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{{Short description|American sci-fi writer, editor, publisher}}
{{Use mdy dates|date=April 2013}}
{{Use mdy dates|date=February 2021}}
{{Infobox writer
{{Infobox writer
|above =<span style="color: #FFFFFF">Donald A. Wollheim
|name = Donald A. Wollheim
|image = Wollheim, Donald.jpg
|abovestyle =background-color: #4682b4
|image_size = 200px
|image =Wollheim, Donald.jpg
|caption =
|headerstyle=background:#000080; color:white
|pseudonym = David Grinnell<br>Arthur Cooke<br>Millard Verne Gordon<br>Martin Pearson<br>Braxton Wells<br>Graham Conway<br>Lawrence Woods<br>Darrell G. Raynor
|caption =
|birth_name = Donald Allen Wollheim
|pseudonym =David Grinnell<br>Arthur Cooke<br>Millard Verne Gordon<br>Martin Pearson<br>Braxton Wells<br>Graham Conway<br>Lawrence Woods
|birth_date = {{birth date|1914|10|01}}
|birth_name=Donald Allen Wollheim
|birth_place = [[New York City]], [[New York (state)|New York]], U.S.
|birth_date =October 1, 1914
|death_date = {{death date and age|1990|11|02|1914|10|01}}
|birth_place=New York City, New York, USA
|death_place = New York City, New York, U.S.
|death_date =November 2, 1990 (aged 76)
|occupation = {{flatlist|
|death_place=New York City, New York, USA
|occupation =Publisher, editor, writer, critic
* Publisher
* editor
|nationality=American
* writer
|period =1934–1990<ref name=isfdb/>
* critic
|genre =Science fiction, [[fantasy]]
}}
|subject = Science fiction (non-fiction)
|period = 1934–1990<ref name=isfdb/>
|notableworks=
|genre = [[Science fiction]], [[fantasy]]
|spouse=Elsie Balter
|children = [[Betsy Wollheim|Elizabeth Rosalind 'Betsy' Wollheim]]
|subject =
|notableworks =
|spouse = Elsie Balter
}}
}}
[[File:Future Combined with Science Fiction October 1941.jpg|thumb|right|Wollheim's "Pogo Planet", the first installment of his "Alex Calkins" series, was the cover story for the October 1941 issue of ''[[Future Science Fiction and Science Fiction Stories|Future]]''. It appeared under Wollheim's "Martin Pearson" pseudonym and was illustrated by [[Hannes Bok]].]]
[[File:Future Combined with Science Fiction October 1941.jpg|thumb|right|Wollheim's "Pogo Planet", the first installment of his "Alex Calkins" series, was the cover story for the October 1941 issue of ''[[Future Science Fiction and Science Fiction Stories|Future]]''. It appeared under Wollheim's "Martin Pearson" pseudonym and was illustrated by [[Hannes Bok]].]]
'''Donald Allen Wollheim''' (October 1, 1914 – November 2, 1990) was an [[American people|American]] science fiction [[List of science fiction editors|editor]], publisher, [[List of science fiction authors|writer]], and [[science fiction fandom|fan]]. As an author, he published under his own name as well as under pseudonyms, including '''David Grinnell'''.<ref name="smith">{{cite book|last=Smith|first=Curtis C.|authorlink=Curtis C. Smith|title=Twentieth Century Science Fiction Writers|publisher=St. Martin's|year=1981|location=New York|pages=596–98|isbn=0-312-82420-3}}</ref>

A founding member of the [[Futurians]], he was a leading influence on science fiction development and fandom in the 20th century United States.<ref name="smith"/>


'''Donald Allen Wollheim''' (October 1, 1914 – November 2, 1990) was an [[American people|American]] science fiction [[List of science fiction editors|editor]], publisher, [[List of science fiction authors|writer]], and [[science fiction fandom|fan]]. As an author, he published under his own name as well as under pseudonyms, including '''David Grinnell''',<ref name="smith">{{cite book|last=Smith|first=Curtis C.|author-link=Curtis C. Smith|title=[[Twentieth-Century Science-Fiction Writers]]|publisher=St. Martin's|year=1981|location=New York|pages=[https://archive.org/details/twentiethcentury0000unse_o0x9/page/596 596–598]|isbn=0-312-82420-3}}</ref> '''Martin Pearson''', and '''Darrell G. Raynor'''. A founding member of the [[Futurians]], he was a leading influence on science fiction development and fandom in the 20th-century United States.<ref name="smith"/> [[Ursula K. Le Guin]] called Wollheim "the tough, reliable editor of [[Ace Books]], in the Late [[Lignin#Economic significance|Pulpalignean]] Era, 1966 and '67", which is when he published her first two novels in [[Ace Double]] editions.<ref>{{Cite web|url=https://www.tor.com/2017/08/30/introduction-from-ursula-k-le-guin-the-hainish-novels-stories-volume-one/|title="Introduction" from Ursula K. Le Guin: The Hainish Novels & Stories, Volume One|first=Ursula K. Le|last=Guin|date=August 30, 2017|website=Tor.com}}</ref>
==Wollheim as fan==


==Profile==
''[[The Encyclopedia of Science Fiction]]'' (first edition, 1979) calls Wollheim "one of the first and most vociferous sf fans."<ref name="ency">{{cite book|last=Nicholls|first=Peter|title=The Encyclopedia of Science Fiction|publisher=Granada|year=1979|location=London|pages=660–61}}</ref> He published numerous fanzines and co-edited the early ''Fanciful Tales of Space and Time''. His importance to early fandom is chronicled in the 1974 book ''The Immortal Storm'' by Sam Moskowitz<ref>{{cite book|last=Moskowitz|first=Sam|title=The Immortal Storm|publisher=Hyperion Press|year=1974|location=Westport, CT}}</ref> and in the 1977 book ''The Futurians'' by Damon Knight.<ref name="futurians"/>[[File:With Frederik Pohl and John Michel c. 1938.jpg|left|thumb|With Frederik Pohl and John Michel, 1938]]
===Involvement in science fiction fandom===
The 1979 first edition of ''[[The Encyclopedia of Science Fiction]]'' calls Wollheim "one of the first and most vociferous SF fans."<ref name="ency">{{cite book|last=Nicholls|first=Peter|title=The Encyclopedia of Science Fiction|publisher=Granada|year=1979|location=London|pages=660–61}}</ref> He published numerous fanzines and co-edited the early ''[[Fanciful Tales of Time and Space]]''. His importance to early fandom is chronicled in the 1974 book ''The Immortal Storm'' by Sam Moskowitz<ref>{{cite book|last=Moskowitz|first=Sam|title=The Immortal Storm|url=https://archive.org/details/immortalstormhis00mosk|url-access=registration|publisher=Hyperion Press|year=1974|location=Westport, CT|isbn=9780883551318 }}</ref> and in the 1977 book ''The Futurians'' by Damon Knight.<ref name="futurians"/>[[File:With Frederik Pohl and John Michel c. 1938.jpg|left|thumb|With Frederik Pohl and John Michel, 1938]]


Wollheim organized the first science fiction convention, when a group from New York met with a group from Philadelphia on October 22, 1936 in Philadelphia. The modern [[Philcon]] convention claims descent from this event. Out of this meeting, plans were formed for regional and national meetings, including the first Worldcon.<ref name="Locus90">''LOCUS'', December 1990, Donald A. Wollheim: Obituaries and Appreciations, pp. 68–70.</ref>
Wollheim organized an event later considered the first American science fiction convention, when a group from New York met with a group from Philadelphia on October 22, 1936, in Philadelphia. The modern [[Philcon]] convention claims descent from this event. Out of this meeting, plans were formed for regional and national meetings, including the first-ever [[Worldcon]].<ref name="Locus90">''LOCUS'', December 1990, Donald A. Wollheim: Obituaries and Appreciations, pp. 68–70.</ref>


Wollheim was a member of the New York Science Fiction League, one of the clubs established by [[Hugo Gernsback]] to promote science fiction.<ref name="futurians">{{cite book|last=Knight|first=Damon|authorlink=Damon Knight|title=The Futurians|publisher=John Day|year=1977|location=New York|isbn=0-381-98288-2}}</ref> When payment was not forthcoming for the first story he sold to Gernsback, Wollheim formed a group with several other authors, and successfully sued for payment. He was expelled from the Science Fiction League as "a disruptive influence"<ref name="Locus90"/> but was later reinstated. From the September 1935 issue of Gernsback's ''Wonder Stories'':
Wollheim was a member of the New York Science Fiction League, one of the clubs established by [[Hugo Gernsback]] to promote science fiction.<ref name="futurians">{{cite book|last=Knight|first=Damon|author-link=Damon Knight|title=The Futurians|publisher=John Day|year=1977|location=New York|isbn=0-381-98288-2}}</ref> When payment was not forthcoming for the first story he sold to Gernsback, Wollheim formed a group with several other authors, and successfully sued for payment. He was expelled from the Science Fiction League as "a disruptive influence"<ref name="Locus90"/> but was later reinstated. From the September 1935 issue of Gernsback's ''Wonder Stories'':
{{blockquote |
{{Blockquote|
THREE MEMBERS EXPELLED
THREE MEMBERS EXPELLED


It grieves us to announce that we have found the first disloyalty in our organization... These members we expelled on June 12th. Their names are Donald A. Wollheim, John B. Michel, and William S. Sykora - three active fans who just got themselves onto the wrong road.}}
It grieves us to announce that we have found the first disloyalty in our organization... These members we expelled on June 12th. Their names are Donald A. Wollheim, John B. Michel, and William S. Sykora—three active fans who just got themselves onto the wrong road.}}


In 1937 Wollheim founded the [[Fantasy Amateur Press Association]], whose first mailing (July 1937) included this statement from him: "There are many fans desiring to put out a voice who dare not, for fear of being obliged to keep it up, and for the worry and time taken by subscriptions and advertising. It is for them and for the fan who admits it is his hobby and not his business that we formed the FAPA." In 1938, with several friends, he formed the [[Futurians]]—arguably the best-known of the science fiction clubs. At one time or another, the membership included [[Isaac Asimov]], [[Frederik Pohl]], [[Cyril Kornbluth]], [[James Blish]], [[John B. Michel|John Michel]], [[Judith Merril]], [[Robert A. W. Lowndes]], [[Richard Wilson (author)|Richard Wilson]], [[Damon Knight]], [[Virginia Kidd]], and [[Larry T. Shaw]].<ref name="Locus90"/> In 1943 Wollheim married fellow Futurian Elsie Balter (1910–1996). It proved to be a lasting marriage and a publishing partnership.
In 1937 Wollheim founded the [[Fantasy Amateur Press Association]], whose first mailing (July 1937) included this statement from him: "There are many fans desiring to put out a voice who dare not, for fear of being obliged to keep it up, and for the worry and time taken by subscriptions and advertising. It is for them and for the fan who admits it is his hobby and not his business that we formed the FAPA." In 1938, with several friends, he formed the [[Futurians]]—arguably the best-known of the science fiction clubs. At one time or another, the membership included [[Isaac Asimov]], [[Frederik Pohl]], [[Cyril Kornbluth]], [[James Blish]], [[John B. Michel|John Michel]], [[Judith Merril]], [[Robert A. W. Lowndes]], [[Richard Wilson (author)|Richard Wilson]], [[Damon Knight]], [[Virginia Kidd]], and [[Larry T. Shaw]].<ref name="Locus90"/> In 1943 Wollheim married fellow Futurian Elsie Balter (1910–1996). It proved to be a lasting marriage and publishing partnership.


