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* ''[[Lumin de Lumine (film)|Lumin de Lumine]]'' (2001)
* ''[[Lumin de Lumine (film)|Lumin de Lumine]]'' (2001)
* ''[[Seven Sighs (film)|Seven Sighs]]'' (1995)
* ''[[Seven Sighs (film)|Seven Sighs]]'' (1995)
* ''[[Lucky Man (film)|Lucky Man]]'' (1994)
* ''[[Lucky Man]]'' (1994), Documentary.
* ''[[There We Are, John (film)|There We Are, John]]'' (1993)
* ''[[There We Are, John (film)|There We Are, John]]'' (1993)
* ''[[1867 (film)|1867]]'' (1990)
* ''[[1867 (film)|1867]]'' (1990)

Revision as of 21:34, 8 January 2022

Ken McMullen (born 31 August 1948, Manchester) is a film director, artist and since 2012 Anniversary Professor of Film Studies at Kingston University, London. McMullen's films are grounded in philosophy, history, psychoanalysis and literature. McMullen's exhibition Signatures of the Invisible brought together artists and scientists working at CERN, the European particle physics facility near Geneva. His other work includes filming conversations with physicists at Stanford Linear Accelerator Centre, which he describes as "making a diary of the transition in human culture" because he believes physics is arriving at another shifting point. His latest work Arrows of Time is a radical new form of cinema consisting of 40 interchangeable elements that deal with literature, philosophy, and contemporary physics, premiered at the Museum of Modern Art in San Francisco in April 2007.

During the late 1990s and early 2000s McMullen also lectured and took tutor groups and what was then 'The London College of Printing and Distributive Trades' - now the London College of Communication. Attached to the department of Film and Television studies at the college's Back Hill facility, McMullen was popular with students.

Selected filmography

References

  1. ^ "Festival de Cannes: 1871". festival-cannes.com. Archived from the original on 2012-03-02. Retrieved 2009-08-07.