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{{Short description|C. 1618 painting by Peter Paul Rubens}} |
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[[File:Rubens_Medusa.jpeg|thumb|Medusa painting in Vienna]] |
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{{Italic title}}{{Infobox artwork |
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| title = Medusa |
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'''''Medusa''''' is a c.1618 painting by the Flemish painter [[Peter Paul Rubens]], showing the severed head of [[Medusa]]. The snakes in the painting have been attributed to [[Frans Snyders]]. It is in the collection of the [[Kunsthistorisches Museum]] in [[Vienna]]. Another copy is held in [[Moravian Gallery in Brno]]. |
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| image = Rubens Medusa.jpeg |
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| artist = Peter Paul Rubens |
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| completion_date = c. 1618 |
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| medium = Oil on canvas |
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| height_metric = 68.5 |
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| length_metric = 118 |
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'''''Medusa''''' is a c.1618 painting by the Flemish painter [[Peter Paul Rubens]], showing the severed head of [[Medusa]]. The snakes in the painting have been attributed to [[Frans Snyders]].<ref name=":46">Suda, S. (2019). ''Early Rubens''. Prestel.</ref> Frans Snyders also helped Peter Paul Rubens with his work [[Prometheus Bound (Rubens)|Prometheus Bound]], where he painted the eagle portrayed in it.<ref>{{Cite web |title=Prometheus Bound |url=https://philamuseum.org/collection/object/104468 |access-date=2023-03-29 |website=philamuseum.org |language=en}}</ref> It is in the collection of the [[Kunsthistorisches Museum]] in [[Vienna]]. Another version is held in [[Moravian Gallery in Brno]].<ref>{{Cite web|url=https://brno.idnes.cz/hlava-medusy-rubens-obraz-moravska-galerie-brno-ftm-/brno-zpravy.aspx?c=A181129_155833_brno-zpravy_vh|title=Brněnská Hlava Medusy je originálním dílem Rubense, potvrdil výzkum|date=2018-11-29|website=iDNES.cz|language=Czech|access-date=2018-11-29}}</ref><ref name=":33">{{Cite news|url=http://artalk.cz/2018/11/27/tz-unikatni-srovnani-brnenska-i-videnska-hlava-medusy-od-petra-pavla-rubense-jsou-vystaveny-spolecne/|title=TZ: Unikátní srovnání – brněnská i vídeňská Hlava Medusy od Petra Pavla Rubense jsou vystaveny společně - Artalk.cz|date=2018-11-27|work=Artalk.cz|access-date=2018-11-29|language=cs-CZ}}</ref> Rubens was not originally attributed to the painting.<ref name=":46"/> Medusa was a popular iconographic symbol at the time due to the interest in Greek mythology by numerous [[Baroque]] artists such as Rubens and Caravaggio. The use of Medusa as a symbol has evolved over the course of centuries and has various interpretations of the iconographic meaning, with Rubens' painting based on an interpretation of the Greek mythological story of Medusa. |
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== History == |
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=== Creation === |
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''Medusa'', or sometimes referred to as ''The Head of Medusa'', was created c.1618 using oil on canvas and is 68.5 x 118 cm.<ref name=":0">Harris JC. The Head of Medusa: Peter Paul Rubens and Frans Snyders. ''JAMA Psychiatry.'' 2014;71(6):614–615. {{doi|10.1001/jamapsychiatry.2013.2735}}</ref> Rubens enlisted the help of Frans Snyders who worked with him multiple times. Snyders was a nature artist and worked with Rubens to paint animals in his pieces, such as the snakes in ''Medusa.''<ref name=":0" /> The snakes portrayed are nonvenomous [[Grass snake|European grass snakes]], except for the two snakes on the right side of her head which are [[Viperidae|vipers]].<ref name=":0" /> Vipers are a medieval symbol of ungratefulness.<ref name=":0" /> In Greek mythology, Medusa is portrayed as having venomous snakes for hair.<ref name=":13">{{Cite web |last=Glennon |first=Authors: Madeleine |title=Medusa in Ancient Greek Art {{!}} Essay {{!}} The Metropolitan Museum of Art {{!}} Heilbrunn Timeline of Art History |url=https://www.metmuseum.org/toah/hd/medu/hd_medu.htm |access-date=2023-03-29 |website=The Met’s Heilbrunn Timeline of Art History |language=en}}</ref> The vipers are shown mating with the female having the male's head in her mouth. Towards the middle of the painting, an [[amphisbaena]] is shown. An amphisbaena is a snake-like creature that has two heads, one on each end of its body, and is noted in classical mythology.<ref>{{Cite web |title=Definition of AMPHISBAENA |url=https://www.merriam-webster.com/dictionary/amphisbaena |access-date=2023-03-29 |website=www.merriam-webster.com |language=en}}</ref> In Greek mythology, amphisbaenas are made from the blood of Medusa and feed on decaying bodies.<ref name=":0" /> Medusa is shown to have just been slain and is laying down in a pool of blood with the snakes and reptiles surrounding her. |
