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{{short description|Science fiction horror novel by Richard Matheson}}
{{Short description|1954 novel by Richard Matheson}}
{{Infobox book
{{Infobox book
| name = I Am Legend
| name = I Am Legend
| title_orig =
| translator =
| image = IAmLegend25028.jpg
| image = IAmLegend25028.jpg
| caption = First edition cover
| caption = First edition cover
| author = [[Richard Matheson]]
| author = [[Richard Matheson]]
| illustrator =
| cover_artist =
| cover_artist =
| country = United States
| country = United States
| language = English
| language = English
| subject = [[apocalyptic and post-apocalyptic fiction|post-apocalyptic]]
| series =
| subject =
| genre = [[horror fiction|Horror]]
| genre = Science fiction, horror, vampire fiction, post-apocalyptic fiction
| publisher = [[Gold Medal Books]]
| publisher = [[Gold Medal Books]]
| pub_date = August 7, 1954<ref>{{cite journal |date=August 7, 1954 |title=Books Published Today |journal=[[The New York Times]] |page=11 }}</ref>
| pub_date = August 7, 1954<ref>{{cite journal |date=August 7, 1954 |title=Books Published Today |journal=[[The New York Times]] |page=11 }}</ref>
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| isbn =
| isbn =
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| preceded_by =
| followed_by =
}}
}}


'''''I Am Legend''''' is a 1954 [[post-apocalyptic fiction|post-apocalyptic]] [[horror fiction|horror novel]] by American writer [[Richard Matheson]]. It was influential in the development of the zombie-vampire genre and in popularizing the concept of a worldwide apocalypse due to disease. The novel was a success and was adapted into the films ''[[The Last Man on Earth (1964 film)|The Last Man on Earth]]'' (1964), ''[[The Omega Man]]'' (1971), and ''[[I Am Legend (film)|I Am Legend]]'' (2007). It was also an inspiration behind ''[[Night of the Living Dead]]'' (1968).
'''''I Am Legend''''' is a 1954 [[apocalyptic and post-apocalyptic fiction|post-apocalyptic]] [[horror fiction|horror novel]] by American writer [[Richard Matheson]] that was influential in the modern development of [[zombie]] and [[vampire literature]] and in popularizing the concept of a worldwide apocalypse due to disease. The novel was a success and was adapted into the films ''[[The Last Man on Earth (1964 film)|The Last Man on Earth]]'' (1964), ''[[The Omega Man]]'' (1971), and ''[[I Am Legend (film)|I Am Legend]]'' (2007). It was also an inspiration for [[George A. Romero|George A. Romero's]] ''[[Night of the Living Dead]]'' (1968).


==Plot summary==
==Plot==
Robert Neville appears to be the sole survivor of a [[pandemic]] that has killed most of the human population and turned the remainder into "[[vampire]]s" that largely conform to their stereotypes in fiction and folklore: they are [[hematophagy|blood-sucking]], pale-skinned, and nocturnal, though otherwise indistinguishable from normal humans. Implicitly set in [[Los Angeles]], the novel details Neville's life in the months and eventually years after the outbreak as he attempts to comprehend, research, and possibly cure the disease. Swarms of vampires surround his house nightly and try to find ways to get inside, which includes the females [[Exhibitionism|exposing themselves]] and his vampire neighbor relentlessly shouting for him to come out. Neville survives by barricading himself inside his house every night; he is further protected by the [[Vampire#Protection|traditional vampire repellents]] of garlic, mirrors, and [[crucifix]]es. Weekly dust storms ravage the city, and during the day, when the vampires are inactive, Neville drives around to search them out in order to kill them with wooden stakes (since they seem impervious to his guns' bullets) and to scavenge for supplies. Neville's past is occasionally revealed through [[Flashback (narrative)|flashbacks]]; the disease claimed his daughter, whose body the government forced him to burn, as well as his wife, whose body he secretly buried but then had to kill after she rose from the dead as a vampire.
Set on Cimarron Street in 1976 [[Gardena, California]], after an apocalyptic war that ravages the land with weekly dust storms, the novel details the life of Robert Neville in the months and eventually years after the outbreak of a [[pandemic]] that has killed the rest of the human population and turned infected survivors into "[[vampire]]s". The vampires conform remarkably to their stereotypes in fiction and folklore: they are [[hematophagy|blood-sucking]], pale-skinned, and nocturnal, though otherwise indistinguishable from normal humans. Neville, possibly the sole survivor of the pandemic, barricades himself indoors nightly as vampires violently swarm his house. He is further protected by the [[Vampire#Protection|traditional vampire repellents]] of [[garlic#Spiritual and religious uses|garlic]], mirrors, and [[crucifix]]es. During the day, the vampires are inactive, allowing Neville to drive around stabbing them with wooden stakes (since they seem impervious to his gun’s bullets), which causes them to liquefy instantly, and scavenging for supplies. Occasional [[Flashback (narrative)|flashbacks]] reveal the horrors of how the disease claimed the lives of his wife and daughter.


After bouts of [[Depression (mood)|depression]] and [[alcoholism]], Neville finally determines there must be some scientific reasons behind the vampires' origins, behaviors, and aversions, so he sets out to investigate. He obtains books and other research materials from a library and through gradual research discovers the root of the disease is probably a ''[[Bacillus]]'' strain of [[bacteria]] capable of infecting both deceased and living hosts. His experiments with microscopes also reveal that the bacteria are deadly sensitive to garlic and sunlight. One day, a stray, injured dog finds its way to his street, filling Neville with amazed joy. Desperate for company, Neville painstakingly earns the nervous dog's trust with food and brings it into the home. Despite his efforts, the sickly dog dies a week later, and Neville, robbed of all hope, resignedly returns to learning more about the vampires.
Suffering from extreme [[loneliness|isolation]], [[Depression (mood)|depression]], and [[alcoholism]], Neville determines there must be some scientific reasons behind the vampires' origins, behaviors, and oddly specific aversions, so he gradually researches at his local library, discovering that the root of the disease is probably a ''[[Bacillus]]'' strain of [[bacteria]] capable of infecting both living and deceased ("undead") hosts. His experiments with microscopes also reveal that the bacteria are deathly sensitive to garlic and sunlight. After he painstakingly attempts to win the trust of a stray sickly dog that dies after only a week, Neville, heartbroken, commits himself even more vigorously to his studies. Soon he experiments directly on incapacitated vampires, which leads to a new theory that vampires are affected by mirrors and crosses because of "[[Conversion disorder|hysterical blindness]]", in which the infected now delusionally react as they believe they should when confronted with these items. Neville additionally discovers that exposing vampires to direct sunlight or inflicting wide oxygen-exposing wounds causes the bacteria to switch from being [[Anaerobic organism|anaerobic]] [[Symbiosis|symbionts]] to [[Aerobic organism|aerobic]] [[Parasitism|parasites]], rapidly consuming their hosts when exposed to air and thus giving them the appearance of instantly liquefying. However, he discovers the bacteria also produce resilient "body glue" that instantaneously seals blunt or narrow wounds, explaining how the vampires are bulletproof. Lastly, he deduces now that there are in fact two differently-reacting types of vampires: conscious ones who are living with a worsening infection and undead ones who have died but been partly reanimated by the bacteria.


