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{{Short description|Polish composer, music teacher and music theoretician}}
[[Image:Józef Elsner.PNG|thumb|200px|Portrait by [[Maksymilian Fajans]], after 1853]]
[[Image:Józef Elsner.PNG|thumb|200px|Portrait of Józef Elsner by [[Maksymilian Fajans]], after 1853]]
[[Image:Elsner-tablica.JPG|thumb|200px|Plaque on former [[Dominican Order|Dominican]] [[refectory]] at ''Plac Dominikański 2/4'', [[Wrocław]], commemorating Elsner's connections with [[Wrocław]].]]
[[Image:Elsner-tablica.JPG|thumb|200px|Plaque on former [[Dominican Order|Dominican]] [[refectory]] at ''Plac Dominikański 2/4'', [[Wrocław]], commemorating Elsner's connections with [[Wrocław]].]]


'''Józef Antoni Franciszek Elsner''' (sometimes ''Józef Ksawery Elsner''; baptismal name, ''Joseph Anton Franz Elsner''; 1 June 1769{{spaced ndash}}18 April 1854) was a [[composer]], music teacher, and music theoretician, active mainly in [[Warsaw]]. He was one of the first composers in Poland to weave elements of [[folk music]] into his works.<ref name="ReferenceA">''[[Encyklopedia Polski]]'', p. 154.</ref>
'''Józef Antoni Franciszek Elsner''' (sometimes ''Józef Ksawery Elsner''; baptismal name, ''Joseph Anton Franz Elsner''; 1 June 1769{{spaced ndash}}18 April 1854) was a Polish [[composer]], music teacher, and music theoretician, active mainly in [[Warsaw]].<ref>{{Cite book |last1=Papanikolaou |first1=Eftychia |url=https://books.google.com/books?id=L1V0EAAAQBAJ&q=sacred+and+secular+intersections+in+music+of+the+long+nineteenth+century |title=Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall |last2=Rathey |first2=Markus |date=2022-06-21 |publisher=Rowman & Littlefield |isbn=978-1-6669-0605-9 |pages=358 |language=en |quote=Leading Polish composers Józef Elsner and [[Karol Kurpiński]] wrote music to Polish religious poetry}}</ref> He was one of the first composers in Poland to weave elements of [[folk music]] into his works.<ref name="ReferenceA">''[[Encyklopedia Polski]]'', p. 154.</ref>


Elsner composed many symphonic, chamber, solo, and vocal-instrumental works, and works for the stage, including over 100 religious works (masses, offertorios, oratorios, cantatas), eight symphonies, three concertos, three ballets, and thirty-eight operas.<ref name="ReferenceA"/> He is perhaps best known as the principal piano teacher of the young composer [[Frédéric Chopin]].
Elsner composed many symphonic, chamber, solo, and vocal-instrumental works, and works for the stage, including over 100 religious works (masses, offertories, oratorios, cantatas), eight symphonies, three concertos, three ballets, and thirty-eight operas.<ref name="ReferenceA"/> He is perhaps best known as the principal composition teacher of the young composer [[Frédéric Chopin]].


==Life==
==Life==
Józef Elsner was born in [[Grodków|Grottkau]] ([[Grodków]]), Herzogtum Neisse ([[Duchy of Nysa]]), near [[Wrocław|Breslau]] ([[Wrocław]]), [[Kingdom of Prussia]], on 1 June 1769, to German [[Silesia]]n [[Roman Catholic Church|Catholic]] parents Franz Xaver Elsner. His mother was from the famous Matzke family of [[Kłodzko|Glatz]], which had intensive contacts with [[Czech language|Czech culture]] in [[Bohemia]]. Józef Elsner was initially educated for the priesthood at Breslau's Dominican monastery school, St. Matthew's ''[[Gymnasium (school)|Gymnasium]]'', and a local [[Jesuit]] college, but chose the music field. In 1832–37 he would compose nineteen religious pieces for [[Wrocław Cathedral|Breslau Cathedral]].
Józef Elsner was born 1 June 1769 in [[Grodków|Grottkau]] ([[Grodków]]), Herzogtum Neisse ([[Duchy of Nysa]]), near [[Wrocław|Breslau]] ([[Wrocław]]), [[Kingdom of Prussia]], to German [[Silesia]]n [[Roman Catholic Church|Catholic]] parents Franz Xaver Elsner and Anna Barbara Matzke. His mother was from the famous Matzke family of [[Kłodzko|Glatz]], which had intensive contact with [[Czech language|Czech culture]] in [[Bohemia]]. Józef Elsner was initially educated for the priesthood at Breslau's Dominican monastery school, St. Matthew's ''[[Gymnasium (school)|Gymnasium]]'', and a local [[Jesuit]] college, but chose the music field. In 1832–37 he would compose nineteen religious pieces for [[Wrocław Cathedral|Breslau Cathedral]].


After completing his studies at Breslau ([[Wrocław]]) and being a violinist at [[Brno|Brünn]] ([[Brno]]), in 1792 he became 2nd ''Kapellmeister'' at the German Opera<ref>''[[Neue Deutsche Biographie|NDB]]'', [http://mdz10.bib-bvb.de/~db/0001/bsb00016320/images/index.html?id=00016320&fip=91.18.234.49&no=&seite=483 p. 467]</ref> in Austrian-ruled [[Lviv|Lemberg]] (Lviv/Lwów). There in 1796 he married Klara Abt, who died a year later. In 1799, with [[Wojciech Bogusławski]], he went to [[New East Prussia]] (Prussian-ruled Poland) and became the principal conductor, first at the German Theatre, then at the Polish [[National Theatre, Warsaw|National Theatre]] in [[Warsaw]].<ref name="ReferenceA"/>
After completing his studies at Breslau ([[Wrocław]]) and being a violinist at [[Brno|Brünn]] ([[Brno]]), in 1792 he became 2nd ''Kapellmeister'' at the German Opera<ref>''[[Neue Deutsche Biographie|NDB]]'', [http://mdz10.bib-bvb.de/~db/0001/bsb00016320/images/index.html?id=00016320&fip=91.18.234.49&no=&seite=483 p. 467]</ref> in Austrian-ruled [[Lviv|Lemberg]] (Lviv/Lwów). There, in 1796, he married Klara Abt, who died a year later. In 1799, with [[Wojciech Bogusławski]], he went to [[New East Prussia]] (Prussian-ruled Poland) and became the principal conductor, first at the German Theatre, then at the Polish [[National Theatre, Warsaw|National Theatre]] in [[Warsaw]].<ref name="ReferenceA"/>


Elsner traveled to Paris, [[Dresden]] and Posen ([[Poznań]]), where he met [[E.T.A. Hoffmann]]. Together they founded the ''Musikressource'' in 1805. In 1802 he had married a second wife, Karolina Drozdowska. Due to complaints that he preferred Germans, he resigned from theater work.
Elsner traveled to Paris, [[Dresden]] and Posen ([[Poznań]]), where he met [[E.T.A. Hoffmann]]. Together they founded the ''Musikressource'' in 1805. In 1802 he married a second wife, Karolina Drozdowska. Due to complaints that he preferred Germans, he resigned from theatre work.


