Heaven Up Here: Difference between revisions
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{{EngvarB|date=May 2014}} |
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{{Album infobox | |
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{{Use dmy dates|date=May 2014}} |
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Name = Heaven Up Here | |
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{{Infobox album |
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Type = [[Album (music)|Album]] | |
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| name = Heaven Up Here |
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Artist = [[Echo & the Bunnymen]] | |
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| type = Album |
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Cover = EAB HeavenUpHere albumcover.jpg | |
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| artist = [[Echo & the Bunnymen]] |
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Background = Orange | |
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| cover = EAB HeavenUpHere albumcover.jpg |
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Released = [[30 May]], [[1981]] | |
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| alt = An album cover showing four men in silhouette standing on a wet beach. There are dark clouds in the sky and the sun is low on the horizon. The album's name and the band's name is in white letters in the top centre of the album cover. |
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Recorded = March [[1981]] | |
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| released = 29 May 1981 |
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Genre = [[Post-punk]] | |
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| recorded = March 1981 |
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Length = 43:45 | |
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| venue = |
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Label = [[Warner Brothers Records]] | |
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| studio = [[Rockfield Studios|Rockfield]] ([[Rockfield, Monmouthshire|Rockfield]], [[Wales]]) |
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Producer = [[Hugh Jones]], [[Echo & the Bunnymen]] | |
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| genre = |
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Reviews = <nowiki></nowiki> |
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*[[Post-punk]] |
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*[[All Music Guide]] {{image:4of5.png}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:2s320r4ac48c~T00 link] |
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*[[neo-psychedelia]]<ref name= "Stanley 2013">{{cite book|first=Bob |last=Stanley|title=Yeah Yeah Yeah: The Story of Modern Pop|chapter= Routine is the Enemy of Music: Post-punk|chapter-url=https://books.google.com/books?id=9emZAAAAQBAJ&pg=PT7|date=13 September 2013|publisher=Faber & Faber|isbn=978-0-571-28198-5|page=488}}</ref> |
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*''[[Pitchfork Media]]'' (8/10) [http://www.pitchforkmedia.com/article/record_review/17359/Echo_and_The_Bunnymen_Crocodiles_Heaven_Up_Here_Porcupine_Ocean_Ra link] | |
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| length = 43:03 |
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Last album = ''[[Crocodiles (album)|Crocodiles]]''<br />(1980) | |
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| label = [[Korova (record label)|Korova]] |
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This album = '''''Heaven Up Here'''''<br />(1981) | |
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| producer = [[Hugh Jones (producer)|Hugh Jones]], The Bunnymen |
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Next album = ''[[Porcupine (album)|Porcupine]]''<br />(1983) | |
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| prev_title = [[Crocodiles (album)|Crocodiles]] |
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| prev_year = 1980 |
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| next_title = [[Porcupine (album)|Porcupine]] |
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| next_year = 1983 |
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| misc = {{Singles |
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| name = Heaven Up Here |
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| type = album |
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| single1 = [[A Promise (song)|A Promise]] |
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| single1date = 10 July 1981 |
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| single2 = [[Over the Wall (song)|Over the Wall]] |
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| single2date = 1981 |
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}} |
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}} |
}} |
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'''Heaven Up Here''' is the second [[album (music)|album]] by the [[United Kingdom|British band]] [[Echo & the Bunnymen]]. It was released in 1981. It is the follow-up to [[Crocodiles (album)|Crocodiles]]. {{RS500|471}} |
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'''''Heaven Up Here''''' is the second album by the English [[post-punk]] band [[Echo & the Bunnymen]], released on 29 May 1981.<ref>{{cite web|url=https://www.worldradiohistory.com/UK/Music-Week/1981/Music-Week-1981-05-30.pdf|title=Music week|page=31}}</ref> In June 1981, ''Heaven Up Here'' became Echo & the Bunnymen's first Top 10 release when it reached number 10 on the [[UK Albums Chart]].<ref name="guinness">{{cite book |editor-last=Roberts |editor-first=David |title=[[British Hit Singles & Albums]] |publisher=[[HiT Entertainment]] |location=London |orig-year=1977 |year=2006 |edition=19th |pages=177–178 |isbn=1-904994-10-5}}</ref> It was also the band's first entry into the United States album charts when it reached number 184 of the [[Billboard 200|''Billboard'' 200]].<ref name="billboard">{{cite web |title=Echo & the Bunnymen > Charts & Awards > Billboard Albums |url={{AllMusic|class=artist|id=p4162/charts-awards|pure_url=yes}} |publisher=AllMusic |access-date=3 April 2008}}</ref> The songs "[[A Promise (song)|A Promise]]" and "[[Over the Wall (song)|Over the Wall]]" were released as singles. |
