The Inheritance (play): Difference between revisions
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{{Short description|2018 play by Matthew Lopez}} |
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'''''The Inheritance''''' is a play by Matthew Lopez that is inspired by the novel ''[[Howards End]]'' by [[E. M. Forster]]. The play was produced in London at the [[Young Vic Theatre]] under the direction of [[Stephen Daldry]]. The play was staged in two parts of over three hours each, intended to be viewed sequentially. It examines love between gay men in contemporary New York a generation after the AIDS epidemic.<ref>https://www.variety.com/2018/legit/reviews/the-inheritance-review-play-1202739184/amp/</ref> It asks what the current generation owes to its forebears.<ref>{{Cite news|url=https://www.nytimes.com/2018/02/20/theater/young-people-to-watch-in-theater-this-spring-hammaad-chaudry-rileigh-mcdonald-andrew-burnap.html|title=3 Young People to Watch in Theater This Spring|last=Collins-Hughes|first=Laura|date=2018-02-20|work=The New York Times|access-date=2018-03-24|last2=Deb|first2=Sopan|language=en-US|issn=0362-4331|last3=Trueman|first3=Matt}}</ref> |
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{{Infobox play |
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| name = The Inheritance |
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| image = Matthew Lopez The Inheritance.jpg |
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| alt = |
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| caption = Cover to the ebook script, based on the original poster for the Young Vic production |
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| writer = [[Matthew López (writer)|Matthew López]] |
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| based_on = Inspired by {{based on|''[[Howards End]]''|[[E. M. Forster]]}} |
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| director = [[Stephen Daldry]] |
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| characters = |
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| setting = {{Plainlist}} |
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* [[New York City]] |
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* [[Upstate New York]] |
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{{Endplainlist}} |
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| premiere = {{Start date|2018|3|28}} |
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| place = [[Young Vic]], [[London]] |
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| orig_lang = English |
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| subject = [[Early AIDS Crisis]], [[generational trauma]], [[queer culture]] |
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| genre = |
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}} |
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'''''The Inheritance''''' is a play by [[Matthew López (writer)|Matthew López]] that is inspired by the 1910 novel ''[[Howards End]]'' by [[E. M. Forster]]. The play premiered in London at the [[Young Vic]] in March 2018, before transferring to [[Broadway theatre|Broadway]] in November 2019. |
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The Inheritance is the most honored American play in a generation, sweeping the "Best Play" awards in both London and New York including the Tony Award, Olivier Award, Drama Desk Award, Evening Standard Award, London Critics Circle Award,[3] Outer Critics Circle Award, Drama League Award, WhatsOnStage Award, and the Southbank Sky Arts Award. |
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==Cast== |
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== Productions == |
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{|class="wikitable" |
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=== Off-West End (2018) === |
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!rowspan=2|Role |
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The play was commissioned by [[Hartford Stage]] in [[Hartford, Connecticut]].<ref>{{cite web |last1=Serratore |first1=Nicole |title=A Gay ''Inheritance'' That's Generations in the Making |url=https://www.americantheatre.org/2018/06/01/a-gay-inheritance-thats-generations-in-the-making/ |work=[[American Theatre (magazine)|American Theatre]] |date=June 2018 |access-date=3 August 2019}}</ref> The play was produced in London at the [[Young Vic Theatre]] under the direction of [[Stephen Daldry]] in March 2018. The play was staged in two parts of over three hours each, intended to be viewed sequentially and reimagines E. M. Forster's ''Howards End'' as "a lovingly wry portrait of New York’s gay community",<ref name="New Yorker 2019-09-02">{{cite magazine |url=https://www.newyorker.com/magazine/2019/09/09/how-matthew-lopez-transformed-howards-end-into-an-epic-play-about-gay-life |title=How Matthew Lopez Transformed ''Howards End'' Into an Epic Play About Gay Life |first=Rebecca |last=Mead |magazine=[[The New Yorker]] |date=September 2, 2019 |access-date=November 16, 2022 }}</ref> "with gay men from different generations standing in for Forster’s straight people from different classes".<ref name="New Yorker 2019-09-02" /> Lopez found parallels between his own life and Forster's [[closeted]] existence before the [[Sexual Offences Act 1967|partial-decriminalisation of homosexuality]], telling ''[[The New Yorker]]'': "We’re so far apart, and yet when I read his diaries—that’s ''me''. That’s me, a hundred years ago, as a closeted white man in England". Lopez has described that the greatest theatrical influence, despite comparisons with [[Tony Kushner]]'s ''[[Angels in America]]''<ref name="New Yorker 2019-09-02" /> as being ''Gatz'', [[Elevator Repair Service]]'s 2-part, 8-hour adaptation of ''[[The Great Gatsby]]'', inspiring his use of "self-narration".<ref name="New Yorker 2019-09-02" /> |
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''The Inheritance'' examines love between gay men in contemporary New York a generation after the [[Early AIDS Crisis]].<ref name=variety>{{Cite news |url=https://variety.com/2018/legit/reviews/the-inheritance-review-play-1202739184/ |title=London Theater Review: ''The Inheritance'' |last=Trueman |first=Matt |date=2018-03-29 |work=[[Variety (magazine)|Variety]] |language=en |access-date=2019-04-21}}</ref> It asks what the current generation owes to its forebears<ref>{{Cite news |url=https://www.nytimes.com/2018/02/20/theater/young-people-to-watch-in-theater-this-spring-hammaad-chaudry-rileigh-mcdonald-andrew-burnap.html |title=3 Young People to Watch in Theater This Spring |last1=Collins-Hughes |first1=Laura |date=2018-02-20 |work=[[The New York Times]] |access-date=2018-03-24 |last2=Deb |first2=Sopan |language=en-US |last3=Trueman |first3=Matt }}</ref> with Rebecca Read writing in ''The New Yorker'' that lead character Eric Glass, "as the grandson of Holocaust survivors, has a personal connection to generational catastrophe, and is therefore better primed to comprehend the history of the gay community’s devastation".<ref name="New Yorker 2019-09-02" /> |
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=== West End (2018) === |
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The production transferred to the [[Noël Coward Theatre]] in London's [[West End theatre|West End]] on 21 September 2018 and was produced by [[Tom Kirdahy]], [[Sonia Friedman]], and Hunter Arnold.<ref>{{Cite web|url=https://www.youngvic.org/whats-on/the-inheritance-west-end|title=The Inheritance (West End)|website=Young Vic|access-date=July 16, 2018}}</ref> |
