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{{Short description|2003 experimental independent dramatic art film by Marian Dora}}
{{AFC submission|d|film|u=87.71.94.101|ns=118|decliner=StraussInTheHouse|declinets=20190210132132|reason2=not|ts=20190113174833}} <!-- Do not remove this line! -->
{{All plot|date=June 2020}}

{{AFC comment|1=Please ensure you include more than just a plot summary. '''<span style="font-family: Arial">[[User:StraussInTheHouse|<span style="color: red">SITH</span>]] [[User talk:StraussInTheHouse|<span style="color: blue">(talk)</span>]]</span>''' 13:21, 10 February 2019 (UTC)}}

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[[File:Debris documentar cover.jpg|thumb|DVD cover]]
'''''Debris documentar''''' (English: ''Debris Documentation'') is a 75-minute 2012 German-Greek German-language experimental independent dramatic art film directed by [[Marian Dora]]. The film, released on DVD in 2014 as part of a boxset also containitng ''[[Melancholie der Engel]]'' (2009) and ''Reise nach Agatis'' (2010),<ref>{{cite AV media|url=https://web.archive.org/20180613063101/http://www.zenopictures.be/en/catalog-14/all-titles/the-world-of-marian-dora|script-title=The World of Marian Dora|people=Dora Botulino, Marian|location=Breda|publisher=BUT (B-Movies, Underground, and Trash) Film Festival|language=Dutch|accessdate=13 January 2019|format=DVD|isbn=9789081779869|date=2014}} Archived 13 June 2018.</ref>, was shot in 2003, during the time Dora was [[Ulli Lommel]]’s assistant,<ref>{{ill|Höltgen, Prof. Dr. Stefan|de|Stefan Höltgen}}. {{cite web|url=https://www.heise.de/-3403734|script-title=Hat nicht so gut geschmeckt|date=4 December 2005|website=[[Telepolis]]|publisher=Hanover: [[Heinz Heise]]|access-date=1 February 2019|language=German|trans-title=It Tasted Not So Good}}</ref>, and is meant to provide insights into the pre-production of ''Melancholie der Engel''.<ref>{{cite AV media|url=http://blacklava.at/index.php/revisiting-melancholie-der-engel-slipcase.html|script-title=''Revisiting Melancholie der Engel''|people=Blomdahl, Magnus|location=Vorchdorf|publisher=Black Lava Entertainment|language=German|accessdate=5 February 2019|format=DVD|date=March 2017}}</ref><ref>Keesey, Prof. Dr. Douglas. ''[http://www.kamerabooks.co.uk/index1.php?imprint=3&isbn=9781843449058 Twenty First Century Horror Films: A Guide to the Best Contemporary Horror Movies]''. Harpenden: Oldcastle Books’s Kamera Books, March 2017, pp. 211–213, {{ISBN|9781843449065}}, {{OCLC|988756769}}. Retrieved 5 February 2019; {{cite book|last=Aston|first=Dr. James|date=August 2018|script-title=''Hardcore Horror Cinema in the 21st Century: Production, Marketing and Consumption''|url=https://www.mcfarlandbooks.com/hardcore-horror-cinema-in-the-21st-century|location=Jefferson, North Carolina|publisher=[[McFarland & Company]]|pages=16, 55, and 74–76|isbn=9781476668888|oclc=1020455458|accessdate=5 February 2019}}.</ref>
'''''Debris documentar''''' (English: ''Debris Documentation'') is a 75-minute 2012 German-language experimental independent dramatic art film, made in 2003 by [[Marian Dora]].