After three years, Neville suddenly sees a terrified woman named Ruth in broad daylight. The two cautiously gain each other's trust and even share a romantic embrace. Neville explains some of his findings, including his theory that he developed [[immunity (medical)|immunity]] against the infection after being bitten by an infected [[vampire bat]] years ago. He prepares to test Ruth to determine if she is infected or immune, vowing to treat her if she is infected, but she knocks him unconscious. Once Neville comes to, he discovers a note from her confessing that she is indeed a vampire herself. Her note suggests that only the undead vampires are pathologically violent but not those, like her, who were alive at the time of infection and who still survive due to chance mutations. These living-infected have slowly overcome their disease and are gradually developing a new society and new medications. Ruth admits she was sent to spy on him by her comrades and that he was responsible for the deaths of many of her fellow vampires, including her husband. Still, Ruth reiterates her romantic feelings for Neville and urges him to flee the city to avoid capture.
Neville's continued readings and experiments on incapacitated vampires help him create new theories. He believes vampires are affected by mirrors and crosses because of "[[Conversion disorder|hysterical blindness]]", the result of previous [[Operant conditioning|psychological conditioning]] of the infected. Driven [[insanity|insane]] by the disease, the infected now react as they believe they should when confronted with these items. Even then, their reaction is constrained to the beliefs of the particular person; for example, a Christian vampire would fear the cross, but a Jewish vampire would not. Neville additionally discovers more efficient means of killing the vampires, other than just driving a stake into their hearts. This includes exposing vampires to direct sunlight or inflicting wide, oxygen-exposing wounds anywhere on their bodies so that the bacteria switch from being [[Anaerobic organism|anaerobic]] [[Symbiosis|symbionts]] to [[Aerobic organism|aerobic]] [[Parasitism|parasites]], rapidly consuming their hosts when exposed to air, which gives the appearance of the vampires instantly liquefying. However, the bacteria also produce resilient "body glue" that instantly seals blunt or narrow wounds, making the vampires bulletproof. With his new knowledge, Neville is killing such large numbers of vampires in his daily forays that his nightly visitors have diminished significantly. Neville further believes the pandemic was spread not so much by direct vampire bites as by bacteria-bearing mosquitos and dust storms in the cities following a recent war. The inconsistency of Neville's results in handling vampires also leads him to realize that there are in fact two differently-reacting types of vampires: those conscious and living with a worsening infection and those who have died but been reanimated by the bacteria (i.e. [[undead]]).


Neville ignores Ruth's warning, assuming he will be treated fairly by the new society of living-infected. However, his mind is changed when he watches a group of them annihilate the undead vampires outside his home with fiendish glee, then break down his front door. In a panic, Neville opens fire on them but is in turn shot and subdued. Imprisoned and dying, he is visited by Ruth, who informs him that she is a senior member of the new society but, unlike the others who perceive him as a murderer, she does not resent him. She acknowledges the public need for Neville's execution but, out of mercy, gives him a packet of fast-acting [[suicide pill]]s. Neville accepts his fate and asks Ruth not to let this society become too heartless. Ruth promises to try, kisses him, and leaves. Neville goes to his prison window and sees the infected staring back at him with the same hatred and fear that he once felt for them. He realizes that he, a remnant of old humanity, is now a legend to the new race born of the infection. He acknowledges that their desire to kill him, after he has killed so many of their loved ones, is not something he can condemn. As the pills take effect, he is amused by the thought that he will become their new superstition and legend, just as vampires once were to humans.
After three years, Neville sees a terrified woman in broad daylight. Neville is immediately suspicious after she recoils violently in the presence of garlic, but they slowly win each other's trust. Eventually, the two comfort each other romantically and he explains some of his findings, including his theory that he developed [[immunity (medical)|immunity]] against the infection after being bitten by an infected [[vampire bat]] years ago. He wants to know if the woman, named Ruth, is infected or immune, vowing to treat her if she is infected, and she reluctantly allows him to take a [[Sampling (medicine)#blood|blood sample]] but suddenly knocks him unconscious as he views the results. When Neville wakes, he discovers a note from Ruth confessing that she is indeed a vampire sent to spy on him and that he was responsible for the death of her husband, another vampire. The note further suggests that only the undead vampires are pathologically violent but not those who were alive at the time of infection and who still survive due to chance mutations in their bacteria. These living-infected have slowly overcome their disease and are attempting to build a new society. They have developed medication that diminishes the worst of their symptoms. Ruth warns Neville that her feelings for him are true but that her people will attempt to capture him and that he should try to escape the city.

Assuming he will be treated fairly by the new society, Neville stays at his house until infected members arrive and violently dispatch the undead vampires outside his house with fiendish glee. Realizing the infected attackers may intend to kill him after all, he fires on them and in turn is shot and captured. Fatally wounded, Neville is placed in a barred cell where he is visited by Ruth, who informs him that she is a senior member of the new society but, unlike the others, does not resent him. After discussing the effects of Neville's vampire-killing activities on the new society, she acknowledges the public need for Neville's execution but, out of mercy, gives him a packet of fast-acting [[suicide pill]]s. Neville accepts his fate and asks Ruth not to let this society become too heartless. Ruth promises to try, kisses him, and leaves. Neville goes to his prison window and sees the infected staring back at him with the same hatred and fear that he once felt for them; he realizes that he, a remnant of old humanity, is now a legend to the new race born of the infection. He recognizes that their desire to kill him, after he has killed so many of their loved ones, is not something he can condemn. As the pills take effect, he is amused by the thought that he will become their new superstition and legend, just as vampires once were to humans.


==Critical reception==
==Critical reception==
As related from ''[[In Search of Wonder]]'' (1956), [[Damon Knight]] wrote:<ref>{{cite book|last=Knight|first=Damon|year=1967|title=In Search of Wonder|location=Chicago|publisher=Advent}}</ref>
As related in ''[[In Search of Wonder]]'' (1956), [[Damon Knight]] wrote: {{quote|"The book is full of good ideas, every other one of which is immediately dropped and kicked out of sight. The characters are child's drawings, as blank-eyed and expressionless as the author himself in his back-cover photograph. The plot limps. All the same, the story could have been an admirable minor work in the tradition of ''[[Dracula]]'', if only the author, or somebody, had not insisted on encumbering it with the year's most childish set of 'scientific' rationalizations."|Damon Knight<ref>{{cite book|last= Knight |first= Damon |year=1967|title=In Search of Wonder|url= https://archive.org/details/insearchofwonder0000knig |url-access= registration |location=Chicago |publisher= Advent|isbn= 9780911682076 }}</ref>}}
<blockquote>The book is full of good ideas, every other one of which is immediately dropped and kicked out of sight. The characters are child's drawings, as blank-eyed and expressionless as the author himself in his back-cover photograph. The plot limps. All the same, the story could have been an admirable minor work in the tradition of ''[[Dracula]]'', if only the author, or somebody, had not insisted on encumbering it with the year's most childish set of 'scientific' rationalizations.</blockquote>


