The Pianist (2002 film): Difference between revisions
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{{Short description|Biopic directed by Roman Polanski}} |
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{{redirect|Le Pianiste|the 2001 French film originally titled ''La Pianiste''|The Piano Teacher (film)}} |
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{{Hatnote group|{{Redirect-distinguish-text|Le Pianiste|the 1993 film, ''[[The Piano]]''}}{{For|the 2001 French film originally titled ''La Pianiste''|The Piano Teacher (film)}}}} |
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{{refimprove|date=June 2012}} |
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{{Use dmy dates|date= |
{{Use dmy dates|date=December 2020}} |
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{{Infobox film |
{{Infobox film |
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| name = The Pianist |
| name = The Pianist |
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| image = The Pianist movie.jpg |
| image = The Pianist movie.jpg |
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| alt = |
| alt = |
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| caption = Theatrical release poster |
| caption = US Theatrical release poster |
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| director = [[Roman Polanski]] |
| director = [[Roman Polanski]] |
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| producer = {{Plainlist| |
| producer = {{Plainlist| |
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* Roman Polanski |
* Roman Polanski |
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* Robert Benmussa |
* Robert Benmussa |
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* [[Alain Sarde]] |
* [[Alain Sarde]] |
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* [[Gene Gutowski]] |
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}} |
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| writer = |
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| screenplay = [[Ronald Harwood]] |
| screenplay = [[Ronald Harwood]] |
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| |
| based_on = {{Based on|''[[The Pianist (memoir)|The Pianist]]''|[[Władysław Szpilman]]}} |
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| starring = {{Plainlist| |
| starring = {{Plainlist| |
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* [[Adrien Brody]] |
* [[Adrien Brody]] |
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* [[Maureen Lipman]] |
* [[Maureen Lipman]] |
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* [[Emilia Fox]] |
* [[Emilia Fox]] |
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* [[ |
* [[Ed Stoppard]] |
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* [[Julia Rayner]] |
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* [[Jessica Kate Meyer]]}} |
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| music = [[Wojciech Kilar]] |
| music = [[Wojciech Kilar]] |
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| cinematography = [[Paweł Edelman]] |
| cinematography = [[Paweł Edelman]] |
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| editing = [[Hervé de Luze]] |
| editing = [[Hervé de Luze]] |
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| studio = {{Plainlist| |
| studio = {{Plainlist| |
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* [[Canal+]] |
* [[Groupe Canal+|Canal+]] |
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* [[Studio Babelsberg]] |
* [[Studio Babelsberg]] |
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* [[StudioCanal |
* [[StudioCanal]]}} |
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| distributor = |
| distributor = {{Plainlist| |
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* [[BAC Films]] (France)<ref name=uni>{{cite web|title=The Pianist (2001)|work=[[UniFrance]]|access-date=1 July 2021|url=https://en.unifrance.org/movie/22213/the-pianist}}</ref> |
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| released = {{Film date|df=y|2002|05|24|[[2002 Cannes Film Festival|Cannes]]|2002|09|06|Poland|2003|03|06|UK}}<!--WP:FILMRELEASE--> |
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* [[Tobis Film|Tobis StudioCanal]]<ref>{{cite web|title=Germany's Tobis breaks away from StudioCanal|website=[[Screen International]]|first=Martin|last=Blaney|date=29 November 2002|access-date=11 March 2023|url=http://https..www.screendaily.com/germanys-tobis-breaks-away-from-studiocanal/4011410.article}}</ref> (Germany)<ref name=lum>{{cite web|title=Film #18808: The Pianist|work=[[Lumiere (website)|Lumiere]]|access-date=10 May 2021|url=http://lumiere.obs.coe.int/web/film_info/?id=18808}}</ref> |
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| runtime = 149 minutes<!--Theatrical runtime: 148:42--><ref>{{cite web | url=http://bbfc.co.uk/releases/pianist-2003-1 | title=''THE PIANIST'' (15) | work=[[British Board of Film Classification]] | date=3 July 2002 | accessdate=14 March 2015}}</ref> |
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* Syrena Entertainment Group (Poland)<ref name=uni/> |
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* [[Pathé|Pathé Distribution]] (United Kingdom)<ref name=lum/><ref name=bbfc/> |
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}} |
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| released = {{Film date|df=y|2002|05|24|[[2002 Cannes Film Festival|Cannes]]|2002|09|06|Poland|2002|09|25|France|2002|10|24|Germany|2003|01|24|United Kingdom}}<!--WP:FILMRELEASE--> |
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| runtime = 143 minutes<!--Theatrical runtime: 142:36--><ref name=bbfc>{{cite web | url=http://https..www.bbfc.co.uk/release/the-pianist-q29sbgvjdglvbjpwwc0zmzq1nta | title=''THE PIANIST'' (15) | work=[[British Board of Film Classification]] | date=3 July 2002 | access-date=24 October 2023}}</ref> |
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| country = {{Plainlist| |
| country = {{Plainlist| |
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* France |
* France |
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| language = {{Plainlist| |
| language = {{Plainlist| |
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* English |
* English |
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* German}} |
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* Polish |
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| budget = $35 million<ref name="boxofficemojo.com">{{cite web|url=http://www.boxofficemojo.com/movies/?id=pianist.htm|title=The Pianist |date=2002 |website= Box Office Mojo|access-date=28 October 2016}}</ref> |
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* German |
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| gross = $120.1 million<ref name="boxofficemojo.com"/> |
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* Russian |
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* French |
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* Turkish}} |
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| budget = $35 million<ref>http://www.boxofficemojo.com/movies/?id=pianist.htm</ref> |
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| gross = $120.1 million<ref>http://www.boxofficemojo.com/movies/?id=pianist.htm</ref> |
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}} |
}} |
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'''''The Pianist''''' is a 2002 [[ |
'''''The Pianist''''' is a 2002 [[biographical film]] produced and directed by [[Roman Polanski]], with a script by [[Ronald Harwood]], and starring [[Adrien Brody]].<ref>{{cite book |last=Hare |first=William |title=LA Noir: Nine Dark Visions of the City of Angels |publisher=Macfarland and Company |location=Jefferson, North Carolina |year=2004 |page=207 |isbn=0-7864-1801-X }}</ref> It is based on the autobiographical book [[The Pianist (memoir)|''The Pianist'']] (1946), a memoir by the [[History of the Jews in Poland|Polish-Jewish]] pianist, composer and Holocaust survivor [[Władysław Szpilman]].<ref name="szpilman-net">{{cite web|url=http://www.szpilman.net/|title=The Pianist| author= Szpilman, Wladyslaw |website=Szpilman.net|access-date=20 August 2016}}</ref> The film was a co-production by France, the United Kingdom, Germany and Poland. |
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''The Pianist'' |
''The Pianist'' premiered at the [[2002 Cannes Film Festival]] on 24 May 2002, where it won the [[Palme d'Or]], and went into wide release that September; the film received widespread critical acclaim, with critics lauding Polanski's direction, Brody's performance and Harwood's screenplay.<ref name="festival-cannes.com">{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/3152981/year/2002.html |title=Festival de Cannes: The Pianist |access-date=25 October 2009|website=festival-cannes.com}}</ref> At the [[75th Academy Awards]], the film won for [[Academy Award for Best Director|Best Director]] (Polanski), [[Academy Award for Best Adapted Screenplay|Best Adapted Screenplay]] (Harwood), and [[Academy Award for Best Actor|Best Actor]] (Brody), and was nominated for four others, including [[Academy Award for Best Picture|Best Picture]] (it lost to ''[[Chicago (2002 film)|Chicago]]''). It also won the [[BAFTA Award for Best Film]] and [[BAFTA Award for Best Direction]] in 2003, and seven French [[César Awards|Césars]], including [[César Award for Best Picture|Best Picture]], [[César Award for Best Director|Best Director]], and [[César Award for Best Actor|Best Actor]] for Brody.<ref name="focus-features">{{cite web|url=http://www.focusfeatures.com/the_pianist/awards|title=Official Site - The Pianist - Awards & Nominations|website=FocusFeatures|access-date=21 August 2016|archive-date=11 October 2016|archive-url=https://web.archive.org/web/20161011035251/http://www.focusfeatures.com/the_pianist/awards|url-status=dead}}</ref> It appeared in [[BBC's 100 Greatest Films of the 21st Century]] in 2016. |
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==Plot== |
==Plot== |
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<!-- Per WP:FILMPLOT, plot summaries for feature films are 400 to 700 words. --> |