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''The Inheritance'' won [[Evening Standard Theatre Awards#Best Play|Best Play]] at the London [[Evening Standard Theatre Awards|''Evening Standard'' Theatre Award]] 2018.<ref name=":0">{{Cite news |url=https://www.standard.co.uk/go/london/theatre/evening-standard-theatre-awards-winners-2018-a3993041.html |title=''Evening Standard'' Theatre Awards 2018 – The Winners |last=Thompson |first=Jessie |date=2018-11-19 |work=[[Evening Standard]] |language=en |access-date=2018-11-19 }}</ref> ''The Inheritance'' also won Best New Play, Best Director for Stephen Daldry and Best Actor for [[Kyle Soller]] at both the 2019 [[Critics' Circle Theatre Award]]s and the 2019 [[Laurence Olivier Awards]], also winning an Olivier for Best Lighting for Jon Clark.<ref name=":1">{{Cite news |url=https://www.theguardian.com/stage/2019/jan/29/uk-critics-circle-awards-the-inheritance-sophie-okonedo-company |title=''The Inheritance'' wins best new play at UK Critics' Circle awards |last=Wiegand |first=Chris |date=2019-01-29 |work=[[The Guardian]] |access-date=2019-01-30 |language=en-GB }}</ref> |
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=== Broadway (2019-2020) === |
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The play premiered on [[Broadway theatre|Broadway]] at the [[Ethel Barrymore Theatre]] on 27 September 2019 in previews, with the official opening on 17 November.<ref>{{cite news |last=McPhee |first=Ryan |url=http://www.playbill.com/article/two-part-gay-themed-the-inheritance-will-play-broadway |title=Two-Part, Gay-Themed ''The Inheritance'' Will Play Broadway |work=[[Playbill]], June 6, 2019 }}</ref> The production features [[Lois Smith]] as Margaret, with Kyle Soller and John Benjamin Hickey, among others, reprising their roles from the London production.<ref>{{cite news |last=Hetrick |first=Adam |url=http://www.playbill.com/article/kyle-soller-and-john-benjamin-hickey-to-reprise-performances-in-the-inheritance-on-broadway-full-cast-set |title=Kyle Soller and John Benjamin Hickey to Reprise Performances in ''The Inheritance'' on Broadway; Full Cast Set |work=[[Playbill]] |date=August 15, 2019 }}</ref> |
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In December 2019, it was announced that [[Tony Goldwyn]] would replace Hickey for a four-month stint beginning in January 2020, while Hickey was set to direct a revival of ''[[Plaza Suite]]''.<ref name=":2">{{Cite news |url=https://deadline.com/2019/12/tony-goldwyn-broadway-the-inheritance-john-benjamin-hickey-replacement-1202802835/ |title=Tony Goldwyn Joining Broadway's ''The Inheritance'' For Four-Month Stint |last=Evans |first=Greg |date=December 9, 2019 |website=[[Deadline Hollywood]] |access-date=March 15, 2020 }}</ref> However, in February 2020, it was announced that ''The Inheritance'' would close on March 15, after 46 previews and 138 regular performances.<ref>{{Cite web |url=https://variety.com/2020/legit/news/the-inheritance-broadway-box-office-1203509758/ |title=''The Inheritance'' Closing in March After Box Office Struggles |last=Lang |first=Brent |date=February 20, 2020 |website=[[Variety (magazine)|Variety]] |access-date=March 15, 2020 }}</ref><ref>{{Cite magazine |url=https://ew.com/theater/2020/02/20/the-inheritance-broadway-closing-date/ |title=Supersized play ''The Inheritance'' sets Broadway closing date |magazine=[[Entertainment Weekly]] |language=en |access-date=2020-02-22 }}</ref> On March 12, the final four performances were cancelled when all Broadway theatres closed to combat the [[COVID-19 pandemic]].<ref>{{Cite news |url=https://www.app.com/story/entertainment/theater/2020/03/12/coronavirus-broadway-shuts-down-all-shows-immediately/5032867002/ |title=Coronavirus: Broadway shuts down all shows immediately |last=Keller |first=Ilana |date=March 12, 2020 |work=[[Asbury Park Press]] |publisher=[[USA Today]] |access-date=March 15, 2020 }}</ref> |
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=== Other notable productions === |
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A German language production of ''The Inheritance'' titled ''Das Vermächtnis,'' directed by [[Philipp Stölzl|Philip Stölzl]], premiered at [[Residence Theatre|Munich's Residenztheater]] on January 30, 2022.<ref>{{Cite web |title=Das Vermächtnis (The Inheritance) – Teil 1 {{!}} residenztheater.de |url=https://www.residenztheater.de/stuecke/detail/das-vermaechtnis |access-date=2023-05-15 |website=www.residenztheater.de |language=de-de}}</ref><ref>{{Cite web |title=Das Vermächtnis (The Inheritance) – Teil 2 {{!}} residenztheater.de |url=https://www.residenztheater.de/stuecke/detail/das-vermaechtnis-the-inheritance-teil-2 |access-date=2023-05-15 |website=www.residenztheater.de |language=de-de}}</ref> The production was invited to the ''[[Berliner Theatertreffen]]'' as one of ten "noteworthy" productions of 2022.<ref>{{Cite web |last=Festspiele |first=Berliner |title=Das Vermächtnis (The Inheritance) – Theatertreffen |url=https://www.berlinerfestspiele.de/de/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_423765.html |access-date=2023-05-15 |website=www.berlinerfestspiele.de |language=de}}</ref> ''Das Vermächtnis'' also premiered in [[Schauspiel Hannover|Hanover]] on 22 April 2022, as well as at the [[Theater Münster]] on 3 December 2022 and most recently at the [[E.T.A.-Hoffmann-Theater]] in [[Bamberg]] on 6 October 2023.<ref>{{Cite web |title=Das Vermächtnis |url=https://www.fischer-theater.de/theater/stueck/das-vermaechtnis/3548673 |access-date=2024-02-09 |website=Fischer Theater Medien |language=de}}</ref> Part one of the Bamberg production was invited to the [[Bayerische Theatertage]] in 2024.<ref>{{Cite web |date=2023-12-20 |title=Überblick über die eingeladenen Inszenierungen |url=https://theater.ingolstadt.de/aktuelles/aktuelles-1/aktuelles-detailansicht/bayerische-theatertage-2024.html |url-status=live |archive-url=https://web.archive.org/web/20240209105715/https://theater.ingolstadt.de/aktuelles/aktuelles-1/aktuelles-detailansicht/bayerische-theatertage-2024.html |archive-date=2024-02-09 |access-date=2024-02-09 |website=Stadttheater Ingolstadt |language=de}}</ref> |
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A West Coast premiere production directed by Mike Donahue opened at [[Geffen Playhouse]] on September 13, 2022, and had an extended run until November 27, 2022.<ref>{{Cite web |date=2023-03-22 |title="The Inheritance" at Geffen Playhouse |url=https://www.geffenplayhouse.org/shows/the-inheritance/ |access-date=2023-08-15 |website=Geffen Playhouse |language=en}}</ref> The play was cited as "better in Los Angeles than on Broadway"<ref>{{Cite web |last= |date=2022-10-18 |title=Review: Tony-winning 'The Inheritance' is better in Los Angeles than on Broadway |url=https://www.latimes.com/entertainment-arts/story/2022-10-18/review-matthew-lopezs-tony-winning-the-inheritance-gains-strength-in-los-angeles |access-date=2023-08-15 |website=Los Angeles Times |language=en-US}}</ref> by ''[[Los Angeles Times]]'' theater critic [[Charles McNulty]]. An audio adaptation<ref>{{Cite book |url=https://www.audible.com/pd/The-Inheritance-Audiobook/B0BXQTDCY5 |title=The Inheritance |language=en}}</ref> was later released by [[Audible (service)|Audible]] Theater in March 2023. |
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''ARV'', the Swedish version of ''The Inheritance'' had its premiere on 5 November 2022, at [[Royal Dramatic Theatre|The Royal Dramatic Theatre]] in Stockholm. It was chosen to be part of the theatre biennale 2023 and won the ''Nöjesguiden award'' for best performance 2023 and was nominated for a ''QX-award'' for best production 2023. It ran again in 2024/2025 in a partly new version at The Royal Dramatic Theatre. ''ARV'' was directed by [[:sv:Carl Johan Karlson|Carl Johan Karlson]]. |