The Futurians became less fan-oriented and more professional after 1940. Its conferences and workshops focused on writing, editing, and publishing, with many of its members interested in all three.<ref name="Locus90"/>
The Futurians became less fan-oriented and more professional after 1940. Its conferences and workshops focused on writing, editing, and publishing, with many of its members interested in all three.<ref name="Locus90"/>


==Wollheim as author==
===Work as author===
Wollheim's first story, "The Man from Ariel", was published in the January 1934 issue of ''[[Wonder Stories]]''<ref name=isfdb/><ref>{{cite web|last=Silver|first=Steven H|author-link=Steven H Silver|title=Debut Science Fiction|url=http://www.stevenhsilver.com/debut.html#W:|access-date=September 21, 2007}}</ref> when he was nineteen.
[[File:Don Wollheim & daughter Betsy.jpg|thumb|left|Don Wollheim and his daughter Elizabeth (1954).]]
He was not paid for the story, and when he learned that other authors had not been paid either, he said so in the ''Bulletin'' of the Terrestrial Fantascience Guild.<ref name="speer">{{cite book|last=Speer|first=Jack|author-link=Jack Speer|title=Up to Now|publisher=Full-Length Articles|year=1939}}</ref> Publisher [[Hugo Gernsback]] eventually settled with Wollheim and the other authors out of court for $75. However, when Wollheim submitted another story ("The Space Lens") under the pseudonym Millard Verne Gordon,<ref name=isfdb/> he was once again cheated by Gernsback who published it in the September 1935 issue.<ref name="davin">{{cite book|last=Davin|first=Eric Leif|author-link=Eric Leif Davin|title=Pioneers of Wonder|publisher=Prometheus Books|year=1999|location=New York|isbn=1-57392-702-3|url-access=registration|url=https://archive.org/details/pioneersofwonder00davi}}</ref> His third known story was published in ''Fanciful Tales of Time and Space'', Fall 1936, a fanzine that he edited himself.<!-- published by Shepherd & Wollheim; perhaps only one issue http://www.isfdb.org/cgi-bin/seriesgrid.cgi?33890 --><ref name=isfdb/> That year he also published and edited another short-lived fanzine, ''Phantagraph''.<ref name=isfdb/>


Wollheim's stories were published regularly from 1940; at the same time he was becoming an important editor. In the 1950s and 60s he wrote chiefly novels. He usually used pseudonyms for works aimed at grownups, and wrote children's novels under his own name. Notable and popular were the eight "Mike Mars" books for children, which explored different facets of the [[NASA]] space program.<ref name="ency"/> Also well-received were the "Secret" books for young readers: ''The Secret of Saturn's Rings'' (1954), ''Secret of the Martian Moons'' (1955), and ''The Secret of the Ninth Planet'' (1959). As Martin Pearson he published the "Ajax Calkins" series, which became the basis for his novel ''Destiny's Orbit'' (1962).<ref name="ency"/> A sequel, ''Destination: Saturn'' was published in 1967 in collaboration with [[Lin Carter]]. ''The Universe Makers'' (1971) is a discussion of themes and philosophy in science fiction.
Wollheim's first story, "The Man from Ariel", was published in the January 1934 issue of ''[[Wonder Stories]]''<ref name=isfdb/><ref>{{cite web|last=Silver|first=Steven H|authorlink=Steven H Silver|title=Debut Science Fiction|url=http://www.sfsite.com/~silverag/debut.html#W:|accessdate=2007-09-21}}</ref> when he was nineteen. [[File:Don Wollheim & daughter Betsy.jpg|thumb|left|His author photo: Don Wollheim & daughter Betsy (1954)]] He was not paid for the story, and when he learned that other authors had not been paid either, he said so in the ''Bulletin'' of the Terrestrial Fantascience Guild.<ref name="speer">{{cite book|last=Speer|first=Jack|authorlink=Jack Speer|title=Up to Now|publisher=Full-Length Articles|year=1939}}</ref> Publisher [[Hugo Gernsback]] eventually settled with Wollheim and the other authors out of court for $75. However, when Wollheim submitted another story ("The Space Lens") under the pseudonym Millard Verne Gordon,<ref name=isfdb/> he was once again cheated by Gernsback who published it in the September 1935 issue.<ref name="davin">{{cite book|last=Davin|first=Eric Leif|authorlink=Eric Leif Davin|title=Pioneers of Wonder|publisher=Prometheus Books |year=1999 |location=New York|isbn=1-57392-702-3}}</ref> His third known story was published in ''Fanciful Tales of Time and Space'', Fall 1936, a fanzine that he edited himself.<!-- published by Shepherd & Wollheim; perhaps only one issue http://www.isfdb.org/cgi-bin/seriesgrid.cgi?33890 --><ref name=isfdb/> That year he also published and edited another short-lived fanzine, ''Phantagraph''.<ref name=isfdb/>


One of Wollheim's short stories, "Mimic", was made into the [[Mimic (film)|film of the same name]] by director and co-writer [[Guillermo del Toro]], released in 1997.<ref>{{IMDb name|938586}}.</ref>
Wollheim's stories were published regularly from 1940; at the same time he was becoming an important editor. In the 1950s and 60s he wrote chiefly novels. He usually used pseudonyms for works aimed at grownups, and wrote children's novels under his own name. Notable and popular were the eight "Mike Mars" books for children, which explored different facets of the [[NASA]] space program.<ref name="ency"/> Also well-received were the "Secret" books for young readers: ''The Secret of Saturn's Rings'' (1954), ''Secret of the Martian Moons'' (1955), and ''The Secret of the Ninth Planet'' (1959). As Martin Pearson he published the "Ajax Calkins" series, which became the basis for his novel ''Destiny's Orbit'' (1962).<ref name="ency"/> A sequel, ''Destination: Saturn'' was published in 1967 in collaboration with [[Lin Carter]]. One of his most important books, however, was nonfiction; ''The Universe Makers'' (1971) is a discussion of themes and philosophy in science fiction.


His daughter [[Betsy Wollheim|Betsy]] declared: "In true editorial fashion, he was honest about the quality of his own writing. He felt it was fair to middling at best. He always knew that his great talent was as an editor."<ref name="betsy">Personal interview with Elizabeth Wollheim. April 27, 2009.</ref>
One of Wollheim's short stories, "Mimic", was made into the feature [[Mimic (film)|film]] of the same name, released in 1997.<ref>{{IMDb name|938586}}.</ref>


===Career as editor and publisher===
"In true editorial fashion, he was honest about the quality of his own writing," says his daughter Betsy. "He felt it was fair to middling at best. He always knew that his great talent was as an editor."<ref name="betsy">Personal interview with Elizabeth Wollheim. April 27, 2009.</ref>
[[Robert Silverberg]] said that Wollheim was "one of the most significant figures in 20th century American science fiction publishing," adding, "A plausible case could be made that he was ''the'' most significant figure—responsible in large measure for the development of the science fiction paperback, the science fiction anthology, and the whole post-Tolkien boom in fantasy fiction."<ref name="Locus90"/>


In late 1940, Wollheim noticed a new magazine titled ''Stirring Detective and Western Stories'' on the newsstands. He wrote to the publishers, Albing Publications, to see if they were interested in adding a science fiction title to their list, and he was invited to meet them. They did not have capital, however, and only guaranteed him a salary if the magazines were successful. He approached some of his fellow Futurians for free stories (some published under pseudonyms to protect their reputations with paying editors).<ref name="earlyyears166_169">{{Cite book |url=https://archive.org/stream/earlyasimovorele00asim#page/166/mode/2up |title=The early Asimov; or, Eleven years of trying |last=Asimov |first=Isaac |publisher=Doubleday |year=1972 |location=Garden City NY |pages=166–169}}</ref><ref>{{Cite book|title = The Futurians|last = Knight|first = Damon|publisher = John Day|year = 1977|location = New York|pages=60–83}}</ref> It resulted in Wollheim's editing two of the earliest periodicals devoted to science fiction, the ''[[Cosmic Stories]]'' and ''[[Stirring Science Stories]]'' magazines starting in February 1941. After the magazines were cancelled later in 1941, Wollheim was able to find another publisher, Manhattan Fiction Publications, and a fourth issue of ''Stirring'' appeared, dated March 1942. Wartime constraints prevented ongoing publication, and there were no more issues of either title.<ref>{{Cite book|title = Science Fiction, Fantasy, and Weird Fiction Magazines|publisher = Greenwood Press|year = 1985a|isbn = 0-313-21221-X|location = Westport, Connecticut|pages = 168–170|editor-last = Tymn|editor-first = Marshall B.|editor2-last = Ashley|editor2-first = Mike|chapter = ''Cosmic Stories''|last = Thompson|first = Raymond H.}}</ref><ref>{{Cite book|title = Science Fiction, Fantasy, and Weird Fiction Magazines|publisher = Greenwood Press|year = 1985b|isbn = 0-313-21221-X|location = Westport, CN|pages = 679–681|editor-last = Tymn|editor-first = Marshall B.|editor2-last = Ashley|editor2-first = Mike|chapter = ''Stirring Science Stories''|last = Thompson|first = Raymond H.}}</ref><ref>''The New York Times'', November 3, 1990, Section 1, p. 18.</ref>
==Wollheim as editor and publisher==


Wollheim edited the first science fiction anthology to be mass-marketed, ''The Pocket Book of Science Fiction'' (1943).<ref name="Locus90"/> It was also the first book containing the words "science fiction" in the title.<ref name="betsy"/> It included works by [[Robert A. Heinlein]], [[Theodore Sturgeon]], [[Thomas Sigismund Stribling|T. S. Stribling]], [[Stephen Vincent Benét]], [[Ambrose Bierce]], and [[H. G. Wells]]. In 1945 Wollheim edited the first hardcover anthology from a major publisher and the first omnibus, ''The Viking Portable Novels of Science''. He also edited the first anthology of original science fiction, ''The Girl With the Hungry Eyes'' (1947), although there is evidence that this last was originally intended to be the first issue of a new magazine.<ref name="Locus90"/>
[[Robert Silverberg]] said that Donald Wollheim was "one of the most significant figures in 20th century American science fiction publishing," adding, "A plausible case could be made that he was ''the'' most significant figure — responsible in large measure for the development of the science fiction paperback, the science fiction anthology, and the whole post-Tolkien boom in fantasy fiction."<ref name="Locus90"/>