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In September 1939, [[Władysław Szpilman]] ([[Adrien Brody]]), a Polish-Jewish [[pianist]], is playing live on the radio in [[Warsaw]] when the station is [[Siege of Warsaw (1939)|bombed]] during [[Nazi Germany]]'s [[invasion of Poland]] which caused the outbreak of [[World War II]]. Hoping for a quick victory, Szpilman celebrates with his posh family at home when learning that [[Phoney War|Britain and France have declared war]] on Germany. German troops soon enter Warsaw and the [[General Government|Nazi authorities]] implemented [[Generalplan Ost|measures]] to identify, isolate, financially ruin and reduce the Jewish population in Warsaw. Jews are ordered to provide their own identifying armbands with the [[Star of David]]. |
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In September 1939, [[Władysław Szpilman]], a [[History of the Jews in Poland|Polish-Jewish]] pianist, is playing live on the radio in [[Warsaw]] when the station is besieged during the [[Nazi Germany]]'s [[Bombing_of_Warsaw_in_World_War_II|bombing of Warsaw]]. After escaping alive, Szpilman and his family prepare to leave the city when they learn that [[Phoney War|Britain and France have declared war]] on Germany. Relieved at the news, Szpilman and his family choose to stay in the city and celebrate. Their celebrations are short lived as Warsaw becomes part of the Nazi-controlled [[General Government]]. Jews are soon prevented from working or owning businesses, and are also forced to wear blue [[Star of David]] armbands. Szpilman and his family sell many of their material belongings including his piano in order to make enough [[zlotys]] to survive. |
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By November 1940, Szpilman and his family are forced from their home into the overcrowded [[Warsaw Ghetto]]. They struggle under the ghetto's squalid conditions with disease and starvation rampant. Szpilman finds work by performing in a cafè frequented by upper-class Jews, who smuggle in forbidden goods in order to live comfortably. On one occasion, he sees a young boy being savagely beaten by a guard while trying to crawl through a gap in the ghetto wall; the boy is dead by the time Szpilman can pull him through. During dinner one evening, Szpilman and his family witness the SS murder an entire family in an apartment across the street during a round-up, including throwing an elderly wheelchair-bound man from the window. |
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[[File:Władysław Szpilman.jpg|thumb|left|150px|Photograph of [[Władysław Szpilman]]]] |
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By November 1940, the Szpilman family and the 360,000 other Warsaw Jews are removed to the newly established Warsaw Ghetto. Conditions make life difficult with overcrowding, starvation, loss of social structure, and disrespect by the military guards. An emaciated dead adult can be seen on the street being comforted by a child and an elderly woman is assaulted over and robbed of the contents of her soup canteen. The Szpilmans witness from across the street of their housing the [[Schutzstaffel|SS]] kill the inhabitants of another apartment during a [[Roundup (history)|round-up]]. |
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On 16 August 1942, |
On 16 August 1942, Szpilman and his family are to be transported to [[Treblinka extermination camp]] as part of [[Operation Reinhard]]. At the ''[[Umschlagplatz]]'', Szpilman is about to board the [[Holocaust trains|train]], when a friend from the [[Jewish Ghetto Police]] separates him away from his family and allows him to escape. Szpliman is unable to save the rest of his family, and they are sent away to the camps. He later becomes a slave labourer, and learns of an [[Warsaw Ghetto uprising|upcoming Jewish revolt]]. He helps the resistance by smuggling weapons into the ghetto hidden inside bags of food, on one occasion narrowly avoiding a suspicious guard. Szpilman eventually manages to escape, and goes into hiding with help from a non-Jewish friend, actor [[Andrzej Bogucki]] and his wife Janina Godlewska, who provided him an apartment to hide. |
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In April 1943, Szpilman watches from his apartment as the ghetto uprising unfolds and then ultimately fails. A neighbor discovers Szpilman and attempts to report him, but he manages to escape and meets his old friend Dorota, whose husband provides him with another hiding place in the middle of the German quarter. The new apartment has a piano in it, but he is compelled to keep quiet in order to not get discovered. Szpilman begins to starve and eventually suffers from [[jaundice]]. Dorota and her husband visits Szpilman the last time, providing him with a doctor to treat his illness. |
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In April 1943, Władysław can see from a window of his hiding place the effects of the [[Warsaw Ghetto Uprising]]. Attempting to leave the hiding place for assistance, a neighbor questions his being in the building. Władysław flees and is again assisted with a new hiding place with a piano that on he can silently mimic play. He gets jaundice and survives. |
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By August 1944, Szpilman recovers and the [[Warsaw Uprising]] begins. The [[Home Army]] attacks the [[Schutzpolizei (Nazi Germany)|''Schutzpolizei'']] Hospital across the street from the apartment, while Szpilman's apartment building is destroyed in the fighting, forcing him to flee and hide in the now abandoned hospital. Over the course of the following months, [[destruction of Warsaw|Warsaw is destroyed]]. |
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In August 1944, during the Warsaw uprising, the [[Armia Krajowa|Polish resistance]] attacks a German building across the street from Władysław's hideout. A tank shells his apartment building, forcing him to hide elsewhere in a deserted and war-torn section of the city. He stays in a damaged and abandoned house, where he finds a large can of pickles. He thinks he is alone in the house and tries to open the can. A ''[[Wehrmacht]]'' officer, [[Wilm Hosenfeld]] ([[Thomas Kretschmann]]), has gone to the house to play on the piano there. The officer learns about Władysław's ability when he is told by the officer to play anything; he plays ''[[Ballade in G minor (Chopin)|Chopin's Ballade in G minor]]''. Hosenfeld is moved and has Władysław show him where he hides in the attic. The German officer brings him food. |
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Upon noticing German troops burning the hospital with [[flamethrower]]s, Szpilman flees and wanders through the city's ruins. He reaches an empty house where he finds a can of [[pickled cucumber]]s. While trying to open the can, Szpilman is discovered by ''[[Wehrmacht]]'' captain [[Wilm Hosenfeld]], who learns that he is a pianist. He asks Szpilman to play on a grand piano in the house. The decrepit Szpilman manages to play [[Frédéric Chopin|Chopin]]'s "[[Ballade No. 1 (Chopin)|Ballade No. 1 in G minor]]". Hosenfeld lets him hide in the attic of the house, which is used as his center of operations, and supplies food for him. |
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In January 1945, the Germans are forced to retreat due to the [[Vistula–Oder Offensive|advance of the Red Army]]. Hosenfeld meets Szpilman for the last time and promises he will listen to him on [[Polskie Radio|Polish Radio]] after the war. He gives Szpilman his [[greatcoat]] to keep warm and leaves. However, this has almost fatal consequences for Szpilman when he is mistaken for a German soldier, when trying to hug the Polish soldiers and is shot at by [[First Polish Army (1944-1945)|Polish troops]] liberating Warsaw, who then find he is Polish and save him. |
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In January 1945, the Germans are retreating from the [[Vistula-Oder offensive|Soviet offensive]]. Hosenfeld meets Szpilman for the last time, promising he will listen to him on [[Polskie Radio|Polish Radio]] after the war. Hosenfeld leaves Szpilman with a large supply of food and his greatcoat to keep warm. After Warsaw is liberated, Szpilman narrowly survives an ambush by several [[Polish People's Army|People's Army]] troops who mistake him for a German because of the coat. |
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In Spring 1945, former inmates of a [[Nazi concentration camp]] pass a Soviet prisoner-of-war camp holding captured German soldiers and verbally abuse them. Hosenfeld, among those captured, overhears a released inmate lament over his former career as a violinist. He asks the violinist if he knows Szpilman, which he confirms. Hosenfeld wishes for Szpilman to return the favor and help release him. Sometime later, the violinist is able to bring Szpilman back to the site but they find it has been long abandoned. |
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In Spring 1945, surviving [[Nazi concentration camp|concentration camp]] inmates pass by a Soviet POW camp holding captured German soldiers and verbally abuse them; one lamenting over his former career as a violinist. Hosenfeld, one of the prisoners, approaches the violinist and asks if he knows Szpilman, which he confirms. Hosenfeld asks the violinist if Szpilman can help rescue him. The violinist later brings Szpilman back to the site but it is abandoned. |
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Later, Szpilman works for Polish Radio and performs Chopin's ''[[Andante spianato et Grande Polonaise brillante|Grand Polonaise brillante]]'' to a large and prestigious audience. An epilogue states that Szpilman continued to live in Warsaw until his death at the age of 88 in the year 2000, while Hosenfeld died in a Soviet POW gulag camp in 1952. |