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''Heaven Up Here'' was reissued in [[2003]] in a remastered version with five bonus tracks. "Broke My Neck (long version)" was the b-side of "A Promise", and the other four bonus tracks were recorded live in Australia in November 1981. |
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Recorded at [[Rockfield Studios]] near [[Monmouth]] in Wales, ''Heaven Up Here'' was co-produced by [[Hugh Jones (producer)|Hugh Jones]] and the band. An album generally well received by fans in the United Kingdom and by critics, ''Heaven Up Here'' won the "Best Dressed LP" and "Best Album" awards at the 1981 [[NME Awards]]. The album has also been listed at number 463 in ''[[Rolling Stone]]'' magazine's list of [[Rolling Stone's 500 Greatest Albums of All Time|the 500 greatest albums of all time]].<ref name="500-greatest"/> |
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==Background and recording== |
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After the public and press interest garnered from Echo & the Bunnymen's debut album, ''[[Crocodiles (album)|Crocodiles]]'', the band released the ''[[Shine So Hard]]'' [[Extended play|EP]] which maintained their profile. Work then soon began on their second album, ''Heaven Up Here''. Following musical differences between the band and ''Crocodiles'' [[Record producer|producers]] [[Bill Drummond]] and [[David Balfe]], [[Hugh Jones (producer)|Hugh Jones]] was brought in to produce ''Heaven Up Here''.<ref name="bell_p4">Bell, p. 4</ref> Jones had previously [[Audio engineering|engineered]] ''Crocodiles'' and co-produced ''Shine So Hard'' with Drummond, and would later go on to produce the band's 2005 album ''[[Siberia (Echo & the Bunnymen album)|Siberia]]''. The band were also given an additional producer credit.<ref name="1981notes">{{cite AV media notes |title=Heaven Up Here |others=Echo & the Bunnymen |year=1981 |type=LP cover notes |publisher=[[Korova (record label)|Korova]] |id=KODE 3}}</ref> The album was recorded at [[Rockfield Studios]] near [[Monmouth]] in Wales during March 1981.<ref name="2003notes">{{cite AV media notes |title=Heaven Up Here |others=[[Echo & the Bunnymen]] |year=2003 |type=CD booklet |publisher=[[Warner Music Group|Warner Music UK]] |id=2564-61162-2}}</ref> |
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In the [[liner notes]] to the 2003 [[remaster]]ed version of the album, lead singer [[Ian McCulloch (singer)|Ian McCulloch]] said that he constantly had the American rock band [[the Velvet Underground]]'s song "[[What Goes On (Velvet Underground song)|What Goes On]]" in the back of his mind. He also stated that the band wanted to record a soul album.<ref name="bell_p4"/> In the same liner notes, bassist [[Les Pattinson]] said that the band was often lazy and hence had hired rehearsal space at the Ministry in Liverpool. He said this made them work harder and develop "language" in the rhythm.<ref>Bell, p. 5</ref> According to guitarist [[Will Sergeant]], McCulloch considers ''Heaven Up Here'' to be Sergeant's album because he was bossy and a control freak during the recording.<ref>Bell, p. 7</ref> |
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==Music== |
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In 1981, music magazine ''[[NME]]'' described the album as darker and more passionate than 1980's ''Crocodiles''. ''[[Record Mirror]]'' also said that the band sang the blues and devoted themselves to existential sadness. They went on to note that the album offered "an anatomy of melancholy, resplendent with the glamour of doom".<ref name="adams_p71">Adams, p. 71</ref> ''[[Melody Maker]]'' disagreed when in 1981 they said "the Bunnymen are continuing to play majestic, uplifting music that will shine through the dark days ahead of us".<ref name="adams_p71"/> In the 2002 book ''Turquoise Days: The Weird World of Echo & the Bunnymen'', author Chris Adams said that in 1995 McCulloch had said, "That spikey edge [of the album] still stands up."<ref>Adams, p. 72</ref> In relation to their style of music, in 1980 McCulloch had said, "I always say 'We're a rock band'. Because I'm proud of that." He added, "I like rock music [...] I prefer being good or great within that basic format [...] I just prefer basic songs."<ref name="adams_p74">Adams, p. 74</ref> |
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In his 2005 book ''Rip It Up and Start Again: Post Punk 1978–1984'', British music journalist [[Simon Reynolds]] described the sound of ''Heaven Up Here'' as having been filled out with "guitar overdubs, keyboard glints, vocal multitracking and atmospheric vapours".<ref name="Reynolds_440_1">Reynolds, pp. 440–1</ref> Comparing ''Heaven Up Here'' with [[Joy Division]]'s 1980 album ''[[Closer (Joy Division album)|Closer]]'', Reynolds said they are "harrowed by the same things [...] hypocrisy, distrust, betrayal, lost or frozen potential". However, he said that "''Closer'' shows [[Ian Curtis]] fatally mesmerized by his own dread visions, ''Heaven Up Here'' ultimately turns its face towards the light" with the tracks "No Dark Things" – which he describes as renouncing "death-wishful thinking" – and "All I Want" – which he describes as "a blasting celebration of desire for desire's sake" and "pure intransitive exhilaration".<ref name="Reynolds_440_1"/> |
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==Cover== |
