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{{Short description|American comedian (1890–1977)}}
{{Use American English|date=June 2023}}
{{Redirect|Groucho}}
{{Redirect|Groucho}}
{{Use mdy dates|date=June 2023}}
{{Infobox comedian
{{Infobox comedian
| name = Groucho Marx
| name = Groucho Marx
| image = [[File:You bet your life postcard 1953.JPG]]
| image = Groucho Marx - portrait.jpg
| caption = Groucho as host of ''You Bet Your Life'', 1953
| caption = Marx in ''[[Copacabana (1947 film)|Copacabana]]'' (1947)
| birth_date = {{Birth date|mf=yes|1890|10|02}}
| birth_date = {{Birth date|mf=yes|1890|10|02}}
| birth_place = [[Manhattan]], New York, U.S.
| birth_place = [[New York City]], NY, U.S.
| death_date = {{nowrap|{{Death date and age|mf=yes|1977|08|19|1890|10|02}}}}
| death_date = {{nowrap|{{Death date and age|mf=yes|1977|08|19|1890|10|02}}}}
| death_place = [[Cedars-Sinai Medical Center]]<br>[[Los Angeles]], California, U.S.
| death_place = [[Los Angeles]], California, U.S.
| resting_place = [[Eden Memorial Park Cemetery]]
| birth_name = Julius Henry Marx
| birth_name = Julius Henry Marx
| medium = Film, television, stage, radio, music
| medium = {{cslist|Film|television|stage|radio|music}}
| active = 1905–1976
| active = 1905–1976
| genre = {{hlist|[[Wit]]|[[wordplay]]|[[slapstick]]}}
| genre = {{cslist|[[Wit]]|[[wordplay]]|[[slapstick]]}}
| influenced = {{hlist|[[Johnny Carson]]|[[Woody Allen]]|[[Milton Berle]]|[[Bill Cosby]]|[[Robert Klein]]|[[Ricky Gervais]]|[[Brendon Small]]|[[George Carlin]]}}
| parents = [[Sam Marx|Sam "Frenchie" Marx]]<br> [[Minnie Marx|Minnie Schönberg]]
| parents = {{ubl|[[Sam Marx|Sam "Frenchie" Marx]]|[[Minnie Marx|Minnie Schönberg]]}}
| relatives = {{ubl| [[Chico Marx]] <small>(brother)</small>| [[Harpo Marx]] <small>(brother)</small> | [[Gummo Marx]] <small>(brother)</small> | [[Zeppo Marx]] <small>(brother)</small>| [[Al Shean]] <small>(maternal uncle)</small>}}
| relatives = {{ubl|[[Chico Marx]] (older brother)| [[Harpo Marx]] (older brother)|[[Gummo Marx]] (younger brother)|[[Zeppo Marx]] (younger brother)|[[Al Shean]] (maternal uncle)}}
| spouse = {{ubl|{{marriage|Ruth Johnson|1920|1942|end=div}} |{{marriage|Kay Marvis Gorcey|1945|1951|end=div}}|{{marriage|[[Eden Hartford]]|1954|1969|end=div}}}}
| spouse = {{ubl|{{marriage|Ruth Johnson|1920|1942|end=div}}|{{marriage|Kay Marvis Gorcey|1945|1951|end=div}}|{{marriage|[[Eden Hartford]]|1954|1969|end=div}}}}
| children = {{hlist|[[Arthur Marx]] | [[Miriam Marx]] |[[Melinda Marx]]}}
| children = {{cslist|[[Arthur Marx|Arthur]]|[[Miriam Marx|Miriam]]|[[Melinda Marx|Melinda]]}}}}
}}


'''Julius Henry Marx''' (October 2, 1890 – August 19, 1977), known professionally as '''Groucho Marx''' ({{IPAc-en|ˈ|g|r|aʊ|tʃ|oʊ|_|ˈ|m|ɑr|k|s}}), was an American writer, comedian, stage, film and television star.<ref name=obit/> He was known as a master of quick wit and is widely considered one of the best comedians of the modern era.<ref>''Billboard Magazine'' May 4, 1974 pg 35: "Groucho Marx was the best comedian this country ever produced – Woody Allen"</ref>
'''Julius Henry''' "'''Groucho'''" '''Marx''' ({{IPAc-en|ˈ|g|r|aʊ|tʃ|oʊ}}; October 2, 1890 – August 19, 1977) was an American comedian, actor, writer, and singer who performed in films and [[vaudeville]] on television, radio, and the stage.<ref name=obit/> He is considered one of America's greatest comedians.<ref>''Billboard Magazine'' May 4, 1974, pg 35: "Groucho Marx was the best comedian this country ever produced – Woody Allen"</ref>


He made 13 feature films with his siblings the [[Marx Brothers]] ([[Harpo Marx]] and [[Chico Marx]]), of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show ''[[You Bet Your Life]]''.<ref name=obit/>
Marx made 13 feature films as a team with his brothers, who performed under the name the [[Marx Brothers]], of whom he was the third born. He also had a successful solo career, primarily on radio and television, most notably as the host of the game show ''[[You Bet Your Life]]''.<ref name=obit/>


His distinctive appearance, carried over from his days in [[vaudeville]], included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick [[wikt:greasepaint|greasepaint]] mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as [[Groucho glasses]]: a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.<ref>{{Cite book| last =Giddins | first =Gary | title =The New York Times Book Reviews 2000, volume 1 | publisher =Fitzroy Dearborn Publishers | year =2001 | pages = | isbn =1-57958-058-0}} "The most enduring masks of the 20th century—likely to take their place alongside Comedy and Tragedy or Pulcinella and Pierrot"</ref>
His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, spectacles, cigar, and a thick [[Foundation (cosmetics)|greasepaint]] mustache (later a real mustache) and eyebrows. These exaggerated features resulted in the creation of one of the most recognizable and ubiquitous novelty disguises, known as [[Groucho glasses]]: a one-piece mask consisting of [[horn-rimmed glasses]], a large plastic nose, bushy eyebrows and brush mustache.<ref>{{Cite book| last =Giddins | first =Gary | title =The New York Times Book Reviews 2000, volume 1 | publisher =Fitzroy Dearborn Publishers | year =2001 | isbn =1-57958-058-0}} "The most enduring masks of the 20th century—likely to take their place alongside Comedy and Tragedy or Pulcinella and Pierrot"</ref>


== Early life ==
== Early life ==
Julius Henry Marx was born on October 2, 1890, in [[Manhattan]], New York City.<ref>The WWI draft registration of 1917 as Julius Henry Marx in Chicago, Illinois uses October 2, 1890. The 1900 census has him born in October 1890.</ref> Marx stated that he was born in a room above a butcher's shop on East 78th Street, "Between [[Lexington Avenue|Lexington]] and [[Third Avenue|Third]]", as he told [[Dick Cavett]] in a 1969 television interview.<ref name="Cavett19690613"/> The Marx children grew up in a turn-of-the-century building at 179 East 93rd Street off Lexington Avenue in a neighborhood now known as [[Carnegie Hill]] on the [[Upper East Side]] of the borough of Manhattan. His older brother [[Harpo Marx|Harpo]], in his memoir ''Harpo Speaks'', called the building "the first real home I knew".<ref>{{cite book |title=Harpo Speaks |first1=Harpo |last1=Marx |author-link1=Harpo Marx |first2=Barber (with) |last2=Rowland |publisher=[[Limelight Editions]] |location=New York |year=1961 |edition=1985 with new [[Afterword]]s |page=19 |isbn=0-87910-036-2|url=https://archive.org/details/harpospeaks00marx/page/18/mode/2up?q=real+home |access-date=2023-11-08 }}</ref> It was populated with European immigrants, mostly artisans. Just across the street were the oldest [[brownstone]]s in the area, owned by people including the well-connected Loew Brothers and William Orth. The Marx family lived there "for about 14 years", Groucho also told Cavett.
Julius Marx was born on October 2, 1890, in [[Manhattan]], New York.<ref>The WWI draft registration of 1917 as Julius Henry Marx in Chicago, Illinois uses October 2, 1890. The 1900 census has him born in October of 1890.</ref>


[[File:Early marx brothers with parents.jpg|thumb|upright=1.3|left|The only known photo of all five Marx brothers with their parents in New York City, 1915; from left: Groucho (aged 25), Gummo (aged 22), Minnie (mother), Zeppo (aged 14), Frenchie (father), Chico (aged 28), and Harpo (aged 27)]]
Marx stated that he was born in a room above a butcher's shop on East 78th Street in Manhattan, New York City, "Between Lexington & 3rd", as told to [[Dick Cavett]] in a 1969 television interview.<ref name="Cavett19690613"/><ref>1950 radio episode of ''[[You Bet Your Life]]''{{Episode needed|date=March 2014}}</ref> The Marx children grew up on East 93rd Street off Lexington Avenue in a neighborhood now known as [[Carnegie Hill]] on the [[Upper East Side]] of the borough of Manhattan, in New York City. The turn-of-the-century building that his brother [[Harpo Marx|Harpo]] called "the first real home they ever knew" (in his memoir ''Harpo Speaks'') was populated with European immigrants, mostly artisans. Just across the street were the oldest [[brownstone]]s in the area, owned by people such as the well-connected Loew Brothers and William Orth. The Marx family lived at this location "for about 14 years", Groucho also told Cavett.
Marx's family was Jewish.<ref>{{cite web|author=Gary Baum|title=L.A.'s Power Golf Clubs: Where the Hollywood Elite Play|date=June 23, 2011|url=https://www.hollywoodreporter.com/news/las-power-golf-clubs-hollywood-205072|newspaper=[[The Hollywood Reporter]]}}</ref> His mother was [[Minnie Marx|Miene "Minnie" Schoenberg]], whose family came from [[Dornum]] in northern Germany when she was 16 years old. His father was [[Sam Marx|Simon "Sam" Marx]], who changed his name from Marrix, and was called "Frenchie" by his sons throughout his life, because he and his family came from Alsace in France.<ref>{{cite web|last=Bland|first=Frank|title=The Marx Brothers Family|url=http://www.marx-brothers.org/biography/marxes.htm|access-date=May 15, 2012}}</ref> Minnie's brother was Al Schoenberg, who shortened his name to [[Al Shean]] when he went into show business as half of [[Gallagher and Shean]], a noted [[vaudeville]] act of the early 20th century. According to Marx, when Shean visited, he would throw the local waifs a few coins so that when he knocked at the door he would be surrounded by adoring fans. Marx and his brothers respected his opinions and asked him on several occasions to write some material for them.{{cn|date=January 2024}}


Minnie Marx did not have an entertainment industry career but had intense ambition for her sons to go on the stage like their uncle. While pushing her second son Leonard ([[Chico Marx]]) in piano lessons, she found that Julius had a pleasant soprano voice and the ability to remain on key. Julius's early career goal was to become a doctor, but the family's need for income forced him out of school at the age of twelve. By that time Julius had become a voracious reader, particularly fond of [[Horatio Alger]]. Marx continued to overcome his lack of formal education by becoming very well-read.{{cn|date=January 2024}}
[[Image:Early marx brothers with parents.jpg|330px|thumb|left|The only known photo of all five Marx brothers with their parents in New York City, 1915; from left: Groucho, Gummo, Minnie (mother), Zeppo, Frenchie (father), Chico, and Harpo]]
Marx's family was [[Jewish]].<ref>{{cite web|author=Gary Baum|title=L.A.'s Power Golf Clubs: Where the Hollywood Elite Play|date=June 23, 2011|url=http://www.hollywoodreporter.com/news/las-power-golf-clubs-hollywood-205072|newspaper=[[The Hollywood Reporter]]}}</ref> Groucho's mother was [[Minnie Marx|Miene "Minnie" Schoenberg]], whose family came from [[Dornum]] in northern Germany when she was 16 years old. His father was [[Sam Marx|Simon "Sam" Marx]], who changed his name from Marrix, and was called "Frenchie" by his sons throughout his life because he and his family came from Alsace in France.<ref>{{cite web|last=Bland|first=Frank|title=The Marx Brothers Family|url=http://www.marx-brothers.org/biography/marxes.htm|accessdate=15 May 2012}}</ref> Minnie's brother was Al Schoenberg, who shortened his name to [[Al Shean]] when he went into show business as half of [[Gallagher and Shean]], a noted [[vaudeville]] act of the early 20th century. According to Groucho, when Shean visited he would throw the local waifs a few coins so that when he knocked at the door he would be surrounded by adoring fans. Marx and his brothers respected his opinions and asked him on several occasions to write some material for them.


After a few stabs at entry-level office work and jobs suitable for adolescents, Marx took to the stage as a boy singer with the Gene Leroy Trio, debuting at the [[Ramona Park#Ramona Theater Pavilion|Ramona Theatre]] in [[Grand Rapids, Michigan]], on July 16, 1905.<ref>{{cite book|last=Bader|first=Robert S.|title=Four of the Three Musketeers: The Marx Brothers on Stage|date=2016|publisher=Northwestern University Press|location=Evanston, IL|page=31|isbn=9780810134164}}</ref> Marx reputedly claimed that he was "hopelessly average" as a vaudevillian, but this was typical Marx, wisecracking in his true form. By 1909, Minnie Marx had assembled her sons into an undistinguished vaudeville singing group billed as "The Four Nightingales". The brothers Julius, Milton ([[Gummo Marx]]) and Arthur (originally Adolph, but [[Harpo Marx]] from 1911) and another boy singer, Lou Levy, traveled the U.S. vaudeville circuits to little fanfare. After exhausting their prospects in the East, the family moved to [[La Grange, Illinois]], to play the Midwest.{{cn|date=January 2024}}
Minnie Marx did not have an entertainment industry career but had intense ambition for her sons to go on the stage like their uncle. While pushing her eldest son Leonard ([[Chico Marx]]) in piano lessons she found that Julius had a pleasant soprano voice and the ability to remain on key. Julius's early career goal was to become a doctor, but the family's need for income forced him out of school at the age of twelve. By that time young Julius had become a voracious reader, particularly fond of [[Horatio Alger]]. Marx would continue to overcome his lack of formal education by becoming very well-read.

After a few stabs at entry-level office work and jobs suitable for adolescents, Julius took to the stage as a boy singer with the Gene Leroy Trio, debuting at the [[Ramona Park#Ramona Theater Pavilion|Ramona Theatre]] in [[Grand Rapids, MI]] on July 16, 1905.<ref>{{cite book|last=Bader|first=Robert S.|title=Four of the Three Musketeers: The Marx Brothers on Stage|date=2016|publisher=Northwestern University Press|location=Evanston, IL|page=31|isbn=9780810134164}}</ref> Marx reputedly claimed that he was "hopelessly average" as a vaudevillian, but this was typical Marx, wisecracking in his true form. By 1909 Minnie Marx had assembled her sons into a forgettable-quality vaudeville singing group billed as "The Four Nightingales". The brothers Julius, Milton ([[Gummo Marx]]) and Arthur (originally Adolph, from 1911 [[Harpo Marx]]) and another boy singer, Lou Levy, traveled the U.S. vaudeville circuits to little fanfare. After exhausting their prospects in the East the family moved to [[La Grange, Illinois]], to play the Midwest.
After a particularly dispiriting performance in [[Nacogdoches, Texas]], Julius, Milton, and Arthur began cracking jokes onstage for their own amusement. Much to their surprise, the audience liked them better as comedians than as singers. They modified the then-popular [[Gus Edwards (songwriter)|Gus Edwards]] comedy skit "School Days" and renamed it "Fun In Hi Skule". The Marx Brothers would perform variations on this routine for the next seven years.
After a particularly dispiriting performance in [[Nacogdoches, Texas]], Julius, Milton, and Arthur began cracking jokes onstage for their own amusement. Much to their surprise, the audience liked them better as comedians than as singers. They modified the then-popular [[Gus Edwards (vaudeville)|Gus Edwards]] comedy skit "School Days" and renamed it "Fun In Hi Skule". The Marx Brothers performed variations on this routine for the next seven years.{{cn|date=January 2024}}


For a time in vaudeville all the brothers performed using ethnic accents. Leonard, the oldest, developed the Italian accent he used as [[Chico Marx]] to convince some roving bullies that he was Italian, not Jewish. Arthur, the next oldest, donned a curly red wig and became "Patsy Brannigan", a stereotypical Irish character. His discomfort when speaking on stage led to his Uncle Al Shean's suggestion that he stop speaking altogether and play the role in mime. Julius Marx's character from "Fun In Hi Skule" was an ethnic German, so Julius played him with a German accent. After the sinking of the {{RMS|Lusitania}} in 1915, public [[anti-German sentiment]] was widespread, and Marx's German character was booed, so he quickly dropped the accent and developed the fast-talking wise-guy character that became his trademark.
For a time in Vaudeville, all the brothers performed using ethnic accents. Leonard, the oldest, developed the Italian accent he used as Chico Marx to convince some roving bullies that he was Italian, not Jewish. Arthur, the next oldest, donned a curly red wig and became "Patsy Brannigan", a stereotypical Irish character. His discomfort when speaking on stage led to his uncle Al Shean's suggestion that he stop speaking altogether and play the role in mime. Julius Marx's character from "Fun In Hi Skule" was an ethnic German, so Julius played him with a German accent. After the sinking of the {{RMS|Lusitania}} in 1915, public [[anti-German sentiment]] was widespread, and Marx's German character was booed, so he dropped the accent and developed the fast-talking wise-guy character that became his trademark.{{cn|date=January 2024}}


The Marx Brothers became the biggest comedic stars of the [[Palace Theatre, New York|Palace Theatre]] in New York City, which billed itself as the "Valhalla of Vaudeville". Brother [[Chico Marx|Chico]]'s deal-making skills resulted in three hit plays on [[Broadway theatre|Broadway]]. No comedy routine had ever so infected the Broadway circuit. All of this stage work predated their Hollywood career. By the time the Marxes made their first movie, they were already major stars with sharply honed skills; and by the time Groucho was relaunched to stardom on ''[[You Bet Your Life]]'', he had been performing successfully for half a century.
The Marx Brothers became the biggest comedic stars of the [[Palace Theatre (New York City)|Palace Theatre]] in New York, which billed itself as the "Valhalla of Vaudeville". Brother Chico's deal-making skills resulted in three hit plays on [[Broadway theatre|Broadway]]. No other comedy routine had ever so infected the Broadway circuit. All of this stage work predated their Hollywood career. By the time the Marxes made their first movie, they were already major stars with sharply honed skills; and by the time Groucho was relaunched to stardom in television on ''[[You Bet Your Life]]'', he had been performing successfully for half a century.{{cn|date=January 2024}}


== Career ==
== Career ==


=== Hollywood ===
=== Vaudeville ===
Marx started his career in [[vaudeville]] in 1905 when he joined up with an act called The Leroy Trio.<ref name=":0">{{Cite book|title=The New Humor in the Progressive Era|last=DesRochers|first=Rick|publisher=Palgrave Macmillan|year=2014|isbn=978-1-137-35742-7|location=New York, New York|pages=83, 84, 85}}</ref> He answered a newspaper [[classified advertising|want ad]] by a man named Robin Leroy who was looking for a boy to join his group as a singer. Marx was hired along with fellow vaudeville actor Johnny Morris. Through this act, Marx got his first taste of life as a vaudeville performer. In 1909, Marx and his brothers had become a group act, at first called The Three Nightingales and later The Four Nightingales.<ref name=":0" /> The brothers' mother, [[Minnie Marx]], was the group's manager, putting them together and booking their shows. The group had a rocky start, performing in less than adequate venues and rarely, if ever, being paid for their performances.<ref name=":0" /> Eventually brother [[Gummo Marx|Milton (Gummo)]] left the act to serve in World War I and was replaced by [[Zeppo Marx|Herbert (Zeppo)]], and the group became known as the [[Marx Brothers]].<ref name=":0" /> Their first successful show was ''Fun In Hi Skule'' (1910).<ref name=":0" />
[[File:Marx Brothers 1931.jpg|upright=1.2|thumb|[[Marx Brothers|The Marx Brothers]] in 1931 (from top, [[Chico Marx|Chico]], [[Harpo Marx|Harpo]], Groucho, and [[Zeppo Marx|Zeppo]])]]
Groucho Marx made 26 movies, 13 of them with his brothers Chico and Harpo.<ref name="bio">{{cite web|url=http://www.groucho-marx.com/bio.html|title=Groucho Marx Biography|accessdate=2008-06-25|publisher=groucho-marx.com}}</ref> Marx developed a routine as a wisecracking hustler with a distinctive chicken-walking lope, an exaggerated greasepaint mustache and eyebrows, and an ever-present cigar, improvising insults to stuffy [[dowager]]s (often played by [[Margaret Dumont]]) and anyone else who stood in his way. As the Marx Brothers, he and his brothers starred in a series of popular stage shows and movies.


