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{{about|the children's book||}}
{{short description|1963 children's picture book by Maurice Sendak}}
{{about|the 1963 children's picturebook|the film adaptation|Where the Wild Things Are (film)|other uses}}
{{Use mdy dates|date=May 2012}}
{{Use mdy dates|date=June 2019}}
{{Infobox book
{{Infobox book
| name = Where the Wild Things Are
| name = Where the Wild Things Are
| image = [[File:Where The Wild Things Are (book) cover.jpg|300px|alt=Where the Wild Things Are]]
| image = Where The Wild Things Are (book) cover.jpg
⚫
| border = yes
| caption = <!--useless without edition data Cover of ''Where the Wild Things Are''-->
| image_size = 280px
| alt = The book cover is an illustration of a sail boat coming into a forested shore. On the shore, sleeping against a tree, is a giant furry monster with bare human feet and the head of a bull. Above the illustration, written in uneven block capital letters against a white background, is the title of the book "Where the Wild Things Are" and below the illustration, "Story and pictures by Maurice Sendak".
| caption = First edition cover
| author = [[Maurice Sendak]]
| author = [[Maurice Sendak]]
| illustrator = Maurice Sendak
| illustrator = Maurice Sendak
Line 12: Line 16:
| language = English
| language = English
| publisher = [[Harper & Row]]
| publisher = [[Harper & Row]]
| pub_date = November 13, 1963 <ref>{{cite web |title=''Where the wild things are''|url=https://historical.ha.com/itm/books/children-s-books/maurice-sendak-where-the-wild-things-are-new-york-harper-and-row-1963-first-edition-first-printing-first/a/6230-45035.s |work=Heritage Auctions |access-date=July 16, 2021}}</ref>
⚫
| pub_date = 1963
| media_type = Print (wide-format hardcover)
| media_type = Print (wide-format hardcover)
| pages = 40 pp <!--WorldCat, LCC-->
| pages = 40
| isbn = ISBN 0-06-025492-0<br/>(25th anniversary ed., 1988)<!--WorldCat-->
| isbn = 0-06-025492-0
| isbn_note = (25th anniversary ed., 1988)<!--WorldCat-->
| congress = PZ7.S47 Wh<ref>{{cite web |url=http://lccn.loc.gov/63021253 |title=''Where the wild things are'' |series=Catalog Records |work=Library of Congress |accessdate=June 17, 2013}}</ref>
| congress = PZ7.S47 Wh<ref>{{cite book |url=http://lccn.loc.gov/63021253 |title=''Where the wild things are'' |series=Catalog Records |via=Library of Congress |year=1963 |publisher=Harper & Row |access-date=June 17, 2013}}</ref>
| oclc = 26605019
| oclc = 225496
}}
}}


'''''Where the Wild Things Are''''' is a 1963 [[Children's literature|children's]] [[picture book]] by American writer and illustrator [[Maurice Sendak]], originally published by [[Harper & Row]]. The book has been adapted into other media several times, including an animated short in 1974 (with an updated version in 1988); a [[Where the Wild Things Are (opera)|1980 opera]]; and a live-action [[Where the Wild Things Are (film)|2009 feature-film adaptation]], directed by [[Spike Jonze]]. The book had sold over 19 million copies worldwide as of 2009, with 10 million of those being in the United States.<ref name="WTWTA">{{cite web |url=http://articles.latimes.com/2009/oct/16/entertainment/et-wild-things16 |title='Where the Wild Things Are' |work=[[Los Angeles Times]] |first=Kenneth |last=Turan |date=October 16, 2009 |accessdate=February 12, 2012}}</ref>
'''''Where the Wild Things Are''''' is a 1963 [[Children's literature|children's]] [[picture book]] written and illustrated by American author and illustrator, [[Maurice Sendak]], originally published in hardcover by [[Harper & Row]]. The book has been adapted into other media several times, including an animated short film in 1973 (with an updated version in 1988); a [[Where the Wild Things Are (opera)|1980 opera]]; and a live-action [[Where the Wild Things Are (film)|2009 feature-film adaptation]]. The book had sold over 19 million copies worldwide as of 2009, with 10 million of those being in the United States.<ref name="WTWTA">{{cite web |url=https://www.latimes.com/archives/la-xpm-2009-oct-16-et-wild-things16-story.html |title=Where the Wild Things Are |work=[[Los Angeles Times]] |first=Kenneth |last=Turan |date=October 16, 2009 |access-date=February 12, 2012}}</ref>


Sendak won the annual [[Caldecott Medal]] from the children's librarians in 1964, recognizing ''Wild Things'' as the previous year's "most distinguished American picture book for children".<ref name=caldecott/> It was voted the number one picture book in a 2012 survey of ''School Library Journal'' readers, not for the first time.<ref name=SLJ/>
Sendak won the annual [[Caldecott Medal]] from the children's librarians in 1964, recognizing ''Wild Things'' as the previous year's "most distinguished American picture book for children".<ref name="caldecott" /> It was voted the number one picture book in a 2012 survey of ''School Library Journal'' readers, not for the first time.<ref name="SLJ" />


==Plot==
==Plot==
The story, which comprises just 338 words, focuses on a young boy named Max who, after dressing in his wolf costume, wreaks such havoc through his household that he is sent to bed without his supper. Max's bedroom undergoes a mysterious transformation into a jungle environment, and he winds up sailing to an island inhabited by malicious beasts known as the "Wild Things." After successfully intimidating the creatures, Max is hailed as the king of the Wild Things and enjoys a playful romp with his subjects; however, he decides to return home, to the Wild Things' dismay. After arriving in his bedroom, Max discovers a hot supper waiting for him.
The story focuses on a young boy named Max who, after dressing in his [[wolf]] suit, wreaks such havoc through his household that he is sent to bed without his supper. Max's bedroom undergoes a mysterious transformation into a jungle environment, and he winds up sailing to an island inhabited by monsters, simply called the Wild Things. The Wild Things try to scare Max, but to no avail. After stopping and intimidating the creatures, Max is hailed as the king of the Wild Things and enjoys a playful romp with his subjects. Finally, he stops them and sends them to bed without their supper. However, to the Wild Things' dismay, he starts to feel lonely and decides to [[abdicate]] and return home. The creatures do not want him to go and throw themselves into fits of rage as Max calmly sails away home. Upon returning to his bedroom, Max discovers a hot supper waiting for him.


