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Moving the source provided to the part of the article where Disney announces Lasseter was leaving. Lasseter technically was never a co-director or one of Pixar's founders though this is widely believed.
 
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{{Short description|American filmmaker (born 1957)}}
John A. Lasseter is a founding member of [[Pixar]], where he currently serves as Executive Vice President, Creative. He has received two [[Academy Awards]] for best director. He oversees all of Pixar’s films and associated projects. Before Pixar, Lasseter worked as a traditional animator at [[The Walt Disney Company|Walt Disney Pictures]].
{{Use American English|date=February 2021}}
{{Use mdy dates|date=June 2019}}
{{Infobox person
| name = John Lasseter
| image = JohnLasseterOct2011.jpg
| caption = Lasseter in 2011
| birthname = John Alan Lasseter
| birth_date = {{Birth date and age|1957|1|12}}
| birth_place = [[Hollywood, Los Angeles|Hollywood]], [[California]], U.S.
| death_date =
| death_place =
| occupation = {{flatlist|
*Film director
*producer
*screenwriter
*animator
*voice actor
}}
| alma_mater = [[California Institute of the Arts]] ([[Bachelor of Fine Arts|BFA]])
| yearsactive = 1978–present
| spouse = {{marriage|Nancy Lasseter|1988}}<ref name="Guardian3D">{{cite news|last=O'Connor|first=Stuart|title=How to tell a great toy story |url=https://www.theguardian.com/technology/2009/feb/12/interview-john-lasseter-pixar |access-date=May 11, 2013|newspaper=[[The Guardian]] |location=London |date=February 12, 2009|quote=I was doing a lot of amateur 3D photography – in 1988, when I got married to my wife Nancy, we took 3D wedding pictures.|archive-date=March 24, 2021|archive-url=https://web.archive.org/web/20210324060731/https://www.theguardian.com/technology/2009/feb/12/interview-john-lasseter-pixar|url-status=live}}</ref>
| signature = John Lasseter signature.svg
| children = 5<ref name=SFGateGeneration/>
| website =
| awards = [[Academy Award]] (1989, 1996)<br>[[Golden Globe Award]] (2007)<br />[[Inkpot Award]] (2009)<ref>{{Cite web |url=https://www.comic-con.org/awards/inkpot |title=Inkpot Award |date=December 6, 2012 |access-date=September 12, 2020 |archive-date=January 29, 2017 |archive-url=https://web.archive.org/web/20170129155249/http://www.comic-con.org/awards/inkpot |url-status=live}}</ref><br />[[Primetime Emmy Award|Emmy Award]] (2010-2011)
| employer = {{Plain list|
* [[Walt Disney Animation Studios]] (1979–1983, 2006–2018)
* [[Lucasfilm]] (1983–1986)
* [[Pixar|Pixar Animation Studios]] (1986–2018)
* [[Skydance Animation]] (2019–present)<ref name="SkyDAnim" />
}}
}}

'''John Alan Lasseter''' ({{IPAc-en|ˈ|l|æ|s|ə|t|ər}} {{respell|LASS|ə|tər}}; born January 12, 1957)<ref name=britannica>{{Cite encyclopedia |url=https://www.britannica.com/biography/John-Lasseter |title=John Lasseter: American Animator |first=Anthony G. |last=Craine|access-date=October 27, 2016 |encyclopedia=Encyclopædia Britannica |archive-date= October 27, 2016 |archive-url=https://web.archive.org/web/20161027195040/https://www.britannica.com/biography/John-Lasseter |url-status=live}}</ref> is an American film director, producer, and animator. He has served as the head of animation at [[Skydance Animation]] since 2019.<ref>{{cite web|first=Anthony|last=D'Alessandro|title=Paramount Dates Skydance's 'Spellbound' & 'Luck' For 2022|url=https://deadline.com/2020/07/paramount-skydance-animation-spellbound-luck-2022-scheduled-1202990193/|date=July 20, 2020|website=[[Deadline Hollywood]]|publisher=[[Penske Media Corporation]]|access-date=June 20, 2020|archive-date=January 10, 2021|archive-url=https://web.archive.org/web/20210110021052/https://deadline.com/2020/07/paramount-skydance-animation-spellbound-luck-2022-scheduled-1202990193/|url-status=live}}</ref> Previously, he acted as the [[chief creative officer]] of Pixar Animation Studios, [[Walt Disney Animation Studios]], and [[Disneytoon Studios]], as well as the Principal Creative Advisor for [[Walt Disney Imagineering]].<ref>{{cite news |last=Grover |first=Ronald |title=The Happiest Place on Earth – Again |url=http://www.businessweek.com/investor/content/mar2006/pi20060310_909483.htm|access-date=April 20, 2012|newspaper=Bloomberg Businessweek|date=March 10, 2006|archive-date=June 25, 2012|archive-url=https://web.archive.org/web/20120625190611/http://www.businessweek.com/investor/content/mar2006/pi20060310_909483.htm|url-status=dead}}</ref>

Lasseter began his career as an animator with [[The Walt Disney Company]]. After being fired from Disney for promoting [[computer animation]], he joined [[Lucasfilm]], where he worked on then-ground breaking usage of [[Computer-generated imagery|CGI]] animation. The Graphics Group of the Computer Division of Lucasfilm was sold to [[Steve Jobs]] and became [[Pixar]] in 1986. Lasseter oversaw all of Pixar's films and associated projects. He personally directed ''[[Toy Story]]'' (1995), ''[[A Bug's Life]]'' (1998), ''[[Toy Story 2]]'' (1999), ''[[Cars (film)|Cars]]'' (2006), and ''[[Cars 2]]'' (2011), and executive-produced all other Pixar films through 2018. From 2006 to 2018, Lasseter also oversaw all of Walt Disney Animation Studios' (and its division Disneytoon Studios') films and associated projects as executive producer.

His works have grossed more than {{US$|link=yes}}19 billion, making him one of the most financially successful filmmakers of all time. Of the ten animated films that have grossed over US$1 billion, five of them were executive produced by Lasseter: ''[[Toy Story 3]]'' (2010)—the first animated film to surpass $1 billion—and ''[[Frozen (2013 film)|Frozen]]'' (2013)—the third-highest-grossing animated film of all time—as well as ''[[Zootopia]]'' (2016), ''[[Finding Dory]]'' (2016), and ''[[Incredibles 2]]'' (2018). ''Frozen'' also held the title of the highest-grossing animated film of all time until 2019, and was the fifth-highest-grossing film of all time at the end of its theatrical run. He has won two [[Academy Awards]], for [[Academy Award for Best Animated Short Film|Best Animated Short Film]] (for ''[[Tin Toy]]''), as well as a [[Special Achievement Academy Award|Special Achievement Award]] (for ''Toy Story'').<ref name="imdb-awards">{{cite web |url=https://www.imdb.com/name/nm0005124/awards |title=John Lasseter – Awards |publisher=[[IMDb]] |access-date=July 1, 2018|archive-date=February 10, 2017|archive-url=https://web.archive.org/web/20170210101235/http://www.imdb.com/name/nm0005124/awards|url-status=live}}</ref>

In November 2017, Lasseter took a six-month [[sabbatical]] from Pixar and Disney Animation after acknowledging what he called "missteps" in his behavior with employees.<ref name="hollywoodreporter_20171121B">{{cite news |url=https://www.hollywoodreporter.com/news/john-lasseter-taking-leave-absence-pixar-missteps-1057113 |title=John Lasseter Taking Leave of Absence From Pixar Amid 'Missteps'|last=Masters|first=Kim|date=November 21, 2017|work=The Hollywood Reporter|access-date=November 21, 2017|archive-date=November 21, 2017|archive-url=https://web.archive.org/web/20171121210233/https://www.hollywoodreporter.com/news/john-lasseter-taking-leave-absence-pixar-missteps-1057113|url-status=live}}</ref> According to various news outlets, Lasseter had a history of alleged [[sexual misconduct]] toward employees.<ref name="hollywoodreporter_20171121A" /><ref name="washingtonpost_20171121A" /> In June 2018, Disney announced that he would be leaving the company at the end of the year when his contract expired; he took on a consulting role until then.<ref>{{cite web |url=http://collider.com/lee-unkrich-leaving-pixar/|title='Toy Story 3', 'Coco' Director Lee Unkrich Is Leaving Pixar |first=Adam |last=Chitwood |website=[[Collider (website)|Collider]]|date=January 18, 2019|access-date=January 20, 2019|archive-date=January 20, 2019|archive-url=https://web.archive.org/web/20190120144224/http://collider.com/lee-unkrich-leaving-pixar/|url-status=live}}</ref><ref name="Barnes" /> Following his departure from Disney and Pixar, Lasseter was later hired by [[Skydance Media|Skydance]] founder and CEO [[David Ellison]] to run the animation division [[Skydance Animation]].<ref name="SkyDAnim" />

==Early life==
John Alan Lasseter was born on January 12, 1957, in [[Hollywood, Los Angeles|Hollywood]], [[California]].<ref name=britannica /> His mother, Jewell Mae (née Risley; 1918–2005), was an art teacher at [[Bell Gardens High School]], and his father, Paul Eual Lasseter (1924–2011), was a parts manager at a [[Chevrolet]] dealership.<ref>{{cite news|last=Baillie|first=Russell|title=John Lasseter king of Toon town|url=http://www.nzherald.co.nz/lifestyle/news/article.cfm?c_id=6&objectid=10384751&pnum=3|access-date=April 20, 2012|newspaper=The New Zealand Herald|date=June 3, 2006|archive-date=February 14, 2012|archive-url=https://web.archive.org/web/20120214193551/http://www.nzherald.co.nz/lifestyle/news/article.cfm?c_id=6&objectid=10384751&pnum=3|url-status=live}}</ref><ref name="Graduating Class" /><ref name="ref1">{{cite news|title=Jewell Risley Lasseter|publisher=The Whittier Daily News|date=November 1, 2005|url=http://nl.newsbank.com/nl-search/we/Archives?p_product=WDNB&p_theme=wdnb&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=10DA5CE4612FE920&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D|access-date=December 15, 2009|archive-date=October 21, 2018|archive-url=https://web.archive.org/web/20181021111435/http://nl.newsbank.com/nl-search/we/Archives?p_product=WDNB&p_theme=wdnb&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=10DA5CE4612FE920&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D|url-status=live}}</ref>

Lasseter is a fraternal [[twin]]; his sister Johanna Lasseter-Curtis, who became a baker based in the [[Lake Tahoe]] area, is six minutes older.<ref name="Schlender" /><ref>{{cite news|last=Siig|first=Melissa|title=Bake Me a Cupcake: Cake Tahoe brings the cupcake craze to Truckee|url=http://www.moonshineink.com/food/bake-me-cupcake|archive-url=https://web.archive.org/web/20140508132707/http://www.moonshineink.com/food/bake-me-cupcake|url-status=dead|archive-date=May 8, 2014|access-date=May 8, 2014|newspaper=Moonshine Ink|date=January 11, 2013}}</ref>

Lasseter grew up in [[Whittier, California]]. His mother's profession contributed to his growing preoccupation with animation. He often drew cartoons during services at the [[Church of Christ]]{{clarify|date=January 2021}} church his family regularly attended. As a child, Lasseter would race home from school to watch [[Chuck Jones]] cartoons on television. While in high school, he read ''The Art of Animation'' by [[Bob Thomas (reporter)|Bob Thomas]]. The book covered the history of Disney animation and explored the making of Disney's 1959 film ''[[Sleeping Beauty (1959 film)|Sleeping Beauty]]'', which made Lasseter realize he wanted to do animation himself. When he saw a screening of Disney's 1963 film ''[[The Sword in the Stone (1963 film)|The Sword in the Stone]]'' at the Wardman Theater, he knew early in his youth that he wanted to become an animator.<ref>{{cite news|last=McCracken|first=Harry|title=Luxo Sr. – An Interview with John Lasseter|url=http://www.harrymccracken.com/luxo.htm|access-date=April 20, 2012|newspaper=Animato|year=1990|archive-date=May 20, 2012|archive-url=https://web.archive.org/web/20120520045719/http://www.harrymccracken.com/luxo.htm|url-status=live}}</ref> He then read [[Preston Blair]]'s book about animation, and made flipbooks based on Blair's walk cycles. One of his friends had a Super 8 camera that shot single frames, which was used to shoot some of his earlier animation efforts.<ref>[https://books.google.com/books?id=UPCyDwAAQBAJ&dq=%22Preston+Blair+book%22+%22Preston+Blair+walk+cycles%22&pg=PA71 On Animation: The Director's Perspective Vol 1]</ref>

