Country blues: Difference between revisions
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{{Short description|Music genre}} |
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{{redirect|Folk blues|the album by John Lee Hooker|Folk Blues (album)}} |
{{redirect|Folk blues|the album by John Lee Hooker|Folk Blues (album)}} |
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{{Infobox music genre |
{{Infobox music genre |
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| name = Country blues |
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|bgcolor=#0000E1 |
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| other_names = {{Flat list| |
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|color=white |
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*Folk blues |
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*rural blues |
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|stylistic_origins={{hlist|[[Blues]]|[[folk music|folk]]|[[gospel music]]|[[hillbilly music]]|[[ragtime]]}} |
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*backwoods blues |
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| ⚫ | |||
*downhome blues |
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|instruments={{hlist|[[Guitar]]|[[harmonica]]}} |
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|derivatives={{hlist|[[Chicago blues]]|[[Detroit blues]]|[[electric blues]]|[[hill country blues]]}} |
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|subgenres= {{hlist|[[Delta blues]]|[[Piedmont blues]]}} |
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}} |
}} |
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| stylistic_origins = {{Flatlist| |
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| ⚫ | '''Country blues''' (also '''folk blues''', '''rural blues''', '''backwoods blues''', or '''downhome blues''') is one of the earliest forms of [[blues]] music. The mainly solo vocal with acoustic [[fingerstyle guitar]] accompaniment developed in the rural [[Southern United States]] in the early |
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*[[Blues]] |
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*[[folk music|folk]] |
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*[[gospel music]] |
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}} |
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| ⚫ | |||
| subgenres = {{Flatlist| |
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*[[Delta blues]] |
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*[[Piedmont blues]] |
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}} |
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}} |
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| ⚫ | '''Country blues''' (also '''folk blues''', '''rural blues''', '''backwoods blues''', or '''downhome blues''') is one of the earliest forms of [[blues]] music. The mainly solo vocal with acoustic [[fingerstyle guitar]] accompaniment developed in the rural [[Southern United States]] in the early 20th century.<ref name="Rev">{{cite web | url = http://blues.about.com/od/abluesprimer/a/CountryBlues.htm | title = Country Blues Style Characteristics and Artists | first = Reverend Keith A. | last = Gordon | website = Liveaboutdotcom | date = May 23, 2019 | access-date = July 15, 2019 | archive-date = August 7, 2011 | archive-url = https://web.archive.org/web/20110807191908/http://blues.about.com/od/abluesprimer/a/CountryBlues.htm | url-status = dead }}</ref> It stands in contrast primarily to the [[Blues#Urban blues|urban blues]] style, especially in the pre-war era. |
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==History== |
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Artists such as [[Blind Lemon Jefferson]] (Texas), [[Charley Patton]] (Mississippi), [[Blind Willie McTell]] (Georgia) were among the first to record blues songs in the 1920s. Country blues ran parallel to [[urban blues]], which was popular in cities.<ref name="Gordon"/> |
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Historian Elijah Wald notes many similarities between blues, [[Bluegrass music|bluegrass]], and [[Country music|country & western]] styles with roots in the American south.{{sfn|Wald|2010|pp=1589}} Record labels in the 1920s and 1930s carefully segregated musicians and defined styles for racially targeted audiences.{{sfn|Wald|2010|pp=1391}} Over time, the rural black and rural white music evolved into different styles, with artists such as [[Bobby Bland]], [[Ray Charles]], and [[Willie Nelson]] lamenting the divide.{{sfn|Wald|2010|pp=1589}} |
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Folklorist [[Alan Lomax]] was one of the first to use the term and applied it to a [[field recording]] he made of [[Muddy Waters]] at the Stovall Plantation, Mississippi, in 1941.<ref name="Gordon"> |
Folklorist [[Alan Lomax]] was one of the first to use the term and applied it to a [[field recording]] he made of [[Muddy Waters]] at the [[Stovall, Mississippi|Stovall Plantation, Mississippi]], in 1941.<ref name="Gordon"> |
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{{cite book |
{{cite book |
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| last = Gordon |
| last = Gordon |
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| year = 2002 |
| year = 2002 |
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| isbn = 0-316-32849-9 |
| isbn = 0-316-32849-9 |
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| ref = harv |
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| pages = 38–39 |
| pages = 38–39 |
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}}</ref> In 1959, music historian [[Samuel Charters]] wrote ''[[The Country Blues (book)|The Country Blues]]'', an influential scholarly work on the subject.<ref name="Gioia"> |
}}</ref> In 1959, music historian [[Samuel Charters]] wrote ''[[The Country Blues (book)|The Country Blues]]'', an influential scholarly work on the subject.<ref name="Gioia"> |
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| last = Gioia |
| last = Gioia |
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| first = Ted |
| first = Ted |
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| author-link = Ted Gioia |
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| year = 2008 |
| year = 2008 |
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| title = Delta Blues |
| title = Delta Blues |
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| publisher = [[W. W. Norton]] |
| publisher = [[W. W. Norton]] |
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| isbn = 978-0-393-33750-1 |
| isbn = 978-0-393-33750-1 |
