Frank Marshall Davis: Difference between revisions
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{{short description|United States writer, political and labor movement activist}} |
{{short description|United States writer, political and labor movement activist}} |
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{{Use mdy dates|date=August 2018}} |
{{Use mdy dates|date=August 2018}} |
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{{Infobox writer <!-- for more information see [[:Template:Infobox writer/doc]] --> |
{{Infobox writer <!-- for more information see [[:Template:Infobox writer/doc]] --> |
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| death_place = [[Honolulu]], [[Hawaii]], U.S. |
| death_place = [[Honolulu]], [[Hawaii]], U.S. |
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| occupation = Journalist, poet |
| occupation = Journalist, poet |
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| nationality = [[Americans|American]] |
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| period = |
| period = |
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| pseudonym = Frank Boganey<ref name="Tracy2011">{{cite book |
| pseudonym = Frank Boganey<ref name="Tracy2011">{{cite book |
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| title = Writers of the Black Chicago Renaissance |
| title = Writers of the Black Chicago Renaissance |
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| url = https://books.google.com/books?id=ZqtEIBxAhMsC&pg=PA162 |
| url = https://books.google.com/books?id=ZqtEIBxAhMsC&pg=PA162 |
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| access-date = March 9, 2013 |
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| date = November 14, 2011 |
| date = November 14, 2011 |
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| publisher = University of Illinois Press |
| publisher = University of Illinois Press |
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'''Frank Marshall Davis''' (December 31, 1905 – July 26, 1987) was an American journalist, poet, political and [[labor movement]] activist, and businessman. |
'''Frank Marshall Davis''' (December 31, 1905 – July 26, 1987) was an American journalist, poet, political and [[labor movement]] activist, and businessman. |
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Davis began his career writing for [[African |
Davis began his career writing for [[African American newspapers]] in Chicago. He moved to [[Atlanta]], where he became the editor of the paper he turned into the ''[[Atlanta Daily World]].'' He later returned to Chicago. During this time, he was outspoken about political and social issues, while also covering topics that ranged from sports to music. His poetry was sponsored by the [[Works Progress Administration]] (WPA) under President [[Franklin D. Roosevelt]]'s [[New Deal]] programs. He also played a role in the [[South Side Writers Group]] in Chicago, and is considered among the writers of the [[Black Chicago Renaissance]].<ref name="Tracy2011" /> |
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In the late 1940s, Davis moved to [[Honolulu, Hawaii]], where he ran a small business. He became involved in local labor issues. The [[Federal Bureau of Investigation]] (FBI) tracked his activities as they had investigated union activists since the early 20th century |
In the late 1940s, Davis moved to [[Honolulu, Hawaii]], where he ran a small business. He became involved in local labor issues. The [[Federal Bureau of Investigation]] (FBI) tracked his activities as they had investigated union activists since the early 20th century. |
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== Early life == |
== Early life == |
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| title = The Concise Oxford Companion to African American Literature |
| title = The Concise Oxford Companion to African American Literature |
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| url = https://books.google.com/books?id=yz2Ayryf5cAC&pg=PA100 |
| url = https://books.google.com/books?id=yz2Ayryf5cAC&pg=PA100 |
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| access-date = December 2, 2012 |
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| date = January 16, 2001 |
| date = January 16, 2001 |
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| publisher = Oxford University Press |
| publisher = Oxford University Press |
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| title = Writers of the Black Chicago Renaissance |
| title = Writers of the Black Chicago Renaissance |
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| url = https://books.google.com/books?id=ZqtEIBxAhMsC&pg=PA14 |
| url = https://books.google.com/books?id=ZqtEIBxAhMsC&pg=PA14 |
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| access-date = December 2, 2012 |
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| date = November 16, 2011 |
| date = November 16, 2011 |
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| publisher = University of Illinois Press |
| publisher = University of Illinois Press |
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| pages = 14– |
| pages = 14– |
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}}</ref> he graduated from [[Arkansas City High School (Kansas)]].<ref name="Davis Tidwell 2002 p. 17">{{cite book |
}}</ref> he graduated from [[Arkansas City High School (Kansas)]].<ref name="Davis Tidwell 2002 p. 17">{{cite book |
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| last1 = Davis |
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| first1 = F.M. |
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| last2 = Tidwell |
| last2 = Tidwell |
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| first2 = J.E. |
| first2 = J.E. |
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}}</ref> In 1923, at age 17, he attended [[Friends University]]. From 1924 to 1927, and again in 1929, he attended [[Kansas State Agricultural College]], now Kansas State University. |
}}</ref> In 1923, at age 17, he attended [[Friends University]]. From 1924 to 1927, and again in 1929, he attended [[Kansas State Agricultural College]], now Kansas State University. |
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When Davis entered Kansas State, twenty-five other African-American students were enrolled. Kansas was segregated by custom, if not by law.<ref name=Tidwell>John Edgar Tidwell, [https://www.jstor.org/pss/2904355 "An Interview with Frank Marshall Davis"], ''Black American Literature Forum'', Autumn 1985</ref> Davis studied industrial journalism. He began to write poems as the result of a class assignment, and was encouraged by an English literature instructor to continue his poetry writing.<ref name=Tidwell /> Davis pledged [[Phi Beta Sigma]] fraternity in 1925. He left college before getting a degree.<ref name = greasley>[https://books.google.com/books?id=ZnuYKJSoHCMC |
When Davis entered Kansas State, twenty-five other African-American students were enrolled. Kansas was segregated by custom, if not by law.<ref name=Tidwell>John Edgar Tidwell, [https://www.jstor.org/pss/2904355 "An Interview with Frank Marshall Davis"], ''Black American Literature Forum'', Autumn 1985</ref> Davis studied industrial journalism. He began to write poems as the result of a class assignment, and was encouraged by an English literature instructor to continue his poetry writing.<ref name=Tidwell /> Davis pledged [[Phi Beta Sigma]] fraternity in 1925. He left college before getting a degree.<ref name = greasley>[https://books.google.com/books?id=ZnuYKJSoHCMC&dq=%22Livin%27+the+Blues%22&pg=PA136 The Authors] By Philip A. Greasley</ref> |
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== Early career == |
== Early career == |
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In 1927, Davis moved to Chicago, a destination of tens of thousands of African Americans |
In 1927, Davis moved to Chicago, a destination of tens of thousands of African Americans during the [[Great Migration (African American)|Great Migration]]. He worked variously for the ''Chicago Evening Bulletin,'' the ''Chicago Whip,'' and the ''[[Gary American]],'' all African American newspapers.<ref>http://eric.ed.gov/ERICDocs/data/ericdocs2sql/content_storage_01/0000019b/80/1f/86/95.pdf {{dead link|date=May 2012}}</ref><ref>{{cite web |
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| url = http://cti.itc.virginia.edu/~aas405a/newspaper.html |
| url = http://cti.itc.virginia.edu/~aas405a/newspaper.html |
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| title = History of African-American Newspapers |
| title = History of African-American Newspapers |
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| publisher = Cti.itc.virginia.edu |
| publisher = Cti.itc.virginia.edu |
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| |
| access-date = October 28, 2012 |
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| url-status = dead |
| url-status = dead |
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| archive-url = https://web.archive.org/web/20120826025310/http://cti.itc.virginia.edu/~aas405a/newspaper.html |
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| archive-date = August 26, 2012 |
