990, Yoakam entered the Billboard country charts for the thirteenth time with "Turn It On, Turn It Up, Turn Me Loose", which peaked at number eleven.[2] This song led off his fourth studio album If There Was a Way. The album would account for five more singles between 1990 and 1992: "You're the One", "Nothing's Changed Here", "It Only Hurts When I Cry", "The Heart That You Own", and the Patty Loveless duet "Send a Message to My Heart". Of these, all except "Send a Message to My Heart" were top-20 country hits.[2] "Turn It On, Turn It Up, Turn Me Loose" was also nominated for a Grammy Award for Best Male Country Vocal Performance, Yoakam's fourth nomination in that category.[13]

Unlike his previous albums, Yoakam co-wrote several tracks on If There Was a Way with other writers. He wrote with Roger Miller on "It Only Hurts When I Cry", a song to which Miller also contributed backing vocals.[24] Yoakam had met Miller at the Grammy Awards and presented him with the title, and Miller agreed to co-write the song after Yoakam stated he was a fan of Miller's music.[25] "Turn It On, Turn It Up, Turn Me Loose" was one of the first successful cuts for Greek-American songwriter Kostas.[26] Record producer Tony Brown had sent Kostas' demo of the song to Pete Anderson because he thought the song sounded like Yoakam had written it. Because of this, Anderson suggested that Yoakam begin writing songs with Kostas.[25] The two co-wrote both "Nothing's Changed Here" and "Send a Message to My Heart" on If There Was a Way, leading to further collaborations on subsequent albums.[2] Yoakam had written "You're the One" in 1978 about a woman with whom he had ended a relationship.[27] In addition to Roger Miller, backing vocals on the album included Amy Ray (of the Indigo Girls) and bluegrass musician Tim O'Brien.[24] Alanna Nash of Entertainment Weekly rated the album "A", stating that it continued on the "hillbilly" themes of his previous albums while also containing more rock and roll influence than its predecessors.[28] Jurek praised the album for rock influences as well, particularly the cover of "Let's Work Together".[29]

Yoakam contributed to two movie soundtracks in 1992. First, he cut two songs for Falling from Grace, the 1992 directorial debut of rock singer John Mellencamp. Yoakam performed Mellencamp's composition "Common Day Man";[30] the two also joined Joe Ely, John Prine, and James McMurtry on the track "Sweet Suzanne". Credited to Buzzin' Cousins, this song charted on Hot Country Songs for five weeks in early 1992.[31] It also accounted for Yoakam's second CMA nomination in the category of Vocal Event of the Year.[14] Later in the year, Yoakam covered Elvis Presley's "Suspicious Minds" for the soundtrack of Honeymoon in Vegas. This rendition charted on Hot Country Songs by year's end.[2] In addition to these, he re-recorded "Miner's Prayer", a track from Guitars, Cadillacs, Etc., Etc., as a duet with bluegrass singer Ralph Stanley on the latter's 1992 album Saturday Night & Sunday Morning.[32] This track was nominated for a Grammy award for Best Country Vocal Collaboration.[13] Finally, Yoakam released an album titled La Croix d'Amour for the European market in 1992. This consisted mainly of selections from other albums, as well as previously unreleased cover songs.[6]

1993–1996: This Time, Dwight Live, and Gone

[edit]

For his next studio album, 1993's This Time, Yoakam wrote either by himself or in collaboration with Kostas. The only exception was the album's lead single "Ain't That Lonely Yet", which Kostas co-wrote with James House.[33] This song peaked at number two on the Billboard country charts,[2] while also topping the American Radio & Records country music charts and Canadian RPM country charts.[34][35] It won Yoakam the Grammy Award for Best Male Country Vocal Performance in 1993, his first win from that association.[13] This Time charted four more singles between 1993 and 1994. First were "A Thousand Miles from Nowhere" and "Fast as You", which both achieved peaks of number two as well. The latter also became Yoakam's first entry on the Billboard Hot 100, peaking at 70.[2] After these were "Try Not to Look So Pretty" and "Pocket of a Clown", which were less successful on the charts.[2] Of the album, Anderson told Gavin Report that "It's really the first record we've made where we just took all the boundaries down", while Yoakam himself said that "I felt that my musical statements on the preceding albums were valid, but that they were complete statements and there was no need to further articulate them. It was time to allow my music latitude."[25] He cited the track "Home for Sale" as an example, describing it as a "stone country" lyric backed by a Hammond organ, an instrument not commonly used in country.[25] Jurek noted influences of doo-wop in "Pocket of a Clown" and of Roy Orbison in "Ain't That Lonely Yet".[33] In July 1994, Yoakam began the This Time Tour, a 75-city tour which featured Alison Krauss and Union Station as an opening act.[36][25] The Country Music Association nominated "Ain't That Lonely Yet" for Single of the Year in 1993, and Yoakam himself in the category Male Vocalist of the Year in 1994.[14] The album achieved his highest RIAA certification, for triple-platinum in 1996.[12]

Country music singer Dwight Yoakam, looking to his side while strumming a guitar.
Yoakam performing in 2008.