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After the war, Szpilman resumes his career at the Polish Radio, where he performs Chopin's "[[Andante spianato et grande polonaise brillante|Grand Polonaise]]" with an orchestra to a large prestigious audience. An epilogue notes that Szpilman died in 2000 at the age of 88, while Hosenfeld died in Soviet captivity in 1952. |
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==Cast== |
==Cast== |
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[[File:Adrien_Brody_2011_Shankbone_(2).jpg|thumb|175px|right|Adrien Brody portrays Władysław Szpilman in ''The Pianist''.]] |
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{{div col}} |
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* [[Adrien Brody]] as [[Władysław Szpilman]] |
* [[Adrien Brody]] as [[Władysław Szpilman]] |
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* [[Thomas Kretschmann]] as Captain [[Wilm Hosenfeld]] |
* [[Thomas Kretschmann]] as Captain [[Wilm Hosenfeld]] |
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* [[Frank Finlay]] as |
* [[Frank Finlay]] as Samuel Szpilman |
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* [[Maureen Lipman]] as |
* [[Maureen Lipman]] as Edwarda Szpilman |
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* [[Emilia Fox]] as Dorota |
* [[Emilia Fox]] as Dorota |
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* [[Ed Stoppard]] as Henryk |
* [[Ed Stoppard]] as Henryk Szpilman |
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* Julia Rayner as Regina |
* [[Julia Rayner]] as Regina Szpilman |
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* Jessica Kate Meyer as Halina |
* [[Jessica Kate Meyer]] as Halina Szpilman |
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* [[Ronan Vibert]] as [[Andrzej Bogucki]] |
* [[Ronan Vibert]] as [[Andrzej Bogucki]] |
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* Ruth Platt as |
* [[Ruth Platt]] as Janina Bogucki |
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* [[Andrew Tiernan]] as Antek Szałas |
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* [[Michał Żebrowski]] as Jurek |
* [[Michał Żebrowski]] as Jurek |
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* Roy Smiles as Itzhak Heller |
* [[Roy Smiles]] as Itzhak Heller |
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* Richard Ridings as Mr. Lipa |
* [[Richard Ridings]] as Mr. Lipa |
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* Daniel Caltagirone as Majorek |
* [[Daniel Caltagirone]] as Majorek |
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* [[Valentine Pelka]] as Dorota's Husband |
* [[Valentine Pelka]] as Michal Dzkiewicz, Dorota's Husband |
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* [[Zbigniew Zamachowski]] as Customer with Coins |
* [[Zbigniew Zamachowski]] as Customer with Coins |
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* [[Krzysztof Pieczyński]] as Marek Gębczyński |
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* Ireneusz Machnicki as SS Officer |
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* Cezary Krajewski as SS Officer |
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* [[Paul Bradley (English actor)|Paul Bradley]] as Yehuda |
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* [[Katarzyna Figura]] as Neighbor |
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* [[Morgane Polanski]] as Girl #1 |
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* Detlev von Wangenheim as SS Officer #1 |
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* Katarzyna Bargielowska as Wailing Woman |
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* [[Lech Mackiewicz]] as Fellow Worker |
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* Zofia Czerwinska as Woman with Soup |
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* [[Maja Ostaszewska]] as Woman with Child |
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* Peter Rappengluck as SS Making a Sperm |
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* [[Joanna Brodzik]] as Woman Shot in tie |
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* Darian Wawer as Child at the Wall |
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* [[Cezary Kosinski]] as Lednicki |
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* Wojciech Smolarz as Boy With Sweets |
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* Thomas Lawinky as Schutzpolizei #1 |
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* Joachim Paul Assbock as Schutzpolizei #2 |
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* John Benneth as Dr. Ehrlich |
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* Udo Kroschwald as Schultz |
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* [[Popeck]] as Rubenstein |
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* [[Cyril Shaps]] as Mr. Grun |
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* Torsten Flach as Zig Zag |
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* Ben Harlan as Street Musician #3 |
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* [[Anthony Milner]] as Man Waiting to Cost |
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* [[Lucie Skeaping]] as Street Musician #1 |
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* Andrzej Blumenfeld as Benek |
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* Wanja Mues as SS Slapping Father |
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* Nomi Sharon as Feather Woman |
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* [[Roddy Skeaping]] as Street Musician #2 |
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{{div col end}} |
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==Production== |
==Production== |
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===Development and casting=== |
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[[File:Ulica Mała w Warszawie 2015.JPG|thumb|Mała Street in [[Warsaw]]'s [[Praga-Północ]] district used for filming of ''The Pianist''.]] |
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[[File:Władysław Szpilman.jpg|thumb|left|150px|Photograph of [[Władysław Szpilman]]]] |
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The story had deep connections with director [[Roman Polanski]] because he escaped from the [[Kraków Ghetto]] as a child after the death of his mother. He ended up living in a Polish farmer's barn until the war's end. His father almost died in the camps, but they reunited after the [[End of World War II in Europe|end of World War II]]. |
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The story had deep connections with director [[Roman Polanski]] because he escaped from the [[Kraków Ghetto]] as a child after the death of his mother. He ended up living in a Polish farmer's barn until the war's end. His father almost died in the camps, but they reunited after the [[End of World War II in Europe|end of World War II]].<ref name="angelfire-com">{{cite web|url=https://www.angelfire.com/scifi2/rsolecki/roman_polanski.html|title=Roman Raymond Polański |access-date=21 August 2016}}</ref> |
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[[Joseph Fiennes]] was Polanski's first choice for the lead role, but he turned it down due to a previous commitment to a theatrical role. Over 1,400 actors auditioned for the role of Szpilman at a casting call in |
[[Joseph Fiennes]] was Polanski's first choice for the lead role, but he turned it down due to a previous commitment to a theatrical role.<ref name="Joseph-Fiennes">{{cite web|url=http://https..www.theguardian.com/stage/2005/sep/21/theatre1|title=Xan Brooks talks to Joseph Fiennes about Hollywood and the theatre |website=[[TheGuardian.com]] |date=21 September 2005 |access-date=27 August 2016}}</ref> Over 1,400 actors auditioned for the role of Szpilman at a casting call in London, but Polanski was unsatisfied with all who tried. Eventually, Polanski watched ''[[Harrison's Flowers]]'' (2000), and then Polanski decided to offer [[Adrien Brody]] the leading role during their first meeting in Paris.<ref>{{cite web|title=Adrien Brody on Winning the Oscar, Catching a Train with Wes Anderson, and Making Music With Popcorn |website=[[Variety (magazine)|Variety]]|date=8 Dec 2023|access-date=8 Dec 2023|url=https://variety.com/2023/film/global/adrien-brody-roman-polanski-wes-anderson-1235829611/}}</ref><ref name="mypianoworld-yolasite-com">{{cite web|url=http://mypianoworld.yolasite.com/roman-polanksis-film---the-pianist.php|title=The Pianist - Movie by Roman Polanski. |archive-url=https://web.archive.org/web/20110616180551/http://mypianoworld.yolasite.com/roman-polanksis-film---the-pianist.php |archive-date=16 June 2011 |url-status=dead}}</ref> |
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===Filming=== |
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[[Principal photography]] on ''The Pianist'' began on 9 February 2001 in [[Babelsberg Studio]] in [[Potsdam]], Germany. The Warsaw Ghetto and the surrounding city were recreated on the [[backlot]] of Babelsberg Studio as they would have looked during the war. Old Soviet Army barracks were used to create the ruined city, as they were going to be destroyed anyway. |
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[[File:Ulica Mała w Warszawie 2015.JPG|thumb|Mała Street in [[Warsaw]]'s [[Praga-Północ]] district used for filming of ''The Pianist'']] |
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[[Principal photography]] on ''The Pianist'' began on 9 February 2001 in [[Babelsberg Studio]] in [[Potsdam]], Germany. The [[Warsaw Ghetto]] and the surrounding city were recreated on the [[backlot]] of [[Babelsberg Studio]] as they would have looked during the war. Old [[Soviet Army]] [[barracks]] were used to create the ruined city, as they were going to be destroyed anyway.<ref name="anatomy-of-a-masterpiece">{{cite web|url=http://whatculture.com/film/anatomy-of-a-masterpiece-roman-polanskis-the-pianist|title=Anatomy of a masterpiece |date=8 May 2010 |access-date=4 September 2016}}</ref> |
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The first scenes of the film were shot at the old army barracks. Soon after, the film crew moved to a villa in [[Potsdam]], which served as the house where Szpilman meets Hosenfeld. On 2 March 2001, filming then moved to an abandoned Soviet military hospital in [[Beelitz]], Germany. The scenes that featured German soldiers destroying a Warsaw hospital with flamethrowers were filmed |