[[Image:acexx06.jpg|left|thumb|Ace Double, ''The Brain Stealers/Atta'' (1954).]]
In late 1940, Wollheim noticed a new magazine titled ''Stirring Detective and Western Stories'' on the newsstands. He wrote to the publishers, Albing Publications, to see if they were interested in adding a science fiction title to their list, and he was invited to meet them. They did not have capital, however, and only guaranteed him a salary if the magazines were successful. He approached some of his fellow Futurians for free stories (some published under pseudonyms to protect their reputations with paying editors).<ref>{{Cite book|title = The Futurians|last = Knight|first = Damon|publisher = John Day|year = 1977|location = New York|pages=60-83}}</ref> It resulted in Wollheim's editing two of the earliest periodicals devoted to science fiction, the ''[[Cosmic Stories]]'' and ''[[Stirring Science Stories]]'' magazines starting in February 1941. After the magazines were cancelled later in 1941, Wollheim was able to find another publisher, Manhattan Fiction Publications, and a fourth issue of ''Stirring'' appeared, dated March 1942. Wartime constraints prevented ongoing publication, and there were no more issues of either title.<ref>{{Cite book|title = Science Fiction, Fantasy, and Weird Fiction Magazines|publisher = Greenwood Press|year = 1985a|isbn = 0-313-21221-X|location = Westport, Connecticut|pages = 168–170|editor-last = Tymn|editor-first = Marshall B.|editor2-last = Ashley|editor2-first = Mike|chapter = ''Cosmic Stories''|last = Thompson|first = Raymond H.}}</ref><ref>{{Cite book|title = Science Fiction, Fantasy, and Weird Fiction Magazines|publisher = Greenwood Press|year = 1985b|isbn = 0-313-21221-X|location = Westport, Connecticut|pages = 679–681|editor-last = Tymn|editor-first = Marshall B.|editor2-last = Ashley|editor2-first = Mike|chapter = ''Stirring Science Stories''|last = Thompson|first = Raymond H.}}</ref><ref>''The New York Times'', November 3, 1990, Section 1, p. 18.</ref>
[[Image:Avon Fantasy Reader 10.djvu|right|thumb|''Avon Fantasy Reader'' No. 10, edited by Wollheim.]]
Between 1947 and 1951 he was editor at the pioneering paperback publisher [[Avon (publishers)|Avon Books]], where he made available highly affordable editions of the works of [[A. Merritt]], [[H. P. Lovecraft]], and [[C. S. Lewis]]' ''Silent Planet'' space trilogy, bringing these previously little known authors a wide readership.<ref name="silver">{{cite book|last=Silverberg|first=Robert|title=Reflections & Refractions: Thoughts on Science Fiction, Science, and Other Matters|publisher=Underwood|year=1997|location=Grass Valley, Calif|pages=253–256}}</ref> During this period he also edited eighteen issues of the influential ''[[Avon Fantasy Reader]]'' as well as three of the ''[[Avon Science Fiction Reader]]''. These periodicals contained mostly reprints and a few original stories.


In 1952 Wollheim left Avon to work for [[A. A. Wyn]] at the Ace Magazine Company and spearheaded a new paperback book list, [[Ace Books]]. In 1953 he introduced science fiction to the Ace lineup,<ref name="smith"/> and for 20 years as editor-in-chief was responsible for their multi-genre list and, most important to him, their renowned sf list.<ref name="ency"/> Wollheim invented the ''[[Ace Double]]s'' series which consisted of pairs of books, usually by different authors, bound back-to-back with two "front" covers.<ref name="silver"/> Because these paired books had to fit a fixed total page length, one or both were usually abridged to fit, and Wollheim often made other editorial alterations—as witness the differences between [[Poul Anderson]]'s Ace novel ''War of the Wing-Men'' and its definitive revised edition, ''The Man Who Counts''. Among the authors who made their paperback debuts in Ace Doubles were [[Philip K. Dick]], [[Samuel R. Delany]], [[Leigh Brackett]], [[Ursula K. Le Guin]], and [[John Brunner (novelist)|John Brunner]].<ref name="silver"/> [[William S. Burroughs]]' first book, ''[[Junkie (novel)|Junkie]]'', was published as an Ace Double.<ref name="silver"/> Wollheim also helped develop [[Marion Zimmer Bradley]], [[Robert Silverberg]], [[Avram Davidson]], [[Fritz Leiber]], [[Andre Norton]], [[Thomas Burnett Swann]], [[Jack Vance]], and [[Roger Zelazny]], among others. While at Ace, he and co-editor [[Terry Carr]] began an annual anthology series, ''The World's Best Science Fiction'', the first collection of what they considered the best of the prior year's short stories, from magazines, hardcovers, paperback collections and other anthologies.<ref name="Locus90"/>
Wollheim edited the first science fiction anthology to be mass-marketed, ''The Pocket Book of Science Fiction'' (1943).<ref name="Locus90"/> It was also the first book containing the words "science fiction" in the title.<ref name="betsy"/> It included works by [[Robert A. Heinlein]], [[Theodore Sturgeon]], [[Thomas Sigismund Stribling|T. S. Stribling]], [[Stephen Vincent Benét]], [[Ambrose Bierce]], and [[H. G. Wells]]. In 1945 Wollheim edited the first hardcover anthology from a major publisher and the first omnibus, ''The Viking Portable Novels of Science''. He also edited the first anthology of original science fiction, ''The Girl With the Hungry Eyes'' (1947), although there is evidence that this last was originally intended to be the first issue of a new magazine.<ref name="Locus90"/>


In the early 1960s Ace reintroduced Edgar Rice Burroughs' work, which had long been out of print, and in 1965, Ace bought the paperback rights to ''[[Dune (novel)|Dune]]''<ref name="Locus90"/> (Herbert's title worried Wollheim, who feared it would be mistaken for a western).<ref name="betsy"/> Eventually, Ace introduced single paperback books and became one of the preeminent genre publishers. Ace and Ballantine dominated sf in the 1960s and built the genre by publishing original material as well as reprints.<ref name="Locus90"/>
[[Image:acexx06.jpg|left|thumb|Ace Double, ''The Brain Stealers/Atta'' (1954)]]
[[Image:Avon Fantasy Reader 10.djvu|right|thumb|Avon Fantasy Reader No. 10, edited by Donald Wollheim]]
Between 1947 and 1951 he was editor at the pioneering paperback publisher [[Avon (publishers)|Avon Books]], where he made available highly affordable editions of the works of [[A. Merritt]], [[H. P. Lovecraft]], and [[C. S. Lewis]]' ''Silent Planet'' space trilogy, bringing these previously little known authors a wide readership.<ref name="silver">{{cite book|last=Silverberg|first=Robert|title=Reflections & Refractions: Thoughts on Science Fiction, Science, and Other Matters|publisher=Underwood|year=1997|location=Grass Valley, Calif|pages=253–56}}</ref> During this period he also edited eighteen issues of the influential ''[[Avon Fantasy Reader]]'' as well as three of the ''[[Avon Science Fiction Reader]]''. These periodicals contained mostly reprints and a few original stories.


====Tolkien controversy====
In 1952 Wollheim left Avon to work for [[A. A. Wyn]] at the Ace Magazine Company and spearheaded a new paperback book list, [[Ace Books]]. In 1953 he introduced science fiction to the Ace lineup,<ref name="smith"/> and for 20 years as editor-in-chief was responsible for their multi-genre list and, most important to him, their renowned sf list.<ref name="ency"/> Wollheim invented the ''[[Ace Double]]s'' series which consisted of pairs of books, usually by different authors, bound back-to-back with two "front" covers.<ref name="silver"/> Because these paired books had to fit a fixed total page length, one or both were usually abridged to fit, and Wollheim often made other editorial alterations — as witness the differences between [[Poul Anderson]]'s Ace novel ''War of the Wing-Men'' and its definitive revised edition, ''The Man Who Counts''. Among the authors who made their paperback debuts in Ace Doubles were [[Philip K. Dick]], [[Samuel R. Delany]], [[Leigh Brackett]], [[Ursula K. Le Guin]], and [[John Brunner (novelist)|John Brunner]].<ref name="silver"/> [[William S. Burroughs]]' first book, ''[[Junkie (novel)|Junkie]]'', was published as an Ace Double.<ref name="silver"/> Wollheim also helped develop [[Marion Zimmer Bradley]], [[Robert Silverberg]], [[Avram Davidson]], [[Fritz Leiber]], [[Andre Norton]], [[Thomas Burnett Swann]], [[Jack Vance]], and [[Roger Zelazny]], among others.<ref name="Locus90"/> While at Ace, he and co-editor Terry Carr began an annual anthology series, ''The World's Best Science Fiction'', the first collection of what they considered the best of the prior year's short stories, from magazines, hardcovers, paperback collections and other anthologies.<ref name="Locus90"/>
<!-- Deleted image removed: [[File:3 Ace Tolkien.jpeg|thumb|The [[Ace Books]] editions of ''The Lord of the Rings'', with cover artwork by [[Jack Gaughan]], who had produced many science fiction book covers for Wollheim.]] -->
Prior to the 1960s, no large American paperback publisher would publish fantasy. It was believed that there was no public demand for it and that it would not sell. Wollheim published an unauthorized paperback edition of [[J. R. R. Tolkien]]'s ''[[The Lord of the Rings]]'' in three volumes. It was the first mass-market paperback edition of Tolkien's epic.<ref name="silver"/> Wollheim did not consider himself a fantasy fan. In a 2006 interview his daughter, Betsy Wollheim, said:<ref name=wollheim200606>{{Cite magazine|url=http://www.locusmag.com/2006/Issues/06Wollheim.html|title=Locus Online: Betsy Wollheim interview excerpts|magazine=Locus |date=June 2006 | access-date=December 6, 2017}}</ref>


{{blockquote|When he called up Professor Tolkien in 1964 and asked if he could publish ''Lord of the Rings'' as Ace paperbacks, Tolkien said he would ''never'' allow his great works to appear in so 'degenerate a form' as the paperback book. Don was one of the fathers of the entire paperback industry, since before he spearheaded the Ace line he was the originating editor-in-chief of the Avon paperback list in 1945, so he took this personally. He was very offended. He did a little research and discovered a loophole in the copyright. Houghton Mifflin, Tolkien's American hardcover publisher, had neglected to protect the work in the United States. So, incensed by Tolkien's response, he realized that he could legally publish them and did.
In the early 1960s Ace reintroduced Edgar Rice Burroughs' work, which had long been out of print, and in 1965, Ace bought the paperback rights to [[Dune]].<ref name="Locus90"/> (Herbert's title worried Wollheim, who feared it would be mistaken for a western.)<ref name="betsy"/> Eventually, Ace introduced single paperback books and became one of the preeminent genre publishers. Ace and Ballantine dominated sf in the 1960s and built the genre by publishing original material as well as reprints.<ref name="Locus90"/>