During his decades in Warsaw, Elsner's name and family life gradually [[Polonization|polonized]]. Elsner's ethnicity should not be evaluated in terms of 19th- and 20th-century national identity, as he continued to refer to himself primarily as a [[Silesians|Silesian]].
During his decades in Warsaw, Elsner's name and family life gradually [[Polonization|polonized]]. Elsner's ethnicity should not be evaluated in terms of 19th- and 20th-century national identity, as he continued to refer to himself primarily as a [[Silesians|Silesian]].
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In 1799-1824 Elsner was the principal conductor at Warsaw's [[National Theatre, Warsaw|National Theater]], where he premiered a number of his [[opera]]s. Elsner also taught at the [[Warsaw Lyceum]], housed in the [[Kazimierz Palace]].
In 1799-1824 Elsner was the principal conductor at Warsaw's [[National Theatre, Warsaw|National Theater]], where he premiered a number of his [[opera]]s. Elsner also taught at the [[Warsaw Lyceum]], housed in the [[Kazimierz Palace]].


Elsner taught the composers [[Ignacy Feliks Dobrzyński]] and [[Frédéric Chopin]]. There are also indications that he privately tutored piano composer and virtuoso [[Maria Szymanowska]].{{citation needed|date=July 2013}} Chopin dedicated to Elsner his [[Piano Sonata No. 1 (Chopin)|Piano Sonata No. 1 in C minor]], Op. 4 (1828), composed while he was studying with Elsner. As Chopin's only piano teacher in 1823-29, Elsner taught him [[music theory]] and composition; Elsner diaried of Chopin: "Chopin, Fryderyk, third-year student, amazing capabilities, musical genius."
Elsner taught the composers [[Ignacy Feliks Dobrzyński]] and [[Frédéric Chopin]]. There are also indications that he privately tutored piano composer and virtuoso [[Maria Szymanowska]].{{citation needed|date=July 2013}} Chopin dedicated to Elsner his [[Piano Sonata No. 1 (Chopin)|Piano Sonata No. 1 in C minor]], Op. 4 (1828), composed while he was studying with Elsner. As Chopin's only composition teacher in 1823–29, Elsner taught him [[music theory]] and composition; Elsner diaried of Chopin: "Chopin, Fryderyk, third-year student, amazing capabilities, musical genius."


On 18 April 1854, Elsner died at his estate named for himself, [[Elsnerów]], which now lies within the Warsaw city limits.
On 18 April 1854, Elsner died at his estate named for himself, [[Elsnerów]], which now lies within the Warsaw city limits.


==Works - Summary==
==Works - summary==
Elsner's compositions included
Elsner's compositions included
* operas ''Leszek Biały'' (''[[Leszek I the White|Leszek the White]]'') and ''Król Łokietek'' (about [[Władysław I the Elbow-high]])
* operas ''Leszek Biały'' (''[[Leszek I the White|Leszek the White]]'') and ''Król Łokietek'' (about [[Władysław I the Elbow-high]])
* [[oratorio]], ''Męka Pana Naszego Jezusa Chrystusa'' (''The Passion of Our Lord Jesus Christ'')
* [[oratorio]], ''Męka Pana Naszego Jezusa Chrystusa'' (''The Passion of Our Lord Jesus Christ'')
* eight [[symphony|symphonies]]
* eight [[symphony|symphonies]]
* [[polonaise]]s, [[waltz]]es, [[march (music)|marches]]
* [[polonaise (dance)|polonaise]]s, [[waltz]]es, [[march (music)|marches]]
* Mass in B-flat major and Mass in F major
* Mass in B-flat major and Mass in F major
* ''Nieszpory do NMP'' ([[Vespers]] for the Most Sacred Virgin Mary).
* ''Nieszpory do NMP'' ([[Vespers]] for the Most Sacred Virgin Mary).
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He also wrote ''Sumariusz moich utworów muzycznych'' (''Summary of My Musical Works'', published 1957).
He also wrote ''Sumariusz moich utworów muzycznych'' (''Summary of My Musical Works'', published 1957).


==Works - Detailed List==
==Works - detailed list==
List of the most important compositions:<ref>Małgorzata Kosińska: [http://www.culture.pl/pl/culture/artykuly/os_elsner_jozef sylwetki muzyka JÓZEF ELSNER] (pol.). October 2006. [referenced 2009-07-27]; English summary based summary of Elsner's works in the [[:pl:Józef Elsner|Polish language Wikipedia Article on Elsner]] [referenced 2015-03-01]</ref>
List of the most important compositions:<ref>Małgorzata Kosińska: [http://www.culture.pl/pl/culture/artykuly/os_elsner_jozef sylwetki muzyka JÓZEF ELSNER] (pol.). October 2006. [referenced 2009-07-27]; English summary based summary of Elsner's works in the [[:pl:Józef Elsner|Polish language Wikipedia Article on Elsner]] [referenced 2015-03-01]</ref>


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* Mass in A minor, Op. 24 for 4-voice choir (c. 1823)
* Mass in A minor, Op. 24 for 4-voice choir (c. 1823)
* Mass in A minor, Op. 81 for 4-voice choir and orchestra (1843)
* Mass in A minor, Op. 81 for 4-voice choir and orchestra (1843)
* Mass in B flat major, Op. 3 to 4-voice choir and orchestra (1799)
* Mass in B-flat major, Op. 3 to 4-voice choir and orchestra (1799)
* Mass in B flat major, Op. 44 for 2 sopranos, 2 tenors, bass and organ (1829)
* Mass in B-flat major, Op. 44 for 2 sopranos, 2 tenors, bass and organ (1829)
* Mass in B flat major, Op. 80 for 4-voice choir and organ (1843)
* Mass in B-flat major, Op. 80 for 4-voice choir and organ (1843)
* Mass in C major, Op. 22 for 4-voice male choir, 4 horns, trombone and timpani (c. 1823)
* Mass in C major, Op. 22 for 4-voice male choir, 4 horns, trombone and timpani (c. 1823)
* Mass in C major, Op. 26 for 4 solo voices, 4-voice choir and orchestra (1820)
* Mass in C major, Op. 26 for 4 solo voices, 4-voice choir and orchestra (1820)
* Mass in D minor and D major in Laudem omnium sanctorum slavonorum Polonorum op. 66 for 2 solo voices, 4-voice choir and orchestra (1840)
* Mass in D minor and D major in Laudem omnium sanctorum slavonorum Polonorum, Op. 66 for 2 solo voices, 4-voice choir and orchestra (1840)
* Mass in D minor, Op. 16 for 4-voice choir (1823)
* Mass in D minor, Op. 16 for 4-voice choir (1823)
* Mass in D minor, Op. 5 for 4-voice choir and orchestra (c. 1806)
* Mass in D minor, Op. 5 for 4-voice choir and orchestra (c. 1806)
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* Folk Mass in G major, Op. 15 for 2 sopranos and organ (1820)
* Folk Mass in G major, Op. 15 for 2 sopranos and organ (1820)
* Pastoral Mass in A minor, Op. 76 for 4-voice choir, cello and organ (1842)
* Pastoral Mass in A minor, Op. 76 for 4-voice choir, cello and organ (1842)
* Solemn Mass in B flat major, Op. 47 for 4 solo voices, 4-voice choir and orchestra (c. 1829)
* Solemn Mass in B-flat major, Op. 47 for 4 solo voices, 4-voice choir and orchestra (c. 1829)
* Solemn Mass in C major (Coronation), Op. 51 for 4 solo voices, 4-voice choir and orchestra (c. 1829)
* Solemn Mass in C major (Coronation), Op. 51 for 4 solo voices, 4-voice choir and orchestra (c. 1829)
* Midsummer Mass in F major, Op. 9 to 4 solo voices, 4-voice choir, orchestra and organ (c. 1815)
* Midsummer Mass in F major, Op. 9 to 4 solo voices, 4-voice choir, orchestra and organ (c. 1815)
* Mass, Gradual and Offertory op. 87 for 4-voice choir and orchestra (1844)
* Mass, Gradual and Offertory, Op. 87 for 4-voice choir and orchestra (1844)