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Brazilian Portuguese language production of ''The Inheritance,'' called ''A Herança'', premiered at Teatro Vivo, São Paulo, on March 9, 2023, and ran until April 30, 2023. The play was translated into Portuguese by Zé Henrique de Paula, who also directs and produces it. Bruno Fagundes, the other local producer, performs the role of Eric Glass in the Brazilian version. Due to its success, a new season, this time placed at Teatro Raul Cortez, São Paulo, premiered on June 1, 2023, and ran until July 30, 2023. |
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A Danish language production of ''The Inheritance'' named ''Arven'' premiered at [[Royal Danish Playhouse|the Royal Danish Playhouse]] March 25, 2023 and ran until May 13 the same year. The production was staged by Thomas Bendixen.<ref>{{cite web|url=https://kglteater.dk/en/whats-on/season-20222023/drama/the-inheritance|title=The Inheritance|language=English|publisher=DET KGL. TEATER|access-date=1 May 2023}}</ref> The production won the 2023 [[Reumert Award]] for Best Performance<ref>{{cite web|url=https://www.billedbladet.dk/kendte/danmark/teater/aarets-reumert-2023-her-er-alle-vinderne|title=Årets Reumert 2023: Her er alle vinderne|language=Danish|publisher=BILLED-BLADET|access-date=16 June 2023}}</ref> and opened again August 24, 2024 as part of [[Royal Danish Theatre|the Royal Danish Theatre]]'s 2024/2025 season.<ref>{{cite web|url=https://kglteater.dk/en/whats-on/season-20242025/drama/the-inheritance|title=The Inheritance|language=English|publisher=DET KGL. TEATER|access-date=16 June 2023}}</ref> |
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In April 2023 Canadian Stage announced that, as part of its 23/24 season, it would stage a production in Toronto. |
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The production was directed by Brendan Healy, Canadian Stage's artistic director, and ran at the Bluma Appel Theatre, Front Street East, Toronto in March and April 2024. |
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In January 2024, ''The Inheritance'' had its Australian premiere at Melbourne's [[fortyfivedownstairs]] in a production directed by Kitan Petkovski. |
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== Cast and characters == |
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{| class="wikitable" |
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! rowspan="2" |Role |
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!Off-West End |
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!West End |
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!Broadway |
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!Los Angeles |
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!Toronto Premiere |
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!Australian Premiere |
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|- |
|- |
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! colspan="2" |<small>2018</small> |
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![[Young Vic]]Production March 2018 |
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!<small>2019</small> |
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!<small>2022</small> |
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!<small>2024</small> |
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!<small>2024</small> |
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|- |
|- |
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!Eric Glass |
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| colspan="3" align="center" |[[Kyle Soller]] |
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| align="center" |[[Adam Kantor]] |
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|Qasim Khan |
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| align="center" |Charles Purcell |
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|- |
|- |
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!Toby Darling |
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| colspan="3" align="center" |[[Andrew Burnap]] |
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| align="center" |Juan Castano |
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|Antoine Yared |
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| align="center" |Tomáš Kantor |
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|- |
|- |
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!Adam / Leo |
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| colspan="3" align="center" |Samuel H. Levine |
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| align="center" |[[Nicholas L. Ashe]] |
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|Stephen Jackman-Torkoff |
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| align="center" |Karl Richmond |
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|- |
|- |
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!Walter / Morgan |
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| colspan="3" align="center" |[[Paul Hilton (actor)|Paul Hilton]] |
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| align="center" |Bill Brochtrup |
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|[[Daniel MacIvor]] |
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| align="center" |Dion Mills |
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|- |
|- |
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!Henry Wilcox |
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| colspan="3" align="center" |[[John Benjamin Hickey]] |
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| align="center" |[[Tuc Watkins]] |
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|Jim Mezon |
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| align="center" |Hunter Perske |
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|- |
|- |
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!Jasper |
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| colspan="2" align="center" |Hugo Bolton|| align="center" |[[Kyle Harris]] |
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| align="center" |Kasey Mahaffy |
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|[[Salvatore Antonio]] |
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| align="center" |Joss McClelland |
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|- |
|- |
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!Toby's Agent |
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| colspan="2" align="center" |Robert Boulter|| align="center" |Jonathan Burke |
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| align="center" |Eddie Lopez |
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|[[Gregory Prest]] |
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| align="center" |Christian Taylor |
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|- |
|- |
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!Young Henry |
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| colspan="2" align="center" |[[Hubert Burton]]|| align="center" |Carson McCalley |
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| align="center" |August Gray Gall |
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|Ben Page |
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| align="center" |Alexander Thew |