==Development==
==Development==
Sendak began his career as an illustrator, but by the mid-1950s he had decided to start both writing and illustrating his own books.<ref name="Warrick">{{cite news |url=http://articles.latimes.com/1993-10-11/news/vw-44652_1_wild-things |title=Facing the Frightful Things |work=[[Los Angeles Times]] |first=Pamela |last=Warrick |date=October 11, 1993 |accessdate=August 27, 2009}} <!--Archived at http://www.pangaea.org/street_children/world/sendak.htm--></ref> In 1956, he published his first book for which he was the sole author, ''Kenny's Window'' (1956). Soon after, he began work on another solo effort. The story was supposed to be that of a child who, after a tantrum, is punished in his room and decides to escape to the place that gives the book its title, the "land of wild horses".<ref name="Warrick"/> Shortly before starting the illustrations, Sendak realized he did not know how to draw horses and, at the suggestion of his editor, changed the wild horses to the more ambiguous "Wild Things", a term inspired by the [[Yiddish]] expression "vilde chaya" ("wild animals"), used to indicate boisterous children.<ref name="Jewishlineage">{{cite news |url=http://www.boston.com/bostonglobe/ideas/brainiac/2009/10/the_jewish_line.html |title=The Jewish lineage of "Where the Wild Things Are" |work=[[The Boston Globe]] |series=Brainiac |first=Christopher |last=Shea |date=October 16, 2009 |accessdate=January 28, 2012}}</ref>
Sendak began his career as an [[illustrator]], but by the mid-1950s he had decided to start both writing and illustrating his own books.<ref name="Warrick">{{cite news |url=https://www.latimes.com/archives/la-xpm-1993-10-11-vw-44652-story.html |title=Facing the Frightful Things |work=[[Los Angeles Times]] |first=Pamela |last=Warrick |date=October 11, 1993 |access-date=August 27, 2009}} <!--Archived at http://www.pangaea.org/street_children/world/sendak.htm--></ref> In 1956, he published his first book for which he was the sole author, ''[[Kenny's Window]]'' (1956). Soon after, he began work on another solo effort. The story was supposed to be that of a child who, after a tantrum, is punished in his room and decides to escape to the place that gives the book its title, the "land of wild horses".<ref name="Warrick" /> Shortly before starting the illustrations, Sendak realized he did not know how to draw horses and, at the suggestion of his editor, changed the wild horses to the more ambiguous "Wild Things", a term inspired by the [[Yiddish]] expression "vilde chaya" ("wild animals"), used to indicate boisterous children.<ref name="Jewishlineage">{{cite news |url=http://www.boston.com/bostonglobe/ideas/brainiac/2009/10/the_jewish_line.html |title=The Jewish lineage of "Where the Wild Things Are" |work=[[The Boston Globe]] |series=Brainiac |first=Christopher |last=Shea |date=October 16, 2009 |access-date=January 28, 2012}}</ref>


He replaced the horses with caricatures of his aunts and uncles, caricatures that he had originally drawn in his youth as an escape from their chaotic weekly visits, on Sunday afternoons, to his family's Brooklyn home. Sendak, as a child, had observed his relatives as being "all crazy – crazy faces and wild eyes", with blood-stained eyes and "big and yellow" teeth, who pinched his cheeks until they were red.<ref name="Warrick" /><ref name="JewishMuseum">{{cite web |url=http://www.tfaoi.com/aa/5aa/5aa307.htm |title=Wild Things: The Art of Maurice Sendak |work=Traditional Fine Arts Organization |date=April 26, 2005 |accessdate=August 28, 2009}}</ref><ref name="guardian refuse to lie">{{cite news |url=http://www.guardian.co.uk/books/2011/oct/02/maurice-sendak-interview |title=Maurice Sendak: 'I Refuse To Lie to Children' |work=[[The Guardian]] |first=Emma |last=Brockes |authorlink=Emma Brockes |date=October 2, 2011 |accessdate=October 5, 2011}}</ref> These relatives, like Sendak's parents, were poor Jewish immigrants from Poland, whose remaining family in Europe were killed during the [[Holocaust]] while Sendak was in his early teens. As a child, however, he saw them only as "grotesques".<ref name="guardian refuse to lie" />
He replaced the horses with caricatures of his aunts and uncles, caricatures that he had originally drawn in his youth as an escape from their chaotic weekly visits, on Sunday afternoons, to his family's Brooklyn home. Sendak, as a child, had observed his relatives as being "all crazy – crazy faces and wild eyes", with blood-stained eyes and "big and yellow" teeth, who pinched his cheeks until they were red.<ref name="Warrick" /><ref name="JewishMuseum">{{cite web |url=http://www.tfaoi.com/aa/5aa/5aa307.htm |title=Wild Things: The Art of Maurice Sendak |work=Traditional Fine Arts Organization |date=April 26, 2005 |access-date=August 28, 2009}}</ref><ref name="guardian refuse to lie">{{cite news |url=https://www.theguardian.com/books/2011/oct/02/maurice-sendak-interview |title=Maurice Sendak: 'I Refuse To Lie to Children' |work=[[The Guardian]] |first=Emma |last=Brockes |author-link=Emma Brockes |date=October 2, 2011 |access-date=October 5, 2011}}</ref> These relatives, like Sendak's parents, were poor Jewish immigrants from Poland, whose remaining family in [[Nazi-occupied Europe]] were killed during the [[Holocaust]] while Sendak was in his early teens. As a child, however, he saw them only as "grotesques".<ref name="guardian refuse to lie" /><ref>{{Cite web |last=Sullivan |first=Jane |date=2011-07-08 |title=On the origins of the novel species |url=https://www.smh.com.au/entertainment/books/on-the-origins-of-the-novel-species-20110708-1h68y.html |access-date=2024-07-12 |website=The Sydney Morning Herald |language=en}}</ref>


When working on the 1983 [[Where the Wild Things Are (opera)|opera adaptation]] of the book with [[Oliver Knussen]], Sendak gave the monsters the names of his relatives: Tzippy, Moishe, Aaron, Emile and Bernard.<ref name="Burns70">{{cite journal |editor-last=Burns |editor-first=Tom |url=http://books.google.com/books?id=sRdmAAAAMAAJ |title=Maurice Sendak |journal=Children's Literature Review |publisher=Gale |location=Detroit, MI |volume=131 |page=p. 70 |date=March 2008 |isbn=978-0787696061 |oclc=792604122}}</ref>
When working on the 1983 [[Where the Wild Things Are (opera)|opera adaptation]] of the book with [[Oliver Knussen]], Sendak gave the monsters the names of his relatives: Tzippy, Moishe, Aaron, Emile, and Bernard.<ref name="Burns70">{{cite journal |editor-last=Burns |editor-first=Tom |url=https://books.google.com/books?id=sRdmAAAAMAAJ |title=Maurice Sendak |journal=Children's Literature Review |publisher=Gale |location=Detroit, MI |volume=131 |page=70 |date=March 2008 |isbn=978-0-7876-9606-1 |oclc=792604122}}</ref>


