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{{distinguish2|[[Insaan Jaag Utha]], 1959 film}}
{{distinguish|text=[[Insaan Jaag Utha]], 1959 film}}
{{Use dmy dates|date=November 2015}}
{{Use dmy dates|date=November 2015}}
{{Use Indian English|date=November 2015}}
{{Use Indian English|date=November 2015}}
{{Infobox film
{{Infobox film
| name = Jaag Utha Insan
| name = Jaag Utha Insan
| image = JaagUtha.jpg
| image = Jaag Utha Insan.jpg
| caption = DVD Cover
| caption = Poster
| director = [[K Vishwanath]]
| director = [[K. Viswanath]]
| producer = [[Rakesh Roshan]]
| producer = [[Rakesh Roshan]]
| cinematography = P. L. Raj
| writer =
| writer =
| starring = [[Mithun Chakraborty]]<br />[[Sridevi]]<br />[[Rakesh Roshan]]<br />[[Deven Verma]]<br /> [[J V Somayajulu]]<br />[[Sujit Kumar]]
| dialogue =
| starring = [[Mithun Chakraborty]]<br />[[Sridevi]]<br />[[Rakesh Roshan]]<br />[[Sujit Kumar]]<br />[[Deven Verma]]
| music = [[Rajesh Roshan]]
| music = [[Rajesh Roshan]]
| lyrics =
| associate director =
| art director =
| choreographer =
| released = {{film date|df=y|1984|7|6}}
| released = {{film date|df=y|1984|7|6}}
| runtime = 135 min.
| runtime = 135 minutes
| country = [[India]]
| language = [[Hindi]]
| language = [[Hindi]]
| budget = [[Rupee|Rs]] 2 Crores
| budget = [[Rupee|Rs]] 10 lakhs
| preceded_by =
| followed_by =
}}
}}
'''''Jaag Utha Insan''''' is a [[1984 in film|1984]] [[Hindi language|Hindi-language]] [[Cinema of India|Indian]] [[feature film]] [[Film director|directed]] by [[K Vishwanath]], starring [[Mithun Chakraborty]], [[Rakesh Roshan]], [[Sridevi]], [[Sujit Kumar]] and [[Deven Verma]]. It is a remake of [[Saptapadi (1981 film)]], in [[Telugu language|Telugu]] also directed by [[K Vishwanath]].
'''''Jaag Utha Insan''''' ({{trans|Awakened Man}}) is a 1984 Indian [[Hindi]]-language film directed by [[K. Viswanath]], starring [[Mithun Chakraborty]], [[Sridevi]], [[Rakesh Roshan]], [[Deven Verma]], [[J V Somayajulu]] [[Sujit Kumar]] and music composed by [[Rajesh Roshan]]. It is the Hindi version of Viswanath's 1981 [[Telugu language|Telugu]] film ''[[Saptapadi (1981 film)|Saptapadi]]''. It is a love story between a [[Dalit]] boy and a [[Brahmin]] Girl, played by [[Mithun Chakraborty]] and [[Sridevi]] respectively in the lead roles, supported by [[Rakesh Roshan]], [[J V Somayajulu]] [[Deven Verma]], [[Sujit Kumar]]. The cinematographer P.L. Raj won the Filmfare Award for best cinematography. Film expert Rajesh Subramanian reveals that [[Jaya Prada]] was the first choice but since her dates were committed and clashed with Prakash Mehra's Sharaabi, Sridevi was signed to play the female lead.


== Plot ==
It is a love story between a [[Harijan]] boy and a [[Brahmin]] Girl, played by [[Mithun Chakraborty]] and [[Sridevi]] respectively in the lead role, supported by [[Rakesh Roshan]], [[Sujit Kumar]] and [[Deven Verma]].
In the film, Sandhya&nbsp;– a Brahmin dancer falls in love with Hari, a [[Dalit]]. She visits her maternal grandfather&nbsp;– who is a staunch Hindu pundit&nbsp;– accompanied by her father and Hari, to perform at the village temple, where her grandfather is the head-priest. There, the grandfather decides to get Sandhya married to his adopted grandson Nandu, who is also a priest at the temple, but with a broader mind. Hari, citing the apparent caste difference, urges Sandhya to marry Nandu.


