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Person B lives in New Zealand (https://www.newzealand.com/us/)
Person B lives in New Zealand (https://www.newzealand.com/us/)


= MC Cole Edits =
= MC Coble Edits =


== Information to Add ==
== Information to Add ==


⚫
{{Infobox artist
{{short description|American lawyer and jurist}}{{pp-vandalism|small=yes}}
| name = MC Coble
{{redirects|RBG|other uses}}
⚫
| caption = Add image of MC Coble
{{use American English|date=September 2020}}
⚫
| birth_date = {{Birth year and age|1978}}
{{use mdy dates|date=September 2020}}
| birth_place = [[North Carolina]], [[United States]]
⚫
{{Infobox officeholder
| name = Ruth Bader Ginsburg
| nationality = American
| alt = Ginsburg seated in her robe
| field = [[Performance art]], [[Queer art]]
| training = The University of North Carolina at Greensboro ([[University of North Carolina at Greensboro]])
| image = Ruth Bader Ginsburg 2016 portrait.jpg
| works = </br>Note to Self (2005) </br>Blood Script (2008) </br>Deferral (2013)
⚫
| caption = Official portrait, 2016
| website = https://mccoble.com/
| office = [[Associate Justice of the Supreme Court of the United States]]
| nominator = [[Bill Clinton]]
| term_start = August 10, 1993
| term_end = September 18, 2020
| predecessor = [[Byron White]]
| successor = [[Amy Coney Barrett]]
| office1 = Judge of the [[United States Court of Appeals for the District of Columbia Circuit]]
| nominator1 = [[Jimmy Carter]]
| term_start1 = June 30, 1980
| term_end1 = August 9, 1993
| predecessor1 = [[Harold Leventhal (judge)|Harold Leventhal]]
| successor1 = [[David S. Tatel|David Tatel]]
| birth_name = Joan Ruth Bader
⚫
| birth_date = {{Birth date|1933|03|15}}
| birth_place = {{nowrap|[[Brooklyn]], New York City, U.S.}}
| death_date = {{Death date and age|2020|09|18|1933|03|15}}
| death_cause = Complications from [[pancreatic cancer]]
| death_place = [[Washington, D.C.]], U.S.
| resting_place = [[Arlington National Cemetery]]
| spouse = {{marriage|[[Martin D. Ginsburg|Martin Ginsburg]]|1954|June 27, 2010|reason=died}}
| children = {{Hlist|[[Jane C. Ginsburg|Jane]]|[[James Steven Ginsburg|James]]}}
| education = [[Cornell University]] ([[Bachelor of Arts|BA]])<br/>[[Harvard University]]<!-- Harvard is a fundamental part of Ginsburg's history and is an appropriate and wholly intentioned use of the field. Stop removing it. --><br>[[Columbia University]] ([[Bachelor of Laws|LLB]])
| signature = Ruth Bader Ginsburg signature.svg
}}
}}


'''MC Coble''' (born Mary Coble) is a queer American artist who works in Washington, DC and uses they/them pronouns<ref name=":1">Munteán László, Liedeke Plate, and Anneke Smelik. “Archives of Affect: Performance, Reenactment, and the Becoming of Memory.” Essay. In ''Materializing Memory in Art and Popular Culture''. New York: Routledge, Taylor & Francis Group, 2017.</ref>. Coble was born in 1978 and is from [[Julian, North Carolina]].<ref>Reilly, Maura, and Linda Nochlin. ''Global Feminisms: New Directions in Contemporary Art''. London: Merrell, 2007. [[ISBN (identifier)|ISBN]] [[Special:BookSources/9781858943909|<bdi>9781858943909</bdi>]].</ref> Coble received their Bachelor of Fine Arts from the [[University of North Carolina at Greensboro]] in 2001.<ref name=":0">{{Cite news|title='Deferral': Performance piece at Corcoran takes on blood donation, gay rights|url=https://www.washingtonpost.com/entertainment/museums/deferral-performance-piece-at-corcoran-takes-on-blood-donation-gay-rights/2013/08/01/7d4be034-f877-11e2-a954-358d90d5d72d_story.html}}</ref> They then went on to receive their Master of Fine Arts from [[The George Washington University]] in Washington, D.C., in 2004.<ref name=":0" /> They originally began their art career as a photographer but later turned their attention to performance art<ref name=":2">{{Cite journal|last=Talwar|first=Savneet K.|date=2010|title=Mary Coble: Performance Art and Poltics of an Archive|url=https://drum.lib.umd.edu/handle/1903/10311|language=en}}</ref><ref>{{cite journal|last=Samson|first=Judith|date=December 2010|title=Provocative and powerful: The performances of MC Coble|journal=Raffia|issue=4}}</ref>. Their most notable works are Note to Self (2005) and Blood Script (2008)<ref>Furtado, Teresa Veiga. “The Incorporation Of Violence By Women Video Artists.” ''IJASOS- International E-journal of Advances in Social Sciences'' 2, no. 5 (August 2016): 388. https://doi.org/10.18769/ijasos.89155.</ref>.
An article about one of their works<ref>{{Cite web|last=|first=|date=|title=Graffiti Art with MC Coble — Konstellation|url=https://konstellationgbg.art/Graffiti-Art-with-MC-Coble|url-status=live|archive-url=|archive-date=|access-date=2020-11-23|website=konstellationgbg.art|language=en}}</ref>


