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{{Short description|Stringed musical instrument}}
{{Redirect|Gutbucket|the band|Gutbucket (band)|the Liberty Records sampler album|Gutbucket (album)|the James Brown song|Gut Bucket (song)}}
{{Redirect|Gutbucket|the band|Gutbucket (band)|the Liberty Records sampler album|Gutbucket (album)|the James Brown song|Gut Bucket (song)}}
[[File:Washtub-bass-Kianti-Ecolove.png|180px|thumb|A small washtub bass being played]]
{{Refimprove|date=May 2014}}
The '''washtub bass''', or '''gutbucket''', is a stringed instrument used in [[American folk music]] that uses a metal washtub as a resonator. Although it is possible for a washtub bass to have four or more strings and [[tuning peg]]s, traditional washtub basses have a single string whose pitch is adjusted by pushing or pulling on a staff or stick to change the tension.
[[File:Washtub-bass-Kianti-Ecolove.png|180px|thumb|Kianti Ecolove playing a stand-up washtub bass]]
The '''washtub bass''', or "gutbucket", is a stringed instrument used in [[United States|American]] [[folk music]] that uses a metal washtub as a resonator. Although it is possible for a washtub bass to have four or more strings and [[tuning peg]]s, traditional washtub basses have a single string whose pitch is adjusted by pushing or pulling on a staff or stick to change the tension.


The washtub bass was used in [[jug band]]s that were popular in some [[African American]]s communities in the early 1900s. In the 1950s, [[UK|British]] [[Skiffle music|skiffle]] bands used a variant called a [[tea chest bass]], and during the 1960s, US folk musicians used the washtub bass in jug band-influenced music.
The washtub bass was used in [[jug band]]s that were popular in some [[African American]] communities in the early 1900s. In the 1950s, [[UK|British]] [[Skiffle music|skiffle]] bands used a variant called a [[tea chest bass]], and during the 1960s, US folk musicians used the washtub bass in jug band-influenced music.


Variations on the basic design are found around the world, particularly in the choice of resonator. As a result there are many different names for the instrument including the "gas-tank bass", "barrel bass", "box bass" (Trinidad), "bush bass" (Australia), "babatoni" ([[South Africa]]), "[[tingotalango]]" (Cuba), "[[:it:bidofono|tulòn]]" (Italy), "laundrophone" and others.
Variations on the basic design are found around the world, particularly in the choice of resonator. As a result, there are many different names for the instrument including the "gas-tank bass", "barrel bass", "[[box bass]]" (Trinidad), "bush bass" (Australia), "babatoni" ([[South Africa]]), "tanbou marengwen" (Haiti) "[[tingotalango]]" (Cuba), "[[:it:bidofono|tulòn]]" (Italy), "laundrophone" and others.


The hallmarks of the traditional design are simplicity, very low cost and do-it-yourself construction, leading to its historical association with lower economic classes. These factors also make it quite common for modern-day builders to promote modifications to the basic design, such as adding a [[finger board]], pedal, [[electronic pickup]], [[drumhead]], or making the staff immovable.
The hallmarks of the traditional design are simplicity, very low cost and [[do it yourself]] construction, leading to its historical association with lower economic classes. These factors also make it quite common for modern-day builders to promote modifications to the basic design, such as adding a [[finger board]], pedal, [[electronic pickup]], [[drumhead]], or making the staff immovable.