This brash action (which ultimately benefited his primary competitors) was really the Big Bang that founded the modern fantasy field, and only someone like my father could have done that. He ''did'' pay Tolkien, and he was responsible for making not only Tolkien but [[Ballantine Books]] extremely wealthy. He was bitter about that, and frankly that's probably why he never got the [[Hugo Award for Best Professional Editor|Hugo]] he wanted. But if he hadn't done it, who knows when — or if — those books would have been published in paperback?}}
[[File:3 Ace Tolkien.jpeg|thumb|left|The famed Ace editions, now collectors' items]] There was a time when no paperback publisher would publish fantasy. It was believed that there was no public for fantasy and that it wouldn't sell. Then Wollheim changed everything when he brought out an unauthorized paperback edition of [[J. R. R. Tolkien]]'s ''[[The Lord of the Rings]]'' in three volumes — the first mass-market paperback edition of Tolkien's epic.<ref name="silver"/> In a 2006 interview, his daughter Elizabeth said:


This account was disputed by Tolkien, who claimed that he never received any communication from Ace prior to publication of their version.<ref>{{harvnb|Carpenter|2023|loc=#276 }}</ref> In any case, Tolkien had previously authorized paperback editions of ''[[The Hobbit]]'' and ''[[Tree and Leaf]]''.<ref>{{cite web|title=The First Paperback Edition of The Hobbit|url=http://www.tolkiencollector.com/hobbhist.htm |access-date=April 27, 2009}}</ref><ref>{{harvnb|Carpenter|2023|loc=#248 }}</ref> The authorized Ballantine paperback edition of ''[[The Lord of the Rings]]'' was then published in November, 1965. Ace subsequently agreed to cease publishing the unauthorized edition and to pay Tolkien for their sales following a [[grassroots]] campaign by Tolkien's U.S. fans.<ref>{{cite web |author=Reynolds, Pat |year=2004 |title=The Lord of the Rings: The Tale of a Text |url=http://www.tolkiensociety.com/tolkien/tale.html |url-status=dead |archive-url=https://web.archive.org/web/20060908022929/http://www.tolkiensociety.com/tolkien/tale.html |archive-date=September 8, 2006 }}</ref><ref>{{harvnb|Carpenter|2023|loc=especially #270, #273 and #277 }}</ref> A 1993 court determined that the copyright loophole suggested by Ace Books was invalid and its paperback edition was found to have been a violation of copyright under [[Copyright law of the United States|U.S. law]]<ref>Eisen, Durwood & Co. v. Christopher R. Tolkien et al., 794 F. Supp. 85, 23 U.S.P.Q.2d 1150 (S.D.N.Y. 1992), affirmed without opinion, 990 F.2d 623 (2nd Cir. 1993)</ref> (at this time, the U.S. had yet to join the [[International Copyright Convention]], and most laws on the books existed to protect domestic creations from foreign infringement. [[Houghton Mifflin]] was technically in violation of the law when they exceeded their import limits and failed to renew their interim copyright). In the ''Locus'' obituary for Donald Wollheim, however, more details emerge:
<blockquote>He called Professor Tolkien in 1964 and asked if he could publish ''Lord of the Rings'' as Ace paperbacks. Tolkien said he would never allow ''Lord of the Rings'', his great work, to appear in 'so degenerate a form’ as the paperback book. Don was one of the fathers of the entire paperback industry. He'd spearheaded the Ace line, he was the originating editor-in-chief of the Avon paperback list in 1945, and I think he was hurt and took it personally. He did a little research and discovered a loophole in the copyright. Houghton Mifflin, Tolkien’s American hardcover publisher, had neglected to protect the work in the United States. So, incensed by Tolkien’s response, he realized that he could legally publish the trilogy and did. This brash act (which ultimately benefited his primary competitors as well as Tolkien) was really the Big Bang that founded the modern fantasy field, and only someone like my father could have done that. He paid Tolkien, and he was responsible for making not only Tolkien extremely wealthy but Ballantine Books as well. And if he hadn’t done it, who knows when — or if — those books would ever have been published in paperback.<ref>''LOCUS'', June 2006, Betsy Wollheim Interview.</ref></blockquote>


{{blockquote|Houghton-Mifflin had imported sheets instead of printing their own edition, but they didn't want to sell paperback rights. Ace printed the first paperback edition and caused such a furor that Tolkien rewrote the books enough to get a new copyright, then sold them to Ballantine. The rest is history. Although Ace and Wollheim have become the villains in the Tolkien publishing gospel, it's probable that the whole Tolkien boom would not have happened if Ace hadn't published them.<ref name="Locus90"/>}}
Tolkien had authorized a paperback edition of ''[[The Hobbit]]'' in 1961, though that edition was never made available outside the U.K.<ref>{{cite web|title=The First Paperback Edition of The Hobbit|url=http://www.tolkiencollector.com/hobbhist.htm |accessdate=2009-04-27}}</ref> Eventually, he supported paperback editions of ''[[The Lord of the Rings]]'' and several of his other texts, but it is difficult to say whether he was persuaded to do so by the manifest economic wisdom evident in sales of the Ace editions. In any case, Ace was forced to cease publishing the unauthorized edition and to pay Tolkien for their sales following a grass-roots campaign by Tolkien's U.S. fans.<ref>{{cite web|author=Reynolds, Pat|year=2004|title=The Lord of the Rings: The Tale of a Text|url=http://www.tolkiensociety.com/tolkien/tale.html}}</ref><ref>{{ME-ref|letters|especially #270, #273 and #277}}</ref> A 1993 court determined that the copyright loophole suggested by Ace Books was invalid and its paperback edition was found to have been a violation of copyright under [[Copyright law of the United States|US law.]]<ref>Eisen, Durwood & Co. v. Christopher R. Tolkien et al., 794 F. Supp. 85, 23 U.S.P.Q.2d 1150 (S.D.N.Y. 1992), affirmed without opinion, 990 F.2d 623 (2nd Cir. 1993).</ref> (At this time, the U.S. had yet to join the International Copyright Convention, and most laws on the books existed to protect domestic creations from foreign infringement. Houghton Mifflin was technically in violation of the law when they exceeded their import limits and failed to renew their interim copyright.) In the ''LOCUS'' obituary for Donald Wollheim, however, yet more detail emerges.
<blockquote>Houghton-Mifflin had imported sheets instead of printing their own edition, but they didn't want to sell paperback rights. Ace printed the first paperback edition and caused such a furor that Tolkien rewrote the books enough to get a new copyright, then sold them to Ballantine. The rest is history. Although Ace and Wollheim have become the villains in the Tolkien publishing gospel, it's probable that the whole Tolkien boom would not have happened if Ace hadn't published them.<ref name="Locus90"/></blockquote>


==DAW Books==
===Foundation of DAW Books===
{{See also|DAW Books}}


Wollheim left Ace in 1971. [[Frederik Pohl]] describes the circumstances:
Wollheim left Ace in 1971. [[Frederik Pohl]] describes the circumstances:
<blockquote>Unfortunately, when Wyn died [in 1968] the company was sold to a consortium headed by a bank.&nbsp;... Few of them had any publishing experience before they found themselves running Ace. It showed. Before long, bills weren't being paid, authors' advances and royalties were delayed, budgets were cut back, and most of Donald's time was spent trying to soothe authors and agents who were indignant, and had every right to be, at the way they were treated.<ref name="Locus90"/></blockquote>
<blockquote>Unfortunately, when Wyn died [in 1968] the company was sold to a consortium headed by a bank.&nbsp;... Few of them had any publishing experience before they found themselves running Ace. It showed. Before long, bills weren't being paid, authors' advances and royalties were delayed, budgets were cut back, and most of Donald's time was spent trying to soothe authors and agents who were indignant, and had every right to be, at the way they were treated.<ref name="Locus90"/></blockquote>
[[Image:DAW Books Logo.jpg|right|thumb|DAW Books logo used from 1972 to 1984]]
[[Image:DAW Books Logo.jpg|right|thumb|DAW Books logo used from 1972 to 1984]]
Upon leaving Ace, he and his wife, Elsie Balter Wollheim, founded [[DAW Books]], named for his initials. DAW can claim to be the first mass market specialist science fiction and [[fantasy fiction]] publishing house.<ref name="smith"/> DAW issued its first four titles in April 1972. Most of the writers whom he had developed at Ace went with him to DAW: Marion Zimmer Bradley, Andre Norton, Philip K. Dick, John Brunner, [[A. Bertram Chandler]], [[Kenneth Bulmer]], [[Gordon R. Dickson]], [[A. E. van Vogt]], and [[Jack Vance]]. In later years, when his distributor, [[New American Library]], threatened to withhold [[Thomas Burnett Swann]]'s Biblical fantasy ''How Are the Mighty Fallen'' (1974) because of its homosexual content, Wollheim fought vigorously against their decision and they relented.
Upon leaving Ace, he and his wife, Elsie Balter Wollheim, founded [[DAW Books]], which he named for his initials. DAW can claim to be the first mass market specialist science fiction and [[fantasy fiction]] publishing house.<ref name="smith"/> DAW issued its first four titles in April 1972. Most of the writers whom he had developed at Ace went with him to DAW: Marion Zimmer Bradley, Andre Norton, Philip K. Dick, John Brunner, [[A. Bertram Chandler]], [[Kenneth Bulmer]], [[Gordon R. Dickson]], [[A. E. van Vogt]], and [[Jack Vance]]. In later years, when his distributor, [[New American Library]], threatened to withhold [[Thomas Burnett Swann]]'s Biblical [[historical fantasy]] ''How Are the Mighty Fallen'' (1974), owing to its homosexual content, Wollheim fought vigorously against their decision, and they relented.


His later author discoveries included [[Tanith Lee]], [[Jennifer Roberson]], [[Michael Shea (author)|Michael Shea]], [[Tad Williams]], [[Celia S. Friedman]], and [[C. J. Cherryh]], whose ''Downbelow Station'' (1982) was the first DAW book to win the Hugo Award for best novel. He was also able to give a number of British writers including [[Edwin Charles Tubb|E. C. Tubb]], [[Brian Stableford]], [[Barrington Bayley]], and [[Michael Coney]] a new American audience. He published translations of international sf as well as anthologies of translated stories, ''Best From the Rest of the World.'' With the help of [[Arthur W. Saha]], Wollheim also edited and published the popular "Annual World's Best Science Fiction" anthology from 1971 until his death.
His later author discoveries included [[Tanith Lee]], [[Jennifer Roberson]], [[Michael Shea (author)|Michael Shea]], [[Tad Williams]], [[Celia S. Friedman]], and [[C. J. Cherryh]], whose ''[[Downbelow Station]]'' (1982) was the first DAW book to win the Hugo Award for best novel. He was also able to give a number of British writers, including [[Edwin Charles Tubb|E. C. Tubb]], [[Brian Stableford]], [[Barrington Bayley]], and [[Michael Coney]], a new American audience. He published translations of international sf as well as anthologies of translated stories, ''Best From the Rest of the World.'' With the help of [[Arthur W. Saha]], Wollheim also edited and published the popular "Annual World's Best Science Fiction" anthology from 1971 until his death.