The first scenes of the film were shot at the old army barracks. Soon after, the film crew moved to a villa in [[Potsdam]], which served as the house where Szpilman meets Hosenfeld. On 2 March 2001, filming then moved to an abandoned [[Soviet military]] hospital in [[Beelitz]], Germany. The scenes that featured German soldiers destroying a Warsaw hospital with flamethrowers were filmed there. On 15 March, filming finally moved to Babelsberg Studios. The first scene shot at the studio was the complex and technically demanding scene in which Szpilman witnesses the ghetto uprising.<ref name="anatomy-of-a-masterpiece"/> |
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Filming at the studios ended on 26 March and moved to Warsaw on 29 March. The rundown district of [[Praga]] was chosen for filming because of its abundance of original buildings. The art department built onto these original buildings, re-creating [[Occupation of Poland (1939–1945)|World War |
Filming at the studios ended on 26 March, and moved to Warsaw on 29 March. The rundown district of [[Praga]] was chosen for filming because of its abundance of original buildings. The art department built onto these original buildings, re-creating [[Occupation of Poland (1939–1945)|World War II-era Poland]] with signs and posters from the period. Additional filming also took place around Warsaw. The [[Umschlagplatz]] scene where Szpilman, his family, and hundreds of other Jews wait to be taken to the extermination camps was filmed at the [[National Defence University of Warsaw]].<ref name="theguardian-ghetto-with-Polanski">{{cite web|url=http://https..www.theguardian.com/film/2001/jun/22/artsfeatures2|title=In the ghetto with Polanski |website=[[TheGuardian.com]] |date=22 June 2001 |access-date=4 September 2016}}</ref> |
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Principal photography ended in July 2001 and was followed by months of post-production in Paris |
Principal photography ended in July 2001, and was followed by months of post-production in [[Paris]].<ref name="mypianoworld-yolasite-com"/> |
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===Music=== |
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{{further|The Pianist (soundtrack)}} |
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* The piano piece heard at the beginning of the film is [[Frédéric Chopin|Chopin]]'s [[Nocturne in C-sharp minor, Op. posth. (Chopin)|Nocturne in C-sharp minor, ''Lento con gran espressione'']], Op. posth. |
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* The piano piece that is heard being played by a next door neighbour while Szpilman was in hiding at an apartment is also an arrangement of "[[Umówiłem się z nią na dziewiątą]]". |
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* The piano music heard in the abandoned house when Szpilman had just discovered a hiding place in the attic is the ''[[Piano Sonata No. 14 (Beethoven)|Piano Sonata No. 14 (Moonlight Sonata)]]'' by [[Ludwig van Beethoven|Beethoven]]. It was later revealed that German officer Hosenfeld was the pianist. The German composition juxtaposed with the mainly Polish/Chopin selection of Szpilman. |
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* The piano piece played when Szpilman is confronted by Hosenfeld is Chopin's [[Ballade No. 1 (Chopin)|Ballade in G minor]], Op. 23, but the version played in the movie was shortened (the entire piece lasts about 10 minutes). |
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* The cello piece heard at the middle of the film, played by Dorota, is the Prelude from [[Johann Sebastian Bach|Bach]]'s ''[[Cello Suites (Bach)|Cello Suite No. 1]]''. |
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* The piano piece heard at the end of the film, played with an orchestra, is Chopin's ''[[Andante spianato et grande polonaise brillante|Grande Polonaise brillante]]'', Op. 22. |
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* Shots of Szpilman's hands playing the piano in close-up were performed by Polish classical pianist [[Janusz Olejniczak]], who also performed on the soundtrack. |
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* Since Polanski wanted the film to be as realistic as possible, any scene showing Brody playing was actually his playing, overdubbed by recordings performed by Olejniczak. In order for Brody's playing to look like it was at the level of Szpilman's, he spent many months prior to and during the filming practising so that his keystrokes on the piano would convince viewers that Brody himself was playing.<ref name="Janusz-Olejniczak">{{cite web|url=http://https..www.wsws.org/en/articles/2003/08/pian-a01.html|title=A review of music from the motion picture The Pianist|date=August 2003 |access-date=4 September 2016}}</ref> |
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==Reception== |
==Reception== |
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===Critical response=== |
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''The Pianist'' received high critical acclaim and Brody's performance received extreme praise. <!-- Cited terminology, do not change. --> It has a 96% approval rating on the [[review aggregator]] website [[Rotten Tomatoes]], based on 178 reviews with an average rating of 8.2/10 and the consensus, "Well-acted and dramatically moving, ''The Pianist'' is Polanski's best work in years."<ref name="rottentomatoes"/> [[Metacritic]], which assigns a [[weighted average]] score, gave the film a score of 85/100, based on 40 reviews from critics.<ref name="metacritic"/> |
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''The Pianist'' was widely acclaimed by critics, with Brody's performance, Harwood's screenplay, and Polanski's direction receiving special praise. {{Rotten Tomatoes prose|95|8.2|190|Well-acted and dramatically moving, ''The Pianist'' is Polanski's best work in years.|access-date={{RT data|access date}}}}<ref name="rottentomatoes">{{Cite web|url=http://www.rottentomatoes.com/m/pianist/|title=The Pianist (2002)|work=[[Rotten Tomatoes]]|publisher=[[Fandango Media|Fandango]]|access-date=22 April 2022}}</ref> On [[Metacritic]], the film has a weighted average score of 85 out of 100, based on 40 critics, indicating "universal acclaim".<ref name="metacritic">{{cite web|url=http://www.metacritic.com/video/titles/pianist?q=the%20pianist|title=The Pianist reviews|publisher=[[Metacritic]]|access-date=23 December 2012|archive-date=28 December 2007|archive-url=https://web.archive.org/web/20071228072639/http://www.metacritic.com/video/titles/pianist?q=the%20pianist|url-status=dead}}</ref> |
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[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' gave the film three and a half stars out of four, noting that, "perhaps that impassive quality reflects what [director Roman] Polanski wants to say. ... By showing Szpilman as a survivor, but not a fighter or a hero—as a man who does all he can to save himself, but would have died without enormous good luck and the kindness of a few non-Jews—Polanski is reflecting ... his own deepest feelings: that he survived, but need not have, and that his mother died and left a wound that had never healed."<ref name="The Pianist">{{cite news|url=http://https..www.rogerebert.com/reviews/the-pianist-2003|date=3 January 2003|last=Ebert|first=Roger|work=Chicago Sun-Times |title=The Pianist|access-date=23 December 2012}}</ref> |
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[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' gave a positive review of the film, noting that "perhaps that impassive quality reflects what [director Roman] Polanski wants to say... By showing Szpilman as a survivor but not a fighter or a hero—as a man who does all he can to save himself, but would have died without enormous good luck and the kindness of a few non-Jews—Polanski is reflecting... his own deepest feelings: that he survived, but need not have, and that his mother died and left a wound that had never healed."<ref name="The Pianist"/> Michael Wilmington of the ''[[Chicago Tribune]]'' said that the film "is the best dramatic feature I've seen on the Holocaust experience, so powerful a statement on war, inhumanity and art's redemption that it may signal Polanski's artistic redemption." He would later go on to say that the film "illustrates that theme and proves that Polanski's own art has survived the chaos of his life -- and the hell that war and bigotry once made of it."<ref name="Chicago Tribune">{{cite web|url=http://articles.chicagotribune.com/2003-01-05/news/0301050218_1_wladyslaw-szpilman-warsaw-ghetto-uprising-ronald-harwood|title=Polanski's `Pianist' may put `profligate dwarf' in better light|last=Wilmington|first=Michael|work=[[Chicago Tribune]]|date=January 5, 2003|accessdate=November 25, 2012}}</ref> [[Richard Schickel]] of ''[[Time (magazine)|Time]]'' called it a "raw, unblinkable film" and said that "We admire this film for its harsh objectivity and refusal to seek our tears, our sympathies."<ref name="Time">{{Cite web|title=Have a Very Leo Noel|url=http://www.time.com/time/magazine/article/0,9171,400004-4,00.html|page=4|date=December 15, 2002|accessdate=November 25, 2012|last=Schickel|first=Richard|work=Time}}</ref> [[Mick LaSalle]] of the ''[[San Francisco Chronicle]]'' said that the film "contains moments of irony, of ambiguity and of strange beauty, as when we finally get a look at Warsaw and see a panorama of destruction, a world of color bombed into black-and-white devastation." He also said that "In the course of showing us a struggle for survival, in all its animal simplicity, Polanski also gives us humanity, in all its complexity."<ref name="SFC">{{cite web|url=http://www.sfgate.com/movies/article/Masterpiece-Polanski-s-The-Pianist-is-a-true-2687880.php|title=Masterpiece / Polanski's 'The Pianist' is a true account of one man's survival in the Warsaw ghetto|last=LaSalle|first=Mick|work=San Francisco Chronicle|date=January 3, 2003|accessdate=November 25, 2012|publisher=Hearst Communications}}</ref> [[A.O. Scott]] of ''[[The New York Times]]'' said that Szpilman "comes to resemble one of Samuel Beckett's gaunt existential clowns, shambling through a barren, bombed-out landscape clutching a jar of pickles. He is like the walking punchline to a cosmic jest of unfathomable cruelty." He also felt that "Szpilman's encounter, in the war's last days, with a music-loving Nazi officer... ...courted sentimentality by associating the love of art with moral decency, an equation the Nazis themselves, steeped in Beethoven and Wagner, definitively refuted."<ref name="New York Times">{{cite web | url=http://www.nytimes.com/2002/12/27/movies/27PIAN.html | title=Surviving the Warsaw Ghetto Against Steep Odds | work=The New York Times | date=December 27, 2002 | accessdate=November 25, 2012 | author=Scott, A.O.}}</ref> |