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}}</ref> He also wrote free-lance articles and [[short stories]] for African |
}}</ref> He also wrote free-lance articles and [[short stories]] for African American magazines. During this time Davis began to write poetry seriously, including his first long poem, entitled ''Chicago's Congo, Sonata for an Orchestra.'' |
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In 1931 Davis moved to [[Atlanta]] to become an editor of a twice-weekly paper. Later that year he became the paper's [[managing editor]]. In 1932 the paper, renamed as the ''[[Atlanta Daily World]]''<ref>{{cite web |
In 1931 Davis moved to [[Atlanta]] to become an editor of a twice-weekly paper. Later that year he became the paper's [[managing editor]]. In 1932 the paper, renamed as the ''[[Atlanta Daily World]]''<ref>{{cite web |
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| title = Atlanta Daily World Web site |
| title = Atlanta Daily World Web site |
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| publisher = Zwire.com |
| publisher = Zwire.com |
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| access-date = October 28, 2012 |
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| url-status = dead |
| url-status = dead |
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| archive-url = https://web.archive.org/web/20121001035212/http://www.zwire.com/site/news.cfm?brd=1077 |
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| archive-date = October 1, 2012 |
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}}</ref> became the nation's first successful black daily newspaper.<ref name="TribObit" /> Davis continued to write and publish poems, which came to the attention of Chicago socialite [[Frances Norton Manning]]. She introduced him to [[Norman Forgue]], the publisher of [[Grove Press|Black Cat Press]]. In the summer of 1935, Forgue published Davis' first book, ''Black Man's Verse.''{{citation needed|date=October 2013}} |
}}</ref> became the nation's first successful black daily newspaper.<ref name="TribObit" /> Davis continued to write and publish poems, which came to the attention of Chicago socialite [[Frances Norton Manning]]. She introduced him to [[Norman Forgue]], the publisher of [[Grove Press|Black Cat Press]]. In the summer of 1935, Forgue published Davis' first book, ''Black Man's Verse.''{{citation needed|date=October 2013}} |
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In 1935, Davis returned to Chicago to take the position of managing editor of the Associated Negro Press (ANP),<ref>Lawrence Daniel Hogan, [http://www.encyclopedia.chicagohistory.org/pages/1734.html "Associated Negro Press"] {{Webarchive|url=https://web.archive.org/web/20080608044108/http://www.encyclopedia.chicagohistory.org/pages/1734.html |date=June 8, 2008 }}, ''Encyclopedia of Chicago''</ref> a [[News agency|news service]] founded in 1919 for black newspapers. Eventually, Davis became executive editor of the ANP. He held the position until 1947.{{citation needed|date=October 2013}} |
In 1935, Davis returned to Chicago to take the position of managing editor of the Associated Negro Press (ANP),<ref>Lawrence Daniel Hogan, [http://www.encyclopedia.chicagohistory.org/pages/1734.html "Associated Negro Press"] {{Webarchive|url=https://web.archive.org/web/20080608044108/http://www.encyclopedia.chicagohistory.org/pages/1734.html |date=June 8, 2008 }}, ''Encyclopedia of Chicago''</ref> a [[News agency|news service]] founded in 1919 for black newspapers. Eventually, Davis became executive editor of the ANP. He held the position until 1947.{{citation needed|date=October 2013}} While in Chicago, Davis also started a photography club, worked for numerous political parties, and participated in the [[League of American Writers]]. Davis was an avid photographer, and inspired writer [[Richard Wright (author)|Richard Wright]]'s interest in the field.<ref>[https://books.google.com/books?id=uvbJ-FhhLNgC&dq=Frank+Marshall+Davis&pg=PA189 ''Richard Wright: The Life and Times''], [[Hazel Rowley]]</ref> |
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Davis wrote that his photography consisted in large part of nudes because "the female body fascinates me, both aesthetically and emotionally."<ref name="DavisTidwell2003" /> He said that when photographing, he focused on "contours" and the "wide range of tones".<ref name="DavisTidwell2003">{{cite book |
Davis wrote that his photography consisted in large part of nudes because "the female body fascinates me, both aesthetically and emotionally."<ref name="DavisTidwell2003" /> He said that when photographing, he focused on "contours" and the "wide range of tones".<ref name="DavisTidwell2003">{{cite book |
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| title = Livin' the Blues: Memoirs of a Black Journalist and poet |
| title = Livin' the Blues: Memoirs of a Black Journalist and poet |
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| url = https://books.google.com/books?id=BabHjAEzkdwC&pg=PR26 |
| url = https://books.google.com/books?id=BabHjAEzkdwC&pg=PR26 |
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| |
| access-date = March 9, 2013 |
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| date = May 1, 2003 |
| date = May 1, 2003 |
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| publisher = Univ of Wisconsin Press |
| publisher = Univ of Wisconsin Press |
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Davis, Richard Wright, [[Margaret Walker]], and others were part of the [[South Side Writers Group]], which met regularly beginning in 1936 to critique each other's work.<ref>{{cite book |
Davis, Richard Wright, [[Margaret Walker]], and others were part of the [[South Side Writers Group]], which met regularly beginning in 1936 to critique each other's work.<ref>{{cite book |
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| url = https://books.google.com/books?id=75GwIxOn1B8C& |
| url = https://books.google.com/books?id=75GwIxOn1B8C&q=%22Frank+Marshall+Davis%22+%22South+Side+Writers%22&pg=PA208 |
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| title = The Muse in Bronzeville: African American Creative Expression in Chicago ... – Robert Bone, Richard A. Courage – |
| title = The Muse in Bronzeville: African American Creative Expression in Chicago ... – Robert Bone, Richard A. Courage – |
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| publisher = |
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| date = August 27, 2011 |
| date = August 27, 2011 |
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| isbn = 9780813550732 |
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| access-date = October 28, 2012 |
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| last1 = Bone |
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| first1 = Robert |
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| last2 = Courage |
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| first2 = Richard A. |
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}}</ref><ref>{{cite book |
}}</ref><ref>{{cite book |
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| url = https://archive.org/details/newrednegroliter0000smet |
| url = https://archive.org/details/newrednegroliter0000smet |
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| publisher = Oxford University Press |
| publisher = Oxford University Press |
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| author = James Edward Smethurst |
| author = James Edward Smethurst |
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| access-date = October 28, 2012 |
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}}</ref> They were part of what became known as the [[Black Chicago Renaissance]]. |
}}</ref> They were part of what became known as the [[Black Chicago Renaissance]]. |
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| title = The Greatest Fight of Our Generation:Louis vs. Schmeling: Louis vs. Schmeling |
| title = The Greatest Fight of Our Generation:Louis vs. Schmeling: Louis vs. Schmeling |
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| url = https://books.google.com/books?id=LW-Vjqk1CDYC&pg=PA255 |
| url = https://books.google.com/books?id=LW-Vjqk1CDYC&pg=PA255 |
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| access-date = November 27, 2012 |
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| date = October 14, 2005 |
| date = October 14, 2005 |
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| publisher = Oxford University Press |
| publisher = Oxford University Press |
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| isbn = 978-0-19-517774-9 |
| isbn = 978-0-19-517774-9 |
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| pages = 255– |
| pages = 255– |
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}}</ref> Davis believed that sports was a field in which men could break the color bar, and was a way to reach out to a working class.<ref name="Erenberg2005" /> During the [[Great Depression in the United States|Great Depression]], Davis participated in the federal [[Federal Writers' Project]], under the [[Works Progress Administration]] and part of President [[Franklin D. Roosevelt]]'s New Deal. In 1937 he received a [[Rosenwald Fund|Julius Rosenwald Fellowship]], funded by the president of [[Sears Roebuck]], who became a major philanthropist.<ref>Jayne R Beilke, [http://findarticles.com/p/articles/mi_qa3626/is_199701/ai_n8756574 "The changing emphasis of the Rosenwald Fellowship Program, 1928–1948"], ''Journal of Negro Education'', Winter 1997</ref> |