===Offertories===
===Offertories===


* Offertoria for 4 voices and orchestra (c. 1783-1784)
* Offertoria for 4 voices and orchestra (c. 1783–1784)
* Offertory in A major, Op. 35 (Cantate Domino canticum novum) for 4-voice choir, orchestra and organ (extracted from Mass in F, Op. 35?)
* Offertory in A major, Op. 46 for 4-voice choir and orchestra (c. 1829)
* Offertory in A major, Op. 46 for 4-voice choir and orchestra (c. 1829)
* Offertory B-flat major, Op. 30 for 4-voice choir and orchestra (1828)
* Offertory B-flat major, Op. 30 (Quoniam in me speravit) for 4-voice choir and orchestra (1828)
* Offertory B-flat major, Op. 45 for 4-voice choir, orchestra and organ (c. 1829)
* Offertory B-flat major, Op. 45 for 4-voice choir, orchestra and organ (c. 1829)
* Offertory B-flat major, Op. 86 for 4-voice choir and orchestra (1844)
* Offertory B-flat major, Op. 86 for 4-voice choir and orchestra (1844)
* Offertory in C major, Op. 31 for 4-voice choir and orchestra (1823)
* Offertory in C major, Op. 31 (Expectans expectavi Dominum) for 4-voice choir and orchestra (1823)
* Offertory in C major, Op. 33 for 4-voice choir, orchestra and organ (c. 1824)
* Offertory in C major, Op. 33 for 4-voice choir, orchestra and organ (c. 1824)
* Offertory in C major, Op. 56 for 4-voice choir and organ (c. 1835)
* Offertory in C major, Op. 56 (Beatus vir) for 4-voice choir and organ (c. 1835)
* Offertory in D major, Op. 32 for 4-voice choir and orchestra (1824)
* Offertory in D major, Op. 32 (Confirma hoc Deus) for 4-voice choir and orchestra (1824)
* Offertory E-flat major, Op. 83 for 4-voice choir, solo violin and orchestra (1843)
* Offertory E-flat major, Op. 4 (In te Domine speravi) for 4-voice choir and orchestra (c. 1806)
* Offertory E major, Op. 83 (Inveni David) for 4-voice choir, solo violin and orchestra (1843)
* Offertory in F major, Op. 50 on 3-voice male choir (c. 1829)
* Offertory in F major, Op. 50 on 3-voice male choir (c. 1829)
* Offertory in F major, Op. 70 for 4-voice choir, orchestra and organ (1840)
* Offertory in F major, Op. 70 (Tui sunt caeli) for 4-voice choir, orchestra and organ (1840)
* Offertory in F major, Op. 71 for 4-voice choir (1840)
* Offertory in F major, Op. 71 for 4-voice choir (1840)
* Offertory in G major, Op. 12 for 4-voice choir and orchestra (c. 1819)
* Offertory in G major, Op. 12 for 4-voice choir and orchestra (c. 1819)
* Offertory in G major, Op. 38 for 4-voice choir, flute obbligato and orchestra (c. 1825)
* Offertory in G major, Op. 38 for 4-voice choir, flute obbligato and orchestra (c. 1825)
* Offertory in G major, Op. 48 for 4-voice choir, orchestra and organ (c. 1829)
* Offertory in G major, Op. 48 for 4-voice choir, orchestra and organ (c. 1829)
* In te Domine Offertory speravi E-flat major, Op. 4, offertory for 4-voice choir and orchestra (c. 1806)
* Offertory, Op. 58 for choir (c. 1836)
* Offertory op. 58 for choir (c. 1836)