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The photograph used on the front and back cover of the album was taken by photographer [[Brian Griffin (photographer)|Brian Griffin]].<ref name="2003notes"/> The picture shows the band on a wet beach in the south Wales seaside town of [[Porthcawl]];<ref name=griffin>{{cite web |url=http://www.theweek.co.uk/89445/pop-the-music-photography-of-brian-griffin |title=Pop: The music photography of Brian Griffin |last=Griffin |first=Brian |date=2 November 2017 |website=[[theweek.co.uk]] |access-date=31 October 2018}}</ref> there are dark clouds in the sky and the sun is low on the horizon causing the band to be silhouetted. The picture was taken on a day off from recording the album.<ref>Bell, p. 8</ref> The original album's cover art was designed by Martyn Atkins.<ref name="2003notes"/> According to Griffin, they used buckets of fish [[offal]] to entice the gulls to fly into shot. He also stated that both Drummond and [[Rob Dickins]], head of their record label [[Korova (record label)|Korova]], hated the pictures from the shoot, and that he and Atkins had to fight for them to be used on the sleeve.<ref name=griffin /> The cover received the "Best Dressed LP" award in the 1981 [[NME Awards]].<ref name="adams_p73">Adams, p. 73</ref> Reynolds said that the band's manager, Drummond, saw them as representing "cold, dampness, darkness".<ref>Reynolds, p. 450</ref> |
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The front cover picture of the original album was kept for the 2003 reissue. However, the design was altered slightly by graphic designer Rachel Gutek of the design company guppyart. The release contained an expanded booklet written by music journalist Max Bell giving the background to the album. The booklet also contains a number of photographs which are credited to Sergeant and Pattinson.<ref name="2003notes"/> |
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==Releases== |
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The album was originally released as an [[LP album|LP]] by Korova in the United Kingdom on 29 May 1981. It was then released in the United States by [[Sire Records]] on 24 June 1981.<ref name="2003notes"/> It was released elsewhere on Korova, although with a different catalogue number. Side one of the LP contained five tracks and side two had six. The album was first released on CD on 16 May 1988. |
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Along with the others of the band's first five albums, the album was remastered and reissued on CD in 2003 containing five [[bonus track]]s – these releases were marketed as 25th anniversary editions. "Broke My Neck (Long Version)", recorded at Tistedal Studios in Norway on 7 June 1981, is the [[B-side]] of the [[12-inch single]] "[[A Promise (song)|A Promise]]" – an edited version was used as the B-side of the 7-inch single. The other four bonus tracks were recorded live at the Manly Vale Hotel in Sydney, Australia, on 11 November 1981. The reissued album was produced by music historian [[Andy Zax]] and producer Bill Inglot.<ref name="2003notes"/> |
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The only single from ''Heaven Up Here'' released worldwide was "A Promise" on 10 July 1981. The single stayed on the [[UK Singles Chart]] for four weeks and reached number 49.<ref name="guinness"/> Later that year, "[[Over the Wall (song)|Over the Wall]]" was released as a single in Australia only.<ref>{{cite web |title=The Ultimate Echo and the Bunnymen Discography |url=http://www.villiersterrace.com/disc/1979-1988.htm |publisher=Villiers Terrace.com |access-date=20 May 2008 |archive-date=11 May 2008 |archive-url=https://web.archive.org/web/20080511140318/http://www.villiersterrace.com/disc/1979-1988.htm |url-status=dead }}</ref> |
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==Reception== |
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{{Album ratings |
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| rev1 = [[AllMusic]] |
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| rev1score = {{Rating|4|5}}<ref name="allmusic_review">{{cite web |last=Warshaw |first=Aaron |url=https://www.allmusic.com/album/heaven-up-here-mw0000194658 |title=Heaven Up Here – Echo & the Bunnymen |publisher=[[AllMusic]] |access-date=9 December 2022}}</ref> |
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| rev2 = ''[[Blender (magazine)|Blender]]'' |
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| rev2score = {{Rating|3|5}}<ref>{{cite magazine |last=Harrison |first=Andrew |url=http://www.blender.com/guide/reviews.aspx?id=1999 |title=Echo & the Bunnymen: (various reissues) |magazine=[[Blender (magazine)|Blender]] |issn=1534-0554 |location=New York |access-date=16 May 2008 |archive-url=https://web.archive.org/web/20090216030547/http://www.blender.com/guide/reviews.aspx?id=1999 |archive-date=16 February 2009 |url-status=dead}}</ref> |
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| rev3 = ''[[The Guardian]]'' |
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| rev3score = {{Rating|5|5}}<ref>{{cite news |last=Sweeting |first=Adam |author-link=Adam Sweeting |date=31 October 2003 |url=https://www.theguardian.com/music/2003/oct/31/popandrock.shopping6 |title=Echo and the Bunnymen: Various |newspaper=[[The Guardian]] |issn=0261-3077 |location=London |access-date=10 October 2015}}</ref> |
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| rev4 = ''[[Mojo (magazine)|Mojo]]'' |
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| rev4score = {{Rating|5|5}}<ref>{{cite magazine |title=Echo & the Bunnymen: Heaven Up Here |magazine=[[Mojo (magazine)|Mojo]] |issn=1351-0193 |location=London |issue=121 |date=December 2003 |pages=129–30}}</ref> |
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| rev5 = ''[[Pitchfork (website)|Pitchfork]]'' |
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| rev5score = 8.0/10<ref>{{cite web |last=Tangari |first=Joe |date=2 March 2004 |url=http://pitchfork.com/reviews/albums/11727-crocodiles-heaven-up-here-porcupine-ocean-rain-echo-the-bunnymen/ |title=Echo and the Bunnymen: Crocodiles / Heaven Up Here / Porcupine / Ocean Rain / Echo & The Bunnymen |website=[[Pitchfork (website)|Pitchfork]] |access-date=18 August 2009 |archive-url=https://web.archive.org/web/20170403122637/http://pitchfork.com/reviews/albums/11727-crocodiles-heaven-up-here-porcupine-ocean-rain-echo-the-bunnymen/ |archive-date=3 April 2017 |url-status=live}}</ref> |
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| rev6 = ''[[Q (magazine)|Q]]'' |