==Literary significance==
==Literary significance==
=== Analysis ===
According to Sendak, at first the book was banned in libraries and received negative reviews. It took about two years for librarians and teachers to realize that children were flocking to the book, checking it out over and over again, and for critics to relax their views.<ref>{{cite news |url=http://www.wired.com/underwire/2009/10/review-where-the-wild-things-are-is-woolly-but-not-wild-enough/|title=Review: ''Where the Wild Things Are'' Is Woolly, But Not Wild Enough (Sendak Says Wild Things Film as Feral as Book)|work=[[Wired (magazine)|Wired.com]] |first=Maurice |last=Sendak |editor-first=Hugh |editor-last=Hart |date=October 16, 2009 |accessdate=December 30, 2009}}</ref> Since then, it has received high critical acclaim. [[Francis Spufford]] suggests that the book is "one of the very few picture books to make an entirely deliberate and beautiful use of the psychoanalytic story of [[anger]]".<ref>{{cite book |url=http://books.google.com/books?id=jKQ0-U02b0wC |title=The Child That Books Built: A Life of Reading |publisher=Metropolitan Books |location=New York City |first=Francis |last=Spufford |edition=1st |page=60 |year=2002 |isbn=978-0805072150 |oclc=50034806}}</ref> Mary Pols of ''[[Time (magazine)|Time]]'' magazine wrote that "[w]hat makes Sendak's book so compelling is its grounding effect: Max has a tantrum and in a flight of fancy visits his wild side, but he is pulled back by a belief in parental love to a supper 'still hot,' balancing the seesaw of fear and comfort."<ref>{{cite news |url=http://www.time.com/time/magazine/article/0,9171,1930517,00.html |title=''Where the Wild Things Are'': Sendak with Sensitivity |work=[[Time (magazine)|Time]] |first=Mary |last=Pols |date=October 14, 2009 |accessdate=October 18, 2009}}</ref> ''[[The New York Times|New York Times]]'' film critic [[Manohla Dargis]] noted that "there are different ways to read the wild things, through a [[Freudianism|Freudian]] or [[colonialism|colonialist]] prism, and probably as many ways to ruin this delicate story of a solitary child liberated by his imagination."<ref>{{cite news |url=http://www.nytimes.com/2009/10/16/movies/16where.html |title=Some of His Best Friends Are Beasts |work=[[The New York Times]] |first=Manohla |last=Dargis |authorlink=Manohla Dargis |date=October 16, 2009 |accessdate=October 16, 2009}}</ref> In Selma G. Lanes's book ''The Art of Maurice Sendak'', Sendak discusses ''Where the Wild Things Are'' along with his other books ''[[In the Night Kitchen]]'' and ''[[Outside Over There]]'' as a sort of trilogy centered on children's growth, survival, change and fury.<ref name="outside">{{cite news |url=http://www.nytimes.com/1981/06/01/books/books-of-the-times-139237.html |title=Book Of The Times |work=[[The New York Times]] |first=Christopher |last=Lehmann-Haupt |authorlink=Christopher Lehmann-Haupt |date=June 1, 1981 |accessdate=October 12, 2009}}</ref><ref>{{cite journal |url=http://books.google.com/books?id=LLcBV9ghpuAC&pg=PA186&lpg=PA186 |title=Maurice Sendak's Trilogy: Disappointment, Fury, and Their Transformation through Art |journal=[[Psychoanalytic Study of the Child]] |first=Richard M. |last=Gottlieb |volume=63 |pages=pp. 186–217 |year=2008 |isbn=978-0-300-14099-6 |pmid=19449794}}</ref> He indicated that the three books are "all variations on the same theme: how children master various feelings – danger, boredom, fear, frustration, jealousy – and manage to come to grips with the realities of their lives."<ref name="outside" />
In Selma G. Lanes's book ''The Art of Maurice Sendak'', Sendak discusses ''Where the Wild Things Are'' along with his other books ''[[In the Night Kitchen]]'' and ''[[Outside Over There]]'' as a [[trilogy]] centered on children's growth, survival, and fury.<ref name="outside">{{cite news|last=Lehmann-Haupt|first=Christopher|author-link=Christopher Lehmann-Haupt|date=June 1, 1981|title=Book Of The Times|work=[[The New York Times]]|url=https://www.nytimes.com/1981/06/01/books/books-of-the-times-139237.html|access-date=October 12, 2009}}</ref><ref>{{cite journal|last=Gottlieb|first=Richard M.|year=2008|title=Maurice Sendak's Trilogy: Disappointment, Fury, and Their Transformation through Art|url=https://books.google.com/books?id=LLcBV9ghpuAC&pg=PA186|journal=[[Psychoanalytic Study of the Child]]|volume=63|pages=186–217|doi=10.1080/00797308.2008.11800804|isbn=978-0-300-14099-6|pmid=19449794|s2cid=25420037}}</ref> He indicated that the three books are "all variations on the same theme: how children master various feelings – danger, boredom, fear, frustration, jealousy – and manage to come to grips with the realities of their lives".<ref name="outside" /> Fundamental to Sendak's work for over fifty years is his trust in the validity of children's emotions.<ref name=":0">{{Cite journal|last=Maguire|first=Gregory|date=December 2003|title=A Sendak Appreciation|journal=The Horn Book Magazine|volume=79|issue=6|via=}}</ref>


Dr. Kara Keeling and Dr. Scott Pollard, both English professors, assess the role that food plays in the book, arguing that food is a metaphor for Max's mother's love based on the idea that Max comes home to a "still hot" supper, which suggests that his mother "loves him best".<ref name=":1">{{Cite journal|last=Bhadury|first=Poushali|date=April 2011|title=Critical Approaches to Food in Children's Literature|journal=The Lion and the Unicorn|volume=35|issue=2|pages=189–194|doi=10.1353/uni.2011.0013 |s2cid=145308185}}</ref> Going along with this, Mary Pols of ''[[Time (magazine)|Time]]'' magazine wrote that "[w]hat makes Sendak's book so compelling is its grounding effect: Max has a tantrum and in a flight of fancy visits his wild side, but he is pulled back by a belief in parental love to a supper 'still hot', balancing the seesaw of fear and comfort".<ref>{{cite magazine|last=Pols|first=Mary|date=October 14, 2009|title=''Where the Wild Things Are'': Sendak with Sensitivity|url=http://www.time.com/time/magazine/article/0,9171,1930517,00.html|url-status=dead|magazine=[[Time (magazine)|Time]]|archive-url=https://web.archive.org/web/20110921075521/http://www.time.com/time/magazine/article/0,9171,1930517,00.html|archive-date=September 21, 2011|access-date=October 18, 2009}}</ref>
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Based on a 2007 online poll, the [[National Education Association]] named the book one of its "Teachers' Top 100 Books for Children."<ref name="NEA2007">{{cite web |url=http://www.nea.org/grants/teachers-top-100-books-for-children.html |title=Teachers' Top 100 Books for Children |work=NEA.org |publisher=National Education Association |year=2007 |accessdate=August 22, 2012}}</ref> Five years later ''[[School Library Journal]]'' sponsored a survey of readers which identified ''Where the Wild Things Are'' as top picture book.<ref name=SLJ/> Elizabeth Bird, the [[New York Public Library|NYPL]] librarian who conducted the survey, observed that there was little doubt it would be voted number one and highlighted its designation by one reader as a watershed, "ushering in the modern age of picture books". Another called it "perfectly crafted, perfectly illustrated ... simply the epitome of a picture book" and noted that Sendak "rises above the rest in part because he is subversive". President [[Barack Obama]] has read it aloud for children attending the [[Egg rolling#United States|White House Easter Egg Roll]] in multiple years.<ref name=bird/>


''Where the Wild Things Are'' is a story that shows children's resilience through their "spirit" and "pluck".<ref name=":2">{{Cite journal|last=Kakutani|first=Michiko|date=May 16, 2017|title=The Roots Of a Singular Imagination|journal=The New York Times}}</ref> Max is able to stand up to the Wild Things with their "terrible teeth" and "terrible claws" using "the magic trick of staring into all their yellow eyes without blinking once".<ref name=":2" />
⚫
Despite the book's popularity, Sendak refused to produce a sequel; four months before his death in 2012, he told comedian [[Stephen Colbert]] that one would be "the most boring idea imaginable".<ref>{{cite news |url=http://www.hollywoodreporter.com/live-feed/newt-gingrich-stephen-colbert-maurice-sendak-where-the-wild-things-are-284871 |title=Maurice Sendak Calls Newt Gingrich an 'Idiot' in 'Colbert Report' Interview |series=The Live Feed |work=[[The Hollywood Reporter]] |first=Erin |last=Carlson |date=January 25, 2012 |accessdate=February 21, 2012}}</ref>