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|- |
|- |
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!Tristan |
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| colspan="2" align="center" |Syrus Lowe|| align="center" |Jordan Barbour |
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| align="center" |Jay Donnell |
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|[[Hollywood Jade]] |
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| align="center" |Javon King |
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|- |
|- |
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!Jason 1 |
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| colspan="2" align="center" |Michael Marcus|| align="center" |Darryl Gene Daughtry Jr. |
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| align="center" |Israel Erron Ford |
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|Aldrin Bundoc |
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| align="center" |Iopu Auva’a |
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|- |
|- |
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!Young Walter |
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| align="center" |Luke Thallon || align="center" |Jack Riddiford|| align="center" |Dylan Frederick |
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| align="center" |Miguel Pinzon |
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|Landon Nesbitt |
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| align="center" |Rupert Bevan |
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|- |
|- |
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!Jason 2 |
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| colspan="2" align="center" |Michael Walters|| align="center" |Arturo Luís Soria |
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| align="center" |Avi Roque |
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|Breton Lalama |
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| align="center" |Juan Gomez |
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|- |
|- |
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!Margaret |
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| colspan="2" align="center" |[[Vanessa Redgrave]]|| align="center" |[[Lois Smith]] |
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| align="center" |[[Tantoo Cardinal]] |
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|[[Louise Pitre]] |
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| align="center" |Jillian Murray |
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|} |
|} |
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=== Notable replacements === |
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==Reviews== |
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{{Empty section|date=April 2018}} |
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==== Broadway (2019-2020) ==== |
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[https://www.culturewhisper.com/r/theatre/matthew_lopez_the_inheritance_young_vic_theatre_london/9806][https://www.telegraph.co.uk/theatre/what-to-see/inheritance-young-vic-reviewperhaps-important-american-play/amp/] [https://www.theguardian.com/stage/2018/mar/29/the-inheritance-review-stephen-daldry] [https://www.broadwayworld.com/westend/article/The-Young-Vic-Theatre-Announces-Cast-of-THE-INHERITANCE-and-Extends-Run-20180111] [https://gmg.org.uk/matthew-lopezs-play-the-inheritance-young-vic/] |
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* '''Henry Wilcox:''' [[Tony Goldwyn]]<ref name=":2" /> |
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== Critical response == |
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The reviewer for ''[[The Daily Telegraph]]'' called the play “perhaps the most important American play of this century.” <ref>{{cite news |last=Cavendish |first=Dominic |url=https://www.telegraph.co.uk/theatre/what-to-see/inheritance-young-vic-reviewperhaps-important-american-play/amp/ |title=''The Inheritance'', Young Vic review: perhaps the most important American play of the century so far |work=[[The Daily Telegraph]] |date=29 March 2018 }}</ref> |
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The ''Variety'' reviewer wrote the play is a "vast, imperfect and unwieldy masterpiece that unpicks queer politics and [[neoliberal economics]] anew. In addressing the debt gay men owe to their forebears, it dares to ask whether the past hasn’t also sold the present up short."<ref name="variety" /> |
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Michael Billington, ''The Guardian'' reviewer, wrote: "While Lopez’s play has a literary framework, it teems with life and incident...Lopez is also unafraid to periodically stop the plot and clear the stage for an impassioned debate: one of the most intense is about the status of gay culture which, having fought so long against oppression, now finds itself in danger of being co-opted."<ref>{{cite news |last=Billington |first=Michael |url=https://www.theguardian.com/stage/2018/mar/29/the-inheritance-review-stephen-daldry |title=''The Inheritance'' review – ''Angels in America'' meets ''Howards End'' |work=[[The Guardian]] |date=28 March 2018 }}</ref> In a later article, Billington also praised Paul Hilton's performance in the Young Vic Theatre production in a list by ''[[The Guardian]]'' writers of the 50 greatest theatre shows since 2000, in which ''The Inheritance'' placed 15th.<ref>{{Cite news |last1=Billington |first1=Michael |last2=Soloski |first2=Alexis |last3=Love |first3=Catherine |last4=Fisher |first4=Mark |last5=Wiegand |first5=Chris |date=2019-09-17 |title=The 50 best theatre shows of the 21st century |language=en |newspaper=[[The Guardian]] |url=http://www.theguardian.com/stage/2019/sep/17/the-50-best-theatre-shows-of-the-21st-century |access-date=2021-02-17 }}</ref> |
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The show received mostly mixed reviews on Broadway. As Ben Brantley wrote in ''[[The New York Times]]'': "Its breadth doesn't always translate into depth." He praised the acting of many in the large cast and noted the continued experiential relevance of the AIDS crises, stating "That effort to conjure a nightmare era in danger of being forgotten by many young people today captures what’s best in 'The Inheritance'.”<ref>{{Cite news |url=https://www.nytimes.com/2019/11/17/theater/the-inheritance-review-broadway-matthew-lopez.html |title='The Inheritance' Review: So Many Men, So Much Time |first=Ben |last=Brantley |newspaper=[[The New York Times]] |date=November 18, 2019 }}</ref> |
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Writing in ''The New Yorker'', Rebecca Mead drew comparisons to ''[[Angels in America]]'', the two-part epic play by [[Tony Kushner]], also examining the [[HIV/AIDS in New York City|Early AIDS Crisis in New York]], describing ''The Inheritance'' as "less intellectually demanding" and "strik[ing] an upper-middlebrow tone" and also comparing the play with [[Hanya Yanagihara]]'s 2015 "gay-trauma" novel ''[[A Little Life]]''.<ref name="New Yorker 2019-09-02" /> |
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[[Terrence McNally]], author of the 1994 play ''[[Love! Valour! Compassion!]]'', which addressed the AIDS Crisis contemporarily, said that "as an 80-year-old survivor, observer, and participant of the many years covered in the play" he had never had such a strong response,<ref name="New Yorker 2019-09-02" /> referring to the experience of watching a play about the Early AIDS Crisis amid an audience of gay men of both the survivors' generation and the subsequent generation, that of the protagonists.<ref name="New Yorker 2019-09-02" /> |