}}</ref> Davis used his journalism to call for integration of the sports world. He believed that sports was a field in which men could break the color bar, and was a way to reach out to a working class.<ref name="Erenberg2005" /> During the [[Great Depression in the United States|Great Depression]], Davis participated in the federal [[Federal Writers' Project]], under the [[Works Progress Administration]] and part of President [[Franklin D. Roosevelt]]'s New Deal. In 1937 he received a [[Rosenwald Fund|Julius Rosenwald Fellowship]], funded by the president of [[Sears Roebuck]], who became a major philanthropist.<ref>Jayne R Beilke, [http://findarticles.com/p/articles/mi_qa3626/is_199701/ai_n8756574 "The changing emphasis of the Rosenwald Fellowship Program, 1928–1948"], ''Journal of Negro Education'', Winter 1997</ref> |
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He began to work on [[community organizing]], starting a Chicago labor newspaper, ''[[Chicago Star|The Star]],'' toward the end of [[World War II]]. The paper's goal was to "promote a policy of cooperation and unity between Russia and the United States"<ref name="google1">{{cite book |
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| url = https://books.google.com/books?id=ZqtEIBxAhMsC& |
| url = https://books.google.com/books?id=ZqtEIBxAhMsC&q=%22Chicago+Star%22+newspaper&pg=PA177 |
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| title = Writers of the Black Chicago Renaissance |
| title = Writers of the Black Chicago Renaissance |
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| author = Steven C. Tracy |
| author = Steven C. Tracy |
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| date = November 2011 |
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| publisher = |
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| publisher = University of Illinois Press |
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| isbn = 9780252093425 |
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⚫ | }}</ref> seeking to "[avoid] the red-baiting tendencies of the mainstream press."<ref name="Mullen1999" /> In 1947, the ''[[Spokane Daily Chronicle]]'' of Washington state described the paper as "a red weekly", saying that it "has most of the markings of a Communist front publication."<ref> |
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⚫ | }}</ref> seeking to "[avoid] the red-baiting tendencies of the mainstream press."<ref name="Mullen1999" /> In 1947, the ''[[Spokane Daily Chronicle]]'' of Washington state described the paper as "a red weekly", saying that it "has most of the markings of a Communist front publication."<ref>{{Cite web|url=https://news.google.com/newspapers?id=qNtXAAAAIBAJ&sjid=h_UDAAAAIBAJ&pg=6423,2720766&dq=chicago-star+newspaper+davis&hl=en|title = Spokane Daily Chronicle - Google News Archive Search}}</ref> After World War II, Americans became suspicious of the [[Soviet Union]], a former ally, after it extended its control over Eastern Europe, and fears were raised about the influence of Communism in the US. |
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In 1945, Davis taught one of the first [[jazz]] history courses in the United States, at the [[Abraham Lincoln School for Social Science|Abraham Lincoln School]] in Chicago.<ref>Arthur M. Vinje, [http://wisconsinhistory.org/whi/fullRecord.asp?id=43424 Abraham Lincoln School, Summer Institute] {{Webarchive|url=https://web.archive.org/web/20080606010420/http://wisconsinhistory.org/whi/fullRecord.asp?id=43424 |date=June 6, 2008 }}, ''Wisconsin Historical Images''</ref> In 1948, with the encouragement of authors such as Richard Wright and Margaret Walker, Davis published a collection of poems, entitled ''47th Street: Poems.'' The collection chronicled the varied life of African Americans on Chicago's [[South Side (Chicago)|South Side]]. |
In 1945, Davis taught one of the first [[jazz]] history courses in the United States, at the [[Abraham Lincoln School for Social Science|Abraham Lincoln School]] in Chicago.<ref>Arthur M. Vinje, [http://wisconsinhistory.org/whi/fullRecord.asp?id=43424 Abraham Lincoln School, Summer Institute] {{Webarchive|url=https://web.archive.org/web/20080606010420/http://wisconsinhistory.org/whi/fullRecord.asp?id=43424 |date=June 6, 2008 }}, ''Wisconsin Historical Images''</ref> In 1948, with the encouragement of authors such as Richard Wright and Margaret Walker, Davis published a collection of poems, entitled ''47th Street: Poems.'' The collection chronicled the varied life of African Americans on Chicago's [[South Side (Chicago)|South Side]].<ref name=clhof/> Davis had been a strong supporter of the work of Richard Wright, describing his ''[[Uncle Tom's Children]]'' as "the most absorbing fiction penned by a Negro since [[George Schuyler]]'s ''Black No More''" (1931).<ref name="WardButler2008" /> |
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After Wright |
After Wright published articles explaining his break with communism, the two writers fell out. In his memoir ''Livin' the Blues'' (1992), Davis described Wright's essays on this theme as "an act of treason in the fight for our rights and aided only the racists who were constantly seeking any means to destroy cooperation between Reds and blacks."<ref name="Mullen1999">{{cite book|last=Mullen|first=Bill|title=Popular Fronts: Chicago and African-American Cultural Politics, 1935–46|url=https://books.google.com/books?id=ABxnmfAHWRwC&pg=PA42|year=1999|publisher=University of Illinois Press|isbn=978-0-252-06748-8|pages=42–43}}</ref> |
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| last = Mullen |
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| first = Bill |
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| title = Popular Fronts: Chicago and African-American Cultural Politics, 1935–46 |
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| url = https://books.google.com/books?id=ABxnmfAHWRwC |
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| year = 1999 |
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}}</ref> |
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Davis promoted the ideal of a "raceless" society, based on his belief that ''race'' as a biological or social construct was illogical and a fallacy.<ref name="WardButler2008">{{cite book |
Davis promoted the ideal of a "raceless" society, based on his belief that ''race'' as a biological or social construct was illogical and a fallacy.<ref name="WardButler2008">{{cite book |
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| title = The Richard Wright Encyclopedia |
| title = The Richard Wright Encyclopedia |
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| url = https://books.google.com/books?id=WlQ0SS4XEYYC&pg=PA96 |
| url = https://books.google.com/books?id=WlQ0SS4XEYYC&pg=PA96 |
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| |
| access-date = December 2, 2012 |
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| date = June 30, 2008 |
| date = June 30, 2008 |
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| publisher = ABC-CLIO |
| publisher = ABC-CLIO |
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| title = The Muse in Bronzeville: African American Creative Expression in Chicago, 1932–1950 |
| title = The Muse in Bronzeville: African American Creative Expression in Chicago, 1932–1950 |
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| url = https://books.google.com/books?id=75GwIxOn1B8C&pg=PA229 |
| url = https://books.google.com/books?id=75GwIxOn1B8C&pg=PA229 |
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| |
| access-date = November 28, 2012 |
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| date = August 27, 2011 |
| date = August 27, 2011 |
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| publisher = Rutgers University Press |
| publisher = Rutgers University Press |
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}}</ref> |
}}</ref> |
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In |
In ''Livin' the Blues'', Davis wrote of the period 1935 to 1948, "I worked with all kinds of groups. I made no distinction between those labeled Communist, Socialist or merely liberal. My sole criterion was this: Are you with me in my determination to wipe out [[white supremacy]]?"<ref>[https://books.google.com/books?id=BabHjAEzkdwC&q=supremacy Livin' the Blues]</ref> Some libraries removed his books,<ref name="Jarrett2010">{{cite book |
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| last = Jarrett |
| last = Jarrett |
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| first = Gene Andrew |
| first = Gene Andrew |
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| title = A Companion to African American Literature |
| title = A Companion to African American Literature |
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| url = https://books.google.com/books?id=jii8XeIKtA0C&pg=PA6 |