Lasseter heard of a new [[character animation]] program at the [[California Institute of the Arts]] (often abbreviated as 'CalArts') and decided to follow his dream of becoming an animator. His mother further encouraged him to take up a career in animation, and, after graduating from [[Whittier High School]] in 1975, he enrolled as the second student ([[Jerry Rees]] was the first)<ref>{{cite web|url=https://calarts.edu/about/institute/history/calarts-presidents|title=CalArts Presidents - CalArts|website=CalArts|access-date=June 9, 2018|archive-date=June 12, 2018|archive-url=https://web.archive.org/web/20180612141720/https://calarts.edu/about/institute/history/calarts-presidents|url-status=live}}</ref> in the CalArts Character Animation program created by Disney animators [[Jack Hannah]] and [[T. Hee]]. Lasseter was taught by three members of [[Disney's Nine Old Men]] team of veteran animators—[[Eric Larson]], [[Frank Thomas (animator)|Frank Thomas]] and [[Ollie Johnston]]—and his classmates included future animators and directors like [[Brad Bird]], [[John Musker]], [[Henry Selick]], [[Tim Burton]], and [[Chris Buck]].<ref name=ft>{{cite news|last=Garrahan|first=Matthew|title=Lunch with the FT: John Lasseter|url=http://www.ft.com/intl/cms/s/0/d65cc760-e35a-11dd-a5cf-0000779fd2ac.html|access-date=April 20, 2012|newspaper=Financial Times|date=January 17, 2009|archive-date=May 31, 2020|archive-url=https://web.archive.org/web/20200531082855/https://www.ft.com/content/d65cc760-e35a-11dd-a5cf-0000779fd2ac|url-status=live}}</ref><ref name="Day">{{cite news|last=Day|first=Aubrey|title=Interview: John Lasseter|url=http://www.totalfilm.com/features/interview-john-lasseter/page:5|access-date=April 20, 2012|newspaper=Total Film|date=June 3, 2009|archive-date=July 24, 2014|archive-url=https://web.archive.org/web/20140724025103/http://www.totalfilm.com/features/interview-john-lasseter/page:5|url-status=live}}</ref><ref>{{cite news|last1=King|first1=Susan|title=Walt Disney Animation Studios turns 90 in colorful fashion|url=https://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-disney-anniversary-20131210-story.html|access-date=September 2, 2014|work=Los Angeles Times|date=December 10, 2013|archive-date=September 20, 2014|archive-url=https://web.archive.org/web/20140920050619/http://articles.latimes.com/2013/dec/10/entertainment/la-et-mn-disney-anniversary-20131210|url-status=live}}</ref> During his time there, he produced two animated shorts—''Lady and the Lamp'' (1979) and ''Nitemare'' (1980)—which each won the student Academy Award for Animation.<ref>{{cite news|title=Pixar Filmmaker John Lasseter To Receive "Contribution To Cinematic Imagery Award" From Art Directors Guild |url=http://www.pixar.com/companyinfo/press_box/news/20040115-126701.htm |access-date=April 20, 2012 |newspaper=Pixar |date=January 12, 2004 |url-status=dead |archive-url=https://web.archive.org/web/20101205135942/http://www.pixar.com/companyinfo/press_box/news/20040115-126701.htm |archive-date=December 5, 2010}}</ref>

While at CalArts, Lasseter first started working for the Walt Disney Company at [[Disneyland]] in [[Anaheim, California|Anaheim]] during summer breaks and got a job as a [[Jungle Cruise]] skipper, where he learned the basics of comedy and comic timing to entertain captive audiences on the ride.<ref name="Schlender" /><ref>{{cite news|title=John Lasseter does AM Radio, too?|url=http://www.theblueparrot.info/wabacmachine/The_Blue_Parrots_perch/Entries/2007/2/2_John_Lasseter_does_AM_Radio,_too.html|access-date=April 20, 2012|newspaper=The Blue Parrot's perch|date=February 2, 2007|archive-date=December 11, 2012|archive-url=https://web.archive.org/web/20121211125932/http://www.theblueparrot.info/wabacmachine/The_Blue_Parrots_perch/Entries/2007/2/2_John_Lasseter_does_AM_Radio,_too.html|url-status=live}}</ref>

==Career==
===First years at Disney===
Upon graduating in 1979, Lasseter immediately obtained a job as an animator at [[Walt Disney Animation Studios|Walt Disney Productions]] mostly due to his success with his student project, ''Lady and the Lamp''.<ref name="Getlin">{{cite news|last1=Getlin|first1=Josh|title=Fate Of Next 'Snow White' Rests In CalArts' Hands|work=Los Angeles Times|date=October 21, 1979|pages=V1–V4}} (Available through [[ProQuest]] Historical Newsstand.)</ref> The studio had reviewed approximately 10,000 portfolios in the late 1970s in search of talent, then selected only about 150 candidates as apprentices, of which only about 45 were kept on permanently.<ref name="Getlin" /> In the fall of 1979, Disney animator [[Mel Shaw]] told the ''[[Los Angeles Times]]'' that "John's got an instinctive feel for character and movement and shows every indication of blossoming here at our studios ... In time, he'll make a fine contribution."<ref name="Getlin" /> At that same time, Lasseter worked on a sequence titled "The Emperor and the Nightingale" (based on ''[[The Nightingale (fairy tale)|The Nightingale]]'' by [[Hans Christian Andersen]]) for a Disney project called ''[[List of unproduced Disney animated shorts and feature films#1981|Musicana]]''. ''Musicana'' was never released but eventually led to the development of ''[[Fantasia 2000]]'' (1999).<ref>{{cite AV media notes |title= Musiciana — Walt's Inspiration for a Sequel to Fantasia |publisher= Walt Disney Studios Home Entertainment |year=2010 |type= Bonus feature, Blu-Ray}}</ref>

However, after ''[[One Hundred and One Dalmatians|101 Dalmatians]]'' (1961), which in Lasseter's opinion was the film where Disney had reached its highest plateau, he felt that the studio had lost momentum and was often repeating itself.<ref name="awm-lasseter">{{cite web |last=Lyons |first=Mike |title=Toon Story: John Lasseter's Animated Life |url=http://www.awn.com/mag/issue3.8/3.8pages/3.8lyonslasseter.html |work=Animation World Magazine |access-date=October 13, 2010 |date=November 1998 |archive-date=June 29, 2012 |archive-url=https://archive.today/20120629/http://www.awn.com/mag/issue3.8/3.8pages/3.8lyonslasseter.html |url-status=live }}</ref><ref>{{cite news|last=Lazarus|first=David|title=A deal bound to happen|url=http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2006/01/25/BUGA6GSFUO1.DTL&type=printable|access-date=April 20, 2012|newspaper=SFGate.com|date=January 25, 2006|archive-date=April 27, 2011|archive-url=https://web.archive.org/web/20110427081443/http://www.sfgate.com/cgi-bin/article.cgi?f=%2Fc%2Fa%2F2006%2F01%2F25%2FBUGA6GSFUO1.DTL&type=printable|url-status=live}}</ref> Between 1980 and 1981, he coincidentally came across some video tapes from one of the then new computer-graphics conferences, who showed some of the very beginnings of computer animation, primarily floating spheres and such, which he experienced as a revelation.<ref name="Schlender" /> But it was not until shortly after, when he was invited by his friends [[Jerry Rees]] and [[Bill Kroyer]], while working on ''[[Mickey's Christmas Carol]]'' (1983), to come and see the first light cycle sequences for an upcoming film entitled ''[[Tron]]'' (1982), featuring state-of-the-art [[computer-generated imagery]] (CGI), that he saw the huge potential of this new technology in animation. Up to that time, the studio had used a [[multiplane camera]] to add depth to its animation. Lasseter realized that computers could be used to make films with three-dimensional backgrounds where traditionally animated characters could interact to add a new level of visually stunning depth that had not been possible before. He knew adding dimension to animation had been a longtime dream of animators, going back to [[Walt Disney]].<ref name="Schlender" />

Later, he and [[Glen Keane]] talked about how great it would be to make an animated feature where the background was computer-generated, and then showed Keane the book ''[[The Brave Little Toaster (novel)|The Brave Little Toaster]]'' by [[Thomas Disch]], which he thought would be a good candidate for the film. Keane agreed, but first, they decided to do a short test film to see how it worked out and chose ''[[Where the Wild Things Are]]'', a decision based on the fact that Disney had considered producing a feature based on the works of [[Maurice Sendak]]. Satisfied with the result, Lasseter, Keane and executive Thomas L. Wilhite went on with the project, especially Lasseter who dedicated himself to it, while Keane eventually went on to work with ''[[The Great Mouse Detective]]'' (1986).<ref>{{cite news|last=Ghez|first=Didier|title=Interview with Glen Keane|url=http://www.pizarro.net/didier/_private/interviu/Keane.html|access-date=April 20, 2012|newspaper=The Ultimate Disney Books Network|date=May 2, 1997|url-status=dead|archive-url=https://web.archive.org/web/20120206025856/http://www.pizarro.net/didier/_private/interviu/Keane.html|archive-date=February 6, 2012|df=mdy-all}}</ref>

Lasseter and his colleagues unknowingly stepped on some of their direct superiors' toes by circumventing them in their enthusiasm to get the ''Where the Wild Things Are'' project into motion. The project was canceled while being pitched to two of Lasseter's supervisors, animation administrator Ed Hansen, and head of Disney studios, [[Ron W. Miller]], due to lack of perceived cost benefits for the mix of traditional and computer animation.<ref>{{cite news|last=Hill|first=Jim|title="To Infinity and Beyond!" is an entertaining look back at Pixar's first two decades|url=http://jimhillmedia.com/editor_in_chief1/b/jim_hill/archive/2007/11/29/to-infinity-and-beyond-is-an-entertaining-look-back-at-pixar-s-first-two-decades.aspx|access-date=April 20, 2012|newspaper=Jim Hill Media|date=November 28, 2007|archive-date=July 11, 2012|archive-url=https://web.archive.org/web/20120711192206/http://jimhillmedia.com/editor_in_chief1/b/jim_hill/archive/2007/11/29/to-infinity-and-beyond-is-an-entertaining-look-back-at-pixar-s-first-two-decades.aspx|url-status=live}}</ref> A few minutes after the meeting, Lasseter was summoned by Hansen to his office. As Lasseter recalled, Hansen told him, "Well, John, your project is now complete, so your employment with the Disney Studios is now terminated."<ref name="Paik">{{cite book|last=Paik|first=Karen|title=To Infinity and Beyond!: The Story of Pixar Animation Studios|date=2007|publisher=Chronicle Books|location=San Francisco|isbn=9780811850124|url=https://books.google.com/books?id=uDAGknVpUwgC&pg=PA40|access-date=November 1, 2015|archive-date=June 10, 2016|archive-url=https://web.archive.org/web/20160610144912/https://books.google.com/books?id=uDAGknVpUwgC&pg=PA40|url-status=live}}</ref>{{rp|40}} Wilhite, who was part of Disney's live-action group and therefore had no obligations to the animation studio, was able to arrange to keep Lasseter around temporarily until the ''Wild Things'' test project was complete in January 1984, but with the understanding there would be no further work for Lasseter at Disney Animation.<ref name="Paik" />{{rp|40}}<ref>{{cite web|url=https://variety.com/2008/more/reviews/inventing-the-movies-1200470938/|title=Inventing the Movies|first=Scott|last=Kirsner|date=September 6, 2008|access-date=June 9, 2018|archive-date=June 12, 2018|archive-url=https://web.archive.org/web/20180612144228/https://variety.com/2008/more/reviews/inventing-the-movies-1200470938/|url-status=live}}</ref> ''The Brave Little Toaster'' would later become [[The Brave Little Toaster|a 2D animated feature film]] directed by one of Lasseter's friends, [[Jerry Rees]], and co-produced by Wilhite (who had, by then, left to start [[Hyperion Pictures]]), and some of the staff of Pixar would be involved in the film alongside Lasseter.

===Lucasfilm and Pixar===
[[File:John Lasseter 2002.jpg|thumb|left|Lasseter in 2002]]
While putting together a crew for the planned feature, Lasseter had made some contacts in the computer industry, among them [[Alvy Ray Smith]] and [[Edwin Catmull|Ed Catmull]] at [[Pixar|Lucasfilm Computer Graphics Group]]. After being fired, and feeling glum knowing his employment with Disney was to end shortly,<ref name="Paik" />{{rp|40}} Lasseter visited a computer graphics conference in November 1983 at the ''[[RMS Queen Mary|Queen Mary]]'' in [[Long Beach, California|Long Beach]], where he met and talked to Catmull again.<ref name="Price">{{cite book|last=Price|first=David A.|title=The Pixar Touch: The Making of a Company|date=2009|publisher=Vintage Books|location=New York|isbn=9780307278296|url=https://books.google.com/books?id=6ium9aok5yMC&pg=PA45|access-date=April 11, 2016|archive-date=February 24, 2017|archive-url=https://web.archive.org/web/20170224111338/https://books.google.com/books?id=6ium9aok5yMC&pg=PA45|url-status=live}}</ref>{{rp|45}} Catmull inquired about ''The Brave Little Toaster'', which Lasseter explained had been shelved.<ref name="Schlender" /><ref name="Paik" />{{rp|40}} From his experience at Lucasfilm, Catmull assumed Lasseter was simply between projects since Hollywood studios have traditionally laid off employees when they lack enough productions to keep them busy.<ref name="Price" />{{rp|45}} Still devastated at being forced out of the only company he had ever wanted to work for, Lasseter could not find the strength to tell Catmull that he had been fired.<ref name="Schlender" /><ref name="Price" />{{rp|45}}

Catmull later telephoned Smith that day and mentioned that Lasseter was not working at Disney. Smith told Catmull to put down the phone and hire Lasseter right now.<ref name="Price" />{{rp|45}} Lasseter agreed instantly to work freelance with Catmull and his colleagues and joined them for a week of December 1983 on a project that resulted in their first computer-animated short: ''[[The Adventures of André & Wally B.]]'', meant to prove it was possible to do [[character animation]] on a computer. After his work on the ''Where the Wild Things Are''-test, Lasseter assumed hand-drawn characters in a CGI environment was the only way, but Catmull insisted it could be done, it was just that nobody had given it an attempt before. Because Catmull was not allowed to hire animators, he was given the title "Interface Designer";<ref>{{cite book|last=M. Buckley|first=A.|title=Pixar: The Company and Its Founders|year=2011|url=https://books.google.com/books?id=YenH2ahvGvcC&pg=PA27|access-date=April 20, 2012|page=27|isbn=9781617148101|archive-date=March 24, 2021|archive-url=https://web.archive.org/web/20210324060656/https://books.google.com/books?id=YenH2ahvGvcC&pg=PA27|url-status=live}}</ref><ref name="Schlender" /><ref>{{cite interview |interviewer=Jo Jürgens|title=John Lasseter - an interview, part 1 |url=http://www.norskanimasjon.no/pub/index.php/ffaf/john_lasseter_et_intervju_del_1|language=no| year=1996}}</ref> "Nobody knew what that was but they didn't question it in budget meetings".<ref name="Day" /> Lasseter spent a lot of time at Lucasfilm in the [[San Francisco Bay Area]] in the spring of 1984, where he worked together closely with Catmull and his team of computer science researchers.<ref name="Paik" />{{rp|40–41}} Lasseter learned how to use some of their software, and in turn, he taught the computer scientists about filmmaking, animation, and art.<ref name="Paik" />{{rp|40–41}} The short turned out to be more revolutionary than Lasseter first had visualized before he came to Lucasfilm. His original idea had been to create only the backgrounds on computers, but in the final short everything was computer-animated, including the characters.<ref name="Schlender">{{cite web|url=https://money.cnn.com/2006/05/15/magazines/fortune/pixar_futureof_fortune_052906/index.htm|last=Schlender|first=Brent|title=What will Pixar's John Lasseter do at Disney - May. 17, 2006|website=money.cnn.com|access-date=June 14, 2019|archive-date=July 15, 2012|archive-url=https://archive.today/20120715081233/http://money.cnn.com/2006/05/15/magazines/fortune/pixar_futureof_fortune_052906/index.htm|url-status=live}}</ref>