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== Awards and nominations == |
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=== Original London production === |
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{| class="wikitable" width="95%" |
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! width="5%"| Year |
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! width="20%"| Award |
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! width="45%"| Category |
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! width="20%"| Nominee |
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! width="10%"| Result |
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|- |
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| rowspan="6" align="center"|2018 |
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| rowspan="3" |[[Evening Standard Theatre Awards|Evening Standard Theatre Award]]<ref>{{Cite web |date=2018-11-16 |title=Read the ''Evening Standard'' Theatre Awards 2018 shortlist in full |url=https://www.standard.co.uk/culture/theatre/evening-standard-theatre-awards-2018-shortlist-actors-directors-plays-a3992376.html |access-date=2021-04-19 |website=[[Evening Standard]] |language=en }}</ref><ref name=":0" /> |
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|[[Evening Standard Theatre Awards#Best Play|Best Play]] |
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|[[Matthew Lopez (writer)|Matthew Lopez]] |
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|{{won}} |
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|- |
|||
|[[Evening Standard Theatre Awards#Best Actor|Best Actor]] |
|||
|[[Kyle Soller]] |
|||
| {{nom}} |
|||
|- |
|||
|[[Evening Standard Theatre Awards#Best Director|Best Director]] |
|||
|[[Stephen Daldry]] |
|||
|{{nom}} |
|||
|- |
|||
| rowspan="3" |[[Critics' Circle Theatre Award]]<ref name=":1" /> |
|||
|[[Critics' Circle Theatre Award#Best New Play|Best New Play]] |
|||
|Matthew Lopez |
|||
|{{won}} |
|||
|- |
|||
|[[Critics' Circle Theatre Award#Best Actor|Best Actor]] |
|||
|Kyle Soller |
|||
|{{won}} |
|||
|- |
|||
|[[Critics' Circle Theatre Award#Best Director|Best Director]] |
|||
|Stephen Daldry |
|||
|{{won}} |
|||
|- |
|||
| rowspan="9" align="center"|2019 |
|||
| rowspan="8" |[[2019 Laurence Olivier Awards|Laurence Olivier Award]]<ref>{{Cite web |title=Winners list for the Olivier Awards 2019 with Mastercard |url=https://officiallondontheatre.com/olivier-awards/year/2019/ |access-date=2021-04-19 |publisher=[[Laurence Olivier Awards]] |language=en-GB }}</ref> |
|||
| colspan="2" |[[Laurence Olivier Award for Best New Play|Best New Play]] |
|||
| {{won}} |
|||
|- |
|||
|[[Laurence Olivier Award for Best Actor|Best Actor]] |
|||
|Kyle Soller |
|||
| {{won}} |
|||
|- |
|||
|[[Laurence Olivier Award for Best Actress in a Supporting Role|Best Actress in a Supporting Role]] |
|||
|[[Vanessa Redgrave]] |
|||
|{{nom}} |
|||
|- |
|||
|[[Laurence Olivier Award for Best Director|Best Director]] |
|||
|Stephen Daldry |
|||
|{{won}} |
|||
|- |
|||
|[[Laurence Olivier Award for Best Set Design|Best Set Design]] |
|||
|[[Bob Crowley]] |
|||
|{{nom}} |
|||
|- |
|||
|[[Laurence Olivier Award for Best Lighting Design|Best Lighting Design]] |
|||
|Jon Clark |
|||
|{{won}} |
|||
|- |
|||
|[[Laurence Olivier Award for Best Sound Design|Best Sound Design]] |
|||
|[[Paul Arditti]] and Christopher Reid |
|||
| {{nom}} |
|||
|- |
|||
|[[Laurence Olivier Award for Outstanding Achievement in Music|Outstanding Achievement in Music]] |
|||
|[[Paul Englishby]] |
|||
|{{nom}} |
|||
|- |
|||
|[[South Bank Sky Arts Award]]<ref>{{Cite web |title=''The Inheritance'', Lenny Henry and Jessie Buckley win South Bank Sky Arts awards |work=[[What's On Stage]] |url=https://www.whatsonstage.com/london-theatre/news/inheritance-lenny-henry-buckley-south-bank-award_49412.html |access-date=2020-12-03 |language=en-GB}}</ref> |
|||
| colspan="2" |Theatre |
|||
|{{won}} |
|||
|} |
|||
=== Original Broadway production === |
|||
{| class="wikitable" width="95%" |
|||
! width="5%"| Year |
|||
! width="20%"| Award |
|||
! width="45%"| Category |
|||
! width="20%"| Nominee |
|||
! width="10%"| Result |
|||
|- |
|||
| rowspan="27" align="center"|2020 |
|||
|rowspan="11"| [[74th Tony Awards|Tony Award]]<ref>{{Cite web |title=The Tony Award Nominations |url=https://www.tonyawards.com/nominees/year/2020/category/any/show/any/?q=the%20inheritance |access-date=2021-04-19 |publisher=[[Tony Awards]] |language=en-US }}</ref> |
|||
| colspan="2"| [[Tony Award for Best Play|Best Play]] |
|||
|{{Won}} |
|||
|- |
|||
|[[Tony Award for Best Actor in a Play|Best Performance by a Leading Actor in a Play]] |
|||
|[[Andrew Burnap]] |
|||
|{{Won}} |
|||
|- |
|||
|rowspan="2"|[[Tony Award for Best Featured Actor in a Play|Best Performance by a Featured Actor in a Play]] |
|||
|[[John Benjamin Hickey]] |
|||
|{{Nominated}} |
|||
|- |
|||
|[[Paul Hilton (actor)|Paul Hilton]] |
|||
|{{Nominated}} |
|||
|- |
|||
|[[Tony Award for Best Featured Actress in a Play|Best Performance by a Featured Actress in a Play]] |
|||
|[[Lois Smith]] |
|||
|{{Won}} |
|||
|- |
|||
|[[Tony Award for Best Direction of a Play|Best Direction of a Play]] |
|||
|[[Stephen Daldry]] |
|||
|{{Won}} |
|||
|- |
|||
|[[Tony Award for Best Original Score|Best Original Score]] |
|||
|[[Paul Englishby]] |
|||
|{{Nominated}} |
|||
|- |
|||
|[[Tony Award for Best Scenic Design of a Play|Best Scenic Design of a Play]] |
|||
|rowspan="2"|[[Bob Crowley]] |
|||
|{{Nominated}} |
|||
|- |
|||
|[[Tony Award for Best Costume Design of a Play|Best Costume Design of a Play]] |
|||
|{{Nominated}} |
|||
|- |
|||
|[[Tony Award for Best Lighting Design of a Play|Best Lighting Design of a Play]] |
|||
|Jon Clark |
|||
|{{Nominated}} |
|||
|- |
|||
|[[Tony Award for Best Sound Design in a Play|Best Sound Design in a Play]] |
|||
|[[Paul Arditti]] and Christopher Reid |
|||
|{{Nominated}} |
|||
|- |
|||
|rowspan="6"| [[Drama Desk Award]]<ref>{{Cite web |author=<!--Staff writer(s); no by-line.--> |date=2020-06-14 |title=''The Inheritance'', ''Strange Loop'', ''Moulin Rouge'' Among Drama Desk Award Winners |url=https://variety.com/2020/legit/news/drama-desk-awards-2020-moulin-rouge-winners-1234634249/ |access-date=2021-04-19 |website=[[Variety (magazine)|Variety]] |language=en-US }}</ref> |
|||
| colspan="2"| [[Drama Desk Award for Outstanding Play|Outstanding Play]] |
|||
|{{won}} |
|||
|- |
|||
|[[Drama Desk Award for Outstanding Actor in a Play|Outstanding Actor in a Play]] |
|||
|[[Kyle Soller]] |
|||
|{{nom}} |
|||
|- |
|||
|[[Drama Desk Award for Outstanding Featured Actor in a Play|Outstanding Featured Actor in a Play]] |
|||
|Paul Hilton |
|||
|{{won}} |
|||
|- |
|||
|[[Drama Desk Award for Outstanding Featured Actress in a Play|Outstanding Featured Actress in a Play]] |
|||
|Lois Smith |
|||
|{{won}} |
|||
|- |
|||
|[[Drama Desk Award for Outstanding Director of a Play|Outstanding Director of a Play]] |
|||
|Stephen Daldry |
|||
|{{won}} |
|||
|- |
|||
|[[Drama Desk Award for Outstanding Sound Design of a Play|Outstanding Sound Design of a Play]] |
|||
|Paul Arditti and Christopher Reid |
|||
|{{won}} |
|||
|- |
|||
|rowspan="2"| [[Drama League Award]]<ref>{{Cite web |title=Nominations Announced for 86th Annual Drama League Awards |url=https://www.broadway.com/buzz/199217/nominations-announced-for-86th-annual-drama-league-awards/ |access-date=2021-04-19 |website=[[Broadway.com]] |language=en }}</ref><ref>{{Cite web |title=Awards History |url=https://dramaleague.org/awards-history/ |access-date=2021-04-19 |publisher=[[The Drama League]] |date=25 March 2021 |language=en-US }}</ref> |