==Synopsis==
==Synopsis==
The film deals with the everyday life of a man, Carsten ({{ill|Carsten Frank|de}}), who works on the set of the 2004 Ulli Lommel film ''[[Zombie Nation (film)|Zombie Nation]]''. At the same time, he is planning to realize his own film, a task he finds extremely difficult. First, he tries to place casting ads in a supermarket. During his daily work on the film set, the man seems frustrated. Also, he is isolated in his private life, and spends his time by watching and masturbating to his opulent VHS film collection of homosexual rape pornography and films such as [[Cesare Canevari]]’s 1977 ''[[Gestapo's Last Orgy|Gestapo’s Last Orgy]]'', Dennis Donnelly’s 1978 ''[[The Toolbox Murders]]'', [[Peter Schamoni]]’s 1976 ''{{ill|Potato Fritz|de|Potato Fritz (Film)}}'', and [[Rino Di Silvestro]]’s 1976 ''[[Werewolf Woman]]'', and tinkering with props for his own planned film. He also likes to read [[Astrid Proll]]’s works about [[Andreas Baader]] and [[Ulrike Meinhof]] and the poetry of [[Eduard Mörike]]. In his spare time, he shoots photos of animal cadavers while playing with them, also partly collecting them to take home with him, as he seems to have sexual attraction to them, and rapes women (Martina Adora, Stefanie Müller, and Carina Palmer) in the woods while they urinate. He indulges in several disturbing sexual fetishes including defecating, urinating, necrophilia, bestiality, anal fisting, rape, murder, nose-picking, and other unspeakable acts. He is in regular contact with a prostitute, Patrizia (Patrizia Johann), who puts an enema into her anus and defecates into a bucket while placing the man onto a table, shoving her fist into his anus and pulling feces out of there while he is putting the bucket to his face. By telephone, he also stays in contact with [[Jesús Franco]], {{ill|Katja Bienert|de|Katja Bienert|fr|Katja Bienert|ru|Бинерт, Катя}}, [[Peter Martell]], and [[David Hess]] (who composed most of this film’s score). After a while, he actually contacted a woman, Franziska (Alexandra Dumas), who read his advertisement in the supermarket. They arrange a meeting in the man’s house. When he tells her what he is supposed to do in his film, the woman gets scared and wants to leave the house. Then, Carsten overwhelms her and kills her by strangling her with a telephone cord and beating her head. Afterwards, he films himself as he is sexually aroused by her corpse. He cuts her nipples off in graphic detail and uses his scalpel to cut the dead woman’s clitoris off. He then takes the scalpel and peels the skin off one of her fingers and eats the pieces of dismembered skin. The film ends with a scene showing Carsten burning the same woman’s body and going jogging, as in the first shot of this film.<ref>{{cite book|last=Bordage|first=Tinam|script-title=''Les dossiers Sadique-master: Dissection du cinéma underground extrême''|trans-title=The Sadique-Master Files: A Dissection of Extreme Underground Cinema|url=http://www.camionnoir.com/detail-livre-les-dossiers-sadique-master-dissection-du-cinema-underground-extreme-390.php|location=Rosières-en-Haye|publisher={{ill|Éditions du Camion blanc|fr}}’s Camion noir, mars 2017|isbn=9782357799370|language=French|accessdate=13 January 2019|oclc=1035828127}}</ref><ref>{{cite book|last=Blomdahl|first=Magnus|script-title=''Äkta skräck 2''|trans-title=Genuine Horror 2|url=http://www.vertigo.se/akta-skrack-2|location=Malmö|publisher={{ill|Vertigo förlag|sv|Vertigo (bokförlag)}}, Maj 2017|isbn=9789186567781|language=Swedish|accessdate=13 January 2019}}</ref>