==Recognition==
==Recognition==
[[Algis Budrys]] in 1966 gave Wollheim a Galaxy Bookshelf award "for doing his job".<ref name="budrys196602">{{Cite magazine
|last=Budrys
|first=Algis
|date=February 1966
|title=Galaxy Bookshelf
|url=https://archive.org/stream/Galaxy_v24n03_1966-02#page/n131/mode/2up
|magazine=Galaxy Science Fiction
|pages=131–139
}}</ref> Upon Wollheim's death in 1990, the prolific editor Robert Silverberg argued ([[#Editor and publisher|above]]) that he may have been "''the'' most significant figure" in American SF publishing.<ref name=Locus90/>


[[Robert Jordan]] credited Wollheim for helping to launch Jordan's career. Wollheim made an offer for Jordan's first novel, ''Warriors of the Ataii'', though he withdrew the offer when Jordan requested some minor changes to the contract. Jordan claimed that Wollheim's first, 'laudatory' letter convinced him that he could write, and so he chose to remember the first letter and forget about the second.<ref>McAlpine, Rachel. {{cite web |url=http://writing.co.nz/writing/fantasy.htm |title=New Zealand interview with Robert Jordan |access-date=September 26, 2011 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20020624153852/http://writing.co.nz/writing/fantasy.htm |archive-date=June 24, 2002 }}.</ref><ref>Kleffel, Rick. [http://www.theoryland.com/vbulletin/showthread.php?t=6032 Fine Print interview with Robert Jordan].</ref> The novel was never published, but Jordan went on to write the immensely successful ''[[The Wheel of Time]]'' series for a different publisher.
Upon Wollheim's death in 1990, the prolific editor Robert Silverberg argued ([[#Wollheim as editor and publisher|above]]) that he may have been "''the'' most significant figure" in American SF publishing.<ref name=Locus90/>


Marion Zimmer Bradley referred to him as "a second father", Frederick Pohl called him "a founder",<ref name="Locus90"/> and Robert Silverberg says he was "seriously underrated" and "one of the great shapers of science-fiction publishing in the United States".<ref name="silver"/> In 1977 scholar [[Robert Scholes]] named Wollheim "one of the most important editors and publishers of science fiction."<ref name="scholes-rabkin">{{cite book | first1=Robert | last1=Scholes| author-link1= Robert Scholes| first2 = Eric S.| last2 = Rabkin|title=Science Fiction: History, Science, Vision| url=https://archive.org/details/sciencefictionhi00scho | url-access=registration | publisher=Oxford University Press| location=London|date=1977|chapter=Bibliography I: History and Criticism of Science Fiction| isbn=978-0-19-502174-5}}</ref>
[[Robert Jordan]] credits Wollheim for helping to launch his (Jordan's) career. Wollheim made an offer for Jordan's first novel, ''Warriors of the Ataii'', though he withdrew the offer when Jordan requested some minor changes to the contract. Jordan claims that Wollheim's first, 'laudatory' letter convinced him that he could write, and so he chose to remember the first letter and forget about the second.<ref>McAlpine, Rachel. {{Wayback |date=20020624153852 |url=http://writing.co.nz/writing/fantasy.htm |title=New Zealand interview with Robert Jordan}}.</ref><ref>Kleffel, Rick. [http://www.theoryland.com/vbulletin/showthread.php?t=6032 Fine Print interview with Robert Jordan].</ref> The novel was never published, but Jordan went on to write the immensely successful [[Wheel of Time]] series for a different publisher.

Marion Zimmer Bradley refers to him as "a second father", Frederik Pohl calls him "a founder",<ref name="Locus90"/> and Robert Silverberg says he was "seriously underrated" and "one of the great shapers of science-fiction publishing in the United States".<ref name="silver"/> In 1977 scholar [[Robert Scholes]] named Wollheim "one of the most important editors and publishers of science fiction."<ref name="scholes-rabkin">{{cite book | first1=Robert | last1=Scholes| authorlink1= Robert Scholes| first2 = Eric S.| last2 = Rabkin|title=Science Fiction: History, Science, Vision| publisher=Oxford University Press| location=London|date=1977|chapter=Bibliography I: History and Criticism of Science Fiction}}</ref>


From 1975 on, Wollheim received several special awards for his contributions to science fiction and to fantasy,<ref name=SFAwards/> including one at the 1975 World SF Convention and runner-up to Ian & Betty Ballantine at the 1975 World Fantasy Convention.
From 1975 on, Wollheim received several special awards for his contributions to science fiction and to fantasy,<ref name=SFAwards/> including one at the 1975 World SF Convention and runner-up to Ian & Betty Ballantine at the 1975 World Fantasy Convention.


The [[EMP Museum#Science Fiction Hall of Fame|Science Fiction and Fantasy Hall of Fame]] inducted him in 2002, its seventh class of two deceased and two living persons.<ref name=sfhof-old/> He is the third person inducted primarily for his work as editor or publisher, after the inaugural 1996 pair Hugo Gernsback and John W Campbell.
The [[EMP Museum#Science Fiction Hall of Fame|Science Fiction and Fantasy Hall of Fame]] inducted him in 2002, its seventh class of two deceased and two living persons.<ref name=sfhof-old/> He is the third person inducted primarily for his work as editor or publisher, after the inaugural 1996 pair [[Hugo Gernsback]] and [[John W. Campbell]].


==Selected works==
==Selected works==
===As editor===
====''World's Best Science Fiction'' (with Terry Carr)====
*''[[World's Best Science Fiction: 1965]]'' (also known as ''World's Best Science Fiction: First Series'')
*''[[World's Best Science Fiction: 1966]]'' (also known as ''World's Best Science Fiction: Second Series'')
*''[[World's Best Science Fiction: 1967]]'' (also known as ''World's Best Science Fiction: Third Series'')
*''[[World's Best Science Fiction: 1968]]'' (also known as ''World's Best Science Fiction: Fourth Series'')
*''[[World's Best Science Fiction: 1969]]''
*''[[World's Best Science Fiction: 1970]]''
*''[[World's Best Science Fiction: 1971]]''


===''World's Best Science Fiction'', 1965-1971 (with Terry Carr)===
====''The Annual World's Best SF'' (with Arthur W. Saha)====
*''[[World's Best Science Fiction: 1965]]'' (=''World's Best Science Fiction: First Series'') (1965)
*''[[The 1972 Annual World's Best SF]]'' (also known as ''Wollheim's World's Best SF: Series One'')
*''[[World's Best Science Fiction: 1966]]'' (=''World's Best Science Fiction: Second Series'') (1966
*''[[The 1973 Annual World's Best SF]]'' (also known as ''Wollheim's World's Best SF: Series Two'')
*''[[World's Best Science Fiction: 1967]]'' (=''World's Best Science Fiction: Third Series'') (1967)
*''[[The 1974 Annual World's Best SF]]'' (also known as ''Wollheim's World's Best SF: Series Three'')
*''[[World's Best Science Fiction: 1968]]'' (=''World's Best Science Fiction: Fourth Series'') (1968)
*''[[The 1975 Annual World's Best SF]]'' (also known as ''Wollheim's World's Best SF: Series Four'')
*''[[World's Best Science Fiction: 1969]]'' (1969)
*''[[The 1976 Annual World's Best SF]]'' (also known as ''Wollheim's World's Best SF: Series Five'')
*''[[World's Best Science Fiction: 1970]]'' (1970)
*''[[The 1977 Annual World's Best SF]]'' (also known as ''Wollheim's World's Best SF: Series Six'')
*''[[World's Best Science Fiction: 1971]]'' (1971)
*''[[The 1978 Annual World's Best SF]]'' (also known as ''Wollheim's World's Best SF: Series Seven'')
*''[[The 1979 Annual World's Best SF]]'' (also known as ''Wollheim's World's Best SF: Series Eight'')

===''The Annual World's Best SF'', 1972-1990 (with Arthur W. Saha)===
*''[[The 1980 Annual World's Best SF]]'' (also known as ''Wollheim's World's Best SF: Series Nine'')
*''[[The 1972 Annual World's Best SF]]'' (=''Wollheim's World's Best SF: Series One'') (1972)
*''[[The 1981 Annual World's Best SF]]''
*''[[The 1973 Annual World's Best SF]]'' (=''Wollheim's World's Best SF: Series Two'') (1973)
*''[[The 1982 Annual World's Best SF]]''
*''[[The 1974 Annual World's Best SF]]'' (=''Wollheim's World's Best SF: Series Three'') (1974)
*''[[The 1983 Annual World's Best SF]]''
*''[[The 1975 Annual World's Best SF]]'' (=''Wollheim's World's Best SF: Series Four'') (1975)
*''[[The 1984 Annual World's Best SF]]''
*''[[The 1976 Annual World's Best SF]]'' (=''Wollheim's World's Best SF: Series Five'') (1976)
*''[[The 1985 Annual World's Best SF]]''
*''[[The 1977 Annual World's Best SF]]'' (=''Wollheim's World's Best SF: Series Six'') (1977)
*''[[The 1986 Annual World's Best SF]]''
*''[[The 1978 Annual World's Best SF]]'' (=''Wollheim's World's Best SF: Series Seven'') (1978)
*''[[The 1987 Annual World's Best SF]]''
*''[[The 1979 Annual World's Best SF]]'' (=''Wollheim's World's Best SF: Series Eight'') (1979)
*''[[The 1988 Annual World's Best SF]]''
*''[[The 1980 Annual World's Best SF]]'' (=''Wollheim's World's Best SF: Series Nine'') (1980)
*''[[The 1989 Annual World's Best SF]]''
*''[[The 1981 Annual World's Best SF]]'' (1981)
*''[[The 1990 Annual World's Best SF]]''
*''[[The 1982 Annual World's Best SF]]'' (1982)
*''[[The 1983 Annual World's Best SF]]'' (1983)
*''[[The 1984 Annual World's Best SF]]'' (1984)
*''[[The 1985 Annual World's Best SF]]'' (1985)
*''[[The 1986 Annual World's Best SF]]'' (1986)
*''[[The 1987 Annual World's Best SF]]'' (1987)
*''[[The 1988 Annual World's Best SF]]'' (1988)
*''[[The 1989 Annual World's Best SF]]'' (1989)
*''[[The 1990 Annual World's Best SF]]'' (1990)