| url = https://books.google.com/books?id=jii8XeIKtA0C&pg=PA6 |
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| |
| access-date = November 28, 2012 |
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| date = February 12, 2010 |
| date = February 12, 2010 |
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| publisher = John Wiley & Sons |
| publisher = John Wiley & Sons |
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| first1 = Frank Marshall |
| first1 = Frank Marshall |
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| title = Writings of Frank Marshall Davis: A Voice of the Black Press |
| title = Writings of Frank Marshall Davis: A Voice of the Black Press |
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| publisher = Univ. Press of Mississippi |
| publisher = Univ. Press of Mississippi |
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| isbn = 978-1-60473-384-6 |
| isbn = 978-1-60473-384-6 |
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| page = 25 |
| page = 25 |
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| url = https://books.google.com/books?id=19RJKnSUMOgC&pg=PR25 |
| url = https://books.google.com/books?id=19RJKnSUMOgC&pg=PR25 |
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| |
| access-date = November 4, 2016 |
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| language = en |
| language = en |
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}}</ref> |
}}</ref> |
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== Career in Hawaii == |
== Career in Hawaii == |
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In 1948, Davis and his second wife, whom he had married in 1946, moved to [[Honolulu]], Hawaii. In a 1974 interview with ''Black World/Negro Digest'', Davis said they had been attracted to the place because of a magazine article his wife had read.<ref>[https://books.google.com/books?id=oTkDAAAAMBAJ |
In 1948, Davis and his second wife, whom he had married in 1946, moved to [[Honolulu]], Hawaii. In a 1974 interview with ''Black World/Negro Digest'', Davis said they had been attracted to the place because of a magazine article his wife had read.<ref>[https://books.google.com/books?id=oTkDAAAAMBAJ&dq=Frank+Marshall+Davis&pg=PA48 ''Black World/Negro Digest''], Jan 1974</ref> In Hawaii, Davis wrote a weekly column, called "Frank-ly Speaking," for the ''[[Honolulu Record]],'' a labor paper published by the [[International Longshore and Warehouse Union]] (ILWU).<ref>{{cite web |
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| url = http://www.hawaii.edu/uhwo/clear/HonoluluRecord1/frankblog1949.html |
| url = http://www.hawaii.edu/uhwo/clear/HonoluluRecord1/frankblog1949.html |
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| title = Frank Marshall Davis' Blog 1949 |
| title = Frank Marshall Davis' Blog 1949 |
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| publisher = Hawaii.edu |
| publisher = Hawaii.edu |
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| |
| access-date = May 25, 2012 |
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}}</ref> Davis's early columns covered labor issues, but he broadened his scope to write about cultural and political issues, especially racism. He also explored the history of [[blues]] and jazz in his columns.{{citation needed|date=December 2012}} Davis published little poetry between 1948 and 1978, when his final volume, ''Awakening, and Other Poems,'' was published. |
}}</ref> Davis's early columns covered labor issues, but he broadened his scope to write about cultural and political issues, especially racism. He also explored the history of [[blues]] and jazz in his columns.{{citation needed|date=December 2012}} Davis published little poetry between 1948 and 1978, when his final volume, ''Awakening, and Other Poems,'' was published. |
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In 1968, Davis wrote a pornographic novel, titled ''Sex Rebel: Black,'' publishing it under the pseudonym |
In 1968, Davis wrote a pornographic novel, titled ''Sex Rebel: Black,'' publishing it under the pseudonym Bob Greene.<ref name="DavisTidwell2003" /> It was published by [[William Hamling (publisher)|William Hamling]]'s Greenleaf Publishing Company. |
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In 1973, Davis visited [[Howard University]], a [[historically black college]] in Washington, D.C., to deliver a poetry reading, marking the first time in 25 years that he had visited the U.S. mainland. His work began to be published in [[Anthology|anthologies]] as there was a revival of interest in black writers due to the civil rights movement and increasing activism. |
In 1973, Davis visited [[Howard University]], a [[historically black college]] in Washington, D.C., to deliver a poetry reading, marking the first time in 25 years that he had visited the U.S. mainland. His work began to be published in [[Anthology|anthologies]] as there was a revival of interest in black writers due to the civil rights movement and increasing activism. |
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| title = K-State Libraries |
| title = K-State Libraries |
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| publisher = Lib.k-state.edu |
| publisher = Lib.k-state.edu |
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| |
| access-date = October 28, 2012 |
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}}</ref> Three works were published posthumously: ''Livin' the Blues: Memories of a Black Journalist and Poet'' (1992), ''Black Moods: Collected Poems'' (2002), and ''Writings of Frank Marshall Davis: A Voice of the Black Press'' (2007). |
}}</ref> Three works were published posthumously: ''Livin' the Blues: Memories of a Black Journalist and Poet'' (1992), ''Black Moods: Collected Poems'' (2002), and ''Writings of Frank Marshall Davis: A Voice of the Black Press'' (2007). |
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== Personal life == |
== Personal life == |
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Davis was married to Thelma Boyd, his first wife, for 13 years. For a time while Davis worked in Chicago, Thelma lived and worked in Atlanta<ref name="DavisTidwell2003" /> and later in Washington, DC.<ref name="DavisTidwell2003" /> |
Davis was married to Thelma Boyd, his first wife, for 13 years. For a time, while Davis worked in Chicago, Thelma lived and worked in Atlanta<ref name="DavisTidwell2003" /> and later in Washington, DC.<ref name="DavisTidwell2003" /> |
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In 1946, he married Helen Canfield, a woman whom he had met in one of his classes; she was 18 years younger than him.<ref name="DavisTidwell2003" /> Davis and Canfield divorced in 1970.<ref name="DavisTidwell2002">{{cite book |
In 1946, he married Helen Canfield, a woman whom he had met in one of his classes; she was 18 years younger than him.<ref name="DavisTidwell2003" /> Davis and Canfield divorced in 1970.<ref name="DavisTidwell2002">{{cite book |
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| url = https://archive.org/details/blackmoodscollec00davi |
| url = https://archive.org/details/blackmoodscollec00davi |
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| url-access = registration |
| url-access = registration |
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| |
| access-date = March 9, 2013 |
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| date = June 1, 2002 |
| date = June 1, 2002 |
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| publisher = University of Illinois Press |
| publisher = University of Illinois Press |
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| pages = [https://archive.org/details/blackmoodscollec00davi/page/57 57]– |
| pages = [https://archive.org/details/blackmoodscollec00davi/page/57 57]– |
||
}}</ref> Davis had a son, Mark, and four daughters: Lynn, Beth, Jeanne, and Jill.<!--by which woman? --><ref name="TribObit">{{cite news |
}}</ref> Davis had a son, Mark, and four daughters: Lynn, Beth, Jeanne, and Jill.<!--by which woman? --><ref name="TribObit">{{cite news |
||
| url = |
| url = https://www.chicagotribune.com/1987/08/09/frank-marshall-davis-a-jazz-expert-and-poet/ |
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| title = Frank Marshall Davis, A Jazz Expert And Poet – Chicago Tribune |
| title = Frank Marshall Davis, A Jazz Expert And Poet – Chicago Tribune |
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| last = Kenan Heise |
| last = Kenan Heise |
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| date = August 9, 1987 |
| date = August 9, 1987 |
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| work = [[Chicago Tribune]] |
| work = [[Chicago Tribune]] |
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| |
| access-date = March 10, 2013 |
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}}</ref> |
}}</ref> |
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| title = Black Writing from Chicago: In the World, Not of It? |
| title = Black Writing from Chicago: In the World, Not of It? |
||
| url = https://books.google.com/books?id=5_eIKtDiarEC&pg=PA48 |
| url = https://books.google.com/books?id=5_eIKtDiarEC&pg=PA48 |
