Dadamaino: Difference between revisions
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{{Short description|Italian visual artist and painter}} |
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{{Infobox artist |
{{Infobox artist |
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| name = Dadamaino |
| name = Dadamaino |
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| image = DadamainoBN537 003.jpg |
| image = DadamainoBN537 003 (cropped).jpg |
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| caption = Dadamaino (1994) |
| caption = Dadamaino (1994) |
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| birth_name = Eduarda Emilia Maino |
| birth_name = Eduarda Emilia Maino |
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| birth_date = {{birth date |
| birth_date = {{birth date|1930|10|2|df=y}} |
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| birth_place = [[Milan]], [[Italy]] |
| birth_place = [[Milan]], [[Italy]] |
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| death_date = {{death date |
| death_date = {{death date and age|2004|4|13|1930|10|2|df=y}} |
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| death_place = [[Milan]], [[Italy]] |
| death_place = [[Milan]], [[Italy]] |
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| nationality = [[Italy|Italian]] |
| nationality = [[Italy|Italian]] |
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| notable_works = |
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| patrons = |
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| influenced by = Lucio Fontana |
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| influenced = |
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'''Eduarda Emilia Maino''' (2 October 1930 – 13 April 2004), known as '''Dadamaino''', was an Italian [[visual artist]] and painter. She was a member of the Milanese avant-garde of the 1960s.<ref name="Gugg">{{cite web | url=http://www.guggenheim-venice.it/inglese/collections/artisti/biografia.php?id_art=200 | title=Dadamaino | publisher=Guggenheim Venice | accessdate=June 25, 2014}}</ref> |
'''Eduarda Emilia Maino''' (2 October 1930 – 13 April 2004), known as '''Dadamaino''', was an Italian [[visual artist]] and painter. She was a member of the Milanese avant-garde of the 1960s.<ref name="Gugg">{{cite web | url=http://www.guggenheim-venice.it/inglese/collections/artisti/biografia.php?id_art=200 | title=Dadamaino | publisher=Guggenheim Venice | accessdate=June 25, 2014 | archive-date=April 19, 2014 | archive-url=https://web.archive.org/web/20140419020227/http://www.guggenheim-venice.it/inglese/collections/artisti/biografia.php?id_art=200 | url-status=dead }}</ref> |
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==Biography== |
==Biography== |
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Eduarda Emilia Maino, nicknamed "Dada" for Eduarda, was born in [[Milan]], |
Eduarda Emilia Maino, nicknamed "Dada" for Eduarda, was born in [[Milan]], Italy.<ref name=Gugg/> Dadamaino first completed a medical degree before taking up art at the end of the 1950s. She frequented a group of young artists who followed [[Lucio Fontana]] and the [[spatialism]] movement. Members of the group included: [[Piero Manzoni]], Gianni Colombo, [[Enrico Castellani]] and [[Agostino Bonalumi]].<ref>{{cite web|url=http://www.tornabuoniart.fr/biographie_dadamaino.php?lang=en | title = Dadamaino, Milan 1930 - 2004 | work=tornabuoniart.fr/| accessdate =June 25, 2014}}</ref> |
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In 1958, Dadamaino produced a series of works called ''Volumi'', which were exhibited in her first solo show at the Galleria dei Bossi in [[Milan]] the same year.<ref>Bernard Blistène and Flaminio Gualdoni, ''Dadamaino'', Forma Edition, 2000, p21. {{ISBN|978-88-96780-53-4}}</ref> |
In 1958, Dadamaino produced a series of works called ''Volumi'', which were exhibited in her first solo show at the Galleria dei Bossi in [[Milan]] the same year.<ref>Bernard Blistène and Flaminio Gualdoni, ''Dadamaino'', Forma Edition, 2000, p21. {{ISBN|978-88-96780-53-4}}</ref> |
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Shortly after, Dadamaino joined [[Azimuth (art group)|Azimuth]], a group funded by Piero Manzoni, and the Germany-based Group [[Zero (art)|Zero]] formed by [[Heinz Mack]], [[Otto Piene]] and [[Günther Uecker]]. |
Shortly after, Dadamaino joined [[Azimuth (art group)|Azimuth]], a group funded by Piero Manzoni, and the Germany-based Group [[Zero (art)|Zero]] formed by [[Heinz Mack]], [[Otto Piene]] and [[Günther Uecker]]. |
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The following years brought important experiments, among them the occupation with color grading and interferences between 1966 and 1968. Dadamaino intensively examined the effects of spectral colors to which she added black, white and brown in order to interrelate them. In 1967, at the peak of this development, she made her well known "ricerca del colore", an "exploration of the color". In squared plates Dadamaino analyzes the reciprocal effect of color and form, by grading each color in light and dark shades and contrasting it in lamellar stripes, she creates motion in the observer's eye. These were works of special aesthetic and one of her most important period of creation. |
The following years brought important experiments, among them the occupation with color grading and interferences between 1966 and 1968. Dadamaino intensively examined the effects of spectral colors to which she added black, white and brown in order to interrelate them. In 1967, at the peak of this development, she made her well known "ricerca del colore", an "exploration of the color". In squared plates Dadamaino analyzes the reciprocal effect of color and form, by grading each color in light and dark shades and contrasting it in lamellar stripes, she creates motion in the observer's eye. These were works of special aesthetic and one of her most important period of creation.<ref>{{cite web|url= https://archiviodadamaino.it/portfolio/ricerca-del-colore-1967-68/|title=Ricerca del colore 1967-68|website=Archivio Dadamaino|accessdate=1 December 2020}}</ref> |
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Dadamaino counted Lucio Fontana and [[Yves Klein]] as major influences. |