[[File:Ive Lasseter.jpg|thumb|Lasseter with [[Apple Inc.|Apple]] CDO [[Jony Ive]] at [[Macworld/iWorld]] in 2008]]

After the short CGI film was presented at [[SIGGRAPH]] in the summer of 1984, Lasseter returned to Los Angeles with the hope of directing ''The Brave Little Toaster'' at Hyperion Pictures.<ref name="Paik" />{{rp|45}} He soon learned that funding had fallen through and called Catmull with the bad news.<ref name="Paik" />{{rp|45}} Catmull called back with a job offer, and Lasseter joined Lucasfilm as a full-time employee in October 1984 and moved to the Bay Area.<ref name="Paik" />{{rp|45}} After that, he worked with [[Industrial Light & Magic|ILM]] on the special effects on ''[[Young Sherlock Holmes]]'',<ref>{{cite web |url=http://www.listal.com/list/the-history-of-cgi |title=The history of CGI list |publisher=Listal.com |date=2010-12-22 |access-date=2013-11-10 |archive-date=July 19, 2020 |archive-url=https://web.archive.org/web/20200719045821/https://www.listal.com/list/the-history-of-cgi |url-status=live }}</ref> where he made the first fully [[Computer-generated imagery|computer-generated]] photorealistic animated character, a knight composed of elements from a stained glass window.<ref name="milestones">{{cite web |url=http://www.filmsite.org/visualeffects12.html |title=Visual and Special Effects Film Milestones |publisher=Filmsite.org |access-date=2013-11-10 |archive-date=September 19, 2020 |archive-url=https://web.archive.org/web/20200919221010/https://www.filmsite.org/visualeffects12.html |url-status=live }}</ref> This effect was the first CGI character to be scanned and painted directly onto film using a laser.<ref name="milestones"/> Lasseter and Catmull's collaboration, which has since lasted over thirty years, would ultimately result in ''[[Toy Story]]'' (1995), which was the first-ever computer-animated [[feature film]]. Additionally, Lasseter created [[THX]]'s robot mascot Tex. He made his first appearance in 1996 with the original theatrical release of ''[[Independence Day (1996 film)|Independence Day]]''. Since then, Tex has appeared in some THX trailers.<ref>{{cite web|url=https://www.cinenow.fr/articles/5258-the-ultimate-toy-box|title=THE ULTIMATE TOY BOX: - CineNow}}</ref>

Due to [[George Lucas]]'s financially crippling divorce, he was forced to sell off Lucasfilm Computer Graphics, by this time renamed the Pixar Graphics Group, founded by Smith and Catmull, with Lasseter as one of the founding employees.<ref>{{cite web|url=https://www.fxguide.com/featured/alvy-ray-smith-rgba-the-birth-of-compositing-the-founding-of-pixar/|title=Alvy Ray Smith: RGBA, the birth of compositing & the founding of Pixar|date=July 5, 2012|access-date=June 9, 2018|archive-date=June 12, 2018|archive-url=https://web.archive.org/web/20180612140415/https://www.fxguide.com/featured/alvy-ray-smith-rgba-the-birth-of-compositing-the-founding-of-pixar/|url-status=live}}</ref> It was spun off as a separate corporation with [[Apple Inc.|Apple]] co-founder [[Steve Jobs]] as its majority shareholder in 1986. Over the next 10 years, Pixar evolved from a computer company that did animation work on the side into an animation studio. Lasseter oversaw all of Pixar's films and associated projects as executive producer. As well as ''Toy Story'', he also personally directed ''[[A Bug's Life]]'' (1998), ''[[Toy Story 2]]'' (1999), ''[[Cars (film)|Cars]]'' (2006), and ''[[Cars 2]]'' (2011).

He has won two [[Academy Awards]], for [[Academy Award for Best Animated Short Film|Animated Short Film]] (''Tin Toy''), as well as a [[Special Achievement Academy Award|Special Achievement Award]] (''Toy Story'').<ref name="imdb-awards"/> Lasseter has been nominated on four other occasions—in the category of [[Academy Award for Best Animated Feature|Animated Feature]], for both ''[[Monsters, Inc.]]'' (2001) and ''Cars'', in the [[Academy Award for Best Original Screenplay|Original Screenplay]] category for ''Toy Story'' and in the Animated Short category for ''[[Luxo, Jr.]]'' (1986)—while the short ''[[Knick Knack]]'' (1989) was selected by [[Terry Gilliam]] as one of the ten best animated films of all time.<ref name="The Guardian">{{cite news | last=Gilliam | first=Terry | title=Terry Gilliam Picks the Ten Best Animated Films of All Time | newspaper=The Guardian | date=April 27, 2001 | url=http://film.guardian.co.uk/features/featurepages/0,,479022,00.html | access-date=June 7, 2008 | archive-date=October 10, 2020 | archive-url=https://web.archive.org/web/20201010091214/https://www.theguardian.com/film/2001/apr/27/culture.features1/ | url-status=live }}</ref> In 2008, he was honored with the [[Winsor McCay Award]], the lifetime achievement award for animators.

=== Return to Disney ===
[[File:George Lucas 66ème Festival de Venise (Mostra).jpg|thumb|Lasseter with [[George Lucas]] at the [[Venice Film Festival]] in [[66th Venice International Film Festival|2009]]]]
Disney announced that it would be purchasing Pixar in January 2006, and Lasseter was named the chief creative officer of both Pixar and Walt Disney Feature Animation, the latter of which he renamed [[Walt Disney Animation Studios]].<ref name="Day" /> Lasseter was also named principal creative adviser at [[Walt Disney Imagineering]], where he helped design attractions for [[Walt Disney Parks and Resorts|Disney Parks]]. He oversaw all of Walt Disney Animation Studios' films and associated projects as executive producer. He reported directly to Disney Chairman and CEO [[Bob Iger]], bypassing Disney's studio and theme park executives. He also received green-light power on films with [[Roy E. Disney]]'s consent.

In December 2006, Lasseter announced that Disney Animation would start producing animated shorts – 2D, CGI, or a combination of both – that would be released theatrically. Lasseter said he sees this medium as an excellent way to train and discover new talent in the company as well as a testing ground for new techniques and ideas.<ref>{{cite news|last=Solomon|first=Charles|title=Disney tries out new talent in an old form, the cartoon short – Business – International Herald Tribune|url=https://www.nytimes.com/2006/12/03/business/worldbusiness/03iht-disney.3755522.html|access-date=April 20, 2012|newspaper=The New York Times|date=December 3, 2006|archive-date=May 1, 2011|archive-url=https://web.archive.org/web/20110501181233/http://www.nytimes.com/2006/12/03/business/worldbusiness/03iht-disney.3755522.html|url-status=live}}</ref>

In June 2007, Catmull and Lasseter were given control of [[Disneytoon Studios]], a division of Walt Disney Animation Studios housed in a separate facility in Glendale. As president and chief creative officer, respectively, they have supervised three separate studios for Disney, each with its own production pipeline: Pixar, Disney Animation, and Disneytoon. While Disney Animation and Disneytoon are located in the Los Angeles area, Pixar is located over 350 miles (563 kilometers) northwest in the Bay Area, where Catmull and Lasseter both live. Accordingly, they appointed a [[general manager]] for each studio to manage day-to-day business affairs, then established a routine of spending at least two days per week (usually Tuesdays and Wednesdays) in Southern California.<ref>{{cite news|last1=Lev-Ram|first1=Michal|title=A candid conversation with Pixar's philosopher-king, Ed Catmull|url=http://fortune.com/2014/12/31/pixar-head-ed-catmull/|access-date=January 11, 2015|work=Fortune|publisher=Time Inc.|date=December 31, 2014|archive-date=January 11, 2015|archive-url=https://web.archive.org/web/20150111141945/http://fortune.com/2014/12/31/pixar-head-ed-catmull/|url-status=live}}</ref>

Lasseter is a close friend and admirer of Japanese animator [[Hayao Miyazaki]], whom he first met when [[TMS Entertainment]] sent a delegation of animators to the Disney studio in 1981 and showed a clip from Miyazaki's first feature film, ''[[The Castle of Cagliostro]]'' (1979).<ref name="Brzeski">{{cite news|last1=Brzeski|first1=Patrick|title=John Lasseter Pays Emotional Tribute to Hayao Miyazaki at Tokyo Film Festival|url=http://www.hollywoodreporter.com/news/john-lasseter-pays-emotional-tribute-743635|access-date=November 10, 2014|work=The Hollywood Reporter|publisher=Prometheus Global Media|date=October 24, 2014|archive-date=May 9, 2017|archive-url=https://web.archive.org/web/20170509210432/http://www.hollywoodreporter.com/news/john-lasseter-pays-emotional-tribute-743635|url-status=live}}</ref> Lasseter was so deeply moved that in 1985 he insisted on showing that clip and other examples of Miyazaki's work after dinner to a woman he had just met (who would become his wife).<ref name="Brzeski" /> He visited Miyazaki during his first trip to Japan in 1987 and saw drawings for ''[[My Neighbor Totoro]]'' (1988).<ref name="Brzeski" /> After Lasseter became a successful director and producer at Pixar, he went on to serve as executive producer on several of Miyazaki's films for their release in the United States and oversaw the translation and [[dubbing]] of their English language soundtracks.<ref name="Brzeski" /> In addition, the forest spirit Totoro from ''My Neighbor Totoro'' makes an appearance as a plush toy in ''[[Toy Story 3]]'' (2010).

Lasseter is a member of the [[Academy of Motion Picture Arts and Sciences]] and served nine consecutive years on its board of governors from 2005 to 2014 when he had to relinquish his seat due to term limits.<ref name="Kilday">{{cite news|last1=Kilday|first1=Gregg|title=Academy: Cheryl Boone Isaacs Reelected as President|url=http://www.hollywoodreporter.com/news/academy-cheryl-boone-isaacs-reelected-723649|access-date=August 11, 2014|work=The Hollywood Reporter|publisher=Prometheus Global Media LLC|date=August 5, 2014|archive-date=August 12, 2014|archive-url=https://web.archive.org/web/20140812053858/http://www.hollywoodreporter.com/news/academy-cheryl-boone-isaacs-reelected-723649|url-status=live}}</ref> His last position on the board was as first vice president.<ref name="Kilday" />

Lasseter received a star on the [[Hollywood Walk of Fame]] in Hollywood in 2011, located at 6834 Hollywood Boulevard.<ref>{{cite news|last=Sperling|first=Nicole|title=John Lasseter receives star on the Hollywood Walk of Fame|url=http://latimesblogs.latimes.com/movies/2011/11/john-lasseter-receives-star-on-the-walk-of-fame.html|access-date=April 20, 2012|newspaper=Los Angeles Times|date=November 1, 2011|archive-date=April 1, 2012|archive-url=https://web.archive.org/web/20120401030611/http://latimesblogs.latimes.com/movies/2011/11/john-lasseter-receives-star-on-the-walk-of-fame.html|url-status=live}}</ref>

===Allegations of sexual misconduct and exit from Disney and Pixar===
{{See also|Weinstein effect}}
In November 2017, Lasseter took a six-month leave of absence after acknowledging allegations of workplace [[sexual misconduct]] that he described as "missteps" with employees in a memo to staff.<ref name="hollywoodreporter_20171121B" /> The alleged sexual misconduct toward multiple employees over a number of years included "grabbing, kissing, [and] making comments about physical attributes".<ref name="hollywoodreporter_20171121A">{{cite news|url=https://www.hollywoodreporter.com/news/john-lasseters-pattern-alleged-misconduct-detailed-by-disney-pixar-insiders-1059594|title=John Lasseter's Pattern of Alleged Misconduct Detailed by Disney/Pixar Insiders|last=Masters|first=Kim|date=November 21, 2017|work=The Hollywood Reporter|access-date=November 24, 2017|archive-date=November 21, 2017|archive-url=https://web.archive.org/web/20171121205514/https://www.hollywoodreporter.com/news/john-lasseters-pattern-alleged-misconduct-detailed-by-disney-pixar-insiders-1059594|url-status=live}}</ref><ref name="washingtonpost_20171121A">{{cite news|url=https://www.washingtonpost.com/news/business/wp/2017/11/21/disney-animation-guru-john-lasseter-takes-leave-after-sexual-misconduct-allegations/|title=Disney animation guru John Lasseter takes leave after sexual misconduct allegations|last=Zeitchik|first=Steven|date=November 21, 2017|newspaper=The Washington Post|access-date=November 21, 2017|archive-date=June 12, 2018|archive-url=https://web.archive.org/web/20180612143555/https://www.washingtonpost.com/news/business/wp/2017/11/21/disney-animation-guru-john-lasseter-takes-leave-after-sexual-misconduct-allegations/|url-status=live}}</ref> The alleged sexual misconduct became so well-known that, according to ''[[Variety (magazine)|Variety]]'', at various times, Pixar had "minders who were tasked with reining in his impulses".<ref name="ExitDisney">{{Cite news|url=https://variety.com/2018/film/news/disney-john-lasseter-harassment-bob-iger-1202734060/|title=John Lasseter Will Exit Disney at the End of the Year|work=Variety|access-date=2018-07-01|archive-date=January 29, 2019|archive-url=https://web.archive.org/web/20190129171352/https://variety.com/2018/film/news/disney-john-lasseter-harassment-bob-iger-1202734060/|url-status=live}}</ref>