[[Galaxy Science Fiction|''Galaxy'']] reviewer [[Groff Conklin]] described ''Legend'' as "a weird [and] rather slow-moving first novel&nbsp;... a horrid, violent, sometimes exciting but too often overdone tour de force."<ref>"Galaxy's 5 Star Shelf", ''[[Galaxy Science Fiction]]'', January 1955, p.121</ref> [[Anthony Boucher]] praised the novel, saying "Matheson has added a new variant on the Last Man theme&nbsp;... and has given striking vigor to his invention by a forceful style of storytelling which derives from the best hard-boiled crime novels".<ref>"Recommended Reading," ''[[The Magazine of Fantasy & Science Fiction|F&SF]]'', November 1954, p.99.</ref>
[[Galaxy Science Fiction|''Galaxy'']] reviewer [[Groff Conklin]] described ''Legend'' as: {{quote|"...a weird [and] rather slow-moving first novel... a horrid, violent, sometimes exciting but too often overdone tour de force."|Groff Conklin<ref>"Galaxy's 5 Star Shelf", ''[[Galaxy Science Fiction]]'', January 1955, p. 121</ref>}}


[[Anthony Boucher]] praised the novel: {{quote|"Matheson has added a new variant on the Last Man theme... and has given striking vigor to his invention by a forceful style of storytelling which derives from the best hard-boiled crime novels."|Anthony Boucher<ref>"Recommended Reading". ''[[The Magazine of Fantasy & Science Fiction|F&SF]]'', November 1954, p. 99.</ref>}}
[[Dan Schneider (writer)|Dan Schneider]] from ''International Writers Magazine: Book Review'' wrote in 2005:<ref>{{cite web|url=http://www.hackwriters.com/iamlegend.htm |title=I am Legend by Richard Matheson |last=Schneider |first=Dan |publisher=hackwriters.com |date=1953-01-05 |accessdate=2013-06-03}}</ref>


<blockquote>...&nbsp;despite having vampires in it, [the novel] is not a novel on vampires, nor even a horror nor sci-fi novel at all, in the deepest sense. Instead, it is perhaps the greatest novel written on human loneliness. It far surpasses [[Daniel Defoe]]’s ''[[Robinson Crusoe]]'' in that regard. Its insights into what it is to be human go far beyond genre, and is all the more surprising because, having read his short stories—which range from competent but simplistic, to having classic ''[[The Twilight Zone|Twilight Zone]]'' twists (he was a major contributor to the original TV series)—there is nothing within those short stories that suggests the supreme majesty of the existential masterpiece ''I Am Legend'' was aborning.</blockquote>
[[Dan Schneider (writer)|Dan Schneider]] from ''International Writers Magazine: Book Review'' wrote: {{quote|"Despite having vampires in it, [the novel] is not a novel on vampires, nor even a horror nor sci-fi novel at all, in the deepest sense. Instead, it is perhaps the greatest novel written on human loneliness. It far surpasses [[Daniel Defoe]]'s ''[[Robinson Crusoe]]'' in that regard. Its insights into what it is to be human go far beyond genre, and is all the more surprising because, having read his short stories—which range from competent but simplistic, to having classic ''[[The Twilight Zone|Twilight Zone]]'' twists (he was a major contributor to the original TV series)—there is nothing within those short stories that suggests the supreme majesty of the existential masterpiece ''I Am Legend'' was aborning."|Dan Schneider (2005)<ref>{{cite web|url= http://www.hackwriters.com/iamlegend.htm |title=I am Legend by Richard Matheson |last=Schneider |first=Dan |publisher= Hackwriters |date=1953-01-05 |access-date= 2013-06-03}}</ref>}}


In 2012, the [[Horror Writers Association]] gave ''I Am Legend'' the special Vampire Novel of the Century Award.<ref>[http://www.horror.org/blog/?p=2453 2011 Bram Stoker Award™ winners and Vampire Novel of the Century Award winner]</ref>
In 2012, the [[Horror Writers Association]] gave ''I Am Legend'' the special Vampire Novel of the Century Award.<ref>{{cite web |url=https://horror.org/2011-bram-stoker-award-winners-and-vampire-novel-of-the-century-award-winner/ |title=2011 Bram Stoker Award winners and Vampire Novel of the Century Award winner |work=[[Horror Writers Association]] |date=1 April 2012 |access-date=2024-10-25}}</ref>


==Influence==
==Influence==
One major influence upon Matheson and others of the genre is the [[Mary Shelley]] novel, ''[[The Last Man]]'', about an immune person surviving in a plague infested world.
Although Matheson calls the assailants in his novel "vampires" and though their condition is transmitted through blood and garlic is an [[Apotropaic magic|apotropaic]]-like repellant, there is little similarity between them and vampires as developed by [[John William Polidori]] and his successors, who come straight out of the [[gothic fiction]] tradition. In ''I Am Legend'', the "vampires" share more similarities with zombies, and the novel influenced the [[zombie]] genre and popularized the concept of a worldwide [[zombie apocalypse]].<ref name="books.google.co.uk">Deborah Christie, Sarah Juliet Lauro, ed. (2011). [https://books.google.co.uk/books?id=0oZIlm84F2oC&pg=PA57&lpg=PA57&dq=romero+zombie+ghouls&source=bl&ots=OqDhPx6I3m&sig=fBKmtkH_PBGVm7rpADZ0bwR3_lI&hl=en&ei=SpuITqGXF8TI0QWFk4XlDw&sa=X&oi=book_result&ct=result&resnum=5&ved=0CDsQ6AEwBA#v=onepage&q=romero%20&f=false Better Off Dead: The Evolution of the Zombie as Post-Human]. Fordham Univ Press. p. 169. {{ISBN|0-8232-3447-9}}, 9780823234479.</ref> Although the idea has now become commonplace, a scientific origin for vampirism or zombies was fairly original when written.<ref>[https://web.archive.org/web/20071228040501/http://www.nashuatelegraph.com/apps/pbcs.dll/article?AID=%2F20071223%2FSTYLE%2F225372455%2F-1%2Fstyle "Nashuatelegraph.com: Tale with long history has legendary opening"]</ref> According to Clasen,


Although Matheson calls the assailants in his novel "vampires" and their condition is transmitted through bacteria in the blood and garlic is a repellant to this strain of bacteria, they have little similarity to vampires as developed by [[John William Polidori]] and his successors, which came straight out of the [[gothic fiction]] tradition.{{citation needed|date=April 2020}}
{{Quote|''I Am Legend'' is the product of an anxious artistic mind working in an anxious cultural climate. However, it is also a playful take on an old archetype, the vampire (the reader is even treated to Neville’s reading and put-down of [[Bram Stoker]]'s ''[[Dracula]]''). Matheson goes to great lengths to rationalize or naturalize the vampire myth, transplanting the monster from the otherworldly realms of folklore and Victorian supernaturalism to the test tube of medical inquiry and rational causation. With ''I Am Legend'', Matheson instituted the germ theory of vampirism, a take on the old archetype which has since been tackled by other writers (notably, [[Dan Simmons]] in ''Children of the Night'' from 1992).<ref name="Clasen">{{cite news|last=Clasen|first=Mathias|year=2010|title=Vampire Apocalypse: A Biocultural Critique of Richard Matheson's I Am Legend|url=http://muse.jhu.edu/journals/philosophy_and_literature/v034/34.2.clasen.html|work=Philosophy and Literature}}</ref>}}