Yoakam released two albums in 1995. The first was Dwight Live, a live album recorded in July 1994 in San Francisco.[1] Stephen Thomas Erlewine wrote of this album that "nothing on the album improves on the original recorded versions",[37] while Tony Scherman of Entertainment Weekly thought the album was "beautifully paced" and showed Yoakam's strengths as a vocalist.[38] The album was certified gold in 1996.[12] His other release for 1995 was the studio album Gone. Yoakam wrote the entire album, collaborating with Kostas on two songs. Among the backing vocalists were Carl Jackson, Jim Lauderdale, Joy Lynn White, and The Rembrandts.[39] "Nothing", one of the collaborations with Kostas, was selected as the lead single and charted at number 20 on Hot Country Songs in 1995. The song's B-side "Gone (That'll Be Me)" and "Sorry You Asked?" were released as singles as well, though neither reached top 40.[2] Jurek thought that individual tracks displayed influences of rhythm and blues, mariachi, Tejano music, and psychedelic rock.[40] Jeffrey B. Remz of Country Standard Time wrote that Gone was "a critically received album, which did not do boffo numbers because Yoakam received very little airplay for what was probably his most musically diverse album. And in some parts of the country, his tour did not draw crowds either."[41]

1997–1998: Under the Covers, Come On Christmas, A Long Way Home

[edit]

Yoakam's next release for Reprise was 1997's Under the Covers, an album composed entirely of cover songs.[1] Yoakam and Anderson had begun recording songs for this project prior to Gone, while other selections previously appeared on La Croix d'Amour.[41] The project accounted for only one single in a rendition of The Everly Brothers' "Claudette".[2] Bluegrass musician Ralph Stanley played banjo on a cover of The Clash's "Train in Vain", while Sheryl Crow sang duet vocals on a cover of Sonny & Cher's "Baby Don't Go". Jurek wrote of this album, "While this set is not perfect, it's still damn fine and warrants repeated listens to come to grips with Yoakam's visionary ambition."[42] Remz praised the covers of Glen Campbell's "Wichita Lineman" and "Train in Vain" in particular, but criticized the cover of The Beatles' "Things We Said Today".[43] After this was an album of Christmas music titled Come On Christmas, released later in the year. Yoakam wrote the title track and "Santa Can't Stay", while the rest of the album largely consisted of traditional Christmas songs such as "Away in a Manger" and "Silver Bells". Thom Owens of AllMusic wrote that the album contained "high-spirited, entertaining country-rockers that may not add anything new to Yoakam's catalog, but they make the record an enjoyable holiday album."[44]

Between 1995 and 1997, Yoakam received three consecutive Grammy nominations in the category of Best Male Country Vocal Performance. The songs nominated in this category were "Pocket of a Clown", "A Thousand Miles from Nowhere", and "Nothing". He also received three consecutive nominations for Best Country Album between 1996 and 1998, with the nominations going to Dwight Live, Gone, and Under the Covers.[13] After these was his next studio album of original content, 1998's A Long Way Home.[1] Yoakam wrote the entire project by himself, making it his first not to have any co-writers or cover songs.[45] The album charted two singles in "Things Change" and "These Arms".[2] This album also featured Ralph Stanley, this time as a duet partner on "Traveler's Lantern".[46] Brian Steinberg of Country Standard Time thought that the album was "back to basics" and comparable to Yoakam's releases in the 1980s, stating that "This isn't Yoakam's most innovative work, but it contains enough moments to make it worth attention."[46] Also in 1998, Yoakam funded a charity album for release on Little Dog Records, a label which his then-producer and guitarist Pete Anderson owned. This album was titled Will Sing for Food and featured other artists recording renditions of Yoakam's songs. Among the artists contributing were Sara Evans, Mandy Barnett, Kim Richey, Gillian Welch, and David Ball.[47] Nash contrasted these two albums in a double review, calling A Long Way Home "a fresh, dynamic set, updating his trademark Bakersfield-does-L.A. sound without sacrificing his honky-tonk roots" while stating that Will Sing for Food had "stunningly original interpretations".[48] Steinberg gave the latter a mixed review, praising the contributions of Bonnie Bramlett and Scott Joss while considering other cuts on the album too similar in sound to Yoakam's originals.[49]

1998–1999: Last Chance for a Thousand Years: Dwight Yoakam's Greatest Hits from the 90's

[edit]
A composite image showing the four members of the band Queen.
Yoakam had a hit in 1999 with a cover of Queen's "Crazy Little Thing Called Love".