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=== Attribution === |
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Originally, ''Medusa'' was put in the Brno museum on December 26, 1818 as Ein Oehlgemälde das Medusenhaupt vorstellend.<ref name=":46"/> This roughly translates into "An oil painting depicting the head of Medusa." Rubens was not attributed to this painting during this time as there was no artist attribution when it first entered the museum.<ref name=":46"/> Count Joseph von Nimptsch I originally gave the work to the museum and his seal of ownership is on the back of the painting.<ref name=":46"/> It is unknown to where he originally obtained the painting from, but it is thought, due to indirect evidence and assumption, that it originally belonged to his second wife.<ref name=":46"/> Count Nimptsch donated the artwork a year after his wife died, which has been used as circumstantial evidence that she was the original owner.<ref name=":46"/> Brno curator Ernst Rincolini originally attributed this painting to Rubens' student [[Abraham van Diepenbeeck]], with the animals painted by Frans Snyders.<ref name=":46"/> Rubens was not mentioned as being the original painter until 1899 and was officially attributed to the painting in the 1940s due to restorative work where it was confirmed that Rubens created Medusa alongside the help of Frans Snyders.<ref name=":46"/> The painting that resides in Vienna Kunsthistorisches Museum today is thought to be a later version of the original that is housed in Brno.<ref name=":33" /> |
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=== Reception === |
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''Medusa'' evoked strong reactions due to the intense imagery presented. Constantijin Huygens visited merchant Nicolaas Sohier's house in 1619 to view ''Head of the Medusa'' and stated in his autobiographical account, "There is the compelling painted head of Medusa, wreathed by snakes that spring from her hair. The countenance of the extremely beautiful woman has its grace still preserved, but at the same time evokes the horrors of the fitting beginning of death and the wreath of hideous snakes. The combination is so shrewdly executed that the spectator would be shocked by the sudden confrontation....but at the same time is moved by the lifelikeness and beauty with which the grim subject is rendered."<ref name=":46"/> In private collections, the unveiling of the curtain to reveal the painting behind it is also attributed to the shocking effect it had on viewers.<ref name=":46"/> |
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== Iconography and symbolism == |
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The story of [[Medusa]] originates from Greek Mythology where Medusa is a [[Gorgon]] monster, which is portrayed in Rubens' rendition.<ref name=":13"/> Medusa was raped in a sacred shrine dedicated to [[Minerva]] by [[Neptune (mythology)|Neptune]].<ref name=":2">{{Cite web |last=Macquire |first=Kelly |title=Medusa |url=https://www.worldhistory.org/Medusa/ |access-date=2023-03-29 |website=World History Encyclopedia |language=en}}</ref> Minerva turned Medusa's hair into snakes as revenge for the violation of her shrine, which is portrayed in Rubens' portrayal of her.<ref name=":2" /> Medusa was thought to be a [[Apotropaic mark|apotropaic]] symbol that would protect from and banish evil.<ref name=":46"/> She has been compared to the modern [[evil eye]].<ref name=":13"/> Iconographers at the time such as [[Cesare Ripa]] and [[Lodovico Dolce]] as well as Rubens portrayed her as such.<ref name=":46"/> She was thought to be a symbol of evil to ward off evil.<ref>{{Cite web |last=Glennon |first=Authors: Madeleine |title=Medusa in Ancient Greek Art {{!}} Essay {{!}} The Metropolitan Museum of Art {{!}} Heilbrunn Timeline of Art History |url=https://www.metmuseum.org/toah/hd/medu/hd_medu.htm#:~:text=The%20most%20common%20interpretation%20of,of%20evil%20to%20repel%20evil. |access-date=2023-04-26 |website=The Met’s Heilbrunn Timeline of Art History |language=en}}</ref> Medusa is attributed to both evil and as a symbol of power, as portrayed in Rubens' interpretation. |
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== Historical context == |