The film, released on DVD in 2014 as part of a boxset also containitng ''[[Melancholie der Engel]]'' (2009) and ''Reise nach Agatis'' (2010),<ref>{{cite AV media|url=https://www.zenopictures.be/en/catalog-14/all-titles/the-world-of-marian-dora|archive-url=https://web.archive.org/web/20180613063101/https://www.zenopictures.be/en/catalog-14/all-titles/the-world-of-marian-dora|url-status=dead|archive-date=2018-06-13|title=The World of Marian Dora|people=Dora Botulino, Marian|location=Breda|publisher=BUT (B-Movies, Underground, and Trash) Film Festival|language=Dutch, German|accessdate=13 January 2019|format=DVD|isbn=9789081779869|date=2014}} Archived 13 June 2018. The film was shot in 2003, during the time Dora was [[Ulli Lommel]]’s assistant ({{ill|Höltgen, Prof. Dr. Stefan|de|Stefan Höltgen}}. {{cite web|url=https://www.heise.de/-3403734|title=Hat nicht so gut geschmeckt|date=4 December 2005|website=[[Telepolis]]|publisher=Hanover: [[Heinz Heise]]|access-date=1 February 2019|language=German|trans-title=It Tasted Not So Good}}), and is meant to provide insights into the pre-production of ''Melancholie der Engel'' ({{cite AV media|url=http://blacklava.at/index.php/revisiting-melancholie-der-engel-slipcase.html|title=''Revisiting Melancholie der Engel''|people=Blomdahl, Magnus|location=Vorchdorf|publisher=Black Lava Entertainment|language=German|accessdate=5 February 2019|format=DVD|date=March 2017|archive-date=12 February 2019|archive-url=https://web.archive.org/web/20190212011330/http://blacklava.at/index.php/revisiting-melancholie-der-engel-slipcase.html|url-status=dead}} Keesey, Prof. Dr. Douglas. ''[http://www.kamerabooks.co.uk/index1.php?imprint=3&isbn=9781843449058 Twenty First Century Horror Films: A Guide to the Best Contemporary Horror Movies]''. Harpenden: Oldcastle Books’s Kamera Books, March 2017, pp. 211–213, {{ISBN|9781843449065}}, {{OCLC|988756769}}. Retrieved 5 February 2019; {{cite book|last=Aston|first=Dr. James|date=August 2018|title=''Hardcore Horror Cinema in the 21st Century: Production, Marketing and Consumption''|url=https://www.mcfarlandbooks.com/hardcore-horror-cinema-in-the-21st-century|location=Jefferson, North Carolina|publisher=[[McFarland & Company]]|pages=16, 55, and 74–76|isbn=9781476668888|oclc=1020455458|accessdate=5 February 2019}}). The Germany-produced ''Reise nach Agatis'' (English: ''Voyage to Agatis'') is also meant as commentary on ''Melancholie der Engel'': This 74-minute film, which was shot between 27 and 29 May 2008 in Croatia on a budget of €10,000 and which premiered at {{ill|Weekend of Fear|de}} on 2 December 2010, inspired by [[Charles Berlitz]]’s 1974 book ''[[The Bermuda Triangle (book)|The Bermuda Triangle]]'', [[René Cardona Jr.]]’s 1978 film ''[[The Bermuda Triangle (film)|The Bermuda Triangle]]'', [[Tonino Ricci]]’s 1978 film ''[[Bermuda: Cave of the Sharks]]'', and {{ill|David D. Osborn|de}}’s 1974 novel ''{{ill|Jagdzeit (Roman)|de|lt=Open Season}}'', opens with a scene of a woman tortured and killed on a beach, followed by a seemingly innocent and pleasant yachting cruise under the sun in which an attractive couple, Rafael ({{ill|Thomas Goersch|de}}) and Isabell ({{ill|Tatjana Lommel|de}}), entice young prostitute Lisa (Janna Lisa Dombrowsky) to a dreamy vacation, however, before the end of the day, she will be running for her life as they reveal their psychopathic and violent nature, hoping to wake up from a demented nightmare, as the film ends with Lisa being stabbed multiple times in extremely graphic detail by Rafael, who then proceeds to ram a knife into her vagina, followed by a disemboweling.