==History==
==History==
[[Image:ElectricInbindiBass.jpg|180px|thumb|left|Electric "inbindi" bass which is amplified by a public address system]]
[[Image:ElectricInbindiBass.jpg|180px|thumb|left|Electric "inbindi" bass which is amplified by a public address system]]
[[Ethnomusicologist]]s trace the origins of the instrument to the 'ground harp' - a version that uses a piece of bark or an animal skin stretched over a pit as a resonator. The ''ang-bindi'' made by the [[Baka people (Congo and Sudan)|Baka people]] of the Congo is but one example of this instrument found among tribal societies in Africa and Southeast Asia, and it lends its name to the generic term ''inbindi'' for all related instruments. Evolution of design, including the use of more portable resonators, has led to many variations, such as the ''[[dan bau]]'' (Vietnam) and ''[[Ektara|gopichand]]'' (India), and more recently, the "electric one-string", which amplifies the sound using a pickup.
[[Ethnomusicologist]]s trace the origins of the instrument to the [[Ground bow|'ground bow' or 'ground harp']] a version that uses a piece of bark or an animal skin stretched over a pit as a resonator. The ''ang-bindi'' made by the [[Baka people (Congo and Sudan)|Baka people]] of the Congo is but one example of this instrument found among tribal societies in Africa and Southeast Asia, and it lends its name to the generic term ''inbindi'' for all related instruments. Evolution of design, including the use of more portable resonators, has led to many variations, such as the ''[[dan bau]]'' (Vietnam) and ''[[Ektara|gopichand]]'' (India), and more recently, the "electric one-string", which amplifies the sound using a pickup.


The washtub bass is sometimes used in a [[jug band]], often accompanied by a [[washboard (musical instrument)|washboard]] as a [[percussion instrument]]. Jug bands, first known as "spasm bands", were popular especially among African-Americans around 1900 in New Orleans and reached a height of popularity between 1925 and 1935 in Memphis and Louisville.
The washtub bass is sometimes used in a [[jug band]], often accompanied by a [[washboard (musical instrument)|washboard]] as a [[percussion instrument]]. Jug bands, first known as "spasm bands", were popular especially among African-Americans around 1900 in New Orleans and reached a height of popularity between 1925 and 1935 in Memphis and Louisville.


At about the same time, European-Americans of Appalachia were using the instrument in "old-timey" folk music. A musical style known as "gut-bucket blues" came out of the jug band scene, and was cited by [[Sam Phillips]] of [[Sun Records]] as the type of music he was seeking when he first recorded [[Elvis Presley]].
At about the same time, European-Americans of Appalachia were using the instrument in "old-timey" folk music. A musical style known as "gut-bucket blues" came out of the jug band scene, and was cited by [[Sam Phillips]] of [[Sun Records]] as the type of music he was seeking when he first recorded [[Elvis Presley]].


According to [[Willie "The Lion" Smith]]'s autobiography, the term "gutbucket" comes from "Negro families" who all owned their own pail, or bucket, and would get it filled with the makings for [[chitterlings]]. The term "gutbucket" came from playing a lowdown style of music.<ref name="Music on My Mind">{{cite book |last=Smith|first=Willie the Lion|title=Music on My Mind: The Memoirs of an American Pianist, Foreword by Duke Ellington|year=1964|page=11|publisher=Doubleday & Company Inc. |location=New York City|isbn=}}</ref>
According to [[Willie "The Lion" Smith]]'s autobiography, the term "gutbucket" comes from "Negro families" who all owned their own pail, or bucket, and would get it filled with the makings for [[chitterlings]]. The term "gutbucket" came from playing a lowdown style of music.<ref name="Music on My Mind">{{cite book |last=Smith|first=Willie the Lion|title=Music on My Mind: The Memoirs of an American Pianist, Foreword by Duke Ellington|year=1964|page=11|publisher=Doubleday & Company Inc. |location=New York City}}</ref>


In English [[Skiffle music|skiffle]] bands, [[Australia]]n and [[New Zealand]] [[bush band]]s and [[South Africa]]n [[kwela]] bands, the same sort of bass has a [[tea-chest bass|tea chest]] as a resonator. Before [[the Beatles]], [[John Lennon]] and [[Paul McCartney]]'s band, [[The Quarrymen]], featured a tea-chest bass, as did many young bands around 1956.
In English [[Skiffle music|skiffle]] bands, [[Australia]]n and [[New Zealand]] [[bush band]]s and [[South Africa]]n [[kwela]] bands, the same sort of bass has a [[tea-chest bass|tea chest]] as a resonator. [[The Quarrymen]], [[John Lennon]] and [[Paul McCartney]]'s band before [[the Beatles]], featured a tea-chest bass, as did many young bands around 1956.