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Michael Wilmington of the ''[[Chicago Tribune]]'' said that the film "is the best dramatic feature I've seen on the Holocaust experience, so powerful a statement on war, inhumanity, and art's redemption that it may signal Polanski's artistic redemption". He later said that the film "illustrates that theme and proves that Polanski's own art has survived the chaos of his life—and the hell that war and bigotry once made of it".<ref name="Chicago Tribune">{{cite web|url=https://www.chicagotribune.com/2003/01/05/polanskis-pianist-may-put-profligate-dwarf-in-better-light/|title=Polanski's 'Pianist' may put 'profligate dwarf' in better light|last=Wilmington|first=Michael|work=[[Chicago Tribune]]|date=5 January 2003|access-date=25 November 2012}}</ref> |
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==Home release== |
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''The Pianist'' was released on DVD on 26 May 2003 in a double-sided disc Special Edition DVD, with the film on one side and special features on the other. Some Bonus Material included a making-of, interviews with Brody, Polanski, and Harwood, and clips of Szpilman playing the piano. The Polish DVD edition included an audio commentary track by production designer Starski and director of photography Edelman. |
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[[Richard Schickel]] of ''[[Time (magazine)|Time]]'' magazine called it a "raw, unblinkable film", and said that "we admire this film for its harsh objectivity and refusal to seek our tears, our sympathies."<ref name="Time">{{Cite magazine|title=Have a Very Leo Noel|url=http://www.time.com/time/magazine/article/0,9171,400004-4,00.html|archive-url=https://web.archive.org/web/20070329010744/http://www.time.com/time/magazine/article/0,9171,400004-4,00.html|url-status=dead|archive-date=29 March 2007|page=4|date=15 December 2002|access-date=25 November 2012|last=Schickel|first=Richard|magazine=Time}}</ref> |
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Universal Studios Home Entertainment released the film on HD-DVD on 8 January 2008 with extras comprising the featurette "A Story of Survival" and rare footage of the real [[Władysław Szpilman]] playing his piano, as well as additional interviews with Adrien Brody and other crew. |
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[[Mick LaSalle]] of the ''[[San Francisco Chronicle]]'' said that the film "contains moments of irony, of ambiguity, and of strange beauty, as when we finally get a look at Warsaw and see a panorama of destruction, a world of color bombed into black-and-white devastation". He also said that, "in the course of showing us a struggle for survival, in all its animal simplicity, Polanski also gives us humanity, in all its complexity."<ref name="SFC">{{cite web|url=http://www.sfgate.com/movies/article/Masterpiece-Polanski-s-The-Pianist-is-a-true-2687880.php|title=Masterpiece / Polanski's 'The Pianist' is a true account of one man's survival in the Warsaw ghetto|last=LaSalle|first=Mick|work=San Francisco Chronicle|date=3 January 2003|access-date=25 November 2012|publisher=Hearst Communications}}</ref> |
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[[Optimum Releasing|Optimum Home Entertainment]] released ''The Pianist'' to the [[Blu-ray Disc Region Code|European market]] on [[Blu-ray]] as part of their ''StudioCanal Collection'' on 13 September 2010,<ref name="StudioCanal Collection"/> the film's second release on Blu-ray. The first was troublesome due to issues with subtitles; the initial BD lacked subtitles for spoken German dialogue. [[Optimum Releasing|Optimum]] later rectified this<ref name="Problems with initial BD release"/> but the initial release also lacked notable special features. The ''StudioCanal Collection'' version includes an extensive Behind the Scenes look as well as several interviews with the makers of the film and Szpilman's relatives.<ref name="The Pianist on BD"/> |
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[[A.O. Scott]] of ''[[The New York Times]]'' said that Szpilman "comes to resemble one of Samuel Beckett's gaunt existential clowns, shambling through a barren, bombed-out landscape clutching a jar of pickles. He is like the walking punchline to a cosmic jest of unfathomable cruelty." He also felt that Szpilman's encounter, in the war's last days, with a music-loving German officer, "courted sentimentality by associating the love of art with moral decency, an equation the Nazis themselves, steeped in Beethoven and Wagner, definitively refuted".<ref name="New York Times">{{cite web |url=http://https..www.nytimes.com/2002/12/27/movies/27PIAN.html |title=Surviving the Warsaw Ghetto Against Steep Odds |work=The New York Times |date=27 December 2002 |access-date=25 November 2012 |author=Scott, A.O.}}</ref> |
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==Music== |
|||
{{Further2|[[The Pianist (soundtrack)]]}} |
|||
* The piano piece heard at the beginning of the film is [[Frédéric Chopin|Chopin]]'s [[Nocturne in C-sharp minor, Op. posth. (Chopin)|Nocturne in C-sharp minor ''Lento con gran espressione'']], Op. posth. |
|||
* The piano piece that is heard being played by a next door neighbour while Szpilman was in hiding at an apartment is also an arrangement of ''Umówiłem się z nią na dziewiątą''. |
|||
* The piano music heard in the abandoned house when Szpilman had just discovered a hiding place in the attic is the ''[[Piano Sonata No. 14 (Beethoven)|Piano Sonata No. 14 (Moonlight Sonata)]]'' by [[Ludwig van Beethoven|Beethoven]]. It would later be revealed that German officer Hosenfeld was the pianist. The German composition juxtaposed with the mainly Polish/Chopin selection of Szpilman. |
|||
* The piano piece played when Szpilman is confronted by Hosenfeld is Chopin's ''[[Ballades (Chopin)#Ballade No. 1|Ballade No. 1 in G minor]]'', Op. 23, but the version played in the movie was shortened (the entire piece lasts about 10 minutes). |
|||
* The cello piece heard at the middle of the film, played by Dorota, is the Prelude from [[Johann Sebastian Bach|Bach]]'s ''[[Cello Suites (Bach)|Cello Suite No. 1]]''. |
|||
* The piano piece heard at the end of the film, played with an orchestra, is Chopin's ''[[Andante spianato et grande polonaise brillante|Grande Polonaise brillante]]'', Op. 22. |
|||
* Shots of Szpilman's hands playing the piano in close-up were performed by Polish classical pianist [[Janusz Olejniczak]] (b. 1952), who also performed on the soundtrack. |
|||
* Since Polanski wanted the film to be as realistic as possible, any scene showing Brody playing was actually his playing overdubbed by recordings performed by Janusz Olejniczak. In order for Brody's playing to look like it was at the level of Władysław Szpilman's, he spent many months prior to and during the filming practising so that his keystrokes on the piano would convince viewers that Brody himself was playing. |
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==Accolades {{anchor|Awards}} |
===Accolades {{anchor|Awards}}=== |
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{{main|List of accolades received by The Pianist}} |
{{main|List of accolades received by The Pianist}} |
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==Home media== |
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''The Pianist'' was released by [[Universal Studios Home Entertainment]] on [[DVD]] in the US on 27 May 2003 in a [[double-sided disc]] Special Edition, with the film on one side and the featurette "A Story of Survival" on the other. The making-of featurette included interviews with Brody, Polanski, and Harwood, and clips of Szpilman playing the piano.<ref name="amazon-info">{{cite web|url=http://https..www.amazon.com/Pianist-Adrien-Brody/dp/B00005JLT5|title=The Pianist- Amazon|website=Amazon |date=27 May 2003 |access-date=4 September 2016}}</ref> The Polish DVD included an audio commentary track by production designer [[Allan Starski|Starski]] and director of photography [[Paweł Edelman|Edelman]]. |
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Universal released the film on [[HD-DVD]] on 8 January 2008 with the featurette "A Story of Survival".<ref name="High-def-digest">{{cite web|url=http://hddvd.highdefdigest.com/1200/pianist.html|title=The Pianist- High def digest|access-date=4 September 2016}}</ref> |
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[[Optimum Releasing|Optimum Home Entertainment]] released ''The Pianist'' to the [[Blu-ray Disc Region Code|European market]] on [[Blu-ray]] as part of their ''[[StudioCanal]] Collection'' on 13 September 2010,<ref name="StudioCanal Collection">{{cite web|url=http://studiocanalcollection.com/|title=StudioCanal Collection|access-date=24 June 2010}}</ref> the film's second release on Blu-ray. The first release was troublesome due to issues with subtitles; the initial BD lacked subtitles for spoken German dialogue. [[Optimum Releasing|Optimum]] later rectified this,<ref name="Problems with initial BD release">{{cite web|url=http://www.darkrealmfox.com/film_reviews/2010/03/31/blu-ray-screencaps-the-pianist/|title=Problems with initial BD release|access-date=1 August 2010}}</ref> but the initial release also lacked notable special features. The ''StudioCanal Collection'' version includes the featurette "A Story of Survival", as well as several interviews with the makers of the film and Szpilman's relatives.<ref name="The Pianist on BD">{{cite web|url=http://www.studiocanalcollection.com/en/collection/show/16-The_Pianist|title=The Pianist on BD|access-date=1 August 2010|archive-date=16 July 2011|archive-url=https://web.archive.org/web/20110716155617/http://www.studiocanalcollection.com/en/collection/show/16-The_Pianist|url-status=dead}}</ref> |