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| pages = [https://archive.org/details/deltablueslifeti00gioi/page/351 351–352] |
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| ref = harv |
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| pages = 351–352 |
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| url-access = registration |
| url-access = registration |
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| url = https://archive.org/details/deltablueslifeti00gioi |
| url = https://archive.org/details/deltablueslifeti00gioi/page/351 |
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}}</ref> He also produced an album, also titled ''[[The Country Blues]]'', with early recordings by Jefferson, McTell, [[Sleepy John Estes]], [[Bukka White]], and [[Robert Johnson]]. |
}}</ref> He also produced an album, also titled ''[[The Country Blues]]'', with early recordings by Jefferson, McTell, [[Sleepy John Estes]], [[Bukka White]], and [[Robert Johnson]].<ref>{{Cite web|url=https://www.nytimes.com/2011/11/20/us/dallas-church-preserving-the-legacy-of-robert-johnson.html?_r=0|last=Christensen|first=Thor|date=November 19, 2011|title=Dallas Church Preserving the Legacy of Robert Johnson|website=[[Nytimes.com]]| access-date=12 August 2022}}</ref> |
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Charters's works helped to introduce the then-nearly forgotten music to the [[American folk music revival]] of the late 1950s and 1960s.<ref name="Gioia"/> The acoustic roots-focused movement also gave rise to the terms "folk blues" and "acoustic blues", especially being applied to performances and recordings made around this period.<ref name="Rev"/> "Country blues" has also been used to describe regional acoustic styles, such as [[Delta blues]], [[Piedmont blues]], or the earliest [[Chicago blues|Chicago]], [[Texas blues|Texas]], and [[Memphis blues|Memphis]] blues.<ref name="Rev"/> |
Charters's works helped to introduce the then-nearly forgotten music to the [[American folk music revival]] of the late 1950s and 1960s.<ref name="Gioia"/> The acoustic roots-focused movement also gave rise to the terms "folk blues" and "acoustic blues", especially being applied to performances and recordings made around this period.<ref name="Rev"/> "Country blues" has also been used to describe regional acoustic styles, such as [[Delta blues]], [[Piedmont blues]], or the earliest [[Chicago blues|Chicago]], [[Texas blues|Texas]], and [[Memphis blues|Memphis]] blues.<ref name="Rev"/> |
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==References== |
==References== |
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{{Commons category}} |
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{{Reflist}} |
{{Reflist}} |
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* {{cite book |last=Wald |first=Elijah |authorlink=Elijah Wald |title=The Blues. A Very Short Introduction |publisher=Oxford University Press |location=New York |year=2010 |isbn=978-0-19-539893-9 |edition=Kindle }} |
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{{Blues}} |
{{Blues}} |
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{{Authority control}} |
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[[Category:Country blues| ]] |
[[Category:Country blues| ]] |
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[[Category:20th-century music genres]] |
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[[Category:Blues music genres]] |
[[Category:Blues music genres]] |
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Latest revision as of 11:58, 24 September 2024
| Country blues | |
|---|---|
| Other names |
|
| Stylistic origins | |
| Cultural origins | Early 20th century, American South |
| Subgenres | |
Country blues (also folk blues, rural blues, backwoods blues, or downhome blues) is one of the earliest forms of blues music. The mainly solo vocal with acoustic fingerstyle guitar accompaniment developed in the rural Southern United States in the early 20th century.[1] It stands in contrast primarily to the urban blues style, especially in the pre-war era.
History
[edit]Artists such as Blind Lemon Jefferson (Texas), Charley Patton (Mississippi), Blind Willie McTell (Georgia) were among the first to record blues songs in the 1920s. Country blues ran parallel to urban blues, which was popular in cities.[2]
Historian Elijah Wald notes many similarities between blues, bluegrass, and country & western styles with roots in the American south.[3] Record labels in the 1920s and 1930s carefully segregated musicians and defined styles for racially targeted audiences.[4] Over time, the rural black and rural white music evolved into different styles, with artists such as Bobby Bland, Ray Charles, and Willie Nelson lamenting the divide.[3]
Folklorist Alan Lomax was one of the first to use the term and applied it to a field recording he made of Muddy Waters at the Stovall Plantation, Mississippi, in 1941.[2] In 1959, music historian Samuel Charters wrote The Country Blues, an influential scholarly work on the subject.[5] He also produced an album, also titled The Country Blues, with early recordings by Jefferson, McTell, Sleepy John Estes, Bukka White, and Robert Johnson.[6]
Charters's works helped to introduce the then-nearly forgotten music to the American folk music revival of the late 1950s and 1960s.[5] The acoustic roots-focused movement also gave rise to the terms "folk blues" and "acoustic blues", especially being applied to performances and recordings made around this period.[1] "Country blues" has also been used to describe regional acoustic styles, such as Delta blues, Piedmont blues, or the earliest Chicago, Texas, and Memphis blues.[1]
See also
[edit]References
[edit]
Wikimedia Commons has media related to Country blues.
- ^ a b c Gordon, Reverend Keith A. (May 23, 2019). "Country Blues Style Characteristics and Artists". Liveaboutdotcom. Archived from the original on August 7, 2011. Retrieved July 15, 2019.
- ^ a b Gordon, Robert (2002). Can't Be Satisfied: The Life and Times of Muddy Waters. New York City: Little, Brown. pp. 38–39. ISBN 0-316-32849-9.
- ^ a b Wald 2010, pp. 1589.
- ^ Wald 2010, pp. 1391.
- ^ a b Gioia, Ted (2008). Delta Blues (Norton Paperback 2009 ed.). New York City: W. W. Norton. pp. 351–352. ISBN 978-0-393-33750-1.
- ^ Christensen, Thor (November 19, 2011). "Dallas Church Preserving the Legacy of Robert Johnson". Nytimes.com. Retrieved 12 August 2022.
- Wald, Elijah (2010). The Blues. A Very Short Introduction (Kindle ed.). New York: Oxford University Press. ISBN 978-0-19-539893-9.
| Musical form | |
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| Origins | |
| Regional styles | |
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| Fusion genres | |
| Lists | |