|||
| colspan="2" |Outstanding Production of a Play |
|||
|{{won}} |
|||
|- |
|||
|Distinguished Performance |
|||
|Paul Hilton |
|||
|{{nom}} |
|||
|- |
|||
|[[New York Drama Critics' Circle]] Award<ref>{{Cite web |title=2019-2020 Awards |url=https://www.dramacritics.org/dc_thisyears.html |access-date=2021-04-19 |publisher=[[New York Drama Critics' Circle]] }}</ref> |
|||
|[[New York Drama Critics' Circle#Best Play|Best Play]] |
|||
|[[Matthew Lopez (author)|Matthew Lopez]] |
|||
|{{CFinalist}} |
|||
|- |
|||
| rowspan="6" |[[Outer Critics Circle Award]]<ref>{{Cite web |url=http://www.playbill.com/article/moulin-rouge-leads-2020-outer-critics-circle-award-honorees |title=''Moulin Rouge!'' Leads 2020 Outer Critics Circle Award Honorees |
|||
|first=Olivia |last=Clement |date=May 11, 2020 |website=[[Playbill]] }}</ref> |
|||
| colspan="2" |Outstanding New Broadway Play |
|||
| {{won|Honoree}} |
|||
|- |
|||
|Outstanding Director of a Play |
|||
|Stephen Daldry |
|||
| {{won|Honoree}} |
|||
|- |
|||
| rowspan="3" |Outstanding Featured Actor in a Play |
|||
|John Benjamin Hickey |
|||
| {{won|Honoree}} |
|||
|- |
|||
|Paul Hilton |
|||
| {{won|Honoree}} |
|||
|- |
|||
|Samuel H. Levine |
|||
| {{won|Honoree}} |
|||
|- |
|||
|Outstanding Featured Actress in a Play |
|||
|Lois Smith |
|||
| {{won|Honoree}} |
|||
|- |
|||
|[[31st GLAAD Media Awards|GLAAD Media Award]]<ref>{{cite web |title=The Nominations for the 31st Annual GLAAD Awards |url=https://www.glaad.org/mediaawards/31/2020%20nominees |access-date=June 10, 2020 |publisher=[[GLAAD]] }}</ref> |
|||
| colspan="2" |Outstanding Broadway Production |
|||
|{{won}} |
|||
|} |
|||
== References == |
== References == |
||
{{reflist}} |
{{reflist}} |
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== External links == |
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* [https://www.ibdb.com/broadway-production/the-inheritance-522863 ''The Inheritance'' Internet Broadway database] |
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[[Category:2018 plays]] |
[[Category:2018 plays]] |
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[[Category:Adaptations of works by E. M. Forster]] |
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[[Category:LGBTQ-related plays]] |
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[[Category:Laurence Olivier Award–winning plays]] |
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[[Category:Plays based on novels]] |
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[[Category:Plays set in New York City]] |
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[[Category:West End plays]] |
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[[Category:HIV/AIDS in theatre]] |
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[[Category:Tony Award–winning plays]] |
Latest revision as of 14:32, 27 December 2024
The Inheritance | |
---|---|
Written by | Matthew López |
Based on | Inspired by Howards End by E. M. Forster |
Directed by | Stephen Daldry |
Date premiered | March 28, 2018 |
Place premiered | Young Vic, London |
Original language | English |
Subject | Early AIDS Crisis, generational trauma, queer culture |
Setting |
The Inheritance is a play by Matthew López that is inspired by the 1910 novel Howards End by E. M. Forster. The play premiered in London at the Young Vic in March 2018, before transferring to Broadway in November 2019.
The Inheritance is the most honored American play in a generation, sweeping the "Best Play" awards in both London and New York including the Tony Award, Olivier Award, Drama Desk Award, Evening Standard Award, London Critics Circle Award,[3] Outer Critics Circle Award, Drama League Award, WhatsOnStage Award, and the Southbank Sky Arts Award.
Productions
[edit]Off-West End (2018)
[edit]The play was commissioned by Hartford Stage in Hartford, Connecticut.[1] The play was produced in London at the Young Vic Theatre under the direction of Stephen Daldry in March 2018. The play was staged in two parts of over three hours each, intended to be viewed sequentially and reimagines E. M. Forster's Howards End as "a lovingly wry portrait of New York’s gay community",[2] "with gay men from different generations standing in for Forster’s straight people from different classes".[2] Lopez found parallels between his own life and Forster's closeted existence before the partial-decriminalisation of homosexuality, telling The New Yorker: "We’re so far apart, and yet when I read his diaries—that’s me. That’s me, a hundred years ago, as a closeted white man in England". Lopez has described that the greatest theatrical influence, despite comparisons with Tony Kushner's Angels in America[2] as being Gatz, Elevator Repair Service's 2-part, 8-hour adaptation of The Great Gatsby, inspiring his use of "self-narration".[2]
The Inheritance examines love between gay men in contemporary New York a generation after the Early AIDS Crisis.[3] It asks what the current generation owes to its forebears[4] with Rebecca Read writing in The New Yorker that lead character Eric Glass, "as the grandson of Holocaust survivors, has a personal connection to generational catastrophe, and is therefore better primed to comprehend the history of the gay community’s devastation".[2]
West End (2018)
[edit]The production transferred to the Noël Coward Theatre in London's West End on 21 September 2018 and was produced by Tom Kirdahy, Sonia Friedman, and Hunter Arnold.[5]
The Inheritance won Best Play at the London Evening Standard Theatre Award 2018.[6] The Inheritance also won Best New Play, Best Director for Stephen Daldry and Best Actor for Kyle Soller at both the 2019 Critics' Circle Theatre Awards and the 2019 Laurence Olivier Awards, also winning an Olivier for Best Lighting for Jon Clark.[7]
Broadway (2019-2020)
[edit]The play premiered on Broadway at the Ethel Barrymore Theatre on 27 September 2019 in previews, with the official opening on 17 November.[8] The production features Lois Smith as Margaret, with Kyle Soller and John Benjamin Hickey, among others, reprising their roles from the London production.[9]
In December 2019, it was announced that Tony Goldwyn would replace Hickey for a four-month stint beginning in January 2020, while Hickey was set to direct a revival of Plaza Suite.[10] However, in February 2020, it was announced that The Inheritance would close on March 15, after 46 previews and 138 regular performances.[11][12] On March 12, the final four performances were cancelled when all Broadway theatres closed to combat the COVID-19 pandemic.[13]
Other notable productions
[edit]A German language production of The Inheritance titled Das Vermächtnis, directed by Philip Stölzl, premiered at Munich's Residenztheater on January 30, 2022.[14][15] The production was invited to the Berliner Theatertreffen as one of ten "noteworthy" productions of 2022.[16] Das Vermächtnis also premiered in Hanover on 22 April 2022, as well as at the Theater Münster on 3 December 2022 and most recently at the E.T.A.-Hoffmann-Theater in Bamberg on 6 October 2023.[17] Part one of the Bamberg production was invited to the Bayerische Theatertage in 2024.[18]
A West Coast premiere production directed by Mike Donahue opened at Geffen Playhouse on September 13, 2022, and had an extended run until November 27, 2022.[19] The play was cited as "better in Los Angeles than on Broadway"[20] by Los Angeles Times theater critic Charles McNulty. An audio adaptation[21] was later released by Audible Theater in March 2023.