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Shout! Factory released the film on Blu-ray in the US for the first time on 13 July 2021.<ref>http://https..shoutfactory.com/products/the-pianist {{Bare URL inline|date=August 2024}}</ref> |
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The film was completely restored in 2023 from the original negative by StudioCanal and DI Factory, with the assistance of the film's cinematographer Paweł Edelman.<ref>http://https..festival.ilcinemaritrovato.it/en/film/the-pianist/ {{Bare URL inline|date=August 2024}}</ref> It was released on 4K UHD by StudioCanal in Germany on 21 September 2023, in France on 27 September 2023 and in the UK on 2 October 2023. |
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==See also== |
==See also== |
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* [[Robinson Crusoes of Warsaw]] – Szpilman was one of the most notable persons to remain in [[Warsaw]] after its destruction by [[Nazi Germany]] and before its liberation by the [[Red Army]] in January 1945. |
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* [[List of Holocaust films]] |
* [[List of Holocaust films]] |
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==References== |
==References== |
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{{reflist |
{{reflist}} |
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<ref name="Problems with initial BD release">{{cite web|url=http://www.darkrealmfox.com/film_reviews/2010/03/31/blu-ray-screencaps-the-pianist/|title=Problems with initial BD release|accessdate=1 August 2010}}</ref> |
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<ref name="StudioCanal Collection">{{cite web|url=http://studiocanalcollection.com/|title=StudioCanal Collection|accessdate=24 June 2010}}</ref> |
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<ref name="The Pianist on BD">{{cite web|url=http://www.studiocanalcollection.com/en/collection/show/16-The_Pianist|title=The Pianist on BD|accessdate=1 August 2010}}</ref> |
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<ref name="The Pianist">{{cite news| url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20030103/REVIEWS/301030302/1023 | date=3 January 2003|last=Ebert|first=Roger|work=Chicago Sun-Times | title=The Pianist|accessdate=23 December 2012}}</ref> |
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<ref name="festival-cannes.com">{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/3152981/year/2002.html |title=Festival de Cannes: The Pianist |accessdate=25 October 2009|work=festival-cannes.com}}</ref> |
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<ref name="metacritic">{{cite web|url=http://www.metacritic.com/video/titles/pianist?q=the%20pianist|title=The Pianist|work=Metacritic|publisher=CBS Interactive|accessdate=23 December 2012}}</ref> |
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<ref name="rottentomatoes">{{Cite web|url=http://www.rottentomatoes.com/m/pianist/|title=The Pianist|work=Rotten Tomatoes|publisher=Flixster|accessdate=23 December 2012}}</ref> |
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}} |
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==External links== |
==External links== |
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* {{IMDb title| |
* {{IMDb title|253474}} |
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* {{mojo title|pianist |
* {{mojo title|pianist}} |
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* {{rotten-tomatoes|pianist |
* {{rotten-tomatoes|pianist}} |
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* {{Metacritic film}} |
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* {{metacritic|the-pianist|The Pianist}} |
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* [http://www.thepianist.info Wladyslaw Szpilman's personal Website: ''The Pianist'' - ''The book''] |
* [http://www.thepianist.info Wladyslaw Szpilman's personal Website: ''The Pianist'' - ''The book''] |
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* [http://www.ushmm.org/museum/exhibit/focus/pianist/ Szpilman's Warsaw: The History behind ''The Pianist''] at the [[United States Holocaust Memorial Museum]] |
* [http://https..web.archive.org/web/20070925182028/http://www.ushmm.org/museum/exhibit/focus/pianist/ Szpilman's Warsaw: The History behind ''The Pianist''] at the [[United States Holocaust Memorial Museum]] |
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* [http://www.culture.pl/web/english/resources-film-full-page/-/eo_event_asset_publisher/eAN5/content/pianista-the-pianist ''The Pianist''] at culture.pl |
* [http://https..web.archive.org/web/20130709235102/http://www.culture.pl/web/english/resources-film-full-page/-/eo_event_asset_publisher/eAN5/content/pianista-the-pianist ''The Pianist''] at culture.pl |
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{{Roman Polanski}} |
{{Roman Polanski}} |
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{{Palme d'Or 2000-2019}} |
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|title = [[List of accolades received by The Pianist|Awards for ''The Pianist'']] |
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{{César Award for Best Film}} |
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|list = |
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{{BAFTA Best Film 2001-2020}} |
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{{Boston Society of Film Critics Award for Best Film}} |
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{{Palme d'Or}} |
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{{Goya Award for Best European Film}} |
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{{Japan Academy Film Prize for Outstanding Foreign Language Film}} |
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{{Mainichi Film Award for Foreign Film Best One Award}} |
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{{National Society of Film Critics Award for Best Film}} |
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{{Nikkan Sports Film Award for Best Foreign Film}} |
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{{San Francisco Bay Area Film Critics Circle Award for Best Film}} |
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{{Polish Academy Award for Best Film}} |
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}} |
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{{Authority control}} |
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{{DEFAULTSORT:Pianist}} |
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{{DEFAULTSORT:Pianist (2002 film), The}} |
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[[Category:Władysław Szpilman]] |
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[[Category:Films whose director won the Best |
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Latest revision as of 12:05, 21 December 2024
The Pianist | |
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Directed by | Roman Polanski |
Screenplay by | Ronald Harwood |
Based on | The Pianist by Władysław Szpilman |
Produced by |
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Starring | |
Cinematography | Paweł Edelman |
Edited by | Hervé de Luze |
Music by | Wojciech Kilar |
Production companies | |
Distributed by |
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Release dates |
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Running time | 143 minutes[4] |
Countries |
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Languages |
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Budget | $35 million[5] |
Box office | $120.1 million[5] |
The Pianist is a 2002 biographical film produced and directed by Roman Polanski, with a script by Ronald Harwood, and starring Adrien Brody.[6] It is based on the autobiographical book The Pianist (1946), a memoir by the Polish-Jewish pianist, composer and Holocaust survivor Władysław Szpilman.[7] The film was a co-production by France, the United Kingdom, Germany and Poland.
The Pianist premiered at the 2002 Cannes Film Festival on 24 May 2002, where it won the Palme d'Or, and went into wide release that September; the film received widespread critical acclaim, with critics lauding Polanski's direction, Brody's performance and Harwood's screenplay.[8] At the 75th Academy Awards, the film won for Best Director (Polanski), Best Adapted Screenplay (Harwood), and Best Actor (Brody), and was nominated for four others, including Best Picture (it lost to Chicago). It also won the BAFTA Award for Best Film and BAFTA Award for Best Direction in 2003, and seven French Césars, including Best Picture, Best Director, and Best Actor for Brody.[9] It appeared in BBC's 100 Greatest Films of the 21st Century in 2016.
Plot
[edit]In September 1939, Władysław Szpilman, a Polish-Jewish pianist, is playing live on the radio in Warsaw when the station is besieged during the Nazi Germany's bombing of Warsaw. After escaping alive, Szpilman and his family prepare to leave the city when they learn that Britain and France have declared war on Germany. Relieved at the news, Szpilman and his family choose to stay in the city and celebrate. Their celebrations are short lived as Warsaw becomes part of the Nazi-controlled General Government. Jews are soon prevented from working or owning businesses, and are also forced to wear blue Star of David armbands. Szpilman and his family sell many of their material belongings including his piano in order to make enough zlotys to survive.