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Other famous artists such as [[Leonardo da Vinci]] and [[Caravaggio]] portrayed Medusa. Unlike Rubens, both da Vinci and Caravaggio painted their portrayals of Medusa on shields or breastplates.<ref name=":46"/> Da Vinci's painting of [[Medusa (Leonardo)|Medusa]] is lost and did not survive.<ref>Vasari, Giorgio ''[https://archive.today/20121212095815/http://www-class.unl.edu/ahis398b/classmats/vasari.html Life of Leonardo]'', 1568.</ref> Cardinal del Monte, who worked closely with the Grand Duke of Tuscany, commissioned Caravaggio to create a painting that symbolized the courageousness of the Grand Duke conquering his opponents. Caravaggio created ''[[Medusa (Caravaggio)|Head of Medusa]],'' which was the second version that was made.<ref name=":3">{{Cite web |title=Medusa, 1597 by Caravaggio |url=https://www.caravaggio.org/medusa.jsp |access-date=2023-03-29 |website=www.caravaggio.org}}</ref> The first version of the painting is in a private collection and the second version is currently in the [[Uffizi|Uffizi Gallery]] located in Florence, Italy.<ref name=":3" /> Medusa has been portrayed in art for centuries since Ancient Greece, with works being portrayed in various forms such as paintings, sculptures, pottery, and metalwork.<ref name=":13"/> Portrayals of Medusa during this time portrayed her with snakes for hair and usually with a gaping mouth and sharp teeth as well as facing the viewer straight on.<ref name=":13" /> While the look of Medusa in art has changed over time, her position facing the viewer has stayed consistent.<ref name=":13" /> |
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==References== |
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{{Reflist}} |
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<references group="" responsive="1"></references> |
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==External links== |
==External links== |
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*http://bilddatenbank.khm.at/viewArtefact?id=1626 |
*https://web.archive.org/web/20160303232752/http://bilddatenbank.khm.at/viewArtefact?id=1626 |
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{{Rubens}} |
{{Rubens}} |
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{{Authority control}} |
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[[Category:Mythological paintings by Peter Paul Rubens]] |
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[[Category:1618 paintings]] |
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[[Category:Paintings in the Kunsthistorisches Museum]] |
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[[Category:Paintings of Greek myths]] |
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[[Category:Paintings in the Czech Republic]] |
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[[Category:Cultural depictions of Medusa]] |
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Latest revision as of 19:55, 28 December 2024
| Medusa | |
|---|---|
 | |
| Artist | Peter Paul Rubens |
| Completion date | c. 1618 |
| Medium | Oil on canvas |
| Dimensions | 68.5 cm × 118 cm (27.0 in × 46 in) |
Medusa is a c.1618 painting by the Flemish painter Peter Paul Rubens, showing the severed head of Medusa. The snakes in the painting have been attributed to Frans Snyders.[1] Frans Snyders also helped Peter Paul Rubens with his work Prometheus Bound, where he painted the eagle portrayed in it.[2] It is in the collection of the Kunsthistorisches Museum in Vienna. Another version is held in Moravian Gallery in Brno.[3][4] Rubens was not originally attributed to the painting.[1] Medusa was a popular iconographic symbol at the time due to the interest in Greek mythology by numerous Baroque artists such as Rubens and Caravaggio. The use of Medusa as a symbol has evolved over the course of centuries and has various interpretations of the iconographic meaning, with Rubens' painting based on an interpretation of the Greek mythological story of Medusa.
History
[edit]Creation
[edit]Medusa, or sometimes referred to as The Head of Medusa, was created c.1618 using oil on canvas and is 68.5 x 118 cm.[5] Rubens enlisted the help of Frans Snyders who worked with him multiple times. Snyders was a nature artist and worked with Rubens to paint animals in his pieces, such as the snakes in Medusa.[5] The snakes portrayed are nonvenomous European grass snakes, except for the two snakes on the right side of her head which are vipers.[5] Vipers are a medieval symbol of ungratefulness.[5] In Greek mythology, Medusa is portrayed as having venomous snakes for hair.[6] The vipers are shown mating with the female having the male's head in her mouth. Towards the middle of the painting, an amphisbaena is shown. An amphisbaena is a snake-like creature that has two heads, one on each end of its body, and is noted in classical mythology.[7] In Greek mythology, amphisbaenas are made from the blood of Medusa and feed on decaying bodies.[5] Medusa is shown to have just been slain and is laying down in a pool of blood with the snakes and reptiles surrounding her.