== References about MC Cole ==
== Installations and performances ==
''Note to Self'' was a performance piece by MC Coble which was performed September 2<sup>nd</sup>, 2005 at the Connor Contemporary Art Gallery in Washington D.C.<ref>O'Sullivan, Michael. "'Note to Self': Painful Reminders Of Crimes". ''The Washington Post''.</ref> The performance consisted of MC Coble sitting on a chair with their back turned to the audience while being tattooed with the names of victims of LGBTQ related hate crimes. For the solo performance, Coble collected 436 names of gay, lesbian, bi, and transgender individuals that died due to hate crimes. These tattoos were done without ink so each name was visible in blood. After each tattoo, the blood was imprinted on a sheet of paper<ref name=":2" />. The entire performance lasted 12 hours<ref name=":1" />.
<references />

''Deferral'', performed and installed at the [[Corcoran Gallery of Art]] in Washington DC in 2013, addressed [[Food and Drug Administration|FDA]] regulations banning men who have had sex with other men from donating blood since 1977. Coble collected slogans for blood donation campaigns and printed them on separation screens. Coble had blood drawn on site and then used it to paint the word deferral in [[Morse code]] on the screens. When asked in an interview with [[The Huffington Post]] about why they chose to do a performance on this topic, Coble responded that it is "...an interest in queer issues of social injustice threads throughout my work. The [[White House]] is across from The [[Corcoran Gallery of Art|Corcoran]] as is the [[International Red Cross and Red Crescent Movement|Red Cross]]-- and so everything just came together."<ref>Frank, Priscilla (August 7, 2013). "Performance Artist Questions Controversial FDA Policy That Prevents Gay Men From Donating Blood". Huffington Post. Retrieved 26 April 2014.</ref><ref>“[https://www.fda.gov/biologicsbloodvaccines/bloodbloodproducts/questionsaboutblood/ucm108186.htm Blood Donations from Men Who Have Sex with Other Men Questions and Answers]”, US Food and Drug Administration, 2013 August 19 (retrieved 2014 May 20)</ref> Coble says of their performances,"It is not about hurting myself. It's the only way I can think to express these ideas that my audience will have a strong enough connection to."<ref>Beckman, Rachel. "'Aversion': A Jolt of an Experience". ''Washington Post''. Retrieved 22 April 2014.</ref>

Blood Script was a performance piece by MC Coble which was performed in 2008 at the PULSE art fair in New York City<ref>{{Cite journal|last=Talwar|first=Savneet K.|date=2010|title=Mary Coble: Performance Art and Poltics of an Archive|url=https://drum.lib.umd.edu/handle/1903/10311|language=en}}</ref>. MC Coble had 75 hateful words tattooed onto their body without ink. These 75 words were taken from over 200 words used previously in other performances. These performances were titled MARKER and were performed in New York in 2006, in Washington D.C. in 2007, and Madrid in 2008<ref name=":1" />. The words were tattooed in a decorative font and appeared on their body in blood<ref name=":2" />. After being tattooed, each insult was captured by placing a sheet of paper over the blood, creating an imprint which was then displayed on the gallery wall<ref>Steorn, Patrik. “Curating Queer Heritage: Queer Knowledge and Museum Practice.” Wiley Online Library. John Wiley & Sons, Ltd, July 16, 2012. https://onlinelibrary.wiley.com/doi/full/10.1111/j.2151-6952.2012.00159.x.</ref>

== References ==
<references group="" responsive="1"></references>

== Further Reading ==

* Stonestreet, Tracy. “Toward Liveness: the Polytemporality of Performance Objects.” VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/6084<nowiki/>/.
* "[https://www.brooklynmuseum.org/eascfa/feminist_art_base/mary-coble Brooklyn Museum: MC Coble]". www.brooklynmuseum.org. Retrieved 2016-03-05.
* [http://gesturesofdefiance.blogspot.se/ Gestures of Defiance: Official Blog]
* [https://hirshhorn.si.edu/explore/a-conversation-with-mary-coble/ Hirshorn: A Conversation with Mary Coble]
* [https://www.youtube.com/watch?v=AbdhRVfPM9k Global Feminisms: Mary Coble]
* [https://www.google.com/books/edition/Materializing_Memory_in_Art_and_Popular/SWCuDQAAQBAJ?hl=en&gbpv=0 Materializing Memory in Art and Popular Culture 2016]
{{authority control}}