A folk music revival in the U.S. in the early 1960s re-ignited interest in the washtub bass and jug band music. Bands included [[Mother McCree's Uptown Jug Champions (album)|Mother McCree's Uptown Jug Champions]] which later became The [[Grateful Dead]], and, the Jim Kweskin Jug Band featuring [[Fritz Richmond]] on bass.
A folk music revival in the U.S. in the early 1960s re-ignited interest in the washtub bass and jug band music. Bands included [[Mother McCree's Uptown Jug Champions (album)|Mother McCree's Uptown Jug Champions]], which later became The [[Grateful Dead]], and the Jim Kweskin Jug Band, which featured [[Fritz Richmond]] on bass.


==Tea chest bass==
==Tea chest bass==
[[Image:Rhoener Saeuwaentzt Guenther.jpg|thumb|right|180px|Tea chest bass]]
[[Image:Rhoener Saeuwaentzt Guenther.jpg|thumb|right|180px|Tea chest bass]]
A '''tea chest bass''' is a variation of the washtub bass that uses a [[tea chest]] as the resonator for an upright stringed [[bass (instrument)|bass]]. The instrument is made from a pole, traditionally a broomstick, placed into or alongside the chest. One or more strings are stretched along the pole and plucked.
A '''tea chest bass''' is a variation of the washtub bass that uses a [[tea chest]] as the resonator for an upright stringed [[bass (instrument)|bass]]. The instrument is made from a pole, traditionally a [[broomstick]], placed into or alongside the chest. One or more strings are stretched along the pole and plucked.{{cn|date=April 2022}}


In Europe, particularly England and Germany, the instrument is associated with [[skiffle]] bands. In Australia it was traditionally used to provide deep sounds for "[[bush band]]s", though most such groups today use [[electric bass]] or [[double bass]]. It was commonly called a "bush bass".
In Europe, particularly Britain and Germany, the instrument is associated with [[skiffle]] bands.{{cn|date=April 2022}}

In Australia it was traditionally used to provide deep sounds for "[[bush band]]s", though most such groups today use [[electric bass]] or [[double bass]].{{cn|date=April 2022}} It is also known as '''bush bass''' or '''Tbox''' in Australia, and was used by the [[Northern Territory]] group the [[Mills Sisters (Northern Territory)|Mills Sisters]].<ref name=june>{{cite web |title= June Mills |url=http://larrakia.com/talent-view/june-mills/| format=Video (2 mins) + text|website=Larrakia Nation |access-date=29 April 2022}}</ref>


==Other variations==
==Other variations==
[[File:Gumtreebushband.jpg|thumb|right|200px|Australian bush band with tea chest bass player.]]
Other variations on the basic design are found around the world, particularly in the choice of resonator, for example:
Other variations on the basic design are found around the world, particularly in the choice of resonator, for example:
* "gas-tank bass"
* "gas-tank bass"
Line 40: Line 43:
* "dan bau" ([[Vietnam]])
* "dan bau" ([[Vietnam]])
* "sanduku" ([[Zanzibar]])
* "sanduku" ([[Zanzibar]])
* "tanbou marengwen, in English, mosquito drum" ([[Haiti]])
* "tingotalango" ([[Cuba]])
* "tingotalango" ([[Cuba]])
* "[[:it:bidofono|tulòn]]" ([[Italy]])
* "[[:it:bidofono|tulòn]]" ([[Italy]])


