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{{Infobox album
{{Infobox album
| name = Melophobia
| name = Melophobia
| type = studio
| type = studio
| artist = [[Cage the Elephant]]
| artist = [[Cage the Elephant]]
| cover = Cage the Elephant Melophobia.jpg
| cover = Cage the Elephant Melophobia.jpg
| alt =
| alt =
| released = October 8, 2013
| released = October 8, 2013
| recorded = 2012–2013 at St. Charles, [[Nashville]], [[Tennessee]]
| recorded = 2012–2013
| venue =
| venue =
| studio = St. Charles, [[Nashville, Tennessee|Nashville]], [[Tennessee]]
| studio =
| genre = [[Alternative rock]], [[garage rock]], [[psychedelic rock]]
| genre = {{flatlist|
* [[Alternative rock]]
* [[garage rock]]
* [[psychedelic rock]]
* [[indie rock]]
⚫
| length = 37:23
* [[blues rock]]
| label = [[RCA Records|RCA]]
* [[surf punk (music genre)|surf punk]]
⚫
| producer = [[Jay Joyce]]
}}
⚫
| prev_title = [[Thank You, Happy Birthday]]
| prev_year = 2011
| length = 37:23
| next_title = [[Tell Me I'm Pretty]]
| label = [[RCA Records|RCA]]
⚫
| producer = [[Jay Joyce]]
⚫
| next_year = 2015
⚫
| prev_title = [[Thank You, Happy Birthday]]
⚫
| misc = {{Singles
| prev_year = 2011
| next_title = [[Tell Me I'm Pretty]]
⚫
| next_year = 2015
⚫
| misc = {{Singles
| name = Melophobia
| name = Melophobia
| type = studio
| type = studio
| single1 = [[Come a Little Closer (Cage the Elephant song)|Come a Little Closer]]
| single1 = [[Come a Little Closer (Cage the Elephant song)|Come a Little Closer]]
| single1date = August 13, 2013
| single1date = August 13, 2013
| single2 = [[Take It or Leave It (Cage the Elephant Song)|Take It or Leave It]]
| single2 = Take It or Leave It
| single2date = March 24, 2014
| single2date = March 24, 2014
| single3 = [[Cigarette Daydreams]]
| single3 = [[Cigarette Daydreams]]
Line 29: Line 36:
}}
}}


'''''Melophobia''''' is the third [[Album|studio album]] by American [[Rock music|rock]] band [[Cage the Elephant]]. Recorded at St. Charles in [[Nashville]], [[Tennessee]] and produced by Jay Joyce, the album was released on October 8, 2013, through [[RCA Records]]. It is also the final album that features lead guitarist Lincoln Parish.
'''''Melophobia''''' is the third [[Album|studio album]] by American [[Rock music|rock]] band [[Cage the Elephant]]. Recorded at St. Charles in [[Nashville, Tennessee|Nashville]], [[Tennessee]] and produced by [[Jay Joyce]], the album was released on October 8, 2013, through [[RCA Records]]. It is also the final album that features lead guitarist Lincoln Parish.


==Background==
==Background==
For ''Melophobia'', Cage the Elephant attempted to distance themselves from comparisons of the sound that influenced them, shutting themselves off from as much recorded music as possible.<ref name="RSarticle"/> ''Melophobia'' means "fear of music"; the band did not view the term literally, but rather thought of the term as "a fear of creating music to project premeditated images of self, like catering to cool, or making music to project an image of being intellectual or artistic or poetic, rather than just trying to be an honest communicator."<ref name="MTVarticle">{{cite news|url=http://www.mtv.com/news/articles/1715275/cage-the-elephant-melophobia-album.jhtml|title=Cage The Elephant Get Fearless On ''Melophobia''|author=James Montgomery|date=October 8, 2013|publisher=[[MTV News]]|accessdate=October 9, 2013}}</ref><ref name="ASarticle"/>
For ''Melophobia'', Cage the Elephant attempted to distance themselves from comparisons of the sound that influenced them, shutting themselves off from as much recorded music as possible.<ref name="RSarticle"/> ''Melophobia'' means "fear of music;" the band did not view the term literally, but rather thought of the term as "a fear of creating music to project premeditated images of self, like catering to cool, or making music to project an image of being intellectual or artistic or poetic, rather than just trying to be an honest communicator."<ref name="MTVarticle">{{cite news|url=http://www.mtv.com/news/articles/1715275/cage-the-elephant-melophobia-album.jhtml|archive-url=https://web.archive.org/web/20131009002114/http://www.mtv.com/news/articles/1715275/cage-the-elephant-melophobia-album.jhtml|url-status=dead|archive-date=October 9, 2013|title=Cage The Elephant Get Fearless On ''Melophobia''|first=James|last=Montgomery|date=October 8, 2013|publisher=[[MTV News]]|accessdate=October 9, 2013}}</ref><ref name="ASarticle"/>