In June 2018, Disney announced that Lasseter was leaving the company at the end of the year, taking a consulting role until then.<ref name="Barnes">{{Cite news|url=https://www.cnbc.com/2018/06/08/pixar-co-founder-john-lasseter-to-leave-disney-after-missteps.html|title=Pixar co-founder to leave Disney after 'missteps'|last=Barnes|first=Brooks|date=2018-06-08|work=CNBC|access-date=2018-06-09|archive-date=June 10, 2018|archive-url=https://web.archive.org/web/20180610011948/https://www.cnbc.com/2018/06/08/pixar-co-founder-john-lasseter-to-leave-disney-after-missteps.html|url-status=live}}</ref><ref>{{Cite news |last=Press |first=Associated |date=2018-06-09 |title=Pixar's John Lasseter steps down from Disney in wake of #MeToo |url=https://www.theguardian.com/film/2018/jun/09/pixars-john-lasseter-steps-down-from-disney-in-wake-of-metoo |access-date=2024-12-30 |work=The Guardian |language=en-GB |issn=0261-3077}}</ref>

===Skydance Animation===
On January 9, 2019, Lasseter was hired to head [[Skydance Animation]], a new animation division of [[Skydance Media]] formed in 2017.<ref name="SkyDAnim">{{Cite web|url=https://www.hollywoodreporter.com/heat-vision/john-lasseter-lead-animation-skydance-1174878|title=John Lasseter to Head Animation for Skydance|website=The Hollywood Reporter|date=January 9, 2019|access-date=January 9, 2019|archive-date=January 10, 2019|archive-url=https://web.archive.org/web/20190110011111/https://www.hollywoodreporter.com/heat-vision/john-lasseter-lead-animation-skydance-1174878|url-status=live}}</ref><ref>{{cite news |last1=McNary |first1=Dave |title=David Ellison's Skydance Launching Animation Division With Spain's Ilion |url=https://variety.com/2017/film/news/david-ellison-skydance-animation-division-spain-ilion-1202009938/ |access-date=March 3, 2024 |work=Variety |date=March 16, 2017}}</ref> In a statement, Lasseter said "I have spent the last year away from the industry in deep reflection, learning how my actions unintentionally made colleagues uncomfortable, which I deeply regret and apologize for. It has been humbling, but I believe it will make me a better leader."<ref name="SkyDAnim" /> An investigation conducted prior to his hiring found that no previous claims of sexual assault, propositioning or harassment had been filed against Lasseter,<ref name="SkydanceMeeting">{{cite web|url=https://deadline.com/2019/01/john-lasseter-skydance-town-hall-apology-sexual-harassment-1202534949/|title=John Lasseter Expresses Deep Sorrow & Shame About Past Actions At Emotional Skydance Animation Town Hall|website=[[Deadline Hollywood]]|date=January 14, 2019|access-date=July 6, 2020|archive-date=July 6, 2020|archive-url=https://web.archive.org/web/20200706144815/https://deadline.com/2019/01/john-lasseter-skydance-town-hall-apology-sexual-harassment-1202534949/|url-status=live}}</ref> and "[...] there were no findings of secret settlements by Disney or Lasseter to any parties asking for a settlement."<ref name="SkydanceMeeting" /> In his role at Skydance, Lasseter serves as producer on all feature films and executive producer on all series, along with Skydance Media CEO [[David Ellison]].<ref>{{Cite web|last=D'Alessandro|first=Anthony|date=February 17, 2021|title=Apple & Skydance Animation Set Multi-Year Feature Film & TV Deal|url=https://deadline.com/2021/02/apple-skydance-animation-set-multi-year-feature-tv-deal-1234695506/|access-date=January 7, 2024|website=[[Deadline Hollywood]]|language=en-US}}</ref>

==Personal life==
[[File:Annie Awards johnlasseter and wife brighter.jpg|thumb|right|upright|John Lasseter with his wife Nancy Lasseter at the 2006 [[Annie Awards]] red carpet at the [[Alex Theatre]] in [[Glendale, California]]]]
Lasseter lives in [[Glen Ellen, California]], with his wife Nancy, a graduate of [[Carnegie Mellon University]], whom he met at a computer graphics conference in San Francisco in 1985.<ref>{{cite web|url=http://www.pressdemocrat.com/news/2293889-181/lasseter-winery-coming-into-its?gallery=2356369&artslide=0|title=Lasseter winery coming into its own|date=September 24, 2011|access-date=June 9, 2018|archive-date=June 12, 2018|archive-url=https://web.archive.org/web/20180612142219/http://www.pressdemocrat.com/news/2293889-181/lasseter-winery-coming-into-its?gallery=2356369&artslide=0|url-status=live}}</ref> Nancy majored in computer graphics applications, and previously worked as a computer graphics engineer at [[Apple Inc.|Apple Computer]].<ref name=SATrustees /> They married in 1988,<ref name="Guardian3D"/> and have four sons together in addition to Nancy's son from a previous relationship,<ref name=SATrustees>{{cite web|title=Trustees of Sonoma Academy 2011–12|url=http://www.sonomaacademy.org/about-us/trustees/index.aspx|publisher=Sonoma Academy|access-date=December 25, 2013|archive-date=December 27, 2013|archive-url=https://web.archive.org/web/20131227062928/http://www.sonomaacademy.org/about-us/trustees/index.aspx|url-status=dead}}</ref><ref name=SKDayLife>{{cite news|title=VIDEO: 'A Day in the Life of John Lasseter' Read more: VIDEO: 'A Day in the Life of John Lasseter'|url=http://www.stitchkingdom.com/disney-video-a-day-life-john-lasseter-16887/|access-date=March 8, 2012|newspaper=Stitch Kingdom|date=July 12, 2011|archive-url=https://web.archive.org/web/20120322001730/http://www.stitchkingdom.com/disney-video-a-day-life-john-lasseter-16887/|archive-date=March 22, 2012|url-status=dead|df=mdy-all}}</ref> born between {{Birth based on age as of date|18|1998|11|23|noage=1}} and 1997.<ref name=SFGateGeneration>{{cite news|last=Swartz|first=Jon|title=Pixar's Lasseter – This Generation's Walt Disney|url=http://www.sfgate.com/business/article/Pixar-s-Lasseter-This-Generation-s-Walt-Disney-2976893.php|access-date=December 25, 2013|newspaper=SFGate|date=November 23, 1998|quote=Lasseter says he depends heavily on his and wife Nancy's "own test audience" of five sons – ages 16 months to 18.|archive-date=December 27, 2013|archive-url=https://web.archive.org/web/20131227021248/http://www.sfgate.com/business/article/Pixar-s-Lasseter-This-Generation-s-Walt-Disney-2976893.php|url-status=live}}</ref>

The Lasseters own [[Lasseter Family Winery]] in Glen Ellen, California.<ref>{{cite news|last=Boone|first=Virginie|title=Lasseter winery coming into its own|url=http://www.pressdemocrat.com/article/20110926/LIFESTYLE/110929716/1309?p=all&tc=pgall|access-date=October 7, 2011|newspaper=The Press Democrat|date=September 26, 2011|url-status=dead|archive-url=https://web.archive.org/web/20111005195437/http://www.pressdemocrat.com/article/20110926/LIFESTYLE/110929716/1309?p=all&tc=pgall|archive-date=October 5, 2011|df=mdy-all}}</ref> The property includes a narrow gauge railroad named the Justi Creek Railway, which is approximately {{convert|2|mi}} long, including a train station and water tower Lasseter purchased from former Disney animator [[Ward Kimball]].<ref name=SFC-160810>{{cite news |url=https://www.sfchronicle.com/outdoors/article/How-Pixar-wizard-s-love-of-trains-picked-up-9134306.php |title=How Pixar wizard's love of trains picked up steam |author=Hartlaub, Peter |date=10 August 2016 |newspaper=San Francisco Chronicle |archive-date=July 30, 2017 |archive-url=https://web.archive.org/web/20170730210907/http://www.sfchronicle.com/outdoors/article/How-Pixar-wizard-s-love-of-trains-picked-up-9134306.php |url-status=live }}</ref> Their residence has a swimming pool with a lazy river that runs through a cave.<ref name="Roper">{{cite magazine|last1=Roper|first1=Caitlin|title=Big Hero 6 Proves It: Pixar's Gurus Have Brought the Magic Back to Disney Animation|url=https://www.wired.com/2014/10/big-hero-6/|access-date=November 9, 2014|magazine=Wired|publisher=Condé Nast|date=October 21, 2014|archive-date=July 3, 2017|archive-url=https://web.archive.org/web/20170703222841/https://www.wired.com/2014/10/big-hero-6/|url-status=live}}</ref> Lasseter owns a collection of more than 1,000 [[Aloha shirt|Hawaiian shirts]] and wears one every day.<ref name="Roper" /> Lasseter also collects [[classic car]]s, such as a black 1952 [[Jaguar XK120]].<ref>{{cite news|last1=Keegan|first1=Rebecca|title=Animated – and driven: For John Lasseter, Pixar's boyish visionary, 'Cars 2' is a gearhead's dream|url=https://www.latimes.com/archives/la-xpm-2011-jun-19-la-ca-pixar-20110619-story.html|access-date=November 19, 2014|work=Los Angeles Times|date=June 19, 2011|archive-date=October 24, 2014|archive-url=https://web.archive.org/web/20141024055258/http://articles.latimes.com/2011/jun/19/entertainment/la-ca-pixar-20110619|url-status=live}}</ref>

On May 2, 2009, Lasseter received an honorary doctorate from [[Pepperdine University]],<ref name="Graduating Class">{{cite news|title=John Lasseter Addresses Graduating Class at Seaver College Commencement Ceremony|url=http://www.pepperdine.edu/pr/events/2009/april/seaver-graduation-09.htm|publisher=[[Pepperdine University]] |date=April 2009 |access-date=June 9, 2011 |archive-date=June 16, 2011 |archive-url=https://web.archive.org/web/20110616042002/http://www.pepperdine.edu/pr/events/2009/april/seaver-graduation-09.htm |url-status=dead}}</ref> where he delivered the commencement address.

His influences include [[Walt Disney]], [[Chuck Jones]], [[Frank Capra]], [[Hayao Miyazaki]], and [[Preston Sturges]].<ref>{{cite web |url= http://artsbeat.blogs.nytimes.com/2011/11/01/pixars-john-lasseter-answers-your-questions/?_php=true&_type=blogs&_r=0/ |author= Goodman, Stephanie |date= November 1, 2011 |title= 'Pixar's John Lasseter Answers Your Questions' |publisher= Arts Beat |access-date= February 20, 2014 |archive-date= February 27, 2014 |archive-url= https://web.archive.org/web/20140227005211/http://artsbeat.blogs.nytimes.com/2011/11/01/pixars-john-lasseter-answers-your-questions/?_php=true&_type=blogs&_r=0%2F |url-status= live }}</ref> Lasseter's favorite film is Walt Disney's ''[[Dumbo]]'' (1941).<ref>{{Cite news|url=https://editorial.rottentomatoes.com/article/five-favorite-films-with-john-lasseter/|title=Five Favorite Films with John Lasseter|access-date=2017-07-15|language=en-US|archive-date=April 30, 2019|archive-url=https://web.archive.org/web/20190430052625/https://editorial.rottentomatoes.com/article/five-favorite-films-with-john-lasseter/|url-status=live}}</ref>