=== Motion pictures ===
Their first movie was a silent film made in 1921 that was never released,<ref name="bio"/> and is believed to have been destroyed at the time. A decade later, the team made some of their Broadway hits into movies, including ''[[The Cocoanuts]]'' and ''[[Animal Crackers (1930 film)|Animal Crackers]]''.<ref name="bio"/> Other successful films were ''[[Monkey Business (1931 film)|Monkey Business]]'', ''[[Horse Feathers]]'', ''[[Duck Soup (1933 film)|Duck Soup]]'', and ''[[A Night at the Opera (film)|A Night at the Opera]]''.<ref name="bio"/> One quip from Marx concerned his response to [[Sam Wood]], the director of ''A Night at the Opera''. Furious with the Marx Brothers' ad-libs and antics on the set, Wood yelled in disgust: "You can't make an actor out of clay." Groucho responded, "Nor a director out of Wood."<ref>{{cite book|last1=Boller|first1=Paul F.|last2=Davis|first2=Ronald L.|title=Hollywood Anecdotes|edition=reprint|year=1988|publisher=Ballantine Books|isbn=0-345-35654-3|page=220}}</ref>
[[File:Marx Brothers 1931.jpg|upright|thumb|The Marx Brothers in 1931 (from top, Chico, Harpo, Groucho and Zeppo)]]
Marx made 26 movies, including 13 with his brothers Chico and Harpo.<ref name="bio">{{cite web|url=http://www.groucho-marx.com/bio.html|title=Groucho Marx Biography|access-date=June 25, 2008|website=Groucho-marx.com|archive-url=https://web.archive.org/web/20120119074319/http://internetserviceteam.com/|archive-date=January 19, 2012|url-status=dead}}</ref> Marx developed a routine as a wisecracking hustler with a distinctive chicken-walking lope, an exaggerated greasepaint mustache and eyebrows and an ever-present cigar, improvising insults to stuffy [[dowager]]s (frequently played by [[Margaret Dumont]]) and anyone else who stood in his way. As the Marx Brothers, he and his brothers starred in a series of popular stage shows and movies.


Their first movie was a silent film made in 1921 that was only shown once, in the Bronx,<ref name="bio"/> and is believed to have been destroyed shortly afterward. A decade later, the team made their last two Broadway shows—''[[The Cocoanuts]]'' and ''[[Animal Crackers (1930 film)|Animal Crackers]]''<ref name="bio"/>—into movies. Other successful films were ''[[Monkey Business (1931 film)|Monkey Business]]'', ''[[Horse Feathers]]'', ''[[Duck Soup (1933 film)|Duck Soup]]'' and ''[[A Night at the Opera (film)|A Night at the Opera]]''.<ref name="bio"/> One quip from Marx concerned his response to [[Sam Wood]], the director of ''A Night at the Opera''. Furious with the Marx Brothers' ad-libs and antics on the set, Wood yelled in disgust: "You can't make an actor out of clay." Marx responded, "Nor a director out of Wood."<ref>{{cite book|last1=Boller|first1=Paul F.|last2=Davis|first2=Ronald L.|title=Hollywood Anecdotes|edition=reprint|year=1988|publisher=Ballantine Books|isbn=0-345-35654-3|page=220}}</ref>
Marx also worked as a radio comedian and show host. One of his earliest stints was a short-lived series in 1932, ''[[Flywheel, Shyster, and Flywheel]],'' costarring Chico. Though most of the scripts and discs were thought to have been destroyed, all but one of the scripts were found in 1988 in the [[Library of Congress]].
In 1947 Marx was asked to host a radio quiz program ''[[You Bet Your Life]].'' It was broadcast by ABC and then CBS before moving to NBC. It moved from radio to television on October 5, 1950 and ran for eleven years. Filmed before a live audience, the show consisted of Marx bantering with the contestants and ad-libbing jokes before briefly quizzing them. The show was responsible for popularizing the phrases "Say the secret word and the duck will come down and give you fifty dollars," "Who's buried in [[Grant's Tomb]]?" and "What color is the [[White House]]?" (asked to reward a losing contestant a consolation prize).


[[File:Groucho Marx in Duck Soup film still.jpg|thumb|left|Marx in ''[[Duck Soup (1933 film)|Duck Soup]]'' (1933)]]
Throughout his career he introduced a number of memorable songs in films, including "[[Captain Spaulding (Groucho Marx)|Hooray for Captain Spaulding]]" and "[[Hello, I Must Be Going (song)|Hello, I Must Be Going]]", in ''Animal Crackers'', "[[Horse Feathers#Musical numbers|Whatever It Is, I'm Against It]]", "[[Horse Feathers#Musical numbers|Everyone Says I Love You]]" and "[[Lydia the Tattooed Lady]]". [[Frank Sinatra]], who once quipped that the only thing he could do better than Marx was sing, made a film with Marx and [[Jane Russell]] in 1951 entitled ''[[Double Dynamite]]''.
Marx also worked as a radio comedian and show host. One of his earliest stints was a short-lived series in 1932, ''[[Flywheel, Shyster and Flywheel]],'' costarring Chico. Though most of the scripts and discs were thought to have been destroyed, all but one of the scripts were found in 1988 in the [[Library of Congress]].
In 1947, Marx was asked to host a radio quiz program ''[[You Bet Your Life]].'' It was broadcast by ABC and then CBS before moving to NBC. It moved from radio to television on October 5, 1950, and ran for eleven years. It was largely sponsored by [[DeSoto (automobile)|DeSoto]] automobiles and Marx sometimes appeared in the commercials. Filmed before an audience, the show consisted of Marx bantering with the contestants and ad-libbing jokes before briefly quizzing them. The announcer for the show was [[George Fenneman]]. The show was responsible for popularizing the phrases "Say the secret word and the duck will come down and give you fifty dollars," "Who's buried in [[Grant's Tomb]]?" and "What color is the [[White House]]?" (asked to reward a losing contestant a consolation prize).<ref>{{Cite book|last=Kanfer|first=Stefan|title=The Essential Groucho: Writings by, for and about Groucho Marx|publisher=Random House|year=2000|isbn=037570213X|location=New York|pages=209}}</ref>
[[File:Groucho and Chico Marx during A Day at the Races.jpg|thumb|left|Groucho and his older brother [[Chico Marx|Chico]], 1937]]
Throughout his career Marx introduced a number of memorable songs in films, including "[[Hooray for Captain Spaulding]]" and "[[Hello, I Must Be Going (song)|Hello, I Must Be Going]]", in ''Animal Crackers'', "[[Horse Feathers#Musical numbers|Whatever It Is, I'm Against It]]", "[[Horse Feathers#Musical numbers|Everyone Says I Love You]]" and "[[Lydia the Tattooed Lady]]". [[Frank Sinatra]], who once quipped that the only thing he could do better than Marx was sing, made a film with Marx and [[Jane Russell]] in 1951 entitled ''[[Double Dynamite]]''.


=== Mustache, eyebrows, and walk ===
=== Mustache, eyebrows, and walk ===
{{See also|Groucho glasses}}
{{See also|Groucho glasses}}
In public and off-camera, Harpo and Chico were hard to recognize, without their wigs and costumes, but it was almost impossible for fans to recognize Groucho without his trademark eyeglasses, fake eyebrows, and mustache.
In public and off-camera, Harpo and Chico were hard to recognize without their wigs and costumes, and it was almost impossible for fans to recognize Groucho without his trademark eyeglasses, fake eyebrows, and mustache.


[[File:Groucho Marx-Eve Arden in At the Circus trailer.jpg|280px|left|thumb|Groucho and [[Eve Arden]] in a scene from ''[[At the Circus]]'' (1939)]]
[[File:Groucho Marx-Eve Arden in At the Circus trailer.jpg|left|thumb|Groucho and [[Eve Arden]] in a scene from ''[[At the Circus]]'' (1939)]]
The greasepaint mustache and eyebrows originated spontaneously prior to a vaudeville performance in the early 1920s when he did not have time to apply the pasted-on mustache he had been using (or, according to his autobiography, simply did not enjoy the removal of the mustache every night because of the effects of tearing an adhesive bandage off the same patch of skin every night). After applying the greasepaint mustache, a quick glance in the mirror revealed his natural hair eyebrows were too undertoned and did not match the rest of his face, so Marx added the greasepaint to his eyebrows and headed for the stage. The absurdity of the greasepaint was never discussed on-screen, but in a famous scene in ''[[Duck Soup (1933 film)|Duck Soup]],'' where both Chicolini (Chico) and Pinky (Harpo) disguise themselves as Groucho, they are briefly seen applying the greasepaint, implicitly answering any question a viewer might have had about where he got his mustache and eyebrows.
The greasepaint mustache and eyebrows originated spontaneously prior to a vaudeville performance in the early 1920s when he did not have time to apply the pasted-on mustache he had been using (or, according to his autobiography, simply did not enjoy the removal of the mustache because of the effects of tearing an adhesive bandage off the same patch of skin every night). After applying the greasepaint mustache, a quick glance in the mirror revealed his natural hair eyebrows were too undertoned and did not match the rest of his face, so Marx added the greasepaint to his eyebrows and headed for the stage. The absurdity of the greasepaint was never discussed on-screen, but in a famous scene in ''[[Duck Soup (1933 film)|Duck Soup]],'' where both Chicolini (Chico) and Pinky (Harpo) disguise themselves as Groucho, they are briefly seen applying the greasepaint, implicitly answering any question a viewer might have had about where he got his mustache and eyebrows.


Marx was asked to apply the greasepaint mustache once more for ''You Bet Your Life'' when it came to television, but he refused, opting instead to grow a real one, which he wore for the rest of his life. By this time, his eyesight had weakened enough for him actually to need corrective lenses; before then, his eyeglasses had merely been a stage prop. He debuted this new, and now much-older, appearance in ''[[Love Happy]],'' the Marx Brothers's last film as a comedy team.
Marx was asked to apply the greasepaint mustache once more for ''You Bet Your Life'' when it came to television, but he refused, opting instead to grow a real one, which he wore for the rest of his life. By this time, his eyesight had weakened enough for him to actually need corrective lenses; before then, his eyeglasses had merely been a stage prop. He debuted this new, and now much-older, appearance in ''[[Love Happy]],'' the Marx Brothers's last film as a comedy team.


He did paint the old character mustache over his real one on a few rare performing occasions, including a TV sketch with [[Jackie Gleason]] on the latter's variety show in the 1960s (in which they performed a variation on the song "[[Mister Gallagher and Mister Shean]]," co-written by Marx's uncle [[Al Shean]]) and the 1968 [[Otto Preminger]] film ''[[Skidoo (film)|Skidoo]]''. In his late 70s at the time, Marx remarked on his appearance: "I looked like I was embalmed." He played a mob boss called "God" and, according to Marx, "both my performance and the film were God-awful!"
Marx did paint the old character mustache over his real one on a few rare occasions, including a TV sketch with [[Jackie Gleason]] on the latter's variety show in the 1960s (in which they performed a variation on the song "[[Mister Gallagher and Mister Shean]]", co-written by Marx's uncle [[Al Shean]]) and the 1968 [[Otto Preminger]] film ''[[Skidoo (film)|Skidoo]]''. In his late 70s at the time, Marx remarked on his appearance: "I looked like I was embalmed." He played a mob boss called "God" and, according to Marx, "both my performance and the film were God-awful!"


The exaggerated walk, with one hand on the small of his back and his torso bent almost 90 degrees at the waist was a parody of a fad from the 1880s and 1890s. Fashionable young men of the upper classes would affect a walk with their right hand held fast to the base of their spines, and with a slight lean forward at the waist and a very slight twist toward the right with the left shoulder, allowing the left hand to swing free with the gait. (Edmund Morris, in his biography ''[[The Rise of Theodore Roosevelt]]'', describes a young Roosevelt, newly elected to the State Assembly, walking into the House Chamber for the first time in this trendy, affected gait, somewhat to the amusement of the older and more rural members.)<ref>{{cite book|last1=Morris|first1=Edmund|title=The Rise of Theodore Roosevelt|date=2001|publisher=Modern Library|location=New York|isbn=0-375-75678-7|pages=143–144|edition=Modern Library Paperback|url=https://books.google.com/books?id=u-R37GQsVfgC|accessdate=9 August 2016}}</ref> Groucho exaggerated this fad to a marked degree, and the comedy effect was enhanced by how out of date the fashion was by the 1940s and 1950s.
The exaggerated walk, with one hand on the small of his back and his torso bent almost 90 degrees at the waist, was a parody of a fad from the 1880s and 1890s.{{citation needed|date=October 2017}} Fashionable young men of the upper classes would affect a walk with their right hand held fast to the base of their spines, and with a slight lean forward at the waist and a very slight twist toward the right with the left shoulder, allowing the left hand to swing free with the gait. Edmund Morris, in his biography ''[[The Rise of Theodore Roosevelt]]'', describes a young Roosevelt, newly elected to the State Assembly, walking into the House Chamber for the first time in this trendy, affected gait, somewhat to the amusement of the older and more rural members.<ref>{{cite book|last1=Morris|first1=Edmund|title=The Rise of Theodore Roosevelt|date=2001|publisher=Modern Library|location=New York|isbn=0-375-75678-7|pages=143–144|edition=Modern Library Paperback|url=https://books.google.com/books?id=u-R37GQsVfgC|access-date=August 9, 2016}}</ref> Marx exaggerated this fad to a marked degree, and the comedic effect was enhanced by how out of date the fashion was by the 1940s and 1950s.


== Personal life ==
== Personal life ==
[[File:Marx Brothers 1948.jpg|300px|left|thumb|The Marx Brothers (clockwise from bottom: Groucho, [[Chico Marx|Chico]], and [[Harpo Marx|Harpo]]) by [[Yusuf Karsh]], 1946]]
[[File:Marx Brothers 1948.jpg|left|thumb|The Marx Brothers (clockwise from bottom: Groucho, [[Chico Marx|Chico]], and [[Harpo Marx|Harpo]]) by [[Yusuf Karsh]], 1946]]
Marx's three marriages ended in divorce. His first wife was [[chorus girl]] Ruth Johnson (m. 1920–1942). He was 29 and she was 19 at the time of their wedding. The couple had two children, [[Arthur Marx]] and [[Miriam Marx]]. His second wife was Kay Marvis (m. 1945–1951), née Catherine Dittig,<ref>[https://issuu.com/boxoffice/docs/boxoffice_060339/89 ''Boxoffice'', 3 June 1939, p. 89]{{Dead link|date=December 2022 |bot=InternetArchiveBot |fix-attempted=yes }}.</ref> former wife of [[Leo Gorcey]]. Marx was 54 and Kay was 21 at the time of their marriage. They had a daughter, [[Melinda Marx]], whose daughter Jade Berti was formerly married to Dominic Ruiz, brother of [[Dina Eastwood]].<ref>{{cite web|url=https://www.latimes.com/archives/la-xpm-2012-may-18-la-et-mrs-eastwood-review-20120518-story.html|first=Mary|last=McNamara|title=Something is missing here|date=May 18, 2012|work=Los Angeles Times}}</ref> His third wife was actress [[Eden Hartford]] (m. 1954–1969). He was 64 and she was 24 at the time of their wedding.
[[File:Groucho and Melinda Marx 1953.JPG|thumb|upright|At work on ''You Bet Your Life'' with daughter Melinda, 1953]]
Groucho's three marriages all ended in divorce. His first wife was chorus girl Ruth Johnson. He was 29 and she 19 at the time of their wedding. The couple had two children, [[Arthur Marx]] and [[Miriam Marx]]. His second wife was Kay Marvis (m. 1945–51), {{née}} Catherine Dittig,<ref>[http://issuu.com/boxoffice/docs/boxoffice_060339/89 ''Boxoffice'', 3 June 1939, p. 89].</ref> former wife of [[Leo Gorcey]]. Groucho was 54 and Kay 21 at the time of their marriage. They had a daughter, [[Melinda Marx]]. His third wife was actress [[Eden Hartford]].


During the early 1950s, Groucho described his perfect woman: “Someone who looks like [[Marilyn Monroe]] and talks like [[George S. Kaufman]].<ref>{{cite book| work =[[Arthur Marx]]| title =Life With Groucho| publisher =Simon and Schuster| year =1954| location =New York| page =294
During the early 1950s, Marx described his perfect woman: "Someone who looks like [[Marilyn Monroe]] and talks like [[George S. Kaufman]]."<ref>{{cite book |first=Arthur |last=Marx |author-link=Arthur Marx |title=Life With Groucho |url=https://archive.org/details/lifewithgroucho00marx |publisher=[[Simon & Schuster]] |year=1954 |location=New York |lccn=54-9802 |page =[https://archive.org/details/lifewithgroucho00marx/page/294 294] |via=[[Internet Archive#Text collection|Internet Archive text collection]] |url-access=limited}}</ref>
| isbn =}}</ref>


Groucho was denied membership in an informal [[symphonietta]] of friends (including Harpo) organized by [[Ben Hecht]], because he could play only the mandolin. When the group began its first rehearsal at Hecht's home, Groucho rushed in and demanded silence from the "lousy amateurs". The musicians discovered him conducting the Los Angeles Symphony Orchestra in a performance of the overture to ''[[Tannhäuser (opera)|Tannhäuser]]'' in Hecht's living room. Groucho was allowed to join the symphonietta.<ref name="friedrich1997">{{cite book | title=City of Nets: A Portrait of Hollywood in the 1940's | publisher=University of California Press | author=Friedrich, Otto | year=1997|edition=reprint | url=https://books.google.com/books?id=0x8AFchW4JsC&lpg=PP1&pg=PP1#v=onepage&q&f=false | location=Berkeley and Los Angeles | page=43 | isbn=0520209494}}</ref>
Marx was denied membership in an informal [[symphonietta]] of friends (including Harpo) organized by [[Ben Hecht]], because he could play only the mandolin. When the group began its first rehearsal at Hecht's home, Marx rushed in and demanded silence from the "lousy amateurs". The musicians discovered him conducting the [[Los Angeles Symphony Orchestra]] in a performance of the overture to ''[[Tannhäuser (opera)|Tannhäuser]]'' in Hecht's living room. Marx was allowed to join the symphonietta.<ref name="friedrich1997">{{cite book | title=City of Nets: A Portrait of Hollywood in the 1940s | publisher=University of California Press | author=Friedrich, Otto | year=1997|edition=reprint | chapter-url=https://books.google.com/books?id=0x8AFchW4JsC&pg=PP1 | location=Berkeley and Los Angeles | page=43 | isbn=0520209494 | chapter = Ingatherings (1940)}}</ref>


Later in life, Groucho would sometimes note to talk show hosts, not entirely jokingly, that he was unable to actually insult anyone, because the target of his comment would assume that it was a Groucho-esque joke, and would laugh.
Later in life, Marx would sometimes note to talk show hosts, not entirely jokingly, that he was unable to actually insult anyone, because the target of his comment would assume that it was a Groucho-esque joke, and would laugh.{{cn|date=January 2023}}


[[File:Groucho and Melinda Marx 1953.JPG|thumb|On the set of ''You Bet Your Life'' with daughter [[Melinda Marx|Melinda]], 1953]]
Despite his lack of formal education, he wrote many books, including his autobiography, ''Groucho and Me'' (1959) and ''Memoirs of a Mangy Lover'' (1963). He was a friend of such literary figures as [[Booth Tarkington]], [[T. S. Eliot]] and [[Carl Sandburg]]. Much of his personal correspondence with those and other figures is featured in the book ''The Groucho Letters'' (1967) with an introduction and commentary on the letters written by Groucho, who donated<ref>{{cite news |url=https://catalog.loc.gov/vwebv/search?searchCode=LCCN&searchArg=mm%2082047845&searchType=1&permalink=y |title=Groucho Marx papers, 1930-1967 |work=[[Library of Congress]] Online Catalog|accessdate=June 18, 2017}}</ref> his letters to the [[Library of Congress]].
Despite his lack of formal education, he wrote many books, including his autobiography, ''Groucho and Me'', (1959) and ''Memoirs of a Mangy Lover'' (1963). He was a friend of such literary figures as [[Booth Tarkington]], [[T. S. Eliot]], and [[Carl Sandburg]]. Much of his personal correspondence with those and other figures is featured in the book ''The Groucho Letters'' (1967) with an introduction and commentary on the letters written by Marx, who donated his letters to the [[Library of Congress]].<ref>{{cite news |url=https://catalog.loc.gov/vwebv/search?searchCode=LCCN&searchArg=mm%2082047845&searchType=1&permalink=y |title=Groucho Marx papers, 1930-1967 |work=[[Library of Congress]] Online Catalog|access-date=June 18, 2017}}</ref> His daughter Miriam published a collection of his letters to her in 1992 titled ''Love, Groucho.''