Professor Liam Heneghan describes Max's dream as one of mastering the wild, from which he also learns to master his "inner tumult".<ref name=":3">{{Cite web|last=Heneghan|first=Liam|date=April 30, 2018|title=Our Imaginations Need to Dwell Where the Wild Things Are|url=https://lithub.com/our-imaginations-need-to-dwell-where-the-wild-things-are/|website=Literary Hub}}</ref> It sets forth the unrestrained rowdiness of the Wild Things and enlightens the reader to the idea that one cannot live in the wild forever. In her words: "In this notion of wilderness, there is a heightened reminder that after our fill of wilderness, one can, or perhaps even should, return, replenished, to the comforts of home".<ref name=":3" /> Heneghan concludes that "the overarching thought is an old one: a human engages with Wild Things and in so doing comes into accord with the world and gains a measure of self-mastery".<ref name=":3" />

=== Reception ===
⚫
''Where the Wild Things Are'' has received high critical acclaim. [[Francis Spufford]] suggests that the book is "one of the very few picture books to make an entirely deliberate and beautiful use of the psychoanalytic story of anger".<ref>{{cite book |url=https://archive.org/details/childthatbooksbu00spuf |url-access=registration |title=The Child That Books Built: A Life of Reading |publisher=Metropolitan Books |location=New York City |first=Francis |last=Spufford |edition=1st |page=[https://archive.org/details/childthatbooksbu00spuf/page/60 60] |year=2002 |isbn=978-0-8050-7215-0 |oclc=50034806}}</ref> ''[[The New York Times|New York Times]]'' film critic [[Manohla Dargis]] noted that "there are different ways to read the wild things, through a [[Freudianism|Freudian]] or [[colonialism|colonialist]] prism, and probably as many ways to ruin this delicate story of a solitary child liberated by his imagination".<ref>{{cite news |url=https://www.nytimes.com/2009/10/16/movies/16where.html |title=Some of His Best Friends Are Beasts |work=[[The New York Times]] |first=Manohla |last=Dargis |author-link=Manohla Dargis |date=October 16, 2009 |access-date=October 16, 2009}}</ref> Based on a 2007 online poll, the [[National Education Association]] listed the book as one of its "Teachers' Top 100 Books for Children".<ref name="NEA2007">{{cite web |url=http://www.nea.org/grants/teachers-top-100-books-for-children.html |title=Teachers' Top 100 Books for Children |publisher=National Education Association |date=2007 |access-date=August 22, 2012}}</ref> Five years later, ''[[School Library Journal]]'' sponsored a survey of readers which identified ''Where the Wild Things Are'' as a top picture book.<ref name="SLJ" /> Elizabeth Bird, the librarian from the [[New York Public Library]] who conducted the survey, observed that there was little doubt that it would be voted number one and highlighted its designation by one reader as a watershed, "ushering in the modern age of picture books". Another critic called it "perfectly crafted, perfectly illustrated ... simply the epitome of a picture book" and noted that Sendak "rises above the rest in part because he is subversive". President [[Barack Obama]] read it aloud for children who were attending the [[Egg rolling#United States|White House Easter Egg Roll]] in multiple years.<ref name="bird" />

''[[The New York Times|New York Times]]'' writer Bruce Handy brought up the idea that "as a child myself, without benefit of personal insights subsequently gleaned from more than a decade of talk therapy, I had been left cold by ''Where the Wild Things Are''".<ref name=":4">{{Cite news|last=Handy|first=Bruce|date=2009-10-09|title=Where the Wild Things Weren't|language=en-US|work=The New York Times|url=https://www.nytimes.com/2009/10/11/books/review/Handy-t.html|access-date=2021-12-06|issn=0362-4331}}</ref> Deborah Stevenson, a writer for ''[[The Horn Book Magazine]]'', talks about the effects the book had on a child who "screamed, apparently not with delight, every time ''Where the Wild Things Are'' was read to him. It is quite possible for some young readers or listeners to be moved to alarm by a book, just as they can be moved to joy or excitement or boredom".<ref name=":5">{{Cite journal|last=Stevenson|first=Deborah|date=June 1996|title=Frightening the children?: Kids, grown-ups, and scary picture books|journal=The Horn Book Magazine|volume=72|issue=3|pages=305}}</ref> Sendak responded to this criticism in an interview, asking: "Did she hate her kid? Is that why she was tormenting her with this book?"<ref name=":6">{{Cite journal|last=Sutton|first=Roger|date=November 2003|title=An Interview with Maurice Sendak|journal=The Horn Book Magazine|volume=79|issue=6}}</ref>

⚫
Despite the book's popularity, Sendak refused to produce a sequel; four months before his death in 2012, he told comedian [[Stephen Colbert]] that a sequel would be "the most boring idea imaginable".<ref>{{cite news |url=http://www.hollywoodreporter.com/live-feed/newt-gingrich-stephen-colbert-maurice-sendak-where-the-wild-things-are-284871 |title=Maurice Sendak Calls Newt Gingrich an 'Idiot' in 'Colbert Report' Interview |series=The Live Feed |work=[[The Hollywood Reporter]] |first=Erin |last=Carlson |date=January 25, 2012 |access-date=February 21, 2012}}</ref> ''Where the Wild Things Are'' was number four on the list of "Top Check Outs OF ALL TIME" by the New York Public Library.<ref>{{Cite web|url=https://gothamist.com/arts-entertainment/nypl-most-checked-out-books-ever|title = These Are the NYPL's Top Check Outs OF ALL TIME|date = January 13, 2020}}</ref>


==Adaptations==
==Adaptations==
An animated short based on the book, which had taken five years to complete, was released in 1973,<ref name="WTWTA"/> directed by [[Gene Deitch]] and produced at Krátký Film, [[Prague]], for [[Weston Woods Studios]]. Two versions were released: the original 1973 version, with narration by [[Allen Swift]] and a [[musique concrète]] score composed by Deitch himself; and an updated version in 1988 with new music and narration by [[Peter Schickele]].<ref>{{cite news |title=Nashville Scene{{spaced ndash}}'Bach in Black' |work=[[The Tennessean]] |first=Russell |last=Johnston |date=March 12, 2009 |page=46}}</ref>
An animated short adaptation which had taken five years to complete was released in 1973,<ref>{{cite web |title=Where The Wild Things Are (1973) |url=https://rarefilmm.com/2023/02/where-the-wild-things-are-1973/ |website=rarefilmm {{!}} The Cave of Forgotten Films |access-date=3 March 2024}}</ref> directed and animated by [[Gene Deitch]] and produced at Krátký film, [[Prague]], for [[Weston Woods Studios|Weston Woods]]. It had narration by [[Allen Swift]] and a [[musique concrète]] score composed by Deitch himself; an updated version, which featured a new musical score and narration both by [[Peter Schickele]], was released in 1988. This revised version was featured in a Children's Circle video titled ''The Maurice Sendak Library''.