In 1998, Columbia Records released A Tribute to Tradition, a multi-artist tribute album to 1960s and 1970s country music. Yoakam was one of several artists featured on the album's closing track "Same Old Train", an original composition by Marty Stuart.[50] The track featured twelve other country musicians, including Earl Scruggs, Merle Haggard, Clint Black, and Randy Travis. It charted for five weeks on Hot Country Songs in late 1998.[51] The song won Grammy Award for Best Country Collaboration with Vocals at the 41st Annual Grammy Awards, thus giving Yoakam his second win from the organization.[13] It was also nominated for CMA Vocal Event of the Year.[14]

Yoakam ended the decade with his second greatest-hits package, Last Chance for a Thousand Years: Dwight Yoakam's Greatest Hits from the 90's. In addition to tracks from his 1990s Reprise albums, the compilation included three new songs. These were covers of Queen's "Crazy Little Thing Called Love" and Waylon Jennings' "I'll Go Back to Her" and the new song "Thinking About Leaving", which Yoakam wrote with Rodney Crowell.[52] The cover of "Crazy Little Thing Called Love" served as the album's lead single, peaking at 12 on the country charts and 64 on the Hot 100.[2] It was also his final number one on the Canadian country music charts published by RPM before that publication closed in 2000.[53] "Thinking About Leaving" was also issued as a single, but did not enter the country music top 40.[2] In 2000, "Crazy Little Thing Called Love" was nominated for a Grammy Award for Best Male Country Vocal Performance.[13]

2000–01: dwightyoakamacoustic.net and Tomorrow's Sounds Today

[edit]

Yoakam's tenure with Reprise Records ended with a pair of albums both released in 2000. The first was dwightyoakamacoustic.net, composed entirely of acoustic recordings with just Yoakam's vocal and acoustic guitar. The only exception was a re-recording of "Guitars, Cadillacs", which Yoakam performed a cappella.[54] Yoakam said that he was inspired to do such an album due to the success of similar acoustic renditions in his concerts. He had originally planned to release the album through his website until representatives of Reprise Records thought the album had sales potential. The album itself had minimalistic packaging as well, consisting solely of a sticker with the album's name on the front of an otherwise-clear CD case.[55] Steve Huey of AllMusic thought that the album's minimalism allowed a greater focus on Yoakam's vocal interpretation than previous albums.[54]

His other release in 2000 was Tomorrow's Sounds Today.[1] The album accounted for two charted singles in "What Do You Know About Love" and a cover of Cheap Trick's "I Want You to Want Me".[2] Yoakam co-wrote with Buck Owens on three tracks: "The Sad Side of Town", "Alright, I'm Wrong", and "I Was There", the latter two of which were also recorded as duets with him. Although the two had previously sung together on "Streets of Bakersfield", Owens rejected further collaborations throughout the 1990s as he considered Yoakam "too young", but ultimately agreed to collaborate again when the two met at a concert in 1999.[56] Writing for AllMusic, Hal Horowitz thought the Owens collaborations showed Yoakam's continued influence of the Bakersfield sound of which Owens was a part. He also praised the guitar work of Pete Anderson and compared Yoakam's lyrical style to that of Hank Williams.[4] Scherman was less favorable, considering the material "forgettable" despite describing Anderson's guitar work with favor.[57] Yoakam received his final CMA nomination in 2001, when that institution nominated "Alright, I'm Wrong" for Vocal Event of the Year.[14] At the end of his contract with Reprise, parent company Warner Records issued a box set album titled Reprise Please Baby: The Warner Bros. Years. The package consisted of 89 tracks from Yoakam's Reprise catalog, including previously unreleased songs and early demos. Also included was a duet with Kelly Willis on a cover of George Jones and Tammy Wynette's "Golden Ring".[58]

2002–04: Population Me and compilations

[edit]

Yoakam spent much of 2001 and 2002 touring with Brooks & Dunn. He also founded a new record label called Electrodisc after his contract with Reprise expired.[59] The label partnered with Audium Records (now MNRK Music Group) for distribution.[60] His first Audium release was 2003's Population Me.[1] This album charted two singles, both of which were covers: Gregg Henry's "The Back of Your Hand" and Mike Stinson's "The Late Great Golden State".[2] Also covered on this album was Burt Bacharach's "Trains and Boats and Planes". Timothy B. Schmit provided backing vocals on "The Late Great Golden State", while Willie Nelson sang duet vocals on "If Teardrops Were Diamonds". Jurek found influences of Jackson Browne, the Eagles, and Chuck Berry in the album's sound.[61] Messinger wrote of the album that "the complex, innovative sound he and Anderson have developed certainly merits repeated exploration."[62]