==Notable players==
==Notable players==
[[Image:Redd_Foxx_Don_Bexley_Sanford_and_Son_1976.JPG|180px|thumb|right|Don Bexley and Redd Foxx in episode of ''Sanford and Son'']]
* [[Will Shade]] vocalist and multi-instrumentalist member of the [[Memphis Jug Band]] who recorded from the 20s until his death in 1966
* [[Will Shade]], vocalist and multi-instrumentalist member of the [[Memphis Jug Band]] who recorded from the 1920s until his death in 1966.
* [[Fritz Richmond]] (1939-2005)<ref>"Fritz Richmond, 66, a Master of the Jug and Washtub Bass, Is Dead", AP/New York Times, November 24, 2005</ref> has performed on numerous recordings from America and Japan. One of his washtub basses is in the collection of the Smithsonian Institution.
* [[Kansas Joe McCoy]], washtub bass player and multi-instrumentalist, recorded with [[Arthur Crudup]] in 1941.
* [[Fritz Richmond]] (1939{{ndash}}2005)<ref>"Fritz Richmond, 66, a Master of the Jug and Washtub Bass, Is Dead", AP/New York Times, November 24, 2005</ref> has performed on numerous recordings from America and Japan. One of his washtub basses is in the collection of the Smithsonian Institution.
* [[Donald Kachamba]] and Moya Aliya, one-string box players with the influential Malawi group Kachamba Brothers Band. Can be heard on "Donald Kachamba's Kwela Band",<ref>No label, recorded live in Austria at Jazz-Pub Wiesen and at Montage-Recording, August 1978</ref> and "Malawi / Concert Kwela".<ref>Le Chant Du Monde – LDX 274 972, France, 1994</ref>
* [[Donald Kachamba]] and Moya Aliya, one-string box players with the influential Malawi group Kachamba Brothers Band. Can be heard on "Donald Kachamba's Kwela Band",<ref>No label, recorded live in Austria at Jazz-Pub Wiesen and at Montage-Recording, August 1978</ref> and "Malawi / Concert Kwela".<ref>Le Chant Du Monde – LDX 274 972, France, 1994</ref>
* [[Brian Ritchie]], of the band The [[Violent Femmes]], plays a 'tubless electric washtub bass'.<ref>Bass Player Magazine, May 2006</ref>
* [[Brian Ritchie]], of the band The [[Violent Femmes]], plays a 'tubless electric washtub bass'.<ref>Bass Player Magazine, May 2006</ref>
* [[Les Claypool]], of [[Primus (band)|Primus]], often plays a variation called a [[whamola]].
* [[Les Claypool]], of [[Primus (band)|Primus]], often plays a variation called a [[whamola]], as can be heard on the opening theme of the tenth season of ''[[South Park]]''.
* Bill Smith, Len Garry,<ref>"Before they were Beatles, they were Quarrymen", Gillian G. Gaar, Goldmine Magazine, November 28, 2012</ref> [[Ivan Vaughan]],<ref>"Lonnie Donegan and the Birth of British Rock and Roll", Patrick Humphries, Biteback Publishing, 2012</ref> and [[Nigel Walley]], tea-chest bass players of The [[Quarrymen]].
* Bill Smith, Len Garry,<ref>"Before they were Beatles, they were Quarrymen", Gillian G. Gaar, ''Goldmine Magazine'', November 28, 2012</ref> [[Ivan Vaughan]],<ref>"Lonnie Donegan and the Birth of British Rock and Roll", Patrick Humphries, Biteback Publishing, 2012</ref> and [[Nigel Walley]], tea-chest bass players of The [[Quarrymen]].