In ''Life with Groucho: A Son's Eye View'', [[Arthur Marx]] relates that in his latter years, Groucho increasingly referred to himself by the name Hackenbush, referring to the character of that name he played in [[A Day at the Races (film)|''A Day at the Races'']].<ref>{{cite book |first=Arthur |last=Marx |author-link=Arthur Marx |title=Life With Groucho |url=https://archive.org/details/lifewithgroucho00marx |publisher=[[Simon & Schuster]] |year=1954 |location=New York |lccn=54-9802 |page =[https://archive.org/details/lifewithgroucho00marx/page/200/mode/2up?q=Hackenbush 200] |via=[[Internet Archive#Text collection|Internet Archive text collection]] |url-access=limited}}</ref>
Groucho made serious efforts to learn to play the guitar. In the 1932 film ''[[Horse Feathers]]'', Groucho performs the film’s love theme “Everyone Says I Love You” for costar [[Thelma Todd]] on a [[Gibson L-5]].<ref>Jerry McCulley, [http://www2.gibson.com/News-Lifestyle/Features/en-us/The-Surprisingly-Serious-Tale.aspx The Surprisingly Serious Tale of Comedian Groucho Marx and His Lifelong Quest to Master Guitar.]</ref>


Marx made serious efforts to learn to play the guitar. In the 1932 film ''[[Horse Feathers]]'', he performs the film's love theme "Everyone Says I Love You" for costar [[Thelma Todd]] on a [[Gibson L-5]].<ref>Jerry McCulley, [http://www2.gibson.com/News-Lifestyle/Features/en-us/The-Surprisingly-Serious-Tale.aspx The Surprisingly Serious Tale of Comedian Groucho Marx and His Lifelong Quest to Master Guitar.] {{Webarchive|url=https://web.archive.org/web/20130529072326/http://www2.gibson.com/News-Lifestyle/Features/en-us/The-Surprisingly-Serious-Tale.aspx |date=May 29, 2013 }}</ref>
[[Irving Berlin]] quipped, "The world would not be in such a snarl, had Marx been Groucho instead of Karl".<ref>Irving Berlin, Robert Kimball, Linda Emmet. ''The Complete Lyrics of Irving Berlin'', p. 489. Hal Leonard Corporation, 2005. {{ISBN|1-55783-681-7}}</ref> In his book ''The Groucho Phile'', Marx says "I've been a liberal Democrat all my life", and "I frankly find Democrats a better, more sympathetic crowd.... I'll continue to believe that Democrats have a greater regard for the common man than Republicans do".<ref>Marx, Groucho. ''The Groucho Phile'', p. 238. Wallaby, 1977.</ref> However, Marx also said in a television interview that he disliked the women's liberation movement.<ref>https://www.youtube.com/watch?v=FIArT9IPojc</ref>


In July 1937, an America-vs.-England pro-celebrity tennis doubles match was organized, featuring Marx and [[Ellsworth Vines]] playing against [[Charlie Chaplin]] and [[Fred Perry]], to open the new clubhouse at the Beverly Hills Tennis Club. Marx appeared on court with twelve rackets and a suitcase, leaving Chaplin—who took tennis seriously—bemused, before he asked what was in it. Marx asked Chaplin what was in his, with Chaplin responding he didn't have one. Marx replied, "What kind of tennis player are you?" After playing only a few games, Marx sat on the court and unpacked an elaborate picnic lunch from his suitcase.<ref>{{Cite news |last=Leigh |first=Danny |date=January 2, 2015 |title=The Marx brothers on film: souped-up comedy |url=https://www.ft.com/content/79d9cd22-89f7-11e4-8daa-00144feabdc0 |access-date=March 21, 2019 |work=Financial Times}}</ref>
''Marx & Lennon: The Parallel Sayings'' was published in 2005; the book records similar sayings between Groucho Marx and [[John Lennon]].


[[Irving Berlin]] quipped: "The world would not be in such a snarl, had Marx been Groucho instead of Karl."<ref>Irving Berlin, Robert Kimball, Linda Emmet. ''The Complete Lyrics of Irving Berlin'', p. 489. Hal Leonard Corporation, 2005. {{ISBN|1-55783-681-7}}</ref> In his book ''The Groucho Phile'', Marx says "I've been a liberal Democrat all my life", and "I frankly find Democrats a better, more sympathetic crowd.... I'll continue to believe that Democrats have a greater regard for the common man than Republicans do".<ref>Marx, Groucho. ''The Groucho Phile'', p. 238. Wallaby, 1977.</ref> However, during an episode of ''[[Firing Line (TV series)|Firing Line]]'' on July 7, 1967, Marx admitted to voting for [[Wendell Willkie]], the Republican candidate for president in 1940, over [[Franklin D. Roosevelt]], stating that he did not believe that any man should run for more than two terms.<ref>{{Cite web|url=https://www.youtube.com/watch?v=cXlIZBZpkoA&t=660s|title = Firing Line with William F. Buckley Jr.: Is the World Funny?|website = YouTube| date=January 25, 2017 }}</ref> Marx mentioned in a television interview that he disliked the [[women's liberation movement]].{{Citation needed|date=December 2022}}
== Later years ==


== Later years ==
===''You Bet Your Life''===
===''You Bet Your Life''===
{{Main|You Bet Your Life}}
Marx's radio career was not as successful as his work on stage and in film, though historians such as [[Gerald Nachman (journalist)|Gerald Nachman]] and Michael Barson suggest that, in the case of the single-season ''[[Flywheel, Shyster, and Flywheel]]'' (1932), the failure may have been a combination of a poor time slot and the Marx Brothers' returning to Hollywood to make another film.


In the mid-1940s, he weathered a depressing lull in his career. His radio show ''[[Blue Ribbon Town]]'' had failed, and he was unable to sell his proposed sitcom ''The Flotsam Family'' only to see it become a huge hit as ''[[The Life of Riley]]'' with [[William Bendix]] in the title role. By that time, the Marx Brothers as film performers had officially retired.
Groucho's radio career was not as successful as his work on stage and in film, though historians such as [[Gerald Nachman (journalist)|Gerald Nachman]] and Michael Barson suggest that, in the case of the single-season ''[[Flywheel, Shyster, and Flywheel]]'' (1932), the failure may have been a combination of a poor time slot and the Marx Brothers' returning to Hollywood to make another film.


Marx was scheduled to appear on a radio show with [[Bob Hope]]. Annoyed that he was made to wait in the [[green room]] for 40 minutes, he went on the air in a foul mood. Hope started by saying "Why, Groucho Marx! Groucho, what are you doing out here in the desert?" Marx retorted, "Huh, desert, I've been sitting in the dressing room for forty minutes! Some desert alright&nbsp;...". Marx continued to ignore the script, [[ad-lib]]bing at length, and took it well beyond its allotted time slot.
[[File:You bet your life postcard 1953.JPG|thumb|left|upright=1.2|Groucho as host of ''You Bet Your Life'', 1953]]


Listening in on the show was producer [[John Guedel]], who had a brainstorm. He approached Marx about doing a quiz show, to which Marx derisively retorted, "A quiz show? Only actors who are completely washed up resort to a quiz show!" Undeterred, Guedel proposed that the quiz would be only a backdrop for Marx's interviews of people, and the storm of ad-libbing that they would elicit. Marx replied, "Well, I've had no success in radio, and I can't hold on to a sponsor. At this point, I'll try anything!"{{citation needed|date=August 2021}}
In the mid-1940s, during a depressing lull in his career (his radio show ''[[Blue Ribbon Town]]'' had failed, he failed to sell his proposed sitcom ''The Flotsam Family'' only to see it become a huge hit as ''[[The Life of Riley]]'' with [[William Bendix]] in the title role, and the Marx Brothers as film performers were well past their prime), Groucho was scheduled to appear on a radio show with [[Bob Hope]]. Annoyed that he was made to wait in the [[Green Room]] for 40 minutes, Groucho went on the air in a foul mood.
[[File:You bet your life postcard 1953.JPG|thumb|left|125px|Marx as main host of ''You Bet Your Life'', 1953]]
''[[You Bet Your Life]]'' debuted in October 1947 on ABC radio (which aired it from 1947 to 1949), sponsored by costume jewelry manufacturer [[Allen Gellman]];<ref>Charlotte Chandler. Hello, I must be going: Groucho and his friends. Doubleday, 1978, p 190</ref> and then on CBS (1949–50), and finally NBC. The show was on radio only from 1947 to 1950; on both radio and television from 1950 to 1960; and on television only, from 1960 to 1961. The show proved a huge hit, being one of the most popular on television by the mid-1950s, garnering a number one rating in 1953. With [[George Fenneman]] as his announcer and straight man, Marx entertained his audiences with rapier wit and improvised conversation with his guests. Since ''You Bet Your Life'' was mostly ad-libbed and unscripted — although writers did pre-interview the guests and feed Marx ready-made lines in advance — the producers insisted that the network prerecord it instead of it being broadcast live. There were three reasons for this: prerecording provided Marx with time to fish around for funny exchanges, any intervening dead spots could be edited out; and most importantly to protect the network from what was considered risqué, since Marx was a notorious [[loose cannon]] and known to say almost anything. The television show ran for 11 seasons until it was canceled in 1961. Ironically longtime major sponsor, automobile ''marque'' [[DeSoto (automobile)|DeSoto]] went out of business for declining sales that same year. For the DeSoto ads, Marx would sometimes say: "Tell 'em Groucho sent you", or "Try a DeSoto before you decide." In the mid-1970s, episodes of the show were syndicated and rebroadcast as ''The Best of Groucho''.<ref>{{cite news|last=Kleiner |first=Dick |title=Groucho's straight man back|url=https://www.newspapers.com/image/116069539/|newspaper=The Anniston Star |location= Anniston, Alabama |date=August 23, 1975|access-date=September 1, 2021}}</ref>


The program's theme music was an instrumental version of "[[Hooray for Captain Spaulding]]," which became increasingly identified as Marx's personal theme song. A recording of the song with Marx and the Ken Lane singers with an orchestra directed by [[Victor Young]] was released in 1952. Another recording made by Marx during this period was "The Funniest Song in the World," released on the Young People's Records label in 1949. It was a series of five original children's songs with a connecting narrative about a monkey and his fellow zoo creatures.
Hope started by saying "Why, it's Groucho Marx, ladies and gentlemen! (''applause'') Groucho, what brings you here from the hot desert?" Groucho retorted, "Hot desert my foot, I've been standing in the cold waiting room for forty minutes!" Groucho continued to ignore the script, and although Hope was a formidable ad-libber in his own right, he could not begin to keep up with Groucho, who lengthened the scene well beyond its allotted time slot with a veritable onslaught of improvised wisecracks.


One of Marx's most oft-quoted remarks may have occurred during a 1947 radio episode. Marx was interviewing Charlotte Story, who had borne 20 children. When Marx asked why she had chosen to raise such a large family, Mrs. Story is said to have replied, "I love my husband," to which Marx responded, "I love my cigar, but I take it out of my mouth once in a while." The remark was judged too risqué to be aired, according to the anecdote, and was edited out before broadcast.<ref>Dwan, R. As Long As They're Laughing : Groucho Marx and You Bet Your Life. Baltimore, Midnight Marquee, 2000, p. 129. {{ISBN|188766436X}}</ref> Charlotte Story and her husband Marion, indeed parents of 20 children, were real people who appeared on the program.<ref>Kanfer, S. Groucho: The Life and Times of Julius Henry Marx. New York, Vintage, May 2001, p. 136. {{ISBN|0375702075}}</ref> Audio recordings of the interview exist,<ref name="snopes">{{cite web|url=http://www.snopes.com/radiotv/tv/grouchocigar.asp|title=The Secret Words|website=Snopes.com|date=February 15, 2001 |access-date=April 13, 2015}}</ref> and a reference to cigars is made ("With each new kid, do you go around passing out cigars?"), but there is no evidence of the claimed remark. "I get credit all the time for things I never said," Marx told [[Roger Ebert]] in 1972. "You know that line in ''You Bet Your Life''? The guy says he has seventeen kids and I say, 'I smoke a cigar, but I take it out of my mouth occasionally'? I never said that."<ref>Ebert, R. A Living Legend, Rated R. ''Esquire'', July 1972, p. 143. Retrieved October 4, 2013.</ref> Marx's 1976 memoir recounts the episode as fact,<ref>Marx, G. and Arce, H. ''The Secret Word is Groucho''. New York, G.P. Putnam's Sons, 1976, pp.&nbsp;33–4. {{ISBN|0399116907}}.</ref> but co-writer Hector Arce relied mostly on sources other than Marx himself—who was by then in his mid eighties, in ill health and mentally compromised—and was probably unaware that Marx had specifically denied making the observation.<ref>Kaltenbach, C. Also 20 Years Dead: Groucho. ''Baltimore Sun'', August 19, 1997, p.&nbsp;E-1.</ref> Head writer Bernie Smith recalled in a 1996 interview that the remark was indeed made—but again, well after the fact.<ref>Stoliar, S. Raised Eyebrows: My Years Inside Groucho's House. New York, BearManor Media, October 2011, pp.&nbsp;124–5. {{ISBN|1593936524}}</ref>
Listening in on the show was producer [[John Guedel]], who had a brainstorm. He approached Groucho about doing a quiz show, to which Groucho derisively retorted, "A ''quiz show''? Only actors who are completely washed up resort to a quiz show!" Undeterred, Guedel explained that the quiz would be only a backdrop for Groucho's interviews of people, and the storm of ad-libbing that they would elicit. Groucho said, "Well, I've had no success in radio, and I can't hold on to a sponsor. At this point, I'll try anything!"


In 1946, as part of the marketing campaign for the Marx Brothers film ''[[A Night in Casablanca]]'', Marx created a storyline that [[Warner Bros. Pictures]] threatened to sue him, contending that that title was too similar to their 1942 film ''[[Casablanca (film)|Casablanca]]''.<ref>Clifton Fadiman (ed), Little Brown Book of Anecdotes, Boston 1985, p. 387</ref> Groucho wrote open letters "responding" to the [[Warner Bros.#History|four Warner brothers]], including one in which he questions their own use of various words, such as: wondering if "in 1471, Ferdinand Balboa Warner, your great-great-grandfather,... stumbled on the shores of Africa and... named it Casablanca"; suggesting that "[[David Burbank|[David] Burbank]]'s survivors aren't too happy with the fact that" Warner Bros. [[Burbank, California]] studios are called their "Burbank studios"; and even suggesting a Marx Brothers legal action addressing "What about 'Warner Brothers'? ... Professionally, we were brothers long before you were."<ref>{{cite web |title=Groucho Marx letter to Warner Brothers |url=https://archive.org/details/Groucho_Marx_Letter_to_Warner_Brothers |access-date=2007-02-05 |via=[[Internet Archive#Text collection|Internet Archive text collection]]}}</ref><ref><!-- Mikkelson (2000) A Night in Casablancaː Did Warner Bros. threaten to sue the Marx Brothers over their 1946 film titled 'A Night in Casablanca'?-->{{cite Q|Q123469979}}</ref>
''[[You Bet Your Life]]'' debuted in October 1947 on ABC radio (which aired it from 1947 to 1949), sponsored by costume jewelry manufacturer [[Allen Gellman]];<ref>Charlotte Chandler. Hello, I must be going: Groucho and his friends. Doubleday, 1978, p 190</ref> and then on CBS (1949–50), and finally NBC, continuing until May 1961—on radio only, 1947–1950; on both radio and television, 1950–1960; and on television only, 1960–1961. The show proved a huge hit, being one of the most popular on television by the mid-1950s. With [[George Fenneman]] as his announcer and straight man, Groucho entertained his audiences with improvised conversation with his guests. Since ''You Bet Your Life'' was mostly ad-libbed and unscripted—although writers did pre-interview the guests and feed Groucho ready-made lines in advance—the producers insisted that the network prerecord it (instead of it being broadcast live).{{citation needed|date=December 2011}} There were two reasons for this: prerecording provided Groucho with time to fish around for funny exchanges and any intervening dead spots to be edited out; and secondly to protect the network, since Groucho was a notorious loose cannon and known to say almost anything. The television show ran for 11 successful seasons until it was canceled in 1961. Automobile ''marque'' [[DeSoto (automobile)|DeSoto]] was a longtime major sponsor. For the DeSoto ads Marx would sometimes say: "Tell 'em Groucho sent you", or "Try a DeSoto before you decide".

The program's theme music was an instrumental version of "[[Hooray for Captain Spaulding]]", which became increasingly identified as Groucho's personal theme song. A recording of the song with Groucho and the Ken Lane singers with an orchestra directed by [[Victor Young]] was released in 1952. Another recording made by Groucho during this period was "The Funniest Song in the World", released on the Young People's Records label in 1949. It was a series of five original children's songs with a connecting narrative about a monkey and his fellow zoo creatures.

The show's most famous remark supposedly occurred as Groucho was interviewing Charlotte Story, who had borne 20 children. When Marx asked why she had chosen to raise such a large family, Mrs. Story is said to have replied, "I love my husband"; to which Marx responded, "I love my cigar, but I take it out of my mouth once in awhile." The remark was judged too risqué to be aired, according to the anecdote, and was edited out before broadcast.<ref>Dwan, R. As Long As They're Laughing : Groucho Marx and You Bet Your Life. Baltimore, Midnight Marquee, 2000, p. 129. {{ISBN|188766436X}}</ref> Charlotte Story and her husband Marion, indeed parents of 20 children, were real people who appeared on the program in 1950.<ref>Kanfer, S. Groucho: The Life and Times of Julius Henry Marx. New York, Vintage, May 2001, p. 136. {{ISBN|0375702075}}</ref> Audio recordings of the interview exist,<ref name="snopes">{{cite web|url=http://www.snopes.com/radiotv/tv/grouchocigar.asp|title=The Secret Words|publisher=snopes.com|accessdate=13 April 2015}}</ref> and a reference to cigars is made ("With each new kid, do you go around passing out cigars?"), but there is no evidence of the famous line. Marx and Fenneman both denied that the incident took place.<ref>Stoliar, S. Raised Eyebrows: My Years Inside Groucho's House. New York, BearManor Media, October 2011, pp.&nbsp;124–5. {{ISBN|1593936524}}</ref> "I get credit all the time for things I never said," Marx told [[Roger Ebert]], in 1972. "You know that line in ''You Bet Your Life''? The guy says he has seventeen kids and I say, 'I smoke a cigar, but I take it out of my mouth occasionally'? I never said that."<ref>Ebert, R. A Living Legend, Rated R. ''Esquire'', July 1972, p. 143. Retrieved 4 October 2013.</ref> Marx's 1976 memoir recounts the episode as fact,<ref>Marx, G. and Arce, H. ''The Secret Word is Groucho''. New York, G.P. Putnam's Sons, 1976, pp.&nbsp;33–4. {{ISBN|0399116907}}.</ref> but co-writer Hector Arce relied mostly on sources other than Groucho himself—who was by then in his mid eighties, in ill health and mentally compromised—and was probably unaware that Groucho had specifically denied making the legendary observation.<ref>Kaltenbach, C. Also 20 Years Dead: Groucho. ''Baltimore Sun'', 19 August 1997, p.&nbsp;E-1.</ref>


=== Other work ===
=== Other work ===
On August 5, 1948, Marx's comedy play ''April Fool'' premiered at the [[Lobero Theatre]] in Santa Barbara, California, to mediocre reviews.<ref>{{Cite web |title=The Los Angeles Times 07 Aug 1948, page 8 |url=https://www.newspapers.com/image/380889678/ |access-date=2023-07-03 |website=Newspapers.com |language=en}}</ref> Penned by Groucho Marx and Norman Krasna, the play was rewritten and retitled ''Time for Elizabeth'', and opened at the Fulton Theatre in New York City on September 27, 1948,<ref>{{Cite web |title=Daily News 28 Sep 1948, page 280 |url=https://www.newspapers.com/image/446231814/ |access-date=2023-07-03 |website=Newspapers.com |language=en}}</ref> where it closed after only eight performances.<ref>{{Cite web |title=Groucho Marx "APRIL FOOL" Otto Kruger / Norman Krasna 1948 FLOP Tryout Playbill {{!}} #1860471580 |url=https://www.worthpoint.com/worthopedia/groucho-marx-april-fool-otto-kruger-1860471580 |access-date=2023-07-03 |website=Worthpoint |language=en}}</ref> <ref>{{Cite web |title=Daily News 01 Oct 1948, page 1013 |url=https://www.newspapers.com/image/445883334/ |access-date=2023-07-03 |website=Newspapers.com |language=en}}</ref>
By the time ''You Bet Your Life'' debuted on TV on October 5, 1950, Groucho had grown a real mustache (which he had already sported earlier in the films ''[[Copacabana (1947 film)|Copacabana]]'' and ''[[Love Happy]]'').