Frontman Matthew Shultz viewed the record as a battle "to remain transparent and to remain honest." [[Isaac Brock (musician)|Isaac Brock]] (frontman of [[Modest Mouse]]) once told his friend Tiger Merritt (of [[Morning Teleportation]]) that "if you're not slightly embarrassed to sing the lyrics, you're probably not writing a good song," and encouraged him to refrain from attempting to write poetically but rather naturally. Shultz said this made sense to him.<ref name="RSarticle"/><ref name="ASarticle"/> When writing new tracks, Shultz would often doodle an image alongside his lyrics for visual reference.<ref name="ASarticle"/>
Frontman Matthew Shultz viewed the record as a battle "to remain transparent and to remain honest." [[Isaac Brock (musician)|Isaac Brock]] (frontman of [[Modest Mouse]]) once told his friend Tiger Merritt (of [[Morning Teleportation]]) that "if you're not slightly embarrassed to sing the lyrics, you're probably not writing a good song," and encouraged him to refrain from attempting to write poetically but rather naturally. Shultz said this made sense to him.<ref name="RSarticle"/><ref name="ASarticle"/> When writing new tracks, Shultz would often doodle an image alongside his lyrics for visual reference.<ref name="ASarticle"/>


==Composition==
==Composition==
"[[Come a Little Closer (Cage the Elephant song)|Come a Little Closer]]" was inspired by a morning in which Shultz woke up in a [[São Paulo]] hotel and opened his window to watch the sunrise over the favelas. Finding the makeshift housing comparable to an anthill, he soon found himself wondering what each soul inside each borough felt, whether it be heartache, love, loss or joy.<ref name="ASarticle">{{cite news|url=http://www.americansongwriter.com/2013/10/cage-elephant-talk-melophobia-come-little-closer-songwriting/|title=Cage The Elephant Talk ''Melophobia'', "Come A Little Closer," Songwriting|author=Chris Rutledge|date=October 7, 2013|work=[[American Songwriter]]|accessdate=October 9, 2013}}</ref> Shultz viewed "Telescope" as the breakthrough song in writing honestly; he based it on his loneliness. During a bout of seasonal depression, he spent time in his new home for the first time after nonstop touring and found himself "doing life's meaningless tasks to fill the void to pass the time", including obsessively decorating and feeling obligated to spend time in each room.<ref name="RSarticle">{{cite news|url=https://www.rollingstone.com/music/news/cage-the-elephants-matt-shultz-on-melophobia-and-loneliness-20131007|title=Cage the Elephant's Matt Shultz on ''Melophobia'' and Loneliness|author= John Gentile |date=October 7, 2013|work=[[Rolling Stone]]|accessdate=October 9, 2013}}</ref> Black Widow features the usage of brass horns which Brad had been anxious to use for a while, however Matt was against the inclusion of such instrumentation which would eventually lead to a "big argument" <ref>{{cite web|last1=Bosso|first1=Joe|title=Cage The Elephant's Matt & Brad Shultz talk Melophobia track-by-track|url=http://www.musicradar.com/news/guitars/cage-the-elephants-matt-brad-shultz-talk-melophobia-track-by-track-584903|accessdate=3 January 2016|page=8}}</ref>
"[[Come a Little Closer (Cage the Elephant song)|Come a Little Closer]]" was inspired by a morning in which Shultz woke up in a [[São Paulo]] hotel and opened his window to watch the sunrise over the favelas. Finding the makeshift housing comparable to an anthill, he soon found himself wondering what each soul inside each borough felt, whether it be heartache, love, loss or joy.<ref name="ASarticle">{{cite news|url=http://www.americansongwriter.com/2013/10/cage-elephant-talk-melophobia-come-little-closer-songwriting/|title=Cage The Elephant Talk ''Melophobia'', "Come A Little Closer," Songwriting|first=Chris|last=Rutledge|date=October 7, 2013|work=[[American Songwriter]]|accessdate=October 9, 2013}}</ref> Shultz viewed "Telescope" as the breakthrough song in writing honestly; he based it on his loneliness. During a bout of seasonal depression, he spent time in his new home for the first time after nonstop touring and found himself "doing life's meaningless tasks to fill the void to pass the time", including obsessively decorating and feeling obligated to spend time in each room.<ref name="RSarticle">{{cite magazine|url=https://www.rollingstone.com/music/news/cage-the-elephants-matt-shultz-on-melophobia-and-loneliness-20131007|title=Cage the Elephant's Matt Shultz on ''Melophobia'' and Loneliness|first= John |last= Gentile |date=October 7, 2013|magazine=[[Rolling Stone]]|accessdate=October 9, 2013}}</ref> "Black Widow" features the usage of brass horns which Brad had been anxious to use for a while, however Matt was against the inclusion of such instrumentation which would eventually lead to a "big argument".<ref>{{cite web|last1=Bosso|first1=Joe|title=Cage The Elephant's Matt & Brad Shultz talk Melophobia track-by-track|date=25 September 2013 |url=http://www.musicradar.com/news/guitars/cage-the-elephants-matt-brad-shultz-talk-melophobia-track-by-track-584903|accessdate=3 January 2016|page=8}}</ref>