Between 2003 and 2004, Yoakam released three more compilations of covers albums to fulfill contractual obligations with his labels.[63] The first was 2003's In Others' Words on Reprise. This consisted entirely of cover songs mostly from movie soundtracks and tribute albums to which Yoakam contributed. The oldest track was a cover of the Grateful Dead's "Truckin'", which Yoakam cut in 1991.[64] Jurek wrote that the compilation was "far from a stellar set but does fill in the gaps nicely."[65] Rhino Records released a greatest-hits package titled The Very Best of Dwight Yoakam in 2004. This compilation was certified gold after its release.[12] Erlewine thought that while the album did not contain many of his earlier songs, it otherwise showed the range of his styles and would have potential appeal to fans who preferred his more rock-influenced cuts such as the covers of "Crazy Little Thing Called Love" and "I Want You to Want Me".[66] His third and final compilation was Dwight's Used Records on Audium also in 2004. Among the collaborators on this project were Heather Myles, Deana Carter, and the Nitty Gritty Dirt Band. Artists covered included John Prine's "Paradise", ZZ Top's "I'm Bad, I'm Nationwide", and Johnny Cash's "Understand Your Man".[67] Country Standard Time writer Eli Messinger thought that, by drawing from a decade's worth of material, the album showed new variety in Yoakam's style over his traditional studio albums.[68]

2005–2007: Blame the Vain and Dwight Sings Buck

[edit]

In 2005, Yoakam signed with New West Records, an Americana music label based out of California. His first release for the label was 2005's Blame the Vain. It was also Yoakam's first credit as a producer, as he had ended his relationship with Pete Anderson in 2004. At the time, former RCA Records artist Keith Gattis had taken over as Yoakam's guitarist and bandleader.[69] Yoakam said that he had contacted a number of producers until Gattis encouraged him to produce by himself.[70] New West partnered with Columbia Records to release two singles to radio.[70] These were "Intentional Heartache" and the title track, which both made the lower regions of the country charts in 2005 and accounted for Yoakam's last appearance there.[2] In the book Dwight Yoakam: A Thousand Miles from Nowhere, Don McLeese thought that Anderson's absence gave the album "an unbridled lack of restraint", citing the hard rock sound and spoken-word coda of "Intentional Heartache" as examples.[71] Ray Waddell of Billboard also noted a "hard-charging" sound to the album, comparing various tracks to Elvis Presley.[72] Rhino Records re-issued Guitars, Cadillacs, Etc, Etc. in 2006 to honor the album's 20th anniversary. This re-issue included previously unreleased demos and live tracks, along with liner notes written by Yoakam.[73]

After Buck Owens' death in 2006, Yoakam began performing covers of his songs in concert. This culminated in his 2007 album Dwight Sings Buck, composed entirely of Owens covers. Yoakam recorded the project with his touring band, which at the time included then-former Mavericks member Eddie Perez on lead guitar. Yoakam stated that he and the band listened to Owens' originals to draw inspiration from the recordings. Among the songs chosen were "Act Naturally", "Crying Time", and "Close Up the Honky Tonks", the last of which served as the lead single.[74] A review in AllMusic was favorable, stating that "He doesn't set out to imitate Owens' style or delivery, but he does capture the essence of each song, playing them as Buck intended: no frills, no foolin' around".[75]

2008–present: 3 Pears, Second Hand Heart, and Swimmin' Pools, Movie Stars...

[edit]

Yoakam performed at the CMA Music Festival in Nashville, Tennessee, in 2008, where he was joined by Faith Hill. This was Yoakam's first appearance at the event in over 20 years.[76] He otherwise performed very few concerts in 2009 and 2010, citing the Great Recession and the rise of digital music distribution as a reason behind the slower pace of his career at the time. Despite this, he still stated that he planned to continue releasing albums.[77] In July 2011, he re-signed with Warner for his next album, 2012's 3 Pears.[78] The album included production from rock musician Beck on two tracks. Upon release it became his highest entry on the Billboard 200 albums chart, reaching number 18.[1] Mikael Wood of the Los Angeles Times thought the album displayed a "softer side" than Yoakam's previous efforts.[79] Stephen Thomas Erlewine wrote of the album, "Yoakam has surprised by digging deeper into every one of his obsessions, creating a record that captures the careening, adventurous spirit of the '60s without ever feeling doggedly retro. It's as fresh as any music he's ever made, and one of his very best albums."[80]