In the 1980s, Sendak worked with British composer [[Oliver Knussen]] on [[Where the Wild Things Are (opera)|a children's opera based on the book]].<ref name="Burns70" /> The opera received its first (incomplete) performance in [[Brussels]] in 1980; the first complete performance of the final version was given by the [[Glyndebourne|Glyndebourne Touring Opera]] in London in 1984. This was followed by its first U.S. performance in [[Saint Paul, Minnesota|Saint Paul]], Minnesota, in 1985 and the New York City premiere by [[New York City Opera]] in 1987. A concert performance was given at [[The Proms]] in the [[Royal Albert Hall]] in London in 2002.{{Citation needed|date=October 2009}} A concert production was produced by New York City Opera in spring 2011.<ref>{{cite news |url=http://www.nytimes.com/2010/03/10/arts/music/10opera.html |title=For New York City Opera Season, Bernstein, Strauss and New Works |work=[[The New York Times]] |first=Daniel J. |last=Wakin |date=March 10, 2010 |accessdate=March 19, 2013}}</ref>
In the 1980s, Sendak worked with British composer [[Oliver Knussen]] on [[Where the Wild Things Are (opera)|a children's opera based upon the book]].<ref name="Burns70" /> The opera received its first (incomplete) performance in [[Brussels]] in 1980; the first complete performance of the final version was given by the [[Glyndebourne|Glyndebourne Touring Opera]] in London in 1984. This was followed by its first U.S. performance in [[Saint Paul, Minnesota|Saint Paul]], Minnesota, in 1985 and the New York City premiere by [[New York City Opera]] in 1987. A concert performance was given at [[The Proms]] in the [[Royal Albert Hall]] in London in 2002.<ref>{{Cite news |last=Bowden |first=Emma |date=2016-03-29 |title=10 wild facts about Maurice Sendak's Where The Wild Things Are |url=https://www.theguardian.com/childrens-books-site/2016/mar/29/10-wild-facts-about-maurice-sendaks-where-the-wild-things-are |access-date=2024-07-12 |work=The Guardian |language=en-GB |issn=0261-3077}}</ref> A concert production was produced by New York City Opera in spring 2011.<ref>{{cite news |url=https://www.nytimes.com/2010/03/10/arts/music/10opera.html |title=For New York City Opera Season, Bernstein, Strauss and New Works |work=[[The New York Times]] |first=Daniel J. |last=Wakin |date=March 10, 2010 |access-date=March 19, 2013}}</ref>


In 1981, the New England Dinosaur Dance Company turned the book into a dance piece with choreography by Toby Armour and music by [[Ezra Sims]].<ref>{{cite news |last1=Clay |first1=Carolyn |title=The wild bunch |url=https://archive.org/details/sim_boston-phoenix_1982-01-05_11_1/page/n54/mode/1up |access-date=July 1, 2024 |work=The Boston Phoenix |date=January 5, 1982}}</ref> The piece debuted at Boston's [[Wilbur Theatre]] on December 22, 1981.<ref>{{cite news |last1=Stern |first1=Alan |title=Play by play |url=https://archive.org/details/sim_boston-phoenix_1981-12-22_10_51/page/31/mode/1up |access-date=July 1, 2024 |work=The Boston Phoenix |date=December 22, 1981}}</ref>
⚫
In 1983, the [[Walt Disney Animation Studios|Walt Disney Studio]] conducted a series of tests of [[computer-generated imagery]] created by [[Glen Keane]] and [[John Lasseter]] using as their subject ''Where the Wild Things Are''.<ref>{{cite news |url=http://www.cartoonbrew.com/disney/early-cg-experiments-by-john-lasseter-and-glen-keane.html |title=Early CG Experiments by John Lasseter and Glen Keane |work=[[Cartoon Brew]] |first=Amid |last=Amidi |date=February 23, 2011 |accessdate=June 19, 2013}}</ref>


⚫
In 1983, [[Walt Disney Animation Studios|Walt Disney Productions]] conducted a series of tests of [[computer-generated imagery]] created by [[Glen Keane]] and [[John Lasseter]] using as their subject ''Where the Wild Things Are''.<ref>{{cite news |url=http://www.cartoonbrew.com/disney/early-cg-experiments-by-john-lasseter-and-glen-keane-37145.html |title=Early CG Experiments by John Lasseter and Glen Keane |work=[[Cartoon Brew]] |first=Amid |last=Amidi |date=February 23, 2011 |access-date=June 19, 2013}}</ref>
⚫
In 1999, [[Isadar]] released a solo piano musical composition titled "Where the Wild Things Are" which appeared on his album ''Active Imagination'', inspired by the Sendak book. The composition was revisited and re-recorded in 2012 on Isadar's album, ''Reconstructed'', with [[Grammy]] winner and founder of [[Windham Hill Records]], [[William Ackerman]], producing.<ref>{{cite web |url=http://www.allmusic.com/album/active-imagination-solo-piano-mw0001418230 |title=Active Imagination (Solo Piano) |work=AllMusic |date=December 28, 1998 |accessdate=March 12, 2012}}</ref>


⚫
In 1999, Isadar released a solo [[piano]] musical composition titled "Where the Wild Things Are" which appeared on his album ''Active Imagination'', inspired by the Sendak book. The composition was revisited and re-recorded in 2012 on Isadar's album, ''Reconstructed'', with [[Grammy]] winner and founder of [[Windham Hill Records]], [[William Ackerman]], producing.<ref>{{cite web |url=http://www.allmusic.com/album/active-imagination-solo-piano-mw0001418230 |title=Active Imagination (Solo Piano) |work=AllMusic |date=December 28, 1998 |access-date=March 12, 2012}}</ref>
⚫
[[Where the Wild Things Are (film)|The live-action film version of the book]] is directed by [[Spike Jonze]]. It was released on October 16, 2009.<ref>{{cite news |url=http://insidemovies.ew.com/2008/09/11/wild-things/ |title='Where the Wild Things Are' gets long-awaited release date |series=Inside Movies |work=[[Entertainment Weekly]] |first=Nicole |last=Sperling |date=September 11, 2008 |accessdate=September 12, 2008}}</ref> The film stars [[Max Records]] as Max and features [[Catherine Keener]] as his mother, with [[Lauren Ambrose]], [[Chris Cooper]], [[Paul Dano]], [[James Gandolfini]], [[Catherine O'Hara]] and [[Forest Whitaker]] providing the voices of the principal Wild Things. The soundtrack was written and produced by [[Karen O]] and [[Carter Burwell]]. The screenplay was adapted by Jonze and [[Dave Eggers]]. Sendak was one of the producers for the film. The screenplay was novelized by Eggers as ''[[The Wild Things]]'', published in 2009.