</ref> deals with the everyday life of a man, Carsten ({{ill|Carsten Frank|de}}), who works on the set of the 2004 Ulli Lommel film ''[[Zombie Nation (film)|Zombie Nation]]''. At the same time, he is planning to realize his own film, a task he finds extremely difficult. First, he tries to place casting ads in a supermarket. During his daily work on the film set, the man seems frustrated. Also, he is isolated in his private life, and spends his time by watching and masturbating to his opulent VHS film collection of homosexual rape pornography and films such as [[Cesare Canevari]]’s 1977 ''[[Gestapo's Last Orgy|Gestapo’s Last Orgy]]'', Dennis Donnelly's 1978 ''[[The Toolbox Murders]]'', [[Werner Herzog]]’s 1974 ''[[The Enigma of Kaspar Hauser]]'', [[Peter Schamoni]]’s 1976 ''{{ill|Montana Trap|de|Potato Fritz (Film)}}'', and [[Rino Di Silvestro]]’s 1976 ''[[Werewolf Woman]]'', and tinkering with props for his own planned film. He also likes to read [[Astrid Proll]]’s works about [[Andreas Baader]] and [[Ulrike Meinhof]] and the writings of [[Eduard Mörike]]. In his spare time, he shoots photos of animal cadavers while playing with them, also partly collecting them to take home with him, as he seems to have sexual attraction to them, and rapes women (Martina Adora, Stefanie Müller, and Carina Palmer) in the woods while they urinate. He indulges in several disturbing sexual fetishes including defecating, urinating, necrophilia, bestiality, anal fisting, rape, murder, nose-picking, and other unspeakable acts. He is in regular contact with a prostitute, Patrizia (Patrizia Johann), who puts an enema into her anus and defecates into a bucket while placing the man onto a table, shoving her fist into his anus and pulling feces out of there while he is putting the bucket to his face. By telephone, he also stays in contact with [[Jesús Franco]], {{ill|Katja Bienert|de|Katja Bienert|fr|Katja Bienert|ru|Бинерт, Катя}}, [[Peter Martell]], and [[David Hess]] (who composed most of this film's score). After a while, he actually contacted a woman, Franziska (Alexandra Dumas), who read his advertisement in the supermarket. They arrange a meeting in the man's house. When he tells her what he is supposed to do in his film, the woman gets scared and wants to leave the house. Then, Carsten overwhelms her and kills her by strangling her with a telephone cord and beating her head. Afterwards, he films himself as he is sexually aroused by her corpse. He cuts her nipples off in graphic detail and uses his scalpel to cut the dead woman's clitoris off. He then takes the scalpel and peels the skin off one of her fingers and eats the pieces of dismembered skin. The film ends with a scene showing Carsten burning the same woman's body and going jogging, as in the first shot of this film.<ref>{{cite book|last=Bordage|first=Tinam|title=''Les dossiers Sadique-master: Dissection du cinéma underground extrême''|trans-title=The Sadique-Master Files: A Dissection of Extreme Underground Cinema|url=http://www.camionnoir.com/detail-livre-les-dossiers-sadique-master-dissection-du-cinema-underground-extreme-390.php|location=Rosières-en-Haye|publisher={{ill|Éditions du Camion blanc|fr}}’s Camion noir, mars 2017|isbn=9782357799370|language=French|accessdate=13 January 2019|oclc=1035828127|date=17 March 2017}}</ref><ref>{{cite book|last=Blomdahl|first=Magnus|title=''Äkta skräck 2''|trans-title=Genuine Horror 2|url=http://www.vertigo.se/akta-skrack-2|location=Malmö|publisher={{ill|Vertigo förlag|sv|Vertigo (bokförlag)}}, Maj 2017|isbn=9789186567781|language=Swedish|accessdate=13 January 2019|year=2017}}{{Dead link|date=October 2022 |bot=InternetArchiveBot |fix-attempted=yes }}</ref>