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| rev6score = {{Rating|4|5}}<ref>{{cite magazine |title=Echo & the Bunnymen: Heaven Up Here |magazine=[[Q (magazine)|Q]] |issn=0955-4955 |location=London |issue=209 |date=December 2003 |page=149}}</ref> |
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| rev7 = ''[[Record Mirror]]'' |
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| rev7score = {{Rating|5|5}}<ref>{{cite magazine |last=Cooper |first=Mark |date=6 June 1981 |title=Heaven from Bunnies |magazine=[[Record Mirror]] |issn=0144-5804 |location=London |page=14}}</ref> |
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| rev8 = ''[[The Rolling Stone Album Guide]]'' |
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| rev8score = {{Rating|2|5}}<ref>{{cite book |last=Gross |first=Joe |editor1-last=Brackett |editor1-first=Nathan |editor1-link=Nathan Brackett |editor2-last=Hoard |editor2-first=Christian |editor2-link=Christian Hoard |year=2004 |chapter=Echo and the Bunnymen |title=The New Rolling Stone Album Guide |title-link=The Rolling Stone Album Guide |publisher=[[Simon & Schuster]] |edition=4th |isbn=0-7432-0169-8 |page=[https://archive.org/details/newrollingstonea00brac/page/271 271]}}</ref> |
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| rev9 = ''[[Smash Hits]]'' |
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| rev9score = 9/10<ref>{{cite magazine |last=Ellen |first=Mark |author-link=Mark Ellen |date=11–24 June 1981 |title=Echo and the Bunnymen: Heaven Up Here |magazine=[[Smash Hits]] |issn=0260-3004 |location=London |volume=3 |issue=12 |page=29}}</ref> |
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| rev10 = ''[[The Village Voice]]'' |
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| rev10score = C<ref name="christgau_review">{{cite news |last=Christgau |first=Robert |author-link=Robert Christgau |date=30 November 1981 |url=http://www.robertchristgau.com/xg/cg/cgv11b-81.php |title=Consumer Guide |newspaper=[[The Village Voice]] |issn=0042-6180 |location=New York |access-date=19 August 2009}}</ref> |
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}} |
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''Heaven Up Here'' was generally well received by the music press and critics. In a 1982 interview with the band for the ''[[NME]]'', rock journalist [[Barney Hoskyns]] described the album as "one of the most superior articulations of 'rock' form in living memory."<ref>{{cite magazine |last=Hoskyns |first=Barney |author-link=Barney Hoskyns |date=20 February 1982 |title=Echo and the Bunnymen: A Promise of Rock Re-Born |magazine=[[NME]] |issn=0028-6362 |location=London}}</ref> Later reviews have continued to receive the album well: [[AllMusic]] reviewer Aaron Warshaw said that McCulloch "sings with soaring abandon and passion throughout the album" and that Sergeant's guitar playing was at its "angular finest".<ref name="allmusic_review" /> Not all reviews were positive: [[Robert Christgau]] of ''[[The Village Voice]]'' said that he held "no brief against tuneless caterwaul, but tuneless [[psychedelic music|psychedelic]] caterwaul has always been another matter."<ref name="christgau_review" /> In his 1999 book ''From the Shores of Lake Placid and Other Stories'', the band's manager Bill Drummond said "The album is dull as ditchwater. The songs are unformed, the sound uniformly grey."<ref>{{cite book |last=Drummond |first=Bill |author-link=Bill Drummond |year=1999 |title=From the Shores of Lake Placid and Other Stories |publisher=Ellipsis London |isbn=1-84166-000-0}}</ref> |
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''Heaven Up Here'' sold well in the United Kingdom, staying on the [[UK Albums Chart]] for a total of 16 weeks and reaching a peak of number 10 in June 1981.<ref name="guinness"/> The album was the first release by Echo & the Bunnymen to make it onto the American charts when it reached number 184 on the [[Billboard 200|''Billboard'' 200]].<ref name="billboard"/> |
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In 2012, the album ranked number 463 on ''[[Rolling Stone]]'' magazine's list of [[Rolling Stone's 500 Greatest Albums of All Time|the 500 greatest albums of all time]].<ref name="500-greatest">{{cite magazine |url=https://www.rollingstone.com/music/music-lists/500-greatest-albums-of-all-time-156826/echo-and-the-bunnymen-heaven-up-here-41866/ |title=500 Greatest Albums of All Time |magazine=[[Rolling Stone]] |date=31 May 2012 |access-date=2 September 2019}}</ref> The ''NME'' ranked the album number 39 on its list of the 50 greatest albums of the 1980s and number 51 on its list of the greatest albums of all time.<ref>{{cite magazine |title=The 50 Greatest Albums of The '80s |magazine=[[NME]] |issn=0028-6362 |location=London |date=25 September 1993 |page=19}}</ref><ref>{{cite magazine |title=Greatest Albums of All Time |magazine=[[NME]] |issn=0028-6362 |location=London |date=2 October 1993 |page=29}}</ref> The album also received the ''NME'''s 1981 best album award.<ref name="adams_p74"/> Reynolds described the award as "essentially an anti-[[New Pop]] protest vote by [[post-punk]]'s silent majority".<ref>Reynolds, p. 441</ref> |
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==Legacy== |
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The song "The Disease" was covered — re-titled as "From Heaven" — in 2024 by American [[industrial metal]] band [[Static-X]] for their album ''[[Project Regeneration Vol. 2]]''; it is based on an archival vocal recording of late frontman [[Wayne Static]] who passed away in 2014.<ref name="static-x">{{Cite web|url=https://blabbermouth.net/reviews/project-regeneration-vol-2|title=Project: Regeneration Vol. 2|date=January 18, 2024|website=BLABBERMOUTH.NET}}</ref> |
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==Track listing== |
==Track listing== |
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All tracks written by [[Will Sergeant]], [[Ian McCulloch (singer)|Ian McCulloch]], [[Les Pattinson]] and [[Pete de Freitas]]. |
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# "Show of Strength" – 4:50 |
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# "With a Hip" – 3:15 |