The [[The Simpsons (season 17)|2005]] [[The Simpsons|''Simpsons'']] episode, "[[The Girl Who Slept Too Little]]", features a spoof of ''Where the Wild Things Are'' entitled "The Land of the Wild Beasts".
⚫
In 2012, indie rock quartet [[Alt-J]] released the song "[[Breezeblocks]]", inspired in part by the book.<ref>{{cite news |url=http://www.seattleweekly.com/home/915743-129/behindthevideo |title=alt-J Taps Maurice Sendak and a Kate Middleton Look-Alike For 'Breezeblocks' Video |work=[[Seattle Weekly]] |first=Azaria |last=Podplesky |date=December 18, 2012 |accessdate=June 10, 2013}}</ref> Alt-J keyboardist Gus Unger-Hamilton said the story and the song share similar ideas about parting with a loved one. "Breezeblocks" reached certified [[ARIA Gold]] status in Australia.<ref>{{cite web |url=http://www.aria.com.au/pages/httpwww.aria.com.aupagesaria-charts-accreditations-singles-2013.htm |title=ARIA Charts - Accreditations - 2013 Singles |publisher=[[Australian Recording Industry Association]] |accessdate=19 March 2013}}</ref>

⚫
[[Where the Wild Things Are (film)|A live-action film version of the book]] was released on October 16, 2009.<ref>{{cite magazine |last=Sperling |first=Nicole |date=September 11, 2008 |title='Where the Wild Things Are' gets long-awaited release date |magazine=[[Entertainment Weekly]] |url=https://ew.com/article/2008/09/11/wild-things-6/ |access-date=September 12, 2008 |series=Inside Movies |archive-url=https://web.archive.org/web/20190921013514/https://ew.com/article/2008/09/11/wild-things-6/ |archive-date=21 September 2019 |url-status=dead}}</ref> Directed by [[Spike Jonze]] and co-produced by Sendak, the film stars Max Records as Max and features [[Catherine Keener]] as his mother, with [[Lauren Ambrose]], [[Chris Cooper]], [[Paul Dano]], [[James Gandolfini]], [[Catherine O'Hara]] and [[Forest Whitaker]] providing the voices of the principal Wild Things. The soundtrack was written and produced by [[Karen O]] and [[Carter Burwell]]. The screenplay was adapted by Jonze in collaboration with [[Dave Eggers]], who also novelized the screenplay as ''[[The Wild Things]]'', published in 2009.

⚫
In 2012, indie rock quartet [[alt-J]] released the song "[[Breezeblocks (song)|Breezeblocks]]", inspired in part by the book.<ref>{{cite news |last=Podplesky |first=Azaria |date=December 18, 2012 |title=alt-J Taps Maurice Sendak and a Kate Middleton Look-Alike For 'Breezeblocks' Video |work=[[Seattle Weekly]] |url=http://archive.seattleweekly.com/home/915743-129/behindthevideo |access-date=June 10, 2013 |archive-url=https://web.archive.org/web/20170708082326/http://archive.seattleweekly.com/home/915743-129/behindthevideo |archive-date=8 July 2017 |url-status=dead}}</ref> Alt-J keyboardist Gus Unger-Hamilton said the story and the song share similar ideas about parting with a loved one. "Breezeblocks" reached certified [[ARIA Gold]] status in Australia.<ref>{{cite web |url=http://www.aria.com.au/pages/httpwww.aria.com.aupagesaria-charts-accreditations-singles-2013.htm |title=ARIA Charts - Accreditations - 2013 Singles |publisher=[[Australian Recording Industry Association]] |access-date=March 19, 2013}}</ref>

In 2016, [[Alessia Cara]] released her second single, "[[Wild Things (song)|Wild Things]]", which charted at number fifty on the [[Billboard Hot 100|''Billboard'' Hot 100]]. In an interview with [[ABC News Radio]], Cara stated she took inspiration from ''Where the Wild Things Are'', saying "each 'Thing' represents an emotion and {{interp|the main character}} kinda escapes into this world ... and that's kinda what I wanted to do".<ref>{{cite news |url=http://abcnewsradioonline.com/music-news/2016/4/26/alessia-cara-on-wild-things-its-just-really-an-empowering-so.html |title=Alessia Cara on 'Wild Things': 'It's Just Really an Empowering Song' |publisher=ABC News Radio |date=April 26, 2016 |access-date=January 28, 2017}}</ref>


==See also==
==See also==
{{portal|Children's literature |Visual arts }}
{{portal|Children's literature |Visual arts }}
*[[1904 in literature]]
* [[1963 in literature]]
*[[List of children's books made into feature films]]
* [[List of children's books made into feature films]]
*[[List of children's classic books]]
* [[List of children's classic books]]
{{clear}}


==References==
==References==
{{reflist|25em |refs=
{{reflist|30em|refs=
<ref name="caldecott">{{cite web |url=http://www.ala.org/alsc/awardsgrants/bookmedia/caldecottmedal/caldecotthonors/caldecottmedal |title=Caldecott Medal & Honor Books, 1938-Present |work=[[Association for Library Service to Children]] |publisher=[[American Library Association]] |accessdate=June 19, 2013}} <br /> &nbsp; {{cite web |url=http://www.ala.org/alsc/awardsgrants/bookmedia/caldecottmedal/aboutcaldecott/aboutcaldecott |title=The Randolph Caldecott Medal |work=[[Association for Library Service to Children]] |publisher=[[American Library Association]] |accessdate=May 27, 2009}}</ref>
<ref name="caldecott">{{cite web |url=http://www.ala.org/alsc/awardsgrants/bookmedia/caldecottmedal/caldecotthonors/caldecottmedal |title=Caldecott Medal & Honor Books, 1938-Present |work=[[Association for Library Service to Children]] |publisher=[[American Library Association]] |access-date=June 19, 2013}}<br /> &nbsp; {{cite web |url=http://www.ala.org/alsc/awardsgrants/bookmedia/caldecottmedal/aboutcaldecott/aboutcaldecott |title=The Randolph Caldecott Medal |work=[[Association for Library Service to Children]] |publisher=[[American Library Association]] |access-date=May 27, 2009}}</ref>

<ref name="SLJ">{{cite web |url=http://www.slj.com/wp-content/uploads/2012/08/SLJ_Fuse8_Top100_Picture.pdf |title=SLJ's Top 100 Picture Books |series=A Fuse #8 Production |work=[[School Library Journal]] |year=2012 |accessdate=June 17, 2013 |id=Poster presentation of reader poll results.}}</ref>
<ref name="bird">{{cite web |url=http://blogs.slj.com/afuse8production/2012/07/02/top-100-picture-books-1-where-the-wild-things-are-by-maurice-sendak/ |title=Top 100 Picture Books #1: Where the Wild Things Are by Maurice Sendak |series=A Fuse #8 Production |work=[[School Library Journal]] |first=Elizabeth |last=Bird |date=July 2, 2012 |accessdate=June 17, 2013}}</ref>
<ref name="SLJ">{{cite web |url=http://www.slj.com/wp-content/uploads/2012/08/SLJ_Fuse8_Top100_Picture.pdf |title=SLJ's Top 100 Picture Books |publisher=[[School Library Journal]] |date=2012 |access-date=June 17, 2013 |id=Poster presentation of reader poll results. |url-status=dead |archive-url=https://web.archive.org/web/20161123045649/http://www.slj.com/wp-content/uploads/2012/08/SLJ_Fuse8_Top100_Picture.pdf |archive-date=November 23, 2016}}</ref>