By the time ''You Bet Your Life'' debuted on TV on October 5, 1950, Marx had grown a real mustache (which he had already sported earlier in the films ''[[Copacabana (1947 film)|Copacabana]]'' and ''[[Love Happy]]'').
During a tour of Germany in 1958, accompanied by then-wife Eden, daughter Melinda, Robert Dwan and Dwan's daughter Judith, he climbed a pile of rubble that marked the site of [[Adolf Hitler]]'s [[Führerbunker|bunker]], the site of Hitler's death, and performed a two-minute [[Charleston (dance)|Charleston]].<ref>{{cite web |last = Hallett |first = Judith Dwan |title = What's So Funny & Why? |publisher = Sarah Lawrence College |url = http://www.slc.edu/magazine/whats-so-funny/Whats_So_Funny_and_Why.php |accessdate = 2007-07-29}}</ref> He later remarked to Richard J. Anobile in ''The Marx Brothers Scrapbook,'' "Not much satisfaction after he killed six million Jews!"


During a tour of Germany in 1958, accompanied by then-wife Eden, daughter Melinda, Robert Dwan and Dwan's daughter Judith, he climbed a pile of rubble that marked the site of [[Adolf Hitler]]'s [[Führerbunker|bunker]], the site of Hitler's death, and performed a two-minute [[Charleston (dance)|Charleston]].<ref>{{cite web |last = Hallett |first = Judith Dwan |title = What's So Funny & Why? |publisher = Sarah Lawrence College |url = http://www.slc.edu/magazine/whats-so-funny/Whats_So_Funny_and_Why.php |access-date = July 29, 2007 |archive-url = https://web.archive.org/web/20071216103940/http://slc.edu/magazine/whats-so-funny/Whats_So_Funny_and_Why.php |archive-date = December 16, 2007}}</ref> He later remarked to Richard J. Anobile in ''The Marx Brothers Scrapbook,'' "Not much satisfaction after he killed six million Jews!"
[[File:Groucho Marx Koko the Mikado Bell Telephone Hour 1960.JPG|280px|thumb|upright|Groucho as Koko, 1960]]
In 1960, Groucho, a lifelong devotee of the comic operas of [[Gilbert and Sullivan]], appeared as Koko the Lord High Executioner in a televised production of ''[[The Mikado]]'' on [[NBC]]'s ''[[Bell Telephone Hour]]''. A clip of this is in rotation on [[Classic Arts Showcase]].


[[File:Groucho Marx Koko the Mikado Bell Telephone Hour 1960.JPG|thumb|Marx as Ko-Ko, 1960]]
Another TV show, ''Tell It To Groucho'', premiered January 11, 1962 on CBS, but only lasted five months. On October 1, 1962, Groucho, after acting as occasional guest host of ''[[The Tonight Show]]'' during the six-month interval between [[Jack Paar]] and [[Johnny Carson]], introduced Carson as the new host.
In 1960, Marx, a lifelong devotee of the comic operas of [[Gilbert and Sullivan]], appeared as Ko-Ko, the Lord High Executioner, in a televised production of ''[[The Mikado]]'' on [[NBC]]'s ''[[The Bell Telephone Hour]]''. A clip of this is in rotation on [[Classic Arts Showcase]].


Another TV show, ''Tell It to Groucho'', premiered January 11, 1962, on CBS, but only lasted five months. On October 1, 1962, Marx, after acting as occasional guest host of ''[[The Tonight Show]]'' during the six-month interval between [[Jack Paar]] and [[Johnny Carson]], introduced Carson as the new host.
In 1964, Marx starred in the "Time for Elizabeth" episode of ''[[Bob Hope Presents the Chrysler Theatre]]'', a truncated version of a play that Groucho Marx and Norman Krasna wrote in 1948.


In 1964, Marx starred in the "Time for Elizabeth" episode of ''[[Bob Hope Presents the Chrysler Theatre]]'', a truncated version of a play that he and [[Norman Krasna]] wrote in 1948.
In 1965, Groucho starred in a weekly show for British TV titled ''Groucho'', broadcast on [[ITV (TV network)|ITV]]. The program was along similar lines to ''You Bet Your Life'', with [[Keith Fordyce]] taking on the Fenneman role. However, it was poorly received and lasted only 11 weeks.


In 1965, Marx starred in a weekly show for British TV titled ''Groucho'', broadcast on [[ITV (TV network)|ITV]]. The program was along similar lines to ''You Bet Your Life'', with [[Keith Fordyce]] taking on the Fenneman role. However, it was poorly received and lasted only 11 weeks.
Groucho appeared as a gangster named God in the movie ''[[Skidoo (film)|Skidoo]]'' (1968), directed by [[Otto Preminger]], and costarring [[Jackie Gleason]] and [[Carol Channing]]. It was released by the studio where the Marx Brothers began their film career, [[Paramount Pictures]]. The film received almost universally negative reviews. As a side note, writer [[Paul Krassner]] published a story in the February 1981 issue of ''[[High Times Magazine|High Times]]'', relating how Groucho prepared for the LSD-themed movie by taking a dose of the drug in Krassner's company, and had a moving, largely pleasant experience.


Marx appeared as a gangster named God in the comedy movie ''[[Skidoo (film)|Skidoo]]'' (1968), directed by [[Otto Preminger]], and starring [[Jackie Gleason]] and [[Carol Channing]]. It was released by the studio where the Marx Brothers began their film career, [[Paramount Pictures]]. The film received almost universally negative reviews. Writer [[Paul Krassner]] published a story in the February 1981 issue of ''[[High Times]]'', relating how Marx prepared for the LSD-themed movie by taking a dose of the drug in Krassner's company, and had a moving, largely pleasant experience.<ref>{{Cite web|url=https://hightimes.com/culture/groucho-marx/|title=High Times Greats: My Acid Trip With Groucho|first=Paul|last=Krassner|date=October 2, 2019|website=High Times|access-date=June 21, 2022|archive-date=July 2, 2022|archive-url=https://web.archive.org/web/20220702054730/https://hightimes.com/culture/groucho-marx/|url-status=dead}}</ref>
Groucho developed friendships with rock star [[Alice Cooper]]—the two were photographed together for ''[[Rolling Stone]]'' magazine—and television host [[Dick Cavett]], becoming a frequent guest on Cavett's late-night talk show, even appearing in a one-man, 90-minute interview.<ref name="Cavett19690613">[http://dickcavettshow.com/index.php/component/zoo/item/6-13-69 The Dick Cavett Show:] [http://www.imdb.com/title/tt0880018/ Season 3, Episode 9 Groucho Marx (13 Jun. 1969) – imdb] q.v.: [https://www.youtube.com/watch?v=VckmK-ZCpAU Youtube]</ref> He befriended [[Elton John]] when the British singer was staying in California in 1972, insisting on calling him "John Elton." According to writer [[Philip Norman (author)|Philip Norman]], when Groucho jokingly pointed his index fingers as if holding a pair of six-shooters, Elton John put up his hands and said, "Don't shoot me, I'm only the piano player," thereby naming [[Don't Shoot Me I'm Only the Piano Player|the album he had just completed]]. A [[film poster]] for the Marx Bros. movie ''[[Go West (1940 film)|Go West]]'' is visible on the album cover photograph as an homage to Groucho. Elton John accompanied Groucho to a performance of ''[[Jesus Christ Superstar]]''. As the lights went down, Groucho called out, "Does it have a happy ending?" And during the Crucifixion scene, he declared, "This is sure to offend the Jews."{{Citation needed|date=August 2007}}


Marx developed friendships with rock star [[Alice Cooper]]—the two were photographed together for ''[[Rolling Stone]]'' magazine—and television host [[Dick Cavett]], becoming a frequent guest on Cavett's late-night talk show, even appearing in a one-man, 90-minute interview.<ref name="Cavett19690613">{{cite web|url=http://dickcavettshow.com/index.php/component/zoo/item/6-13-69|title=The Dick Cavett Show - 6/13/1969|website=Dickcavettshow.com|access-date=September 21, 2018}}</ref> When [[Elton John]] was visiting California in 1972, he and Marx became friendly. Marx insisted on calling him "John Elton". According to writer [[Philip Norman (author)|Philip Norman]], when Elton John was playing the piano at Marx's home, Marx jokingly pointed his index fingers as if holding a pair of six-shooters; John put up his hands and said, "Don't shoot me, I'm only the piano player," thereby giving him the title of [[Don't Shoot Me I'm Only the Piano Player|the album he had just completed]]. A [[film poster]] for the Marx Bros. film ''[[Go West (1940 film)|Go West]]'' is visible on the album cover photograph as an homage to Marx. Elton John accompanied Marx to a performance of ''[[Jesus Christ Superstar]]''. As the lights went down, Marx called out, "Does it have a happy ending?" And during the Crucifixion scene, he declared, "This is sure to offend the Jews."{{Citation needed|date=August 2007}}
Groucho's previous work regained popularity; new books of transcribed conversations were published by Richard J. Anobile and [[Charlotte Chandler]]. In a [[BBC]] interview in 1975, Groucho called his greatest achievement having a book selected for cultural preservation in the Library of Congress. In a Cavett interview in 1971,<ref>[http://dickcavettshow.com/index.php/component/zoo/item/5-25-71 The Dick Cavett Show - 5/25/1971]</ref> Groucho said being published in [[The New Yorker]] under his own name,<ref>{{cite web|url=http://www.newyorker.com/contributors/groucho-marx|title=Groucho Marx - Contributors|author=|date=|work=newyorker.com|accessdate=22 November 2016}}</ref> Julius Henry Marx, meant more than all the plays he appeared in.<ref name="Cavett19690613"/> As a man who never had formal schooling, to have his writings declared culturally important was a point of great satisfaction. As he passed his 81st birthday in 1971, however, Groucho became increasingly frail, physically and mentally, as a result of a succession of minor [[Cerebrovascular Accident|strokes]].<ref name="pov1">[http://www.povonline.com/cols/COL238.htm Point of View], Mark Evanier, 1999-06-04, retrieved, 2007-08-09.</ref><ref name="pov2">[http://www.povonline.com/cols/COL239.htm Point of View], Mark Evanier, 1999-06-11, retrieved, 2007-08-09.</ref>
[[File:Groucho Marx Brooke Hayward General Electric Theater 1961.jpg|left|thumb|Marx and [[Brooke Hayward]], 1961]]
Marx's previous work regained popularity; new books of transcribed conversations were published by Richard J. Anobile and [[Charlotte Chandler]]. In a [[BBC]] interview in 1975, Marx called his greatest achievement having a book selected for cultural preservation in the Library of Congress. In a Cavett interview in 1971,<ref>{{cite web|url=http://dickcavettshow.com/index.php/component/zoo/item/5-25-71|title=The Dick Cavett Show - 5/25/1971|website=Dickcavettshow.com|access-date=September 21, 2018}}</ref> Marx said being published in ''[[The New Yorker]]'' under his own name,<ref>{{cite web|url=https://www.newyorker.com/contributors/groucho-marx|title=Groucho Marx - Contributors|work=newyorker.com|access-date=November 22, 2016}}</ref> Julius Henry Marx, meant more than all the plays he appeared in.<ref name="Cavett19690613"/> As a man who never had formal schooling, to have his writings declared culturally important was a point of great satisfaction.


In 1972, largely at the behest of his companion [[Erin Fleming]], Groucho staged a live one-man show at [[Carnegie Hall]] that was later released as a double album, ''An Evening with Groucho'', on [[A&M Records]]. He also made an appearance in 1973 on a short-lived variety show hosted by [[Bill Cosby]]. Fleming's influence on Marx was controversial. Some close to Marx believed that she did much to revive his popularity, and the relationship with a younger woman boosted his ego and vitality.<ref name=Opinionator/> Others described her as a [[Svengali]], exploiting an increasingly senile Marx in pursuit of her own stardom. Marx's children, particularly Arthur, felt strongly that Fleming was pushing their weak father beyond his physical and mental limits.<ref name="pov2" /> Writer [[Mark Evanier]] concurred.<ref name="pov3">[http://www.newsfromme.com/2004/03/07/erin/ Erin Fleming, R.I.P.], Mark Evanier, 7 March 2004</ref>
As he passed his 81st birthday in October, 1971, Marx became increasingly frail, physically and mentally, as a result of a succession of minor [[Cerebrovascular Accident|strokes]] and other health issues.<ref name="pov1">[http://www.povonline.com/cols/COL238.htm Point of View] {{webarchive|url=https://web.archive.org/web/20061021181758/http://www.povonline.com/cols/COL238.htm |date=October 21, 2006 }}, Mark Evanier, 1999-06-04, retrieved, August 9, 2007.</ref><ref name="pov2">[http://www.povonline.com/cols/COL239.htm Point of View] {{webarchive|url=https://web.archive.org/web/20120717220054/http://www.povonline.com/cols/COL239.htm |date=July 17, 2012 }}, Mark Evanier, 1999-06-11, retrieved, August 9, 2007.</ref> In 1972, largely at the behest of his companion [[Erin Fleming]], Marx appeared in a live one-man show at [[Carnegie Hall]] that was later released as a double album, ''[[An Evening with Groucho]]'', on [[A&M Records]]. He also made an appearance in 1973 on a short-lived variety show hosted by [[Bill Cosby]]. Fleming's influence on Marx was controversial. Some close to Marx believed that she did much to revive his popularity, and the relationship with a younger woman boosted his ego and vitality.<ref name=Opinionator/> Others described her as a [[Svengali]], exploiting an increasingly frail Marx in pursuit of her own acting career. Marx's children, particularly his son Arthur, felt strongly that Fleming was pushing their ailing father beyond his physical and mental limits.<ref name="pov2" /> Writer [[Mark Evanier]] concurred.<ref name="pov3">[http://www.newsfromme.com/2004/03/07/erin/ Erin Fleming, R.I.P.], Mark Evanier, March 7, 2004</ref>


On the [[46th Academy Awards|1974 Academy Awards telecast]], Marx's final major public appearance, [[Jack Lemmon]] presented him with an honorary [[Academy Award]] to a standing ovation. Noticeably frail, Groucho took a bow for his deceased brothers. "I wish that Harpo and Chico could be here to share with me this great honor," he said. He also praised the late [[Margaret Dumont]] as a great straight woman who never understood any of his jokes.<ref name="Cavett19690613"/><ref>{{cite web|url=https://www.youtube.com/watch?v=a1YsAxiiH98 |title=Groucho Marx receiving an Honorary Oscar® |publisher=Oscars.org |date=2009-11-24 |accessdate=2013-09-25}}</ref> Groucho's final appearance was a brief sketch with [[George Burns]] in the [[Bob Hope]] television special ''Joys'' (a parody of the 1975 movie ''[[Jaws (film)|Jaws]]'') in March 1976.<ref>{{cite web|url=https://www.youtube.com/watch?v=D-_T3H-DS1w&?t=18m19s| title=Bob Hope Special: Bob Hope in ''Joys'' |publisher=Hope Enterprises |date=1976-03-05 |accessdate=2016-11-10}}</ref> His health continued to decline the following year; when his younger brother [[Gummo Marx|Gummo]] died at age 84 on April 21, 1977, Groucho was never told for fear of eliciting still further deterioration of his health.<ref>{{cite news |first= |last= |authorlink= |coauthors= |title=Gummo Marx, Managed Comedians |url= |quote=[[Palm Springs, California]], April 21, 2007 ([[Reuters]]) Gummo Marks, an original member of the Marx brothers' comedy team, died here today. He was 84 years old. |publisher=New York Times |date=}}</ref>
On April 2, 1974, at the [[46th Academy Awards|46th annual Academy Awards]], [[Jack Lemmon]] presented Marx with an honorary [[Academy Award|Oscar]] to a standing ovation. The award honored Harpo, Chico, and Zeppo as well: "in recognition of his brilliant creativity and for the unequalled achievements of the Marx Brothers in the art of motion picture comedy". Noticeably frail, Marx took a bow for his deceased brothers, saying that "I wish that Harpo and Chico could be here to share with me this great honor." (Zeppo, still alive, was in the audience). He also praised the late [[Margaret Dumont]] as a great straight woman who never understood any of his jokes.<ref name="Cavett19690613"/><ref>{{cite web|url=https://www.youtube.com/watch?v=a1YsAxiiH98 | archive-url=https://ghostarchive.org/varchive/youtube/20211030/a1YsAxiiH98| archive-date=October 30, 2021|title=Groucho Marx receiving an Honorary Oscar® |website=Oscars.org |date=November 24, 2009 |access-date=September 25, 2013}}{{cbignore}}</ref> Marx's final appearance was a brief sketch with [[George Burns]] in the [[Bob Hope]] television special ''Joys'' (a parody of the 1975 movie ''[[Jaws (film)|Jaws]]'') in March 1976.<ref>{{cite web|url=https://www.youtube.com/watch?v=D-_T3H-DS1w&?t=18m19s| archive-url=https://web.archive.org/web/20170210182051/https://www.youtube.com/watch?v=D-_T3H-DS1w&?t=18m19s| archive-date=February 10, 2017| title=Bob Hope Special: Bob Hope in ''Joys'' |publisher=Hope Enterprises |date=March 5, 1976 |access-date=November 10, 2016}}</ref> His health continued to decline the following year; when his younger brother [[Gummo Marx|Gummo]] died at age 83 on April 21, 1977, Marx was never told for fear of eliciting still further deterioration of his health.<ref>{{cite news |title=Gummo Marx, Managed Comedians |quote=[[Palm Springs, California]], April 21, 2007 ([[Reuters]]) Gummo Marks, an original member of the Marx brothers' comedy team, died here today. He was 84 years old. |newspaper=[[The New York Times]]}}</ref>


Groucho maintained his irrepressible sense of humor to the very end, however. George Fenneman, his radio and TV announcer, good-natured foil, and lifelong friend, often related a story of one of his final visits to Groucho's home: When the time came to end the visit, Fenneman lifted Groucho from his wheelchair, put his arms around his torso, and began to "walk" the frail comedian backwards across the room towards his bed. As he did, he heard a weak voice in his ear: "Fenneman," whispered Groucho, "you always were a lousy dancer."<ref>"George Fenneman, Sidekick To Groucho Marx, Dies at 77" [https://www.nytimes.com/1997/06/05/us/george-fenneman-sidekick-to-groucho-marx-dies-at-77.html ''New York Times'' (June 5, 1997)]. Retrieved 2010-06-21.</ref> When a nurse approached him with a thermometer during his final hospitalization, explaining that she wanted to see if he had a temperature, he responded, "Don't be silly—everybody has a temperature."<ref name=Opinionator>"They Dressed like Groucho" [http://opinionator.blogs.nytimes.com/2012/04/20/they-dressed-like-groucho/ NY Times Opinionator (April 20, 20120] Retrieved 5/1/2012.</ref> Actor [[Elliott Gould]] recalled a similar incident: "I recall the last time I saw Groucho, he was in the hospital, and he had tubes in his nose and what have you," he said. "And when he saw me, he was weak, but he was there; and he put his fingers on the tubes and played them like it was a clarinet. Groucho played the tubes for me, which brings me to tears."<ref>Famed Actor Elliott Gould Recalls Groucho Marx’s Final Days (July 10, 2013). [http://www.compassionandchoices.org/2013/07/10/famed-actor-elliott-gould-recalls-groucho-marxs-final-days/ ''Compassion & Choices'' Magazine archive]. Retrieved January 5, 2014.</ref>
Marx maintained his irrepressible sense of humor to the very end, however. George Fenneman, his radio and TV announcer, good-natured foil, and lifelong friend, often related a story of one of his final visits to Marx's home: When the time came to end the visit, Fenneman lifted Marx from his wheelchair, put his arms around his torso, and began to "walk" the frail comedian backwards across the room towards his bed. As he did, he heard a weak voice in his ear: "Fenneman," whispered Marx, "you always were a lousy dancer."<ref>{{cite web |agency=Associated Press |title=George Fenneman, Sidekick To Groucho Marx, Dies at 77 |url=https://www.nytimes.com/1997/06/05/us/george-fenneman-sidekick-to-groucho-marx-dies-at-77.html |website=The New York Times |access-date=June 21, 2010 |date=June 5, 1997}}</ref> When a nurse approached him with a thermometer during his final hospitalization, explaining that she wanted to see if he had a temperature, he responded, "Don't be silly—everybody has a temperature."<ref name=Opinionator>"They Dressed like Groucho" [http://opinionator.blogs.nytimes.com/2012/04/20/they-dressed-like-groucho/ NY Times Opinionator (April 20, 20120] Retrieved January 5, 2012.</ref> Actor [[Elliott Gould]] recalled a similar incident: "I recall the last time I saw Groucho, he was in the hospital, and he had tubes in his nose and what have you," he said. "And when he saw me, he was weak, but he was there; and he put his fingers on the tubes and played them like it was a clarinet. Groucho played the tubes for me, which brings me to tears."<ref>Famed Actor Elliott Gould Recalls Groucho Marx's Final Days (July 10, 2013). [http://www.compassionandchoices.org/2013/07/10/famed-actor-elliott-gould-recalls-groucho-marxs-final-days/ ''Compassion & Choices'' Magazine archive] {{webarchive|url=https://web.archive.org/web/20140106051519/http://www.compassionandchoices.org/2013/07/10/famed-actor-elliott-gould-recalls-groucho-marxs-final-days/ |date=January 6, 2014 }}. Retrieved January 5, 2014.</ref>

[[File:Groucho Marx Grave.JPG|left|180px|thumb|upright|Niche of Groucho Marx at Eden Memorial Park]]


== Death ==
== Death ==
[[File:Groucho Marx Grave.JPG|left|thumb|85px|Niche at Eden Memorial Park]]
Marx was hospitalized at [[Cedars-Sinai Medical Center]] with [[pneumonia]] on June 22, 1977 and died there nearly two months later at the age of 86<ref name=obit2>{{cite news | title=Groucho Marx Dies at 86 After Two-Month Illness | url=https://news.google.com/newspapers?id=X8xRAAAAIBAJ&sjid=Xm0DAAAAIBAJ&dq=groucho%20marx%20dies%20%7C%20death%20%7C%20died%20g%3Aloclos_angeles&pg=3284%2C2109212 | quote=Officials at Cedar-Sinai Medical Center, where Marx had been hospitalized for the past two months with a respiratory ailment, said he died at 7:25 p.m. PDT of pneumonia | publisher=Pittsburgh Post-Gazette | date=20 August 1977}}</ref> on August 19, four months after Gummo's death.<ref name=obit>{{cite news|title=Groucho Marx, Comedian, Dead. Movie Star and TV Host Was 86. Master of the Insult Groucho Marx, Film Comedian and Host of 'You Bet Your Life,' Dies|url=https://query.nytimes.com/gst/abstract.html?res=9D03E4DD103DE532A25753C2A96E9C946690D6CF|newspaper=[[New York Times]]|date=August 20, 2007|page=1}}</ref>
Marx was hospitalized at [[Cedars-Sinai Medical Center]] with [[pneumonia]] on June 22, 1977, and died there nearly two months later at the age of 86<ref name=obit2>{{cite news | title=Groucho Marx Dies at 86 After Two-Month Illness | url=https://news.google.com/newspapers?id=X8xRAAAAIBAJ&dq=groucho%20marx%20dies%20%7C%20death%20%7C%20died%20g%3Aloclos_angeles&pg=3284%2C2109212 | quote=Officials at Cedar-Sinai Medical Center, where Marx had been hospitalized for the past two months with a respiratory ailment, said he died at 7:25 p.m. PDT of pneumonia | newspaper=Pittsburgh Post-Gazette | date=August 20, 1977}}</ref> on August 19, four months after Gummo's death.<ref name=obit>{{cite news|title=Groucho Marx, Comedian, Dead. Movie Star and TV Host Was 86. Master of the Insult. Groucho Marx, Film Comedian and Host of 'You Bet Your Life,' Dies|url=https://query.nytimes.com/gst/abstract.html?res=9D03E4DD103DE532A25753C2A96E9C946690D6CF|newspaper=[[The New York Times]]|date=August 20, 2007|page=1}}</ref> Media coverage of Groucho's death and legacy was overshadowed by the sudden death of [[Elvis Presley]] three days earlier.