==Critical reception==
==Critical reception==
{{Album ratings
{{Album ratings
| MC = 73/100<ref>http://www.metacritic.com/music/melophobia/cage-the-elephant</ref>
| MC = 73/100<ref>{{cite web|url=https://www.metacritic.com/music/melophobia/cage-the-elephant|title=Melophobia by Cage the Elephant|publisher=|accessdate=25 June 2019|website=Metacritic.com}}</ref>
| rev1 = [[AllMusic]]
| rev1 = [[AllMusic]]
| rev1Score = {{rating|4|5}}<ref>{{cite web |url=http://www.allmusic.com/album/melophobia-mw0002572048 |title=Melophobia – Cage the Elephant |work=[[AllMusic]] |publisher=[[Rovi Corporation]] |accessdate=November 6, 2012 |author=Jeffries, David}}</ref>
| rev1Score = {{rating|4|5}}<ref>{{cite web |url=http://www.allmusic.com/album/melophobia-mw0002572048 |title=Melophobia – Cage the Elephant |work=[[AllMusic]] |publisher=[[Rovi Corporation]] |accessdate=November 6, 2012 |author=Jeffries, David}}</ref>
| rev2 = ''[[Alternative Press (music magazine)|Alternative Press]]''
| rev2 = ''[[Alternative Press (magazine)|Alternative Press]]''
| rev2Score = {{rating|3.5|5}}<ref name="altpress"/>
| rev2Score = {{rating|3.5|5}}<ref name="altpress"/>
| rev3 = [[Consequence of Sound]]
| rev3 = [[Consequence of Sound]]
| rev3score = C+<ref>{{cite web |url=http://consequenceofsound.net/2013/10/album-review-cage-the-elephant-melophobia/ |title=Album Review: Cage The Elephant - Melophobia |website=[[Consequence of Sound]] |date=October 10, 2013 |accessdate=October 10, 2013 |last=Geffen |first=Sasha}}</ref>
| rev3score = C+<ref>{{cite web |url=https://consequence.net/2013/10/album-review-cage-the-elephant-melophobia/ |title=Album Review: Cage The Elephant - Melophobia |website=[[Consequence of Sound]] |date=October 10, 2013 |accessdate=October 10, 2013 |last=Geffen |first=Sasha}}</ref>
| rev4 = ''[[Los Angeles Times]]''
| rev4 = ''[[Los Angeles Times]]''
| rev4Score = {{rating|3|4}}<ref name="LATreview"/>
| rev4Score = {{rating|3|4}}<ref name="LATreview"/>
Line 58: Line 65:
}}
}}