Hence Sandhya marries Nandu. However, on their wedding night, when Nandu enters the bedroom, he sees a Devi in Sandhya, and not his wife. This continues for a few nights, and people start talking about Nandu spending his nights outside the house. Before long, Sandhya confronts Nandu at the temple and asks him to try and accept her. Here Nandu tells her that he sees a Devi in her, and not his wife, because she belongs to someone else and not him. They are bound into this marriage by the Pundit's chants, ''mantras'', and the ''seven pheras'', but Sandhya has taken the ''eighth phera'', which is the ''phera'' of the heart and mind, with someone else, and thus she belongs to that person alone, and must go back to him, whoever that may be.
==Plot==
In the film, Sandhya - a Brahmin dancer - i.e. Sridevi falls in love with Hari [[Mithun Chakraborty]], a [[Dalit]]. She visits her maternal grandfather - who is a staunch Hindu pundit - accompanied by her father and Hari, to perform at the village temple, where her grandfather is the head-priest. There, the grandfather decides to get Sandhya married to his adopted grandson Nandu (Rakesh Roshan), who is also a priest at the temple, but with a broader mind. Hari, citing the apparent caste difference, urges Sandhya to marry Nandu.

Hence Sandhya marries Nandu. However on their wedding night, when Nandu enters the bedroom, he sees a Devi in Sandhya, and not his wife. This continues for a few nights, and people start talking about Nandu spending his nights outside the house. Before long, Sandhya confronts Nandu at the temple and asks him to try and accept her. Here Nandu tells her that he sees a Devi in her, and not his wife, because she belongs to someone else and not him. They are bound into this marriage by the Pundit's chants, ''mantras'', and the ''seven pheras'', but Sandhya has taken the ''eighth phera'', which is the ''phera'' of the heart and mind, with someone else, and thus she belongs to that person alone, and must go back to him, whoever that may be.


Nandu explains this to the rest of the family, and the grandfather accepts Sandhya's love for Hari, in spite of Hari being a Harijan. This comes as a result of Nandu explaining the truth, that every person is a human being first, and a [[Shudra]] at birth. It is only because of his/her deeds that a person becomes a Brahmin. The common misinterpretation of the Hindu caste system is that, a person acquires his caste at birth, which is not so, as explained above.
Nandu explains this to the rest of the family, and the grandfather accepts Sandhya's love for Hari, in spite of Hari being a Harijan. This comes as a result of Nandu explaining the truth, that every person is a human being first, and a [[Shudra]] at birth. It is only because of his/her deeds that a person becomes a Brahmin. The common misinterpretation of the Hindu caste system is that, a person acquires his caste at birth, which is not so, as explained above.
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Deven Verma, who plays the head priest's blood-related grandson, provides for the counter view throughout the film, and is the only one besides Nandu, who understands the real meaning of the [[Vedas]], and supports him towards the end.
Deven Verma, who plays the head priest's blood-related grandson, provides for the counter view throughout the film, and is the only one besides Nandu, who understands the real meaning of the [[Vedas]], and supports him towards the end.


==Cast==
== Cast ==
*Mithun Chakraborty
* [[Mithun Chakraborty]] as Harimohan "Hari"
*Sridevi
* [[Sridevi]] as Sandhya
*Rakesh Roshan
* [[Rakesh Roshan]] as Brahmanand Chaturvedi "Nandu"
* [[Deven Verma]] as Devendra Chaturvedi "Deva"
*Sujit Kumar
* [[Sujit Kumar]] as Ram Narayan Chaturvedi
*Deven Verma
* [[J. V. Somayajulu]] as Sandhya's Grandfather

==Songs==
#"Aayi Parvato Pe Kaali Ghata Main Naachu Tu Bansi Baja" - '''[[Asha Bhosle]]''', [[Kishore Kumar]]
#"Teri Zindagi Ke Ragini Par Mera Naam LikhDe" - [[Kishore Kumar]], '''[[Asha Bhosle]]'''
#"Morni Ne Seekha Humse Hi Seekha" - '''[[Asha Bhosle]]'''
#"Tarpat Beete Tum Bin Ye Raina" - [[Lata Mangeshkar]]
#"Jai Matadi" - [[Mahendra Kapoor]]


==References==
== Songs ==
{|class="wikitable"
*http://ibosnetwork.com/asp/filmbodetails.asp?id=Jaag+Utha+Insan
! Song !! Singer
*http://www.imdb.com/title/tt0087492/
|-
| "Teri Zindagi Ke Ragini Par Mera Naam Likh De"
| [[Kishore Kumar]], [[Asha Bhosle]]
|-
| "Aayi Parvaton Pe Jhoomti Ghata"
| Kishore Kumar, Asha Bhosle
|-
| "Morni Ne Seekha"
| Asha Bhosle
|-
| "Tarpat Beete"
| [[Lata Mangeshkar]]
|-
| "Jai Mata Di"
| [[Mahendra Kapoor]]
|-
|}