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| |
| access-date = November 28, 2012 |
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| date = June 30, 2006 |
| date = June 30, 2006 |
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| publisher = SIU Press |
| publisher = SIU Press |
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| title = Rethinking Social Realism: African American Art and Literature, 1930–1953 |
| title = Rethinking Social Realism: African American Art and Literature, 1930–1953 |
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| url = https://books.google.com/books?id=SAKopqAgLIsC&pg=PA22 |
| url = https://books.google.com/books?id=SAKopqAgLIsC&pg=PA22 |
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| |
| access-date = November 28, 2012 |
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| year = 2004 |
| year = 2004 |
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| publisher = University of Georgia Press |
| publisher = University of Georgia Press |
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{{blockquote|No significant African American community existed in Hawai`i to provide Davis with emotional and moral support, and an expanded audience and market for his writing. Also, because he was still concerned with the issues of freedom, racism, and equality, he lacked widespread multi cultural support.... It can be argued that Davis escaped defeat like a [[trickster]], playing dead only to arise later and win the race, although the politics of defeat were all around him. If society seemed to defeat him by denying him financial rewards, publication, and status, he continued to write prolifically. He stood by his principle that the only way to achieve social equality was to acknowledge and discuss publicly the racial and ethnic dynamics in all their complexity situated in an unjust society. He provided a bold, defiant model for writers to hold onto their convictions and articulate them.<ref>''Frank Marshall Davis: Black Labor Activist and Outsider Journalist: Social Movements in Hawai`i'', by Kathryn Waddell Takara, PhD</ref>}} |
{{blockquote|No significant African American community existed in Hawai`i to provide Davis with emotional and moral support, and an expanded audience and market for his writing. Also, because he was still concerned with the issues of freedom, racism, and equality, he lacked widespread multi cultural support.... It can be argued that Davis escaped defeat like a [[trickster]], playing dead only to arise later and win the race, although the politics of defeat were all around him. If society seemed to defeat him by denying him financial rewards, publication, and status, he continued to write prolifically. He stood by his principle that the only way to achieve social equality was to acknowledge and discuss publicly the racial and ethnic dynamics in all their complexity situated in an unjust society. He provided a bold, defiant model for writers to hold onto their convictions and articulate them.<ref>''Frank Marshall Davis: Black Labor Activist and Outsider Journalist: Social Movements in Hawai`i'', by Kathryn Waddell Takara, PhD</ref>}} |
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Davis has been cited as being an influence on poet and publisher [[Dudley Randall]].<ref>[https://books.google.com/books?id=Ncgs5Ku6gaAC& |
Davis has been cited as being an influence on poet and publisher [[Dudley Randall]].<ref>[https://books.google.com/books?id=Ncgs5Ku6gaAC&q=%22Frank+Marshall+Davis%22&pg=PT52 Dudley Randall, Melba Joyce Boyd, ''Roses and Revolutions: The Selected Writings of Dudley Randall]</ref> Through exposure provided by Randall, Stephen Henderson and [[Margaret Taylor-Burroughs|Margaret Taylor Goss Burroughs]], Davis influenced the [[Black Arts Movement]].<ref>[https://books.google.com/books?id=yz2Ayryf5cAC&dq=%22Frank+Marshall+Davis%22+sports&pg=PA99 "Frank Marshall Davis"], ''The Concise Oxford Companion to African American Literature''</ref> In 2018, he was inducted into the Chicago Literary Hall of Fame.<ref name=clhof>{{Cite web |title=Frank Marshall Davis: Chicago Literary Hall of Fame Winner |url=https://chicagoliteraryhof.org/inductees/profile/frank-marshall-davis |access-date=2021-02-25 |website=Chicago Literary Hall of Fame}}</ref> |
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In [[Barack Obama]]'s memoir ''[[Dreams from My Father]]'' (1995), Davis is referred to as a friend in Hawaii of Obama's maternal grandfather [[Stanley Armour Dunham|Stanley Dunham]]; Obama later identified the man as Davis.<ref>{{citation |
In [[Barack Obama]]'s memoir ''[[Dreams from My Father]]'' (1995), Davis is referred to as a friend in Hawaii of Obama's maternal grandfather [[Stanley Armour Dunham|Stanley Dunham]]; Obama later identified the man as Davis.<ref>{{citation |
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| first = Barack |
| first = Barack |
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| title = Video of Sep 1995 Book Talk at Cambridge Library, where Obama explicitly identifies "Frank" as Frank Marshall Davis |
| title = Video of Sep 1995 Book Talk at Cambridge Library, where Obama explicitly identifies "Frank" as Frank Marshall Davis |
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| date = March 12, 2015 |
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| url = https://www.youtube.com/watch?v=w5JlqDnoqlo&list=PLsKYkwXwDLGhWU_HxxNNpM7YHUWvfLY-f |
| url = https://www.youtube.com/watch?v=w5JlqDnoqlo&list=PLsKYkwXwDLGhWU_HxxNNpM7YHUWvfLY-f |
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}}</ref><ref name="Jarrett2013">{{cite book |
}}</ref><ref name="Jarrett2013">{{cite book |
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| title = A Companion to African American Literature |
| title = A Companion to African American Literature |
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| url = https://books.google.com/books?id=xlwH8hbi0T0C&pg=PT297 |
| url = https://books.google.com/books?id=xlwH8hbi0T0C&pg=PT297 |
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| |
| access-date = September 18, 2014 |
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| date = February 25, 2013 |
| date = February 25, 2013 |
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| publisher = John Wiley & Sons |
| publisher = John Wiley & Sons |
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* Takara, Kathryn Waddell. ''Frank Marshall Davis: The Fire and the Phoenix (A Critical Biography)'' |
* Takara, Kathryn Waddell. ''Frank Marshall Davis: The Fire and the Phoenix (A Critical Biography)'' |
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* [http://www.hawaii.edu/uhwo/clear/HonoluluRecord1/frankblog1949.html blog compiled from editorials Frank Marshall Davis had written for the ''Honolulu Record''] from the Center for Labor Education & Research, University of Hawaii – West Oahu |
* [http://www.hawaii.edu/uhwo/clear/HonoluluRecord1/frankblog1949.html blog compiled from editorials Frank Marshall Davis had written for the ''Honolulu Record''] from the Center for Labor Education & Research, University of Hawaii – West Oahu |
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* Kengor, Paul. The Devil and Karl Marx (2020) |
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== External links == |
== External links == |
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{{Portal|Biography}} |
{{Portal|Biography}} |
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* [http://biography.jrank.org/pages/2342/Davis-Frank-Marshall.html JRank Biography: Frank Marshall Davis] |
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* [http://www.poetryfoundation.org/bio/frank-marshall-davis Poetry Foundation biography] |
* [http://www.poetryfoundation.org/bio/frank-marshall-davis Poetry Foundation biography] |
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* [https://web.archive.org/web/20120207192225/http://www.nathanielturner.com/frankmarshalldavispoet.htm Excerpts from ''Livin' the Blues'' and two poems, "Chicago's Congo" and "Gary, Indiana"] by Frank Marshall Davis |
* [https://web.archive.org/web/20120207192225/http://www.nathanielturner.com/frankmarshalldavispoet.htm Excerpts from ''Livin' the Blues'' and two poems, "Chicago's Congo" and "Gary, Indiana"] by Frank Marshall Davis |
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[[Category:20th-century American non-fiction writers]] |
[[Category:20th-century American non-fiction writers]] |
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[[Category:American male non-fiction writers]] |
[[Category:American male non-fiction writers]] |
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[[Category:20th-century African-American writers]] |
Latest revision as of 09:56, 23 November 2024
Frank Marshall Davis | |
---|---|
Born | Arkansas City, Kansas, U.S. | December 31, 1905
Died | July 26, 1987 Honolulu, Hawaii, U.S. | (aged 81)
Pen name | Frank Boganey[1] |
Occupation | Journalist, poet |
Genre | Social realism |
Subject | Race relations, music, literature, American culture |
Literary movement | Social realism |
Frank Marshall Davis (December 31, 1905 – July 26, 1987) was an American journalist, poet, political and labor movement activist, and businessman.