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;Side one |
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# "Over the Wall" – 5:59 |
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# |
#"Show of Strength" – 4:50 |
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# |
#"With a Hip" – 3:16 |
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#"[[Over the Wall (song)|Over the Wall]]" – 5:59 |
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# "Heaven Up Here" – 3:44 |
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# |
#"It Was a Pleasure" – 3:12 |
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#"[[A Promise (song)|A Promise]]" – 4:08 |
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# "All My Colours" – 4:06 |
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# "No Dark Things" – 4:27 |
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;Side two |
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# "Turquoise Days" – 3:51 |
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#"Heaven Up Here" – 3:45 |
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# "All I Want" – 4:16 <br><br>2003 reissue bonus tracks: |
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#"The Disease" – 2:28 |
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# "Broke My Neck (long version)" – 7:17 |
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# |
#"All My Colours" – 4:06 |
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#"No Dark Things" – 4:27 |
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# "The Disease" (live) – 1:53 |
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#"Turquoise Days" – 3:51 |
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# "All I Want" (live) – 3:09 |
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#"All I Want" – 4:09 |
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# "Zimbo" (live) – 3:52 |
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;2003 reissue bonus tracks |
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#<li value="12">"Broke My Neck" (long version) – 7:22 |
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#"Show of Strength" (live) – 4:41 |
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#"The Disease" (live) – 1:53 |
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#"All I Want" (live) – 3:09 |
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#"Zimbo" (live) – 3:52 |
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==Personnel== |
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;Echo & the Bunnymen |
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*[[Will Sergeant]] – lead guitar |
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*[[Ian McCulloch (singer)|Ian McCulloch]] – vocals, rhythm guitar, piano |
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*[[Les Pattinson]] – bass |
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*[[Pete de Freitas]] – drums |
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with: |
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*[[Les Penning]] – woodwind |
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;Technical |
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*[[Hugh Jones (producer)|Hugh Jones]] – producer, [[audio engineering|engineer]] |
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*[[Echo & the Bunnymen|The Bunnymen]] – producer |
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*Martyn Atkins – album design |
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*[[Brian Griffin (photographer)|Brian Griffin]] – photography |
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*[[Andy Zax]] – producer (reissue) |
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*Bill Inglot – producer (reissue), [[remaster]]ing |
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*Dan Hersch – remastering |
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*Claes Neeb – engineering on "Broke My Neck" (long version) |
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*Rachel Gutek – album design (reissue) |
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==References== |
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===Notes=== |
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{{reflist|2}} |
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===Sources=== |
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*{{cite book |last=Adams |first=Chris |title=Turquoise Days: The Weird World of Echo & the Bunnymen |url=https://archive.org/details/turquoisedayswei0000adam |publisher=[[Soft Skull Press]] |location=New York |year=2002 |isbn=1-887128-89-1}} |
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*{{cite AV media notes |last=Bell |first=Max |title=Heaven Up Here |others=[[Echo & the Bunnymen]] |year=September 2003 |type=CD booklet |publisher=[[Warner Music Group|Warner Music UK]] |id=2564-61162-2}} |
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*{{cite book |last=Reynolds |first=Simon |author-link=Simon Reynolds |title=Rip It Up and Start Again: Post-punk 1978–84 |publisher=[[Faber and Faber]] |location=London |year=2006 |isbn=0-571-21570-X}} |
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{{Echo & the Bunnymen}} |
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{{good article}} |
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{{Authority control}} |
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{{1980s-rock-album-stub}} |
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[[Category:1981 albums]] |
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[[Category:Albums produced by Hugh Jones (producer)]] |
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[[Category:Echo & the Bunnymen albums]] |
[[Category:Echo & the Bunnymen albums]] |
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[[Category:Rhino Entertainment albums]] |
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[[Category:Sire Records albums]] |
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[[Category:Warner Music Group albums]] |
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[[Category:Albums recorded at Rockfield Studios]] |