==External links==
== References ==
== External links ==
* {{IMDb title|0087492|Jaag Utha Insan}}
* {{IMDb title|0087492|Jaag Utha Insan}}
{{Kasinathuni Viswanath}}
{{Kasinathuni Viswanath}}
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[[Category:1984 films]]
[[Category:1984 films]]
[[Category:1980s Hindi-language films]]
[[Category:1980s Hindi-language films]]
[[Category:Indian films]]
[[Category:1980s Indian films]]
[[Category:Films directed by K. Viswanath]]
[[Category:Films directed by K. Viswanath]]
[[Category:Film scores by Rajesh Roshan]]
[[Category:Films scored by Rajesh Roshan]]
[[Category:Indian film remakes]]
[[Category:Hindi remakes of Telugu films]]
[[Category:Films about the caste system in India]]
[[Category:Films about interclass romance]]
[[Category:Films about Indian slavery]]

Latest revision as of 17:40, 22 October 2024

Jaag Utha Insan
Poster
Directed byK. Viswanath
Produced byRakesh Roshan
StarringMithun Chakraborty
Sridevi
Rakesh Roshan
Deven Verma
J V Somayajulu
Sujit Kumar
CinematographyP. L. Raj
Music byRajesh Roshan
Release date
  • 6 July 1984 (1984-07-06)
Running time
135 minutes
CountryIndia
LanguageHindi
BudgetRs 10 lakhs

Jaag Utha Insan (transl. Awakened Man) is a 1984 Indian Hindi-language film directed by K. Viswanath, starring Mithun Chakraborty, Sridevi, Rakesh Roshan, Deven Verma, J V Somayajulu Sujit Kumar and music composed by Rajesh Roshan. It is the Hindi version of Viswanath's 1981 Telugu film Saptapadi. It is a love story between a Dalit boy and a Brahmin Girl, played by Mithun Chakraborty and Sridevi respectively in the lead roles, supported by Rakesh Roshan, J V Somayajulu Deven Verma, Sujit Kumar. The cinematographer P.L. Raj won the Filmfare Award for best cinematography. Film expert Rajesh Subramanian reveals that Jaya Prada was the first choice but since her dates were committed and clashed with Prakash Mehra's Sharaabi, Sridevi was signed to play the female lead.

Plot

[edit]

In the film, Sandhya – a Brahmin dancer falls in love with Hari, a Dalit. She visits her maternal grandfather – who is a staunch Hindu pundit – accompanied by her father and Hari, to perform at the village temple, where her grandfather is the head-priest. There, the grandfather decides to get Sandhya married to his adopted grandson Nandu, who is also a priest at the temple, but with a broader mind. Hari, citing the apparent caste difference, urges Sandhya to marry Nandu.

Hence Sandhya marries Nandu. However, on their wedding night, when Nandu enters the bedroom, he sees a Devi in Sandhya, and not his wife. This continues for a few nights, and people start talking about Nandu spending his nights outside the house. Before long, Sandhya confronts Nandu at the temple and asks him to try and accept her. Here Nandu tells her that he sees a Devi in her, and not his wife, because she belongs to someone else and not him. They are bound into this marriage by the Pundit's chants, mantras, and the seven pheras, but Sandhya has taken the eighth phera, which is the phera of the heart and mind, with someone else, and thus she belongs to that person alone, and must go back to him, whoever that may be.

Nandu explains this to the rest of the family, and the grandfather accepts Sandhya's love for Hari, in spite of Hari being a Harijan. This comes as a result of Nandu explaining the truth, that every person is a human being first, and a Shudra at birth. It is only because of his/her deeds that a person becomes a Brahmin. The common misinterpretation of the Hindu caste system is that, a person acquires his caste at birth, which is not so, as explained above.

Hari soon gets this news, and quickly arrives at the village. Even though the head priest of the village, Nandu's grandfather accepts Sandhya and Hari's relationship, his son and the rest of the village opposes it, and a fight breaks out. In the end both, Hari and Sandhya lose their lives.

Deven Verma, who plays the head priest's blood-related grandson, provides for the counter view throughout the film, and is the only one besides Nandu, who understands the real meaning of the Vedas, and supports him towards the end.

Cast

[edit]

Songs

[edit]
Song Singer
"Teri Zindagi Ke Ragini Par Mera Naam Likh De" Kishore Kumar, Asha Bhosle
"Aayi Parvaton Pe Jhoomti Ghata" Kishore Kumar, Asha Bhosle
"Morni Ne Seekha" Asha Bhosle
"Tarpat Beete" Lata Mangeshkar
"Jai Mata Di" Mahendra Kapoor

References

[edit]
[edit]