Groucho was cremated and the ashes were interred in the [[Eden Memorial Park Cemetery]] in [[Los Angeles]]. Groucho had the longest lifespan of all the Marx Brothers and was survived by his children and younger brother [[Zeppo Marx|Zeppo]], who outlived him by two years. His gravestone bears no epitaph; but in one of his last interviews, he suggested one: "Excuse me, I can't stand up."<ref>Groucho the Great. [http://www.legacy.com/news/legends-and-legacies/groucho-the-great/1105/ legacy.com]. Retrieved April 20, 2015.</ref>
Marx's body was cremated and the ashes are interred in the [[Eden Memorial Park Cemetery]] in Los Angeles. He was survived by his three children and younger brother [[Zeppo Marx|Zeppo]], who outlived him by two years. His gravestone bears no epitaph but in one of his last interviews he suggested one: "Excuse me, I can't stand up."<ref>Groucho the Great. [http://www.legacy.com/news/legends-and-legacies/groucho-the-great/1105/ legacy.com]. Retrieved April 20, 2015.</ref>


Protracted court battles over the disposition of his estate lasted well into the 1980s. Eventually, Arthur Marx was awarded the bulk of the estate's assets, and Erin Fleming was ordered to repay $472,000.<ref>''Los Angeles Times'', April 15, 2011, Obituary of Arthur Marx, "In his father's declining years, Marx became a central figure behind a successful legal battle to wrest back control of Groucho's affairs from his late-in-life companion, Erin Fleming."</ref>
Litigation over his estate lasted into the 1980s. Eventually, his three children were awarded the bulk of the estate, while [[Erin Fleming]], his companion during his final years, was ordered to repay $472,000.<ref>''Los Angeles Times'', April 15, 2011, Obituary of Arthur Marx, "In his father's declining years, Marx became a central figure behind a successful legal battle to wrest back control of Groucho's affairs from his late-in-life companion, Erin Fleming."</ref>


== Legacy ==
== Legacy ==
[[File:Marx-Lennon Abkhazia stamp.jpg|280px|thumb|Marx and [[John Lennon|Lennon]] on a 1994 [[Abkhazia]] stamp parodying [[Marxism-Leninism]]]]
[[File:Marx-Lennon Abkhazia stamp.jpg|thumb|Marx and [[John Lennon]] (a pun on "[[Karl Marx|Marx]]" and "[[Vladimir Lenin|Lenin]]") on a 1994 [[Abkhazia]] stamp as a way of asserting the former Soviet republic's independence.<ref>[https://www.nytimes.com/1995/04/28/world/philatelists-just-wanna-have-fun.html ''Philatelists Just Wanna Have Fun''], ''[[The New York Times]]'', April 28, 1995.</ref>]]
Groucho Marx was, and remains, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eyeglasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as "[[Groucho glasses]]", "nose-glasses," and other names) are sold by novelty and costume shops around the world.
Groucho Marx was considered the most recognizable of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Marx's trademark eyeglasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as "[[Groucho glasses]]", "nose-glasses," and other names) are sold by novelty and costume shops around the world.

The cover of [[The Firesign Theatre]]'s 1969 album, ''[[How Can You Be in Two Places at Once When You're Not Anywhere at All]]'', subtitled ''All Hail Marx and Lennon'', features images of Groucho Marx and John Lennon.

[[Nat Perrin]], close friend of Groucho Marx and writer of several Marx Brothers films, inspired [[John Astin]]'s portrayal of [[Gomez Addams]] on the 1960s TV series ''[[The Addams Family]]'' with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).<ref>{{cite web|url=http://w3.unisa.edu.au/unisanews/2015/July/feature.asp|title=The return of Gomez Addams|access-date=July 21, 2020|archive-date=September 24, 2020|archive-url=https://web.archive.org/web/20200924090227/http://w3.unisa.edu.au/unisanews/2015/July/feature.asp|url-status=dead}}</ref>


''[[Minnie's Boys]]'', a 1970 Broadway musical, focused on the younger years of Marx (played by [[Lewis J. Stadlen]]), his brothers, and his mother (played by [[Shelley Winters]]). Marx received credit as the show's advisor and appeared on ''[[The Dick Cavett Show]]'' to promote the production.<ref>{{Cite web|title=Minnie's Boys|url=https://www.ibdb.com/broadway-production/minnies-boys-3517|access-date=October 21, 2020|website=Internet Broadway Database}}</ref><ref>{{Cite web|last=Jones|first=J. R.|title=The Marx Brothers TV Collection follows the legendary comedy team into the 1950s, '60s, and '70s|url=https://www.chicagoreader.com/Bleader/archives/2014/09/22/the-marx-brothers-tv-collection-follows-the-legendary-comedy-team-into-the-1950s-60s-and-70s|access-date=October 21, 2020|website=Chicago Reader|date=September 22, 2014|language=en}}</ref>
[[Nat Perrin]], close friend of Groucho Marx and writer of several Marx Brothers films, inspired [[John Astin]]'s portrayal of [[Gomez Addams]] on the 1960s TV series ''[[The Addams Family]]'' with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).{{citation needed|date=March 2012}}
{{Quote box
{{Quote box
| quote = "As Groucho Marx once said, 'Anyone can get old - all you have to do is to live long enough'."
| quote = As Groucho Marx once said, 'Anyone can get old—all you have to do is to live long enough'.
| source =&nbsp;—Queen [[Elizabeth II]] speaking at her 80th birthday celebration in 2006.<ref>[http://www.sbs.com.au/news/article/2006/06/16/groucho-marks-queens-80th "Groucho marks Queen's 80th"]. SBS. Retrieved June 27, 2017</ref>
| source =&nbsp;—Queen [[Elizabeth II]] speaking at her 80th birthday celebration in 2006.<ref>[http://www.sbs.com.au/news/article/2006/06/16/groucho-marks-queens-80th "Groucho marks Queen's 80th"] {{Webarchive|url=https://web.archive.org/web/20170822145033/http://www.sbs.com.au/news/article/2006/06/16/groucho-marks-queens-80th |date=August 22, 2017 }}. SBS. Retrieved June 27, 2017</ref>
| width = 25%
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}}
}}
A meeting with [[Elton John]] led to a press photo of Groucho pointing both of his index fingers and thumbs at Elton like revolvers. John's spontaneous response to hold up his hands and replying "Don't shoot me! I'm only the piano player!" was so amusing that Elton John reused it as the [[Don't Shoot Me I'm Only the Piano Player|title of a 1973 album]]. An added Marx homage was that a poster for the Marx Brothers' movie ''[[Go West (1940 film)|Go West]]'' was included on the cover art.<ref>{{cite book |last=Buckley |first=David |date=2007 |title=Elton The Biography |url=https://books.google.com/books?id=rVXrl8aZP0kC&pg=PA144
|publisher=Chicago Review Press |isbn=1556527136}}</ref>


In 1972, at Cannes, Marx was made a Commander in the French [[Ordre des Arts et des Lettres]], an honor he was very proud of.<ref>{{Cite web|url=https://attemptedbloggery.blogspot.com/2014/03/grouchos-french-order-of-arts-and.html|title=Attempted Bloggery: Groucho's French Order of Arts and Letters|website=Attemptedbloggery.blogspot.com|date=March 11, 2014|access-date=November 30, 2020}}</ref>
Two albums by British rock band [[Queen (band)|Queen]], ''[[A Night at the Opera (Queen album)|A Night at the Opera]]'' (1975) and ''[[A Day at the Races (album)|A Day at the Races]]'' (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed "[['39 (Queen song)|'39]]" [[a cappella]].<ref>Queen: The Ultimate Illustrated History of the Crown Kings of Rock. p.96. Voyageur Press, 2009</ref>


A meeting with [[Elton John]] led to a press photo of Marx pointing both of his index fingers and thumbs at Elton like revolvers. John's spontaneous response of holding up his hands and replying, "Don't shoot me! I'm only the piano player!" was so amusing that Elton John reused it as the [[Don't Shoot Me I'm Only the Piano Player|title of a 1973 album]]. An added Marx homage was that a poster for the Marx Brothers' movie ''[[Go West (1940 film)|Go West]]'' was included on the cover art.<ref>{{cite book |last=Buckley |first=David |date=2007 |title=Elton The Biography |url=https://books.google.com/books?id=rVXrl8aZP0kC&pg=PA144
A long-running ad campaign for [[Vlasic Pickles]] features an animated stork that imitates Groucho's mannerisms and voice.<ref>[https://www.nytimes.com/2007/05/30/business/media/29adnewsletter1.html?pagewanted=print Stuart Elliott, ''Pink or Blue? These Bundles of Joy Are Always Green''], ''New York Times'', 2007-05-30.</ref> On the famous [[Hollywood Sign]] in California, one of the "O"s is dedicated to Groucho. [[Alice Cooper]] contributed over $27,000 to remodel the sign, in memory of his friend.
|publisher=Chicago Review Press |isbn=978-1556527135}}</ref>
[[File:1930 - Strand Theater Ad - 21 Sep MC - Allentown PA.jpg|left|thumb|upright|Newspaper ad for ''Animal Crackers'' (1930) with [[Lillian Roth]] paragraph.]]
Marx was also known to influence the [[Warner Bros. Cartoons|Warner Bros. cartoon]] character [[Bugs Bunny]], who recited his famous line "Of course you realize this means war!" in several cartoons including ''[[Long-Haired Hare]]'' and ''[[Bully for Bugs]]'', after his antagonist has offended him.


Two albums by British rock band [[Queen (band)|Queen]], ''[[A Night at the Opera (Queen album)|A Night at the Opera]]'' (1975) and ''[[A Day at the Races (album)|A Day at the Races]]'' (1976), are named after Marx Brothers films. In March 1977, Marx invited Queen to visit him in his Los Angeles home; there they performed "[['39 (Queen song)|'39]]" [[a cappella]].<ref>Queen: The Ultimate Illustrated History of the Crown Kings of Rock. p.96. Voyageur Press, 2009</ref>
Actor [[Frank Ferrante]] has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a show entitled ''An Evening with Groucho'' in theaters throughout the United States and Canada with supporting actors and piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show ''[[Groucho: A Life in Revue]]'' penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. In 1982, [[Gabe Kaplan]] filmed a version of the same show, entitled ''Groucho''.<ref>{{cite web|last=Erickson|first=Hal|title=Gabe Kaplan As Groucho|url=https://movies.nytimes.com/movie/19088/Gabe-Kaplan-As-Groucho/overview|publisher=All Media Guide New York Times|accessdate=11 July 2012}}</ref>


A long-running ad campaign for [[Vlasic Pickles]] features an animated stork that imitates Marx's mannerisms and voice.<ref>[https://www.nytimes.com/2007/05/30/business/media/29adnewsletter1.html?pagewanted=print Stuart Elliott, ''Pink or Blue? These Bundles of Joy Are Always Green''], ''[[The New York Times]]'', May 30, 2007.</ref> On the famous [[Hollywood Sign]] in California, one of the "O"s is dedicated to Marx. [[Alice Cooper]] contributed over $27,000 to remodel the sign, in memory of his friend.<ref>{{Cite web|date=June 29, 2017|title=A Sign is Reborn: 1978|url=https://hollywoodsign.org/announcement/1978-a-sign-is-reborn/|access-date=June 3, 2020|website=The Hollywood Sign|language=en-US}}</ref>
Woody Allen's 1996 musical ''[[Everyone Says I Love You]]'', in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and [[Goldie Hawn]], attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of "Hooray for Captain Spaulding"—done entirely in French.


Actor [[Frank Ferrante]] has performed as Groucho Marx on stage since 1986. He continues to tour under rights granted by the Marx family in a show entitled ''An Evening with Groucho'' in theaters throughout the United States and Canada with supporting actors and piano accompanist Jim Furmston. In the late 1980s, Ferrante starred as Marx in the off-Broadway and London show ''[[Groucho: A Life in Revue]]'', penned by Marx's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. In 1982, [[Gabe Kaplan]] filmed a version of the same show, entitled ''Groucho''.<ref>{{cite web|last=Erickson|first=Hal|title=Gabe Kaplan As Groucho|url=https://movies.nytimes.com/movie/19088/Gabe-Kaplan-As-Groucho/overview|archive-url=https://web.archive.org/web/20130521050325/http://movies.nytimes.com/movie/19088/Gabe-Kaplan-As-Groucho/overview|url-status=dead|archive-date=May 21, 2013|department=Movies & TV Dept.|work=[[The New York Times]]|author-link=Hal Erickson (author)|date=2013|access-date=July 11, 2012}}</ref>
The BBC remade the radio sitcom ''[[Flywheel, Shyster, and Flywheel]]'', with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station [[BBC7]]. Scottish playwright Louise Oliver wrote a play named ''Waiting for Groucho'' about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in [[Glasgow]] and Hamilton in 2007–08. Groucho was played by Scottish actor Frodo McDaniel.<ref>[http://www.rhymeswithpurple.net/waitingforgroucho Rhymes with Purple Productions – Theatre, Cabaret, Burlesque<!-- Bot generated title -->].</ref>


In the Hungarian [[dubbing (filmmaking)|dubbed]] version of Woody Allen's film ''[[Annie Hall]]'', a famous quotation told by Alvy Singer (Allen) at the beginning of the film is not attributed to Groucho Marx as in the original, but to [[Buster Keaton]]. The reason was that in [[communism|communist]] Hungary, the name 'Marx' was associated with [[Karl Marx]], and the name was not allowed to be used in such a light, humorous context.<ref>{{cite web|title=Már 40 éve nem szeretnénk olyan klubhoz tartozni, amelyik elfogadna tagnak|url=https://hvg.hu/kultura/20170420_annie_hall_40_woody_allen_diane_keaton |website=hvg.hu|date=April 20, 2017 |access-date=December 18, 2019}}</ref>
[[Sidney Sheldon]] wrote a [[roman à clef]] on Marx and his partner [[Erin Fleming]] titled ''[[A Stranger in the Mirror]]'', published in 1976.<ref>https://news.google.com/newspapers?nid=1499&dat=19760416&id=CggqAAAAIBAJ&sjid=ISkEAAAAIBAJ&pg=4280,3468441&hl=en</ref> It was made into a television movie in 1993 with actor [[Perry King]] playing the role inspired by Marx.


Woody Allen's 1996 musical ''[[Everyone Says I Love You]]'', in addition to being named for one of Marx's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and [[Goldie Hawn]], attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of "Hooray for Captain Spaulding"—done entirely in French.
== Filmography ==


[[File:Mostra "Dylan Dog e motori, gioie e orrori" - panoramio (26).jpg|thumb|250px|[[Dylan Dog]] and his sidekick Groucho (left). Art by Luca Maresca]]

In 2008, ''Minnie's Boys'' was remounted Off-Broadway with [[Erik Liberman]] as Groucho and [[Pamela Myers]] as Minnie Marx.<ref>{{Cite web|last=Gans|first=Andrew|date=May 16, 2008|title=Liberman Will Join Myers in Mufti Minnie's Boys|url=http://www.playbill.com/article/liberman-will-join-myers-in-mufti-minnies-boys-com-150192|access-date=October 21, 2020|website=Playbill|language=en}}</ref> Liberman later played Marx in a musical based on ''[[Flywheel, Shyster, and Flywheel]]'' called ''The Most Ridiculous Thing You Ever Hoid'' (2010) and at the Obama White House.<ref>{{Cite web|author=<!--Not stated-->|title=Erik Liberman To Star As Groucho In IN MOST RIDICULOUS THING YOU EVER HOID 9/31|url=https://www.broadwayworld.com/off-off-broadway/article/Erik-Liberman-To-Star-As-Groucho-In-IN-MOST-RIDICULOUS-THING-YOU-EVER-HOID-931-20100818|access-date=October 21, 2020|website=Broadway World|language=en}}</ref><ref>{{Cite web|last=Markowitz|first=Joel|date=April 2, 2012|title=Erik Liberman on Playing The Baker in Centerstage's 'Into the Woods' by Joel Markowitz|url=https://dcmetrotheaterarts.com/2012/04/02/erik-liberman-on-playing-the-baker-in-centerstages-into-the-woods-by-joel-markowitz/|access-date=October 21, 2020|website=DC Metro Theater Arts|language=en-US|archive-date=October 23, 2020|archive-url=https://web.archive.org/web/20201023074400/https://dcmetrotheaterarts.com/2012/04/02/erik-liberman-on-playing-the-baker-in-centerstages-into-the-woods-by-joel-markowitz/|url-status=dead}}</ref>

[[Dylan Dog#Supporting characters|Groucho]], a supporting character in the Italian horror comics series ''[[Dylan Dog]]'', is a Groucho Marx impersonator whose character became his permanent personality, and he works with Dylan Dog as his professional sidekick. In the English-language version by [[Dark Horse Comics]], to avoid legal complications regarding Groucho Marx's estate, the art was altered so that Groucho no longer sports the Marx brother's signature moustache, and was renamed ''Felix''.<ref name=DylanDog>{{Cite web|url=https://comicvine.gamespot.com/groucho/4005-3936/|title=Groucho (character) |website=Comic Vine |date=July 20, 2020 |access-date=March 10, 2021}}</ref>

Throughout the [[M*A*S*H (TV series)|''M*A*S*H'' television series]], several Groucho homage traits are mirrored in [[Alan Alda]]'s portrayal of [[Hawkeye Pierce|Hawkeye]], including the 1972 season one episode "[[Yankee Doodle Doctor]]" that had a full Groucho impression complete with nose, moustache and glasses.<ref>{{cite web |title=Episode Spotlight: Yankee Doodle Doctor |author=RJ |date=2014-10-06 |website=mash4077tv.com |url=https://www.mash4077tv.com/2014/10/episode-spotlight-yankee-doodle-doctor/ |access-date=2023-11-08 |archive-url=https://web.archive.org/web/20221210053539/https://www.mash4077tv.com/2014/10/episode-spotlight-yankee-doodle-doctor/ |archive-date=2022-12-10 |url-status=live}}</ref>