==References==
==References==
Line 17: Line 14:
==External links==
==External links==
*{{IMDb title|id=tt3116532|title=Debris documentar}}
*{{IMDb title|id=tt3116532|title=Debris documentar}}
*{{YouTube|50Mueph_gG8|''Debris documentar'' Film Trailer}} (BUT (B-Movies, Underground, and Trash) Film Festival’s Channel) {{de icon}}
*{{YouTube|50Mueph_gG8|''Debris documentar'' Film Trailer}} (BUT (B-Movies, Underground, and Trash) Film Festival's Channel) {{in lang|de}}


{{Films directed by Marian Dora}}
{{Films directed by Marian Dora}}

[[:Category:2010s avant-garde and experimental films]]
[[:Category:2010s drama films]]
[[Category:2012 drama films]]
[[:Category:2010s independent films]]
[[Category:2012 films]]
[[:Category:2010s LGBT-related films]]
[[Category:2012 independent films]]
[[:Category:2012 films]]
[[Category:2012 LGBTQ-related films]]
[[:Category:Art films]]
[[Category:2010s avant-garde and experimental films]]
[[:Category:Cannibalism in fiction]]
[[Category:2010s drama road movies]]
[[:Category:Films about gay male pornography]]
[[Category:2010s German films]]
[[:Category:Films about murderers]]
[[Category:2010s German-language films]]
[[:Category:Films about prostitution in Germany]]
[[Category:2010s Greek films]]
[[:Category:Films about rape]]
[[Category:Films about cannibalism]]
[[:Category:Films about violence against women]]
[[Category:Films about films]]
[[:Category:Films directed by Marian Dora]]
[[Category:Films about gay male pornography]]
[[:Category:Films set in department stores]]
[[Category:Films about murderers]]
[[:Category:Films set in forests]]
[[Category:Films about prostitution in Germany]]
[[:Category:Films set in Germany]]
[[Category:Films about rape]]
[[:Category:Films shot in Germany]]
[[Category:Films about vacationing]]
[[:Category:German drama films]]
[[Category:Films about violence against women]]
[[:Category:German films]]
[[Category:Films directed by Marian Dora]]
[[:Category:German independent films]]
[[Category:Films set in department stores]]
[[:Category:German-language films]]
[[Category:Films set in forests]]
[[:Category:German LGBT-related films]]
[[Category:Films set in Croatia]]
[[:Category:Greek avant-garde and experimental films]]
[[Category:Films set in Germany]]
[[:Category:Greek drama films]]
[[Category:Films set on beaches]]
[[:Category:Greek LGBT-related films]]
[[Category:Films shot in Croatia]]
[[:Category:LGBT-related drama films]]
[[Category:Films shot in Germany]]
[[:Category:Masturbation in fiction]]
[[Category:German drama road movies]]
[[:Category:Necrophilia in fiction]]
[[Category:German independent films]]
[[:Category:Women and death]]
[[Category:German LGBTQ-related films]]
[[:Category:Zoophilia in culture]]
[[Category:German splatter films]]
[[Category:Greek avant-garde and experimental films]]
[[Category:Greek drama films]]
[[Category:Greek LGBTQ-related films]]
[[Category:2000s LGBTQ-related drama films]]
[[Category:Fiction about masturbation]]
[[Category:Films about necrophilia]]
[[Category:Sailing films]]
[[Category:Films about torture]]
[[Category:Works published under a pseudonym]]
[[Category:Zoophilia in culture]]

Latest revision as of 03:05, 29 September 2024

DVD cover

Debris documentar (English: Debris Documentation) is a 75-minute 2012 German-language experimental independent dramatic art film, made in 2003 by Marian Dora.

Synopsis

[edit]

The film, released on DVD in 2014 as part of a boxset also containitng Melancholie der Engel (2009) and Reise nach Agatis (2010),[1] deals with the everyday life of a man, Carsten (Carsten Frank [de]), who works on the set of the 2004 Ulli Lommel film Zombie Nation. At the same time, he is planning to realize his own film, a task he finds extremely difficult. First, he tries to place casting ads in a supermarket. During his daily work on the film set, the man seems frustrated. Also, he is isolated in his private life, and spends his time by watching and masturbating to his opulent VHS film collection of homosexual rape pornography and films such as Cesare Canevari’s 1977 Gestapo’s Last Orgy, Dennis Donnelly's 1978 The Toolbox Murders, Werner Herzog’s 1974 The Enigma of Kaspar Hauser, Peter Schamoni’s 1976 Montana Trap [de], and Rino Di Silvestro’s 1976 Werewolf Woman, and tinkering with props for his own planned film. He also likes to read Astrid Proll’s works about Andreas Baader and Ulrike Meinhof and the writings of Eduard Mörike. In his spare time, he shoots photos of animal cadavers while playing with them, also partly collecting them to take home with him, as he seems to have sexual attraction to them, and rapes women (Martina Adora, Stefanie Müller, and Carina Palmer) in the woods while they urinate. He indulges in several disturbing sexual fetishes including defecating, urinating, necrophilia, bestiality, anal fisting, rape, murder, nose-picking, and other unspeakable acts. He is in regular contact with a prostitute, Patrizia (Patrizia Johann), who puts an enema into her anus and defecates into a bucket while placing the man onto a table, shoving her fist into his anus and pulling feces out of there while he is putting the bucket to his face. By telephone, he also stays in contact with Jesús Franco, Katja Bienert [de; fr; ru], Peter Martell, and David Hess (who composed most of this film's score). After a while, he actually contacted a woman, Franziska (Alexandra Dumas), who read his advertisement in the supermarket. They arrange a meeting in the man's house. When he tells her what he is supposed to do in his film, the woman gets scared and wants to leave the house. Then, Carsten overwhelms her and kills her by strangling her with a telephone cord and beating her head. Afterwards, he films himself as he is sexually aroused by her corpse. He cuts her nipples off in graphic detail and uses his scalpel to cut the dead woman's clitoris off. He then takes the scalpel and peels the skin off one of her fingers and eats the pieces of dismembered skin. The film ends with a scene showing Carsten burning the same woman's body and going jogging, as in the first shot of this film.[2][3]