==Filmography==

===Films===
{| class="wikitable"
! rowspan="2"|Year
! rowspan="2"|Film
! colspan="6"|Credited as
|-
! [[Film director|Director]]
! [[WGA screenwriting credit system|(Original)<br>Story by]]
! [[Film producer|Producer]]
! Other
! [[Voice acting|Voice]]
! Notes
|-
| 1981
| ''[[The Fox and the Hound]]''
| {{no}}
| {{No}}
| {{no}}
| {{Yes}}
|
| [[Animator]] - uncredited <ref>{{cite web|last1=Learoyd|first1=Joseph|url=https://headstuff.org/entertainment/film/the-fox-and-the-hound/|title=The Fox And The Hound {{!}} Celebrating 40 Years Of Furry Friendship|date=October 3, 2021|website=HeadStuff|language=en-GB|access-date=July 30, 2022}}</ref><ref>{{Cite web|url=https://www.youtube.com/watch?v=956dbKTACTA|title=Pixar John Lasseter Part 1|website=[[YouTube]]|date=January 21, 2017|access-date=July 30, 2022}}</ref>
|-
| 1985
| ''[[Young Sherlock Holmes]]''
| {{no}}
| {{No}}
| {{no}}
| {{Yes}}
|
| Computer Animation: [[Industrial Light & Magic]]
|-
| 1995
| ''[[Toy Story]]''
| {{Yes}}
| {{Yes}}
| {{No}}
| {{Yes}}
| Commercial Chorus 1
| Modeling and Animation System Development
|-
| 1998
| ''[[A Bug's Life]]''
| {{Yes}}
| {{Yes}}
| {{No}}
| {{Yes}}
| Harry<br />Singing Grasshopper 1
| <ref name=voices>{{cite web|title=Beloved Pixar Characters Voiced by Pixar Filmmakers|url=https://ohmy.disney.com/movies/2016/08/26/beloved-pixar-characters-voiced-by-pixar-filmmakers/|publisher=Oh My Disney|access-date=May 28, 2017|date=August 26, 2016|archive-date=September 22, 2017|archive-url=https://web.archive.org/web/20170922003903/https://ohmy.disney.com/movies/2016/08/26/beloved-pixar-characters-voiced-by-pixar-filmmakers/|url-status=live}}</ref>
|-
| 1999
| ''[[Toy Story 2]]''
| {{Yes}}
| {{Yes}}
| {{No}}
| {{Yes}}
| [[Rock 'Em Sock 'Em Robots|Blue Bomber]]
| <ref name=voices/>
|-
| 2001
| ''[[Monsters, Inc.]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| 2002
| ''[[Spirited Away]]''
| {{No}}
| {{No}}
| {{Partial|Executive}}
| {{No}}
|
| US Version
|-
| 2003
| ''[[Finding Nemo]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| 2004
| ''[[The Incredibles]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| rowspan="2" | 2005
| ''[[Howl's Moving Castle (film)|Howl's Moving Castle]]''
| {{No}}
| {{No}}
| {{Partial|Executive}}
| {{No}}
|
| US Version
|-
| ''[[Porco Rosso]]''
| {{no}}
| {{No}}
| {{No}}
| {{Yes}}
|
| Executive Creative Consultant: 2005 US Version
|-
| rowspan="2"| 2006
| ''[[Cars (film)|Cars]]''
| {{Yes}}
| {{Yes}}
| {{No}}
| {{Yes}}
|
| Screenplay
|-
| ''[[Tales from Earthsea (film)|Tales from Earthsea]]''
| {{No}}
| {{No}}
| {{Partial|Executive}}
| {{No}}
|
| US Version<ref name=THREarthsea>{{cite news|last=Honeycutt|first=Kirk|title=Tales From Earthsea – Film Review|url=http://www.hollywoodreporter.com/review/tales-earthsea-film-review-29875|access-date=December 27, 2013|newspaper=The Hollywood Reporter|date=October 14, 2010|archive-date=November 4, 2013|archive-url=https://web.archive.org/web/20131104124614/http://www.hollywoodreporter.com/review/tales-earthsea-film-review-29875|url-status=live}}</ref>
|-
| rowspan="2"| 2007
| ''[[Meet the Robinsons]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| ''[[Ratatouille (film)|Ratatouille]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Executive Team
|-
| rowspan="3"| 2008
| ''[[WALL-E]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Pixar Senior Creative Team
|-
| ''[[Tinker Bell (film)|Tinker Bell]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| ''[[Bolt (2008 film)|Bolt]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| rowspan="4"| 2009
| ''[[Up (2009 film)|Up]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Pixar Senior Creative Team
|-
| ''[[Ponyo]]''
| {{No}}
| {{No}}
| {{Partial|Executive}}
| {{Yes}}
|
| Director: English Dub, US Version
|-
| ''[[Tinker Bell and the Lost Treasure]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| ''[[The Princess and the Frog]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| rowspan="3"| 2010
| ''[[Toy Story 3]]''
| {{No}}
| {{Yes}}
| {{Yes|Executive}}
| {{Yes}}
|
| Pixar Senior Creative Team
|-
| ''[[Tinker Bell and the Great Fairy Rescue]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| ''[[Tangled]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| rowspan="2"| Studio Leadership
|-
| rowspan="4"| 2011
| ''[[Winnie the Pooh (2011 film)|Winnie the Pooh]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
|-
| ''[[Cars 2]]''
| {{Yes}}
| {{Yes}}
| {{No}}
| {{Yes}}
| Galloping Geargrinder<ref>{{cite web|title=A 'Cars 2' Sneak Peek from the 'Cars' Franchise Guardian|url=https://disneyparks.disney.go.com/blog/2011/06/a-cars-2-sneak-peek-from-the-cars-franchise-guardian/|publisher=Oh My Disney|access-date=September 12, 2020|date=June 23, 2011|archive-date=March 24, 2021|archive-url=https://web.archive.org/web/20210324060653/https://disneyparks.disney.go.com/blog/2011/06/a-cars-2-sneak-peek-from-the-cars-franchise-guardian/|url-status=dead}}</ref><br />John Lassetire<br />Fuzzy Dice Casino Car
| Pixar Senior Creative Team
|-
| ''[[The Lion King (1994 film)|The Lion King]]''
| {{no}}
| {{No}}
| {{Partial|Executive}}
| {{No}}
|
| rowspan="2"| 3D Version
|-
| ''[[Beauty and the Beast (1991 film)|Beauty and the Beast]]''
| {{no}}
| {{No}}
| {{Partial|Executive}}
| {{No}}
|
|-
| rowspan="3"| 2012
| ''[[Brave (2012 film)|Brave]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Pixar Senior Creative Team
|-
| ''[[Secret of the Wings]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| ''[[Wreck-It Ralph]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Studio Leadership
|-
| rowspan="4"| 2013
| ''[[Monsters University]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Pixar Senior Creative Team
|-
| ''[[Planes (film)|Planes]]''
| {{No}}
| {{Yes}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| ''[[The Little Mermaid (1989 film)|The Little Mermaid]]''
| {{no}}
| {{No}}
| {{Partial|Executive}}
| {{No}}
|
| 3D Version
|-
| ''[[Frozen (2013 film)|Frozen]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Studio Leadership
|-
| rowspan="4"| 2014
| ''[[The Pirate Fairy]]''
| {{No}}
| {{Yes}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| ''[[Planes: Fire & Rescue]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| ''[[Big Hero 6 (film)|Big Hero 6]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Studio Leadership
|-
| ''[[Tinker Bell and the Legend of the NeverBeast]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{No}}
|
|
|-
| rowspan="2"| 2015
| ''[[Inside Out (2015 film)|Inside Out]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| rowspan="2"| Pixar Senior Creative Team
|-
| ''[[The Good Dinosaur]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
|-
| rowspan="3"| 2016
| ''[[Zootopia]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Studio Leadership
|-
| ''[[Finding Dory]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Pixar Senior Creative Team
|-
| ''[[Moana (2016 film)|Moana]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Studio Leadership
|-
| rowspan="2"| 2017
| ''[[Cars 3]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| rowspan="3"| Pixar Senior Creative Team
|-
| ''[[Coco (2017 film)|Coco]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
|-
| rowspan="2"| 2018
| ''[[Incredibles 2]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
|-
| ''[[Ralph Breaks the Internet]]''
| {{No}}
| {{No}}
| {{Yes|Executive}}
| {{Yes}}
|
| Studio Leadership - uncredited<ref>{{cite web|last1=Cavanaugh|first1=Patrick|title='Ralph Breaks the Internet' Producer Details Film's Release Date Delays|url=https://comicbook.com/movies/news/ralph-breaks-the-internet-release-delayed-reasons/|website=ComicBook|access-date=April 16, 2022|date=November 6, 2018}}</ref>
|-
| 2019
|''[[Toy Story 4]]''
| {{No|Removed}}
| {{Yes}}
| {{No}}
| {{No}}
|
|<ref>{{cite web|last1=Amidi|first1=Amid|title=Why Did John Lasseter Step Down From Directing 'Toy Story 4'?|url=https://www.cartoonbrew.com/pixar/john-lasseter-step-directing-toy-story-4-152373.html|publisher=[[Cartoon Brew]]|access-date=March 6, 2022|date=July 17, 2017}}</ref><ref>{{cite web|url= http://www.insidethemagic.net/2017/07/d23-expo-2017-toy-story-4-gets-new-director-new-characters-including-paper-doll-lulu/|title= D23 EXPO 2017: "Toy Story 4" gets new director, new characters including paper doll Lulu|last= Celestino|first= Mike|date= July 14, 2017|work= Inside the Magic|access-date= July 14, 2017|archive-date= August 8, 2018|archive-url= https://web.archive.org/web/20180808112528/https://insidethemagic.net/2017/07/d23-expo-2017-toy-story-4-gets-new-director-new-characters-including-paper-doll-lulu/|url-status= live}}</ref>
|-
| 2022
| ''[[Luck (2022 film)|Luck]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
|
|
|-
| 2024
| ''[[Spellbound (2024 film)|Spellbound]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{Yes}}
|
| Additional Literary Materials
|-
| 2025
| ''[[Pookoo]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
|
| <ref>{{cite web|first=Jill|last=Goldsmith|title=Skydance Media Acquires Animation Unit Of Madrid-Based Ilion Studios|url=https://deadline.com/2020/04/skydance-media-acquires-animation-unit-madrid-ilion-studios-1202901357/|date=April 6, 2020|website=[[Deadline Hollywood]]|publisher=[[Penske Media Corporation]]|access-date=June 20, 2020|archive-date=March 24, 2021|archive-url=https://web.archive.org/web/20210324060733/https://deadline.com/2020/04/skydance-media-acquires-animation-unit-madrid-ilion-studios-1202901357/|url-status=live}}</ref>
|-
| rowspan="3" | TBA
| ''[[Ray Gunn]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
|
| <ref>{{cite web|first=Mike Jr.|last=Fleming|url=https://deadline.com/2022/02/brad-bird-ray-gunn-skydance-animation-the-incredibles-directs-his-animated-film-creation-1234935520/|title=Skydance Animation Brings 'The Incredibles' Brad Bird Into Fold To Direct His Animated Film Creation 'Ray Gunn'|website=[[Deadline Hollywood]]|date=February 17, 2022|access-date=February 17, 2022}}</ref>
|-
| Untitled [[Jack and the Beanstalk]] project
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
|
| <ref name="DeadlineNetflix">{{cite web|title=Netflix Sets Skydance Animation In Multi-Year Deal, First Up Is Alan Menken Musical 'Spellbound;' Rachel Zegler, Nicole Kidman, Javier Bardem Star|url=https://deadline.com/2023/10/netflix-pacts-skydance-animation-in-multi-year-deal-alan-menken-musical-spellbound-rachel-zegler-nicole-kidman-javier-bardem-star-1235577207/|website=[[Deadline Hollywood]]|last=Fleming|first=Mike Jr.|date=October 18, 2023|access-date=October 18, 2023}}</ref>
|-
| Untitled [[Skydance Animation]]/[[Don Hall (filmmaker)|Don Hall]] project
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
|
| <ref>{{cite web |last1=Grobar |first1=Matt |title=‘Raya And The Last Dragon’s Don Hall Developing Original Animated Feature For Skydance Animation |url=https://deadline.com/2024/06/don-hall-skydance-animation-teaming-to-develop-original-animated-feature-1235958748/ |website=Deadline |access-date=4 June 2024 |date=4 June 2024}}</ref>
|}

===Shorts===
{| class="wikitable"
! rowspan="2"|Year
! rowspan="2"|Film
! colspan="7"|Credited as
|-
! [[Film director|Director]]
! [[WGA screenwriting credit system|(Original)<br>Story by]]
! [[Executive producer|Executive<br>Producer]]
! [[Animator]]
! [[Modeler]]
! Other
! Notes
|-
| 1979
|''Lady and the Lamp''<ref name="AVPixarShortsVol2">{{cite web|url=http://animatedviews.com/2012/pixar-short-films-collection-volume-2/|title=Pixar Short Films Collection: Volume 2|last1=Simon|first1=Ben|date=December 27, 2012|publisher=Animated Views|access-date=February 26, 2017|archive-date=February 27, 2017|archive-url=https://web.archive.org/web/20170227063204/http://animatedviews.com/2012/pixar-short-films-collection-volume-2/|url-status=live}}</ref>
| {{Yes}}
| {{Yes}}
| {{Yes|Producer}}
| {{Yes}}
| {{No}}
| {{No}}
| rowspan="2" |Student Films; [[Film producer|Producer]]
|-
| 1980
|''Nitemare''<ref name="AVPixarShortsVol2" />
| {{Yes}}
| {{Yes}}
| {{Yes|Producer}}
| {{Yes}}
| {{No}}
| {{No}}
|-
| 1983
| align="left"| ''[[Mickey's Christmas Carol]]''
| {{No}}
| {{No}}
| {{No}}
| {{No}}
| {{No}}
| {{Yes}}
| Creative Talent
|-
| 1984
| ''[[The Adventures of André & Wally B.]]''
| {{No}}
| {{No}}
| {{No}}
| {{Yes}}
| {{Yes}}
| {{Yes}}
| Character Designer
|-
| 1986
| ''[[Luxo Jr.]]''
| {{Yes}}
| {{Yes}}
| {{Yes|Producer}}
| {{Yes}}
| {{Yes}}
| {{Yes}}
| Designer
|-
| 1987
| ''[[Red's Dream]]''
| {{Yes}}
| {{Yes}}
| {{No}}
| {{Yes}}
| {{Yes}}
| {{No}}
|
|-
| 1988
| ''[[Tin Toy]]''
| {{Yes}}
| {{Yes}}
| {{No}}
| {{Yes}}
| {{Yes}}
| {{No}}
|
|-
| 1989
| ''[[Knick Knack]]''
| {{Yes}}
| {{Yes}}
| {{No}}
| {{Yes}}
| {{Yes}}
| {{No}}
| A Film By
|-
| 1991
| ''[[Light & Heavy (film)|Light & Heavy]]''
| {{Yes}}
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
|
|-
| 1997
| ''[[Geri's Game]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| 1998
| ''[[It's Tough to Be a Bug!]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
| Theme park film
|-
| 2000
| ''[[For the Birds (film)|For the Birds]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| 2002
| ''[[Mike's New Car]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="2" | 2003
| ''[[Exploring the Reef with Jean-Michel Cousteau|Exploring the Reef]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Boundin']]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="2" | 2005
| ''[[Jack-Jack Attack]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[One Man Band (film)|One Man Band]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="2" | 2006
| ''[[Mater and the Ghostlight]]''
| {{Yes}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Lifted (2006 film)|Lifted]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="2" | 2007
| ''[[Your Friend the Rat]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[How to Hook Up Your Home Theater]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="3" | 2008
| ''[[Presto (film)|Presto]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Glago's Guest]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[BURN-E]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| 2008–14
| ''[[Cars Toons]]''
| {{Yes}}
| {{Yes}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="3" | 2009
| ''[[Super Rhino]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Partly Cloudy]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Dug's Special Mission]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="3" | 2010
| ''[[Day & Night (2010 film)|Day & Night]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''Tick Tock Tale''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Prep & Landing: Operation: Secret Santa]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
| TV short film
|-
| rowspan="4" | 2011
| ''[[Hawaiian Vacation|Toy Story Toons: Hawaiian Vacation]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[The Ballad of Nessie]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[La Luna (2011 film)|La Luna]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Small Fry (film)|Toy Story Toons: Small Fry]]''
| {{No}}
| {{Yes}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="4" | 2012
| ''[[Tangled Ever After]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Partysaurus Rex|Toy Story Toons: Partysaurus Rex]]''
| {{No}}
| {{Yes}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Paperman]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[The Legend of Mor'du]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="4" | 2013
| ''[[The Blue Umbrella (2013 film)|The Blue Umbrella]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Party Central]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Pixie Hollow Bake Off]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
| TV short film
|-
| ''[[Get a Horse!]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="3" | 2014
| ''[[Lava (2014 film)|Lava]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
|''[[Cars (franchise)#Vitaminamulch: Air Spectacular (2014)|Vitaminamulch: Air Spectacular]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
|''[[Feast (2014 film)|Feast]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="3" | 2015
|''[[Frozen Fever]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Riley's First Date?]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
|''[[Sanjay's Super Team]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="2" | 2016
| ''[[Piper (film)|Piper]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Inner Workings]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| rowspan="4" | 2017
| ''[[Moana (2016 film)#Home media|Gone Fishing]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Lou (2017 film)|Lou]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Cars (franchise)#Miss Fritter's Racing Skoool (2017)|Miss Fritter's Racing Skoool]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| ''[[Olaf's Frozen Adventure]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
| Featurette
|-
| 2018
| ''[[Bao (film)|Bao]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
|
|-
| 2021
| ''[[Blush (2021 film)|Blush]]''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{Yes}}
| Logo and End Credit Designer
|-
| 2023
| ''Bad Luck Spot!''
| {{No}}
| {{No}}
| {{Yes}}
| {{No}}
| {{No}}
| {{No}}
| <ref>{{Cite web|url=https://www.youtube.com/watch?v=KLpFAOQyAKw|title=Luck — Short Film: The Hazmat Bunnies in "Bad Luck Spot!"|website=[[YouTube]]|date=March 17, 2023|access-date=March 17, 2023}}</ref>
|}