By November 1940, Szpilman and his family are forced from their home into the overcrowded Warsaw Ghetto. They struggle under the ghetto's squalid conditions with disease and starvation rampant. Szpilman finds work by performing in a cafè frequented by upper-class Jews, who smuggle in forbidden goods in order to live comfortably. On one occasion, he sees a young boy being savagely beaten by a guard while trying to crawl through a gap in the ghetto wall; the boy is dead by the time Szpilman can pull him through. During dinner one evening, Szpilman and his family witness the SS murder an entire family in an apartment across the street during a round-up, including throwing an elderly wheelchair-bound man from the window.
On 16 August 1942, Szpilman and his family are to be transported to Treblinka extermination camp as part of Operation Reinhard. At the Umschlagplatz, Szpilman is about to board the train, when a friend from the Jewish Ghetto Police separates him away from his family and allows him to escape. Szpliman is unable to save the rest of his family, and they are sent away to the camps. He later becomes a slave labourer, and learns of an upcoming Jewish revolt. He helps the resistance by smuggling weapons into the ghetto hidden inside bags of food, on one occasion narrowly avoiding a suspicious guard. Szpilman eventually manages to escape, and goes into hiding with help from a non-Jewish friend, actor Andrzej Bogucki and his wife Janina Godlewska, who provided him an apartment to hide.
In April 1943, Szpilman watches from his apartment as the ghetto uprising unfolds and then ultimately fails. A neighbor discovers Szpilman and attempts to report him, but he manages to escape and meets his old friend Dorota, whose husband provides him with another hiding place in the middle of the German quarter. The new apartment has a piano in it, but he is compelled to keep quiet in order to not get discovered. Szpilman begins to starve and eventually suffers from jaundice. Dorota and her husband visits Szpilman the last time, providing him with a doctor to treat his illness.
By August 1944, Szpilman recovers and the Warsaw Uprising begins. The Home Army attacks the Schutzpolizei Hospital across the street from the apartment, while Szpilman's apartment building is destroyed in the fighting, forcing him to flee and hide in the now abandoned hospital. Over the course of the following months, Warsaw is destroyed.
Upon noticing German troops burning the hospital with flamethrowers, Szpilman flees and wanders through the city's ruins. He reaches an empty house where he finds a can of pickled cucumbers. While trying to open the can, Szpilman is discovered by Wehrmacht captain Wilm Hosenfeld, who learns that he is a pianist. He asks Szpilman to play on a grand piano in the house. The decrepit Szpilman manages to play Chopin's "Ballade No. 1 in G minor". Hosenfeld lets him hide in the attic of the house, which is used as his center of operations, and supplies food for him.
In January 1945, the Germans are retreating from the Soviet offensive. Hosenfeld meets Szpilman for the last time, promising he will listen to him on Polish Radio after the war. Hosenfeld leaves Szpilman with a large supply of food and his greatcoat to keep warm. After Warsaw is liberated, Szpilman narrowly survives an ambush by several People's Army troops who mistake him for a German because of the coat.
In Spring 1945, surviving concentration camp inmates pass by a Soviet POW camp holding captured German soldiers and verbally abuse them; one lamenting over his former career as a violinist. Hosenfeld, one of the prisoners, approaches the violinist and asks if he knows Szpilman, which he confirms. Hosenfeld asks the violinist if Szpilman can help rescue him. The violinist later brings Szpilman back to the site but it is abandoned.
After the war, Szpilman resumes his career at the Polish Radio, where he performs Chopin's "Grand Polonaise" with an orchestra to a large prestigious audience. An epilogue notes that Szpilman died in 2000 at the age of 88, while Hosenfeld died in Soviet captivity in 1952.
Cast
[edit]- Adrien Brody as Władysław Szpilman
- Thomas Kretschmann as Captain Wilm Hosenfeld
- Frank Finlay as Samuel Szpilman
- Maureen Lipman as Edwarda Szpilman
- Emilia Fox as Dorota
- Ed Stoppard as Henryk Szpilman
- Julia Rayner as Regina Szpilman
- Jessica Kate Meyer as Halina Szpilman
- Ronan Vibert as Andrzej Bogucki
- Ruth Platt as Janina Bogucki
- Andrew Tiernan as Antek Szałas
- Michał Żebrowski as Jurek
- Roy Smiles as Itzhak Heller
- Richard Ridings as Mr. Lipa
- Daniel Caltagirone as Majorek
- Valentine Pelka as Michal Dzkiewicz, Dorota's Husband
- Zbigniew Zamachowski as Customer with Coins
- Krzysztof Pieczyński as Marek Gębczyński
- Ireneusz Machnicki as SS Officer
- Cezary Krajewski as SS Officer
- Paul Bradley as Yehuda
- Katarzyna Figura as Neighbor
- Morgane Polanski as Girl #1
- Detlev von Wangenheim as SS Officer #1
- Katarzyna Bargielowska as Wailing Woman
- Lech Mackiewicz as Fellow Worker
- Zofia Czerwinska as Woman with Soup
- Maja Ostaszewska as Woman with Child
- Peter Rappengluck as SS Making a Sperm
- Joanna Brodzik as Woman Shot in tie
- Darian Wawer as Child at the Wall
- Cezary Kosinski as Lednicki
- Wojciech Smolarz as Boy With Sweets
- Thomas Lawinky as Schutzpolizei #1
- Joachim Paul Assbock as Schutzpolizei #2
- John Benneth as Dr. Ehrlich
- Udo Kroschwald as Schultz
- Popeck as Rubenstein
- Cyril Shaps as Mr. Grun
- Torsten Flach as Zig Zag
- Ben Harlan as Street Musician #3
- Anthony Milner as Man Waiting to Cost
- Lucie Skeaping as Street Musician #1
- Andrzej Blumenfeld as Benek
- Wanja Mues as SS Slapping Father
- Nomi Sharon as Feather Woman
- Roddy Skeaping as Street Musician #2
Production
[edit]Development and casting
[edit]The story had deep connections with director Roman Polanski because he escaped from the Kraków Ghetto as a child after the death of his mother. He ended up living in a Polish farmer's barn until the war's end. His father almost died in the camps, but they reunited after the end of World War II.[10]
Joseph Fiennes was Polanski's first choice for the lead role, but he turned it down due to a previous commitment to a theatrical role.[11] Over 1,400 actors auditioned for the role of Szpilman at a casting call in London, but Polanski was unsatisfied with all who tried. Eventually, Polanski watched Harrison's Flowers (2000), and then Polanski decided to offer Adrien Brody the leading role during their first meeting in Paris.[12][13]
Filming
[edit]Principal photography on The Pianist began on 9 February 2001 in Babelsberg Studio in Potsdam, Germany. The Warsaw Ghetto and the surrounding city were recreated on the backlot of Babelsberg Studio as they would have looked during the war. Old Soviet Army barracks were used to create the ruined city, as they were going to be destroyed anyway.[14]
The first scenes of the film were shot at the old army barracks. Soon after, the film crew moved to a villa in Potsdam, which served as the house where Szpilman meets Hosenfeld. On 2 March 2001, filming then moved to an abandoned Soviet military hospital in Beelitz, Germany. The scenes that featured German soldiers destroying a Warsaw hospital with flamethrowers were filmed there. On 15 March, filming finally moved to Babelsberg Studios. The first scene shot at the studio was the complex and technically demanding scene in which Szpilman witnesses the ghetto uprising.[14]
Filming at the studios ended on 26 March, and moved to Warsaw on 29 March. The rundown district of Praga was chosen for filming because of its abundance of original buildings. The art department built onto these original buildings, re-creating World War II-era Poland with signs and posters from the period. Additional filming also took place around Warsaw. The Umschlagplatz scene where Szpilman, his family, and hundreds of other Jews wait to be taken to the extermination camps was filmed at the National Defence University of Warsaw.[15]
Principal photography ended in July 2001, and was followed by months of post-production in Paris.[13]
Music
[edit]- The piano piece heard at the beginning of the film is Chopin's Nocturne in C-sharp minor, Lento con gran espressione, Op. posth.
- The piano piece that is heard being played by a next door neighbour while Szpilman was in hiding at an apartment is also an arrangement of "Umówiłem się z nią na dziewiątą".
- The piano music heard in the abandoned house when Szpilman had just discovered a hiding place in the attic is the Piano Sonata No. 14 (Moonlight Sonata) by Beethoven. It was later revealed that German officer Hosenfeld was the pianist. The German composition juxtaposed with the mainly Polish/Chopin selection of Szpilman.
- The piano piece played when Szpilman is confronted by Hosenfeld is Chopin's Ballade in G minor, Op. 23, but the version played in the movie was shortened (the entire piece lasts about 10 minutes).