ARV, the Swedish version of The Inheritance had its premiere on 5 November 2022, at The Royal Dramatic Theatre in Stockholm. It was chosen to be part of the theatre biennale 2023 and won the Nöjesguiden award for best performance 2023 and was nominated for a QX-award for best production 2023. It ran again in 2024/2025 in a partly new version at The Royal Dramatic Theatre. ARV was directed by Carl Johan Karlson.
Brazilian Portuguese language production of The Inheritance, called A Herança, premiered at Teatro Vivo, São Paulo, on March 9, 2023, and ran until April 30, 2023. The play was translated into Portuguese by Zé Henrique de Paula, who also directs and produces it. Bruno Fagundes, the other local producer, performs the role of Eric Glass in the Brazilian version. Due to its success, a new season, this time placed at Teatro Raul Cortez, São Paulo, premiered on June 1, 2023, and ran until July 30, 2023.
A Danish language production of The Inheritance named Arven premiered at the Royal Danish Playhouse March 25, 2023 and ran until May 13 the same year. The production was staged by Thomas Bendixen.[22] The production won the 2023 Reumert Award for Best Performance[23] and opened again August 24, 2024 as part of the Royal Danish Theatre's 2024/2025 season.[24]
In April 2023 Canadian Stage announced that, as part of its 23/24 season, it would stage a production in Toronto. The production was directed by Brendan Healy, Canadian Stage's artistic director, and ran at the Bluma Appel Theatre, Front Street East, Toronto in March and April 2024.
In January 2024, The Inheritance had its Australian premiere at Melbourne's fortyfivedownstairs in a production directed by Kitan Petkovski.
Cast and characters
[edit]Role | Off-West End | West End | Broadway | Los Angeles | Toronto Premiere | Australian Premiere |
---|---|---|---|---|---|---|
2018 | 2019 | 2022 | 2024 | 2024 | ||
Eric Glass | Kyle Soller | Adam Kantor | Qasim Khan | Charles Purcell | ||
Toby Darling | Andrew Burnap | Juan Castano | Antoine Yared | Tomáš Kantor | ||
Adam / Leo | Samuel H. Levine | Nicholas L. Ashe | Stephen Jackman-Torkoff | Karl Richmond | ||
Walter / Morgan | Paul Hilton | Bill Brochtrup | Daniel MacIvor | Dion Mills | ||
Henry Wilcox | John Benjamin Hickey | Tuc Watkins | Jim Mezon | Hunter Perske | ||
Jasper | Hugo Bolton | Kyle Harris | Kasey Mahaffy | Salvatore Antonio | Joss McClelland | |
Toby's Agent | Robert Boulter | Jonathan Burke | Eddie Lopez | Gregory Prest | Christian Taylor | |
Young Henry | Hubert Burton | Carson McCalley | August Gray Gall | Ben Page | Alexander Thew | |
Tristan | Syrus Lowe | Jordan Barbour | Jay Donnell | Hollywood Jade | Javon King | |
Jason 1 | Michael Marcus | Darryl Gene Daughtry Jr. | Israel Erron Ford | Aldrin Bundoc | Iopu Auva’a | |
Young Walter | Luke Thallon | Jack Riddiford | Dylan Frederick | Miguel Pinzon | Landon Nesbitt | Rupert Bevan |
Jason 2 | Michael Walters | Arturo Luís Soria | Avi Roque | Breton Lalama | Juan Gomez | |
Margaret | Vanessa Redgrave | Lois Smith | Tantoo Cardinal | Louise Pitre | Jillian Murray |
Notable replacements
[edit]Broadway (2019-2020)
[edit]- Henry Wilcox: Tony Goldwyn[10]
Critical response
[edit]The reviewer for The Daily Telegraph called the play “perhaps the most important American play of this century.” [25]
The Variety reviewer wrote the play is a "vast, imperfect and unwieldy masterpiece that unpicks queer politics and neoliberal economics anew. In addressing the debt gay men owe to their forebears, it dares to ask whether the past hasn’t also sold the present up short."[3]
Michael Billington, The Guardian reviewer, wrote: "While Lopez’s play has a literary framework, it teems with life and incident...Lopez is also unafraid to periodically stop the plot and clear the stage for an impassioned debate: one of the most intense is about the status of gay culture which, having fought so long against oppression, now finds itself in danger of being co-opted."[26] In a later article, Billington also praised Paul Hilton's performance in the Young Vic Theatre production in a list by The Guardian writers of the 50 greatest theatre shows since 2000, in which The Inheritance placed 15th.[27]
The show received mostly mixed reviews on Broadway. As Ben Brantley wrote in The New York Times: "Its breadth doesn't always translate into depth." He praised the acting of many in the large cast and noted the continued experiential relevance of the AIDS crises, stating "That effort to conjure a nightmare era in danger of being forgotten by many young people today captures what’s best in 'The Inheritance'.”[28]
Writing in The New Yorker, Rebecca Mead drew comparisons to Angels in America, the two-part epic play by Tony Kushner, also examining the Early AIDS Crisis in New York, describing The Inheritance as "less intellectually demanding" and "strik[ing] an upper-middlebrow tone" and also comparing the play with Hanya Yanagihara's 2015 "gay-trauma" novel A Little Life.[2]
Terrence McNally, author of the 1994 play Love! Valour! Compassion!, which addressed the AIDS Crisis contemporarily, said that "as an 80-year-old survivor, observer, and participant of the many years covered in the play" he had never had such a strong response,[2] referring to the experience of watching a play about the Early AIDS Crisis amid an audience of gay men of both the survivors' generation and the subsequent generation, that of the protagonists.[2]
Awards and nominations
[edit]Original London production
[edit]Year | Award | Category | Nominee | Result |
---|---|---|---|---|
2018 | Evening Standard Theatre Award[29][6] | Best Play | Matthew Lopez | Won |
Best Actor | Kyle Soller | Nominated | ||
Best Director | Stephen Daldry | Nominated | ||
Critics' Circle Theatre Award[7] | Best New Play | Matthew Lopez | Won | |
Best Actor | Kyle Soller | Won | ||
Best Director | Stephen Daldry | Won | ||
2019 | Laurence Olivier Award[30] | Best New Play | Won | |
Best Actor | Kyle Soller | Won | ||
Best Actress in a Supporting Role | Vanessa Redgrave | Nominated | ||
Best Director | Stephen Daldry | Won | ||
Best Set Design | Bob Crowley | Nominated | ||
Best Lighting Design | Jon Clark | Won | ||
Best Sound Design | Paul Arditti and Christopher Reid | Nominated | ||
Outstanding Achievement in Music | Paul Englishby | Nominated | ||
South Bank Sky Arts Award[31] | Theatre | Won |
Original Broadway production
[edit]References
[edit]- ^ Serratore, Nicole (June 2018). "A Gay Inheritance That's Generations in the Making". American Theatre. Retrieved 3 August 2019.