''Melophobia'' has received positive reviews from contemporary music critics. [[Brian Mansfield]] of ''[[USA Today]]'' designated it "Album of the Week," summarizing that "''Melophobia'' may mean 'fear of music,' but there's nothing to be afraid of: Its glorious chaos makes for thrilling listening."<ref name="USATreview">{{cite news|url=https://www.usatoday.com/story/life/music/reviews/2013/10/07/album-of-the-week-cage-the-elephants-melophobia/2938945/|title=Album of the week: Cage the Elephant's ''Melophobia''|author=Brian Mansfield|date=October 8, 2013|work=[[USA Today]]|accessdate=October 9, 2013}}</ref> While August Brown of the ''[[Los Angeles Times]]'' viewed ''Melophobia'' as "a bit more stoned and mellow" than its predecessor, "they're in a class of their own [...] Let's just be glad to have such imagination on our drive time rock radio again."<ref name="LATreview">{{cite news|url=http://www.latimes.com/entertainment/music/posts/la-et-ms-album-review-cage-the-elephants-melophobia-20131007,0,7541333.story|title=Album review: Cage the Elephant's ''Melophobia''|author=August Brown|date=October 7, 2013|newspaper=[[Los Angeles Times]]|accessdate=October 9, 2013}}</ref> Holly Gleason of ''[[Paste (magazine)|Paste]]'' described the album as "post-modern glam revival," praising Jay Joyce's production and opining that "''Melophobia'' is united in both the urgency of the performances and the seemingly toxic love affairs that populate these songs."<ref name="pastereview">{{cite news|url=http://www.pastemagazine.com/articles/2013/10/cage-the-elephant-melophobia.html|title=Cage the Elephant: ''Melophobia''|author=Holly Gleason|date=October 8, 2013|work=[[Paste (magazine)|Paste]]|accessdate=October 9, 2013}}</ref> ''[[Rolling Stone]]''{{'s}} Jon Dolan considered the record a combination of "Sixties garage rock, Seventies punk and Eighties alt-rock into excellently weird new shapes."<ref name="RSreview">{{cite news|url=https://www.rollingstone.com/music/albumreviews/melophobia-20131008|title=Cage the Elephant - ''Melophobia''|author= Jon Dolan |date=October 8, 2013|work=[[Rolling Stone]]|accessdate=October 9, 2013}}</ref> Doug McCausland of Alternative Nation said ''Melophobia'' was Cage's strongest record at the time.<ref name="altnation">{{cite news|url=http://www.alternativenation.net/?p=35763|title=Cage the Elephant - ''Melophobia'' Review|author=Doug McCausland|date=October 1, 2013|website=AlternativeNation|accessdate=October 15, 2013|deadurl=yes|archiveurl=https://web.archive.org/web/20131019092800/http://www.alternativenation.net/?p=35763|archivedate=October 19, 2013|df=}}</ref>
''Melophobia'' has received positive reviews from contemporary music critics. [[Brian Mansfield]] of ''[[USA Today]]'' designated it "Album of the Week," summarizing that "''Melophobia'' may mean 'fear of music,' but there's nothing to be afraid of: Its glorious chaos makes for thrilling listening."<ref name="USATreview">{{cite news|url=https://www.usatoday.com/story/life/music/reviews/2013/10/07/album-of-the-week-cage-the-elephants-melophobia/2938945/|title=Album of the week: Cage the Elephant's ''Melophobia''|first=Brian|last=Mansfield|date=October 8, 2013|work=[[USA Today]]|accessdate=October 9, 2013}}</ref> While August Brown of the ''[[Los Angeles Times]]'' viewed ''Melophobia'' as "a bit more stoned and mellow" than its predecessor, "they're in a class of their own [...] Let's just be glad to have such imagination on our drive time rock radio again."<ref name="LATreview">{{cite news|url=http://www.latimes.com/entertainment/music/posts/la-et-ms-album-review-cage-the-elephants-melophobia-20131007,0,7541333.story|title=Album review: Cage the Elephant's ''Melophobia''|first=August|last=Brown|date=October 7, 2013|newspaper=[[Los Angeles Times]]|accessdate=October 9, 2013}}</ref> Holly Gleason of ''[[Paste (magazine)|Paste]]'' described the album as "post-modern glam revival," praising Jay Joyce's production and opining that "''Melophobia'' is united in both the urgency of the performances and the seemingly toxic love affairs that populate these songs."<ref name="pastereview">{{cite news|url=http://www.pastemagazine.com/articles/2013/10/cage-the-elephant-melophobia.html|title=Cage the Elephant: ''Melophobia''|first=Holly|last=Gleason|date=October 8, 2013|work=[[Paste (magazine)|Paste]]|accessdate=October 9, 2013}}</ref> ''[[Rolling Stone]]''{{'s}} Jon Dolan considered the record a combination of "Sixties garage rock, Seventies punk and Eighties alt-rock into excellently weird new shapes."<ref name="RSreview">{{cite magazine|url=https://www.rollingstone.com/music/music-album-reviews/melophobia-116000/|title=Cage the Elephant - ''Melophobia''|first= Jon |last= Dolan |date=October 8, 2013|magazine=[[Rolling Stone]]|accessdate=October 9, 2013}}</ref> Doug McCausland of Alternative Nation said ''Melophobia'' was Cage's strongest record at the time.<ref name="altnation">{{cite news|url=http://www.alternativenation.net/?p=35763|title=Cage the Elephant - ''Melophobia'' Review|first=Doug|last=McCausland|date=October 1, 2013|website=AlternativeNation|accessdate=October 15, 2013|url-status=dead|archiveurl=https://web.archive.org/web/20131019092800/http://www.alternativenation.net/?p=35763|archivedate=October 19, 2013}}</ref>