Davis began his career writing for African American newspapers in Chicago. He moved to Atlanta, where he became the editor of the paper he turned into the Atlanta Daily World. He later returned to Chicago. During this time, he was outspoken about political and social issues, while also covering topics that ranged from sports to music. His poetry was sponsored by the Works Progress Administration (WPA) under President Franklin D. Roosevelt's New Deal programs. He also played a role in the South Side Writers Group in Chicago, and is considered among the writers of the Black Chicago Renaissance.[1]
In the late 1940s, Davis moved to Honolulu, Hawaii, where he ran a small business. He became involved in local labor issues. The Federal Bureau of Investigation (FBI) tracked his activities as they had investigated union activists since the early 20th century.
Early life
[edit]Davis was born in Arkansas City, Kansas, in 1905.[2] His parents divorced, and Davis grew up living with his mother and stepfather, and with his maternal grandparents.[3] he graduated from Arkansas City High School (Kansas).[4] In 1923, at age 17, he attended Friends University. From 1924 to 1927, and again in 1929, he attended Kansas State Agricultural College, now Kansas State University.
When Davis entered Kansas State, twenty-five other African-American students were enrolled. Kansas was segregated by custom, if not by law.[5] Davis studied industrial journalism. He began to write poems as the result of a class assignment, and was encouraged by an English literature instructor to continue his poetry writing.[5] Davis pledged Phi Beta Sigma fraternity in 1925. He left college before getting a degree.[6]
Early career
[edit]In 1927, Davis moved to Chicago, a destination of tens of thousands of African Americans during the Great Migration. He worked variously for the Chicago Evening Bulletin, the Chicago Whip, and the Gary American, all African American newspapers.[7][8] He also wrote free-lance articles and short stories for African American magazines. During this time Davis began to write poetry seriously, including his first long poem, entitled Chicago's Congo, Sonata for an Orchestra.
In 1931 Davis moved to Atlanta to become an editor of a twice-weekly paper. Later that year he became the paper's managing editor. In 1932 the paper, renamed as the Atlanta Daily World[9] became the nation's first successful black daily newspaper.[10] Davis continued to write and publish poems, which came to the attention of Chicago socialite Frances Norton Manning. She introduced him to Norman Forgue, the publisher of Black Cat Press. In the summer of 1935, Forgue published Davis' first book, Black Man's Verse.[citation needed]
In 1935, Davis returned to Chicago to take the position of managing editor of the Associated Negro Press (ANP),[11] a news service founded in 1919 for black newspapers. Eventually, Davis became executive editor of the ANP. He held the position until 1947.[citation needed] While in Chicago, Davis also started a photography club, worked for numerous political parties, and participated in the League of American Writers. Davis was an avid photographer, and inspired writer Richard Wright's interest in the field.[12]
Davis wrote that his photography consisted in large part of nudes because "the female body fascinates me, both aesthetically and emotionally."[13] He said that when photographing, he focused on "contours" and the "wide range of tones".[13]
Davis, Richard Wright, Margaret Walker, and others were part of the South Side Writers Group, which met regularly beginning in 1936 to critique each other's work.[14][15] They were part of what became known as the Black Chicago Renaissance.
Davis also worked as a sports reporter, in particular covering the rivalry between African-American boxer Joe Louis and the German Max Schmeling. He and other writers portrayed their confrontation as democracy and equality vs. fascism.[16] Davis used his journalism to call for integration of the sports world. He believed that sports was a field in which men could break the color bar, and was a way to reach out to a working class.[16] During the Great Depression, Davis participated in the federal Federal Writers' Project, under the Works Progress Administration and part of President Franklin D. Roosevelt's New Deal. In 1937 he received a Julius Rosenwald Fellowship, funded by the president of Sears Roebuck, who became a major philanthropist.[17]
He began to work on community organizing, starting a Chicago labor newspaper, The Star, toward the end of World War II. The paper's goal was to "promote a policy of cooperation and unity between Russia and the United States"[18] seeking to "[avoid] the red-baiting tendencies of the mainstream press."[19] In 1947, the Spokane Daily Chronicle of Washington state described the paper as "a red weekly", saying that it "has most of the markings of a Communist front publication."[20] After World War II, Americans became suspicious of the Soviet Union, a former ally, after it extended its control over Eastern Europe, and fears were raised about the influence of Communism in the US.
In 1945, Davis taught one of the first jazz history courses in the United States, at the Abraham Lincoln School in Chicago.[21] In 1948, with the encouragement of authors such as Richard Wright and Margaret Walker, Davis published a collection of poems, entitled 47th Street: Poems. The collection chronicled the varied life of African Americans on Chicago's South Side.[22] Davis had been a strong supporter of the work of Richard Wright, describing his Uncle Tom's Children as "the most absorbing fiction penned by a Negro since George Schuyler's Black No More" (1931).[23]
After Wright published articles explaining his break with communism, the two writers fell out. In his memoir Livin' the Blues (1992), Davis described Wright's essays on this theme as "an act of treason in the fight for our rights and aided only the racists who were constantly seeking any means to destroy cooperation between Reds and blacks."[19]
Davis promoted the ideal of a "raceless" society, based on his belief that race as a biological or social construct was illogical and a fallacy.[23] Davis was a member of the Civil Rights Congress in 1947–1948,[6] and was vice chair of the Chicago Civil Liberties Committee from 1944 to 1947.[19] He was a supporter of Henry Wallace's Progressive Party.[24]
In Livin' the Blues, Davis wrote of the period 1935 to 1948, "I worked with all kinds of groups. I made no distinction between those labeled Communist, Socialist or merely liberal. My sole criterion was this: Are you with me in my determination to wipe out white supremacy?"[25] Some libraries removed his books,[26] and he was the subject of FBI investigations in the 1940s and 1950s.[24] Tidwell, however, states that Davis became a closet member of the Communist Party.[27]
Career in Hawaii
[edit]In 1948, Davis and his second wife, whom he had married in 1946, moved to Honolulu, Hawaii. In a 1974 interview with Black World/Negro Digest, Davis said they had been attracted to the place because of a magazine article his wife had read.[28] In Hawaii, Davis wrote a weekly column, called "Frank-ly Speaking," for the Honolulu Record, a labor paper published by the International Longshore and Warehouse Union (ILWU).[29] Davis's early columns covered labor issues, but he broadened his scope to write about cultural and political issues, especially racism. He also explored the history of blues and jazz in his columns.[citation needed] Davis published little poetry between 1948 and 1978, when his final volume, Awakening, and Other Poems, was published.