In ''I Am Legend'', the "vampires" share more similarities with [[zombie]]s, and the novel influenced the zombie fiction genre and popularized the concept of a worldwide [[zombie apocalypse]].<ref name="books.google.co.uk">Deborah Christie, Sarah Juliet Lauro, ed. (2011). [https://books.google.com/books?id=0oZIlm84F2oC&q=romero+&pg=PA57 Better Off Dead: The Evolution of the Zombie as Post-Human]. Fordham Univ Press. p. 169. {{ISBN|0-8232-3447-9}}, 9780823234479.</ref>
Though referred to as "the first modern vampire novel", it is as a novel of social theme that ''I Am Legend'' made a lasting impression on the cinematic zombie genre, by way of [[film director|director]] [[George A. Romero]], who acknowledged its influence and that of its 1964 adaptation, ''[[The Last Man on Earth (1964 film)|The Last Man on Earth]]'', upon his seminal film ''[[Night of the Living Dead]]'' (1968).<ref>David Carroll and Kyla Ward, [http://www.tabula-rasa.info/DarkAges/Timeline2.html "''The Horror Timeline''"] Burnt Toast No. 13.</ref><ref name="books.google.co.uk"/><ref>[http://www.houseofhorrors.com/night68.htm "House of Horrors Presents: ''The Night of the Living Dead''"]</ref><ref>[http://cinefantastiqueonline.com/2008/02/13/retrospective-night-of-the-living-dead-1968 "Steve Biodrowski, ''Retrospective: Night of the Living Dead (1968)''"]</ref><ref>Richard Matheson Interview, in Tom Weaver, ''Return of the B Science Fiction and Horror Movie Makers: The Mutant Melding of Two Volumes of Classic Interviews'' (Jefferson, N.C.: McFarland, 1999), p. 307, {{ISBN|0-7864-0755-7}}.</ref> Discussing the creation of ''Night of the Living Dead'', Romero remarked, "I had written a short story, which I basically had ripped off from a Richard Matheson novel called ''I Am Legend''."<ref>"One for the Fire: The Legacy of ''Night of the Living Dead''"—''Night of the Living Dead'' DVD, 2008, Region 1, ''Dimension Home Entertainment''</ref> Moreover, film critics noted similarities between ''Night of the Living Dead'' (1968) and ''The Last Man on Earth'' (1964).<ref>[http://notcoming.com/reviews.php?id=688 "Thomas Scalzo, ''The Last Man on Earth'' (Film Review)"]</ref>


Although the idea has now become commonplace, a scientific origin for vampirism or zombies was fairly original when written.<ref>{{cite web |url = http://www.nashuatelegraph.com/apps/pbcs.dll/article?AID=%2F20071223%2FSTYLE%2F225372455%2F-1%2Fstyle |title = "Nashuatelegraph.com: Tale with long history has legendary opening" |archive-url=https://web.archive.org/web/20071228040501/http://www.nashuatelegraph.com/apps/pbcs.dll/article?AID=%2F20071223%2FSTYLE%2F225372455%2F-1%2Fstyle |archive-date=28 December 2007 |url-status=dead}}</ref>
[[Stephen King]] said, "Books like ''I Am Legend'' were an inspiration to me".<ref>{{cite news |url=http://www.timesonline.co.uk/article/0,,923-2278832,00.html |work=The Times |location=London |title=The Legend that inspired me |date=2006-07-22 |accessdate=2010-05-04}}</ref> Film critics noted that the [[Cinema of the United Kingdom|British film]] ''[[28 Days Later]]'' (2002) and its sequel ''[[28 Weeks Later]]'' both feature a [[rabies]]-type [[Plague (disease)|plague]] ravaging [[Great Britain]], analogous to ''I Am Legend''.<ref>[http://www.channel4.com/film/reviews/film.jsp?id=109016 "28 Days Later Movie Review (2002)]. ''[[Channel 4]] Film''. Retrieved 2011-03-19.</ref>


According to Clasen: {{quote |"''I Am Legend'' is the product of an anxious artistic mind working in an anxious cultural climate. However, it is also a playful take on an old archetype, the vampire (the reader is even treated to Neville’s reading and put-down of [[Bram Stoker]]'s ''[[Dracula]]''). Matheson goes to great lengths to rationalize or naturalize the vampire myth, transplanting the monster from the otherworldly realms of folklore and Victorian supernaturalism to the test tube of medical inquiry and rational causation. With ''I Am Legend'', Matheson instituted the germ theory of vampirism, a take on the old archetype which has since been tackled by other writers (notably, [[Dan Simmons]] in ''Children of the Night'' from 1992)."|Mathias Clasen<ref name="Clasen">{{cite journal |last=Clasen |first=Mathias |year=2010 |title=Vampire Apocalypse: A Biocultural Critique of Richard Matheson's I Am Legend |url=http://muse.jhu.edu/journals/philosophy_and_literature/v034/34.2.clasen.html |journal=Philosophy and Literature |doi=10.1353/phl.2010.0005 |volume=34 |issue=2 |pages=313–328 |s2cid=170456875}}</ref>}}
Tim Cain, the [[Video game producer|producer]], [[lead programmer]] and one of the main [[Video game designer|designers]] of the 1997 [[computer game]] ''[[Fallout (video game)|Fallout]]'' said,


Although referred to as "the first modern vampire novel", it is as a novel of social theme that ''I Am Legend'' made a lasting impression on the cinematic zombie genre, by way of [[film director|director]] [[George A. Romero]], who acknowledged its influence and that of its original cinematic adaptation, ''[[The Last Man on Earth (1964 film)|The Last Man on Earth]]'' (1964), upon his seminal film ''[[Night of the Living Dead]]'' (1968).<ref>David Carroll and Kyla Ward, [http://www.tabula-rasa.info/DarkAges/Timeline2.html "''The Horror Timeline''"] Burnt Toast No. 13.</ref><ref name="books.google.co.uk"/><ref>{{cite web| url = http://www.houseofhorrors.com/night68.htm| title = "House of Horrors Presents: ''The Night of the Living Dead''"| date = 5 February 2019| access-date = 29 December 2007| archive-date = 1 October 2016| archive-url = https://web.archive.org/web/20161001182804/http://www.houseofhorrors.com/night68.htm| url-status = dead}}</ref><ref>{{cite web |last=Biodrowski |first=Steve |url=http://blog.cinefantastiqueonline.com/wordpress/retrospective-night-of-the-living-dead-1968/ |title=Night of the Living Dead (1968) – A Retrospective |work=Cinefantastique |date=2008-02-13 |access-date=2024-10-25}}</ref><ref>Richard Matheson Interview, in Tom Weaver, ''Return of the B Science Fiction and Horror Movie Makers: The Mutant Melding of Two Volumes of Classic Interviews'' (Jefferson, N.C.: McFarland, 1999), p. 307, {{ISBN|0-7864-0755-7}}.</ref>
<blockquote>This book was how a [sic] individual would handle thinking that he was the last survivor on Earth. This is why in ''Fallout 1'' when you're voted to leave the Vault, we really wanted that sense of isolationism; that sense of: You are the only person out here on the Wasteland who is, quote, "a normal person", and we wanted you to feel, like, special in that way.<ref>{{Citation|last=GameSpot|title=Fallout Classic Revisited|date=2012-03-09|url=https://www.youtube.com/watch?v=Xa5IzHhAdi4&t=8m21s|accessdate=2017-01-09}}</ref></blockquote>

Discussing the creation of ''Night of the Living Dead'', Romero remarked: {{quote|"I had written a short story, which I basically had ripped off from a Richard Matheson novel called ''I Am Legend''."|George Romero<ref>"One for the Fire: The Legacy of ''Night of the Living Dead''"—''Night of the Living Dead'' DVD, 2008, Region 1, ''Dimension Home Entertainment''</ref>}}