''[[Alternative Press (music magazine)|Alternative Press]]''{{'s}} Jason Schreurs wrote that ''Melophobia'' "is, at its best, ambitious and teeming with ideas and, at worst, one heck of a mish-mash of sounds."<ref name="altpress">{{cite news|url=http://www.altpress.com/reviews/entry/cage_the_elephant_melophobia|title=Cage the Elephant - ''Melophobia''|author= Jason Schreurs |date=October 8, 2013|work=[[Alternative Press (music magazine)|Alternative Press]]|accessdate=October 9, 2013}}</ref>
''[[Alternative Press (magazine)|Alternative Press]]''{{'s}} Jason Schreurs wrote that ''Melophobia'' "is, at its best, ambitious and teeming with ideas and, at worst, one heck of a mish-mash of sounds."<ref name="altpress">{{cite news|url=http://www.altpress.com/reviews/entry/cage_the_elephant_melophobia|title=Cage the Elephant - ''Melophobia''|first= Jason |last= Schreurs |date=October 8, 2013|work=[[Alternative Press (music magazine)|Alternative Press]]|accessdate=October 9, 2013}}</ref>


==Commercial performance==
==Commercial performance==
The album debuted at No. 15 on the [[Billboard 200|''Billboard'' 200]] albums chart on its first week of release,<ref>{{cite web |url=http://www.billboard.com/charts/billboard-200/2013-10-26 |date=October 26, 2013 |title=Billboard 200 |work=Billboard }}</ref> with around 18,000 copies sold in the United States. It also debuted at No. 6 on both the [[Top Rock Albums]]<ref>{{cite web |url=http://www.billboard.com/charts/rock-albums/2013-10-26 |date=October 26, 2013 |title=Top Rock Albums |work=Billboard }}</ref> and the [[Alternative Albums]] charts.<ref>{{cite web |url=http://www.billboard.com/charts/alternative-albums/2013-10-26 |date=October 26, 2013 |title=Alternative Albums |work=Billboard }}</ref> As of October 2015, the album has sold 174,000 copies in the US.<ref>{{cite web|archiveurl= https://web.archive.org/web/20151124223021/http://hitsdailydouble.com/new_album_releases |archivedate= November 24, 2015 |url=http://hitsdailydouble.com/new_album_releases |title=Upcoming Releases |website=''Hits Daily Double'' |publisher=HITS Digital Ventures }}</ref>
The album debuted at No. 15 on the [[Billboard 200|''Billboard'' 200]] albums chart on its first week of release,<ref>{{cite magazine |url=http://www.billboard.com/charts/billboard-200/2013-10-26 |date=October 26, 2013 |title=Billboard 200 |magazine=Billboard }}</ref> with around 18,000 copies sold in the United States. It also debuted at No. 6 on both the [[Top Rock Albums]]<ref>{{cite magazine |url=http://www.billboard.com/charts/rock-albums/2013-10-26 |date=October 26, 2013 |title=Top Rock Albums |magazine=Billboard }}</ref> and the [[Alternative Albums]] charts.<ref>{{cite magazine |url=http://www.billboard.com/charts/alternative-albums/2013-10-26 |date=October 26, 2013 |title=Alternative Albums |magazine=Billboard }}</ref> As of October 2015, the album has sold 174,000 copies in the US.<ref>{{cite web|archiveurl= https://web.archive.org/web/20151124223021/http://hitsdailydouble.com/new_album_releases |archivedate= November 24, 2015 |url=http://hitsdailydouble.com/new_album_releases |title=Upcoming Releases |website=Hits Daily Double |publisher=HITS Digital Ventures }}</ref>


==Track listing==
==Track listing==
{{Track listing
{{Track listing
| all_writing = Cage the Elephant
| title1 = Spiderhead
| title1 = Spiderhead
| note1 =
| note1 =
| length1 = 3:42
| length1 = 3:42

| title2 = [[Come a Little Closer (Cage the Elephant song)|Come a Little Closer]]
| title2 = [[Come a Little Closer (Cage the Elephant song)|Come a Little Closer]]
| note2 =
| note2 =
| length2 = 3:49
| length2 = 3:49

| title3 = Telescope
| title3 = Telescope
| note3 =
| note3 =
| length3 = 3:48
| length3 = 3:48
⚫
| title4 = It's Just Forever