===TV specials and series===
{| class="wikitable"
|-
! Year
! Title
! [[Executive producer|Executive<br>Producer]]
! Premiered on
|-
| 2009
| ''[[Prep & Landing]]''
| {{Yes}}
| [[American Broadcasting Company|ABC]]
|-
| rowspan="2" | 2011
| ''[[Pixie Hollow Games]]''
| {{Yes}}
| [[Disney Channel]]
|-
| ''[[Prep & Landing: Naughty vs. Nice]]''
| {{Yes}}
| rowspan="3" | ABC
|-
| 2013
| ''[[Toy Story of Terror!]]''
| {{Yes}}
|-
| 2014
| ''[[Toy Story That Time Forgot]]''
| {{Yes}}
|-
| 2024
| ''[[WondLa (TV series)|WondLa]]''
| {{Yes}}
| [[Apple TV+]]
|}

===Documentaries===
{| class="wikitable"
|-
! Year
! Title
! Role
! Notes
|-
| 1999
| ''The Hand Behind the Mouse: The Ub Iwerks Story''<ref>{{Cite news|url=https://www.latimes.com/archives/la-xpm-1999-oct-08-ca-20000-story.html|title='Mouse' Looks at Iwerks' Hand in Creating Disney Animation|date=October 8, 1999|work=Los Angeles Times|access-date=March 11, 2021|language=en-US|issn=0458-3035|archive-date=April 26, 2019|archive-url=https://web.archive.org/web/20190426003011/https://www.latimes.com/archives/la-xpm-1999-oct-08-ca-20000-story.html|url-status=live}}</ref>
| rowspan="17"| Himself
|
|-
| 2001
| ''[[Walt: The Man Behind the Myth]]''
| Grateful Acknowledgement
|-
| rowspan="3"| 2007
| ''[[Fog City Mavericks]]''
| Special Thanks
|-
| ''[[The Pixar Story]]''
| Very Special Thanks
|-
| ''[[Mr. Warmth: The Don Rickles Project]]''
| Special Thanks
|-
| rowspan="2"| 2009
| ''[[The Boys: The Sherman Brothers' Story]]''
|
|-
| ''[[Waking Sleeping Beauty]]''
|
|-
| rowspan="2"| 2010
| ''[[America: The Story of Us]]''
| Television Docu-series
|-
| ''Industrial, Light & Magic: Creating the Impossible''<ref>{{cite web |url=http://www.starz.com/pressroom/ILM/ |title=Industrial Light & Magic: Creating the Impossible |publisher=Starz Entertainment |url-status=dead |archive-url=https://web.archive.org/web/20120118204636/http://www.starz.com/pressroom/ILM/ |archive-date=January 18, 2012}}</ref>
| Television Special
|-
| rowspan="2"| 2011
| ''[[These Amazing Shadows]]''
|
|-
| ''[[Ray Harryhausen: Special Effects Titan]]''
|
|-
| 2013
| ''Inside Pixar''<ref>{{cite web|title=You Made It to the Weekend! Here's What Is New on Netflix|url=http://okmagazine.com/meet-the-stars/you-made-it-to-the-weekend-heres-what-is-new-on-netflix/|publisher=OK Magazine|access-date=March 11, 2021|date=January 10, 2014|archive-date=March 4, 2016|archive-url=https://web.archive.org/web/20160304202016/http://okmagazine.com/meet-the-stars/you-made-it-to-the-weekend-heres-what-is-new-on-netflix/|url-status=live}}</ref>
| Television Special
|-
| 2014
| ''[[The Story of Frozen: Making a Disney Animated Classic]]''
| Television Special
|-
| 2015
| ''[[Winning: The Racing Life of Paul Newman]]''
|
|-
| 2016
| ''Imagining Zootopia''<ref>{{Cite news|url=https://www.slashfilm.com/zootopia-documentary/|title='Imagining Zootopia': Watch a 45-Minute Documentary Chronicling the Making of Disney's Animated Hit|last=Anderton|first=Ethan|date=April 5, 2016|work=[[/Film]]|access-date=March 11, 2021|archive-date=February 16, 2021|archive-url=https://web.archive.org/web/20210216031701/https://www.slashfilm.com/zootopia-documentary/|url-status=live}}</ref>
| Special Thanks
|-
| rowspan="2"| 2019
| ''[[Making Waves: The Art of Cinematic Sound]]''
|
|-
| ''[[The Imagineering Story]]''
| [[Disney+]] Original Docu-series
|}

===Other credits===
{| class="wikitable"
|-
! Year
! Title
! Credit
|-
| 1996
| ''[[La Salla]]''
| rowspan="2"| Special Thanks
|-
| 2009
| ''Calendar Confloption''<ref>{{cite news|first=Andy|last=Lauer|date=March 11, 2009|url=https://www.indiewire.com/2009/03/answer-man-food-inc-among-2009-sonoma-international-film-festival-selections-247266/|title="Answer Man," "Food Inc." Among 2009 Sonoma International Film Festival Selections|website=[[IndieWire]]|access-date=March 12, 2021|archive-date=March 24, 2021|archive-url=https://web.archive.org/web/20210324060708/https://www.indiewire.com/2009/03/answer-man-food-inc-among-2009-sonoma-international-film-festival-selections-247266/|url-status=live}}</ref>
|-
| rowspan="2"| 2012
| ''[[John Carter (film)|John Carter]]''
| Thanks
|-
| ''Firefly and the Coffee Machine''<ref>{{Cite web|url=https://theindependentcritic.com/firefly_and_the_coffee_machine|title="Firefly and the Coffee Machine" a Remarkable Animated Short|website=theindependentcritic.com|access-date=March 12, 2021|archive-date=March 24, 2021|archive-url=https://web.archive.org/web/20210324060653/https://theindependentcritic.com/firefly_and_the_coffee_machine|url-status=live}}</ref>
| Special Thanks
|-
| 2015
| ''Stealth''<ref>{{Cite news|url=https://www.sonomanews.com/article/entertainment/bennett-lasseter-follows-in-his-fathers-footsteps/|title=Bennett Lasseter follows in his father's footsteps|last=Templeton|first=David|date=April 18, 2016|newspaper=[[Sonoma Index-Tribune]]|access-date=March 12, 2021|archive-date=March 24, 2021|archive-url=https://web.archive.org/web/20210324060653/https://www.sonomanews.com/article/entertainment/bennett-lasseter-follows-in-his-fathers-footsteps/|url-status=live}}</ref>
| Special Thanks (with Nancy Lasseter)
|-
| 2017
| ''Ventana''<ref>{{Cite news|url=https://www.slashfilm.com/the-morning-watch-disney-interns-short-film-ventana-different-kinds-of-time-travel-more/|title=The Morning Watch: Disney Interns' Short Film 'Ventana', Different Kinds of Time Travel & More|last=Anderton|first=Ethan|date=October 30, 2017|work=[[/Film]]|access-date=March 12, 2021|archive-date=August 12, 2020|archive-url=https://web.archive.org/web/20200812091849/https://www.slashfilm.com/the-morning-watch-disney-interns-short-film-ventana-different-kinds-of-time-travel-more/|url-status=live}}</ref>
| Special Thanks
|-
| 2021
| ''[[The Ultimate Playlist of Noise]]''
| Special Thanks (with Nancy Lasseter)
|-
|2022
|[[Lightyear (film)|''Lightyear'']]
|Additional Thanks
|}

==Reception==
Critical, public and commercial reception to films Lasseter has directed as of August 9, 2022.

{| class="wikitable sortable" style="text-align:center"
|-
! Film
! [[Rotten Tomatoes]]
! [[Metacritic]]
! [[CinemaScore]]
! Budget
! Box office
|-
| ''Toy Story'' || 100% (96 reviews) || 95 (26 reviews) || {{sort grade|A}} || $30 million || $374.4 million
|-
| ''A Bug's Life'' || 92% (90 reviews) || 77 (23 reviews) || {{sort grade|A}} || $120 million || $363.3 million
|-
| ''Toy Story 2'' || 100% (171 reviews) || 88 (34 reviews) || {{sort grade|A+}} || $90 million || $511.3 million
|-
|''Cars'' || 74% (202 reviews) || 73 (39 reviews) || {{sort grade|A}} || $120 million || $461.9 million
|-
|''Cars 2'' || 40% (220 reviews) || 57 (38 reviews) || {{sort grade|A−}} || $200 million || $559.8 million
|}

==See also==
{{Portal|Disney|Animation|Cars|Trains|Wine}}
*[[A113]]
*[[List of Pixar films]]
*[[List of Pixar shorts]]
*[[List of celebrities who own wineries and vineyards]]
{{Clear}}

==References==
{{reflist}}

==External links==
{{commons category}}
* {{IMDb name|5124}}
* {{tcmdb name|id=516793|name=John Lasseter}}
* Richard Verrier and Dawn C. Chmielewski, [https://pqasb.pqarchiver.com/latimes/access/975435471.html?dids=975435471:975435471&FMT=ABS&FMTS=ABS:FT&type=current&date=Jan+25%2C+2006&author=Richard+Verrier+and+Dawn+C.+Chmielewski&pub=Los+Angeles+Times&edition=&startpage=A.1&desc=Fabled+Film+Company+May+Get+a+Reanimator Fabled Film Company May Get a Reanimator] {{Webarchive|url=https://web.archive.org/web/20130413132017/http://pqasb.pqarchiver.com/latimes/access/975435471.html?dids=975435471:975435471&FMT=ABS&FMTS=ABS:FT&type=current&date=Jan+25%2C+2006&author=Richard+Verrier+and+Dawn+C.+Chmielewski&pub=Los+Angeles+Times&edition=&startpage=A.1&desc=Fabled+Film+Company+May+Get+a+Reanimator |date=April 13, 2013 }}, ''[[Los Angeles Times]]'', January 25, 2006
* [https://money.cnn.com/2006/05/15/magazines/fortune/pixar_futureof_fortune_052906/index.htm Fortune Magazine interview with John Lasseter] – includes biographic information
* [http://www.kcrw.com/etc/programs/tt/tt040218john_lasseter_and_an KCRW's The Treatment: John Lasseter and Andrew Stanton (02/04)] {{Webarchive|url=https://web.archive.org/web/20120502225901/http://www.kcrw.com/etc/programs/tt/tt040218john_lasseter_and_an |date=May 2, 2012 }}
* [http://www.kcrw.com/etc/programs/tt/tt060607john_lasseter KCRW's The Treatment: John Lasseter (06/06)] {{Webarchive|url=https://web.archive.org/web/20130215105608/http://www.kcrw.com/etc/programs/tt/tt060607john_lasseter |date=February 15, 2013 }}

{{John Lasseter}}
{{Navboxes
|title = Awards for John Lasseter
|list =
{{Annie Award for Directing in a Feature Production}}
{{Annie Award for Writing in a Feature Production}}
{{BAFTA Los Angeles Britannia Awards}}
{{Golden Globe Award for Best Animated Feature Film}}
{{Golden Lion for Lifetime Achievement}}
{{Inkpot Award 2000s}}
{{Special Achievement Academy Award}}
{{Winsor McCay Award 2000s}}
}}
{{Pixar Animation Studios}}
{{Walt Disney Animation Studios}}
{{Skydance Media}}

{{Authority control}}

{{DEFAULTSORT:Lasseter, John}}
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[[Category:American chief executives in the media industry]]
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[[Category:Film producers from California]]
[[Category:Inkpot Award winners]]
[[Category:Lucasfilm people]]
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[[Category:Walt Disney Parks and Resorts people]]
[[Category:Golden Lion for Lifetime Achievement recipients]]
[[Category:Whittier High School alumni]]

Latest revision as of 04:10, 31 December 2024

John Lasseter
Lasseter in 2011
Born
John Alan Lasseter

(1957-01-12) January 12, 1957 (age 67)
Alma materCalifornia Institute of the Arts (BFA)
Occupations
  • Film director
  • producer
  • screenwriter
  • animator
  • voice actor
Years active1978–present
Employers
Spouse
Nancy Lasseter
(m. 1988)
[2]
Children5[3]
AwardsAcademy Award (1989, 1996)
Golden Globe Award (2007)
Inkpot Award (2009)[4]
Emmy Award (2010-2011)
Signature

John Alan Lasseter (/ˈlæsətər/ LASS-ə-tər; born January 12, 1957)[5] is an American film director, producer, and animator. He has served as the head of animation at Skydance Animation since 2019.[6] Previously, he acted as the chief creative officer of Pixar Animation Studios, Walt Disney Animation Studios, and Disneytoon Studios, as well as the Principal Creative Advisor for Walt Disney Imagineering.[7]

Lasseter began his career as an animator with The Walt Disney Company. After being fired from Disney for promoting computer animation, he joined Lucasfilm, where he worked on then-ground breaking usage of CGI animation. The Graphics Group of the Computer Division of Lucasfilm was sold to Steve Jobs and became Pixar in 1986. Lasseter oversaw all of Pixar's films and associated projects. He personally directed Toy Story (1995), A Bug's Life (1998), Toy Story 2 (1999), Cars (2006), and Cars 2 (2011), and executive-produced all other Pixar films through 2018. From 2006 to 2018, Lasseter also oversaw all of Walt Disney Animation Studios' (and its division Disneytoon Studios') films and associated projects as executive producer.