===Oratorios - Cantatas===
===Oratorios - Cantatas===


* Ad festum Corporis Christi 4-voice choir, brass and organ (approx. 1785-1786)
* Ad festum Corporis Christi 4-voice choir, brass and organ (approx. 1785–1786)
* Hallelujah B-flat major, Op. 60 for 4-voice choir (1836-1840)
* Hallelujah B-flat major, Op. 60 for 4-voice choir (1836–1840)
* Ave Maria B flat major, Op. 68 for 4-voice choir and organ (1840)
* Ave Maria B-flat major, Op. 68 for 4-voice choir and organ (1840)
* Ave Maris Stella in A major, Op. 90 for 4-voice choir, orchestra and organ (1847)
* Ave Maris Stella in A major, Op. 90 for 4-voice choir, orchestra and organ (1847)
* Benedictus for soprano and instrumental ensemble (c. 1783-1784)
* Benedictus for soprano and instrumental ensemble (c. 1783–1784)
* Cantate zur Feier ... Jubel-in D major, Op. 53 for 4-voice choir and orchestra (1832)
* Cantate zur Feier ... Jubel-in D major, Op. 53 for 4-voice choir and orchestra (1832)
* Canticum Simeonis in E minor, Op. 69 on 5-voice choir (1841)
* Canticum Simeonis in E minor, Op. 69 on 5-voice choir (1841)
* Completorium for choir, 2 violins, viola, 2 horns and bodies (c. 1785)
* Completorium for choir, 2 violins, viola, 2 horns and bodies (c. 1785)
* Der sterbende Jesus for solo voices and chorus (c. 1788-1789)
* Der sterbende Jesus for solo voices and chorus (c. 1788–1789)
* Dies irae in F minor, Op. 91 for 4-voice choir and organ (1847)
* Dies irae in F minor, Op. 91 for 4-voice choir and organ (1847)
* Graduate in A major, Op. 82 for 4-voice choir and orchestra (1843)
* Graduate in A major, Op. 82 for 4-voice choir and orchestra (1843)
* Graduate in D major, Op. 94 for bass, 4-voice choir and orchestra (1848)
* Graduate in D major, Op. 94 for bass, 4-voice choir and orchestra (1848)
* Graduate in E flat major, Op. 57 for soprano, 4-voice choir and orchestra (1835)
* Graduate in E-flat major, Op. 57 for soprano, 4-voice choir and orchestra (1835)
* Graduate in F major, Op. 29 for 4-voice choir and orchestra (1828)
* Graduate in F major, Op. 29 (Alleluja! Juravit Dominus) for 4-voice choir and orchestra (1828)
* Graduate and Offertory in A major, Op. 25 for 4-voice choir (c. 1823)
* Graduate and Offertory in A major, Op. 25 for 4-voice choir (c. 1823)
* Graduate and Offertory E-flat major, Op. 19 on 3-voice male choir (1823)
* Graduate and Offertory E-flat major, Op. 19 on 3-voice male choir (1823)
* Graduate and Offertory in F major, Op. 23 for 4-voice male choir, 4 horns and trombone (c. 1823)
* Graduate and Offertory in F major, Op. 23 for 4-voice male choir, 4 horns and trombone (c. 1823)
* Graduate and Offertory op. 17 for 4-voice choir (1823)
* Graduate and Offertory, Op. 17 for 4-voice choir (1823)
* Gradual for 2 sopranos, 2 violins, viola, double bass and 2 horns (c. 1782)
* Gradual for 2 sopranos, 2 violins, viola, double bass and 2 horns (c. 1782)
* Lob der Buchdruckerkunst cantata, cantata for solo voice, 4-voice choir and piano (1804)
* Lob der Buchdruckerkunst cantata, cantata for solo voice, 4-voice choir and piano (1804)
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* Welcome dove cantata, cantata for four male voices, violin, cello and piano (1844)
* Welcome dove cantata, cantata for four male voices, violin, cello and piano (1844)
* Cantata us stand with a weapon in his hand, a cantata for recitation, solo voices and chorus (1819)
* Cantata us stand with a weapon in his hand, a cantata for recitation, solo voices and chorus (1819)
* Kyrie and Gloria in C major for choir, 2 violins, viola, 2 oboes, horn, trumpet, timpani and organ (approx. 1788-1789)
* Kyrie and Gloria in C major for choir, 2 violins, viola, 2 oboes, horn, trumpet, timpani and organ (approx. 1788–1789)
* Miserere mei Deus, Op. 96 for solo voices, 3 choirs, male choir (1848)
* Miserere mei Deus, Op. 96 for solo voices, 3 choirs, male choir (1848)
* Motet in C major, Op. 28 2 4-voice choirs
* Motet in C major, Op. 28 2 4-voice choirs
* Motet in G major, Op. 59 for 4 solo voices, 4-voice choir and orchestra (1836)
* Motet in G major, Op. 59 for 4 solo voices, 4-voice choir and orchestra (1836)
* Motet Salvum fac emperor in B flat major, Op. 6, motet for 4-voice choir and orchestra (1807)
* Motet Salvum fac emperor in B-flat major, Op. 6, motet for 4-voice choir and orchestra (1807)
* Offertory Motet seu de Sancto Josepho C major, Op. 10 for 4-voice choir and orchestra (c. 1815)
* Offertory Motet seu de Sancto Josepho C major, Op. 10 for 4-voice choir and orchestra (c. 1815)
* Vespers in C major, Op. 36 for 4-voice choir and orchestra (c. 1825)
* Vespers in C major, Op. 36 for 4-voice choir and orchestra (c. 1825)
* Vespers in D major, Op. 89 for 4-voice choir and orchestra (1847)
* Vespers in D major, Op. 89 for 4-voice choir and orchestra (1847)
* About gloriosa virginum B-flat major, Op. 92 for 4-voice choir and orchestra (1847)
* About gloriosa virginum B-flat major, Op. 92 for 4-voice choir and orchestra (1847)
* The sacred convivum op. 49, anthem for 4-voice choir and wind instruments (c. 1829)
* The sacred convivium, Op. 49, anthem for 4-voice choir and wind instruments (c. 1829)
* Passio Domini nostri in D minor, Op. 65 for 14 solo voices, 3 4-voice choir and orchestra (1835-1837)
* Passio Domini nostri in D minor, Op. 65 for 14 solo voices, 3 4-voice choir and orchestra (1835–1837)
* Our Father, Op. 95 for 4-voice choir and organ (1848)
* Our Father, Op. 95 for 4-voice choir and organ (1848)
* Post Celebra ... D major, Op. 11 for soprano, bass, 4-voice choir and orchestra (1815)
* Post Celebra ... D major, Op. 11 for soprano, bass, 4-voice choir and orchestra (1815)
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* Stabat Mater, Op. 93 for solo voices, chorus and orchestra (1848)
* Stabat Mater, Op. 93 for solo voices, chorus and orchestra (1848)
* Laudamus Te Deum in D major, Op. 39 for 4-voice choir, trumpet and timpani (c. 1825)
* Laudamus Te Deum in D major, Op. 39 for 4-voice choir, trumpet and timpani (c. 1825)
* Te Deum laudamus op. 74 for 2 male choirs 4-Voice (1842)
* Te Deum laudamus, Op. 74 for 2 male choirs 4-Voice (1842)
* Veni Creator in A major, Op. 97 for 4-voice choir and organ (1849)
* Veni Creator in A major, Op. 97 for 4-voice choir and organ (1849)
* Veni Creator in B flat major, Op. 73 for 4-voice male choir (1842)
* Veni Creator in B-flat major, Op. 73 for 4-voice male choir (1842)
* Veni Creator in C major, Op. 7 2 4-voice choir (1812)
* Veni Creator in C major, Op. 72 4-voice choir (1812)
* Veni Creator in G major, Op. 40 for 4-voice choir (c. 1825)
* Veni Creator in G major, Op. 40 for 4-voice choir (c. 1825)
* Veni Creator in G major, Op. 54 for a 5-voice choir and organ (1834)
* Veni Creator in G major, Op. 54 for a 5-voice choir and organ (1834)
* Veni Creator op. 78 on 3-voice male choir and organ (1843)
* Veni Creator, Op. 78 on 3-voice male choir and organ (1843)
* Veni Sancte Spiritus E-flat major, Op. 8 to 4-voice choir and orchestra (1815)
* Veni Sancte Spiritus E-flat major, Op. 8 to 4-voice choir and orchestra (1815)


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!Name !! Date of Composition !! Date of Premiere !! Comments
!Name !! Date of Composition !! Date of Premiere !! Comments
|-
|-
|<tt>Divertissement</tt>||?||?||-
|Divertissement||?||?||-
|-
|-
|<tt>Two Statues</tt>||1818||?||-
|Two Statues||1818||?||-
|-
|-
|<tt>Wild Men</tt>||1796||?||Track in 1 act
|Wild Men||1796||?||Track in 1 act
|-
|-
|}
|}
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* Seven times one komedioopera in 1 act (1804)
* Seven times one komedioopera in 1 act (1804)
* Canyons of the Sierra Morena, komedioopera in 3 acts (1811)
* Canyons of the Sierra Morena, komedioopera in 3 acts (1811)
* King of the Short or Wiśliczanki, opera in 2 acts (1817-1818)
* King of the Short or Wiśliczanki, opera in 2 acts (1817–1818)
* Ie Leszek the White Witch of Lysa Gora, opera in 2 acts (1809)
* Ie Leszek the White Witch of Lysa Gora, opera in 2 acts (1809)
* Residents of the island Kamkatal, opera in 1 act (1803-1804)
* Residents of the island Kamkatal, opera in 1 act (1803-1804)
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* Breakfast trzpiotów, opera in 1 act (1808)
* Breakfast trzpiotów, opera in 1 act (1808)
* Delusion and reality, opera in 1 act (c. 1805)
* Delusion and reality, opera in 1 act (c. 1805)
* Urzella soothsayer or This is what the ladies like, opera in 3 acts (1805-1806)
* Urzella soothsayer or This is what the ladies like, opera in 3 acts (1805–1806)


===Other works for the stage===
===Other works for the stage===
Line 206: Line 208:
===Concertos===
===Concertos===
Opus Key Solo instrument Date of composition Date of premiere
Opus Key Solo instrument Date of composition Date of premiere
- ? Flute 1791-1792 ?
- ? Flute 1791-1792 ?
- D major Violin approx. 1795 ?
- D major Violin approx. 1795 ?
- G major Violin approx. 1783-1784 ?
- G major Violin approx. 1783–1784 ?