References

[edit]
  1. ^ Dora Botulino, Marian (2014). The World of Marian Dora (in Dutch and German). Breda: BUT (B-Movies, Underground, and Trash) Film Festival. ISBN 9789081779869. Archived from the original (DVD) on 13 June 2018. Retrieved 13 January 2019. Archived 13 June 2018. The film was shot in 2003, during the time Dora was Ulli Lommel’s assistant (Höltgen, Prof. Dr. Stefan [de]. "Hat nicht so gut geschmeckt" [It Tasted Not So Good]. Telepolis (in German). Hanover: Heinz Heise. 4 December 2005. Retrieved 1 February 2019.), and is meant to provide insights into the pre-production of Melancholie der Engel (Blomdahl, Magnus (March 2017). Revisiting Melancholie der Engel (in German). Vorchdorf: Black Lava Entertainment. Archived from the original (DVD) on 12 February 2019. Retrieved 5 February 2019. Keesey, Prof. Dr. Douglas. Twenty First Century Horror Films: A Guide to the Best Contemporary Horror Movies. Harpenden: Oldcastle Books’s Kamera Books, March 2017, pp. 211–213, ISBN 9781843449065, OCLC 988756769. Retrieved 5 February 2019; Aston, Dr. James (August 2018). Hardcore Horror Cinema in the 21st Century: Production, Marketing and Consumption. Jefferson, North Carolina: McFarland & Company. pp. 16, 55, and 74–76. ISBN 9781476668888. OCLC 1020455458. Retrieved 5 February 2019.). The Germany-produced Reise nach Agatis (English: Voyage to Agatis) is also meant as commentary on Melancholie der Engel: This 74-minute film, which was shot between 27 and 29 May 2008 in Croatia on a budget of €10,000 and which premiered at Weekend of Fear [de] on 2 December 2010, inspired by Charles Berlitz’s 1974 book The Bermuda Triangle, René Cardona Jr.’s 1978 film The Bermuda Triangle, Tonino Ricci’s 1978 film Bermuda: Cave of the Sharks, and David D. Osborn [de]’s 1974 novel Open Season [de], opens with a scene of a woman tortured and killed on a beach, followed by a seemingly innocent and pleasant yachting cruise under the sun in which an attractive couple, Rafael (Thomas Goersch [de]) and Isabell (Tatjana Lommel [de]), entice young prostitute Lisa (Janna Lisa Dombrowsky) to a dreamy vacation, however, before the end of the day, she will be running for her life as they reveal their psychopathic and violent nature, hoping to wake up from a demented nightmare, as the film ends with Lisa being stabbed multiple times in extremely graphic detail by Rafael, who then proceeds to ram a knife into her vagina, followed by a disemboweling.
  2. ^ Bordage, Tinam (17 March 2017). Les dossiers Sadique-master: Dissection du cinéma underground extrême [The Sadique-Master Files: A Dissection of Extreme Underground Cinema] (in French). Rosières-en-Haye: Éditions du Camion blanc [fr]’s Camion noir, mars 2017. ISBN 9782357799370. OCLC 1035828127. Retrieved 13 January 2019.
  3. ^ Blomdahl, Magnus (2017). Äkta skräck 2 [Genuine Horror 2] (in Swedish). Malmö: Vertigo förlag [sv], Maj 2017. ISBN 9789186567781. Retrieved 13 January 2019.[permanent dead link]
[edit]