Latest revision as of 13:35, 22 July 2024
Heaven Up Here | ||||
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Studio album by | ||||
Released | 29 May 1981 | |||
Recorded | March 1981 | |||
Studio | Rockfield (Rockfield, Wales) | |||
Genre | ||||
Length | 43:03 | |||
Label | Korova | |||
Producer | Hugh Jones, The Bunnymen | |||
Echo & the Bunnymen chronology | ||||
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Singles from Heaven Up Here | ||||
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Heaven Up Here is the second album by the English post-punk band Echo & the Bunnymen, released on 29 May 1981.[2] In June 1981, Heaven Up Here became Echo & the Bunnymen's first Top 10 release when it reached number 10 on the UK Albums Chart.[3] It was also the band's first entry into the United States album charts when it reached number 184 of the Billboard 200.[4] The songs "A Promise" and "Over the Wall" were released as singles.
Recorded at Rockfield Studios near Monmouth in Wales, Heaven Up Here was co-produced by Hugh Jones and the band. An album generally well received by fans in the United Kingdom and by critics, Heaven Up Here won the "Best Dressed LP" and "Best Album" awards at the 1981 NME Awards. The album has also been listed at number 463 in Rolling Stone magazine's list of the 500 greatest albums of all time.[5]
Background and recording
[edit]After the public and press interest garnered from Echo & the Bunnymen's debut album, Crocodiles, the band released the Shine So Hard EP which maintained their profile. Work then soon began on their second album, Heaven Up Here. Following musical differences between the band and Crocodiles producers Bill Drummond and David Balfe, Hugh Jones was brought in to produce Heaven Up Here.[6] Jones had previously engineered Crocodiles and co-produced Shine So Hard with Drummond, and would later go on to produce the band's 2005 album Siberia. The band were also given an additional producer credit.[7] The album was recorded at Rockfield Studios near Monmouth in Wales during March 1981.[8]
In the liner notes to the 2003 remastered version of the album, lead singer Ian McCulloch said that he constantly had the American rock band the Velvet Underground's song "What Goes On" in the back of his mind. He also stated that the band wanted to record a soul album.[6] In the same liner notes, bassist Les Pattinson said that the band was often lazy and hence had hired rehearsal space at the Ministry in Liverpool. He said this made them work harder and develop "language" in the rhythm.[9] According to guitarist Will Sergeant, McCulloch considers Heaven Up Here to be Sergeant's album because he was bossy and a control freak during the recording.[10]
Music
[edit]In 1981, music magazine NME described the album as darker and more passionate than 1980's Crocodiles. Record Mirror also said that the band sang the blues and devoted themselves to existential sadness. They went on to note that the album offered "an anatomy of melancholy, resplendent with the glamour of doom".[11] Melody Maker disagreed when in 1981 they said "the Bunnymen are continuing to play majestic, uplifting music that will shine through the dark days ahead of us".[11] In the 2002 book Turquoise Days: The Weird World of Echo & the Bunnymen, author Chris Adams said that in 1995 McCulloch had said, "That spikey edge [of the album] still stands up."[12] In relation to their style of music, in 1980 McCulloch had said, "I always say 'We're a rock band'. Because I'm proud of that." He added, "I like rock music [...] I prefer being good or great within that basic format [...] I just prefer basic songs."[13]
In his 2005 book Rip It Up and Start Again: Post Punk 1978–1984, British music journalist Simon Reynolds described the sound of Heaven Up Here as having been filled out with "guitar overdubs, keyboard glints, vocal multitracking and atmospheric vapours".[14] Comparing Heaven Up Here with Joy Division's 1980 album Closer, Reynolds said they are "harrowed by the same things [...] hypocrisy, distrust, betrayal, lost or frozen potential". However, he said that "Closer shows Ian Curtis fatally mesmerized by his own dread visions, Heaven Up Here ultimately turns its face towards the light" with the tracks "No Dark Things" – which he describes as renouncing "death-wishful thinking" – and "All I Want" – which he describes as "a blasting celebration of desire for desire's sake" and "pure intransitive exhilaration".[14]
Cover
[edit]The photograph used on the front and back cover of the album was taken by photographer Brian Griffin.[8] The picture shows the band on a wet beach in the south Wales seaside town of Porthcawl;[15] there are dark clouds in the sky and the sun is low on the horizon causing the band to be silhouetted. The picture was taken on a day off from recording the album.[16] The original album's cover art was designed by Martyn Atkins.[8] According to Griffin, they used buckets of fish offal to entice the gulls to fly into shot. He also stated that both Drummond and Rob Dickins, head of their record label Korova, hated the pictures from the shoot, and that he and Atkins had to fight for them to be used on the sleeve.[15] The cover received the "Best Dressed LP" award in the 1981 NME Awards.[17] Reynolds said that the band's manager, Drummond, saw them as representing "cold, dampness, darkness".[18]
The front cover picture of the original album was kept for the 2003 reissue. However, the design was altered slightly by graphic designer Rachel Gutek of the design company guppyart. The release contained an expanded booklet written by music journalist Max Bell giving the background to the album. The booklet also contains a number of photographs which are credited to Sergeant and Pattinson.[8]
Releases
[edit]The album was originally released as an LP by Korova in the United Kingdom on 29 May 1981. It was then released in the United States by Sire Records on 24 June 1981.[8] It was released elsewhere on Korova, although with a different catalogue number. Side one of the LP contained five tracks and side two had six. The album was first released on CD on 16 May 1988.