===Symphonies===
===Symphonies===
Line 224: Line 226:


* Chaconne in G major for violin and piano (1836)
* Chaconne in G major for violin and piano (1836)
* Piano Quartet in E flat major, Op. 15 (c. 1805)
* Piano Quartet in E-flat major, Op. 15 (c. 1805)
* Piano Quartet in F major (c. 1800)
* Piano Quartet in F major (c. 1800)
* Quartet for 2 violins and violas 2 (c. 1798)
* Quartet for 2 violins and violas 2 (c. 1798)
* String Quartet in B flat major (?)
* Three String Quartet, Op. 8: No. 1 in C major, No. 2 in E-flat major, No. 3 in D minor (1796)
* String Quartet in B-flat major (?)
* String Quintet (?)
* String Quintet (?)
* String Quintet in C minor (?)
* String Quintet in C minor (?)
Line 233: Line 236:
* Piano Sonata in F major (c. 1798)
* Piano Sonata in F major (c. 1798)
* Sonata in B-flat major for piano 4 hands, Op. 16 (?)
* Sonata in B-flat major for piano 4 hands, Op. 16 (?)
* Sonata in D Major for Violin and Piano, Op. 10, No. 2 (c. 1798)
* Sonata in D major for Violin and Piano, Op. 10, No. 2 (c. 1798)
* Sonata in E-flat major for violin and piano, Op. 10, No. 3 (c. 1798)
* Sonata in E-flat major for violin and piano, Op. 10, No. 3 (c. 1798)
* Sonata in F Major for Violin and Piano, Op. 10, No. 1 (c. 1798)
* Sonata in F major for Violin and Piano, Op. 10, No. 1 (c. 1798)
* Piano Sonata in B flat major (c. 1798)
* Piano Sonata in B-flat major (c. 1798)
* Piano Sonata in D major (c. 1798)
* Piano Sonata in D major (c. 1798)
* Piano Trio in C major (c. 1798)
* Piano Trio in C major (c. 1798)
Line 243: Line 246:
===Small orchestral and instrumental===
===Small orchestral and instrumental===


* Karnevaltanze for orchestra (1792-1799)
* Karnevaltanze for orchestra (1792–1799)
* March for orchestra (1831)
* March for orchestra (1831)
* March of the Polish army vanguard for orchestra (1831)
* March of the Polish army vanguard for orchestra (1831)
Line 249: Line 252:
* March with echo and Andante for orchestra (?)
* March with echo and Andante for orchestra (?)
* Mazurka for orchestra (c. 1825)
* Mazurka for orchestra (c. 1825)
* Polonaise in D Major for Orchestra (1818)
* Polonaise in D major for orchestra (1818)
* Polonaise in D major for violin and piano (?)
* Polonaise in D major for violin and piano (?)
* Polonaise in D major for violin and piano (1820)
* Polonaise in D major for violin and piano (1820)
* Polonaise in E major on the theme of the overture to the opera "Lodoiska" R. Kreutzer for orchestra (1804)
* Polonaise in E major on the theme of the overture to the opera "Lodoiska" R. Kreutzer for orchestra (1804)
* Polonaise in E flat major for violin and piano (1820)
* Polonaise in E-flat major for violin and piano (1820)
* Polonaise in F major for orchestra (1818)
* Polonaise in F major for orchestra (1818)
* Polonaise on the march from the opera "Water Carrier" L. Cherubini for orchestra (1804)
* Polonaise on the march from the opera "Water Carrier" L. Cherubini for orchestra (1804)
Line 262: Line 265:
* Trois quatuors meilleur du goût anglais for strings (1798)
* Trois quatuors meilleur du goût anglais for strings (1798)
* Trois quatuors for strings (c. 1796)
* Trois quatuors for strings (c. 1796)
* Rollers region for orchestra (c. 1791-1792)
* Rollers region for orchestra (c. 1791–1792)
* Rollers Viennese orchestra (c. 1790-1791)
* Rollers Viennese orchestra (c. 1790–1791)
* Variations in B-flat major on the march from the opera "Przerwana ofiara" ("Interrupted victim") (P. Winter), for piano (1802)
* Variations in B-flat major on the march from the opera "Przerwana ofiara" ("Interrupted victim") (P. Winter), for piano (1802)
* Variations on the aria from the opera "Żony przemienione czyli Szewc" ("The shoemaker's wife transformed") (M. A. Portogalla) for orchestra (1810)
* Variations on the aria from the opera "Żony przemienione czyli Szewc" ("The shoemaker's wife transformed") (M. A. Portogalla) for orchestra (1810)
Line 276: Line 279:
* {{NDB|4|466|467|Joseph Anton Franz Elsner}}
* {{NDB|4|466|467|Joseph Anton Franz Elsner}}
* {{Cite ADB|6|70|71|Elsner, Joseph|Array von Dommer|ADB:Elsner, Joseph}}
* {{Cite ADB|6|70|71|Elsner, Joseph|Array von Dommer|ADB:Elsner, Joseph}}
* Martina Homma: ''Nationale Musik und nationale Musikwissenschaft. Der Fall Joseph Elsner''. In: Deutsch-polnische Ansichten zur Literatur und Kultur. Wiesbaden 1995, S. 104–116 [https://books.google.com/books?id=G4IYAQAAIAAJ&q=Joseph+Elsner#search_anchor]
* Martina Homma: ''Nationale Musik und nationale Musikwissenschaft. Der Fall Joseph Elsner''. In: Deutsch-polnische Ansichten zur Literatur und Kultur. Wiesbaden 1995, S. 104–116 [https://books.google.com/books?id=G4IYAQAAIAAJ&q=Joseph+Elsner]
*"Elsner, Józef," ''[[Encyklopedia Polski]]'', [[Kraków]], Wydawnictwo Ryszard Kluszczyński, 1996, p.&nbsp;154.
*"Elsner, Józef," ''[[Encyklopedia Polski]]'', [[Kraków]], Wydawnictwo Ryszard Kluszczyński, 1996, p.&nbsp;154.