His works have grossed more than US$19 billion, making him one of the most financially successful filmmakers of all time. Of the ten animated films that have grossed over US$1 billion, five of them were executive produced by Lasseter: Toy Story 3 (2010)—the first animated film to surpass $1 billion—and Frozen (2013)—the third-highest-grossing animated film of all time—as well as Zootopia (2016), Finding Dory (2016), and Incredibles 2 (2018). Frozen also held the title of the highest-grossing animated film of all time until 2019, and was the fifth-highest-grossing film of all time at the end of its theatrical run. He has won two Academy Awards, for Best Animated Short Film (for Tin Toy), as well as a Special Achievement Award (for Toy Story).[8]

In November 2017, Lasseter took a six-month sabbatical from Pixar and Disney Animation after acknowledging what he called "missteps" in his behavior with employees.[9] According to various news outlets, Lasseter had a history of alleged sexual misconduct toward employees.[10][11] In June 2018, Disney announced that he would be leaving the company at the end of the year when his contract expired; he took on a consulting role until then.[12][13] Following his departure from Disney and Pixar, Lasseter was later hired by Skydance founder and CEO David Ellison to run the animation division Skydance Animation.[1]

Early life

[edit]

John Alan Lasseter was born on January 12, 1957, in Hollywood, California.[5] His mother, Jewell Mae (née Risley; 1918–2005), was an art teacher at Bell Gardens High School, and his father, Paul Eual Lasseter (1924–2011), was a parts manager at a Chevrolet dealership.[14][15][16]

Lasseter is a fraternal twin; his sister Johanna Lasseter-Curtis, who became a baker based in the Lake Tahoe area, is six minutes older.[17][18]

Lasseter grew up in Whittier, California. His mother's profession contributed to his growing preoccupation with animation. He often drew cartoons during services at the Church of Christ[clarification needed] church his family regularly attended. As a child, Lasseter would race home from school to watch Chuck Jones cartoons on television. While in high school, he read The Art of Animation by Bob Thomas. The book covered the history of Disney animation and explored the making of Disney's 1959 film Sleeping Beauty, which made Lasseter realize he wanted to do animation himself. When he saw a screening of Disney's 1963 film The Sword in the Stone at the Wardman Theater, he knew early in his youth that he wanted to become an animator.[19] He then read Preston Blair's book about animation, and made flipbooks based on Blair's walk cycles. One of his friends had a Super 8 camera that shot single frames, which was used to shoot some of his earlier animation efforts.[20]

Lasseter heard of a new character animation program at the California Institute of the Arts (often abbreviated as 'CalArts') and decided to follow his dream of becoming an animator. His mother further encouraged him to take up a career in animation, and, after graduating from Whittier High School in 1975, he enrolled as the second student (Jerry Rees was the first)[21] in the CalArts Character Animation program created by Disney animators Jack Hannah and T. Hee. Lasseter was taught by three members of Disney's Nine Old Men team of veteran animators—Eric Larson, Frank Thomas and Ollie Johnston—and his classmates included future animators and directors like Brad Bird, John Musker, Henry Selick, Tim Burton, and Chris Buck.[22][23][24] During his time there, he produced two animated shorts—Lady and the Lamp (1979) and Nitemare (1980)—which each won the student Academy Award for Animation.[25]

While at CalArts, Lasseter first started working for the Walt Disney Company at Disneyland in Anaheim during summer breaks and got a job as a Jungle Cruise skipper, where he learned the basics of comedy and comic timing to entertain captive audiences on the ride.[17][26]

Career

[edit]

First years at Disney

[edit]

Upon graduating in 1979, Lasseter immediately obtained a job as an animator at Walt Disney Productions mostly due to his success with his student project, Lady and the Lamp.[27] The studio had reviewed approximately 10,000 portfolios in the late 1970s in search of talent, then selected only about 150 candidates as apprentices, of which only about 45 were kept on permanently.[27] In the fall of 1979, Disney animator Mel Shaw told the Los Angeles Times that "John's got an instinctive feel for character and movement and shows every indication of blossoming here at our studios ... In time, he'll make a fine contribution."[27] At that same time, Lasseter worked on a sequence titled "The Emperor and the Nightingale" (based on The Nightingale by Hans Christian Andersen) for a Disney project called Musicana. Musicana was never released but eventually led to the development of Fantasia 2000 (1999).[28]

However, after 101 Dalmatians (1961), which in Lasseter's opinion was the film where Disney had reached its highest plateau, he felt that the studio had lost momentum and was often repeating itself.[29][30] Between 1980 and 1981, he coincidentally came across some video tapes from one of the then new computer-graphics conferences, who showed some of the very beginnings of computer animation, primarily floating spheres and such, which he experienced as a revelation.[17] But it was not until shortly after, when he was invited by his friends Jerry Rees and Bill Kroyer, while working on Mickey's Christmas Carol (1983), to come and see the first light cycle sequences for an upcoming film entitled Tron (1982), featuring state-of-the-art computer-generated imagery (CGI), that he saw the huge potential of this new technology in animation. Up to that time, the studio had used a multiplane camera to add depth to its animation. Lasseter realized that computers could be used to make films with three-dimensional backgrounds where traditionally animated characters could interact to add a new level of visually stunning depth that had not been possible before. He knew adding dimension to animation had been a longtime dream of animators, going back to Walt Disney.[17]

Later, he and Glen Keane talked about how great it would be to make an animated feature where the background was computer-generated, and then showed Keane the book The Brave Little Toaster by Thomas Disch, which he thought would be a good candidate for the film. Keane agreed, but first, they decided to do a short test film to see how it worked out and chose Where the Wild Things Are, a decision based on the fact that Disney had considered producing a feature based on the works of Maurice Sendak. Satisfied with the result, Lasseter, Keane and executive Thomas L. Wilhite went on with the project, especially Lasseter who dedicated himself to it, while Keane eventually went on to work with The Great Mouse Detective (1986).[31]

Lasseter and his colleagues unknowingly stepped on some of their direct superiors' toes by circumventing them in their enthusiasm to get the Where the Wild Things Are project into motion. The project was canceled while being pitched to two of Lasseter's supervisors, animation administrator Ed Hansen, and head of Disney studios, Ron W. Miller, due to lack of perceived cost benefits for the mix of traditional and computer animation.[32] A few minutes after the meeting, Lasseter was summoned by Hansen to his office. As Lasseter recalled, Hansen told him, "Well, John, your project is now complete, so your employment with the Disney Studios is now terminated."[33]: 40  Wilhite, who was part of Disney's live-action group and therefore had no obligations to the animation studio, was able to arrange to keep Lasseter around temporarily until the Wild Things test project was complete in January 1984, but with the understanding there would be no further work for Lasseter at Disney Animation.[33]: 40 [34] The Brave Little Toaster would later become a 2D animated feature film directed by one of Lasseter's friends, Jerry Rees, and co-produced by Wilhite (who had, by then, left to start Hyperion Pictures), and some of the staff of Pixar would be involved in the film alongside Lasseter.

Lucasfilm and Pixar

[edit]
Lasseter in 2002

While putting together a crew for the planned feature, Lasseter had made some contacts in the computer industry, among them Alvy Ray Smith and Ed Catmull at Lucasfilm Computer Graphics Group. After being fired, and feeling glum knowing his employment with Disney was to end shortly,[33]: 40  Lasseter visited a computer graphics conference in November 1983 at the Queen Mary in Long Beach, where he met and talked to Catmull again.[35]: 45  Catmull inquired about The Brave Little Toaster, which Lasseter explained had been shelved.[17][33]: 40  From his experience at Lucasfilm, Catmull assumed Lasseter was simply between projects since Hollywood studios have traditionally laid off employees when they lack enough productions to keep them busy.[35]: 45  Still devastated at being forced out of the only company he had ever wanted to work for, Lasseter could not find the strength to tell Catmull that he had been fired.[17][35]: 45 

Catmull later telephoned Smith that day and mentioned that Lasseter was not working at Disney. Smith told Catmull to put down the phone and hire Lasseter right now.[35]: 45  Lasseter agreed instantly to work freelance with Catmull and his colleagues and joined them for a week of December 1983 on a project that resulted in their first computer-animated short: The Adventures of André & Wally B., meant to prove it was possible to do character animation on a computer. After his work on the Where the Wild Things Are-test, Lasseter assumed hand-drawn characters in a CGI environment was the only way, but Catmull insisted it could be done, it was just that nobody had given it an attempt before. Because Catmull was not allowed to hire animators, he was given the title "Interface Designer";[36][17][37] "Nobody knew what that was but they didn't question it in budget meetings".[23] Lasseter spent a lot of time at Lucasfilm in the San Francisco Bay Area in the spring of 1984, where he worked together closely with Catmull and his team of computer science researchers.[33]: 40–41  Lasseter learned how to use some of their software, and in turn, he taught the computer scientists about filmmaking, animation, and art.[33]: 40–41  The short turned out to be more revolutionary than Lasseter first had visualized before he came to Lucasfilm. His original idea had been to create only the backgrounds on computers, but in the final short everything was computer-animated, including the characters.[17]

Lasseter with Apple CDO Jony Ive at Macworld/iWorld in 2008

After the short CGI film was presented at SIGGRAPH in the summer of 1984, Lasseter returned to Los Angeles with the hope of directing The Brave Little Toaster at Hyperion Pictures.[33]: 45  He soon learned that funding had fallen through and called Catmull with the bad news.[33]: 45  Catmull called back with a job offer, and Lasseter joined Lucasfilm as a full-time employee in October 1984 and moved to the Bay Area.[33]: 45  After that, he worked with ILM on the special effects on Young Sherlock Holmes,[38] where he made the first fully computer-generated photorealistic animated character, a knight composed of elements from a stained glass window.[39] This effect was the first CGI character to be scanned and painted directly onto film using a laser.[39] Lasseter and Catmull's collaboration, which has since lasted over thirty years, would ultimately result in Toy Story (1995), which was the first-ever computer-animated feature film. Additionally, Lasseter created THX's robot mascot Tex. He made his first appearance in 1996 with the original theatrical release of Independence Day. Since then, Tex has appeared in some THX trailers.[40]

Due to George Lucas's financially crippling divorce, he was forced to sell off Lucasfilm Computer Graphics, by this time renamed the Pixar Graphics Group, founded by Smith and Catmull, with Lasseter as one of the founding employees.[41] It was spun off as a separate corporation with Apple co-founder Steve Jobs as its majority shareholder in 1986. Over the next 10 years, Pixar evolved from a computer company that did animation work on the side into an animation studio. Lasseter oversaw all of Pixar's films and associated projects as executive producer. As well as Toy Story, he also personally directed A Bug's Life (1998), Toy Story 2 (1999), Cars (2006), and Cars 2 (2011).

He has won two Academy Awards, for Animated Short Film (Tin Toy), as well as a Special Achievement Award (Toy Story).[8] Lasseter has been nominated on four other occasions—in the category of Animated Feature, for both Monsters, Inc. (2001) and Cars, in the Original Screenplay category for Toy Story and in the Animated Short category for Luxo, Jr. (1986)—while the short Knick Knack (1989) was selected by Terry Gilliam as one of the ten best animated films of all time.[42] In 2008, he was honored with the Winsor McCay Award, the lifetime achievement award for animators.

Return to Disney

[edit]
Lasseter with George Lucas at the Venice Film Festival in 2009

Disney announced that it would be purchasing Pixar in January 2006, and Lasseter was named the chief creative officer of both Pixar and Walt Disney Feature Animation, the latter of which he renamed Walt Disney Animation Studios.[23] Lasseter was also named principal creative adviser at Walt Disney Imagineering, where he helped design attractions for Disney Parks. He oversaw all of Walt Disney Animation Studios' films and associated projects as executive producer. He reported directly to Disney Chairman and CEO Bob Iger, bypassing Disney's studio and theme park executives. He also received green-light power on films with Roy E. Disney's consent.

