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In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructingbuildings or other structures. The term comes from Latinarchitectura; from Ancient Greekἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilisations are often identified with their surviving architectural achievements.
Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. During the Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated.
Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed. Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating. (Full article...)
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Location in the Royal Borough of Kensington and Chelsea, London
The Tower House, 29 Melbury Road, is a late-Victorian townhouse in the Holland Park district of Kensington and Chelsea, London, built by the architect and designer William Burges as his home. Designed between 1875 and 1881, in the French Gothic Revival style, it was described by the architectural historian J. Mordaunt Crook as "the most complete example of a medieval secular interior produced by the Gothic Revival, and the last". The house is built of red brick, with Bath stone dressings and green roof slates from Cumbria, and has a distinctive cylindrical tower and conical roof. The ground floor contains a drawing room, a dining room and a library, while the first floor has two bedrooms and an armoury. Its exterior and the interior echo elements of Burges's earlier work, particularly Park House in Cardiff and Castell Coch. It was designated a Grade Ilisted building in 1949.
Burges bought the lease on the plot of land in 1875. The house was built by the Ashby Brothers, with interior decoration by members of Burges's long-standing team of craftsmen such as Thomas Nicholls and Henry Stacy Marks. By 1878 the house was largely complete, although interior decoration and the designing of numerous items of furniture and metalwork continued until Burges's death in 1881. The house was inherited by his brother-in-law, Richard Popplewell Pullan. It was later sold to Colonel T. H. Minshall and then, in 1933, to Colonel E. R. B. Graham. The poet John Betjeman inherited the remaining lease in 1962 but did not extend it. Following a period when the house stood empty and suffered vandalism, it was purchased and restored, first by Lady Jane Turnbull, later by the actor Richard Harris and then by the musician Jimmy Page. (Full article...)
The site has been occupied since Elizabethan times, when a large manor house was constructed. This was replaced in 1771 by a Georgian mansion for the owners, the Hoste Henleys. In 1836 Sandringham was bought by John Motteux, a London merchant, who already owned property in Norfolk and Surrey. Motteux had no direct heir, and on his death in 1843, his entire estate was left to Charles Spencer Cowper, the son of Motteux's close friend Emily Temple, Viscountess Palmerston. Cowper sold the Norfolk and the Surrey estates and embarked on rebuilding at Sandringham. He led an extravagant life, and by the early 1860s, the estate was mortgaged and he and his wife spent most of their time on the Continent. (Full article...)
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Belton House, south front
Belton House is a Grade I listed country house in the parish of Belton near Grantham in Lincolnshire, England, built between 1685 and 1687 by Sir John Brownlow, 3rd Baronet. It is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, said to be the only truly vernacular style of architecture that England had produced since the Tudor period. It is considered to be a complete example of a typical English country house; the claim has even been made that Belton's principal façade was the inspiration for the modern British motorway signs which give directions to stately homes.
For about three centuries until 1984, Belton House was the seat of the Brownlow family, which had first acquired land in the area in the late 16th century. Their heirs, the Cust family, were created Baron Brownlow in 1776. Despite his great wealth Sir John Brownlow, 3rd Baronet, chose to build a comparatively modest house rather than one of the grand Baroque palaces being built by others at the time. The contemporary, if provincial, Carolean style was the selected choice of design. Nevertheless, the new house was fitted with the latest innovations, such as sash windows for the principal rooms, and followed the latest thinking on house-planning, in seeking to separate those parts of the building that were for the use of the family from the areas where servants carried out their domestic duties. Successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. (Full article...)
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St Donat’s Castle from the Tudor Garden "An exceptionally fine medieval castle"
St Donat's Castle (Welsh: Castell Sain Dunwyd), St Donats, Wales, is a medievalcastle in the Vale of Glamorgan, about 16 miles (26 km) to the west of Cardiff, and about 1+1⁄2 miles (2.4 km) to the west of Llantwit Major. Positioned on cliffs overlooking the Bristol Channel, the site has been occupied since the Iron Age, and was by tradition the home of the Celtic chieftain Caradog. The present castle's origins date from the 12th century when the de Haweys and later Peter de Stradling began its development. The Stradlings held the castle for four hundred years, until the death of Sir Thomas Stradling in a duel in 1738.
During the 18th century, the castle's status and condition declined and by the early 19th century it was only partly habitable. The later 19th and early 20th centuries saw several restorations. In 1852, it was purchased by John Whitlock Nicholl Carne, who claimed descent from the Stradlings but whose efforts at reconstruction were not well regarded. More enlightened improvements were made by its subsequent owner, the coal magnate Morgan Stuart Williams. (Full article...)
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Illustration 1: Sicilian Baroque. Basilica della Collegiata in Catania, designed by Stefano Ittar, c. 1768.Sicilian Baroque is the distinctive form of Baroque architecture which evolved on the island of Sicily, off the southern coast of Italy, in the 17th and 18th centuries, when it was part of the Spanish Empire. The style is recognisable not only by its typical Baroque curves and flourishes, but also by distinctive grinning masks and putti and a particular flamboyance that has given Sicily a unique architectural identity.