In 2023, notable artist [[William Kentridge]] included a drawing of Marx in his solo museum exhibition at [[The Broad]] in [[Los Angeles]].<ref>{{Cite web |last=Amadour |date=2022-12-07 |title=15 Minutes With Visionary Artist William Kentridge |url=https://lamag.com/art/with-a-show-at-the-broad-artist-william-kentridge-talks-hollywood |access-date=2023-12-31 |website=LAmag - Culture, Food, Fashion, News & Los Angeles |language=en}}</ref>

== Filmography ==
=== Features ===
=== Features ===
{| class="wikitable plainrowheaders sortable" style="text-align:center;"
{| class="wikitable plainrowheaders sortable" style="text-align:center;"
Line 196: Line 217:
| 1930
| 1930
| Captain Jeffrey Spaulding
| Captain Jeffrey Spaulding
| style="text-align:left;"| Released by Paramount; based on a 1928 Marx Brothers [[Broadway theatre|Broadway]] musical
| style="text-align:left;"| Released by Paramount; based on a 1928 Marx Brothers Broadway musical
|-
|-
! scope="row"| ''[[The House That Shadows Built]]''
! scope="row"| ''[[The House That Shadows Built]]''
| 1931
| 1931
| Caesar's Ghost
| Caesar's Ghost
| style="text-align:left;"| Short subject; released by Paramount
| style="text-align:left;"| Short subject; non-theatrical promotional release by Paramount
|-
|-
! scope="row"| ''[[Monkey Business (1931 film)|Monkey Business]]''
! scope="row"| ''[[Monkey Business (1931 film)|Monkey Business]]''
Line 233: Line 254:
| 1938
| 1938
| Gordon Miller
| Gordon Miller
| style="text-align:left;"| Released by [[RKO Radio Pictures]]; based on a 1937 [[Broadway theatre|Broadway]]
| style="text-align:left;"| Released by [[RKO Radio Pictures]]; based on a 1937 Broadway play
|-
|-
! scope="row"| ''[[At the Circus]]''
! scope="row"| ''[[At the Circus]]''
Line 248: Line 269:
| 1941
| 1941
| Wolf J. Flywheel
| Wolf J. Flywheel
| style="text-align:left;"| Released by MGM (Intended to be their last film)
| style="text-align:left;"| Released by MGM (intended to be their last film)
|-
|-
! scope="row"| ''[[A Night in Casablanca]]''
! scope="row"| ''[[A Night in Casablanca]]''
Line 348: Line 369:
| 1967
| 1967
| Himself
| Himself
| style="text-align:left;"| Episode: "The Greatest Invention in the World"<ref>{{cite news |url=http://www.tvparty.com/moviemarx2.html |title=Groucho Marx on Television Part Two - The Sixties and Seventies|work=TVparty.com |accessdate=June 18, 2017}}</ref>
| style="text-align:left;"| Episode: "The Greatest Invention in the World"<ref>{{cite news |url=http://www.tvparty.com/moviemarx2.html |title=Groucho Marx on Television Part Two - The Sixties and Seventies|work=TVparty.com |access-date=June 18, 2017}}</ref>
|-
|-
! scope="row"| ''[[Skidoo (film)|Skidoo]]''
! scope="row"| ''[[Skidoo (film)|Skidoo]]''
| 1968
| 1968
| [[God]]
| God
| style="text-align:left;"| Released by Paramount
| style="text-align:left;"| Released by Paramount
|-
|-
! scope="row"| ''[[Julia (TV series)|Julia]]''
! scope="row"| ''[[Julia (1968 TV series)|Julia]]''
| 1968
| 1968
| Mr. Flywheel
| Mr. Flywheel
Line 362: Line 383:
|}
|}


=== Short subjects ===
===Short subjects===
*''Hollywood on Parade No. 11'' (1933)
*''Hollywood on Parade No. 11'' (1933)
*''Screen Snapshots Series 16, No. 3'' (1936)
*''Screen Snapshots Series 16, No. 3'' (1936)
Line 371: Line 392:


==Bibliography==
==Bibliography==
{{Expand list|date=April 2017}}
{{Incomplete list|date=April 2017}}


===Books===
===Books by Groucho Marx===
*''Beds'' (Farrar & Rinehart, 1930)
*{{cite book |author=Marx, Groucho |authorlink= |authormask= |title=Groucho and me |location=New York |publisher=B. Geis Associates |year=1959 |<!--lccn=59013753-->}}
*''Beds'': revised & updated edition (Bobbs-Merrill, 1976 {{ISBN|0-672-52224-1}})
*{{cite book |author=Marx, Groucho |authorlink= |authormask=1 |others=Illustrated by Leo Hershfield |title=Memoirs of a mangy lover |location=New York |publisher=B. Geis Associates |year=1963 |<!--lccn=63018454 -->}}
*''Many Happy Returns: An Unofficial Guide to Your Income-Tax Problems'' Illustrated by [[Otto Soglow]] (Simon & Schuster, 1942)
*Groucho Marx, ''The Groucho Letters: Letters From and To Groucho Marx'' (1967, {{ISBN|0-306-80607-X}})
*Groucho Marx, ''Beds'' (1977, {{ISBN|0-672-52224-1}})
* ''Groucho and Me'' (B. Geis Associates, 1959)
*''Memoirs of a Mangy Lover'' (B. Geis Associates, 1963)
*Groucho Marx, ''Many Happy Returns: An unofficial guide to your income-tax problems'' Illustrated by [[Otto Soglow]] (1942)
*''The Groucho Letters: Letters From and To Groucho Marx'' (Simon & Schuster, 1967, {{ISBN|0-306-80607-X}})
*''The Marx Bros, Scrapbook'' with Richard Anobile (Darien House/W W Norton, 1973, {{ISBN|0-393-08371-3}})
*''The Secret Word Is Groucho'' with Hector Arce (Putnam, 1976)
*''The Groucho Phile: An Illustrated Life by Groucho Marx'' with Hector Arce (Galahad, 1976, {{ISBN|0-88365-433-4}})


===Essays and reporting===
===Essays and reporting===
*{{cite journal |author=Marx, Julius H. |authorlink= |authormask= |date=April 4, 1925 |title=Boston again |department=New York, Etc. |journal=The New Yorker |volume=1 |issue=7 |pages=25 |url= |<!--accessdate=-->}}
*{{cite magazine |author=Marx, Julius H. |date=April 4, 1925 |title=Boston again |department=New York, Etc. |magazine=The New Yorker |volume=1 |issue=7 |pages=25 }}
*{{cite journal |author=Marx, Julius H. |authorlink= |authormask=1 |date=April 11, 1925 |title=Vaudeville talk |department=New York, Etc. |journal=The New Yorker |volume=1 |issue=8 |pages=25 |url= |<!--accessdate=-->}}
*{{cite magazine |author=Marx, Julius H. |author-mask=1 |date=April 11, 1925 |title=Vaudeville talk |department=New York, Etc. |magazine=The New Yorker |volume=1 |issue=8 |pages=25 }}


== References ==
==References==
{{Reflist}}
{{Reflist}}


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*Miriam Marx Allen, ''Love, Groucho: Letters From Groucho Marx to His Daughter Miriam'' (1992, {{ISBN|0-571-12915-3}})
*Miriam Marx Allen, ''Love, Groucho: Letters From Groucho Marx to His Daughter Miriam'' (1992, {{ISBN|0-571-12915-3}})
*Charlotte Chandler, ''[[Hello, I Must Be Going! (book)|Hello, I Must Be Going!]]'' (1979, {{ISBN|0-14-005222-4}})
*Charlotte Chandler, ''[[Hello, I Must Be Going! (book)|Hello, I Must Be Going!]]'' (1979, {{ISBN|0-14-005222-4}})
*Robert Dwan, ''As Long as They're Laughing: Groucho Marx and You Bet Your Life'' (2000, {{ISBN|1-887664-36-X}})
*Stefan Kanfer, ''Groucho: The Life and Times of Julius Henry Marx'' (2000, {{ISBN|0-375-70207-5}})
*Stefan Kanfer, ''Groucho: The Life and Times of Julius Henry Marx'' (2000, {{ISBN|0-375-70207-5}})
*Simon Louvish, ''Monkey Business: The Lives and Legends of the Marx Brothers'' (2001, {{ISBN|0-312-25292-7}})
*Simon Louvish, ''Monkey Business: The Lives and Legends of the Marx Brothers'' (2001, {{ISBN|0-312-25292-7}})
*Arthur Marx, ''Life With Groucho'' (1954, revised as ''My Life with Groucho: A Son's Eye View'' 1988, {{ISBN|0-330-31132-8}}))
*Arthur Marx, ''Son of Groucho'' (1972, {{ISBN|0-679-50355-2}})
*Arthur Marx, ''Son of Groucho'' (1972, {{ISBN|0-679-50355-2}})
*Harpo Marx, ''Harpo Speaks'' (1961, revised as ''Harpo Speaks!'' 1985, {{ISBN|0-87910-036-2}})
*Glenn Mitchell, ''The Marx Brothers Encyclopedia'' (1996, {{ISBN|0-7134-7838-1}})
*Glenn Mitchell, ''The Marx Brothers Encyclopedia'' (1996, {{ISBN|0-7134-7838-1}})
*Steve Stoliar, ''Raised Eyebrows: My Years Inside Groucho's House'' (1996, {{ISBN|1-881649-73-3}})
*Steve Stoliar, ''Raised Eyebrows: My Years Inside Groucho's House'' (1996, {{ISBN|1-881649-73-3}})
* [http://www.starkman.com/hippo/articles/marx.html ''Julius H. (Groucho) Marx v. Commissioner of Internal Revenue''], 29 T.C. 88 (1957)
* [http://www.starkman.com/hippo/articles/marx.html ''Julius H. (Groucho) Marx v. Commissioner of Internal Revenue''], 29 T.C. 88 (1957)


== External links ==
==External links==
{{Commons category}}
{{Commons category}}
{{wikiquote}}
{{wikiquote}}
* {{cite web|url=https://www.newyorker.com/contributors/groucho-marx|title=Groucho Marx - Contributors|work=newyorker.com}}
*[http://id.loc.gov/authorities/names/n79060499.html Marx, Groucho, 1890–1977 (Library of Congress Name Authority File)]
*{{IMDb name}}
*[http://lccn.loc.gov/mm82047845 Groucho Marx papers, 1930–1967 (Library of Congress)] {{LCCN|mm82047845}}
* {{cite web|url=http://www.newyorker.com/contributors/groucho-marx|title=Groucho Marx - Contributors|author=|date=|work=newyorker.com}}
*{{IMDb name|50|Groucho Marx}}
*{{Tcmdb name}}
*{{Tcmdb name}}
*{{IBDB name}}
*{{IBDB name}}
*{{Internet Archive author}}
*[http://news.bbc.co.uk/1/hi/programmes/letter_from_america/3578615.stm Alistair Cooke's reflections on his friendship with Groucho]
*[https://archive.org/download/GrouchoMarx-PressConference1965/GrouchoMarx-PressConferenceLondonJune1965.mp3 Groucho Marx Interview – Press Conference London June 1965] (audio file)
*[http://www.lydiaolydia.com Lydia's Marx Brothers Tribute Website]
*[https://archive.org/search.php?query=Groucho%20Marx Groucho Marx - Old Time Radio - Archive.org]
*[https://archive.org/details/Groucho_Marx_Letter_to_Warner_Brothers Groucho's letter to Warner Brothers when they threatened to sue him]
*[http://www.snopes.com/radiotv/tv/grouchocigar.asp Urban Legends Reference Page: Groucho Marx: "I Love My Cigar"]
*[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19720307/PEOPLE/41116001/1023 Esquire magazine profile of Groucho Marx in 1972, by Roger Ebert]
*[https://www.flickr.com/photos/puzzlemaster/2400101758 1922 passport photo of Groucho and first wife Ruth Johnson]
*[https://archive.org/download/GrouchoMarx-PressConference1965/GrouchoMarx-PressConferenceLondonJune1965.mp3 Groucho Marx Interview – Press Conference London June 1965]
*[https://vault.fbi.gov/Groucho%20Marx FBI Records: The Vault - Groucho Marx] at vault.fbi.gov
*[https://vault.fbi.gov/Groucho%20Marx FBI Records: The Vault - Groucho Marx] at vault.fbi.gov
*[https://www.marxbrothers.nu/ The Marx Brothers Museum]

{{Academy Honorary Award}}
{{Academy Honorary Award}}
{{Marx Brothers}}
{{Marx Brothers}}
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[[Category:20th-century American male actors]]
[[Category:20th-century American male singers]]
[[Category:20th-century American singers]]
[[Category:American comedy musicians]]
[[Category:Academy Honorary Award recipients]]
[[Category:Academy Honorary Award recipients]]
[[Category:American game show hosts]]
[[Category:American game show hosts]]
[[Category:American male comedians]]
[[Category:American male comedians]]
[[Category:American male film actors]]
[[Category:American male film actors]]
[[Category:American male musical theatre actors]]
[[Category:American male stage actors]]
[[Category:American male stage actors]]
[[Category:American male television actors]]
[[Category:American male television actors]]
[[Category:American people of Alsatian-Jewish descent]]
[[Category:American people of German-Jewish descent]]
[[Category:American radio personalities]]
[[Category:American radio personalities]]
[[Category:Burials at Eden Memorial Park Cemetery]]
[[Category:California Democrats]]
[[Category:California Democrats]]
[[Category:Deaths from pneumonia]]
[[Category:Comedians from Manhattan]]
[[Category:Infectious disease deaths in California]]
[[Category:Deaths from pneumonia in California]]
[[Category:Jewish American male actors]]
[[Category:Jewish American male actors]]
[[Category:Jewish American comedians]]
[[Category:Jewish American musicians]]
[[Category:Jewish male comedians]]
[[Category:Male actors from Manhattan]]
[[Category:Marx Brothers]]
[[Category:Marx Brothers]]
[[Category:National Radio Hall of Fame inductees]]
[[Category:People from the Upper East Side]]
[[Category:People from the Upper East Side]]
[[Category:Vaudeville performers]]
[[Category:American vaudeville performers]]
[[Category:American Jewish comedians]]
[[Category:Jews from New York (state)]]
[[Category:Jewish film people]]

Latest revision as of 16:31, 9 December 2024

Groucho Marx
Marx in Copacabana (1947)
Birth nameJulius Henry Marx
Born(1890-10-02)October 2, 1890
New York City, NY, U.S.
DiedAugust 19, 1977(1977-08-19) (aged 86)
Los Angeles, California, U.S.
Resting placeEden Memorial Park Cemetery
Medium
  • Film
  • television
  • stage
  • radio
  • music
Years active1905–1976
Genres
Spouse
  • Ruth Johnson
    (m. 1920; div. 1942)
  • Kay Marvis Gorcey
    (m. 1945; div. 1951)
  • (m. 1954; div. 1969)
Children
Parent(s)
Relative(s)

Julius Henry "Groucho" Marx (/ˈɡr/; October 2, 1890 – August 19, 1977) was an American comedian, actor, writer, and singer who performed in films and vaudeville on television, radio, and the stage.[1] He is considered one of America's greatest comedians.[2]

Marx made 13 feature films as a team with his brothers, who performed under the name the Marx Brothers, of whom he was the third born. He also had a successful solo career, primarily on radio and television, most notably as the host of the game show You Bet Your Life.[1]

His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, spectacles, cigar, and a thick greasepaint mustache (later a real mustache) and eyebrows. These exaggerated features resulted in the creation of one of the most recognizable and ubiquitous novelty disguises, known as Groucho glasses: a one-piece mask consisting of horn-rimmed glasses, a large plastic nose, bushy eyebrows and brush mustache.[3]

Early life

[edit]

Julius Henry Marx was born on October 2, 1890, in Manhattan, New York City.[4] Marx stated that he was born in a room above a butcher's shop on East 78th Street, "Between Lexington and Third", as he told Dick Cavett in a 1969 television interview.[5] The Marx children grew up in a turn-of-the-century building at 179 East 93rd Street off Lexington Avenue in a neighborhood now known as Carnegie Hill on the Upper East Side of the borough of Manhattan. His older brother Harpo, in his memoir Harpo Speaks, called the building "the first real home I knew".[6] It was populated with European immigrants, mostly artisans. Just across the street were the oldest brownstones in the area, owned by people including the well-connected Loew Brothers and William Orth. The Marx family lived there "for about 14 years", Groucho also told Cavett.

The only known photo of all five Marx brothers with their parents in New York City, 1915; from left: Groucho (aged 25), Gummo (aged 22), Minnie (mother), Zeppo (aged 14), Frenchie (father), Chico (aged 28), and Harpo (aged 27)

Marx's family was Jewish.[7] His mother was Miene "Minnie" Schoenberg, whose family came from Dornum in northern Germany when she was 16 years old. His father was Simon "Sam" Marx, who changed his name from Marrix, and was called "Frenchie" by his sons throughout his life, because he and his family came from Alsace in France.[8] Minnie's brother was Al Schoenberg, who shortened his name to Al Shean when he went into show business as half of Gallagher and Shean, a noted vaudeville act of the early 20th century. According to Marx, when Shean visited, he would throw the local waifs a few coins so that when he knocked at the door he would be surrounded by adoring fans. Marx and his brothers respected his opinions and asked him on several occasions to write some material for them.[citation needed]

Minnie Marx did not have an entertainment industry career but had intense ambition for her sons to go on the stage like their uncle. While pushing her second son Leonard (Chico Marx) in piano lessons, she found that Julius had a pleasant soprano voice and the ability to remain on key. Julius's early career goal was to become a doctor, but the family's need for income forced him out of school at the age of twelve. By that time Julius had become a voracious reader, particularly fond of Horatio Alger. Marx continued to overcome his lack of formal education by becoming very well-read.[citation needed]

After a few stabs at entry-level office work and jobs suitable for adolescents, Marx took to the stage as a boy singer with the Gene Leroy Trio, debuting at the Ramona Theatre in Grand Rapids, Michigan, on July 16, 1905.[9] Marx reputedly claimed that he was "hopelessly average" as a vaudevillian, but this was typical Marx, wisecracking in his true form. By 1909, Minnie Marx had assembled her sons into an undistinguished vaudeville singing group billed as "The Four Nightingales". The brothers Julius, Milton (Gummo Marx) and Arthur (originally Adolph, but Harpo Marx from 1911) and another boy singer, Lou Levy, traveled the U.S. vaudeville circuits to little fanfare. After exhausting their prospects in the East, the family moved to La Grange, Illinois, to play the Midwest.[citation needed]

After a particularly dispiriting performance in Nacogdoches, Texas, Julius, Milton, and Arthur began cracking jokes onstage for their own amusement. Much to their surprise, the audience liked them better as comedians than as singers. They modified the then-popular Gus Edwards comedy skit "School Days" and renamed it "Fun In Hi Skule". The Marx Brothers performed variations on this routine for the next seven years.[citation needed]

For a time in Vaudeville, all the brothers performed using ethnic accents. Leonard, the oldest, developed the Italian accent he used as Chico Marx to convince some roving bullies that he was Italian, not Jewish. Arthur, the next oldest, donned a curly red wig and became "Patsy Brannigan", a stereotypical Irish character. His discomfort when speaking on stage led to his uncle Al Shean's suggestion that he stop speaking altogether and play the role in mime. Julius Marx's character from "Fun In Hi Skule" was an ethnic German, so Julius played him with a German accent. After the sinking of the RMS Lusitania in 1915, public anti-German sentiment was widespread, and Marx's German character was booed, so he dropped the accent and developed the fast-talking wise-guy character that became his trademark.[citation needed]

The Marx Brothers became the biggest comedic stars of the Palace Theatre in New York, which billed itself as the "Valhalla of Vaudeville". Brother Chico's deal-making skills resulted in three hit plays on Broadway. No other comedy routine had ever so infected the Broadway circuit. All of this stage work predated their Hollywood career. By the time the Marxes made their first movie, they were already major stars with sharply honed skills; and by the time Groucho was relaunched to stardom in television on You Bet Your Life, he had been performing successfully for half a century.[citation needed]

Career

[edit]

Vaudeville

[edit]

Marx started his career in vaudeville in 1905 when he joined up with an act called The Leroy Trio.[10] He answered a newspaper want ad by a man named Robin Leroy who was looking for a boy to join his group as a singer. Marx was hired along with fellow vaudeville actor Johnny Morris. Through this act, Marx got his first taste of life as a vaudeville performer. In 1909, Marx and his brothers had become a group act, at first called The Three Nightingales and later The Four Nightingales.[10] The brothers' mother, Minnie Marx, was the group's manager, putting them together and booking their shows. The group had a rocky start, performing in less than adequate venues and rarely, if ever, being paid for their performances.[10] Eventually brother Milton (Gummo) left the act to serve in World War I and was replaced by Herbert (Zeppo), and the group became known as the Marx Brothers.[10] Their first successful show was Fun In Hi Skule (1910).[10]

Motion pictures

[edit]
The Marx Brothers in 1931 (from top, Chico, Harpo, Groucho and Zeppo)

Marx made 26 movies, including 13 with his brothers Chico and Harpo.[11] Marx developed a routine as a wisecracking hustler with a distinctive chicken-walking lope, an exaggerated greasepaint mustache and eyebrows and an ever-present cigar, improvising insults to stuffy dowagers (frequently played by Margaret Dumont) and anyone else who stood in his way. As the Marx Brothers, he and his brothers starred in a series of popular stage shows and movies.