In December 2006, Lasseter announced that Disney Animation would start producing animated shorts – 2D, CGI, or a combination of both – that would be released theatrically. Lasseter said he sees this medium as an excellent way to train and discover new talent in the company as well as a testing ground for new techniques and ideas.[43]

In June 2007, Catmull and Lasseter were given control of Disneytoon Studios, a division of Walt Disney Animation Studios housed in a separate facility in Glendale. As president and chief creative officer, respectively, they have supervised three separate studios for Disney, each with its own production pipeline: Pixar, Disney Animation, and Disneytoon. While Disney Animation and Disneytoon are located in the Los Angeles area, Pixar is located over 350 miles (563 kilometers) northwest in the Bay Area, where Catmull and Lasseter both live. Accordingly, they appointed a general manager for each studio to manage day-to-day business affairs, then established a routine of spending at least two days per week (usually Tuesdays and Wednesdays) in Southern California.[44]

Lasseter is a close friend and admirer of Japanese animator Hayao Miyazaki, whom he first met when TMS Entertainment sent a delegation of animators to the Disney studio in 1981 and showed a clip from Miyazaki's first feature film, The Castle of Cagliostro (1979).[45] Lasseter was so deeply moved that in 1985 he insisted on showing that clip and other examples of Miyazaki's work after dinner to a woman he had just met (who would become his wife).[45] He visited Miyazaki during his first trip to Japan in 1987 and saw drawings for My Neighbor Totoro (1988).[45] After Lasseter became a successful director and producer at Pixar, he went on to serve as executive producer on several of Miyazaki's films for their release in the United States and oversaw the translation and dubbing of their English language soundtracks.[45] In addition, the forest spirit Totoro from My Neighbor Totoro makes an appearance as a plush toy in Toy Story 3 (2010).

Lasseter is a member of the Academy of Motion Picture Arts and Sciences and served nine consecutive years on its board of governors from 2005 to 2014 when he had to relinquish his seat due to term limits.[46] His last position on the board was as first vice president.[46]

Lasseter received a star on the Hollywood Walk of Fame in Hollywood in 2011, located at 6834 Hollywood Boulevard.[47]

Allegations of sexual misconduct and exit from Disney and Pixar

[edit]

In November 2017, Lasseter took a six-month leave of absence after acknowledging allegations of workplace sexual misconduct that he described as "missteps" with employees in a memo to staff.[9] The alleged sexual misconduct toward multiple employees over a number of years included "grabbing, kissing, [and] making comments about physical attributes".[10][11] The alleged sexual misconduct became so well-known that, according to Variety, at various times, Pixar had "minders who were tasked with reining in his impulses".[48]

In June 2018, Disney announced that Lasseter was leaving the company at the end of the year, taking a consulting role until then.[13][49]

Skydance Animation

[edit]

On January 9, 2019, Lasseter was hired to head Skydance Animation, a new animation division of Skydance Media formed in 2017.[1][50] In a statement, Lasseter said "I have spent the last year away from the industry in deep reflection, learning how my actions unintentionally made colleagues uncomfortable, which I deeply regret and apologize for. It has been humbling, but I believe it will make me a better leader."[1] An investigation conducted prior to his hiring found that no previous claims of sexual assault, propositioning or harassment had been filed against Lasseter,[51] and "[...] there were no findings of secret settlements by Disney or Lasseter to any parties asking for a settlement."[51] In his role at Skydance, Lasseter serves as producer on all feature films and executive producer on all series, along with Skydance Media CEO David Ellison.[52]

Personal life

[edit]
John Lasseter with his wife Nancy Lasseter at the 2006 Annie Awards red carpet at the Alex Theatre in Glendale, California

Lasseter lives in Glen Ellen, California, with his wife Nancy, a graduate of Carnegie Mellon University, whom he met at a computer graphics conference in San Francisco in 1985.[53] Nancy majored in computer graphics applications, and previously worked as a computer graphics engineer at Apple Computer.[54] They married in 1988,[2] and have four sons together in addition to Nancy's son from a previous relationship,[54][55] born between 1979 or 1980 and 1997.[3]

The Lasseters own Lasseter Family Winery in Glen Ellen, California.[56] The property includes a narrow gauge railroad named the Justi Creek Railway, which is approximately 2 miles (3.2 km) long, including a train station and water tower Lasseter purchased from former Disney animator Ward Kimball.[57] Their residence has a swimming pool with a lazy river that runs through a cave.[58] Lasseter owns a collection of more than 1,000 Hawaiian shirts and wears one every day.[58] Lasseter also collects classic cars, such as a black 1952 Jaguar XK120.[59]

On May 2, 2009, Lasseter received an honorary doctorate from Pepperdine University,[15] where he delivered the commencement address.

His influences include Walt Disney, Chuck Jones, Frank Capra, Hayao Miyazaki, and Preston Sturges.[60] Lasseter's favorite film is Walt Disney's Dumbo (1941).[61]

Filmography

[edit]

Films

[edit]
Year Film Credited as
Director (Original)
Story by
Producer Other Voice Notes
1981 The Fox and the Hound No No No Yes Animator - uncredited [62][63]
1985 Young Sherlock Holmes No No No Yes Computer Animation: Industrial Light & Magic
1995 Toy Story Yes Yes No Yes Commercial Chorus 1 Modeling and Animation System Development
1998 A Bug's Life Yes Yes No Yes Harry
Singing Grasshopper 1
[64]
1999 Toy Story 2 Yes Yes No Yes Blue Bomber [64]
2001 Monsters, Inc. No No Executive No
2002 Spirited Away No No Executive No US Version
2003 Finding Nemo No No Executive No
2004 The Incredibles No No Executive No
2005 Howl's Moving Castle No No Executive No US Version
Porco Rosso No No No Yes Executive Creative Consultant: 2005 US Version
2006 Cars Yes Yes No Yes Screenplay
Tales from Earthsea No No Executive No US Version[65]
2007 Meet the Robinsons No No Executive No
Ratatouille No No Executive Yes Executive Team
2008 WALL-E No No Executive Yes Pixar Senior Creative Team
Tinker Bell No No Executive No
Bolt No No Executive No
2009 Up No No Executive Yes Pixar Senior Creative Team
Ponyo No No Executive Yes Director: English Dub, US Version
Tinker Bell and the Lost Treasure No No Executive No
The Princess and the Frog No No Executive No
2010 Toy Story 3 No Yes Executive Yes Pixar Senior Creative Team
Tinker Bell and the Great Fairy Rescue No No Executive No
Tangled No No Executive Yes Studio Leadership
2011 Winnie the Pooh No No Executive Yes
Cars 2 Yes Yes No Yes Galloping Geargrinder[66]
John Lassetire
Fuzzy Dice Casino Car
Pixar Senior Creative Team
The Lion King No No Executive No 3D Version
Beauty and the Beast No No Executive No
2012 Brave No No Executive Yes Pixar Senior Creative Team
Secret of the Wings No No Executive No
Wreck-It Ralph No No Executive Yes Studio Leadership
2013 Monsters University No No Executive Yes Pixar Senior Creative Team
Planes No Yes Executive No
The Little Mermaid No No Executive No 3D Version
Frozen No No Executive Yes Studio Leadership
2014 The Pirate Fairy No Yes Executive No
Planes: Fire & Rescue No No Executive No
Big Hero 6 No No Executive Yes Studio Leadership
Tinker Bell and the Legend of the NeverBeast No No Executive No
2015 Inside Out No No Executive Yes Pixar Senior Creative Team
The Good Dinosaur No No Executive Yes
2016 Zootopia No No Executive Yes Studio Leadership
Finding Dory No No Executive Yes Pixar Senior Creative Team
Moana No No Executive Yes Studio Leadership
2017 Cars 3 No No Executive Yes Pixar Senior Creative Team
Coco No No Executive Yes
2018 Incredibles 2 No No Executive Yes
Ralph Breaks the Internet No No Executive Yes Studio Leadership - uncredited[67]
2019 Toy Story 4 Removed Yes No No [68][69]
2022 Luck No No Yes No
2024 Spellbound No No Yes Yes Additional Literary Materials
2025 Pookoo No No Yes No [70]
TBA Ray Gunn No No Yes No [71]
Untitled Jack and the Beanstalk project No No Yes No [72]
Untitled Skydance Animation/Don Hall project No No Yes No [73]

Shorts

[edit]
Year Film Credited as
Director (Original)
Story by
Executive
Producer
Animator Modeler Other Notes
1979 Lady and the Lamp[74] Yes Yes Producer Yes No No Student Films; Producer
1980 Nitemare[74] Yes Yes Producer Yes No No
1983 Mickey's Christmas Carol No No No No No Yes Creative Talent
1984 The Adventures of André & Wally B. No No No Yes Yes Yes Character Designer
1986 Luxo Jr. Yes Yes Producer Yes Yes Yes Designer
1987 Red's Dream Yes Yes No Yes Yes No
1988 Tin Toy Yes Yes No Yes Yes No
1989 Knick Knack Yes Yes No Yes Yes No A Film By
1991 Light & Heavy Yes No No Yes No No
1997 Geri's Game No No Yes No No No
1998 It's Tough to Be a Bug! No No Yes No No No Theme park film
2000 For the Birds No No Yes No No No
2002 Mike's New Car No No Yes No No No
2003 Exploring the Reef No No Yes No No No
Boundin' No No Yes No No No
2005 Jack-Jack Attack No No Yes No No No
One Man Band No No Yes No No No
2006 Mater and the Ghostlight Yes Yes No No No No
Lifted No No Yes No No No
2007 Your Friend the Rat No No Yes No No No
How to Hook Up Your Home Theater No No Yes No No No
2008 Presto No No Yes No No No
Glago's Guest No No Yes No No No
BURN-E No No Yes No No No
2008–14 Cars Toons Yes Yes Yes No No No
2009 Super Rhino No No Yes No No No
Partly Cloudy No No Yes No No No
Dug's Special Mission No No Yes No No No
2010 Day & Night No No Yes No No No
Tick Tock Tale No No Yes No No No
Prep & Landing: Operation: Secret Santa No No Yes No No No TV short film
2011 Toy Story Toons: Hawaiian Vacation No No Yes No No No
The Ballad of Nessie No No Yes No No No
La Luna No No Yes No No No
Toy Story Toons: Small Fry No Yes Yes No No No
2012 Tangled Ever After No No Yes No No No
Toy Story Toons: Partysaurus Rex No Yes Yes No No No
Paperman No No Yes No No No
The Legend of Mor'du No No Yes No No No
2013 The Blue Umbrella No No Yes No No No
Party Central No No Yes No No No
Pixie Hollow Bake Off No No Yes No No No TV short film
Get a Horse! No No Yes No No No
2014 Lava No No Yes No No No
Vitaminamulch: Air Spectacular No No Yes No No No
Feast No No Yes No No No
2015 Frozen Fever No No Yes No No No
Riley's First Date? No No Yes No No No
Sanjay's Super Team No No Yes No No No
2016 Piper No No Yes No No No
Inner Workings No No Yes No No No
2017 Gone Fishing No No Yes No No No
Lou No No Yes No No No
Miss Fritter's Racing Skoool No No Yes No No No
Olaf's Frozen Adventure No No Yes No No No Featurette
2018 Bao No No Yes No No No
2021 Blush No No Yes No No Yes Logo and End Credit Designer
2023 Bad Luck Spot! No No Yes No No No [75]

TV specials and series

[edit]
Year Title Executive
Producer
Premiered on
2009 Prep & Landing Yes ABC
2011 Pixie Hollow Games Yes Disney Channel
Prep & Landing: Naughty vs. Nice Yes ABC
2013 Toy Story of Terror! Yes
2014 Toy Story That Time Forgot Yes
2024 WondLa Yes Apple TV+

Documentaries

[edit]
Year Title Role Notes
1999 The Hand Behind the Mouse: The Ub Iwerks Story[76] Himself
2001 Walt: The Man Behind the Myth Grateful Acknowledgement
2007 Fog City Mavericks Special Thanks
The Pixar Story Very Special Thanks
Mr. Warmth: The Don Rickles Project Special Thanks
2009 The Boys: The Sherman Brothers' Story
Waking Sleeping Beauty
2010 America: The Story of Us Television Docu-series
Industrial, Light & Magic: Creating the Impossible[77] Television Special
2011 These Amazing Shadows
Ray Harryhausen: Special Effects Titan
2013 Inside Pixar[78] Television Special
2014 The Story of Frozen: Making a Disney Animated Classic Television Special
2015 Winning: The Racing Life of Paul Newman
2016 Imagining Zootopia[79] Special Thanks
2019 Making Waves: The Art of Cinematic Sound
The Imagineering Story Disney+ Original Docu-series

Other credits

[edit]
Year Title Credit
1996 La Salla Special Thanks
2009 Calendar Confloption[80]
2012 John Carter Thanks
Firefly and the Coffee Machine[81] Special Thanks
2015 Stealth[82] Special Thanks (with Nancy Lasseter)
2017 Ventana[83] Special Thanks
2021 The Ultimate Playlist of Noise Special Thanks (with Nancy Lasseter)
2022 Lightyear Additional Thanks

Reception

[edit]

Critical, public and commercial reception to films Lasseter has directed as of August 9, 2022.

Film Rotten Tomatoes Metacritic CinemaScore Budget Box office
Toy Story 100% (96 reviews) 95 (26 reviews) A $30 million $374.4 million
A Bug's Life 92% (90 reviews) 77 (23 reviews) A $120 million $363.3 million
Toy Story 2 100% (171 reviews) 88 (34 reviews) A+ $90 million $511.3 million
Cars 74% (202 reviews) 73 (39 reviews) A $120 million $461.9 million
Cars 2 40% (220 reviews) 57 (38 reviews) A− $200 million $559.8 million

See also

[edit]

References

[edit]
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