In 1968, Davis wrote a pornographic novel, titled Sex Rebel: Black, publishing it under the pseudonym Bob Greene.[13] It was published by William Hamling's Greenleaf Publishing Company.
In 1973, Davis visited Howard University, a historically black college in Washington, D.C., to deliver a poetry reading, marking the first time in 25 years that he had visited the U.S. mainland. His work began to be published in anthologies as there was a revival of interest in black writers due to the civil rights movement and increasing activism.
Davis died in July 1987, in Honolulu, of a heart attack, at age 81.[30][31] Three works were published posthumously: Livin' the Blues: Memories of a Black Journalist and Poet (1992), Black Moods: Collected Poems (2002), and Writings of Frank Marshall Davis: A Voice of the Black Press (2007).
Personal life
[edit]Davis was married to Thelma Boyd, his first wife, for 13 years. For a time, while Davis worked in Chicago, Thelma lived and worked in Atlanta[13] and later in Washington, DC.[13]
In 1946, he married Helen Canfield, a woman whom he had met in one of his classes; she was 18 years younger than him.[13] Davis and Canfield divorced in 1970.[32] Davis had a son, Mark, and four daughters: Lynn, Beth, Jeanne, and Jill.[10]
Analysis of literary work
[edit]Davis said he was captivated by "the new revolutionary style called free verse. Sonnets and, in fact, all rhyme held little interest for" him.[5] Davis found inspiration in Midwestern poets and their use of vernacular language.[33] He claimed his "greatest single influence" was Carl Sandburg "because of his hard, muscular poetry."[5]
Richard Guzman highlights Davis' poetry for its "social engagement, especially in the fight against racism" as well as its "fluent language and stunning imagery."[34] Stacy I. Morgan states that in his work, Davis "delighted in contradicting reader expectations".[33]
Legacy and impact
[edit]Kathryn Waddell Takara said of Davis's political and literary legacy:
No significant African American community existed in Hawai`i to provide Davis with emotional and moral support, and an expanded audience and market for his writing. Also, because he was still concerned with the issues of freedom, racism, and equality, he lacked widespread multi cultural support.... It can be argued that Davis escaped defeat like a trickster, playing dead only to arise later and win the race, although the politics of defeat were all around him. If society seemed to defeat him by denying him financial rewards, publication, and status, he continued to write prolifically. He stood by his principle that the only way to achieve social equality was to acknowledge and discuss publicly the racial and ethnic dynamics in all their complexity situated in an unjust society. He provided a bold, defiant model for writers to hold onto their convictions and articulate them.[35]
Davis has been cited as being an influence on poet and publisher Dudley Randall.[36] Through exposure provided by Randall, Stephen Henderson and Margaret Taylor Goss Burroughs, Davis influenced the Black Arts Movement.[37] In 2018, he was inducted into the Chicago Literary Hall of Fame.[22]
In Barack Obama's memoir Dreams from My Father (1995), Davis is referred to as a friend in Hawaii of Obama's maternal grandfather Stanley Dunham; Obama later identified the man as Davis.[38][39] Obama said Davis recounted that he and Stanley Dunham had grown up 50 miles apart in Kansas, near Wichita, although they did not meet until living in Hawaii. Davis described the way Kansas race relations were back then, including Jim Crow restrictions, and his belief that there had been little progress since then. As Obama remembered, "It made me smile, thinking back on Frank and his old Black Power, dashiki self. In some ways he was as incurable as my mother, as certain in his faith, living in the same sixties time warp that Hawaii had created."[40] Obama also remembered Frank Davis later in life after taking a job in South Chicago as a community organizer. One day Obama visited areas where Davis had lived, writing, "I imagined Frank in a baggy suit and wide lapels, standing in front of the old Regal Theatre, waiting to see Duke or Ella emerge from a gig."[41]
Works
[edit]Selected works
- Black Man's Verse; Black Cat, (Chicago, IL), 1935.
- I Am the American Negro, Black Cat, (Chicago, IL), 1937, ISBN 978-0-8369-8920-5
- Through Sepia Eyes; Black Cat, (Chicago, IL), 1938.
- 47th Street: Poems; Decker (Prairie City, IL), 1948.
- Black Man's Verse; Black Cat (Skokie, IL), 1961.
- Sex Rebel: Black (Memoirs of a Gash Gourmet), (written under pseudonym "Bob Greene"); Greenleaf Publishing Company (Evanston, IL), 1968.
- Jazz Interludes: Seven Musical Poems; Black Cat (Skokie, IL), 1977.
- Awakening and Other Poems; Black Cat (Skokie, IL), 1978.
- Livin' the Blues: Memoirs of a Black Journalist and Poet, ed. John Edgar Tidwell; University of Wisconsin Press, 1992, ISBN 978-0-299-13500-3
- Black Moods: Collected Poems, ed. John Edgar Tidwell; University of Illinois Press, 2002, ISBN 978-0-252-02738-3
- Writings of Frank Marshall Davis: A Voice of the Black Press, ed. by John Edgar Tidwell; University Press of Mississippi, 2007. ISBN 1-57806-921-1; ISBN 978-1-57806-921-7
References
[edit]- ^ a b Tracy, Steven C. (November 14, 2011). Writers of the Black Chicago Renaissance. University of Illinois Press. pp. 162–. ISBN 978-0-252-09342-5. Retrieved March 9, 2013.
- ^ Andrews, William L.; Foster, Frances Smith; Harris, Trudier (January 16, 2001). The Concise Oxford Companion to African American Literature. Oxford University Press. pp. 100–. ISBN 978-0-19-983956-8. Retrieved December 2, 2012.
- ^ Tracy, Steven C. (November 16, 2011). Writers of the Black Chicago Renaissance. University of Illinois Press. pp. 14–. ISBN 978-0-252-03639-2. Retrieved December 2, 2012.
- ^ Davis, F.M.; Tidwell, J.E. (2002). Black Moods: Collected Poems. The American poetry recovery series. University of Illinois Press. p. 17. ISBN 978-0-252-02738-3. Retrieved August 11, 2018.
- ^ a b c d John Edgar Tidwell, "An Interview with Frank Marshall Davis", Black American Literature Forum, Autumn 1985
- ^ a b The Authors By Philip A. Greasley
- ^ http://eric.ed.gov/ERICDocs/data/ericdocs2sql/content_storage_01/0000019b/80/1f/86/95.pdf [dead link ]
- ^ "History of African-American Newspapers". Cti.itc.virginia.edu. Archived from the original on August 26, 2012. Retrieved October 28, 2012.
- ^ "Atlanta Daily World Web site". Zwire.com. Archived from the original on October 1, 2012. Retrieved October 28, 2012.