* John Sanford, a.k.a. [[Redd Foxx]], got his start in show business as washtub bass player for the "Bon Bons".<ref>{{Cite web|url=https://www.blackpast.org/african-american-history/foxx-redd-1922-1991/|title=Redd Foxx (1922–1991)|first=Ryan|last=Byarlay|website=Blackpast.org|date=10 May 2009|access-date=4 September 2020}}</ref> In the ''[[Sanford and Son]]'' episode "Sanford and Gong" (aired December 17, 1976), Sanford and [[Don Bexley|Don "Bubba" Bexley]] audition for ''The Gong Show'' with Bubba on washtub bass.
* Lionel Kilberg (1930-2008), promoter and player of the 'Brownie Bass' with 'The Shanty Boys' during the folk music revival of the 1950s and 60s in New York, and producer/lyricist/player of the 1973 album "We Walked by the Water"<ref>Shoostryng Records, re-issued 1995 by Gadfly Records as "Breezes"</ref> featuring [[Kate Wolf]].
* [[Emmett Otter]], a Muppet voiced by Jerry Nelson in [[Emmett Otter's Jug Band Christmas]], puts a hole in his mother's washtub in order to make a washtub bass. He later performs with it in a talent show.
* [[That 1 Guy]] plays a variation of the washtub bass called the 'Magic Pipe' and a few other self-built instruments.
* [[Bob Weir]] and Mike Garbett played washtub bass on the eponymous album [[Mother McCree's Uptown Jug Champions (album)|Mother McCree's Uptown Jug Champions]] – a forerunner band to Grateful Dead.
* Terry Devine, of The Genuine Jug Band from Vancouver, B.C.
* [[Stu Cook]], the bassist of Creedence Clearwater Revival, played washtub bass on the track "Poorboy Shuffle" from the album ''[[Willy and the Poor Boys]]''.<ref>{{cite web|author=Ed Ward|title=40th anniversary re-issue liner notes. ''Willy and the Poor Boys''|url=http://www.concordmusicgroup.com/assets/documents01/Artists/Creedence-Clearwater-Revival/FAN-30879-02/Willy-And-The-Poor-Boys-40th-Anniversary-Liner-Notes.pdf|archive-url=https://web.archive.org/web/20120314071722/http://www.concordmusicgroup.com/assets/documents01/Artists/Creedence-Clearwater-Revival/FAN-30879-02/Willy-And-The-Poor-Boys-40th-Anniversary-Liner-Notes.pdf|access-date=4 September 2020|archive-date=2012-03-14}}</ref> He faked playing the instrument to a recording of "Down on the Corner" on the ABC-TV variety show ''Music Scene'', December 1, 1969.<ref>{{Cite web|url=https://www.imdb.com/title/tt0653995/?ref_=ttep_ep11|title=Neil Diamond, Mama Cass Elliot, Creedence Clearwater Revival, Sergio Mendes & Brasil '66, Smokey Robinson & The Miracles|date=1 December 1969|access-date=4 September 2020|website=IMDb.com}}</ref>
* Jug band hall-of-fame member, Washtub James, plays an electric washtub bass.
* Lionel Kilberg (1930–2008), promoter and player of the 'Brownie Bass' with 'The Shanty Boys' during the folk music revival of the 1950s and 1960s in New York, and producer/lyricist/player of the 1973 album ''We Walked by the Water''<ref>Shoostryng Records, re-issued 1995 by Gadfly Records as ''Breezes''</ref> featuring [[Kate Wolf]].
* The late Dennis Johnson from the [[Gutter Brothers]].
* [[That 1 Guy]] plays a variation of the washtub bass called the 'Magic Pipe' and a few other self-built instruments.<ref>{{cite web | url=https://www.westword.com/music/that-1-guy-5095641 | title=That 1 Guy }}</ref>
* [[David Bowie]] in his pre-teen days.
* Geoff Bell played the washtub bass for folk punk group [[Days N' Daze]].<ref>{{cite web | url=https://rochesterbeacon.com/2021/09/24/darkness-murder-on-stage/ | title=Darkness, murder on stage | date=24 September 2021 }}</ref>
{{commons|Category:Washtub basses}}