His next Warner album was 2015's Second Hand Heart. It reached the number two position on Top Country Albums after its release, his highest peak on that chart since Buenas Noches from a Lonely Room in 1988.[81] It consisted almost entirely of original songs written by Yoakam, except a cover of the standard "Man of Constant Sorrow" and Anthony Crawford's "V's of Birds". Erlewine found influences of The Beatles, Buck Owens, and cowpunk in the album's arrangements.[82] Ann Powers of NPR's First Listen shared a similar opinion of the album, also praising the "brightness" of its sound.[83]

In 2016 Yoakam was contacted by a label executive of Sugar Hill Records, who wanted him to record a bluegrass music album for them.[84] This album, Swimmin' Pools, Movie Stars..., was released that same year. It mostly comprises re-recordings of previous songs in his career, including "Guitars, Cadillacs" and "Please, Please Baby".[85] Yoakam co-produced with Jon Randall and Gary Paczosa.[86] The album included musical accompaniment by Alison Krauss & Union Station members Adam Steffey and Barry Bales on mandolin and upright bass respectively. Also contributing were guitarist Bryan Sutton, fiddler Stuart Duncan, and banjoist Scott Vestal.[84] In addition to his own material, Yoakam covered Prince's "Purple Rain".[85] Yoakam chose to cover the song the day Prince died, as he had seen the news of the musician's death on television prior to recording.[87] Chuck Dauphin of Sounds Like Nashville thought the album brought out the bluegrass influences already present in such songs as "What I Don't Know".[85] Deming called the album "a stylistic detour for Dwight Yoakam, but its execution sums up many of his greatest strengths as an artist".[88] Also in 2016, Yoakam released covers of The Monkees' "Tomorrow's Gonna Be Another Day" and Johnny Rivers' "Mountain of Love" on limited edition vinyl through Third Man Records, a label owned by Jack White.[89]

Although he has not released any albums since 2016, Yoakam has continued to tour and perform.[84] In 2017, Yoakam covered "Wichita Lineman" at a tribute ceremony to songwriter Jimmy Webb held at Carnegie Hall.[90] In 2018, Yoakam was selected by SiriusXM satellite radio to curate his own show, Bakersfield Beat, on that company's Prime Country channel. The success of this led to Yoakam receiving his own channel also named Bakersfield Beat, in which he plays his own songs as well as those in the genres of Bakersfield sound, cowpunk, and country rock.[91]

In 2022, he started the LSD Tour with Lucinda Williams and Steve Earle.[92] He also performed a concert with Old Crow Medicine Show in 2022 to honor the 30th anniversary of Hillbilly Deluxe.[93]

Yoakam announced in November 2024 the release of his first studio album in nine years, Brighter Days. The album is his first for Via Records/Thirty Tigers and it includes the single "I'll Pay the Price". Also released in advance of the album was a duet with Post Malone titled "I Don't Know How to Say Goodbye".[94]

Acting

[edit]
A headshot of actor Billy Bob Thornton.
Yoakam starred in the 1996 movie Sling Blade, written and directed by Billy Bob Thornton.

Yoakam holds several acting roles in both film and television. One of his first was a recurring role in the 1991 CBS crime drama P.S. I Luv U. He also had a role in the 1993 movie Red Rock West. In 1994 Yoakum portrayed rancher Mac Brazel in the made-for-TV movie Roswell.[95] In 1996, actor-director Billy Bob Thornton cast Yoakam as the character Doyle Hargraves in the film Sling Blade.[96] Yoakam had been recommended the role by his manager, and told the website Country Daily in 2016 that Sling Blade was the first role in his acting career which he thought would have a lasting impact.[97] Yoakam and the rest of the film's cast were nominated in 1997 for a Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture.[98] He appeared in the 1998 Richard Linklater film The Newton Boys, and wrote most of the songs for his album A Long Way Home at this film's shooting locations throughout Austin, Texas.[45] In 1999, Yoakam and Sheryl Crow appeared in the thriller The Minus Man.[99]

A year later he co-wrote, directed, and starred in a Western film titled South of Heaven, West of Hell. He also composed a soundtrack of the same name.[100] The movie was a financial failure, leading to many of its crew members filing claims against Yoakam in small claims court.[101] In addition, Yoakam fired Pete Anderson from his touring band in 2002 as a means of recouping the finances lost by this movie.[102] Zac Johnson of AllMusic criticized the soundtrack for including snippets of film dialogue between tracks, although he praised the individual songs and their inclusion of collaborators such as Bekka Bramlett, Mick Jagger, and Billy Gibbons.[103]