===Novels===
===As writer===
====Novels====
*''Across Time'' (as David Grinnell)
*''Across Time'' (as David Grinnell)
*''Destination: Saturn'' (as David Grinnell)
*''Destination: Saturn'' (as David Grinnell, with [[Lin Carter]])
*''Destiny's Orbit'' (as David Grinnell) (published as an [[Ace Double]] with [[John Brunner (novelist)|John Brunner]]'s [[Times Without Number]])
*''Destiny's Orbit'' (as David Grinnell; published as an [[Ace Double]] with [[John Brunner (novelist)|John Brunner]]'s ''[[Times Without Number]]'')
*''The Edge of Time'' (as David Grinnell)
*''The Edge of Time'' (as David Grinnell)
*''The Martian Missile'' (as David Grinnell)
*''The Martian Missile'' (as David Grinnell)
*''One Against the Moon'' (1956, The World Publishing Company, Library of Congress Catalog Card Number: 56-9261)
*''Mike Mars and the Mystery Satellite''
*''Mike Mars in Orbit"
*''Mike Mars Around the Moon
*''Mike Mars, Astronaut''
*''Mike Mars at Cape Canaveral'' (vt "Mike Mars at Cape Kennedy")
*''Mike Mars Flies the Dyna-Soar''
*''Mike Mars Flies the X-15''
*''Mike Mars, South Pole Spaceman''
*''One Against the Moon''
*''[[The Secret of the Martian Moons]]'' (1955, Winston Science Fiction series)
*''[[The Secret of the Martian Moons]]'' (1955, Winston Science Fiction series)
*''[[The Secret of the Ninth Planet]]'' (1959, Winston Science Fiction series)
*''[[The Secret of the Ninth Planet]]'' (1959, Winston Science Fiction series)
Line 147: Line 157:
*''To Venus! To Venus!'' (as David Grinnell)
*''To Venus! To Venus!'' (as David Grinnell)


===Writing about science fiction===
====Mike Mars series====
'''Source:'''<ref>{{Cite web|url=http://thethunderchild.com/Books/MikeMars/MikeMars.html|title=Mike Mars: Astronaut - A critical analysis of te 1960s books written by Donald Wollheim in the 1960s|website=thethunderchild.com}}</ref>
*''The Universe Makers: Science Fiction Today'' (1971): a "survey and behind-the-scenes look at" science fiction "from the advent of the Golden Age"<ref name=scholes-rabkin />

*''Mike Mars, Astronaut'' (1961)
*''Mike Mars Flies the X-15'' (1961)
*''Mike Mars at Cape Canaveral'' (renamed ''Mike Mars at Cape Kennedy'' when published in paperback in 1966) (1961)
*''Mike Mars in Orbit'' (1961)
*''Mike Mars Flies the Dyna-Soar'' (1962)
*''Mike Mars, South Pole Spaceman'' (1962)
*''Mike Mars and the Mystery Satellite'' (1963)
*''Mike Mars Around the Moon'' (1964)

====Nonfiction====
*''A Year Among the Girls'' (as Darrell G. Raynor) (1966) (concerning his [[crossdressing]] experiences and [[Casa Susanna]])<ref>{{Cite web |last=Kleinmann |first=James |date=November 11, 2022 |title=DOC NYC 2022 Film Review: Casa Susanna |url=https://thequeerreview.com/2022/11/11/doc-nyc-2022-film-review-casa-susanna/ |access-date=June 27, 2023 |website=The Queer Review}}</ref>
*''The Universe Makers: Science Fiction Today'' (1971): a "survey and behind-the-scenes look" at science fiction from the [[Golden Age of Science Fiction|Golden Age]] onward)<ref name=scholes-rabkin />)

==Personal life==
Wollheim also actively practiced [[cross-dressing]] as a [[woman]] throughout his life, and he regularly attended events at [[Casa Susanna]] in the [[Catskills]] of [[upstate New York]].<ref>{{cite AV media| title=Casa Susanna |language=en |url=https://www.pbs.org/wgbh/americanexperience/films/casa-susanna/ |publisher= American Experience by PBS}}</ref><ref>{{cite book |last=Raynor |first=Daniel |author-link= |date=1966 |title=A Year Among the Girls |url= |location= |publisher=Lyle Stuart}}</ref>


==See also==
==See also==
* [[Ace Double]]
{{portal bar|Science Fiction |Books |Children's literature }} <!-- delete "bar" if/when there are enough ordinary See also -->
*[[Winston Science Fiction]]
* [[Winston Science Fiction]]
{{portal bar|Science Fiction |Books |Children's literature }}
*[[Ace Double]]


==References==
==References==
{{Reflist |25em |refs=
{{Reflist |25em |refs=
<ref name=isfdb>
<ref name=isfdb>
{{ISFDB name |826}} (ISFDB). Retrieved April 18, 2013.</ref>
{{isfdb name |826}} ('''ISFDB'''). Retrieved 2013-04-18. Select a title to see its linked publication history and general information. Select a particular edition (title) for more data at that level, such as a front cover image or linked contents.</ref>


<!-- some awards refs -->
<!-- some awards refs -->
<ref name=SFAwards>
<ref name=SFAwards>
[http://www.locusmag.com/SFAwards/Db/NomLit154.html#5713 "Wollheim, Donald A."]. ''The Locus Index to SF Awards: Index of Literary Nominees''. [[Locus Publications]]. Retrieved 2013-03-26.</ref>
[http://www.locusmag.com/SFAwards/Db/NomLit154.html#5713 "Wollheim, Donald A."] {{webarchive |url=https://web.archive.org/web/20121016202202/http://www.locusmag.com/SFAwards/Db/NomLit154.html#5713 |date=October 16, 2012 }}. ''The Locus Index to SF Awards: Index of Literary Nominees''. [[Locus Publications]]. Retrieved March 26, 2013.</ref>
<ref name=sfhof-old>
<ref name=sfhof-old>
[http://www.midamericon.org/halloffame/ "Science Fiction and Fantasy Hall of Fame"]. Mid American Science Fiction and Fantasy Conventions, Inc. Retrieved 2013-03-26. This was the official website of the hall of fame to 2004.</ref>
[http://www.midamericon.org/halloffame/ "Science Fiction and Fantasy Hall of Fame"] {{webarchive |url=https://web.archive.org/web/20130521070009/http://www.midamericon.org/halloffame/ |date=May 21, 2013 }}. Mid American Science Fiction and Fantasy Conventions, Inc. Retrieved March 26, 2013. This was the official website of the hall of fame to 2004.</ref>

}}
}}

==Sources==
{{ME-ref|Letters}}


==External links==
==External links==
{{wikisource author|Donald Allen Wollheim}}
{{wikisource author}}
{{commons category|Donald Allen Wollheim}}
{{commons category|Donald Allen Wollheim}}
*[http://www.dawbooks.com/ DAW Books], founded by and named for Wollheim
* [http://www.dawbooks.com/ DAW Books], founded by and named for Wollheim
* {{Gutenberg author | id=Wollheim,+Donald+Allen}}
* {{Gutenberg author | id=36516}}
* {{Internet Archive author |sname=Donald Allen Wollheim}}
* {{Internet Archive author |sname=Donald Allen Wollheim}}
* {{Librivox author |id=3043}}
* {{Librivox author |id=3043}}
* {{sfhof |966 | Donald Allen Wollheim}}
* {{sfhof |966 | Donald Allen Wollheim}}
*{{isfdb name|826}}
* {{ISFDB name|826}}
*[http://www.fantasticfiction.co.uk/authors/Donald_A_Wollheim.htm Bibliography] at ''fantasticfiction.co.uk''
* [http://www.fantasticfiction.co.uk/authors/Donald_A_Wollheim.htm Bibliography] at fantasticfiction.co.uk
*[http://www4.geometry.net/detail/authors/wollheim_donald_a.html Bibliography] at ''geometry.net''
* [http://www4.geometry.net/detail/authors/wollheim_donald_a.html Bibliography] at geometry.net
*[http://www.philsp.com/articles/anthopology_101_04.html Anthopology 101: Pocketbooks and Portable Libraries] by [[Bud Webster]] at Galactic Central
* [http://www.philsp.com/articles/anthopology_101_04.html Anthopology 101: Pocketbooks and Portable Libraries] by [[Bud Webster]] at Galactic Central
*[http://www.philsp.com/articles/anthopology_101_11.html Anthopology 101: The Real Macabre] by [[Bud Webster]] at Galactic Central
* [http://www.philsp.com/articles/anthopology_101_11.html Anthopology 101: The Real Macabre] by [[Bud Webster]] at Galactic Central
*[https://archive.org/details/FirstWorldFantasyConvention1975 Audio recording of Donald Wollheim participating in panel discussion at the First World Fantasy Convention] at ''archive.org''
* [https://archive.org/details/FirstWorldFantasyConvention1975 Audio recording of Donald Wollheim participating in panel discussion at the First World Fantasy Convention] at the [[Internet Archive]]
*[http://etext.ku.edu/view?docId=ksrlead/ksrl.sc.wollheimdonald.xml Donald A. Wollheim Papers] at the [http://spencer.lib.ku.edu/ Kenneth Spencer Research Library] at the [[University of Kansas]]
* [http://hdl.handle.net/10407/6587030759 Donald A. Wollheim Papers] at the [https://spencer.lib.ku.edu/ Kenneth Spencer Research Library] at the [[University of Kansas]]
*[http://www.violetbooks.com/don-wollheim.html Donald A. Wollheim on H. Rider Haggard and ''She'' (full text)]
* [https://web.archive.org/web/20061116123441/http://www.violetbooks.com/don-wollheim.html Donald A. Wollheim on H. Rider Haggard and ''She'' (full text)]
* "[https://www.pbs.org/wgbh/americanexperience/films/casa-susanna/ Casa Susanna]," a documentary directed by [[Sébastien Lifshitz]], which aired on June 27, 2023, as part of [[American Experience (season 35)]]. In the film [[Betsy Wollheim]], the daughter of Donald Wollheim, talks about her father.


{{World Fantasy Convention Award}}
{{World Fantasy Convention Award}}
{{World Fantasy Special Award Professional}}

{{Authority control}}
{{Authority control}} <!-- |GND=107572605 altho same VIAF bundle is only a nameholder that links 21 records of works -->


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[[Category:Science fiction fans]]
[[Category:Futurians]]
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[[Category:Science Fiction Hall of Fame inductees]]
[[Category:Science Fiction Hall of Fame inductees]]
[[Category:People from New York City]]
[[Category:Writers from New York City]]
[[Category:Writers from New York]]
[[Category:20th-century American novelists]]
[[Category:20th-century American novelists]]
[[Category:American male novelists]]
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[[Category:Novelists from New York (state)]]

Latest revision as of 01:00, 24 December 2024

Donald A. Wollheim
BornDonald Allen Wollheim
(1914-10-01)October 1, 1914
New York City, New York, U.S.
DiedNovember 2, 1990(1990-11-02) (aged 76)
New York City, New York, U.S.
Pen nameDavid Grinnell
Arthur Cooke
Millard Verne Gordon
Martin Pearson
Braxton Wells
Graham Conway
Lawrence Woods
Darrell G. Raynor
Occupation
  • Publisher
  • editor
  • writer
  • critic
Period1934–1990[1]
GenreScience fiction, fantasy
SpouseElsie Balter
ChildrenElizabeth Rosalind 'Betsy' Wollheim
Wollheim's "Pogo Planet", the first installment of his "Alex Calkins" series, was the cover story for the October 1941 issue of Future. It appeared under Wollheim's "Martin Pearson" pseudonym and was illustrated by Hannes Bok.