- ^ a b Kenan Heise (August 9, 1987). "Frank Marshall Davis, A Jazz Expert And Poet – Chicago Tribune". Chicago Tribune. Retrieved March 10, 2013.
- ^ Lawrence Daniel Hogan, "Associated Negro Press" Archived June 8, 2008, at the Wayback Machine, Encyclopedia of Chicago
- ^ Richard Wright: The Life and Times, Hazel Rowley
- ^ a b c d e f Davis, Frank M.; Tidwell, John Edgar (May 1, 2003). Livin' the Blues: Memoirs of a Black Journalist and poet. Univ of Wisconsin Press. pp. 26–. ISBN 978-0-299-13504-1. Retrieved March 9, 2013.
- ^ Bone, Robert; Courage, Richard A. (August 27, 2011). The Muse in Bronzeville: African American Creative Expression in Chicago ... – Robert Bone, Richard A. Courage –. Rutgers University Press. ISBN 9780813550732. Retrieved October 28, 2012.
- ^ James Edward Smethurst (1999). The New Red Negro: The Literary Left and African American Poetry, 1930–1946. Oxford University Press. p. 40. ISBN 978-0-19-512054-7. Retrieved October 28, 2012.
Frank Marshall Davis South Side Writers.
- ^ a b Erenberg, Lewis A. (October 14, 2005). The Greatest Fight of Our Generation:Louis vs. Schmeling: Louis vs. Schmeling. Oxford University Press. pp. 255–. ISBN 978-0-19-517774-9. Retrieved November 27, 2012.
- ^ Jayne R Beilke, "The changing emphasis of the Rosenwald Fellowship Program, 1928–1948", Journal of Negro Education, Winter 1997
- ^ Steven C. Tracy (November 2011). Writers of the Black Chicago Renaissance. University of Illinois Press. ISBN 9780252093425. Retrieved July 18, 2012.
- ^ a b c Mullen, Bill (1999). Popular Fronts: Chicago and African-American Cultural Politics, 1935–46. University of Illinois Press. pp. 42–43. ISBN 978-0-252-06748-8.
- ^ "Spokane Daily Chronicle - Google News Archive Search".
- ^ Arthur M. Vinje, Abraham Lincoln School, Summer Institute Archived June 6, 2008, at the Wayback Machine, Wisconsin Historical Images
- ^ a b "Frank Marshall Davis: Chicago Literary Hall of Fame Winner". Chicago Literary Hall of Fame. Retrieved February 25, 2021.
- ^ a b Ward, Jerry W.; Butler, Robert J. (June 30, 2008). The Richard Wright Encyclopedia. ABC-CLIO. pp. 96–. ISBN 978-0-313-35519-6. Retrieved December 2, 2012.
- ^ a b Bone, Robert; Courage, Richard A. (August 27, 2011). The Muse in Bronzeville: African American Creative Expression in Chicago, 1932–1950. Rutgers University Press. pp. 229–. ISBN 978-0-8135-5073-2. Retrieved November 28, 2012.
- ^ Livin' the Blues
- ^ Jarrett, Gene Andrew (February 12, 2010). A Companion to African American Literature. John Wiley & Sons. pp. 6–. ISBN 978-1-4443-2348-1. Retrieved November 28, 2012.
- ^ Davis, Frank Marshall (December 2006). Writings of Frank Marshall Davis: A Voice of the Black Press. Univ. Press of Mississippi. p. 25. ISBN 978-1-60473-384-6. Retrieved November 4, 2016.
- ^ Black World/Negro Digest, Jan 1974
- ^ "Frank Marshall Davis' Blog 1949". Hawaii.edu. Retrieved May 25, 2012.
- ^ Most sources list the date of his death as July 26. However, the Social Security Death Index gives July 15, 1987 as his date of death, as does his college fraternity, Phi Beta Sigma.
- ^ "K-State Libraries". Lib.k-state.edu. Retrieved October 28, 2012.
- ^ Davis, Frank Marshall; Tidwell, John Edgar (June 1, 2002). Black Moods: Collected Poems. University of Illinois Press. pp. 57–. ISBN 978-0-252-02738-3. Retrieved March 9, 2013.
- ^ a b Morgan, Stacy I. (2004). Rethinking Social Realism: African American Art and Literature, 1930–1953. University of Georgia Press. pp. 22–. ISBN 978-0-8203-2579-8. Retrieved November 28, 2012.
- ^ Guzman, Richard R. (June 30, 2006). Black Writing from Chicago: In the World, Not of It?. SIU Press. pp. 48–. ISBN 978-0-8093-2703-4. Retrieved November 28, 2012.
- ^ Frank Marshall Davis: Black Labor Activist and Outsider Journalist: Social Movements in Hawai`i, by Kathryn Waddell Takara, PhD
- ^ Dudley Randall, Melba Joyce Boyd, Roses and Revolutions: The Selected Writings of Dudley Randall
- ^ "Frank Marshall Davis", The Concise Oxford Companion to African American Literature
- ^ Obama, Barack (March 12, 2015), Video of Sep 1995 Book Talk at Cambridge Library, where Obama explicitly identifies "Frank" as Frank Marshall Davis
- ^ Jarrett, Gene Andrew (February 25, 2013). A Companion to African American Literature. John Wiley & Sons. pp. 297–. ISBN 978-1-118-65119-3. Retrieved September 18, 2014.
- ^ Barack Obama, Dreams from My Father, Chapters 4–5, ISBN 978-1-4000-8277-3
- ^ Barack Obama, Dreams from My Father, paperback edition, Chapter 8, p. 145
Sources
[edit]- King, Woodie, Jr., ed., The Forerunners: Black Poets in America, Howard University Press, 1975.
- An Interview with Frank Marshall Davis, by John Edgar Tidwell. Black American Literature Forum, Vol. 19, No. 3, Autumn, 1985, pp. 105–108
- African American Review, Summer–Fall 2003, p. 466.
- Black Scholar, Summer 1996, p. 17.
- Western Journal of Black Studies, Winter 2002, p. 215.
- "Frank Marshall Davis: Black Labor Activist and Outsider Journalist: Social Movements in Hawai`i" by Kathryn Waddell Takara, PhD
- Takara, Kathryn Waddell. Frank Marshall Davis: The Fire and the Phoenix (A Critical Biography)
- blog compiled from editorials Frank Marshall Davis had written for the Honolulu Record from the Center for Labor Education & Research, University of Hawaii – West Oahu
External links
[edit]- Poetry Foundation biography
- Excerpts from Livin' the Blues and two poems, "Chicago's Congo" and "Gary, Indiana" by Frank Marshall Davis
- "This is Paradise" a poem by Frank Marshall Davis
- Frank-ly Speaking editorials from the Honolulu Record, Center for Labor Education and Research, University of Hawaii – West Oahu
- Tidwell, John Edgar Davis, Frank Marshall (1905–1987) BlackPast.org
- Frank Marshall Davis Papers at the DuSable Museum of African American History
- FBI files on Frank Marshall Davis
- 1905 births
- 1987 deaths
- People from Arkansas City, Kansas
- American activists
- African-American poets
- American male poets
- African-American non-fiction writers
- Editors of Georgia (U.S. state) newspapers
- Friends University alumni
- Kansas State University alumni
- Writers from Kansas
- Works Progress Administration workers
- Writers from Honolulu
- 20th-century American poets
- 20th-century American male writers
- 20th-century American non-fiction writers
- American male non-fiction writers
- 20th-century African-American writers