In 2002, Yoakam had a role in the David Fincher movie Panic Room. Before the movie's release, he told the Associated Press that he did not consider acting significantly different from recording music because both roles were "fragmented" and required "repetition of performance".[104] Between 2005 and 2006, he also appeared in the movies Bandidas, The Three Burials of Melquiades Estrada, and Wedding Crashers.[70] In 2008, he appeared in Four Christmases as Pastor Phil. In 2014, Yoakam had a recurring role in season two of the CBS science fiction series Under the Dome.[105] He also reunited with Thornton for season one of the Amazon Prime Video original series Goliath.[106]

Musical styles and influences

[edit]

Yoakam's style is defined by a variety of influences both inside and outside country music. These influences include rockabilly,[107] honky-tonk, neotraditional country, Bakersfield sound, and country rock. Colin Larkin wrote in The Virgin Encyclopedia of Country Music that Yoakam's music showed influences of "the honky-tonk country music of Buck Owens and Lefty Frizzell" and "a distinct antipathy toward the Nashville pop/country scene."[6] Stephen Thomas Erlewine of AllMusic stated that "With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s."[1] Erlewine also noted that Yoakam's fanbase typically consisted of people who listened to roots rock and rock and roll.[1] Thom Jurek of AllMusic thought that Pete Anderson's electric guitar work was also an important part of his sound, comparing such work to Don Rich of Buck Owens' backing band The Buckaroos.[29] Jurek also thought that the prominent uses of electric guitar and Hammond organ were examples of Yoakam's rock influences.[29]

Yoakam describes his own songwriting style as "fragmented". He told Al Caudell of American Songwriter that he usually wrote songs by coming up with a melody and then determining the intended mood. From there, he said he would come up with a "thesis" for the song. He also stated that he preferred not to write in a linear fashion, as he thought writing a song in one sitting would cause him to feel creatively burnt out.[108] He also said that memories of his childhood were influential in his songwriting style, particularly in the bluegrass music to which he listened; he told American Songwriter that he enjoyed the "irony that's always been part of bluegrass in that it sets melodic, lilting melodies and upbeat tempos with the most tragic lyrics."[108]

Cyndi Hoelzle of Gavin Report noted Yoakam's appeal outside traditional country music, stating in 1993 that "[h]is records sold across the board-to middle-aged Stonewall Jackson fans and to young punk rockers who'd seen Dwight do his thing in L.A., opening shows for Los Lobos and the Violent Femmes."[25] Richard Cromelin of The Los Angeles Times noted that Yoakam's musical image was that of a "brooding, intensely private figure driven by restless ambition and an edgy intellectuality more commonly found in rock stars."[109] In the same article, Yoakam stated that "I found out early that one of the ways I was able to make contact was through musical expression."[109] Similarly, he told Gavin Report in 1993 that "My nature is to be absolutely dissectively analytic. But with songwriting I have to leave it in a place that's not."[25] Al Caudell of American Songwriter called Yoakam "a bluntly outspoken advocate of hardcore honky-tonk music".[108] Yoakam received negative attention from the Nashville music scene early in his career due to his constant criticism of the genre. Among his criticisms were Columbia Records dropping Johnny Cash and MTV refusing to play country music videos.[110] Of these criticisms, he later stated that "I learned a couple albums in... that my opinions and observations on the industry were not pertinent to what I needed to do as an artist, so I just really began to focus solely on what I was doing at the time."[56]

Yoakam's musical image is also defined by his typical outfits when onstage. Colin Larkin of The Virgin Encyclopedia of Country Music wrote that "like Don Williams and others, he retains the traditional Stetson hat."[6] Alanna Nash wrote in a review of If There Was a Way that "When Dwight Yoakam first came on the scene, with his hip retro-attitude, concha-studded jeans, and music that often grazed the edge of rock & roll, it was hard to tell whether the California cowboy was for real. The verdict was clear by his third album, Buenas Noches from a Lonely Room, whose key cycle of songs is a classic murder tale that echoes the pride, heartbreak, betrayal, and vengeance of the age-old hillbilly experience."[28] Al Caudell of American Songwriter noted that Yoakam frequently wore "ripped jeans".[108] Darryl Smyers of the Dallas Observer wrote that "With his absurdly large hat and Flying Burrito Brothers fashion sense, Yoakam was championed by a surprising mix of punks, rockabilly hounds, and hard-core honky-tonkers."[111]