- The cello piece heard at the middle of the film, played by Dorota, is the Prelude from Bach's Cello Suite No. 1.
- The piano piece heard at the end of the film, played with an orchestra, is Chopin's Grande Polonaise brillante, Op. 22.
- Shots of Szpilman's hands playing the piano in close-up were performed by Polish classical pianist Janusz Olejniczak, who also performed on the soundtrack.
- Since Polanski wanted the film to be as realistic as possible, any scene showing Brody playing was actually his playing, overdubbed by recordings performed by Olejniczak. In order for Brody's playing to look like it was at the level of Szpilman's, he spent many months prior to and during the filming practising so that his keystrokes on the piano would convince viewers that Brody himself was playing.[16]
Reception
[edit]Critical response
[edit]The Pianist was widely acclaimed by critics, with Brody's performance, Harwood's screenplay, and Polanski's direction receiving special praise. On the review aggregator website Rotten Tomatoes, 95% of 190 critics' reviews are positive, with an average rating of 8.2/10. The website's consensus reads: "Well-acted and dramatically moving, The Pianist is Polanski's best work in years."[17] On Metacritic, the film has a weighted average score of 85 out of 100, based on 40 critics, indicating "universal acclaim".[18]
Roger Ebert of the Chicago Sun-Times gave the film three and a half stars out of four, noting that, "perhaps that impassive quality reflects what [director Roman] Polanski wants to say. ... By showing Szpilman as a survivor, but not a fighter or a hero—as a man who does all he can to save himself, but would have died without enormous good luck and the kindness of a few non-Jews—Polanski is reflecting ... his own deepest feelings: that he survived, but need not have, and that his mother died and left a wound that had never healed."[19]
Michael Wilmington of the Chicago Tribune said that the film "is the best dramatic feature I've seen on the Holocaust experience, so powerful a statement on war, inhumanity, and art's redemption that it may signal Polanski's artistic redemption". He later said that the film "illustrates that theme and proves that Polanski's own art has survived the chaos of his life—and the hell that war and bigotry once made of it".[20]
Richard Schickel of Time magazine called it a "raw, unblinkable film", and said that "we admire this film for its harsh objectivity and refusal to seek our tears, our sympathies."[21]
Mick LaSalle of the San Francisco Chronicle said that the film "contains moments of irony, of ambiguity, and of strange beauty, as when we finally get a look at Warsaw and see a panorama of destruction, a world of color bombed into black-and-white devastation". He also said that, "in the course of showing us a struggle for survival, in all its animal simplicity, Polanski also gives us humanity, in all its complexity."[22]
A.O. Scott of The New York Times said that Szpilman "comes to resemble one of Samuel Beckett's gaunt existential clowns, shambling through a barren, bombed-out landscape clutching a jar of pickles. He is like the walking punchline to a cosmic jest of unfathomable cruelty." He also felt that Szpilman's encounter, in the war's last days, with a music-loving German officer, "courted sentimentality by associating the love of art with moral decency, an equation the Nazis themselves, steeped in Beethoven and Wagner, definitively refuted".[23]
Accolades
[edit]Home media
[edit]The Pianist was released by Universal Studios Home Entertainment on DVD in the US on 27 May 2003 in a double-sided disc Special Edition, with the film on one side and the featurette "A Story of Survival" on the other. The making-of featurette included interviews with Brody, Polanski, and Harwood, and clips of Szpilman playing the piano.[24] The Polish DVD included an audio commentary track by production designer Starski and director of photography Edelman.
Universal released the film on HD-DVD on 8 January 2008 with the featurette "A Story of Survival".[25]
Optimum Home Entertainment released The Pianist to the European market on Blu-ray as part of their StudioCanal Collection on 13 September 2010,[26] the film's second release on Blu-ray. The first release was troublesome due to issues with subtitles; the initial BD lacked subtitles for spoken German dialogue. Optimum later rectified this,[27] but the initial release also lacked notable special features. The StudioCanal Collection version includes the featurette "A Story of Survival", as well as several interviews with the makers of the film and Szpilman's relatives.[28]
Shout! Factory released the film on Blu-ray in the US for the first time on 13 July 2021.[29]
The film was completely restored in 2023 from the original negative by StudioCanal and DI Factory, with the assistance of the film's cinematographer Paweł Edelman.[30] It was released on 4K UHD by StudioCanal in Germany on 21 September 2023, in France on 27 September 2023 and in the UK on 2 October 2023.
See also
[edit]- Robinson Crusoes of Warsaw – Szpilman was one of the most notable persons to remain in Warsaw after its destruction by Nazi Germany and before its liberation by the Red Army in January 1945.
- List of Holocaust films
References
[edit]- ^ a b "The Pianist (2001)". UniFrance. Retrieved 1 July 2021.
- ^ Blaney, Martin (29 November 2002). "Germany's Tobis breaks away from StudioCanal". Screen International. Retrieved 11 March 2023.
- ^ a b "Film #18808: The Pianist". Lumiere. Retrieved 10 May 2021.
- ^ a b "THE PIANIST (15)". British Board of Film Classification. 3 July 2002. Retrieved 24 October 2023.
- ^ a b "The Pianist". Box Office Mojo. 2002. Retrieved 28 October 2016.
- ^ Hare, William (2004). LA Noir: Nine Dark Visions of the City of Angels. Jefferson, North Carolina: Macfarland and Company. p. 207. ISBN 0-7864-1801-X.
- ^ Szpilman, Wladyslaw. "The Pianist". Szpilman.net. Retrieved 20 August 2016.
- ^ "Festival de Cannes: The Pianist". festival-cannes.com. Retrieved 25 October 2009.
- ^ "Official Site - The Pianist - Awards & Nominations". FocusFeatures. Archived from the original on 11 October 2016. Retrieved 21 August 2016.
- ^ "Roman Raymond Polański". Retrieved 21 August 2016.
- ^ "Xan Brooks talks to Joseph Fiennes about Hollywood and the theatre". TheGuardian.com. 21 September 2005. Retrieved 27 August 2016.
- ^ "Adrien Brody on Winning the Oscar, Catching a Train with Wes Anderson, and Making Music With Popcorn". Variety. 8 December 2023. Retrieved 8 December 2023.
- ^ a b "The Pianist - Movie by Roman Polanski". Archived from the original on 16 June 2011.
- ^ a b "Anatomy of a masterpiece". 8 May 2010. Retrieved 4 September 2016.
- ^ "In the ghetto with Polanski". TheGuardian.com. 22 June 2001. Retrieved 4 September 2016.
- ^ "A review of music from the motion picture The Pianist". August 2003. Retrieved 4 September 2016.
- ^ "The Pianist (2002)". Rotten Tomatoes. Fandango. Retrieved 22 April 2022.
- ^ "The Pianist reviews". Metacritic. Archived from the original on 28 December 2007. Retrieved 23 December 2012.
- ^ Ebert, Roger (3 January 2003). "The Pianist". Chicago Sun-Times. Retrieved 23 December 2012.
- ^ Wilmington, Michael (5 January 2003). "Polanski's 'Pianist' may put 'profligate dwarf' in better light". Chicago Tribune. Retrieved 25 November 2012.
- ^ Schickel, Richard (15 December 2002). "Have a Very Leo Noel". Time. p. 4. Archived from the original on 29 March 2007. Retrieved 25 November 2012.
- ^ LaSalle, Mick (3 January 2003). "Masterpiece / Polanski's 'The Pianist' is a true account of one man's survival in the Warsaw ghetto". San Francisco Chronicle. Hearst Communications. Retrieved 25 November 2012.
- ^ Scott, A.O. (27 December 2002). "Surviving the Warsaw Ghetto Against Steep Odds". The New York Times. Retrieved 25 November 2012.
- ^ "The Pianist- Amazon". Amazon. 27 May 2003. Retrieved 4 September 2016.
- ^ "The Pianist- High def digest". Retrieved 4 September 2016.
- ^ "StudioCanal Collection". Retrieved 24 June 2010.
- ^ "Problems with initial BD release". Retrieved 1 August 2010.
- ^ "The Pianist on BD". Archived from the original on 16 July 2011. Retrieved 1 August 2010.
- ^ http://https..shoutfactory.com/products/the-pianist [bare URL]
- ^ http://https..festival.ilcinemaritrovato.it/en/film/the-pianist/ [bare URL]
External links
[edit]- 2002 films
- Władysław Szpilman
- 2002 biographical drama films
- 2000s war drama films
- French biographical drama films
- French war drama films
- German biographical drama films
- German war drama films
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- Best Film César Award winners
- Films scored by Wojciech Kilar
- Films about pianos and pianists
- Films about classical music and musicians
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- Best Film BAFTA Award winners
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