Angèle Delasalle: Difference between revisions

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Angèle Delasalle (born February 25, 1867 in Paris; died August 26, 1939 in Saint-Martin-de-Ré) was a French painter and etcher.

[from wiki de/fr][found on Smithsonian Inst (1 drawing) on Redlist]

Biography

Delasalle first visited the "Institution des Dames Augustines anglaises de Neuilly." From 1880 to 1890 she studied at the private art school Académie Julian and was a student of artist Jean-Joseph Benjamin-Constant, Jean-Paul Laurens and Jules Joseph Lefebvre. In 1888 she made her artistic debut with a portrait of a lady in the salon of the Société des Artistes Français.^[1] In the 1890s she began to occupy herself with figurative representations, in particular with female nudes. In 1899 she received a state scholarship to travel to Italy. In addition to scenes from the world of work and portraits by painters such as Pierre Prins (1907), she made landscapes such as the views from Greenwich Park or pictures of animals. She started making etchings around 1904. Her works have been shown in exhibitions in Paris, Liège and Munich. She lived at 3 rue Jean Baptiste Dumas in Paris.^[2]

Delasalle was a member of the “Societé Internationale de Peinture et Sculpture” and a founding member of the Société du Salon d'Automne. She received several medals at exhibitions, including 1897 for Return from the Hunt (Salon des Artistes Français) and for a prehistoric painting and a silver medal at the Paris Exposition, the 1900 worlds fair. The travel grant was awarded to her by the “Conseil Supérieur des Beaux-Arts."

Selected works

Paintings

1895: Cain and the daughters of Enoch
1897: Rest of Diana
1898: Coming home from the hunt (Poitiers Town Hall, awarded a medal) Exhibited in the Paris Salon in 1898
1899: The Earthworker (Petit Palais) and An Evening in Saint-Cloud (G. Petit Gallery in Paris)
1900: The forge (Museum in Rouen)
1901: The horse pond at Pont Saint-Cloud (Museum in Nantes)
1901 and 1902: Portraits of Benjamin Constant (Musée du Luxembourg and Kunsthalle Bremen )
1902: The roofer
1905: Portrait of the painter Jules Adler
1910: woman at the toilet
1911: Girls bathing
1912: The Duke of Montpensier on the tiger hunt

Etchings

1904: The forge
1908: Portrait of a young man
1909: Apse of Saint-Germain-L'Auxerrois and reclining female nude
1910: Allée de Meudon

Gallery

References

^ Neil (2008-01-25). "Neglected women artists I: Angèle Delasalle". Adventures in the Print Trade. Retrieved 2021-02-23.
^ Qui êtes-vous? Annuaire des contemporains: notices biographiques. 1908-1908/10, 1924. Paris, C. Delagrave. 1908. p. 226.

External links

[1] Neil (2008-01-25). "Neglected women artists I: Angèle Delasalle". Adventures in the Print Trade. Retrieved 2021-02-23.

[2] Qui êtes-vous? Annuaire des contemporains: notices biographiques. 1908-1908/10, 1924. Paris, C. Delagrave. 1908. p. 226.

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 == Biography ==
-Delasalle first visited the "Institution des Dames Augustines anglaises de Neuilly."  From 1880 to 1890 she studied at the private art school [[Académie Julian]] and was a student of artist [[Jean-Joseph Benjamin-Constant]], [[Jean-Paul Laurens]] and [[Jules Joseph Lefebvre]]. In 1888 she made her artistic debut with a portrait of a lady in the salon of the [[Société des Artistes Français]].<ref>{{Cite web|last=Neil|date=2008-01-25|title=Neglected women artists I: Angèle Delasalle|url=https://adventuresintheprinttrade.blogspot.com/2008/01/neglected-women-artists-i-angle.html|access-date=2021-02-23|website=Adventures in the Print Trade}}</ref> In the 1890s she began to occupy herself with figurative representations, in particular with female nudes. In 1899 she received a state scholarship to travel to Italy. In addition to scenes from the world of work and portraits by painters such as [[Pierre Prins]] (1907), she made landscapes such as the ''views from Greenwich Park'' or pictures of animals. She started making etchings around 1904. Her works have been shown in exhibitions in [[Paris]], [[Liège]]  and [[Munich]]. She lived at 3 rue Jean Baptiste Dumas in Paris.<ref>{{Cite book|url=http://archive.org/details/quitesvousannua00unkngoog|title=Qui êtes-vous? Annuaire des contemporains: notices biographiques. 1908-1908/10, 1924|date=1908|publisher=Paris, C. Delagrave|others=|pages=226}}</ref>
+Delasalle first visited the "Institution des Dames Augustines anglaises de Neuilly."  From 1880 to 1890 she studied at the private art school [[Académie Julian]] and was a student of artist [[Jean-Joseph Benjamin-Constant]], [[Jean-Paul Laurens]] and [[Jules Joseph Lefebvre]]. In 1888 she made her artistic debut with a portrait of a lady in the salon of the [[Société des Artistes Français]].<ref>{{Cite web|last=Neil|date=2008-01-25|title=Neglected women artists I: Angèle Delasalle|url=https://adventuresintheprinttrade.blogspot.com/2008/01/neglected-women-artists-i-angle.html|access-date=2021-02-23|website=Adventures in the Print Trade}}</ref> In the 1890s she began to occupy herself with figurative representations, in particular with female nudes. In 1899 she received a state scholarship to travel to Italy. In addition to scenes from the world of work and portraits by painters such as [[Pierre Prins]] (1907), she made landscapes such as the ''views from Greenwich Park'' or pictures of animals. She started making etchings around 1904. Her works have been shown in exhibitions in [[Paris]], [[Liège]]  and [[Munich]]. She lived at 3 rue Jean Baptiste Dumas in Paris.<ref>{{Cite book|url=http://archive.org/details/quitesvousannua00unkngoog|title=Qui êtes-vous? Annuaire des contemporains: notices biographiques. 1908-1908/10, 1924|date=1908|publisher=Paris, C. Delagrave|pages=226}}</ref>
 [[File:Portrait de jeune homme Angèle Delasalle 1908.png|thumb|Portrait of a young man, etching by Delasalle in 1908. Published in ''La Gazette des beaux-arts'', 1912, vol. 2.]]
 Delasalle was a member of the “Societé Internationale de Peinture et Sculpture” and a founding member of the Société du Salon d'Automne. She received several medals at exhibitions, including 1897 for ''Return from the Hunt'' (Salon des Artistes Français) and for a ''prehistoric painting'' and a silver medal at the [[Exposition Universelle (1900)|Paris Exposition]], the 1900 worlds fair. The travel grant was awarded to her by the “Conseil Supérieur des Beaux-Arts."