==References==
==References==
Line 62: Line 68:


==External links==
==External links==
{{Commons category|Washtub basses}}
* [http://tubotonia.freehomepage.com/Tublinks.html The Washtub Bass Page]
* [https://dcwalley.com/root-bass/ Inbindis Around the World]
* [http://www.jugstore.com/washtub.html How to Build and Play the Washtub Bass]
* [http://www.jugstore.com/washtub.html How to Build and Play the Washtub Bass]

* [http://bucketbass.com/ Makers of bucket bass in London]
{{Strings (music)}}
* [http://teachestbass.com/#/what-is-a-tea-chest-bass/4574395049 Teachestbass.com]
{{Bass (sound)}}
* [http://walleymusic.com/inbindi/info.php Inbindis Around the World]
{{Authority control}}


{{DEFAULTSORT:Washtub Bass}}
{{DEFAULTSORT:Washtub Bass}}

Latest revision as of 22:06, 29 August 2024

A small washtub bass being played

The washtub bass, or gutbucket, is a stringed instrument used in American folk music that uses a metal washtub as a resonator. Although it is possible for a washtub bass to have four or more strings and tuning pegs, traditional washtub basses have a single string whose pitch is adjusted by pushing or pulling on a staff or stick to change the tension.

The washtub bass was used in jug bands that were popular in some African American communities in the early 1900s. In the 1950s, British skiffle bands used a variant called a tea chest bass, and during the 1960s, US folk musicians used the washtub bass in jug band-influenced music.

Variations on the basic design are found around the world, particularly in the choice of resonator. As a result, there are many different names for the instrument including the "gas-tank bass", "barrel bass", "box bass" (Trinidad), "bush bass" (Australia), "babatoni" (South Africa), "tanbou marengwen" (Haiti) "tingotalango" (Cuba), "tulòn" (Italy), "laundrophone" and others.

The hallmarks of the traditional design are simplicity, very low cost and do it yourself construction, leading to its historical association with lower economic classes. These factors also make it quite common for modern-day builders to promote modifications to the basic design, such as adding a finger board, pedal, electronic pickup, drumhead, or making the staff immovable.

History

[edit]
Electric "inbindi" bass which is amplified by a public address system

Ethnomusicologists trace the origins of the instrument to the 'ground bow' or 'ground harp' – a version that uses a piece of bark or an animal skin stretched over a pit as a resonator. The ang-bindi made by the Baka people of the Congo is but one example of this instrument found among tribal societies in Africa and Southeast Asia, and it lends its name to the generic term inbindi for all related instruments. Evolution of design, including the use of more portable resonators, has led to many variations, such as the dan bau (Vietnam) and gopichand (India), and more recently, the "electric one-string", which amplifies the sound using a pickup.

The washtub bass is sometimes used in a jug band, often accompanied by a washboard as a percussion instrument. Jug bands, first known as "spasm bands", were popular especially among African-Americans around 1900 in New Orleans and reached a height of popularity between 1925 and 1935 in Memphis and Louisville.

At about the same time, European-Americans of Appalachia were using the instrument in "old-timey" folk music. A musical style known as "gut-bucket blues" came out of the jug band scene, and was cited by Sam Phillips of Sun Records as the type of music he was seeking when he first recorded Elvis Presley.

According to Willie "The Lion" Smith's autobiography, the term "gutbucket" comes from "Negro families" who all owned their own pail, or bucket, and would get it filled with the makings for chitterlings. The term "gutbucket" came from playing a lowdown style of music.[1]

In English skiffle bands, Australian and New Zealand bush bands and South African kwela bands, the same sort of bass has a tea chest as a resonator. The Quarrymen, John Lennon and Paul McCartney's band before the Beatles, featured a tea-chest bass, as did many young bands around 1956.

A folk music revival in the U.S. in the early 1960s re-ignited interest in the washtub bass and jug band music. Bands included Mother McCree's Uptown Jug Champions, which later became The Grateful Dead, and the Jim Kweskin Jug Band, which featured Fritz Richmond on bass.

Tea chest bass

[edit]
Tea chest bass

A tea chest bass is a variation of the washtub bass that uses a tea chest as the resonator for an upright stringed bass. The instrument is made from a pole, traditionally a broomstick, placed into or alongside the chest. One or more strings are stretched along the pole and plucked.[citation needed]

In Europe, particularly Britain and Germany, the instrument is associated with skiffle bands.[citation needed]

In Australia it was traditionally used to provide deep sounds for "bush bands", though most such groups today use electric bass or double bass.[citation needed] It is also known as bush bass or Tbox in Australia, and was used by the Northern Territory group the Mills Sisters.[2]

Other variations

[edit]
Australian bush band with tea chest bass player.