Their first movie was a silent film made in 1921 that was only shown once, in the Bronx,[11] and is believed to have been destroyed shortly afterward. A decade later, the team made their last two Broadway shows—The Cocoanuts and Animal Crackers[11]—into movies. Other successful films were Monkey Business, Horse Feathers, Duck Soup and A Night at the Opera.[11] One quip from Marx concerned his response to Sam Wood, the director of A Night at the Opera. Furious with the Marx Brothers' ad-libs and antics on the set, Wood yelled in disgust: "You can't make an actor out of clay." Marx responded, "Nor a director out of Wood."[12]

Marx in Duck Soup (1933)

Marx also worked as a radio comedian and show host. One of his earliest stints was a short-lived series in 1932, Flywheel, Shyster and Flywheel, costarring Chico. Though most of the scripts and discs were thought to have been destroyed, all but one of the scripts were found in 1988 in the Library of Congress. In 1947, Marx was asked to host a radio quiz program You Bet Your Life. It was broadcast by ABC and then CBS before moving to NBC. It moved from radio to television on October 5, 1950, and ran for eleven years. It was largely sponsored by DeSoto automobiles and Marx sometimes appeared in the commercials. Filmed before an audience, the show consisted of Marx bantering with the contestants and ad-libbing jokes before briefly quizzing them. The announcer for the show was George Fenneman. The show was responsible for popularizing the phrases "Say the secret word and the duck will come down and give you fifty dollars," "Who's buried in Grant's Tomb?" and "What color is the White House?" (asked to reward a losing contestant a consolation prize).[13]

Groucho and his older brother Chico, 1937

Throughout his career Marx introduced a number of memorable songs in films, including "Hooray for Captain Spaulding" and "Hello, I Must Be Going", in Animal Crackers, "Whatever It Is, I'm Against It", "Everyone Says I Love You" and "Lydia the Tattooed Lady". Frank Sinatra, who once quipped that the only thing he could do better than Marx was sing, made a film with Marx and Jane Russell in 1951 entitled Double Dynamite.

Mustache, eyebrows, and walk

[edit]

In public and off-camera, Harpo and Chico were hard to recognize without their wigs and costumes, and it was almost impossible for fans to recognize Groucho without his trademark eyeglasses, fake eyebrows, and mustache.

Groucho and Eve Arden in a scene from At the Circus (1939)

The greasepaint mustache and eyebrows originated spontaneously prior to a vaudeville performance in the early 1920s when he did not have time to apply the pasted-on mustache he had been using (or, according to his autobiography, simply did not enjoy the removal of the mustache because of the effects of tearing an adhesive bandage off the same patch of skin every night). After applying the greasepaint mustache, a quick glance in the mirror revealed his natural hair eyebrows were too undertoned and did not match the rest of his face, so Marx added the greasepaint to his eyebrows and headed for the stage. The absurdity of the greasepaint was never discussed on-screen, but in a famous scene in Duck Soup, where both Chicolini (Chico) and Pinky (Harpo) disguise themselves as Groucho, they are briefly seen applying the greasepaint, implicitly answering any question a viewer might have had about where he got his mustache and eyebrows.

Marx was asked to apply the greasepaint mustache once more for You Bet Your Life when it came to television, but he refused, opting instead to grow a real one, which he wore for the rest of his life. By this time, his eyesight had weakened enough for him to actually need corrective lenses; before then, his eyeglasses had merely been a stage prop. He debuted this new, and now much-older, appearance in Love Happy, the Marx Brothers's last film as a comedy team.

Marx did paint the old character mustache over his real one on a few rare occasions, including a TV sketch with Jackie Gleason on the latter's variety show in the 1960s (in which they performed a variation on the song "Mister Gallagher and Mister Shean", co-written by Marx's uncle Al Shean) and the 1968 Otto Preminger film Skidoo. In his late 70s at the time, Marx remarked on his appearance: "I looked like I was embalmed." He played a mob boss called "God" and, according to Marx, "both my performance and the film were God-awful!"

The exaggerated walk, with one hand on the small of his back and his torso bent almost 90 degrees at the waist, was a parody of a fad from the 1880s and 1890s.[citation needed] Fashionable young men of the upper classes would affect a walk with their right hand held fast to the base of their spines, and with a slight lean forward at the waist and a very slight twist toward the right with the left shoulder, allowing the left hand to swing free with the gait. Edmund Morris, in his biography The Rise of Theodore Roosevelt, describes a young Roosevelt, newly elected to the State Assembly, walking into the House Chamber for the first time in this trendy, affected gait, somewhat to the amusement of the older and more rural members.[14] Marx exaggerated this fad to a marked degree, and the comedic effect was enhanced by how out of date the fashion was by the 1940s and 1950s.

Personal life

[edit]
The Marx Brothers (clockwise from bottom: Groucho, Chico, and Harpo) by Yusuf Karsh, 1946

Marx's three marriages ended in divorce. His first wife was chorus girl Ruth Johnson (m. 1920–1942). He was 29 and she was 19 at the time of their wedding. The couple had two children, Arthur Marx and Miriam Marx. His second wife was Kay Marvis (m. 1945–1951), née Catherine Dittig,[15] former wife of Leo Gorcey. Marx was 54 and Kay was 21 at the time of their marriage. They had a daughter, Melinda Marx, whose daughter Jade Berti was formerly married to Dominic Ruiz, brother of Dina Eastwood.[16] His third wife was actress Eden Hartford (m. 1954–1969). He was 64 and she was 24 at the time of their wedding.

During the early 1950s, Marx described his perfect woman: "Someone who looks like Marilyn Monroe and talks like George S. Kaufman."[17]

Marx was denied membership in an informal symphonietta of friends (including Harpo) organized by Ben Hecht, because he could play only the mandolin. When the group began its first rehearsal at Hecht's home, Marx rushed in and demanded silence from the "lousy amateurs". The musicians discovered him conducting the Los Angeles Symphony Orchestra in a performance of the overture to Tannhäuser in Hecht's living room. Marx was allowed to join the symphonietta.[18]

Later in life, Marx would sometimes note to talk show hosts, not entirely jokingly, that he was unable to actually insult anyone, because the target of his comment would assume that it was a Groucho-esque joke, and would laugh.[citation needed]

On the set of You Bet Your Life with daughter Melinda, 1953

Despite his lack of formal education, he wrote many books, including his autobiography, Groucho and Me, (1959) and Memoirs of a Mangy Lover (1963). He was a friend of such literary figures as Booth Tarkington, T. S. Eliot, and Carl Sandburg. Much of his personal correspondence with those and other figures is featured in the book The Groucho Letters (1967) with an introduction and commentary on the letters written by Marx, who donated his letters to the Library of Congress.[19] His daughter Miriam published a collection of his letters to her in 1992 titled Love, Groucho.

In Life with Groucho: A Son's Eye View, Arthur Marx relates that in his latter years, Groucho increasingly referred to himself by the name Hackenbush, referring to the character of that name he played in A Day at the Races.[20]

Marx made serious efforts to learn to play the guitar. In the 1932 film Horse Feathers, he performs the film's love theme "Everyone Says I Love You" for costar Thelma Todd on a Gibson L-5.[21]

In July 1937, an America-vs.-England pro-celebrity tennis doubles match was organized, featuring Marx and Ellsworth Vines playing against Charlie Chaplin and Fred Perry, to open the new clubhouse at the Beverly Hills Tennis Club. Marx appeared on court with twelve rackets and a suitcase, leaving Chaplin—who took tennis seriously—bemused, before he asked what was in it. Marx asked Chaplin what was in his, with Chaplin responding he didn't have one. Marx replied, "What kind of tennis player are you?" After playing only a few games, Marx sat on the court and unpacked an elaborate picnic lunch from his suitcase.[22]

Irving Berlin quipped: "The world would not be in such a snarl, had Marx been Groucho instead of Karl."[23] In his book The Groucho Phile, Marx says "I've been a liberal Democrat all my life", and "I frankly find Democrats a better, more sympathetic crowd.... I'll continue to believe that Democrats have a greater regard for the common man than Republicans do".[24] However, during an episode of Firing Line on July 7, 1967, Marx admitted to voting for Wendell Willkie, the Republican candidate for president in 1940, over Franklin D. Roosevelt, stating that he did not believe that any man should run for more than two terms.[25] Marx mentioned in a television interview that he disliked the women's liberation movement.[citation needed]

Later years

[edit]

You Bet Your Life

[edit]

Marx's radio career was not as successful as his work on stage and in film, though historians such as Gerald Nachman and Michael Barson suggest that, in the case of the single-season Flywheel, Shyster, and Flywheel (1932), the failure may have been a combination of a poor time slot and the Marx Brothers' returning to Hollywood to make another film.

In the mid-1940s, he weathered a depressing lull in his career. His radio show Blue Ribbon Town had failed, and he was unable to sell his proposed sitcom The Flotsam Family only to see it become a huge hit as The Life of Riley with William Bendix in the title role. By that time, the Marx Brothers as film performers had officially retired.

Marx was scheduled to appear on a radio show with Bob Hope. Annoyed that he was made to wait in the green room for 40 minutes, he went on the air in a foul mood. Hope started by saying "Why, Groucho Marx! Groucho, what are you doing out here in the desert?" Marx retorted, "Huh, desert, I've been sitting in the dressing room for forty minutes! Some desert alright ...". Marx continued to ignore the script, ad-libbing at length, and took it well beyond its allotted time slot.

Listening in on the show was producer John Guedel, who had a brainstorm. He approached Marx about doing a quiz show, to which Marx derisively retorted, "A quiz show? Only actors who are completely washed up resort to a quiz show!" Undeterred, Guedel proposed that the quiz would be only a backdrop for Marx's interviews of people, and the storm of ad-libbing that they would elicit. Marx replied, "Well, I've had no success in radio, and I can't hold on to a sponsor. At this point, I'll try anything!"[citation needed]

Marx as main host of You Bet Your Life, 1953

You Bet Your Life debuted in October 1947 on ABC radio (which aired it from 1947 to 1949), sponsored by costume jewelry manufacturer Allen Gellman;[26] and then on CBS (1949–50), and finally NBC. The show was on radio only from 1947 to 1950; on both radio and television from 1950 to 1960; and on television only, from 1960 to 1961. The show proved a huge hit, being one of the most popular on television by the mid-1950s, garnering a number one rating in 1953. With George Fenneman as his announcer and straight man, Marx entertained his audiences with rapier wit and improvised conversation with his guests. Since You Bet Your Life was mostly ad-libbed and unscripted — although writers did pre-interview the guests and feed Marx ready-made lines in advance — the producers insisted that the network prerecord it instead of it being broadcast live. There were three reasons for this: prerecording provided Marx with time to fish around for funny exchanges, any intervening dead spots could be edited out; and most importantly to protect the network from what was considered risqué, since Marx was a notorious loose cannon and known to say almost anything. The television show ran for 11 seasons until it was canceled in 1961. Ironically longtime major sponsor, automobile marque DeSoto went out of business for declining sales that same year. For the DeSoto ads, Marx would sometimes say: "Tell 'em Groucho sent you", or "Try a DeSoto before you decide." In the mid-1970s, episodes of the show were syndicated and rebroadcast as The Best of Groucho.[27]

The program's theme music was an instrumental version of "Hooray for Captain Spaulding," which became increasingly identified as Marx's personal theme song. A recording of the song with Marx and the Ken Lane singers with an orchestra directed by Victor Young was released in 1952. Another recording made by Marx during this period was "The Funniest Song in the World," released on the Young People's Records label in 1949. It was a series of five original children's songs with a connecting narrative about a monkey and his fellow zoo creatures.

One of Marx's most oft-quoted remarks may have occurred during a 1947 radio episode. Marx was interviewing Charlotte Story, who had borne 20 children. When Marx asked why she had chosen to raise such a large family, Mrs. Story is said to have replied, "I love my husband," to which Marx responded, "I love my cigar, but I take it out of my mouth once in a while." The remark was judged too risqué to be aired, according to the anecdote, and was edited out before broadcast.[28] Charlotte Story and her husband Marion, indeed parents of 20 children, were real people who appeared on the program.[29] Audio recordings of the interview exist,[30] and a reference to cigars is made ("With each new kid, do you go around passing out cigars?"), but there is no evidence of the claimed remark. "I get credit all the time for things I never said," Marx told Roger Ebert in 1972. "You know that line in You Bet Your Life? The guy says he has seventeen kids and I say, 'I smoke a cigar, but I take it out of my mouth occasionally'? I never said that."[31] Marx's 1976 memoir recounts the episode as fact,[32] but co-writer Hector Arce relied mostly on sources other than Marx himself—who was by then in his mid eighties, in ill health and mentally compromised—and was probably unaware that Marx had specifically denied making the observation.[33] Head writer Bernie Smith recalled in a 1996 interview that the remark was indeed made—but again, well after the fact.[34]

In 1946, as part of the marketing campaign for the Marx Brothers film A Night in Casablanca, Marx created a storyline that Warner Bros. Pictures threatened to sue him, contending that that title was too similar to their 1942 film Casablanca.[35] Groucho wrote open letters "responding" to the four Warner brothers, including one in which he questions their own use of various words, such as: wondering if "in 1471, Ferdinand Balboa Warner, your great-great-grandfather,... stumbled on the shores of Africa and... named it Casablanca"; suggesting that "[David] Burbank's survivors aren't too happy with the fact that" Warner Bros. Burbank, California studios are called their "Burbank studios"; and even suggesting a Marx Brothers legal action addressing "What about 'Warner Brothers'? ... Professionally, we were brothers long before you were."[36][37]

Other work

[edit]

On August 5, 1948, Marx's comedy play April Fool premiered at the Lobero Theatre in Santa Barbara, California, to mediocre reviews.[38] Penned by Groucho Marx and Norman Krasna, the play was rewritten and retitled Time for Elizabeth, and opened at the Fulton Theatre in New York City on September 27, 1948,[39] where it closed after only eight performances.[40] [41]

By the time You Bet Your Life debuted on TV on October 5, 1950, Marx had grown a real mustache (which he had already sported earlier in the films Copacabana and Love Happy).

During a tour of Germany in 1958, accompanied by then-wife Eden, daughter Melinda, Robert Dwan and Dwan's daughter Judith, he climbed a pile of rubble that marked the site of Adolf Hitler's bunker, the site of Hitler's death, and performed a two-minute Charleston.[42] He later remarked to Richard J. Anobile in The Marx Brothers Scrapbook, "Not much satisfaction after he killed six million Jews!"

Marx as Ko-Ko, 1960

In 1960, Marx, a lifelong devotee of the comic operas of Gilbert and Sullivan, appeared as Ko-Ko, the Lord High Executioner, in a televised production of The Mikado on NBC's The Bell Telephone Hour. A clip of this is in rotation on Classic Arts Showcase.

Another TV show, Tell It to Groucho, premiered January 11, 1962, on CBS, but only lasted five months. On October 1, 1962, Marx, after acting as occasional guest host of The Tonight Show during the six-month interval between Jack Paar and Johnny Carson, introduced Carson as the new host.

In 1964, Marx starred in the "Time for Elizabeth" episode of Bob Hope Presents the Chrysler Theatre, a truncated version of a play that he and Norman Krasna wrote in 1948.

In 1965, Marx starred in a weekly show for British TV titled Groucho, broadcast on ITV. The program was along similar lines to You Bet Your Life, with Keith Fordyce taking on the Fenneman role. However, it was poorly received and lasted only 11 weeks.

Marx appeared as a gangster named God in the comedy movie Skidoo (1968), directed by Otto Preminger, and starring Jackie Gleason and Carol Channing. It was released by the studio where the Marx Brothers began their film career, Paramount Pictures. The film received almost universally negative reviews. Writer Paul Krassner published a story in the February 1981 issue of High Times, relating how Marx prepared for the LSD-themed movie by taking a dose of the drug in Krassner's company, and had a moving, largely pleasant experience.[43]

Marx developed friendships with rock star Alice Cooper—the two were photographed together for Rolling Stone magazine—and television host Dick Cavett, becoming a frequent guest on Cavett's late-night talk show, even appearing in a one-man, 90-minute interview.[5] When Elton John was visiting California in 1972, he and Marx became friendly. Marx insisted on calling him "John Elton". According to writer Philip Norman, when Elton John was playing the piano at Marx's home, Marx jokingly pointed his index fingers as if holding a pair of six-shooters; John put up his hands and said, "Don't shoot me, I'm only the piano player," thereby giving him the title of the album he had just completed. A film poster for the Marx Bros. film Go West is visible on the album cover photograph as an homage to Marx. Elton John accompanied Marx to a performance of Jesus Christ Superstar. As the lights went down, Marx called out, "Does it have a happy ending?" And during the Crucifixion scene, he declared, "This is sure to offend the Jews."[citation needed]

Marx and Brooke Hayward, 1961

Marx's previous work regained popularity; new books of transcribed conversations were published by Richard J. Anobile and Charlotte Chandler. In a BBC interview in 1975, Marx called his greatest achievement having a book selected for cultural preservation in the Library of Congress. In a Cavett interview in 1971,[44] Marx said being published in The New Yorker under his own name,[45] Julius Henry Marx, meant more than all the plays he appeared in.[5] As a man who never had formal schooling, to have his writings declared culturally important was a point of great satisfaction.

As he passed his 81st birthday in October, 1971, Marx became increasingly frail, physically and mentally, as a result of a succession of minor strokes and other health issues.[46][47] In 1972, largely at the behest of his companion Erin Fleming, Marx appeared in a live one-man show at Carnegie Hall that was later released as a double album, An Evening with Groucho, on A&M Records. He also made an appearance in 1973 on a short-lived variety show hosted by Bill Cosby. Fleming's influence on Marx was controversial. Some close to Marx believed that she did much to revive his popularity, and the relationship with a younger woman boosted his ego and vitality.[48] Others described her as a Svengali, exploiting an increasingly frail Marx in pursuit of her own acting career. Marx's children, particularly his son Arthur, felt strongly that Fleming was pushing their ailing father beyond his physical and mental limits.[47] Writer Mark Evanier concurred.[49]

On April 2, 1974, at the 46th annual Academy Awards, Jack Lemmon presented Marx with an honorary Oscar to a standing ovation. The award honored Harpo, Chico, and Zeppo as well: "in recognition of his brilliant creativity and for the unequalled achievements of the Marx Brothers in the art of motion picture comedy". Noticeably frail, Marx took a bow for his deceased brothers, saying that "I wish that Harpo and Chico could be here to share with me this great honor." (Zeppo, still alive, was in the audience). He also praised the late Margaret Dumont as a great straight woman who never understood any of his jokes.[5][50] Marx's final appearance was a brief sketch with George Burns in the Bob Hope television special Joys (a parody of the 1975 movie Jaws) in March 1976.[51] His health continued to decline the following year; when his younger brother Gummo died at age 83 on April 21, 1977, Marx was never told for fear of eliciting still further deterioration of his health.[52]

Marx maintained his irrepressible sense of humor to the very end, however. George Fenneman, his radio and TV announcer, good-natured foil, and lifelong friend, often related a story of one of his final visits to Marx's home: When the time came to end the visit, Fenneman lifted Marx from his wheelchair, put his arms around his torso, and began to "walk" the frail comedian backwards across the room towards his bed. As he did, he heard a weak voice in his ear: "Fenneman," whispered Marx, "you always were a lousy dancer."[53] When a nurse approached him with a thermometer during his final hospitalization, explaining that she wanted to see if he had a temperature, he responded, "Don't be silly—everybody has a temperature."[48] Actor Elliott Gould recalled a similar incident: "I recall the last time I saw Groucho, he was in the hospital, and he had tubes in his nose and what have you," he said. "And when he saw me, he was weak, but he was there; and he put his fingers on the tubes and played them like it was a clarinet. Groucho played the tubes for me, which brings me to tears."[54]

Death

[edit]
Niche at Eden Memorial Park

Marx was hospitalized at Cedars-Sinai Medical Center with pneumonia on June 22, 1977, and died there nearly two months later at the age of 86[55] on August 19, four months after Gummo's death.[1] Media coverage of Groucho's death and legacy was overshadowed by the sudden death of Elvis Presley three days earlier.