Attribution
[edit]Originally, Medusa was put in the Brno museum on December 26, 1818 as Ein Oehlgemälde das Medusenhaupt vorstellend.[1] This roughly translates into "An oil painting depicting the head of Medusa." Rubens was not attributed to this painting during this time as there was no artist attribution when it first entered the museum.[1] Count Joseph von Nimptsch I originally gave the work to the museum and his seal of ownership is on the back of the painting.[1] It is unknown to where he originally obtained the painting from, but it is thought, due to indirect evidence and assumption, that it originally belonged to his second wife.[1] Count Nimptsch donated the artwork a year after his wife died, which has been used as circumstantial evidence that she was the original owner.[1] Brno curator Ernst Rincolini originally attributed this painting to Rubens' student Abraham van Diepenbeeck, with the animals painted by Frans Snyders.[1] Rubens was not mentioned as being the original painter until 1899 and was officially attributed to the painting in the 1940s due to restorative work where it was confirmed that Rubens created Medusa alongside the help of Frans Snyders.[1] The painting that resides in Vienna Kunsthistorisches Museum today is thought to be a later version of the original that is housed in Brno.[4]
Reception
[edit]Medusa evoked strong reactions due to the intense imagery presented. Constantijin Huygens visited merchant Nicolaas Sohier's house in 1619 to view Head of the Medusa and stated in his autobiographical account, "There is the compelling painted head of Medusa, wreathed by snakes that spring from her hair. The countenance of the extremely beautiful woman has its grace still preserved, but at the same time evokes the horrors of the fitting beginning of death and the wreath of hideous snakes. The combination is so shrewdly executed that the spectator would be shocked by the sudden confrontation....but at the same time is moved by the lifelikeness and beauty with which the grim subject is rendered."[1] In private collections, the unveiling of the curtain to reveal the painting behind it is also attributed to the shocking effect it had on viewers.[1]
Iconography and symbolism
[edit]The story of Medusa originates from Greek Mythology where Medusa is a Gorgon monster, which is portrayed in Rubens' rendition.[6] Medusa was raped in a sacred shrine dedicated to Minerva by Neptune.[8] Minerva turned Medusa's hair into snakes as revenge for the violation of her shrine, which is portrayed in Rubens' portrayal of her.[8] Medusa was thought to be a apotropaic symbol that would protect from and banish evil.[1] She has been compared to the modern evil eye.[6] Iconographers at the time such as Cesare Ripa and Lodovico Dolce as well as Rubens portrayed her as such.[1] She was thought to be a symbol of evil to ward off evil.[9] Medusa is attributed to both evil and as a symbol of power, as portrayed in Rubens' interpretation.
Historical context
[edit]Other famous artists such as Leonardo da Vinci and Caravaggio portrayed Medusa. Unlike Rubens, both da Vinci and Caravaggio painted their portrayals of Medusa on shields or breastplates.[1] Da Vinci's painting of Medusa is lost and did not survive.[10] Cardinal del Monte, who worked closely with the Grand Duke of Tuscany, commissioned Caravaggio to create a painting that symbolized the courageousness of the Grand Duke conquering his opponents. Caravaggio created Head of Medusa, which was the second version that was made.[11] The first version of the painting is in a private collection and the second version is currently in the Uffizi Gallery located in Florence, Italy.[11] Medusa has been portrayed in art for centuries since Ancient Greece, with works being portrayed in various forms such as paintings, sculptures, pottery, and metalwork.[6] Portrayals of Medusa during this time portrayed her with snakes for hair and usually with a gaping mouth and sharp teeth as well as facing the viewer straight on.[6] While the look of Medusa in art has changed over time, her position facing the viewer has stayed consistent.[6]
References
[edit]- ^ a b c d e f g h i j k l m n Suda, S. (2019). Early Rubens. Prestel.
- ^ "Prometheus Bound". philamuseum.org. Retrieved 2023-03-29.
- ^ "Brněnská Hlava Medusy je originálním dílem Rubense, potvrdil výzkum". iDNES.cz (in Czech). 2018-11-29. Retrieved 2018-11-29.
- ^ a b "TZ: Unikátní srovnání – brněnská i vídeňská Hlava Medusy od Petra Pavla Rubense jsou vystaveny společně - Artalk.cz". Artalk.cz (in Czech). 2018-11-27. Retrieved 2018-11-29.
- ^ a b c d e Harris JC. The Head of Medusa: Peter Paul Rubens and Frans Snyders. JAMA Psychiatry. 2014;71(6):614–615. doi:10.1001/jamapsychiatry.2013.2735
- ^ a b c d e f Glennon, Authors: Madeleine. "Medusa in Ancient Greek Art | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History". The Met’s Heilbrunn Timeline of Art History. Retrieved 2023-03-29.
- ^ "Definition of AMPHISBAENA". www.merriam-webster.com. Retrieved 2023-03-29.
- ^ a b Macquire, Kelly. "Medusa". World History Encyclopedia. Retrieved 2023-03-29.
- ^ Glennon, Authors: Madeleine. "Medusa in Ancient Greek Art | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History". The Met’s Heilbrunn Timeline of Art History. Retrieved 2023-04-26.
- ^ Vasari, Giorgio Life of Leonardo, 1568.
- ^ a b "Medusa, 1597 by Caravaggio". www.caravaggio.org. Retrieved 2023-03-29.