Along with the others of the band's first five albums, the album was remastered and reissued on CD in 2003 containing five bonus tracks – these releases were marketed as 25th anniversary editions. "Broke My Neck (Long Version)", recorded at Tistedal Studios in Norway on 7 June 1981, is the B-side of the 12-inch single "A Promise" – an edited version was used as the B-side of the 7-inch single. The other four bonus tracks were recorded live at the Manly Vale Hotel in Sydney, Australia, on 11 November 1981. The reissued album was produced by music historian Andy Zax and producer Bill Inglot.[8]
The only single from Heaven Up Here released worldwide was "A Promise" on 10 July 1981. The single stayed on the UK Singles Chart for four weeks and reached number 49.[3] Later that year, "Over the Wall" was released as a single in Australia only.[19]
Reception
[edit]Review scores | |
---|---|
Source | Rating |
AllMusic | [20] |
Blender | [21] |
The Guardian | [22] |
Mojo | [23] |
Pitchfork | 8.0/10[24] |
Q | [25] |
Record Mirror | [26] |
The Rolling Stone Album Guide | [27] |
Smash Hits | 9/10[28] |
The Village Voice | C[29] |
Heaven Up Here was generally well received by the music press and critics. In a 1982 interview with the band for the NME, rock journalist Barney Hoskyns described the album as "one of the most superior articulations of 'rock' form in living memory."[30] Later reviews have continued to receive the album well: AllMusic reviewer Aaron Warshaw said that McCulloch "sings with soaring abandon and passion throughout the album" and that Sergeant's guitar playing was at its "angular finest".[20] Not all reviews were positive: Robert Christgau of The Village Voice said that he held "no brief against tuneless caterwaul, but tuneless psychedelic caterwaul has always been another matter."[29] In his 1999 book From the Shores of Lake Placid and Other Stories, the band's manager Bill Drummond said "The album is dull as ditchwater. The songs are unformed, the sound uniformly grey."[31]
Heaven Up Here sold well in the United Kingdom, staying on the UK Albums Chart for a total of 16 weeks and reaching a peak of number 10 in June 1981.[3] The album was the first release by Echo & the Bunnymen to make it onto the American charts when it reached number 184 on the Billboard 200.[4]
In 2012, the album ranked number 463 on Rolling Stone magazine's list of the 500 greatest albums of all time.[5] The NME ranked the album number 39 on its list of the 50 greatest albums of the 1980s and number 51 on its list of the greatest albums of all time.[32][33] The album also received the NME's 1981 best album award.[13] Reynolds described the award as "essentially an anti-New Pop protest vote by post-punk's silent majority".[34]
Legacy
[edit]The song "The Disease" was covered — re-titled as "From Heaven" — in 2024 by American industrial metal band Static-X for their album Project Regeneration Vol. 2; it is based on an archival vocal recording of late frontman Wayne Static who passed away in 2014.[35]
Track listing
[edit]All tracks written by Will Sergeant, Ian McCulloch, Les Pattinson and Pete de Freitas.
- Side one
- "Show of Strength" – 4:50
- "With a Hip" – 3:16
- "Over the Wall" – 5:59
- "It Was a Pleasure" – 3:12
- "A Promise" – 4:08
- Side two
- "Heaven Up Here" – 3:45
- "The Disease" – 2:28
- "All My Colours" – 4:06
- "No Dark Things" – 4:27
- "Turquoise Days" – 3:51
- "All I Want" – 4:09
- 2003 reissue bonus tracks
- "Broke My Neck" (long version) – 7:22
- "Show of Strength" (live) – 4:41
- "The Disease" (live) – 1:53
- "All I Want" (live) – 3:09
- "Zimbo" (live) – 3:52
Personnel
[edit]- Echo & the Bunnymen
- Will Sergeant – lead guitar
- Ian McCulloch – vocals, rhythm guitar, piano
- Les Pattinson – bass
- Pete de Freitas – drums
with:
- Les Penning – woodwind
- Technical
- Hugh Jones – producer, engineer
- The Bunnymen – producer
- Martyn Atkins – album design
- Brian Griffin – photography
- Andy Zax – producer (reissue)
- Bill Inglot – producer (reissue), remastering
- Dan Hersch – remastering
- Claes Neeb – engineering on "Broke My Neck" (long version)
- Rachel Gutek – album design (reissue)
References
[edit]Notes
[edit]- ^ Stanley, Bob (13 September 2013). "Routine is the Enemy of Music: Post-punk". Yeah Yeah Yeah: The Story of Modern Pop. Faber & Faber. p. 488. ISBN 978-0-571-28198-5.