Moreover, film critics have noted similarities between ''Night of the Living Dead'' (1968) and ''The Last Man on Earth'' (1964).<ref>{{cite web |last=Scalzo |first=Thomas |url=http://notcoming.com/reviews/lastmanonearth/ |title=The Last Man on Earth |website=Not Coming to a Theater Near You |date=2006-10-14 |access-date=2024-10-25}}</ref>

[[Stephen King]] said: "Books like ''I Am Legend'' were an inspiration to me."<ref>{{cite news |url=http://www.timesonline.co.uk/article/0,,923-2278832,00.html |archive-url=https://web.archive.org/web/20080725002628/http://www.timesonline.co.uk/article/0,,923-2278832,00.html |url-status=dead |archive-date=July 25, 2008 |work=The Times |location=London |title=The Legend that inspired me |date=2006-07-22 |access-date=2010-05-04}}</ref> Film critics noted that the [[Cinema of the United Kingdom|British film]] ''[[28 Days Later]]'' (2002) and its sequel ''[[28 Weeks Later]]'' both feature a [[rabies]]-type [[Plague (disease)|plague]] ravaging [[Great Britain]], analogous to ''I Am Legend''.<ref>[http://www.channel4.com/film/reviews/film.jsp?id=109016 "28 Days Later Movie Review (2002)]. ''[[Channel 4]] Film''. Retrieved 2011-03-19.</ref>

Tim Cain, the [[Video game producer|producer]], [[lead programmer]] and one of the main [[Video game designer|designers]] of the 1997 [[computer game]] ''[[Fallout (video game)|Fallout]]'' cited ''I Am Legend'' and the movie ''The Omega Man'' as influences on the game: {{quote|"This book was how a[n] individual would handle thinking that he was the last survivor on Earth. This is why in ''Fallout 1'' when you're voted to leave the Vault, we really wanted that sense of isolationism; that sense of: You are the only person out here on the Wasteland who is, quote, 'a normal person', and we wanted you to feel, like, special in that way."<ref>{{Citation|last=GameSpot|title=Fallout Classic Revisited|date=2012-03-09|url=https://www.youtube.com/watch?v=Xa5IzHhAdi4&t=8m21s |archive-url=https://ghostarchive.org/varchive/youtube/20211211/Xa5IzHhAdi4| archive-date=2021-12-11 |url-status=live|access-date=2017-01-09}}{{cbignore}}</ref>}}

The ''[[Doctor Who]]'' episode "[[Asylum of the Daleks]]" sees [[Oswin Oswald]] introduced in a similar fashion to Neville as an homage to the novel, with both Oswin and Neville checking defences, boarding up the door/window, listening to classical music, and turning it up to drown out the sound of the enemies outside (Daleks for Oswin, vampires for Neville).


==Adaptations==
==Adaptations==
Line 70: Line 71:
An unrelated film tie-in was released in 2007 as a [[One-shot (comics)|one-shot]] ''I Am Legend: Awakening'' published in a [[San Diego Comic-Con]] special by [[Vertigo (DC Comics)|Vertigo]].<ref>{{comicbookdb|type=issue|id=150975|title=I Am Legend: Awakening}}</ref>
An unrelated film tie-in was released in 2007 as a [[One-shot (comics)|one-shot]] ''I Am Legend: Awakening'' published in a [[San Diego Comic-Con]] special by [[Vertigo (DC Comics)|Vertigo]].<ref>{{comicbookdb|type=issue|id=150975|title=I Am Legend: Awakening}}</ref>


===Radio play===
===Audiobook===
A nine-part abridged reading of the novel performed by [[Angus MacInnes]] was originally broadcast on [[BBC Radio 4 Extra|BBC Radio 7]] in January 2006<ref>{{cite web|url=http://www.radiolistings.co.uk/programmes/i/i_/i_am_legend.html |title=BBC Radio 7—I Am Legend |publisher=Radiolistings.co.uk |accessdate=2015-02-04}}</ref> and repeated in January 2018.
A nine-part abridged reading of the novel performed by [[Angus MacInnes]] was originally broadcast on [[BBC Radio 4 Extra|BBC 7]] in January 2006<ref>{{cite web |url=http://www.radiolistings.co.uk/programmes/i/i_/i_am_legend.html |title=BBC Radio 7—I Am Legend |publisher=Radiolistings.co.uk |access-date=2015-02-04 |archive-date=2015-02-04 |archive-url=https://web.archive.org/web/20150204142722/http://www.radiolistings.co.uk/programmes/i/i_/i_am_legend.html |url-status=dead }}</ref> and repeated in January 2018.


===Films===
===Films===
''I Am Legend'' has been adapted to a feature-length film three times as well as a direct-to-video feature ''[[I Am Omega|I Am Ωmega]]''. Differing from the book, each of them portrays the Neville character as an accomplished scientist. The three adaptations show him finding a remedy and passing it on. Adaptations differ from the novel by setting the events three years after the disaster, instead of happening “in the span of” three years. Also adaptations are set in the near future, a few years after the film's release, while the novel is set twenty years after its publication date.
''I Am Legend'' has been adapted into a feature-length film three times, as well as into a direct-to-video feature film called ''[[I Am Omega]]''. Differing from the book, each of them portrays the Neville character as an accomplished scientist. The three adaptations show him finding a remedy and passing it on. Adaptations differ from the novel by setting the events three years after the disaster, instead of happening “in the span of” three years. Also, adaptations are set in the near future, a few years after the film's release, while the novel is set 20 years after its publication date.

It has also been adapted as the Spanish student short ''[[Soy leyenda]]''<ref name="Soy">{{imdb title|title=Soy leyenda|id=tt0149027}}</ref>
{{lang|es-ES|Soy leyenda}} is a short film by Mario Gómez Martín in 1967 intended as a [[student film]] for the Spanish {{lang|es-ES|[[Escuela Oficial de Cinematografía]]}}.
It has been described as the version most pessimist and faithful to the original novel.<ref name="Filmoteca">{{cite web |last1=López |first1=Pablo |title=#DoréEnCasa soy leyenda (Mario Gómez Martín, 1967) |url=https://www.cultura.gob.es/dam/jcr:ae77e80e-0804-4fe6-8d7e-28c3db7c6ae8/el-dor--en-casa---soy-leyenda--de-mario-mart-n-g-mez.pdf |publisher=Filmoteca Española |access-date=13 October 2024 |location=Madrid |page=3 |language=es-ES |date=April 2020}}</ref><ref name="Tones">{{cite news |last1=Tones |first1=John |title=La mejor y más fiel adaptación de 'Soy leyenda' es española, de 1967 y acaba de ser resucitada en internet |url=https://www.xataka.com/cine-y-tv/mejor-fiel-adaptacion-soy-leyenda-espanola-1967-acaba-ser-resucitada-internet |access-date=13 October 2024 |work=Xataka |date=19 April 2020 |language=es-ES}}</ref>