Marx's body was cremated and the ashes are interred in the Eden Memorial Park Cemetery in Los Angeles. He was survived by his three children and younger brother Zeppo, who outlived him by two years. His gravestone bears no epitaph but in one of his last interviews he suggested one: "Excuse me, I can't stand up."[56]

Litigation over his estate lasted into the 1980s. Eventually, his three children were awarded the bulk of the estate, while Erin Fleming, his companion during his final years, was ordered to repay $472,000.[57]

Legacy

[edit]
Marx and John Lennon (a pun on "Marx" and "Lenin") on a 1994 Abkhazia stamp as a way of asserting the former Soviet republic's independence.[58]

Groucho Marx was considered the most recognizable of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Marx's trademark eyeglasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as "Groucho glasses", "nose-glasses," and other names) are sold by novelty and costume shops around the world.

The cover of The Firesign Theatre's 1969 album, How Can You Be in Two Places at Once When You're Not Anywhere at All, subtitled All Hail Marx and Lennon, features images of Groucho Marx and John Lennon.

Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).[59]

Minnie's Boys, a 1970 Broadway musical, focused on the younger years of Marx (played by Lewis J. Stadlen), his brothers, and his mother (played by Shelley Winters). Marx received credit as the show's advisor and appeared on The Dick Cavett Show to promote the production.[60][61]

As Groucho Marx once said, 'Anyone can get old—all you have to do is to live long enough'.

 —Queen Elizabeth II speaking at her 80th birthday celebration in 2006.[62]

In 1972, at Cannes, Marx was made a Commander in the French Ordre des Arts et des Lettres, an honor he was very proud of.[63]

A meeting with Elton John led to a press photo of Marx pointing both of his index fingers and thumbs at Elton like revolvers. John's spontaneous response of holding up his hands and replying, "Don't shoot me! I'm only the piano player!" was so amusing that Elton John reused it as the title of a 1973 album. An added Marx homage was that a poster for the Marx Brothers' movie Go West was included on the cover art.[64]

Newspaper ad for Animal Crackers (1930) with Lillian Roth paragraph.

Marx was also known to influence the Warner Bros. cartoon character Bugs Bunny, who recited his famous line "Of course you realize this means war!" in several cartoons including Long-Haired Hare and Bully for Bugs, after his antagonist has offended him.

Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Marx invited Queen to visit him in his Los Angeles home; there they performed "'39" a cappella.[65]

A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Marx's mannerisms and voice.[66] On the famous Hollywood Sign in California, one of the "O"s is dedicated to Marx. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.[67]

Actor Frank Ferrante has performed as Groucho Marx on stage since 1986. He continues to tour under rights granted by the Marx family in a show entitled An Evening with Groucho in theaters throughout the United States and Canada with supporting actors and piano accompanist Jim Furmston. In the late 1980s, Ferrante starred as Marx in the off-Broadway and London show Groucho: A Life in Revue, penned by Marx's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. In 1982, Gabe Kaplan filmed a version of the same show, entitled Groucho.[68]

In the Hungarian dubbed version of Woody Allen's film Annie Hall, a famous quotation told by Alvy Singer (Allen) at the beginning of the film is not attributed to Groucho Marx as in the original, but to Buster Keaton. The reason was that in communist Hungary, the name 'Marx' was associated with Karl Marx, and the name was not allowed to be used in such a light, humorous context.[69]

Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Marx's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of "Hooray for Captain Spaulding"—done entirely in French.

Dylan Dog and his sidekick Groucho (left). Art by Luca Maresca

In 2008, Minnie's Boys was remounted Off-Broadway with Erik Liberman as Groucho and Pamela Myers as Minnie Marx.[70] Liberman later played Marx in a musical based on Flywheel, Shyster, and Flywheel called The Most Ridiculous Thing You Ever Hoid (2010) and at the Obama White House.[71][72]

Groucho, a supporting character in the Italian horror comics series Dylan Dog, is a Groucho Marx impersonator whose character became his permanent personality, and he works with Dylan Dog as his professional sidekick. In the English-language version by Dark Horse Comics, to avoid legal complications regarding Groucho Marx's estate, the art was altered so that Groucho no longer sports the Marx brother's signature moustache, and was renamed Felix.[73]

Throughout the M*A*S*H television series, several Groucho homage traits are mirrored in Alan Alda's portrayal of Hawkeye, including the 1972 season one episode "Yankee Doodle Doctor" that had a full Groucho impression complete with nose, moustache and glasses.[74]

In 2023, notable artist William Kentridge included a drawing of Marx in his solo museum exhibition at The Broad in Los Angeles.[75]

Filmography

[edit]

Features

[edit]
Films with the Marx Brothers
Title Year Role Notes
Humor Risk 1921 Villain Previewed once and never released; thought to be lost
The Cocoanuts 1929 Hammer Released by Paramount Pictures; based on a 1925 Marx Brothers Broadway musical
Animal Crackers 1930 Captain Jeffrey Spaulding Released by Paramount; based on a 1928 Marx Brothers Broadway musical
The House That Shadows Built 1931 Caesar's Ghost Short subject; non-theatrical promotional release by Paramount
Monkey Business 1931 Groucho Released by Paramount
Horse Feathers 1932 Professor Quincy Adams Wagstaff Released by Paramount
Duck Soup 1933 Rufus T. Firefly Released by Paramount
Post-Zeppo
A Night at the Opera 1935 Otis B. Driftwood Released by Metro-Goldwyn-Mayer
A Day at the Races 1937 Dr. Hugo Z. Hackenbush Released by MGM
Room Service 1938 Gordon Miller Released by RKO Radio Pictures; based on a 1937 Broadway play
At the Circus 1939 J. Cheever Loophole Released by MGM
Go West 1940 S. Quentin Quale Released by MGM
The Big Store 1941 Wolf J. Flywheel Released by MGM (intended to be their last film)
A Night in Casablanca 1946 Ronald Kornblow Released by United Artists
Love Happy 1949 Detective Sam Grunion Released by United Artists
Showdown at Ulcer Gulch 1957 Stage Conductor (voice) Cameo
The Story of Mankind 1957 Peter Minuit Cameo
General Electric Theater 1959 Suspect in a Police Lineup Episode: "The Incredible Jewel Robbery"
Solo filmography
Title Year Role Notes
Yours for the Asking 1936 Sunbather Uncredited cameo
The King and the Chorus Girl 1937 Co-writer with Norman Krasna
Instatanes 1943 Unknown
Copacabana 1947 Lionel Q. Deveraux Released by United Artist
Mr. Music 1950 Himself Released by Paramount Pictures
You Bet Your Life 1950–61 Himself (host) Quiz show
Double Dynamite 1951 Emile J. Keck Released by RKO
A Girl in Every Port 1952 Benjamin Linn Released by RKO
Will Success Spoil Rock Hunter? 1957 George Schmidlap Uncredited; released by 20th Century Fox
The Bell Telephone Hour 1960 Ko-Ko Episode: "The Mikado" (aired April 29, 1960)
General Electric Theater 1962 John Graham Episode: "The Hold-Out"
Bob Hope Presents the Chrysler Theatre 1964 Ed Davis Episode: "Time For Elizabeth"
I Dream of Jeannie 1967 Himself Episode: "The Greatest Invention in the World"[76]
Skidoo 1968 God Released by Paramount
Julia 1968 Mr. Flywheel Episode: "Farewell, My Friends, Hello"

Short subjects

[edit]
  • Hollywood on Parade No. 11 (1933)
  • Screen Snapshots Series 16, No. 3 (1936)
  • Sunday Night at the Trocadero (1937)
  • Screen Snapshots: The Great Al Jolson (1955)
  • Showdown at Ulcer Gulch (1956) (voice)
  • Screen Snapshots: Playtime in Hollywood (1956)

Bibliography

[edit]

Books by Groucho Marx

[edit]
  • Beds (Farrar & Rinehart, 1930)
  • Beds: revised & updated edition (Bobbs-Merrill, 1976 ISBN 0-672-52224-1)
  • Many Happy Returns: An Unofficial Guide to Your Income-Tax Problems Illustrated by Otto Soglow (Simon & Schuster, 1942)
  • Groucho and Me (B. Geis Associates, 1959)
  • Memoirs of a Mangy Lover (B. Geis Associates, 1963)
  • The Groucho Letters: Letters From and To Groucho Marx (Simon & Schuster, 1967, ISBN 0-306-80607-X)
  • The Marx Bros, Scrapbook with Richard Anobile (Darien House/W W Norton, 1973, ISBN 0-393-08371-3)
  • The Secret Word Is Groucho with Hector Arce (Putnam, 1976)
  • The Groucho Phile: An Illustrated Life by Groucho Marx with Hector Arce (Galahad, 1976, ISBN 0-88365-433-4)

Essays and reporting

[edit]
  • Marx, Julius H. (April 4, 1925). "Boston again". New York, Etc. The New Yorker. Vol. 1, no. 7. p. 25.
  • — (April 11, 1925). "Vaudeville talk". New York, Etc. The New Yorker. Vol. 1, no. 8. p. 25.

References

[edit]
  1. ^ a b c "Groucho Marx, Comedian, Dead. Movie Star and TV Host Was 86. Master of the Insult. Groucho Marx, Film Comedian and Host of 'You Bet Your Life,' Dies". The New York Times. August 20, 2007. p. 1.
  2. ^ Billboard Magazine May 4, 1974, pg 35: "Groucho Marx was the best comedian this country ever produced – Woody Allen"
  3. ^ Giddins, Gary (2001). The New York Times Book Reviews 2000, volume 1. Fitzroy Dearborn Publishers. ISBN 1-57958-058-0. "The most enduring masks of the 20th century—likely to take their place alongside Comedy and Tragedy or Pulcinella and Pierrot"
  4. ^ The WWI draft registration of 1917 as Julius Henry Marx in Chicago, Illinois uses October 2, 1890. The 1900 census has him born in October 1890.
  5. ^ a b c d "The Dick Cavett Show - 6/13/1969". Dickcavettshow.com. Retrieved September 21, 2018.
  6. ^ Marx, Harpo; Rowland, Barber (with) (1961). Harpo Speaks (1985 with new Afterwords ed.). New York: Limelight Editions. p. 19. ISBN 0-87910-036-2. Retrieved November 8, 2023.
  7. ^ Gary Baum (June 23, 2011). "L.A.'s Power Golf Clubs: Where the Hollywood Elite Play". The Hollywood Reporter.
  8. ^ Bland, Frank. "The Marx Brothers Family". Retrieved May 15, 2012.
  9. ^ Bader, Robert S. (2016). Four of the Three Musketeers: The Marx Brothers on Stage. Evanston, IL: Northwestern University Press. p. 31. ISBN 9780810134164.
  10. ^ a b c d e DesRochers, Rick (2014). The New Humor in the Progressive Era. New York, New York: Palgrave Macmillan. pp. 83, 84, 85. ISBN 978-1-137-35742-7.
  11. ^ a b c d "Groucho Marx Biography". Groucho-marx.com. Archived from the original on January 19, 2012. Retrieved June 25, 2008.
  12. ^ Boller, Paul F.; Davis, Ronald L. (1988). Hollywood Anecdotes (reprint ed.). Ballantine Books. p. 220. ISBN 0-345-35654-3.
  13. ^ Kanfer, Stefan (2000). The Essential Groucho: Writings by, for and about Groucho Marx. New York: Random House. p. 209. ISBN 037570213X.
  14. ^ Morris, Edmund (2001). The Rise of Theodore Roosevelt (Modern Library Paperback ed.). New York: Modern Library. pp. 143–144. ISBN 0-375-75678-7. Retrieved August 9, 2016.
  15. ^ Boxoffice, 3 June 1939, p. 89[permanent dead link].
  16. ^ McNamara, Mary (May 18, 2012). "Something is missing here". Los Angeles Times.
  17. ^ Marx, Arthur (1954). Life With Groucho. New York: Simon & Schuster. p. 294. LCCN 54-9802 – via Internet Archive text collection.
  18. ^ Friedrich, Otto (1997). "Ingatherings (1940)". City of Nets: A Portrait of Hollywood in the 1940s (reprint ed.). Berkeley and Los Angeles: University of California Press. p. 43. ISBN 0520209494.
  19. ^ "Groucho Marx papers, 1930-1967". Library of Congress Online Catalog. Retrieved June 18, 2017.
  20. ^ Marx, Arthur (1954). Life With Groucho. New York: Simon & Schuster. p. 200. LCCN 54-9802 – via Internet Archive text collection.
  21. ^ Jerry McCulley, The Surprisingly Serious Tale of Comedian Groucho Marx and His Lifelong Quest to Master Guitar. Archived May 29, 2013, at the Wayback Machine
  22. ^ Leigh, Danny (January 2, 2015). "The Marx brothers on film: souped-up comedy". Financial Times. Retrieved March 21, 2019.
  23. ^ Irving Berlin, Robert Kimball, Linda Emmet. The Complete Lyrics of Irving Berlin, p. 489. Hal Leonard Corporation, 2005. ISBN 1-55783-681-7
  24. ^ Marx, Groucho. The Groucho Phile, p. 238. Wallaby, 1977.
  25. ^ "Firing Line with William F. Buckley Jr.: Is the World Funny?". YouTube. January 25, 2017.
  26. ^ Charlotte Chandler. Hello, I must be going: Groucho and his friends. Doubleday, 1978, p 190
  27. ^ Kleiner, Dick (August 23, 1975). "Groucho's straight man back". The Anniston Star. Anniston, Alabama. Retrieved September 1, 2021.
  28. ^ Dwan, R. As Long As They're Laughing : Groucho Marx and You Bet Your Life. Baltimore, Midnight Marquee, 2000, p. 129. ISBN 188766436X
  29. ^ Kanfer, S. Groucho: The Life and Times of Julius Henry Marx. New York, Vintage, May 2001, p. 136. ISBN 0375702075
  30. ^ "The Secret Words". Snopes.com. February 15, 2001. Retrieved April 13, 2015.
  31. ^ Ebert, R. A Living Legend, Rated R. Esquire, July 1972, p. 143. Retrieved October 4, 2013.
  32. ^ Marx, G. and Arce, H. The Secret Word is Groucho. New York, G.P. Putnam's Sons, 1976, pp. 33–4. ISBN 0399116907.
  33. ^ Kaltenbach, C. Also 20 Years Dead: Groucho. Baltimore Sun, August 19, 1997, p. E-1.
  34. ^ Stoliar, S. Raised Eyebrows: My Years Inside Groucho's House. New York, BearManor Media, October 2011, pp. 124–5. ISBN 1593936524
  35. ^ Clifton Fadiman (ed), Little Brown Book of Anecdotes, Boston 1985, p. 387
  36. ^ "Groucho Marx letter to Warner Brothers". Retrieved February 5, 2007 – via Internet Archive text collection.
  37. ^ David Mikkelson (September 10, 2000), A Night in Casablancaː Did Warner Bros. threaten to sue the Marx Brothers over their 1946 film titled 'A Night in Casablanca'?, Wikidata Q123469979
  38. ^ "The Los Angeles Times 07 Aug 1948, page 8". Newspapers.com. Retrieved July 3, 2023.
  39. ^ "Daily News 28 Sep 1948, page 280". Newspapers.com. Retrieved July 3, 2023.
  40. ^ "Groucho Marx "APRIL FOOL" Otto Kruger / Norman Krasna 1948 FLOP Tryout Playbill | #1860471580". Worthpoint. Retrieved July 3, 2023.
  41. ^ "Daily News 01 Oct 1948, page 1013". Newspapers.com. Retrieved July 3, 2023.
  42. ^ Hallett, Judith Dwan. "What's So Funny & Why?". Sarah Lawrence College. Archived from the original on December 16, 2007. Retrieved July 29, 2007.
  43. ^ Krassner, Paul (October 2, 2019). "High Times Greats: My Acid Trip With Groucho". High Times. Archived from the original on July 2, 2022. Retrieved June 21, 2022.
  44. ^ "The Dick Cavett Show - 5/25/1971". Dickcavettshow.com. Retrieved September 21, 2018.
  45. ^ "Groucho Marx - Contributors". newyorker.com. Retrieved November 22, 2016.
  46. ^ Point of View Archived October 21, 2006, at the Wayback Machine, Mark Evanier, 1999-06-04, retrieved, August 9, 2007.
  47. ^ a b Point of View Archived July 17, 2012, at the Wayback Machine, Mark Evanier, 1999-06-11, retrieved, August 9, 2007.
  48. ^ a b "They Dressed like Groucho" NY Times Opinionator (April 20, 20120 Retrieved January 5, 2012.
  49. ^ Erin Fleming, R.I.P., Mark Evanier, March 7, 2004
  50. ^ "Groucho Marx receiving an Honorary Oscar®". Oscars.org. November 24, 2009. Archived from the original on October 30, 2021. Retrieved September 25, 2013.
  51. ^ "Bob Hope Special: Bob Hope in Joys". Hope Enterprises. March 5, 1976. Archived from the original on February 10, 2017. Retrieved November 10, 2016.
  52. ^ "Gummo Marx, Managed Comedians". The New York Times. Palm Springs, California, April 21, 2007 (Reuters) Gummo Marks, an original member of the Marx brothers' comedy team, died here today. He was 84 years old.
  53. ^ "George Fenneman, Sidekick To Groucho Marx, Dies at 77". The New York Times. Associated Press. June 5, 1997. Retrieved June 21, 2010.
  54. ^ Famed Actor Elliott Gould Recalls Groucho Marx's Final Days (July 10, 2013). Compassion & Choices Magazine archive Archived January 6, 2014, at the Wayback Machine. Retrieved January 5, 2014.
  55. ^ "Groucho Marx Dies at 86 After Two-Month Illness". Pittsburgh Post-Gazette. August 20, 1977. Officials at Cedar-Sinai Medical Center, where Marx had been hospitalized for the past two months with a respiratory ailment, said he died at 7:25 p.m. PDT of pneumonia
  56. ^ Groucho the Great. legacy.com. Retrieved April 20, 2015.
  57. ^ Los Angeles Times, April 15, 2011, Obituary of Arthur Marx, "In his father's declining years, Marx became a central figure behind a successful legal battle to wrest back control of Groucho's affairs from his late-in-life companion, Erin Fleming."
  58. ^ Philatelists Just Wanna Have Fun, The New York Times, April 28, 1995.
  59. ^ "The return of Gomez Addams". Archived from the original on September 24, 2020. Retrieved July 21, 2020.
  60. ^ "Minnie's Boys". Internet Broadway Database. Retrieved October 21, 2020.
  61. ^ Jones, J. R. (September 22, 2014). "The Marx Brothers TV Collection follows the legendary comedy team into the 1950s, '60s, and '70s". Chicago Reader. Retrieved October 21, 2020.
  62. ^ "Groucho marks Queen's 80th" Archived August 22, 2017, at the Wayback Machine. SBS. Retrieved June 27, 2017
  63. ^ "Attempted Bloggery: Groucho's French Order of Arts and Letters". Attemptedbloggery.blogspot.com. March 11, 2014. Retrieved November 30, 2020.
  64. ^ Buckley, David (2007). Elton The Biography. Chicago Review Press. ISBN 978-1556527135.
  65. ^ Queen: The Ultimate Illustrated History of the Crown Kings of Rock. p.96. Voyageur Press, 2009
  66. ^ Stuart Elliott, Pink or Blue? These Bundles of Joy Are Always Green, The New York Times, May 30, 2007.
  67. ^ "A Sign is Reborn: 1978". The Hollywood Sign. June 29, 2017. Retrieved June 3, 2020.
  68. ^ Erickson, Hal (2013). "Gabe Kaplan As Groucho". Movies & TV Dept. The New York Times. Archived from the original on May 21, 2013. Retrieved July 11, 2012.
  69. ^ "Már 40 éve nem szeretnénk olyan klubhoz tartozni, amelyik elfogadna tagnak". hvg.hu. April 20, 2017. Retrieved December 18, 2019.
  70. ^ Gans, Andrew (May 16, 2008). "Liberman Will Join Myers in Mufti Minnie's Boys". Playbill. Retrieved October 21, 2020.
  71. ^ "Erik Liberman To Star As Groucho In IN MOST RIDICULOUS THING YOU EVER HOID 9/31". Broadway World. Retrieved October 21, 2020.
  72. ^ Markowitz, Joel (April 2, 2012). "Erik Liberman on Playing The Baker in Centerstage's 'Into the Woods' by Joel Markowitz". DC Metro Theater Arts. Archived from the original on October 23, 2020. Retrieved October 21, 2020.
  73. ^ "Groucho (character)". Comic Vine. July 20, 2020. Retrieved March 10, 2021.
  74. ^ RJ (October 6, 2014). "Episode Spotlight: Yankee Doodle Doctor". mash4077tv.com. Archived from the original on December 10, 2022. Retrieved November 8, 2023.
  75. ^ Amadour (December 7, 2022). "15 Minutes With Visionary Artist William Kentridge". LAmag - Culture, Food, Fashion, News & Los Angeles. Retrieved December 31, 2023.
  76. ^ "Groucho Marx on Television Part Two - The Sixties and Seventies". TVparty.com. Retrieved June 18, 2017.

Further reading

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[edit]