Leonard Running of the Rapid City Journal referred to Yoakam's singing style as a "plaintive, yodel-edged voice".[17] An uncredited review of Gone in No Depression stated, "His voice is pure and sweet, but a precise tool. Only rarely, like on 'Try Not to Look So Pretty'...does it really fall down into an emotional fit."[112] J. D. Considine of The Baltimore Sun wrote of Yoakam's singing voice that it was a "high, lonesome twang" and a "sweetly nasal tenor".[113] Similarly, the editors of The Encyclopedia of Country Music described Yoakam as having a "twangy tenor... simply too spellbinding for country radio to ignore."[7] These editors also thought that Yoakam was more able to break through into mainstream country music than contemporaries such as Lyle Lovett and Steve Earle because "mainstream country has found it easier to digest distorted guitars than ironic lyrics".[7]

Personal life

[edit]

In 1992, Yoakam began dating actress Sharon Stone.[6][110] He appeared alongside her at that year's Academy Awards ceremony.[6][10] This encounter led to both of them receiving media attention from tabloids, along with rumors from fans that songs on This Time were about Stone. Yoakam denied these rumors and stated that the two only dated for five weeks.[25] Yoakam met MTV personality Karen Duffy at a party in 1994 and began dating soon afterward.[114] The two ended their relationship in 1996.[115] Yoakam married Emily Joyce on May 4, 2020, in Santa Monica, California. Because their wedding occurred during the COVID-19 pandemic, only ten guests were in attendance.[116] The couple had their first child on August 16, 2020.[117]

[edit]

Longtime producer and guitarist Pete Anderson filed a lawsuit against him in 2004, stating that he had breached an oral contract by failing to perform a number of concert dates in mid-2002. The lawsuit claimed that by failing to perform these concerts, Yoakam had cost Anderson over $44,000 in salary.[118] Yoakam and Anderson settled the lawsuit out of court, with the former stating that some of the financial issues stemming from these concerts were due to money lost in the commercial failure of South of Heaven, West of Hell. This financial dispute also ended the two's musical partnership, with Anderson saying that Yoakam "didn't want [him] around anymore".[119] Anderson told Style Weekly in 2011 that he still respected Yoakam's artistry but had no intention of working with him again.[102]

Yoakam filed a lawsuit against Warner Music in 2021 when the label withdrew several of his songs from streaming services due to expiration of contract. He claimed that the label was denying his reclamation of copyright toward the songs.[120] The dispute was resolved in February 2022 and the songs re-appeared on streaming services soon afterward.[121]

Discography

[edit]

Studio albums

[edit]

Cover albums

[edit]

Live albums

[edit]
  • Dwight Live (1995)
  • Fillmore Auditorium San Francisco, CA Dec 31, 1985 (2017)

Compilation albums

[edit]

Awards and nominations

[edit]

Yoakam has won two Grammy Awards and one Academy of Country Music award.[13][15]