⚫
| title4 = It's Just Forever
| note4 = featuring [[Alison Mosshart]]
| note4 = featuring [[Alison Mosshart]]
| length4 = 3:30
| length4 = 3:30

| title5 = Take It or Leave It
| title5 = Take It or Leave It
| note5 =
| note5 =
| length5 = 3:27
| length5 = 3:27

| title6 = Halo
| title6 = Halo
| note6 =
| note6 =
| length6 = 2:57
| length6 = 2:57

| title7 = Black Widow
| title7 = Black Widow
| note7 =
| note7 =
| length7 = 3:07
| length7 = 3:07

| title8 = Hypocrite
| title8 = Hypocrite
| note8 =
| note8 =
| length8 = 4:08
| length8 = 4:08

| title9 = Teeth
| title9 = Teeth
| note9 =
| note9 =
| length9 = 5:27
| length9 = 5:27

| title10 = [[Cigarette Daydreams]]
| title10 = [[Cigarette Daydreams]]
| note10 =
| note10 =
| length10 = 3:28
| length10 = 3:28
⚫
| total_length = 37:23
}}

===B-Sides===
{{Track listing
| title1 = Baby Blue
| length1 = 3:41
| title2 = Jesse James
| length2 = 2:53
}}
}}


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! scope="col"| Peak<br /> position
! scope="col"| Peak<br /> position
|-
|-
!scope="row"|Australia ([[ARIA Charts#Charts|ARIA Hitseekers]])<ref>{{cite web|url=http://www.aria.com.au/issue1239.pdf|archive-url=https://webarchive.nla.gov.au/awa/20131216042506/http://pandora.nla.gov.au/pan/23790/20131216-1442/Issue+1239.pdf|url-status=dead|archive-date=December 16, 2013|title=ARIA Report: Issue 1239|publisher=ARIA|access-date=November 13, 2023}}{{cbignore|bot=medic}}</ref>
⚫
{{albumchart|BillboardCanada|21|artist=Cage the Elephant|rowheader=true}}
|4
|-
|-
{{albumchart|Billboard200|15|artist=Cage the Elephant|rowheader=true}}
{{album chart|BillboardCanada|21|artist=Cage the Elephant|rowheader=true}}
|-
|-
{{albumchart|BillboardAlternative|6|artist=Cage the Elephant|rowheader=true}}
{{album chart|Billboard200|15|artist=Cage the Elephant|rowheader=true}}
|-
|-
{{albumchart|BillboardHardRock|3|artist=Cage the Elephant|rowheader=true}}
{{album chart|BillboardAlternative|6|artist=Cage the Elephant|rowheader=true}}
|-
|-
{{albumchart|BillboardRock|6|artist=Cage the Elephant|rowheader=true}}
{{album chart|BillboardHardRock|3|artist=Cage the Elephant|rowheader=true}}
|-
|-
{{albumchart|BillboardTastemaker|5|artist=Cage the Elephant|rowheader=true}}
{{album chart|BillboardRock|6|artist=Cage the Elephant|rowheader=true}}
|-
⚫
{{album chart|BillboardTastemaker|5|artist=Cage the Elephant|rowheader=true}}
|-
|-
|}
|}

==Certifications==
{{Certification Table Top}}
{{Certification Table Entry|region=Brazil|title=Melophobia|artist=Cage the Elephant|award=Gold|type=album|certyear=2024|relyear=2013|access-date=August 15, 2024}}
{{Certification Table Entry|region=United States|type=album|artist=Cage the Elephant|title= Melophobia|award=Platinum|relyear=2013|certyear=2022|accessdate=November 22, 2022}}
{{Certification Table Bottom|streaming=true|nosales=true | noshipments=true}}


==References==
==References==
Line 159: Line 176:


{{Cage the Elephant}}
{{Cage the Elephant}}

{{Authority control}}


[[Category:2013 albums]]
[[Category:2013 albums]]

Latest revision as of 14:20, 23 December 2024

Melophobia
Studio album by
Cage the Elephant
ReleasedOctober 8, 2013
Recorded2012–2013
StudioSt. Charles, Nashville, Tennessee
Genre
Length37:23
LabelRCA
ProducerJay Joyce
Cage the Elephant chronology
Thank You, Happy Birthday
(2011) 		Melophobia
(2013) 		Tell Me I'm Pretty
(2015)
Singles from Melophobia
  1. "Come a Little Closer"
    Released: August 13, 2013
  2. "Take It or Leave It"
    Released: March 24, 2014
  3. "Cigarette Daydreams"
    Released: August 26, 2014

Melophobia is the third studio album by American rock band Cage the Elephant. Recorded at St. Charles in Nashville, Tennessee and produced by Jay Joyce, the album was released on October 8, 2013, through RCA Records. It is also the final album that features lead guitarist Lincoln Parish.