Latest revision as of 00:40, 26 August 2024

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MC Coble Edits

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Information to Add

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MC Coble
Born1978 (age 45–46)
North Carolina, United States
NationalityAmerican
EducationThe University of North Carolina at Greensboro (University of North Carolina at Greensboro)
Known forPerformance art, Queer art
Notable work
Note to Self (2005)
Blood Script (2008)
Deferral (2013)
Websitehttps://mccoble.com/

MC Coble (born Mary Coble) is a queer American artist who works in Washington, DC and uses they/them pronouns[1]. Coble was born in 1978 and is from Julian, North Carolina.[2] Coble received their Bachelor of Fine Arts from the University of North Carolina at Greensboro in 2001.[3] They then went on to receive their Master of Fine Arts from The George Washington University in Washington, D.C., in 2004.[3] They originally began their art career as a photographer but later turned their attention to performance art[4][5]. Their most notable works are Note to Self (2005) and Blood Script (2008)[6].

Installations and performances

[edit]

Note to Self was a performance piece by MC Coble which was performed September 2nd, 2005 at the Connor Contemporary Art Gallery in Washington D.C.[7] The performance consisted of MC Coble sitting on a chair with their back turned to the audience while being tattooed with the names of victims of LGBTQ related hate crimes. For the solo performance, Coble collected 436 names of gay, lesbian, bi, and transgender individuals that died due to hate crimes. These tattoos were done without ink so each name was visible in blood. After each tattoo, the blood was imprinted on a sheet of paper[4]. The entire performance lasted 12 hours[1].

Deferral, performed and installed at the Corcoran Gallery of Art in Washington DC in 2013, addressed FDA regulations banning men who have had sex with other men from donating blood since 1977. Coble collected slogans for blood donation campaigns and printed them on separation screens. Coble had blood drawn on site and then used it to paint the word deferral in Morse code on the screens. When asked in an interview with The Huffington Post about why they chose to do a performance on this topic, Coble responded that it is "...an interest in queer issues of social injustice threads throughout my work. The White House is across from The Corcoran as is the Red Cross-- and so everything just came together."[8][9] Coble says of their performances,"It is not about hurting myself. It's the only way I can think to express these ideas that my audience will have a strong enough connection to."[10]

Blood Script was a performance piece by MC Coble which was performed in 2008 at the PULSE art fair in New York City[11]. MC Coble had 75 hateful words tattooed onto their body without ink. These 75 words were taken from over 200 words used previously in other performances. These performances were titled MARKER and were performed in New York in 2006, in Washington D.C. in 2007, and Madrid in 2008[1]. The words were tattooed in a decorative font and appeared on their body in blood[4]. After being tattooed, each insult was captured by placing a sheet of paper over the blood, creating an imprint which was then displayed on the gallery wall[12]

References

[edit]
  1. ^ a b c Munteán László, Liedeke Plate, and Anneke Smelik. “Archives of Affect: Performance, Reenactment, and the Becoming of Memory.” Essay. In Materializing Memory in Art and Popular Culture. New York: Routledge, Taylor & Francis Group, 2017.
  2. ^ Reilly, Maura, and Linda Nochlin. Global Feminisms: New Directions in Contemporary Art. London: Merrell, 2007. ISBN 9781858943909.
  3. ^ a b "'Deferral': Performance piece at Corcoran takes on blood donation, gay rights".
  4. ^ a b c Talwar, Savneet K. (2010). "Mary Coble: Performance Art and Poltics of an Archive". {{cite journal}}: Cite journal requires |journal= (help)
  5. ^ Samson, Judith (December 2010). "Provocative and powerful: The performances of MC Coble". Raffia (4).
  6. ^ Furtado, Teresa Veiga. “The Incorporation Of Violence By Women Video Artists.” IJASOS- International E-journal of Advances in Social Sciences 2, no. 5 (August 2016): 388. https://doi.org/10.18769/ijasos.89155.
  7. ^ O'Sullivan, Michael. "'Note to Self': Painful Reminders Of Crimes". The Washington Post.
  8. ^ Frank, Priscilla (August 7, 2013). "Performance Artist Questions Controversial FDA Policy That Prevents Gay Men From Donating Blood". Huffington Post. Retrieved 26 April 2014.
  9. ^ “Blood Donations from Men Who Have Sex with Other Men Questions and Answers”, US Food and Drug Administration, 2013 August 19 (retrieved 2014 May 20)
  10. ^ Beckman, Rachel. "'Aversion': A Jolt of an Experience". Washington Post. Retrieved 22 April 2014.
  11. ^ Talwar, Savneet K. (2010). "Mary Coble: Performance Art and Poltics of an Archive". {{cite journal}}: Cite journal requires |journal= (help)
  12. ^ Steorn, Patrik. “Curating Queer Heritage: Queer Knowledge and Museum Practice.” Wiley Online Library. John Wiley & Sons, Ltd, July 16, 2012. https://onlinelibrary.wiley.com/doi/full/10.1111/j.2151-6952.2012.00159.x.

Further Reading

[edit]
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