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{{Short description|Art movement in early modern Italy}}
{{About|the genre of painting||Bologna School (disambiguation){{!}}Bologna School}}
{{About|the genre of painting||Bologna School (disambiguation){{!}}Bologna School}}
[[File:Francesco Francia attributed - likely Isabella d'Este.jpg|thumb|Portrait likely to be of [[Isabella d'Este]], attributed to [[Francesco Francia]], 1511]]
[[File:Annibale Carracci - The Cyclops Polyphemus - WGA04461.jpg|thumb|300px|[[Annibale Carracci]], the Cyclops Polyphemus in his frescos for the [[Palazzo Farnese]]]]
[[File:Annibale Carracci - The Cyclops Polyphemus - WGA04461.jpg|thumb|[[Annibale Carracci]], the Cyclops Polyphemus in his frescos for the [[Palazzo Farnese]]]]
[[Image:'The Deposition', oil on poplar panel by Prospero Fontana, 1563, Art Gallery of New South Wales.jpg|thumb|300px|''[[Deposition of Christ]]'' by [[Prospero Fontana]], 1563]]
[[File:'The Deposition', oil on poplar panel by Prospero Fontana, 1563, Art Gallery of New South Wales.jpg|thumb|''[[Deposition of Christ]]'' by [[Prospero Fontana]], 1563]]
[[Image:CeciliaAlms.jpg|thumb|right|300px|[[Domenichino]], ''St. Cecilia Distributing Alms'', fresco, 1612–15, [[San Luigi dei Francesi]], Rome]]
[[File:CeciliaAlms.jpg|thumb|right|[[Domenichino]], ''Saint Cecilia Distributing Alms'', fresco, 1612–15, [[San Luigi dei Francesi]], Rome]]


The '''Bolognese School''' or the ''School of Bologna'' of [[painting]] flourished in [[Bologna]], the capital of Emilia Romagna, between the 16th and 17th centuries in [[Italy]], and rivalled [[Florence]] and [[Rome]] as the center of painting. Its most important representatives include the [[The Carracci|Carracci family]], including [[Ludovico Carracci]] and his two cousins, the brothers [[Agostino Carracci|Agostino]] and [[Annibale Carracci]]. Later, it included other [[Baroque]] painters: [[Domenichino]] and [[Giovanni Lanfranco|Lanfranco]], active mostly in [[Rome]], eventually [[Guercino]] and [[Guido Reni]], and [[Accademia degli Incamminati]] in Bologna, which was run by [[Lodovico Carracci]].<ref>{{Cite news|url=https://www.britannica.com/art/Bolognese-school|title=Bolognese school {{!}} art|work=Encyclopedia Britannica|access-date=2017-08-18|language=en}}</ref> Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration from their literary contemporaries; the studio formulated a style that was distinguished from the recognized manners of art in their time. This style was seen as both systematic and imitative, borrowing particular motifs from the past Roman schools of art and innovating a modernistic approach.
The '''Bolognese school''' of [[painting]], also known as the ''school of Bologna'', flourished between the 16th and 17th centuries in [[Bologna]], which rivalled [[Florence]] and [[Rome]] as the center of painting in Italy. Its most important representatives include the [[The Carracci|Carracci family]], including [[Ludovico Carracci]] and his two cousins, the brothers [[Agostino Carracci|Agostino]] and [[Annibale Carracci]]. Later, it included other [[Baroque]] painters: [[Domenichino]] and [[Giovanni Lanfranco|Lanfranco]], active mostly in [[Rome]], eventually [[Guercino]] and [[Guido Reni]], and [[Accademia degli Incamminati]] in Bologna, which was run by [[Lodovico Carracci]].<ref>{{Cite news|url=https://www.britannica.com/art/Bolognese-school|title=Bolognese school {{!}} art|work=Encyclopedia Britannica|access-date=18 August 2017|language=en}}</ref> Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration from their literary contemporaries; the studio formulated a style that was distinguished from the recognized manners of art in their time. This style was seen as both systematic and imitative, borrowing particular motifs from the past Roman schools of art and innovating a modernistic approach.