====''The Last Man on Earth''====
====''The Last Man on Earth''====
{{Main|The Last Man on Earth (1964 film)}}
{{Main|The Last Man on Earth (1964 film)}}
In [[1964 in film|1964]], [[Vincent Price]] starred as Dr. Robert Morgan (rather than "Neville") in ''[[The Last Man on Earth (1964 film)|The Last Man on Earth]]'' (the original title of this [[Italy|Italian]] production was ''L'ultimo uomo della Terra''). Matheson wrote the original screenplay for this adaptation, but due to later rewrites did not wish his name to appear in the credits; as a result, Matheson is credited under the pseudonym "Logan Swanson".<ref name="WiaterBradley2009">{{cite book|author1=Stan Wiater|author2=Matthew R. Bradley|author3=Paul Stuve|title=The Twilight and Other Zones: The Dark Worlds of Richard Matheson|url=https://books.google.com/books?id=YLsunUB90q4C&pg=PA176|accessdate=3 June 2013|year=2009|publisher=Kensington Publishing Corporation|isbn=978-0-8065-3113-7|pages=177–}}</ref>
In [[1964 in film|1964]], [[Vincent Price]] starred as Dr. Robert Morgan (rather than "Neville") in ''[[The Last Man on Earth (1964 film)|The Last Man on Earth]]'' (the original title of this [[Italy|Italian]] production was ''L'ultimo uomo della Terra''). Matheson wrote the original screenplay for this adaptation, but due to later rewrites did not wish his name to appear in the credits; as a result, Matheson is credited under the pseudonym "Logan Swanson".<ref name="WiaterBradley2009">{{cite book|author1=Stan Wiater|author2=Matthew R. Bradley|author3=Paul Stuve|title=The Twilight and Other Zones: The Dark Worlds of Richard Matheson|url=https://books.google.com/books?id=YLsunUB90q4C&pg=PA176|access-date=3 June 2013|year=2009|publisher=Kensington Publishing Corporation|isbn=978-0-8065-3113-7|pages=177–}}</ref>


====''The Omega Man''====
====''The Omega Man''====
{{Main|The Omega Man}}
{{Main|The Omega Man}}
In [[1971 in film|1971]], a far different version was produced, titled ''[[The Omega Man]]''. It starred [[Charlton Heston]] (as Robert Neville) and [[Anthony Zerbe]]. Matheson had no influence on the screenplay for this film,<ref>{{cite web|url=http://www.sf-encyclopedia.com/entry/omega_man_the |title=Omega Man, The |publisher=Sf-encyclopedia.com |date= |accessdate=2013-06-03}}</ref> and although the premise remains, it deviates from the novel in several ways, removing the infected people's vampiric characteristics, except their sensitivity to light. In this version, the infected are portrayed as nocturnal, black-robed, [[Albinism|albino]] mutants, known as The Family. Though intelligent, they eschew modern technology, believing it (and those who use it, such as Neville) to be evil and the cause of humanity's downfall.
In [[1971 in film|1971]], a far different version was produced, titled ''[[The Omega Man]]''. It starred [[Charlton Heston]] (as Robert Neville) and [[Anthony Zerbe]]. Matheson had no influence on the screenplay for this film,<ref>{{cite web|url=http://www.sf-encyclopedia.com/entry/omega_man_the |title=Omega Man, The |publisher=Sf-encyclopedia.com |access-date=2013-06-03}}</ref> and although the premise remains, it deviates from the novel in several ways, removing the infected people's vampiric characteristics, except their sensitivity to light. In this version, the infected are portrayed as nocturnal, black-robed, [[Albinism|albino]] mutants, known as the Family. Though intelligent, they eschew modern technology, believing it (and those who use it, such as Neville) to be evil and the cause of humanity's downfall.


====''I Am Legend''====
====''I Am Legend''====
{{Main|I Am Legend (film)}}
{{Main|I Am Legend (film)}}
In 2007, a third adaptation of the novel was produced, this time titled ''[[I Am Legend (film)|I Am Legend]]''. Directed by [[Francis Lawrence]] and starring [[Will Smith]] as Robert Neville, this film uses both Matheson's novel and the 1971 ''Omega Man'' film as its sources.<ref>end credits: "Based on the screenplay by John & Joyce Corrington, and the novel by Richard Matheson"</ref> This adaptation also deviates significantly from the novel. In this version, the infection is caused by a virus originally intended to cure [[cancer]]. Some vampiric elements are retained, such as sensitivity to [[Ultraviolet|UV light]] and attraction to blood. The infected are portrayed as nocturnal, feral creatures of limited intelligence who hunt the uninfected with [[berserker]]-like rage. Other creatures, such as dogs, are also infected by the virus. The ending of the film was also altered to portray Neville as sacrificing his life to save humanity, rather than being executed for crimes against the surviving vampiric humans, although a deleted ending for the film was closer in spirit to the book.<ref name="books.google.co.uk"/> The film takes place in New York City in the years 2009 and 2012 rather than Los Angeles in 1975–1977.
In 2007, a third adaptation of the novel was produced, this time titled ''[[I Am Legend (film)|I Am Legend]]''. Directed by [[Francis Lawrence]] and starring [[Will Smith]] as Robert Neville, this film uses both Matheson's novel and the 1971 ''Omega Man'' film as its sources.<ref>end credits: "Based on the screenplay by John & Joyce Corrington, and the novel by Richard Matheson"</ref> This adaptation also deviates significantly from the novel. In this version, the infection is caused by a vaccine originally intended to cure [[cancer]]. Some vampiric elements are retained, such as sensitivity to [[Ultraviolet|UV light]] and attraction to blood. The infected are portrayed as nocturnal, feral creatures of limited intelligence who hunt the uninfected with [[berserker]]-like rage. Other creatures, such as dogs, are also infected by the virus. The ending of the film was also altered to portray Neville as sacrificing his life to save humanity, rather than being executed for crimes against the surviving vampiric humans, although a deleted ending for the film was closer in spirit to the book.<ref name="books.google.co.uk"/> The film takes place in New York City in 2009 and 2012 rather than Los Angeles in 1975–1977.


==See also==
==See also==
{{portal|Novels}}
{{portal|Novels}}
* [[1954 in science fiction]]
* [[Apocalyptic and post-apocalyptic fiction]]
* [[Apocalyptic and post-apocalyptic fiction]]
* ''[[The Last Man]]''
* [[Survivalism]]
* [[Survivalism]]
* [[Vampire literature]]
* [[Vampire literature]]
Line 107: Line 110:
{{I Am Legend}}
{{I Am Legend}}
{{Richard Matheson}}
{{Richard Matheson}}
{{Authority control}}


{{DEFAULTSORT:I Am Legend (Novel)}}
{{DEFAULTSORT:I Am Legend (novel)}}
[[Category:I Am Legend| ]]
[[Category:1954 American novels]]
[[Category:1954 American novels]]
[[Category:1954 science fiction novels]]
[[Category:1954 science fiction novels]]
[[Category:1950s horror novels]]
[[Category:Fiction set in 1976]]
[[Category:Novels set in the 1970s]]
[[Category:American novels adapted into films]]
[[Category:American post-apocalyptic novels]]
[[Category:American post-apocalyptic novels]]
[[Category:American horror novels]]
[[Category:American horror novels]]
[[Category:American vampire novels]]
[[Category:American vampire novels]]
[[Category:Gold Medal Books books]]
[[Category:Novels about suicide]]
[[Category:Novels about viral outbreaks]]
[[Category:Novels by Richard Matheson]]
[[Category:Novels by Richard Matheson]]
[[Category:American novels adapted into films]]
[[Category:Novels set in Los Angeles]]
[[Category:Novels set in Los Angeles]]
[[Category:Novels about viral outbreaks]]
[[Category:Science fiction horror novels]]
[[Category:Science fiction horror novels]]
[[Category:Solitude in fiction]]
[[Category:Suicide in fiction]]
[[Category:Science fiction novels adapted into films]]
[[Category:Science fiction novels adapted into films]]

Latest revision as of 19:52, 11 December 2024

I Am Legend
First edition cover
AuthorRichard Matheson
LanguageEnglish
Subjectpost-apocalyptic
GenreHorror
PublisherGold Medal Books
Publication date
August 7, 1954[1]
Publication placeUnited States
Media typePaperback
Pages160 (1954 edition)

I Am Legend is a 1954 post-apocalyptic horror novel by American writer Richard Matheson that was influential in the modern development of zombie and vampire literature and in popularizing the concept of a worldwide apocalypse due to disease. The novel was a success and was adapted into the films The Last Man on Earth (1964), The Omega Man (1971), and I Am Legend (2007). It was also an inspiration for George A. Romero's Night of the Living Dead (1968).