References

[edit]
  1. ^ a b c d e f g h i j k l m n o p q r Stephen Thomas Erlewine. "Dwight Yoakam biography". AllMusic. Retrieved September 2, 2022.
  2. ^ a b c d e f g h i j k l m n o p q r s t u v w Whitburn, Joel (2017). Hot Country Songs 1944 to 2017. Record Research, Inc. p. 412. ISBN 978-0-89820-229-8.
  3. ^ Elder, Bruce (October 21, 2006). "Dwight Yoakam". The Syndney Morning Herald. Retrieved July 19, 2023.
  4. ^ a b Hal Horowitz. "Tomorrow's Sounds Today". AllMusic. Retrieved September 3, 2022.
  5. ^ a b c d e f g h i j k l m Eric Lyttle (October 21, 2019). "From the Archives: Dwight Yoakam's Columbus Roots". Columbus Monthly. Retrieved September 2, 2022.
  6. ^ a b c d e f Colin Larkin (1998). The Virgin Encyclopedia of Country Music. Virgin Books. p. 477. ISBN 0-7535-0236-4.
  7. ^ a b c d Michael McCall; John Rumble; Paul Kingsbury, eds. (2012). "Dwight Yoakam". The Encyclopedia of Country Music. Oxford University Press. p. 605.
  8. ^ a b Thom Jurek. "Guitars, Cadillacs, Etc. Etc. review". AllMusic. Retrieved September 2, 2022.
  9. ^ "RPM country singles" (PDF). RPM: 12. June 28, 1986.
  10. ^ a b Alex Pappademas (March 17, 2020). "Tall Tales With Dwight Yoakam". GQ. Retrieved September 3, 2022.
  11. ^ a b c "Dwight Yoakam Album & Song Chart History – Country Albums". Billboard. Prometheus Global Media. Retrieved March 2, 2011.
  12. ^ a b c d e "Search results for Dwight Yoakam". Recording Industry Association of America. Retrieved September 2, 2022.
  13. ^ a b c d e f g h i j k "Search results for Dwight Yoakam". Grammy.com. Retrieved September 2, 2022.
  14. ^ a b c d e f "Search results for Dwight Yoakam". Country Music Association. Retrieved September 3, 2022.
  15. ^ a b "Search results for Dwight Yoakam". Academy of Country Music. Retrieved September 4, 2022.
  16. ^ Ron Fell (March 14, 1986). "Ron Fell's personal picks - albums" (PDF). Gavin Report: 19.
  17. ^ a b Leonard Running (April 18, 1986). "Dwight Yoakam - Guitars, Cadillacs, Etc. Etc.". Rapid City Journal. pp. V5. Retrieved September 2, 2022.
  18. ^ "RPM Country Singles" (PDF). RPM: 20. October 24, 1987.
  19. ^ a b "Hillbilly Deluxe review". AllMusic. Retrieved September 2, 2022.
  20. ^ "Albums of the week" (PDF). Music & Media: 22. May 16, 1987.
  21. ^ Stephen Thomas Erlewine. "Buck Owens biography". AllMusic. Retrieved September 2, 2022.
  22. ^ "Buenas Noches from a Lonely Room review". AllMusic. Retrieved September 2, 2022.
  23. ^ Thom Jurek. "Just Lookin' for a Hit". AllMusic. Retrieved September 2, 2022.
  24. ^ a b If There Was a Way (CD booklet). Dwight Yoakam. Reprise Records. 1990. 7599-26344-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
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  26. ^ Simons, David (May 1994). "Made in Montana: Kostas Is A Hitmaking Machine From Way Up North". New Country. 1 (3): 20–21. ISSN 1074-536X.
  27. ^ McLeese 2012, p. 36.
  28. ^ a b Alanna Nash. "If There Was a Way review". Entertainment Weekly. February 11, 1990. Retrieved September 2, 2022.
  29. ^ a b c Thom Jurek. "If There Was a Way review". AllMusic. Retrieved September 3, 2022.
  30. ^ "Falling from Grace review". AllMusic. Retrieved September 2, 2022.
  31. ^ Whitburn, p. 65
  32. ^ Elias Leight (September 28, 2016). "Dwight Yoakam's Guide to Bluegrass, From Ralph Stanley to Ricky Skaggs". Billboard. Retrieved September 3, 2022.
  33. ^ a b Thom Jurek. "This Time review". AllMusic. Retrieved September 3, 2022.
  34. ^ "R&R Country National Airplay" (PDF). Radio & Records: 58. May 21, 1993.
  35. ^ "RPM 100 Country Tracks" (PDF). RPM: 12. June 12, 1993.
  36. ^ Jerry Johnston (July 20, 1994). "Yoakam's no yokel with new 'hip' image". Deseret News. Retrieved September 3, 2022.
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  38. ^ Tony Scherman (May 26, 1995). "Dwight Live". Entertainment Weekly. Retrieved September 3, 2022.
  39. ^ Gone (CD booklet). Dwight Yoakam. Reprise Records. 1995. 9362-46051-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
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  41. ^ a b Jeffrey B. Remz (July 1997). "Dwight Yoakam peeks out from 'under the covers'". Country Standard Time. Retrieved September 3, 2022.
  42. ^ Thom Jurek. "Under the Covers review". AllMusic. Retrieved September 3, 2022.
  43. ^ Jeffrey B. Remz. "Under the Covers review". Country Standard Time. Retrieved September 3, 2022.
  44. ^ Thom Owens. "Come On Christmas review". AllMusic. Retrieved September 3, 2022.
  45. ^ a b McLeese 2012, p. 163.
  46. ^ a b Brian Steinberg. "A Long Way Home review". Country Standard Time. Retrieved September 3, 2022.
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  48. ^ Alanna Nash (June 12, 1998). "A Long Way Home / Will Sing for Food review". Entertainment Weekly. Retrieved September 3, 2022.
  49. ^ Brian Steinberg. "Will Sing for Food review". Country Standard Time. Retrieved September 3, 2022.
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  51. ^ Whitburn, p. 316
  52. ^ Stephen Thomas Erlewine. "Last Chance for a Thousand Years: Dwight Yoakam's Greatest Hits from the 90's". AllMusic. Retrieved September 3, 2022.
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  71. ^ McLeese 2012, p. 192-193.
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  83. ^ Ann Powers (April 5, 2015). "Review: Dwight Yoakam, 'Second Hand Heart'". NPR. Retrieved September 3, 2022.
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  85. ^ a b c Chuck Dauphin (September 22, 2016). "Album review: Dwight Yoakam's Swimmin' Pools, Movie Stars...". Sounds Like Nashville. Retrieved September 3, 2022.
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Works cited
  • McLeese, Don (2012). Dwight Yoakam: A Thousand Miles from Nowhere. University of Texas Press. ISBN 978-0292723818.
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