- ^ "Music week" (PDF). p. 31.
- ^ a b c Roberts, David, ed. (2006) [1977]. British Hit Singles & Albums (19th ed.). London: HiT Entertainment. pp. 177–178. ISBN 1-904994-10-5.
- ^ a b "Echo & the Bunnymen > Charts & Awards > Billboard Albums". AllMusic. Retrieved 3 April 2008.
- ^ a b "500 Greatest Albums of All Time". Rolling Stone. 31 May 2012. Retrieved 2 September 2019.
- ^ a b Bell, p. 4
- ^ Heaven Up Here (LP cover notes). Echo & the Bunnymen. Korova. 1981. KODE 3.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ a b c d e f Heaven Up Here (CD booklet). Echo & the Bunnymen. Warner Music UK. 2003. 2564-61162-2.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ Bell, p. 5
- ^ Bell, p. 7
- ^ a b Adams, p. 71
- ^ Adams, p. 72
- ^ a b Adams, p. 74
- ^ a b Reynolds, pp. 440–1
- ^ a b Griffin, Brian (2 November 2017). "Pop: The music photography of Brian Griffin". theweek.co.uk. Retrieved 31 October 2018.
- ^ Bell, p. 8
- ^ Adams, p. 73
- ^ Reynolds, p. 450
- ^ "The Ultimate Echo and the Bunnymen Discography". Villiers Terrace.com. Archived from the original on 11 May 2008. Retrieved 20 May 2008.
- ^ a b Warshaw, Aaron. "Heaven Up Here – Echo & the Bunnymen". AllMusic. Retrieved 9 December 2022.
- ^ Harrison, Andrew. "Echo & the Bunnymen: (various reissues)". Blender. New York. ISSN 1534-0554. Archived from the original on 16 February 2009. Retrieved 16 May 2008.
- ^ Sweeting, Adam (31 October 2003). "Echo and the Bunnymen: Various". The Guardian. London. ISSN 0261-3077. Retrieved 10 October 2015.
- ^ "Echo & the Bunnymen: Heaven Up Here". Mojo. No. 121. London. December 2003. pp. 129–30. ISSN 1351-0193.
- ^ Tangari, Joe (2 March 2004). "Echo and the Bunnymen: Crocodiles / Heaven Up Here / Porcupine / Ocean Rain / Echo & The Bunnymen". Pitchfork. Archived from the original on 3 April 2017. Retrieved 18 August 2009.
- ^ "Echo & the Bunnymen: Heaven Up Here". Q. No. 209. London. December 2003. p. 149. ISSN 0955-4955.
- ^ Cooper, Mark (6 June 1981). "Heaven from Bunnies". Record Mirror. London. p. 14. ISSN 0144-5804.
- ^ Gross, Joe (2004). "Echo and the Bunnymen". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. p. 271. ISBN 0-7432-0169-8.
- ^ Ellen, Mark (11–24 June 1981). "Echo and the Bunnymen: Heaven Up Here". Smash Hits. Vol. 3, no. 12. London. p. 29. ISSN 0260-3004.
- ^ a b Christgau, Robert (30 November 1981). "Consumer Guide". The Village Voice. New York. ISSN 0042-6180. Retrieved 19 August 2009.
- ^ Hoskyns, Barney (20 February 1982). "Echo and the Bunnymen: A Promise of Rock Re-Born". NME. London. ISSN 0028-6362.
- ^ Drummond, Bill (1999). From the Shores of Lake Placid and Other Stories. Ellipsis London. ISBN 1-84166-000-0.
- ^ "The 50 Greatest Albums of The '80s". NME. London. 25 September 1993. p. 19. ISSN 0028-6362.
- ^ "Greatest Albums of All Time". NME. London. 2 October 1993. p. 29. ISSN 0028-6362.
- ^ Reynolds, p. 441
- ^ "Project: Regeneration Vol. 2". BLABBERMOUTH.NET. 18 January 2024.
Sources
[edit]- Adams, Chris (2002). Turquoise Days: The Weird World of Echo & the Bunnymen. New York: Soft Skull Press. ISBN 1-887128-89-1.
- Bell, Max (September 2003). Heaven Up Here (CD booklet). Echo & the Bunnymen. Warner Music UK. 2564-61162-2.
{{cite AV media notes}}
: CS1 maint: year (link) - Reynolds, Simon (2006). Rip It Up and Start Again: Post-punk 1978–84. London: Faber and Faber. ISBN 0-571-21570-X.