<ref name="bird">{{cite web |url=http://blogs.slj.com/afuse8production/2012/07/02/top-100-picture-books-1-where-the-wild-things-are-by-maurice-sendak/ |title=Top 100 Picture Books #1: Where the Wild Things Are by Maurice Sendak |publisher=[[School Library Journal]] |first=Elizabeth |last=Bird |date=July 2, 2012 |access-date=June 17, 2013}}</ref>


}}
}}
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==External links==
==External links==
{{commons category}}
{{commons category}}
* {{IMDb title|1288496|title=Where the Wild Things Are (1973)}}
* [https://www.pbs.org/now/arts/sendak.html Maurice Sendak: "Where the Wild Things Are"] by ''[[Now on PBS]]''
* {{IMDb title|0386117|title=Where the Wild Things Are (2009)}}
* {{YouTube|LvIDRoO8KnM|''Where The Wild Things Are'' – Early Disney CG Animation Test}}
*[http://www.pbs.org/now/arts/sendak.html NOW on PBS] WATCH: Bill Moyers and Maurice Sendak discuss the inspiration behind "Where the Wild Things Are" and where mischievous Max might be today.
*{{YouTube|LvIDRoO8KnM|Where The Wild Things Are – Early Disney CG Animation Test }}


{{s-start}}
{{s-start}}
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{{succession box|title=[[Caldecott Medal|Caldecott Medal recipient]]|before=''[[The Snowy Day]]''|after=''[[May I Bring a Friend?]]''|years=1964}}
{{succession box|title=[[Caldecott Medal|Caldecott Medal recipient]]|before=''[[The Snowy Day]]''|after=''[[May I Bring a Friend?]]''|years=1964}}
{{s-end}}
{{s-end}}

{{Maurice Sendak}}
{{Maurice Sendak}}
{{Caldecott Medal}}
{{Where the Wild Things Are}}
{{Authority control}}


{{DEFAULTSORT:Where The Wild Things Are}}
{{DEFAULTSORT:Where The Wild Things Are}}
[[Category:1963 books]]
[[Category:1963 children's books]]
[[Category:1963 in fiction]]
[[Category:American picture books]]
[[Category:American children's books]]
[[Category:Children's books adapted into films]]
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[[Category:Books adapted into films]]
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[[Category:Caldecott Medal winning works]]
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[[Category:Children's picture books]]
[[Category:Literature featuring anthropomorphic characters]]
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[[Category:Harper & Row books]]
[[Category:Books by Maurice Sendak]]
[[Category:Books by Maurice Sendak]]
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[[Category:Caldecott Medal–winning works]]
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[[Category:Children's books about monsters]]
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[[Category:Fictional giants]]
[[Category:Fictional humanoids]]
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[[Category:Harper & Row books]]
[[Category:Picture books by Maurice Sendak]]

Latest revision as of 17:51, 6 November 2024

This article is about the 1963 children's picturebook. For the film adaptation, see Where the Wild Things Are (film). For other uses, see Where the Wild Things Are (disambiguation).

Where the Wild Things Are
The book cover is an illustration of a sail boat coming into a forested shore. On the shore, sleeping against a tree, is a giant furry monster with bare human feet and the head of a bull. Above the illustration, written in uneven block capital letters against a white background, is the title of the book "Where the Wild Things Are" and below the illustration, "Story and pictures by Maurice Sendak".
First edition cover
AuthorMaurice Sendak
IllustratorMaurice Sendak
Cover artistMaurice Sendak
LanguageEnglish
GenreChildren's picture book
PublisherHarper & Row
Publication date
November 13, 1963 [1]
Publication placeUnited States
Media typePrint (wide-format hardcover)
Pages40
ISBN0-06-025492-0 (25th anniversary ed., 1988)
OCLC225496
LC ClassPZ7.S47 Wh[2]

Where the Wild Things Are is a 1963 children's picture book written and illustrated by American author and illustrator, Maurice Sendak, originally published in hardcover by Harper & Row. The book has been adapted into other media several times, including an animated short film in 1973 (with an updated version in 1988); a 1980 opera; and a live-action 2009 feature-film adaptation. The book had sold over 19 million copies worldwide as of 2009, with 10 million of those being in the United States.[3]

Sendak won the annual Caldecott Medal from the children's librarians in 1964, recognizing Wild Things as the previous year's "most distinguished American picture book for children".[4] It was voted the number one picture book in a 2012 survey of School Library Journal readers, not for the first time.[5]

Plot

[edit]

The story focuses on a young boy named Max who, after dressing in his wolf suit, wreaks such havoc through his household that he is sent to bed without his supper. Max's bedroom undergoes a mysterious transformation into a jungle environment, and he winds up sailing to an island inhabited by monsters, simply called the Wild Things. The Wild Things try to scare Max, but to no avail. After stopping and intimidating the creatures, Max is hailed as the king of the Wild Things and enjoys a playful romp with his subjects. Finally, he stops them and sends them to bed without their supper. However, to the Wild Things' dismay, he starts to feel lonely and decides to abdicate and return home. The creatures do not want him to go and throw themselves into fits of rage as Max calmly sails away home. Upon returning to his bedroom, Max discovers a hot supper waiting for him.

Development

[edit]

Sendak began his career as an illustrator, but by the mid-1950s he had decided to start both writing and illustrating his own books.[6] In 1956, he published his first book for which he was the sole author, Kenny's Window (1956). Soon after, he began work on another solo effort. The story was supposed to be that of a child who, after a tantrum, is punished in his room and decides to escape to the place that gives the book its title, the "land of wild horses".[6] Shortly before starting the illustrations, Sendak realized he did not know how to draw horses and, at the suggestion of his editor, changed the wild horses to the more ambiguous "Wild Things", a term inspired by the Yiddish expression "vilde chaya" ("wild animals"), used to indicate boisterous children.[7]

He replaced the horses with caricatures of his aunts and uncles, caricatures that he had originally drawn in his youth as an escape from their chaotic weekly visits, on Sunday afternoons, to his family's Brooklyn home. Sendak, as a child, had observed his relatives as being "all crazy – crazy faces and wild eyes", with blood-stained eyes and "big and yellow" teeth, who pinched his cheeks until they were red.[6][8][9] These relatives, like Sendak's parents, were poor Jewish immigrants from Poland, whose remaining family in Nazi-occupied Europe were killed during the Holocaust while Sendak was in his early teens. As a child, however, he saw them only as "grotesques".[9][10]

When working on the 1983 opera adaptation of the book with Oliver Knussen, Sendak gave the monsters the names of his relatives: Tzippy, Moishe, Aaron, Emile, and Bernard.[11]

Literary significance

[edit]

Analysis

[edit]

In Selma G. Lanes's book The Art of Maurice Sendak, Sendak discusses Where the Wild Things Are along with his other books In the Night Kitchen and Outside Over There as a trilogy centered on children's growth, survival, and fury.[12][13] He indicated that the three books are "all variations on the same theme: how children master various feelings – danger, boredom, fear, frustration, jealousy – and manage to come to grips with the realities of their lives".[12] Fundamental to Sendak's work for over fifty years is his trust in the validity of children's emotions.[14]