Plot

[edit]

Set on Cimarron Street in 1976 Gardena, California, after an apocalyptic war that ravages the land with weekly dust storms, the novel details the life of Robert Neville in the months and eventually years after the outbreak of a pandemic that has killed the rest of the human population and turned infected survivors into "vampires". The vampires conform remarkably to their stereotypes in fiction and folklore: they are blood-sucking, pale-skinned, and nocturnal, though otherwise indistinguishable from normal humans. Neville, possibly the sole survivor of the pandemic, barricades himself indoors nightly as vampires violently swarm his house. He is further protected by the traditional vampire repellents of garlic, mirrors, and crucifixes. During the day, the vampires are inactive, allowing Neville to drive around stabbing them with wooden stakes (since they seem impervious to his gun’s bullets), which causes them to liquefy instantly, and scavenging for supplies. Occasional flashbacks reveal the horrors of how the disease claimed the lives of his wife and daughter.

Suffering from extreme isolation, depression, and alcoholism, Neville determines there must be some scientific reasons behind the vampires' origins, behaviors, and oddly specific aversions, so he gradually researches at his local library, discovering that the root of the disease is probably a Bacillus strain of bacteria capable of infecting both living and deceased ("undead") hosts. His experiments with microscopes also reveal that the bacteria are deathly sensitive to garlic and sunlight. After he painstakingly attempts to win the trust of a stray sickly dog that dies after only a week, Neville, heartbroken, commits himself even more vigorously to his studies. Soon he experiments directly on incapacitated vampires, which leads to a new theory that vampires are affected by mirrors and crosses because of "hysterical blindness", in which the infected now delusionally react as they believe they should when confronted with these items. Neville additionally discovers that exposing vampires to direct sunlight or inflicting wide oxygen-exposing wounds causes the bacteria to switch from being anaerobic symbionts to aerobic parasites, rapidly consuming their hosts when exposed to air and thus giving them the appearance of instantly liquefying. However, he discovers the bacteria also produce resilient "body glue" that instantaneously seals blunt or narrow wounds, explaining how the vampires are bulletproof. Lastly, he deduces now that there are in fact two differently-reacting types of vampires: conscious ones who are living with a worsening infection and undead ones who have died but been partly reanimated by the bacteria.

After three years, Neville suddenly sees a terrified woman named Ruth in broad daylight. The two cautiously gain each other's trust and even share a romantic embrace. Neville explains some of his findings, including his theory that he developed immunity against the infection after being bitten by an infected vampire bat years ago. He prepares to test Ruth to determine if she is infected or immune, vowing to treat her if she is infected, but she knocks him unconscious. Once Neville comes to, he discovers a note from her confessing that she is indeed a vampire herself. Her note suggests that only the undead vampires are pathologically violent but not those, like her, who were alive at the time of infection and who still survive due to chance mutations. These living-infected have slowly overcome their disease and are gradually developing a new society and new medications. Ruth admits she was sent to spy on him by her comrades and that he was responsible for the deaths of many of her fellow vampires, including her husband. Still, Ruth reiterates her romantic feelings for Neville and urges him to flee the city to avoid capture.

Neville ignores Ruth's warning, assuming he will be treated fairly by the new society of living-infected. However, his mind is changed when he watches a group of them annihilate the undead vampires outside his home with fiendish glee, then break down his front door. In a panic, Neville opens fire on them but is in turn shot and subdued. Imprisoned and dying, he is visited by Ruth, who informs him that she is a senior member of the new society but, unlike the others who perceive him as a murderer, she does not resent him. She acknowledges the public need for Neville's execution but, out of mercy, gives him a packet of fast-acting suicide pills. Neville accepts his fate and asks Ruth not to let this society become too heartless. Ruth promises to try, kisses him, and leaves. Neville goes to his prison window and sees the infected staring back at him with the same hatred and fear that he once felt for them. He realizes that he, a remnant of old humanity, is now a legend to the new race born of the infection. He acknowledges that their desire to kill him, after he has killed so many of their loved ones, is not something he can condemn. As the pills take effect, he is amused by the thought that he will become their new superstition and legend, just as vampires once were to humans.

Critical reception

[edit]

As related in In Search of Wonder (1956), Damon Knight wrote:

"The book is full of good ideas, every other one of which is immediately dropped and kicked out of sight. The characters are child's drawings, as blank-eyed and expressionless as the author himself in his back-cover photograph. The plot limps. All the same, the story could have been an admirable minor work in the tradition of Dracula, if only the author, or somebody, had not insisted on encumbering it with the year's most childish set of 'scientific' rationalizations."

— Damon Knight[2]

Galaxy reviewer Groff Conklin described Legend as:

"...a weird [and] rather slow-moving first novel... a horrid, violent, sometimes exciting but too often overdone tour de force."

— Groff Conklin[3]

Anthony Boucher praised the novel:

"Matheson has added a new variant on the Last Man theme... and has given striking vigor to his invention by a forceful style of storytelling which derives from the best hard-boiled crime novels."

— Anthony Boucher[4]

Dan Schneider from International Writers Magazine: Book Review wrote:

"Despite having vampires in it, [the novel] is not a novel on vampires, nor even a horror nor sci-fi novel at all, in the deepest sense. Instead, it is perhaps the greatest novel written on human loneliness. It far surpasses Daniel Defoe's Robinson Crusoe in that regard. Its insights into what it is to be human go far beyond genre, and is all the more surprising because, having read his short stories—which range from competent but simplistic, to having classic Twilight Zone twists (he was a major contributor to the original TV series)—there is nothing within those short stories that suggests the supreme majesty of the existential masterpiece I Am Legend was aborning."

— Dan Schneider (2005)[5]

In 2012, the Horror Writers Association gave I Am Legend the special Vampire Novel of the Century Award.[6]

Influence

[edit]

One major influence upon Matheson and others of the genre is the Mary Shelley novel, The Last Man, about an immune person surviving in a plague infested world.