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* {{IMSLP|id=Elsner, Józef}}
* {{IMSLP|id=Elsner, Józef}}
* [http://culture.pl/en/artist/jozef-antoni-franciszek-elsner Józef Antoni Franciszek Elsner] at Culture.pl
* [http://culture.pl/en/artist/jozef-antoni-franciszek-elsner Józef Antoni Franciszek Elsner] at Culture.pl
* [https://polona.pl/search/?query=author:J%C3%B3zef_Elsner&filters=creator:%22Elsner,_J%C3%B3zef_(1769--1854)%22,creator:%22Elsner,_J%C3%B3zef_(1769--1854)_%22,public:1,hasTextContent:0&advanced=1 Józef Elsner's works in National Digital Library of Poland (Polona)]

{{Authority control}}
{{Authority control}}


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[[Category:1769 births]]
[[Category:1769 births]]
[[Category:1854 deaths]]
[[Category:1854 deaths]]
[[Category:Musicians from the Polish–Lithuanian Commonwealth]]
[[Category:People from Grodków]]
[[Category:People from Grodków]]
[[Category:People from Silesia]]
[[Category:People from Prussian Silesia]]
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[[Category:People from Prussia]]
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[[Category:Polish classical composers]]
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[[Category:Polish male classical composers]]
[[Category:Burials at Powązki Cemetery]]
[[Category:Burials at Powązki Cemetery]]
[[Category:Classical-period composers]]
[[Category:Classical-period composers]]
[[Category:Romantic composers]]
[[Category:Polish Romantic composers]]
[[Category:Fryderyk Chopin University of Music faculty]]
[[Category:Academic staff of the Chopin University of Music]]
[[Category:Polish music theorists]]
[[Category:Polish music theorists]]
[[Category:Polish music educators]]
[[Category:Polish music educators]]
[[Category:Piano pedagogues]]
[[Category:Piano educators]]
[[Category:Recipients of the Order of Saint Stanislaus (Congress Poland)]]
[[Category:Recipients of the Order of Saint Stanislaus (Congress Poland)]]
[[Category:Frédéric Chopin]]
[[Category:Frédéric Chopin]]
[[Category:19th-century classical composers]]
[[Category:Composers for piano]]
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[[Category:19th-century Polish classical composers]]
[[Category:19th-century Polish male musicians]]
[[Category:String quartet composers]]
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[[Category:Polish opera composers]]
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[[Category:Polish male opera composers]]

Latest revision as of 09:18, 6 November 2024

Portrait of Józef Elsner by Maksymilian Fajans, after 1853
Plaque on former Dominican refectory at Plac Dominikański 2/4, Wrocław, commemorating Elsner's connections with Wrocław.

Józef Antoni Franciszek Elsner (sometimes Józef Ksawery Elsner; baptismal name, Joseph Anton Franz Elsner; 1 June 1769 – 18 April 1854) was a Polish composer, music teacher, and music theoretician, active mainly in Warsaw.[1] He was one of the first composers in Poland to weave elements of folk music into his works.[2]

Elsner composed many symphonic, chamber, solo, and vocal-instrumental works, and works for the stage, including over 100 religious works (masses, offertories, oratorios, cantatas), eight symphonies, three concertos, three ballets, and thirty-eight operas.[2] He is perhaps best known as the principal composition teacher of the young composer Frédéric Chopin.

Life

[edit]

Józef Elsner was born 1 June 1769 in Grottkau (Grodków), Herzogtum Neisse (Duchy of Nysa), near Breslau (Wrocław), Kingdom of Prussia, to German Silesian Catholic parents Franz Xaver Elsner and Anna Barbara Matzke. His mother was from the famous Matzke family of Glatz, which had intensive contact with Czech culture in Bohemia. Józef Elsner was initially educated for the priesthood at Breslau's Dominican monastery school, St. Matthew's Gymnasium, and a local Jesuit college, but chose the music field. In 1832–37 he would compose nineteen religious pieces for Breslau Cathedral.

After completing his studies at Breslau (Wrocław) and being a violinist at Brünn (Brno), in 1792 he became 2nd Kapellmeister at the German Opera[3] in Austrian-ruled Lemberg (Lviv/Lwów). There, in 1796, he married Klara Abt, who died a year later. In 1799, with Wojciech Bogusławski, he went to New East Prussia (Prussian-ruled Poland) and became the principal conductor, first at the German Theatre, then at the Polish National Theatre in Warsaw.[2]

Elsner traveled to Paris, Dresden and Posen (Poznań), where he met E.T.A. Hoffmann. Together they founded the Musikressource in 1805. In 1802 he married a second wife, Karolina Drozdowska. Due to complaints that he preferred Germans, he resigned from theatre work.

During his decades in Warsaw, Elsner's name and family life gradually polonized. Elsner's ethnicity should not be evaluated in terms of 19th- and 20th-century national identity, as he continued to refer to himself primarily as a Silesian.

In 1799-1824 Elsner was the principal conductor at Warsaw's National Theater, where he premiered a number of his operas. Elsner also taught at the Warsaw Lyceum, housed in the Kazimierz Palace.

Elsner taught the composers Ignacy Feliks Dobrzyński and Frédéric Chopin. There are also indications that he privately tutored piano composer and virtuoso Maria Szymanowska.[citation needed] Chopin dedicated to Elsner his Piano Sonata No. 1 in C minor, Op. 4 (1828), composed while he was studying with Elsner. As Chopin's only composition teacher in 1823–29, Elsner taught him music theory and composition; Elsner diaried of Chopin: "Chopin, Fryderyk, third-year student, amazing capabilities, musical genius."

On 18 April 1854, Elsner died at his estate named for himself, Elsnerów, which now lies within the Warsaw city limits.

Works - summary

[edit]

Elsner's compositions included

Elsner was one of the first composers to weave elements of Polish folk music into his works.[2]

He also wrote Sumariusz moich utworów muzycznych (Summary of My Musical Works, published 1957).

Works - detailed list

[edit]

List of the most important compositions:[4]

Masses

[edit]
  • Missa brevis in F major, Op. 85 on 3-voice male choir and organ (1844)
  • Festiva Missa in C major, Op. 52 for 4-voice choir, orchestra and organ (c. 1832)
  • Missa in B, Op. 18 on 3-voice male choir (1823)
  • Mass in A minor, Op. 24 for 4-voice choir (c. 1823)
  • Mass in A minor, Op. 81 for 4-voice choir and orchestra (1843)
  • Mass in B-flat major, Op. 3 to 4-voice choir and orchestra (1799)
  • Mass in B-flat major, Op. 44 for 2 sopranos, 2 tenors, bass and organ (1829)
  • Mass in B-flat major, Op. 80 for 4-voice choir and organ (1843)
  • Mass in C major, Op. 22 for 4-voice male choir, 4 horns, trombone and timpani (c. 1823)
  • Mass in C major, Op. 26 for 4 solo voices, 4-voice choir and orchestra (1820)
  • Mass in D minor and D major in Laudem omnium sanctorum slavonorum Polonorum, Op. 66 for 2 solo voices, 4-voice choir and orchestra (1840)
  • Mass in D minor, Op. 16 for 4-voice choir (1823)
  • Mass in D minor, Op. 5 for 4-voice choir and orchestra (c. 1806)
  • Mass in E minor - E-flat major, Op. 62 for 4 solo voices, 4-voice choir and orchestra (c. 1838)
  • Mass in E minor, Op. 88 for 4-voice choir and organ (1846)
  • Mass in F major, Op. 20 for 4-voice choir (c. 1823)
  • Mass in F major, Op. 35 for 4-voice choir and organ (c. 1825)
  • Mass in F major, Op. 41 for 4-voice choir, orchestra and organ (c. 1826)
  • Mass in F major, Op. 77 on 3-voice male choir and organ (1843)
  • Mass in F major, Op. 79 on 3-voice male choir and organ (1843)
  • Mass in G major, Op. 13 on 3-voice male choir and organ (c. 1820)
  • Mass in G major, Op. 34 for 4-voice choir and orchestra (c. 1825)
  • Mass in G major, Op. 75 for 2 sopranos, violin, viola 2, cello and organ (1842)
  • Mass in G minor, Op. 72 for 4 solo voices, 4-voice choir and orchestra (1842)
  • Folk Mass in G major, Op. 15 for 2 sopranos and organ (1820)
  • Pastoral Mass in A minor, Op. 76 for 4-voice choir, cello and organ (1842)
  • Solemn Mass in B-flat major, Op. 47 for 4 solo voices, 4-voice choir and orchestra (c. 1829)
  • Solemn Mass in C major (Coronation), Op. 51 for 4 solo voices, 4-voice choir and orchestra (c. 1829)
  • Midsummer Mass in F major, Op. 9 to 4 solo voices, 4-voice choir, orchestra and organ (c. 1815)
  • Mass, Gradual and Offertory, Op. 87 for 4-voice choir and orchestra (1844)