Dadamaino counted Lucio Fontana and [[Yves Klein]] as major influences. |
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* 2011 : "Volumes 1958-60", The Major Gallery, London, United Kingdom |
* 2011 : "Volumes 1958-60", The Major Gallery, London, United Kingdom |
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* 2013 : Dadamaino, Le Consortium, Dijon, France |
* 2013 : Dadamaino, Le Consortium, Dijon, France |
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* 2013 : Dadamaino, |
* 2013 : Dadamaino, Tornabuoni art, Paris, France |
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== Collections == |
== Collections == |
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Dadamaino’s works can be seen in collections such as: |
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Dadamaino’s works can be seen in collections such as the [[Tate]] in [[London]], the [[Solomon R. Guggenheim Foundation]] in [[Venice]], the [[Philadelphia Museum of Art]],<ref>[http://www.philamuseum.org/collections/permanent/342295.html?mulR=184099974|1 "Dadamaino"], Philadelphia Museum of Art, Retrieved October 13, 2018.</ref> the Foundation of Concrete Art in [[Reutlingen]], [[Germany]] and the [[Museum of Contemporary Art, Genoa|Museum of Contemporary Art Villa Croce]] in Genoa. |
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*GAM, Turin |
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*MART, Rovereto |
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* [[Museo del Novecento]], Milan |
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* Museion, Bolzano |
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* [[Museum of Grenoble|Musée de Grenoble]], Grenoble |
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* [[Centre Pompidou]], Paris |
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* Hilti Art Foundation, Liechtenstein |
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* [[Tate Modern]], London |
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* [[Philadelphia Museum of Art]], Philadelphia |
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* Guggenheim, Venice |
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* Kunstmuseum Reutlingen / konkret, Reutlingen |
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==References== |
==References== |
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[[Category:1930 births]] |
[[Category:1930 births]] |
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[[Category:2004 deaths]] |
[[Category:2004 deaths]] |
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[[Category:Italian women artists]] |
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[[Category:20th-century Italian painters]] |
[[Category:20th-century Italian painters]] |
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[[Category:Italian contemporary artists]] |
[[Category:Italian contemporary artists]] |
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[[Category: |
[[Category:Artists from Milan]] |
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[[Category:Italian women painters]] |
[[Category:20th-century Italian women painters]] |
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[[Category:People from Milan]] |
Latest revision as of 12:26, 9 November 2024
Dadamaino | |
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Born | Eduarda Emilia Maino 2 October 1930 |
Died | 13 April 2004 | (aged 73)
Nationality | Italian |
Eduarda Emilia Maino (2 October 1930 – 13 April 2004), known as Dadamaino, was an Italian visual artist and painter. She was a member of the Milanese avant-garde of the 1960s.[1]
Biography
[edit]Eduarda Emilia Maino, nicknamed "Dada" for Eduarda, was born in Milan, Italy.[1] Dadamaino first completed a medical degree before taking up art at the end of the 1950s. She frequented a group of young artists who followed Lucio Fontana and the spatialism movement. Members of the group included: Piero Manzoni, Gianni Colombo, Enrico Castellani and Agostino Bonalumi.[2]
In 1958, Dadamaino produced a series of works called Volumi, which were exhibited in her first solo show at the Galleria dei Bossi in Milan the same year.[3]
Shortly after, Dadamaino joined Azimuth, a group funded by Piero Manzoni, and the Germany-based Group Zero formed by Heinz Mack, Otto Piene and Günther Uecker.
The following years brought important experiments, among them the occupation with color grading and interferences between 1966 and 1968. Dadamaino intensively examined the effects of spectral colors to which she added black, white and brown in order to interrelate them. In 1967, at the peak of this development, she made her well known "ricerca del colore", an "exploration of the color". In squared plates Dadamaino analyzes the reciprocal effect of color and form, by grading each color in light and dark shades and contrasting it in lamellar stripes, she creates motion in the observer's eye. These were works of special aesthetic and one of her most important period of creation.[4]
Dadamaino counted Lucio Fontana and Yves Klein as major influences.
Exhibitions
[edit]Dadamaino had two solo shows at the Venice Biennale in 1980 and in 1990.
- 1962 : Nul group exhibition, Stedelijk Museum, Amsterdam, Netherlands
- 1983 : Retrospective, Padiglione d’Arte Contemporanea, Milan, Italy
- 2000 : Retrospective, Bochum museum, Bochum, Germany
- 2011 : "Volumes 1958-60", The Major Gallery, London, United Kingdom
- 2013 : Dadamaino, Le Consortium, Dijon, France
- 2013 : Dadamaino, Tornabuoni art, Paris, France
Collections
[edit]Dadamaino’s works can be seen in collections such as:
- GAM, Turin
- MART, Rovereto
- Museo del Novecento, Milan
- Museion, Bolzano
- Musée de Grenoble, Grenoble
- Centre Pompidou, Paris
- Hilti Art Foundation, Liechtenstein
- Tate Modern, London
- Philadelphia Museum of Art, Philadelphia
- Guggenheim, Venice
- Kunstmuseum Reutlingen / konkret, Reutlingen
References
[edit]- ^ a b "Dadamaino". Guggenheim Venice. Archived from the original on April 19, 2014. Retrieved June 25, 2014.
- ^ "Dadamaino, Milan 1930 - 2004". tornabuoniart.fr/. Retrieved June 25, 2014.
- ^ Bernard Blistène and Flaminio Gualdoni, Dadamaino, Forma Edition, 2000, p21. ISBN 978-88-96780-53-4
- ^ "Ricerca del colore 1967-68". Archivio Dadamaino. Retrieved 1 December 2020.