==List of artists==
==List of artists==
=== Period of activity: 1501&ndash;1600===
=== Period of activity: 1501&ndash;1600===
* [[Francesco Francia]] (1447–1517)
* [[Amico Aspertini]] (1474–1552)
* [[Amico Aspertini]] (1474–1552)
* [[Girolamo da Treviso]] (1497–1544)
* [[Girolamo da Treviso]] (1497–1544)
* [[Pier Maria Pennacchi]] (1464- before 1516)
* [[Pier Maria Pennacchi]] (1464 – before 1516)
* [[Girolamo da Carpi]] (1501–1556)
* [[Girolamo da Carpi]] (1501–1556)
* [[Lorenzo Sabbatini]] (c. 1530 – 1576)
* [[Lorenzo Sabbatini]] (c. 1530 – 1576)
* [[Denys Calvaert]] (1540–1619)
* [[Denys Calvaert]] (1540–1619)
* [[Pietro Faccini]] (1552–1614)
* [[Pietro Faccini]] (1552–1614)
* [[Prospero Fontana]] (1512–1597)
* [[Prospero Fontana]] (1512–1597)
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* [[Marcantonio Franceschini]]
* [[Marcantonio Franceschini]]
* [[Guido Cagnacci]] (1601–1663)
* [[Guido Cagnacci]] (1601–1663)
* [[Giuseppe Maria Mazza]] (sculptor, 1653-1741)
* [[Giuseppe Maria Mazza]] (sculptor, 1653–1741)
* [[Lorenzo Garbieri]] (1580–1654)
* [[Lorenzo Garbieri]] (1580–1654)
* [[Domenico Maria Canuti]] (1620–1660)
* [[Domenico Maria Canuti]] (1620–1660)
* [[Angelo Michele Colonna]] (1604–1687)
* [[Angelo Michele Colonna]] (1604–1687)
* [[Agostino Mitelli]] (1609–1660).
* [[Agostino Mitelli]] (1609–1660)
* [[Enrico Haffner]] (1640–1702)
* [[Enrico Haffner]] (1640–1702)
* [[Giovanni Maria Galli da Bibiena|Giovanni Maria Bibiena]]
* [[Giovanni Maria Galli da Bibiena|Giovanni Maria Bibiena]]
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===1650&ndash;1700 and after===
===1650&ndash;1700 and after===


* [[Giuseppe Crespi|Giuseppe Maria Crespi]] (1665-1747)
* [[Giuseppe Crespi|Giuseppe Maria Crespi]] (1665–1747)
* [[Donato Creti]] (1671-1749)
* [[Donato Creti]] (1671–1749)
* [[Ubaldo Gandolfi]] (1728-1781)
* [[Ubaldo Gandolfi]] (1728–1781)
* [[Gaetano Gandolfi]] (1734-1802)
* [[Gaetano Gandolfi]] (1734–1802)
* [[Giuseppe Marchesi]] (il Sansone) (1778-1867)
* [[Giuseppe Marchesi]] (il Sansone; 1778–1867)


=== 1850–1960 (approximately) The landscape painters ===
=== 1850-1960 (approximately) The landscape peinters<ref>{{Cite web|last=Bologna (Italy)|first=Galleria de' Fusari, Dipinti Antichi|last2=Bologna (Italy)|first2=Dipinti antichi, Galleria de' Fusari|last3=Fusari|first3=Dipinti Antichi {{!}} Galleria de'|date=2017-11-20|title=Paesaggisti bolognesi, 1900 – 1950|url=https://dipintiantichi.info/2017/11/20/paesaggisti-bolognesi-1900-1950/|access-date=2020-09-29|website=Dipinti Antichi {{!}} Galleria de` Fusari}}</ref> ===
Source:<ref>{{Cite web|last=Bologna (Italy)|first=Galleria de' Fusari, Dipinti Antichi|last2=Bologna (Italy)|first2=Dipinti antichi, Galleria de' Fusari|last3=Fusari|first3=Dipinti Antichi {{!}} Galleria de'|date=20 November 2017|title=Paesaggisti bolognesi, 1900–1950|url=https://dipintiantichi.info/2017/11/20/paesaggisti-bolognesi-1900-1950/|access-date=29 September 2020|website=Dipinti Antichi {{!}} Galleria de` Fusari}}</ref>
* [[:it:Luigi_Bertelli_(pittore)|Luigi Bertelli]] (1833-1916)