Offertories

[edit]
  • Offertoria for 4 voices and orchestra (c. 1783–1784)
  • Offertory in A major, Op. 35 (Cantate Domino canticum novum) for 4-voice choir, orchestra and organ (extracted from Mass in F, Op. 35?)
  • Offertory in A major, Op. 46 for 4-voice choir and orchestra (c. 1829)
  • Offertory B-flat major, Op. 30 (Quoniam in me speravit) for 4-voice choir and orchestra (1828)
  • Offertory B-flat major, Op. 45 for 4-voice choir, orchestra and organ (c. 1829)
  • Offertory B-flat major, Op. 86 for 4-voice choir and orchestra (1844)
  • Offertory in C major, Op. 31 (Expectans expectavi Dominum) for 4-voice choir and orchestra (1823)
  • Offertory in C major, Op. 33 for 4-voice choir, orchestra and organ (c. 1824)
  • Offertory in C major, Op. 56 (Beatus vir) for 4-voice choir and organ (c. 1835)
  • Offertory in D major, Op. 32 (Confirma hoc Deus) for 4-voice choir and orchestra (1824)
  • Offertory E-flat major, Op. 4 (In te Domine speravi) for 4-voice choir and orchestra (c. 1806)
  • Offertory E major, Op. 83 (Inveni David) for 4-voice choir, solo violin and orchestra (1843)
  • Offertory in F major, Op. 50 on 3-voice male choir (c. 1829)
  • Offertory in F major, Op. 70 (Tui sunt caeli) for 4-voice choir, orchestra and organ (1840)
  • Offertory in F major, Op. 71 for 4-voice choir (1840)
  • Offertory in G major, Op. 12 for 4-voice choir and orchestra (c. 1819)
  • Offertory in G major, Op. 38 for 4-voice choir, flute obbligato and orchestra (c. 1825)
  • Offertory in G major, Op. 48 for 4-voice choir, orchestra and organ (c. 1829)
  • Offertory, Op. 58 for choir (c. 1836)

Oratorios - Cantatas

[edit]
  • Ad festum Corporis Christi 4-voice choir, brass and organ (approx. 1785–1786)
  • Hallelujah B-flat major, Op. 60 for 4-voice choir (1836–1840)
  • Ave Maria B-flat major, Op. 68 for 4-voice choir and organ (1840)
  • Ave Maris Stella in A major, Op. 90 for 4-voice choir, orchestra and organ (1847)
  • Benedictus for soprano and instrumental ensemble (c. 1783–1784)
  • Cantate zur Feier ... Jubel-in D major, Op. 53 for 4-voice choir and orchestra (1832)
  • Canticum Simeonis in E minor, Op. 69 on 5-voice choir (1841)
  • Completorium for choir, 2 violins, viola, 2 horns and bodies (c. 1785)
  • Der sterbende Jesus for solo voices and chorus (c. 1788–1789)
  • Dies irae in F minor, Op. 91 for 4-voice choir and organ (1847)
  • Graduate in A major, Op. 82 for 4-voice choir and orchestra (1843)
  • Graduate in D major, Op. 94 for bass, 4-voice choir and orchestra (1848)
  • Graduate in E-flat major, Op. 57 for soprano, 4-voice choir and orchestra (1835)
  • Graduate in F major, Op. 29 (Alleluja! Juravit Dominus) for 4-voice choir and orchestra (1828)
  • Graduate and Offertory in A major, Op. 25 for 4-voice choir (c. 1823)
  • Graduate and Offertory E-flat major, Op. 19 on 3-voice male choir (1823)
  • Graduate and Offertory in F major, Op. 23 for 4-voice male choir, 4 horns and trombone (c. 1823)
  • Graduate and Offertory, Op. 17 for 4-voice choir (1823)
  • Gradual for 2 sopranos, 2 violins, viola, double bass and 2 horns (c. 1782)
  • Lob der Buchdruckerkunst cantata, cantata for solo voice, 4-voice choir and piano (1804)
  • Musik zu einer Cantata Trauerloge, cantata for male choir and orchestra (1811)
  • Cantata Music to enter the body of Fr. J. Poniatowski in r. 1814 cantata for recitation, choir and orchestra (1814)
  • Cantata on the aptly Poles land, cantata for choir and orchestra (1807)
  • Welcome dove cantata, cantata for four male voices, violin, cello and piano (1844)
  • Cantata us stand with a weapon in his hand, a cantata for recitation, solo voices and chorus (1819)
  • Kyrie and Gloria in C major for choir, 2 violins, viola, 2 oboes, horn, trumpet, timpani and organ (approx. 1788–1789)
  • Miserere mei Deus, Op. 96 for solo voices, 3 choirs, male choir (1848)
  • Motet in C major, Op. 28 2 4-voice choirs
  • Motet in G major, Op. 59 for 4 solo voices, 4-voice choir and orchestra (1836)
  • Motet Salvum fac emperor in B-flat major, Op. 6, motet for 4-voice choir and orchestra (1807)
  • Offertory Motet seu de Sancto Josepho C major, Op. 10 for 4-voice choir and orchestra (c. 1815)
  • Vespers in C major, Op. 36 for 4-voice choir and orchestra (c. 1825)
  • Vespers in D major, Op. 89 for 4-voice choir and orchestra (1847)
  • About gloriosa virginum B-flat major, Op. 92 for 4-voice choir and orchestra (1847)
  • The sacred convivium, Op. 49, anthem for 4-voice choir and wind instruments (c. 1829)
  • Passio Domini nostri in D minor, Op. 65 for 14 solo voices, 3 4-voice choir and orchestra (1835–1837)
  • Our Father, Op. 95 for 4-voice choir and organ (1848)
  • Post Celebra ... D major, Op. 11 for soprano, bass, 4-voice choir and orchestra (1815)
  • Psalm 133, Op. 63 for 2 choirs (c. 1838)
  • Salve Regina in B-flat major, processio funebris in C minor, Psalmus: De Profundis in C minor, Op. 43 for a 3 male voices, 4-voice choir and orchestra (1827)
  • Requiem in C minor, Op. 42 for a 3 male voices, cello, brass and timpani (1826)
  • Requiem, Op. 2 to 4-voice choir and wind instruments (1793)
  • Stabat Mater, Op. 93 for solo voices, chorus and orchestra (1848)
  • Laudamus Te Deum in D major, Op. 39 for 4-voice choir, trumpet and timpani (c. 1825)
  • Te Deum laudamus, Op. 74 for 2 male choirs 4-Voice (1842)
  • Veni Creator in A major, Op. 97 for 4-voice choir and organ (1849)
  • Veni Creator in B-flat major, Op. 73 for 4-voice male choir (1842)
  • Veni Creator in C major, Op. 72 4-voice choir (1812)
  • Veni Creator in G major, Op. 40 for 4-voice choir (c. 1825)
  • Veni Creator in G major, Op. 54 for a 5-voice choir and organ (1834)
  • Veni Creator, Op. 78 on 3-voice male choir and organ (1843)
  • Veni Sancte Spiritus E-flat major, Op. 8 to 4-voice choir and orchestra (1815)