- ^ a b c d e f g h Mead, Rebecca (September 2, 2019). "How Matthew Lopez Transformed Howards End Into an Epic Play About Gay Life". The New Yorker. Retrieved November 16, 2022.
- ^ a b Trueman, Matt (2018-03-29). "London Theater Review: The Inheritance". Variety. Retrieved 2019-04-21.
- ^ Collins-Hughes, Laura; Deb, Sopan; Trueman, Matt (2018-02-20). "3 Young People to Watch in Theater This Spring". The New York Times. Retrieved 2018-03-24.
- ^ "The Inheritance (West End)". Young Vic. Retrieved July 16, 2018.
- ^ a b Thompson, Jessie (2018-11-19). "Evening Standard Theatre Awards 2018 – The Winners". Evening Standard. Retrieved 2018-11-19.
- ^ a b Wiegand, Chris (2019-01-29). "The Inheritance wins best new play at UK Critics' Circle awards". The Guardian. Retrieved 2019-01-30.
- ^ McPhee, Ryan. "Two-Part, Gay-Themed The Inheritance Will Play Broadway". Playbill, June 6, 2019.
- ^ Hetrick, Adam (August 15, 2019). "Kyle Soller and John Benjamin Hickey to Reprise Performances in The Inheritance on Broadway; Full Cast Set". Playbill.
- ^ a b Evans, Greg (December 9, 2019). "Tony Goldwyn Joining Broadway's The Inheritance For Four-Month Stint". Deadline Hollywood. Retrieved March 15, 2020.
- ^ Lang, Brent (February 20, 2020). "The Inheritance Closing in March After Box Office Struggles". Variety. Retrieved March 15, 2020.
- ^ "Supersized play The Inheritance sets Broadway closing date". Entertainment Weekly. Retrieved 2020-02-22.
- ^ Keller, Ilana (March 12, 2020). "Coronavirus: Broadway shuts down all shows immediately". Asbury Park Press. USA Today. Retrieved March 15, 2020.
- ^ "Das Vermächtnis (The Inheritance) – Teil 1 | residenztheater.de". www.residenztheater.de (in German). Retrieved 2023-05-15.
- ^ "Das Vermächtnis (The Inheritance) – Teil 2 | residenztheater.de". www.residenztheater.de (in German). Retrieved 2023-05-15.
- ^ Festspiele, Berliner. "Das Vermächtnis (The Inheritance) – Theatertreffen". www.berlinerfestspiele.de (in German). Retrieved 2023-05-15.
- ^ "Das Vermächtnis". Fischer Theater Medien (in German). Retrieved 2024-02-09.
- ^ "Überblick über die eingeladenen Inszenierungen". Stadttheater Ingolstadt (in German). 2023-12-20. Archived from the original on 2024-02-09. Retrieved 2024-02-09.
- ^ ""The Inheritance" at Geffen Playhouse". Geffen Playhouse. 2023-03-22. Retrieved 2023-08-15.
- ^ "Review: Tony-winning 'The Inheritance' is better in Los Angeles than on Broadway". Los Angeles Times. 2022-10-18. Retrieved 2023-08-15.
- ^ The Inheritance.
- ^ "The Inheritance". DET KGL. TEATER. Retrieved 1 May 2023.
- ^ "Årets Reumert 2023: Her er alle vinderne" (in Danish). BILLED-BLADET. Retrieved 16 June 2023.
- ^ "The Inheritance". DET KGL. TEATER. Retrieved 16 June 2023.
- ^ Cavendish, Dominic (29 March 2018). "The Inheritance, Young Vic review: perhaps the most important American play of the century so far". The Daily Telegraph.
- ^ Billington, Michael (28 March 2018). "The Inheritance review – Angels in America meets Howards End". The Guardian.
- ^ Billington, Michael; Soloski, Alexis; Love, Catherine; Fisher, Mark; Wiegand, Chris (2019-09-17). "The 50 best theatre shows of the 21st century". The Guardian. Retrieved 2021-02-17.
- ^ Brantley, Ben (November 18, 2019). "'The Inheritance' Review: So Many Men, So Much Time". The New York Times.
- ^ "Read the Evening Standard Theatre Awards 2018 shortlist in full". Evening Standard. 2018-11-16. Retrieved 2021-04-19.
- ^ "Winners list for the Olivier Awards 2019 with Mastercard". Laurence Olivier Awards. Retrieved 2021-04-19.
- ^ "The Inheritance, Lenny Henry and Jessie Buckley win South Bank Sky Arts awards". What's On Stage. Retrieved 2020-12-03.
- ^ "The Tony Award Nominations". Tony Awards. Retrieved 2021-04-19.
- ^ "The Inheritance, Strange Loop, Moulin Rouge Among Drama Desk Award Winners". Variety. 2020-06-14. Retrieved 2021-04-19.
- ^ "Nominations Announced for 86th Annual Drama League Awards". Broadway.com. Retrieved 2021-04-19.
- ^ "Awards History". The Drama League. 25 March 2021. Retrieved 2021-04-19.
- ^ "2019-2020 Awards". New York Drama Critics' Circle. Retrieved 2021-04-19.
- ^ Clement, Olivia (May 11, 2020). "Moulin Rouge! Leads 2020 Outer Critics Circle Award Honorees". Playbill.
- ^ "The Nominations for the 31st Annual GLAAD Awards". GLAAD. Retrieved June 10, 2020.