⚫
*[[Alessandro Scorzoni]] (1858-1933)
*[[Flavio Bertelli]] (1865-1941)
* [[:it:Luigi_Bertelli_(pittore)|Luigi Bertelli]] (1833–1916)
⚫
*[[Alessandro Scorzoni]] (1858–1933)
⚫
* [[Giovanni Secchi]] (1876-1950)<ref>{{Cite web|title=Patrimonio culturale dell'Emilia-Romagna|url=http://bbcc.ibc.regione.emilia-romagna.it/pater/loadcard.do?id_card=1081&force=1|access-date=2020-09-29|website=bbcc.ibc.regione.emilia-romagna.it|language=it}}</ref>
* [[Guglielmo Pizzirani]] (1886-1971)
*[[Flavio Bertelli]] (1865–1941)
⚫
* [[Giovanni Secchi]] (1876–1950)<ref>{{Cite web|title=Patrimonio culturale dell'Emilia-Romagna|url=http://bbcc.ibc.regione.emilia-romagna.it/pater/loadcard.do?id_card=1081&force=1|access-date=29 September 2020|website=bbcc.ibc.regione.emilia-romagna.it|language=it}}</ref>
⚫
*[[Antonino Sartini]] (1889-1954)
* [[Guglielmo Pizzirani]] (1886–1971)
⚫
*[[Antonino Sartini]] (1889–1954)


== See also ==
== See also ==
*[[Florentine School]]
*[[Florentine school]]
*[[Lucchese School]]
*[[Lucchese school]]
*[[School of Ferrara (painting)|School of Ferrara]]
*[[School of Ferrara (painting)|School of Ferrara]]
*[[Sienese School]]
*[[Sienese school]]
*[[Renaissance in Emilia]]


== References ==
== References ==
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==Further reading==
==Further reading==
* Raimond Van Marle. ''The Development of the Italian Schools of Painting, Volume 4'' (1924) pp 394-481.
* Raimond Van Marle. ''The Development of the Italian Schools of Painting, Volume 4'' (1924) pp 394–481.
*{{cite book | author= Francis P. Smyth and John P. O'Neill (Editors in Chief| year=1986| title= The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries| chapter= | editor= National Gallery of Art, Washington DC| others= | pages= | publisher= | id= | url= | authorlink= }}
*{{cite book | author= Francis P. Smyth and John P. O'Neill (Editors in Chief| year=1986| title= The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries| editor= National Gallery of Art, Washington DC}}

{{Western art movements}}


[[Category:Baroque painting]]
[[Category:Baroque painting]]
[[Category:Italian art movements]]
[[Category:Italian art]]
[[Category:Bologna]]

Latest revision as of 19:21, 16 December 2024

This article is about the genre of painting. For other uses, see Bologna School.
Portrait likely to be of Isabella d'Este, attributed to Francesco Francia, 1511
Annibale Carracci, the Cyclops Polyphemus in his frescos for the Palazzo Farnese
Deposition of Christ by Prospero Fontana, 1563
Domenichino, Saint Cecilia Distributing Alms, fresco, 1612–15, San Luigi dei Francesi, Rome

The Bolognese school of painting, also known as the school of Bologna, flourished between the 16th and 17th centuries in Bologna, which rivalled Florence and Rome as the center of painting in Italy. Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included other Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci.[1] Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration from their literary contemporaries; the studio formulated a style that was distinguished from the recognized manners of art in their time. This style was seen as both systematic and imitative, borrowing particular motifs from the past Roman schools of art and innovating a modernistic approach.

List of artists

[edit]

Period of activity: 1501–1600

[edit]

1601–1650

[edit]

1650–1700 and after

[edit]

1850–1960 (approximately) The landscape painters

[edit]

Source:[2]

See also

[edit]

References

[edit]
  1. ^ "Bolognese school | art". Encyclopedia Britannica. Retrieved 18 August 2017.
  2. ^ Bologna (Italy), Galleria de' Fusari, Dipinti Antichi; Bologna (Italy), Dipinti antichi, Galleria de' Fusari; Fusari, Dipinti Antichi | Galleria de' (20 November 2017). "Paesaggisti bolognesi, 1900–1950". Dipinti Antichi | Galleria de` Fusari. Retrieved 29 September 2020.{{cite web}}: CS1 maint: multiple names: authors list (link)
  3. ^ "Patrimonio culturale dell'Emilia-Romagna". bbcc.ibc.regione.emilia-romagna.it (in Italian). Retrieved 29 September 2020.

Further reading

[edit]
  • Raimond Van Marle. The Development of the Italian Schools of Painting, Volume 4 (1924) pp 394–481.
  • Francis P. Smyth and John P. O'Neill (Editors in Chief (1986). National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. {{cite book}}: |author= has generic name (help)
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