Dr. Kara Keeling and Dr. Scott Pollard, both English professors, assess the role that food plays in the book, arguing that food is a metaphor for Max's mother's love based on the idea that Max comes home to a "still hot" supper, which suggests that his mother "loves him best".[15] Going along with this, Mary Pols of Time magazine wrote that "[w]hat makes Sendak's book so compelling is its grounding effect: Max has a tantrum and in a flight of fancy visits his wild side, but he is pulled back by a belief in parental love to a supper 'still hot', balancing the seesaw of fear and comfort".[16]

Where the Wild Things Are is a story that shows children's resilience through their "spirit" and "pluck".[17] Max is able to stand up to the Wild Things with their "terrible teeth" and "terrible claws" using "the magic trick of staring into all their yellow eyes without blinking once".[17]

Professor Liam Heneghan describes Max's dream as one of mastering the wild, from which he also learns to master his "inner tumult".[18] It sets forth the unrestrained rowdiness of the Wild Things and enlightens the reader to the idea that one cannot live in the wild forever. In her words: "In this notion of wilderness, there is a heightened reminder that after our fill of wilderness, one can, or perhaps even should, return, replenished, to the comforts of home".[18] Heneghan concludes that "the overarching thought is an old one: a human engages with Wild Things and in so doing comes into accord with the world and gains a measure of self-mastery".[18]

Reception

[edit]

Where the Wild Things Are has received high critical acclaim. Francis Spufford suggests that the book is "one of the very few picture books to make an entirely deliberate and beautiful use of the psychoanalytic story of anger".[19] New York Times film critic Manohla Dargis noted that "there are different ways to read the wild things, through a Freudian or colonialist prism, and probably as many ways to ruin this delicate story of a solitary child liberated by his imagination".[20] Based on a 2007 online poll, the National Education Association listed the book as one of its "Teachers' Top 100 Books for Children".[21] Five years later, School Library Journal sponsored a survey of readers which identified Where the Wild Things Are as a top picture book.[5] Elizabeth Bird, the librarian from the New York Public Library who conducted the survey, observed that there was little doubt that it would be voted number one and highlighted its designation by one reader as a watershed, "ushering in the modern age of picture books". Another critic called it "perfectly crafted, perfectly illustrated ... simply the epitome of a picture book" and noted that Sendak "rises above the rest in part because he is subversive". President Barack Obama read it aloud for children who were attending the White House Easter Egg Roll in multiple years.[22]

New York Times writer Bruce Handy brought up the idea that "as a child myself, without benefit of personal insights subsequently gleaned from more than a decade of talk therapy, I had been left cold by Where the Wild Things Are".[23] Deborah Stevenson, a writer for The Horn Book Magazine, talks about the effects the book had on a child who "screamed, apparently not with delight, every time Where the Wild Things Are was read to him. It is quite possible for some young readers or listeners to be moved to alarm by a book, just as they can be moved to joy or excitement or boredom".[24] Sendak responded to this criticism in an interview, asking: "Did she hate her kid? Is that why she was tormenting her with this book?"[25]

Despite the book's popularity, Sendak refused to produce a sequel; four months before his death in 2012, he told comedian Stephen Colbert that a sequel would be "the most boring idea imaginable".[26] Where the Wild Things Are was number four on the list of "Top Check Outs OF ALL TIME" by the New York Public Library.[27]

Adaptations

[edit]

An animated short adaptation which had taken five years to complete was released in 1973,[28] directed and animated by Gene Deitch and produced at Krátký film, Prague, for Weston Woods. It had narration by Allen Swift and a musique concrète score composed by Deitch himself; an updated version, which featured a new musical score and narration both by Peter Schickele, was released in 1988. This revised version was featured in a Children's Circle video titled The Maurice Sendak Library.

In the 1980s, Sendak worked with British composer Oliver Knussen on a children's opera based upon the book.[11] The opera received its first (incomplete) performance in Brussels in 1980; the first complete performance of the final version was given by the Glyndebourne Touring Opera in London in 1984. This was followed by its first U.S. performance in Saint Paul, Minnesota, in 1985 and the New York City premiere by New York City Opera in 1987. A concert performance was given at The Proms in the Royal Albert Hall in London in 2002.[29] A concert production was produced by New York City Opera in spring 2011.[30]

In 1981, the New England Dinosaur Dance Company turned the book into a dance piece with choreography by Toby Armour and music by Ezra Sims.[31] The piece debuted at Boston's Wilbur Theatre on December 22, 1981.[32]

In 1983, Walt Disney Productions conducted a series of tests of computer-generated imagery created by Glen Keane and John Lasseter using as their subject Where the Wild Things Are.[33]

In 1999, Isadar released a solo piano musical composition titled "Where the Wild Things Are" which appeared on his album Active Imagination, inspired by the Sendak book. The composition was revisited and re-recorded in 2012 on Isadar's album, Reconstructed, with Grammy winner and founder of Windham Hill Records, William Ackerman, producing.[34]

The 2005 Simpsons episode, "The Girl Who Slept Too Little", features a spoof of Where the Wild Things Are entitled "The Land of the Wild Beasts".

A live-action film version of the book was released on October 16, 2009.[35] Directed by Spike Jonze and co-produced by Sendak, the film stars Max Records as Max and features Catherine Keener as his mother, with Lauren Ambrose, Chris Cooper, Paul Dano, James Gandolfini, Catherine O'Hara and Forest Whitaker providing the voices of the principal Wild Things. The soundtrack was written and produced by Karen O and Carter Burwell. The screenplay was adapted by Jonze in collaboration with Dave Eggers, who also novelized the screenplay as The Wild Things, published in 2009.

In 2012, indie rock quartet alt-J released the song "Breezeblocks", inspired in part by the book.[36] Alt-J keyboardist Gus Unger-Hamilton said the story and the song share similar ideas about parting with a loved one. "Breezeblocks" reached certified ARIA Gold status in Australia.[37]

In 2016, Alessia Cara released her second single, "Wild Things", which charted at number fifty on the Billboard Hot 100. In an interview with ABC News Radio, Cara stated she took inspiration from Where the Wild Things Are, saying "each 'Thing' represents an emotion and [the main character] kinda escapes into this world ... and that's kinda what I wanted to do".[38]

See also

[edit]

References

[edit]
  1. ^ "Where the wild things are". Heritage Auctions. Retrieved July 16, 2021.
  2. ^ Where the wild things are. Catalog Records. Harper & Row. 1963. Retrieved June 17, 2013 – via Library of Congress.
  3. ^ Turan, Kenneth (October 16, 2009). "Where the Wild Things Are". Los Angeles Times. Retrieved February 12, 2012.
  4. ^ "Caldecott Medal & Honor Books, 1938-Present". Association for Library Service to Children. American Library Association. Retrieved June 19, 2013.
      "The Randolph Caldecott Medal". Association for Library Service to Children. American Library Association. Retrieved May 27, 2009.
  5. ^ a b "SLJ's Top 100 Picture Books" (PDF). School Library Journal. 2012. Poster presentation of reader poll results. Archived from the original (PDF) on November 23, 2016. Retrieved June 17, 2013.
  6. ^ a b c Warrick, Pamela (October 11, 1993). "Facing the Frightful Things". Los Angeles Times. Retrieved August 27, 2009.
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[edit]
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Awards
Preceded by Caldecott Medal recipient
1964 		Succeeded by
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