Although Matheson calls the assailants in his novel "vampires" and their condition is transmitted through bacteria in the blood and garlic is a repellant to this strain of bacteria, they have little similarity to vampires as developed by John William Polidori and his successors, which came straight out of the gothic fiction tradition.[citation needed]

In I Am Legend, the "vampires" share more similarities with zombies, and the novel influenced the zombie fiction genre and popularized the concept of a worldwide zombie apocalypse.[7]

Although the idea has now become commonplace, a scientific origin for vampirism or zombies was fairly original when written.[8]

According to Clasen:

"I Am Legend is the product of an anxious artistic mind working in an anxious cultural climate. However, it is also a playful take on an old archetype, the vampire (the reader is even treated to Neville’s reading and put-down of Bram Stoker's Dracula). Matheson goes to great lengths to rationalize or naturalize the vampire myth, transplanting the monster from the otherworldly realms of folklore and Victorian supernaturalism to the test tube of medical inquiry and rational causation. With I Am Legend, Matheson instituted the germ theory of vampirism, a take on the old archetype which has since been tackled by other writers (notably, Dan Simmons in Children of the Night from 1992)."

— Mathias Clasen[9]

Although referred to as "the first modern vampire novel", it is as a novel of social theme that I Am Legend made a lasting impression on the cinematic zombie genre, by way of director George A. Romero, who acknowledged its influence and that of its original cinematic adaptation, The Last Man on Earth (1964), upon his seminal film Night of the Living Dead (1968).[10][7][11][12][13]

Discussing the creation of Night of the Living Dead, Romero remarked:

"I had written a short story, which I basically had ripped off from a Richard Matheson novel called I Am Legend."

— George Romero[14]

Moreover, film critics have noted similarities between Night of the Living Dead (1968) and The Last Man on Earth (1964).[15]

Stephen King said: "Books like I Am Legend were an inspiration to me."[16] Film critics noted that the British film 28 Days Later (2002) and its sequel 28 Weeks Later both feature a rabies-type plague ravaging Great Britain, analogous to I Am Legend.[17]

Tim Cain, the producer, lead programmer and one of the main designers of the 1997 computer game Fallout cited I Am Legend and the movie The Omega Man as influences on the game:

"This book was how a[n] individual would handle thinking that he was the last survivor on Earth. This is why in Fallout 1 when you're voted to leave the Vault, we really wanted that sense of isolationism; that sense of: You are the only person out here on the Wasteland who is, quote, 'a normal person', and we wanted you to feel, like, special in that way."[18]

The Doctor Who episode "Asylum of the Daleks" sees Oswin Oswald introduced in a similar fashion to Neville as an homage to the novel, with both Oswin and Neville checking defences, boarding up the door/window, listening to classical music, and turning it up to drown out the sound of the enemies outside (Daleks for Oswin, vampires for Neville).

Adaptations

[edit]

Comics

[edit]

The book has also been adapted into a comic book miniseries titled Richard Matheson's I Am Legend by Steve Niles and Elman Brown. It was published in 1991 by Eclipse Comics and collected into a trade paperback by IDW Publishing.[19][20]

An unrelated film tie-in was released in 2007 as a one-shot I Am Legend: Awakening published in a San Diego Comic-Con special by Vertigo.[21]

Audiobook

[edit]

A nine-part abridged reading of the novel performed by Angus MacInnes was originally broadcast on BBC 7 in January 2006[22] and repeated in January 2018.

Films

[edit]

I Am Legend has been adapted into a feature-length film three times, as well as into a direct-to-video feature film called I Am Omega. Differing from the book, each of them portrays the Neville character as an accomplished scientist. The three adaptations show him finding a remedy and passing it on. Adaptations differ from the novel by setting the events three years after the disaster, instead of happening “in the span of” three years. Also, adaptations are set in the near future, a few years after the film's release, while the novel is set 20 years after its publication date.

Soy leyenda is a short film by Mario Gómez Martín in 1967 intended as a student film for the Spanish Escuela Oficial de Cinematografía. It has been described as the version most pessimist and faithful to the original novel.[23][24]

The Last Man on Earth

[edit]

In 1964, Vincent Price starred as Dr. Robert Morgan (rather than "Neville") in The Last Man on Earth (the original title of this Italian production was L'ultimo uomo della Terra). Matheson wrote the original screenplay for this adaptation, but due to later rewrites did not wish his name to appear in the credits; as a result, Matheson is credited under the pseudonym "Logan Swanson".[25]

The Omega Man

[edit]

In 1971, a far different version was produced, titled The Omega Man. It starred Charlton Heston (as Robert Neville) and Anthony Zerbe. Matheson had no influence on the screenplay for this film,[26] and although the premise remains, it deviates from the novel in several ways, removing the infected people's vampiric characteristics, except their sensitivity to light. In this version, the infected are portrayed as nocturnal, black-robed, albino mutants, known as the Family. Though intelligent, they eschew modern technology, believing it (and those who use it, such as Neville) to be evil and the cause of humanity's downfall.

I Am Legend

[edit]

In 2007, a third adaptation of the novel was produced, this time titled I Am Legend. Directed by Francis Lawrence and starring Will Smith as Robert Neville, this film uses both Matheson's novel and the 1971 Omega Man film as its sources.[27] This adaptation also deviates significantly from the novel. In this version, the infection is caused by a vaccine originally intended to cure cancer. Some vampiric elements are retained, such as sensitivity to UV light and attraction to blood. The infected are portrayed as nocturnal, feral creatures of limited intelligence who hunt the uninfected with berserker-like rage. Other creatures, such as dogs, are also infected by the virus. The ending of the film was also altered to portray Neville as sacrificing his life to save humanity, rather than being executed for crimes against the surviving vampiric humans, although a deleted ending for the film was closer in spirit to the book.[7] The film takes place in New York City in 2009 and 2012 rather than Los Angeles in 1975–1977.

See also

[edit]

References

[edit]
  1. ^ "Books Published Today". The New York Times: 11. August 7, 1954.
  2. ^ Knight, Damon (1967). In Search of Wonder. Chicago: Advent. ISBN 9780911682076.
  3. ^ "Galaxy's 5 Star Shelf", Galaxy Science Fiction, January 1955, p. 121
  4. ^ "Recommended Reading". F&SF, November 1954, p. 99.
  5. ^ Schneider, Dan (1953-01-05). "I am Legend by Richard Matheson". Hackwriters. Retrieved 2013-06-03.
  6. ^ "2011 Bram Stoker Award winners and Vampire Novel of the Century Award winner". Horror Writers Association. 1 April 2012. Retrieved 2024-10-25.
  7. ^ a b c Deborah Christie, Sarah Juliet Lauro, ed. (2011). Better Off Dead: The Evolution of the Zombie as Post-Human. Fordham Univ Press. p. 169. ISBN 0-8232-3447-9, 9780823234479.
  8. ^ ""Nashuatelegraph.com: Tale with long history has legendary opening"". Archived from the original on 28 December 2007.
  9. ^ Clasen, Mathias (2010). "Vampire Apocalypse: A Biocultural Critique of Richard Matheson's I Am Legend". Philosophy and Literature. 34 (2): 313–328. doi:10.1353/phl.2010.0005. S2CID 170456875.
  10. ^ David Carroll and Kyla Ward, "The Horror Timeline" Burnt Toast No. 13.
  11. ^ ""House of Horrors Presents: The Night of the Living Dead"". 5 February 2019. Archived from the original on 1 October 2016. Retrieved 29 December 2007.
  12. ^ Biodrowski, Steve (2008-02-13). "Night of the Living Dead (1968) – A Retrospective". Cinefantastique. Retrieved 2024-10-25.
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  21. ^ I Am Legend: Awakening at the Comic Book DB (archived from the original)
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  27. ^ end credits: "Based on the screenplay by John & Joyce Corrington, and the novel by Richard Matheson"
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