Background

[edit]

For Melophobia, Cage the Elephant attempted to distance themselves from comparisons of the sound that influenced them, shutting themselves off from as much recorded music as possible.[1] Melophobia means "fear of music;" the band did not view the term literally, but rather thought of the term as "a fear of creating music to project premeditated images of self, like catering to cool, or making music to project an image of being intellectual or artistic or poetic, rather than just trying to be an honest communicator."[2][3]

Frontman Matthew Shultz viewed the record as a battle "to remain transparent and to remain honest." Isaac Brock (frontman of Modest Mouse) once told his friend Tiger Merritt (of Morning Teleportation) that "if you're not slightly embarrassed to sing the lyrics, you're probably not writing a good song," and encouraged him to refrain from attempting to write poetically but rather naturally. Shultz said this made sense to him.[1][3] When writing new tracks, Shultz would often doodle an image alongside his lyrics for visual reference.[3]

Composition

[edit]

"Come a Little Closer" was inspired by a morning in which Shultz woke up in a São Paulo hotel and opened his window to watch the sunrise over the favelas. Finding the makeshift housing comparable to an anthill, he soon found himself wondering what each soul inside each borough felt, whether it be heartache, love, loss or joy.[3] Shultz viewed "Telescope" as the breakthrough song in writing honestly; he based it on his loneliness. During a bout of seasonal depression, he spent time in his new home for the first time after nonstop touring and found himself "doing life's meaningless tasks to fill the void to pass the time", including obsessively decorating and feeling obligated to spend time in each room.[1] "Black Widow" features the usage of brass horns which Brad had been anxious to use for a while, however Matt was against the inclusion of such instrumentation which would eventually lead to a "big argument".[4]

Critical reception

[edit]
Professional ratings
Aggregate scores
SourceRating
Metacritic73/100[5]
Review scores
SourceRating
AllMusic[6]
Alternative Press[7]
Consequence of SoundC+[8]
Los Angeles Times[9]
Paste8.0/10[10]
Rolling Stone[11]
USA Today[12]

Melophobia has received positive reviews from contemporary music critics. Brian Mansfield of USA Today designated it "Album of the Week," summarizing that "Melophobia may mean 'fear of music,' but there's nothing to be afraid of: Its glorious chaos makes for thrilling listening."[12] While August Brown of the Los Angeles Times viewed Melophobia as "a bit more stoned and mellow" than its predecessor, "they're in a class of their own [...] Let's just be glad to have such imagination on our drive time rock radio again."[9] Holly Gleason of Paste described the album as "post-modern glam revival," praising Jay Joyce's production and opining that "Melophobia is united in both the urgency of the performances and the seemingly toxic love affairs that populate these songs."[10] Rolling Stone's Jon Dolan considered the record a combination of "Sixties garage rock, Seventies punk and Eighties alt-rock into excellently weird new shapes."[11] Doug McCausland of Alternative Nation said Melophobia was Cage's strongest record at the time.[13]

Alternative Press's Jason Schreurs wrote that Melophobia "is, at its best, ambitious and teeming with ideas and, at worst, one heck of a mish-mash of sounds."[7]

Commercial performance

[edit]

The album debuted at No. 15 on the Billboard 200 albums chart on its first week of release,[14] with around 18,000 copies sold in the United States. It also debuted at No. 6 on both the Top Rock Albums[15] and the Alternative Albums charts.[16] As of October 2015, the album has sold 174,000 copies in the US.[17]

Track listing

[edit]

All tracks are written by Cage the Elephant

No.TitleLength
1."Spiderhead"3:42
2."Come a Little Closer"3:49
3."Telescope"3:48
4."It's Just Forever" (featuring Alison Mosshart)3:30
5."Take It or Leave It"3:27
6."Halo"2:57
7."Black Widow"3:07
8."Hypocrite"4:08
9."Teeth"5:27
10."Cigarette Daydreams"3:28
Total length:37:23