Donald Allen Wollheim (October 1, 1914 – November 2, 1990) was an American science fiction editor, publisher, writer, and fan. As an author, he published under his own name as well as under pseudonyms, including David Grinnell,[2] Martin Pearson, and Darrell G. Raynor. A founding member of the Futurians, he was a leading influence on science fiction development and fandom in the 20th-century United States.[2] Ursula K. Le Guin called Wollheim "the tough, reliable editor of Ace Books, in the Late Pulpalignean Era, 1966 and '67", which is when he published her first two novels in Ace Double editions.[3]

Profile

[edit]

Involvement in science fiction fandom

[edit]

The 1979 first edition of The Encyclopedia of Science Fiction calls Wollheim "one of the first and most vociferous SF fans."[4] He published numerous fanzines and co-edited the early Fanciful Tales of Time and Space. His importance to early fandom is chronicled in the 1974 book The Immortal Storm by Sam Moskowitz[5] and in the 1977 book The Futurians by Damon Knight.[6]

With Frederik Pohl and John Michel, 1938

Wollheim organized an event later considered the first American science fiction convention, when a group from New York met with a group from Philadelphia on October 22, 1936, in Philadelphia. The modern Philcon convention claims descent from this event. Out of this meeting, plans were formed for regional and national meetings, including the first-ever Worldcon.[7]

Wollheim was a member of the New York Science Fiction League, one of the clubs established by Hugo Gernsback to promote science fiction.[6] When payment was not forthcoming for the first story he sold to Gernsback, Wollheim formed a group with several other authors, and successfully sued for payment. He was expelled from the Science Fiction League as "a disruptive influence"[7] but was later reinstated. From the September 1935 issue of Gernsback's Wonder Stories:

THREE MEMBERS EXPELLED

It grieves us to announce that we have found the first disloyalty in our organization... These members we expelled on June 12th. Their names are Donald A. Wollheim, John B. Michel, and William S. Sykora—three active fans who just got themselves onto the wrong road.

In 1937 Wollheim founded the Fantasy Amateur Press Association, whose first mailing (July 1937) included this statement from him: "There are many fans desiring to put out a voice who dare not, for fear of being obliged to keep it up, and for the worry and time taken by subscriptions and advertising. It is for them and for the fan who admits it is his hobby and not his business that we formed the FAPA." In 1938, with several friends, he formed the Futurians—arguably the best-known of the science fiction clubs. At one time or another, the membership included Isaac Asimov, Frederik Pohl, Cyril Kornbluth, James Blish, John Michel, Judith Merril, Robert A. W. Lowndes, Richard Wilson, Damon Knight, Virginia Kidd, and Larry T. Shaw.[7] In 1943 Wollheim married fellow Futurian Elsie Balter (1910–1996). It proved to be a lasting marriage and publishing partnership.

The Futurians became less fan-oriented and more professional after 1940. Its conferences and workshops focused on writing, editing, and publishing, with many of its members interested in all three.[7]

Work as author

[edit]

Wollheim's first story, "The Man from Ariel", was published in the January 1934 issue of Wonder Stories[1][8] when he was nineteen.

Don Wollheim and his daughter Elizabeth (1954).

He was not paid for the story, and when he learned that other authors had not been paid either, he said so in the Bulletin of the Terrestrial Fantascience Guild.[9] Publisher Hugo Gernsback eventually settled with Wollheim and the other authors out of court for $75. However, when Wollheim submitted another story ("The Space Lens") under the pseudonym Millard Verne Gordon,[1] he was once again cheated by Gernsback who published it in the September 1935 issue.[10] His third known story was published in Fanciful Tales of Time and Space, Fall 1936, a fanzine that he edited himself.[1] That year he also published and edited another short-lived fanzine, Phantagraph.[1]

Wollheim's stories were published regularly from 1940; at the same time he was becoming an important editor. In the 1950s and 60s he wrote chiefly novels. He usually used pseudonyms for works aimed at grownups, and wrote children's novels under his own name. Notable and popular were the eight "Mike Mars" books for children, which explored different facets of the NASA space program.[4] Also well-received were the "Secret" books for young readers: The Secret of Saturn's Rings (1954), Secret of the Martian Moons (1955), and The Secret of the Ninth Planet (1959). As Martin Pearson he published the "Ajax Calkins" series, which became the basis for his novel Destiny's Orbit (1962).[4] A sequel, Destination: Saturn was published in 1967 in collaboration with Lin Carter. The Universe Makers (1971) is a discussion of themes and philosophy in science fiction.

One of Wollheim's short stories, "Mimic", was made into the film of the same name by director and co-writer Guillermo del Toro, released in 1997.[11]

His daughter Betsy declared: "In true editorial fashion, he was honest about the quality of his own writing. He felt it was fair to middling at best. He always knew that his great talent was as an editor."[12]

Career as editor and publisher

[edit]

Robert Silverberg said that Wollheim was "one of the most significant figures in 20th century American science fiction publishing," adding, "A plausible case could be made that he was the most significant figure—responsible in large measure for the development of the science fiction paperback, the science fiction anthology, and the whole post-Tolkien boom in fantasy fiction."[7]

In late 1940, Wollheim noticed a new magazine titled Stirring Detective and Western Stories on the newsstands. He wrote to the publishers, Albing Publications, to see if they were interested in adding a science fiction title to their list, and he was invited to meet them. They did not have capital, however, and only guaranteed him a salary if the magazines were successful. He approached some of his fellow Futurians for free stories (some published under pseudonyms to protect their reputations with paying editors).[13][14] It resulted in Wollheim's editing two of the earliest periodicals devoted to science fiction, the Cosmic Stories and Stirring Science Stories magazines starting in February 1941. After the magazines were cancelled later in 1941, Wollheim was able to find another publisher, Manhattan Fiction Publications, and a fourth issue of Stirring appeared, dated March 1942. Wartime constraints prevented ongoing publication, and there were no more issues of either title.[15][16][17]

Wollheim edited the first science fiction anthology to be mass-marketed, The Pocket Book of Science Fiction (1943).[7] It was also the first book containing the words "science fiction" in the title.[12] It included works by Robert A. Heinlein, Theodore Sturgeon, T. S. Stribling, Stephen Vincent Benét, Ambrose Bierce, and H. G. Wells. In 1945 Wollheim edited the first hardcover anthology from a major publisher and the first omnibus, The Viking Portable Novels of Science. He also edited the first anthology of original science fiction, The Girl With the Hungry Eyes (1947), although there is evidence that this last was originally intended to be the first issue of a new magazine.[7]

Ace Double, The Brain Stealers/Atta (1954).
Avon Fantasy Reader No. 10, edited by Wollheim.

Between 1947 and 1951 he was editor at the pioneering paperback publisher Avon Books, where he made available highly affordable editions of the works of A. Merritt, H. P. Lovecraft, and C. S. Lewis' Silent Planet space trilogy, bringing these previously little known authors a wide readership.[18] During this period he also edited eighteen issues of the influential Avon Fantasy Reader as well as three of the Avon Science Fiction Reader. These periodicals contained mostly reprints and a few original stories.

In 1952 Wollheim left Avon to work for A. A. Wyn at the Ace Magazine Company and spearheaded a new paperback book list, Ace Books. In 1953 he introduced science fiction to the Ace lineup,[2] and for 20 years as editor-in-chief was responsible for their multi-genre list and, most important to him, their renowned sf list.[4] Wollheim invented the Ace Doubles series which consisted of pairs of books, usually by different authors, bound back-to-back with two "front" covers.[18] Because these paired books had to fit a fixed total page length, one or both were usually abridged to fit, and Wollheim often made other editorial alterations—as witness the differences between Poul Anderson's Ace novel War of the Wing-Men and its definitive revised edition, The Man Who Counts. Among the authors who made their paperback debuts in Ace Doubles were Philip K. Dick, Samuel R. Delany, Leigh Brackett, Ursula K. Le Guin, and John Brunner.[18] William S. Burroughs' first book, Junkie, was published as an Ace Double.[18] Wollheim also helped develop Marion Zimmer Bradley, Robert Silverberg, Avram Davidson, Fritz Leiber, Andre Norton, Thomas Burnett Swann, Jack Vance, and Roger Zelazny, among others. While at Ace, he and co-editor Terry Carr began an annual anthology series, The World's Best Science Fiction, the first collection of what they considered the best of the prior year's short stories, from magazines, hardcovers, paperback collections and other anthologies.[7]

In the early 1960s Ace reintroduced Edgar Rice Burroughs' work, which had long been out of print, and in 1965, Ace bought the paperback rights to Dune[7] (Herbert's title worried Wollheim, who feared it would be mistaken for a western).[12] Eventually, Ace introduced single paperback books and became one of the preeminent genre publishers. Ace and Ballantine dominated sf in the 1960s and built the genre by publishing original material as well as reprints.[7]

Tolkien controversy

[edit]

Prior to the 1960s, no large American paperback publisher would publish fantasy. It was believed that there was no public demand for it and that it would not sell. Wollheim published an unauthorized paperback edition of J. R. R. Tolkien's The Lord of the Rings in three volumes. It was the first mass-market paperback edition of Tolkien's epic.[18] Wollheim did not consider himself a fantasy fan. In a 2006 interview his daughter, Betsy Wollheim, said:[19]

When he called up Professor Tolkien in 1964 and asked if he could publish Lord of the Rings as Ace paperbacks, Tolkien said he would never allow his great works to appear in so 'degenerate a form' as the paperback book. Don was one of the fathers of the entire paperback industry, since before he spearheaded the Ace line he was the originating editor-in-chief of the Avon paperback list in 1945, so he took this personally. He was very offended. He did a little research and discovered a loophole in the copyright. Houghton Mifflin, Tolkien's American hardcover publisher, had neglected to protect the work in the United States. So, incensed by Tolkien's response, he realized that he could legally publish them and did. This brash action (which ultimately benefited his primary competitors) was really the Big Bang that founded the modern fantasy field, and only someone like my father could have done that. He did pay Tolkien, and he was responsible for making not only Tolkien but Ballantine Books extremely wealthy. He was bitter about that, and frankly that's probably why he never got the Hugo he wanted. But if he hadn't done it, who knows when — or if — those books would have been published in paperback?