Ballets

[edit]
Name Date of Composition Date of Premiere Comments
Divertissement ? ? -
Two Statues 1818 ? -
Wild Men 1796 ? Track in 1 act

Opera

[edit]
  • Amazons, or Herminia, opera in 2 acts (1797)
  • Andromeda, opera seria in 1 act (1806)
  • Der verkleidet Sultan, opera in 3 acts (1795)
  • Seltenen Die Brüder oder Die vier Zauberkugeln, opera in 2 acts (1795)
  • Jagiello in Tenczyn, opera in 3 acts (1819)
  • Kabbalist, opera in 2 acts (1812)
  • Lovers hidden, opera in 2 acts (?)
  • Militia or Battle of the Cossacks, komedioopera in 2 acts (1807)
  • Seven times one komedioopera in 1 act (1804)
  • Canyons of the Sierra Morena, komedioopera in 3 acts (1811)
  • King of the Short or Wiśliczanki, opera in 2 acts (1817–1818)
  • Ie Leszek the White Witch of Lysa Gora, opera in 2 acts (1809)
  • Residents of the island Kamkatal, opera in 1 act (1803-1804)
  • Old scatterbrain and a young sage, opera in 1 act (1804-1805)
  • Sultan Wampum or imprudent wishes, opera in two acts (1800)
  • Breakfast trzpiotów, opera in 1 act (1808)
  • Delusion and reality, opera in 1 act (c. 1805)
  • Urzella soothsayer or This is what the ladies like, opera in 3 acts (1805–1806)

Other works for the stage

[edit]
  • Benefis, duodrama in 1 act (1809)
  • Echo in the forest, duodrama in 1 act (1808)
  • La ritrosia disarmata, duodrama in 1 act (1815)
  • Cobbler and a seamstress, duodrama in 1 act (1808)
  • Wife along the way, duodrama in 1 act (1808)
  • Charlemagne and Witykind, drama in two acts (1807)
  • The emergence of the nation, lyrical scene in one act (1830)
  • Iskahar king Guaxary, melodrama in three acts (1796)
  • French corsair in Portugal, melodrama in three acts (?)
  • Mieczyslaw Blind, melodrama in three acts (1807)
  • Nurzahad or immortality and wealth, melodrama in three acts (1805)
  • Sacrifice of Abraham, melodrama in four acts (1821)
  • The court of Solomon, melodrama in three acts (1806)
  • Sydney and Zuma or power love black women, melodrama in three acts (1798)
  • Court invisible or vicious Son, melodrama in three acts (1807)
  • Island wives married or chosen by fate, melodrama in three acts (1811)

Concertos

[edit]
  Opus 	Key 	Solo instrument 	Date of composition 	Date of premiere
  - 	? 		Flute 	1791-1792 	?
  - 	D major 	Violin 	approx. 1795 	?
  - 	G major 	Violin 	approx. 1783–1784 	?

Symphonies

[edit]
  Opus 	Key 	Date of composition 	Date of premiere
  17 	B-flat major 	approx. 1818 	?
  - 	C major 	1796 	?
  11 	C major 	1804-1805 	?
  - 	D major 	1802 	?
  - 	D major 	1788-1789 	?
  - 	D major 	approx. 1818 	?
  - 	E-flat major 	1797 	?
  - 	E-flat major 	1788-1789 	?

Chamber works

[edit]
  • Chaconne in G major for violin and piano (1836)
  • Piano Quartet in E-flat major, Op. 15 (c. 1805)
  • Piano Quartet in F major (c. 1800)
  • Quartet for 2 violins and violas 2 (c. 1798)
  • Three String Quartet, Op. 8: No. 1 in C major, No. 2 in E-flat major, No. 3 in D minor (1796)
  • String Quartet in B-flat major (?)
  • String Quintet (?)
  • String Quintet in C minor (?)
  • Septet in D major for flute, clarinet, violin, viola, cello, double bass and piano (c. 1830)
  • Piano Sonata in F major (c. 1798)
  • Sonata in B-flat major for piano 4 hands, Op. 16 (?)
  • Sonata in D major for Violin and Piano, Op. 10, No. 2 (c. 1798)
  • Sonata in E-flat major for violin and piano, Op. 10, No. 3 (c. 1798)
  • Sonata in F major for Violin and Piano, Op. 10, No. 1 (c. 1798)
  • Piano Sonata in B-flat major (c. 1798)
  • Piano Sonata in D major (c. 1798)
  • Piano Trio in C major (c. 1798)
  • Trio Grande Sonate in B-flat major, piano trio (1798)

Small orchestral and instrumental

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  • Karnevaltanze for orchestra (1792–1799)
  • March for orchestra (1831)
  • March of the Polish army vanguard for orchestra (1831)
  • Triumphal march for wind orchestra (1809)
  • March with echo and Andante for orchestra (?)
  • Mazurka for orchestra (c. 1825)
  • Polonaise in D major for orchestra (1818)
  • Polonaise in D major for violin and piano (?)
  • Polonaise in D major for violin and piano (1820)
  • Polonaise in E major on the theme of the overture to the opera "Lodoiska" R. Kreutzer for orchestra (1804)
  • Polonaise in E-flat major for violin and piano (1820)
  • Polonaise in F major for orchestra (1818)
  • Polonaise on the march from the opera "Water Carrier" L. Cherubini for orchestra (1804)
  • Polonaise on the song "Ou peut-on etre mieux ..." for orchestra (1816)
  • Rondo a la Krakowiak B-flat major for piano (1803)
  • Rondo a la Mazurka in C major for piano (1803)
  • Rondo a la Mazurka in G minor for piano (1803)
  • Trois quatuors meilleur du goût anglais for strings (1798)
  • Trois quatuors for strings (c. 1796)
  • Rollers region for orchestra (c. 1791–1792)
  • Rollers Viennese orchestra (c. 1790–1791)
  • Variations in B-flat major on the march from the opera "Przerwana ofiara" ("Interrupted victim") (P. Winter), for piano (1802)
  • Variations on the aria from the opera "Żony przemienione czyli Szewc" ("The shoemaker's wife transformed") (M. A. Portogalla) for orchestra (1810)

See also

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Notes

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  1. ^ Papanikolaou, Eftychia; Rathey, Markus (2022-06-21). Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall. Rowman & Littlefield. p. 358. ISBN 978-1-6669-0605-9. Leading Polish composers Józef Elsner and Karol Kurpiński wrote music to Polish religious poetry
  2. ^ a b c d Encyklopedia Polski, p. 154.
  3. ^ NDB, p. 467
  4. ^ Małgorzata Kosińska: sylwetki muzyka JÓZEF ELSNER (pol.). October 2006. [referenced 2009-07-27]; English summary based summary of Elsner's works in the Polish language Wikipedia Article on Elsner [referenced 2015-03-01]

References

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