B-Sides

[edit]
No.TitleLength
1."Baby Blue"3:41
2."Jesse James"2:53

Personnel

[edit]

Charts

[edit]
Chart (2013) Peak
position
Australia (ARIA Hitseekers)[18] 4
Canadian Albums (Billboard)[19] 21
US Billboard 200[20] 15
US Top Alternative Albums (Billboard)[21] 6
US Top Hard Rock Albums (Billboard)[22] 3
US Top Rock Albums (Billboard)[23] 6
US Top Tastemaker Albums (Billboard)[24] 5

Certifications

[edit]
Region Certification Certified units/sales
Brazil (Pro-Música Brasil)[25] Gold 20,000‡
United States (RIAA)[26] Platinum 1,000,000‡

‡ Sales+streaming figures based on certification alone.

References

[edit]
  1. ^ a b c Gentile, John (October 7, 2013). "Cage the Elephant's Matt Shultz on Melophobia and Loneliness". Rolling Stone. Retrieved October 9, 2013.
  2. ^ Montgomery, James (October 8, 2013). "Cage The Elephant Get Fearless On Melophobia". MTV News. Archived from the original on October 9, 2013. Retrieved October 9, 2013.
  3. ^ a b c d Rutledge, Chris (October 7, 2013). "Cage The Elephant Talk Melophobia, "Come A Little Closer," Songwriting". American Songwriter. Retrieved October 9, 2013.
  4. ^ Bosso, Joe (25 September 2013). "Cage The Elephant's Matt & Brad Shultz talk Melophobia track-by-track". p. 8. Retrieved 3 January 2016.
  5. ^ "Melophobia by Cage the Elephant". Metacritic.com. Retrieved 25 June 2019.
  6. ^ Jeffries, David. "Melophobia – Cage the Elephant". AllMusic. Rovi Corporation. Retrieved November 6, 2012.
  7. ^ a b Schreurs, Jason (October 8, 2013). "Cage the Elephant - Melophobia". Alternative Press. Retrieved October 9, 2013.
  8. ^ Geffen, Sasha (October 10, 2013). "Album Review: Cage The Elephant - Melophobia". Consequence of Sound. Retrieved October 10, 2013.
  9. ^ a b Brown, August (October 7, 2013). "Album review: Cage the Elephant's Melophobia". Los Angeles Times. Retrieved October 9, 2013.
  10. ^ a b Gleason, Holly (October 8, 2013). "Cage the Elephant: Melophobia". Paste. Retrieved October 9, 2013.
  11. ^ a b Dolan, Jon (October 8, 2013). "Cage the Elephant - Melophobia". Rolling Stone. Retrieved October 9, 2013.
  12. ^ a b Mansfield, Brian (October 8, 2013). "Album of the week: Cage the Elephant's Melophobia". USA Today. Retrieved October 9, 2013.
  13. ^ McCausland, Doug (October 1, 2013). "Cage the Elephant - Melophobia Review". AlternativeNation. Archived from the original on October 19, 2013. Retrieved October 15, 2013.
  14. ^ "Billboard 200". Billboard. October 26, 2013.
  15. ^ "Top Rock Albums". Billboard. October 26, 2013.
  16. ^ "Alternative Albums". Billboard. October 26, 2013.
  17. ^ "Upcoming Releases". Hits Daily Double. HITS Digital Ventures. Archived from the original on November 24, 2015.
  18. ^ "ARIA Report: Issue 1239" (PDF). ARIA. Archived from the original (PDF) on December 16, 2013. Retrieved November 13, 2023.
  19. ^ "Cage the Elephant Chart History (Canadian Albums)". Billboard.
  20. ^ "Cage the Elephant Chart History (Billboard 200)". Billboard.
  21. ^ "Cage the Elephant Chart History (Top Alternative Albums)". Billboard.
  22. ^ "Cage the Elephant Chart History (Top Hard Rock Albums)". Billboard.
  23. ^ "Cage the Elephant Chart History (Top Rock Albums)". Billboard.
  24. ^ "Cage the Elephant Chart History (Top Tastemaker Albums)". Billboard.
  25. ^ "Brazilian album certifications – Cage the Elephant – Melophobia" (in Portuguese). Pro-Música Brasil. Retrieved August 15, 2024.
  26. ^ "American album certifications – Cage the Elephant – Melophobia". Recording Industry Association of America. Retrieved November 22, 2022.
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