This account was disputed by Tolkien, who claimed that he never received any communication from Ace prior to publication of their version.[20] In any case, Tolkien had previously authorized paperback editions of The Hobbit and Tree and Leaf.[21][22] The authorized Ballantine paperback edition of The Lord of the Rings was then published in November, 1965. Ace subsequently agreed to cease publishing the unauthorized edition and to pay Tolkien for their sales following a grassroots campaign by Tolkien's U.S. fans.[23][24] A 1993 court determined that the copyright loophole suggested by Ace Books was invalid and its paperback edition was found to have been a violation of copyright under U.S. law[25] (at this time, the U.S. had yet to join the International Copyright Convention, and most laws on the books existed to protect domestic creations from foreign infringement. Houghton Mifflin was technically in violation of the law when they exceeded their import limits and failed to renew their interim copyright). In the Locus obituary for Donald Wollheim, however, more details emerge:

Houghton-Mifflin had imported sheets instead of printing their own edition, but they didn't want to sell paperback rights. Ace printed the first paperback edition and caused such a furor that Tolkien rewrote the books enough to get a new copyright, then sold them to Ballantine. The rest is history. Although Ace and Wollheim have become the villains in the Tolkien publishing gospel, it's probable that the whole Tolkien boom would not have happened if Ace hadn't published them.[7]

Foundation of DAW Books

[edit]

Wollheim left Ace in 1971. Frederik Pohl describes the circumstances:

Unfortunately, when Wyn died [in 1968] the company was sold to a consortium headed by a bank. ... Few of them had any publishing experience before they found themselves running Ace. It showed. Before long, bills weren't being paid, authors' advances and royalties were delayed, budgets were cut back, and most of Donald's time was spent trying to soothe authors and agents who were indignant, and had every right to be, at the way they were treated.[7]

DAW Books logo used from 1972 to 1984

Upon leaving Ace, he and his wife, Elsie Balter Wollheim, founded DAW Books, which he named for his initials. DAW can claim to be the first mass market specialist science fiction and fantasy fiction publishing house.[2] DAW issued its first four titles in April 1972. Most of the writers whom he had developed at Ace went with him to DAW: Marion Zimmer Bradley, Andre Norton, Philip K. Dick, John Brunner, A. Bertram Chandler, Kenneth Bulmer, Gordon R. Dickson, A. E. van Vogt, and Jack Vance. In later years, when his distributor, New American Library, threatened to withhold Thomas Burnett Swann's Biblical historical fantasy How Are the Mighty Fallen (1974), owing to its homosexual content, Wollheim fought vigorously against their decision, and they relented.

His later author discoveries included Tanith Lee, Jennifer Roberson, Michael Shea, Tad Williams, Celia S. Friedman, and C. J. Cherryh, whose Downbelow Station (1982) was the first DAW book to win the Hugo Award for best novel. He was also able to give a number of British writers, including E. C. Tubb, Brian Stableford, Barrington Bayley, and Michael Coney, a new American audience. He published translations of international sf as well as anthologies of translated stories, Best From the Rest of the World. With the help of Arthur W. Saha, Wollheim also edited and published the popular "Annual World's Best Science Fiction" anthology from 1971 until his death.

Recognition

[edit]

Algis Budrys in 1966 gave Wollheim a Galaxy Bookshelf award "for doing his job".[26] Upon Wollheim's death in 1990, the prolific editor Robert Silverberg argued (above) that he may have been "the most significant figure" in American SF publishing.[7]

Robert Jordan credited Wollheim for helping to launch Jordan's career. Wollheim made an offer for Jordan's first novel, Warriors of the Ataii, though he withdrew the offer when Jordan requested some minor changes to the contract. Jordan claimed that Wollheim's first, 'laudatory' letter convinced him that he could write, and so he chose to remember the first letter and forget about the second.[27][28] The novel was never published, but Jordan went on to write the immensely successful The Wheel of Time series for a different publisher.

Marion Zimmer Bradley referred to him as "a second father", Frederick Pohl called him "a founder",[7] and Robert Silverberg says he was "seriously underrated" and "one of the great shapers of science-fiction publishing in the United States".[18] In 1977 scholar Robert Scholes named Wollheim "one of the most important editors and publishers of science fiction."[29]

From 1975 on, Wollheim received several special awards for his contributions to science fiction and to fantasy,[30] including one at the 1975 World SF Convention and runner-up to Ian & Betty Ballantine at the 1975 World Fantasy Convention.

The Science Fiction and Fantasy Hall of Fame inducted him in 2002, its seventh class of two deceased and two living persons.[31] He is the third person inducted primarily for his work as editor or publisher, after the inaugural 1996 pair Hugo Gernsback and John W. Campbell.

Selected works

[edit]

As editor

[edit]

World's Best Science Fiction (with Terry Carr)

[edit]

The Annual World's Best SF (with Arthur W. Saha)

[edit]

As writer

[edit]

Novels

[edit]

Mike Mars series

[edit]

Source:[32]

  • Mike Mars, Astronaut (1961)
  • Mike Mars Flies the X-15 (1961)
  • Mike Mars at Cape Canaveral (renamed Mike Mars at Cape Kennedy when published in paperback in 1966) (1961)
  • Mike Mars in Orbit (1961)
  • Mike Mars Flies the Dyna-Soar (1962)
  • Mike Mars, South Pole Spaceman (1962)
  • Mike Mars and the Mystery Satellite (1963)
  • Mike Mars Around the Moon (1964)

Nonfiction

[edit]
  • A Year Among the Girls (as Darrell G. Raynor) (1966) (concerning his crossdressing experiences and Casa Susanna)[33]
  • The Universe Makers: Science Fiction Today (1971): a "survey and behind-the-scenes look" at science fiction from the Golden Age onward)[29])

Personal life

[edit]

Wollheim also actively practiced cross-dressing as a woman throughout his life, and he regularly attended events at Casa Susanna in the Catskills of upstate New York.[34][35]

See also

[edit]

References

[edit]
  1. ^ a b c d e Donald A. Wollheim at the Internet Speculative Fiction Database (ISFDB). Retrieved April 18, 2013.
  2. ^ a b c d Smith, Curtis C. (1981). Twentieth-Century Science-Fiction Writers. New York: St. Martin's. pp. 596–598. ISBN 0-312-82420-3.
  3. ^ Guin, Ursula K. Le (August 30, 2017). ""Introduction" from Ursula K. Le Guin: The Hainish Novels & Stories, Volume One". Tor.com.
  4. ^ a b c d Nicholls, Peter (1979). The Encyclopedia of Science Fiction. London: Granada. pp. 660–61.
  5. ^ Moskowitz, Sam (1974). The Immortal Storm. Westport, CT: Hyperion Press. ISBN 9780883551318.
  6. ^ a b Knight, Damon (1977). The Futurians. New York: John Day. ISBN 0-381-98288-2.
  7. ^ a b c d e f g h i j k l m n LOCUS, December 1990, Donald A. Wollheim: Obituaries and Appreciations, pp. 68–70.
  8. ^ Silver, Steven H. "Debut Science Fiction". Retrieved September 21, 2007.
  9. ^ Speer, Jack (1939). Up to Now. Full-Length Articles.
  10. ^ Davin, Eric Leif (1999). Pioneers of Wonder. New York: Prometheus Books. ISBN 1-57392-702-3.
  11. ^ Donald A. Wollheim at IMDb.
  12. ^ a b c Personal interview with Elizabeth Wollheim. April 27, 2009.
  13. ^ Asimov, Isaac (1972). The early Asimov; or, Eleven years of trying. Garden City NY: Doubleday. pp. 166–169.
  14. ^ Knight, Damon (1977). The Futurians. New York: John Day. pp. 60–83.
  15. ^ Thompson, Raymond H. (1985a). "Cosmic Stories". In Tymn, Marshall B.; Ashley, Mike (eds.). Science Fiction, Fantasy, and Weird Fiction Magazines. Westport, Connecticut: Greenwood Press. pp. 168–170. ISBN 0-313-21221-X.
  16. ^ Thompson, Raymond H. (1985b). "Stirring Science Stories". In Tymn, Marshall B.; Ashley, Mike (eds.). Science Fiction, Fantasy, and Weird Fiction Magazines. Westport, CN: Greenwood Press. pp. 679–681. ISBN 0-313-21221-X.
  17. ^ The New York Times, November 3, 1990, Section 1, p. 18.
  18. ^ a b c d e f Silverberg, Robert (1997). Reflections & Refractions: Thoughts on Science Fiction, Science, and Other Matters. Grass Valley, Calif: Underwood. pp. 253–256.
  19. ^ "Locus Online: Betsy Wollheim interview excerpts". Locus. June 2006. Retrieved December 6, 2017.
  20. ^ Carpenter 2023, #276
  21. ^ "The First Paperback Edition of The Hobbit". Retrieved April 27, 2009.
  22. ^ Carpenter 2023, #248
  23. ^ Reynolds, Pat (2004). "The Lord of the Rings: The Tale of a Text". Archived from the original on September 8, 2006.
  24. ^ Carpenter 2023, especially #270, #273 and #277
  25. ^ Eisen, Durwood & Co. v. Christopher R. Tolkien et al., 794 F. Supp. 85, 23 U.S.P.Q.2d 1150 (S.D.N.Y. 1992), affirmed without opinion, 990 F.2d 623 (2nd Cir. 1993)
  26. ^ Budrys, Algis (February 1966). "Galaxy Bookshelf". Galaxy Science Fiction. pp. 131–139.
  27. ^ McAlpine, Rachel. "New Zealand interview with Robert Jordan". Archived from the original on June 24, 2002. Retrieved September 26, 2011.{{cite web}}: CS1 maint: bot: original URL status unknown (link).
  28. ^ Kleffel, Rick. Fine Print interview with Robert Jordan.
  29. ^ a b Scholes, Robert; Rabkin, Eric S. (1977). "Bibliography I: History and Criticism of Science Fiction". Science Fiction: History, Science, Vision. London: Oxford University Press. ISBN 978-0-19-502174-5.
  30. ^ "Wollheim, Donald A." Archived October 16, 2012, at the Wayback Machine. The Locus Index to SF Awards: Index of Literary Nominees. Locus Publications. Retrieved March 26, 2013.
  31. ^ "Science Fiction and Fantasy Hall of Fame" Archived May 21, 2013, at the Wayback Machine. Mid American Science Fiction and Fantasy Conventions, Inc. Retrieved March 26, 2013. This was the official website of the hall of fame to 2004.
  32. ^ "Mike Mars: Astronaut - A critical analysis of te 1960s books written by Donald Wollheim in the 1960s". thethunderchild.com.
  33. ^ Kleinmann, James (November 11, 2022). "DOC NYC 2022 Film Review: Casa Susanna". The Queer Review. Retrieved June 27, 2023.
  34. ^ Casa Susanna. American Experience by PBS.
  35. ^ Raynor, Daniel (1966). A Year Among the Girls. Lyle Stuart.

Sources

[edit]

Carpenter, Humphrey, ed. (2023) [1981]. The Letters of J. R. R. Tolkien: Revised and Expanded Edition. New York: Harper Collins. ISBN 978-0-35-865298-4.

[edit]