Other variations on the basic design are found around the world, particularly in the choice of resonator, for example:

Notable players

[edit]
Don Bexley and Redd Foxx in episode of Sanford and Son
  • Will Shade, vocalist and multi-instrumentalist member of the Memphis Jug Band who recorded from the 1920s until his death in 1966.
  • Kansas Joe McCoy, washtub bass player and multi-instrumentalist, recorded with Arthur Crudup in 1941.
  • Fritz Richmond (1939–2005)[3] has performed on numerous recordings from America and Japan. One of his washtub basses is in the collection of the Smithsonian Institution.
  • Donald Kachamba and Moya Aliya, one-string box players with the influential Malawi group Kachamba Brothers Band. Can be heard on "Donald Kachamba's Kwela Band",[4] and "Malawi / Concert Kwela".[5]
  • Brian Ritchie, of the band The Violent Femmes, plays a 'tubless electric washtub bass'.[6]
  • Les Claypool, of Primus, often plays a variation called a whamola, as can be heard on the opening theme of the tenth season of South Park.
  • Bill Smith, Len Garry,[7] Ivan Vaughan,[8] and Nigel Walley, tea-chest bass players of The Quarrymen.
  • John Sanford, a.k.a. Redd Foxx, got his start in show business as washtub bass player for the "Bon Bons".[9] In the Sanford and Son episode "Sanford and Gong" (aired December 17, 1976), Sanford and Don "Bubba" Bexley audition for The Gong Show with Bubba on washtub bass.
  • Emmett Otter, a Muppet voiced by Jerry Nelson in Emmett Otter's Jug Band Christmas, puts a hole in his mother's washtub in order to make a washtub bass. He later performs with it in a talent show.
  • Bob Weir and Mike Garbett played washtub bass on the eponymous album Mother McCree's Uptown Jug Champions – a forerunner band to Grateful Dead.
  • Stu Cook, the bassist of Creedence Clearwater Revival, played washtub bass on the track "Poorboy Shuffle" from the album Willy and the Poor Boys.[10] He faked playing the instrument to a recording of "Down on the Corner" on the ABC-TV variety show Music Scene, December 1, 1969.[11]
  • Lionel Kilberg (1930–2008), promoter and player of the 'Brownie Bass' with 'The Shanty Boys' during the folk music revival of the 1950s and 1960s in New York, and producer/lyricist/player of the 1973 album We Walked by the Water[12] featuring Kate Wolf.
  • That 1 Guy plays a variation of the washtub bass called the 'Magic Pipe' and a few other self-built instruments.[13]
  • Geoff Bell played the washtub bass for folk punk group Days N' Daze.[14]

References

[edit]
  1. ^ Smith, Willie the Lion (1964). Music on My Mind: The Memoirs of an American Pianist, Foreword by Duke Ellington. New York City: Doubleday & Company Inc. p. 11.
  2. ^ "June Mills" (Video (2 mins) + text). Larrakia Nation. Retrieved 29 April 2022.
  3. ^ "Fritz Richmond, 66, a Master of the Jug and Washtub Bass, Is Dead", AP/New York Times, November 24, 2005
  4. ^ No label, recorded live in Austria at Jazz-Pub Wiesen and at Montage-Recording, August 1978
  5. ^ Le Chant Du Monde – LDX 274 972, France, 1994
  6. ^ Bass Player Magazine, May 2006
  7. ^ "Before they were Beatles, they were Quarrymen", Gillian G. Gaar, Goldmine Magazine, November 28, 2012
  8. ^ "Lonnie Donegan and the Birth of British Rock and Roll", Patrick Humphries, Biteback Publishing, 2012
  9. ^ Byarlay, Ryan (10 May 2009). "Redd Foxx (1922–1991)". Blackpast.org. Retrieved 4 September 2020.
  10. ^ Ed Ward. "40th anniversary re-issue liner notes. Willy and the Poor Boys" (PDF). Archived from the original (PDF) on 2012-03-14. Retrieved 4 September 2020.
  11. ^ "Neil Diamond, Mama Cass Elliot, Creedence Clearwater Revival, Sergio Mendes & Brasil '66, Smokey Robinson & The Miracles". IMDb.com. 1 December 1969. Retrieved 4 September 2020.
  12. ^ Shoostryng Records, re-issued 1995 by Gadfly Records as Breezes
  13. ^ "That 1 Guy".
  14. ^ "Darkness, murder on stage". 24 September 2021.
[edit]