The Sicilian Baroque style came to fruition during a major surge of rebuilding following the massive earthquake in 1693. Previously, the Baroque style had been used on the island in a naïve and parochial manner, having evolved from hybrid native architecture rather than being derived from the great Baroque architects of Rome. After the earthquake, local architects, many of them trained in Rome, were given plentiful opportunities to recreate the more sophisticated Baroque architecture that had become popular in mainland Italy; the work of these local architects – and the new genre of architectural engravings that they pioneered – inspired more local architects to follow their lead. Around 1730, Sicilian architects had developed a confidence in their use of the Baroque style. Their particular interpretation led to further evolution to a personalised and highly localised art form on the island. From the 1780s onwards, the style was gradually replaced by the newly fashionable neoclassicism. (Full article...)
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Chartwell House
Chartwell is a country house near Westerham, Kent, in South East England. For over forty years it was the home of SirWinston Churchill. He bought the property in September 1922 and lived there until shortly before his death in January 1965. In the 1930s, when Churchill was out of political office, Chartwell became the centre of his world. At his dining table, he gathered those who could assist his campaign against German re-armament and the British government's response of appeasement; in his study, he composed speeches and wrote books; in his garden, he built walls, constructed lakes and painted. During the Second World War, Chartwell was largely unused, the Churchills returning after he lost the 1945 election. In 1953, when again prime minister, the house became Churchill's refuge when he suffered a debilitating stroke. In October 1964, he left for the last time, dying at his London home, 28 Hyde Park Gate, on 24 January 1965.
The origins of the estate reach back to the 14th century; in 1382, the property then called Well-street was owned by William-at-Well. It passed through various owners and in 1836 was auctioned, as a substantial brick-built manor. In 1848, it was purchased by John Campbell Colquhoun, whose grandson sold it to Churchill. The Campbell Colquhouns greatly enlarged the house and the advertisement for its sale at the time of Churchill's purchase described it as an imposing mansion. Between 1922 and 1924, it was rebuilt and extended by the society architect Philip Tilden. From the garden front, the house has extensive views over the Weald of Kent, "the most beautiful and charming" Churchill had ever seen, and the determining factor in his decision to buy the house. (Full article...)
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The Pennsylvania State Capitol in Harrisburg in April 2022
The seat of government for the state was initially in Philadelphia, then was relocated to Lancaster in 1799 and finally to Harrisburg in 1812. The current capitol, known as the Huston Capitol, is the third state capitol building built in Harrisburg. The first, the Hills Capitol, was destroyed in 1897 by a fire. The second, the Cobb Capitol, was left unfinished when funding was discontinued in 1899. (Full article...)
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Nuffield College, facing New Road, with the library tower topped by a flèche. The main entrance to the college is in the middle of the building to the left of the tower. The buildings of Nuffield College, one of the colleges of the University of Oxford, are to the west of the city centre of Oxford, England, and stand on the site of the basin of the Oxford Canal. Nuffield College was founded in 1937 after a donation to the University by the car manufacturer Lord Nuffield; he gave land for the college, as well as £900,000 (approximately £246 million in present-day terms) to build and endow it. The architect Austen Harrison, who had worked in Greece and Palestine, was appointed by the University to design the buildings. His initial design, heavily influenced by Mediterranean architecture, was rejected by Nuffield, who called it "un-English" and refused to allow his name to be associated with it. Harrison reworked the plans, aiming for "something on the lines of Cotswold domestic architecture", as Nuffield wanted.
Construction of the second design began in 1949 and was finished in 1960. Progress was hampered by post-war building restrictions, and the effects of inflation on Nuffield's donation led to various cost-saving changes to the plans. In one change, the tower, which had been planned to be ornamental, was redesigned to hold the college's library. It was the first tower built in Oxford for 200 years and is about 150 feet (46 m) tall, including the flèche on top. The buildings are arranged around two quadrangles, with residential accommodation for students and fellows in one, and the hall, library and administrative offices in the other. The chapel has stained glass windows designed by John Piper. (Full article...)
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Pei in 1980
Ieoh Ming PeiFAIARIBA (/ˌjoʊmɪŋˈpeɪ/YOH ming PAY; Chinese: 貝聿銘; pinyin: Bèi Yùmíng; April 26, 1917 – May 16, 2019) was a Chinese-American architect. Born in Guangzhou into a Chinese family, Pei drew inspiration at an early age from the garden villas at Suzhou, the traditional retreat of the scholar-gentry to which his family belonged. In 1935, he moved to the United States and enrolled in the University of Pennsylvania's architecture school, but quickly transferred to the Massachusetts Institute of Technology. Unhappy with the focus on Beaux-Arts architecture at both schools, he spent his free time researching emerging architects, especially Le Corbusier.
Schematic map of Heian-kyō showing the location of the palace as well as the Tsuchimikado temporary palace that developed into the current Kyoto Imperial Palace (blue in upper right-hand corner)
The Heian Palace (平安宮, Heian-kyū) was the original imperial palace of Heian-kyō (present-day Kyoto), then the capital of Japan. Both the palace and the city were constructed in the late 700s and were patterned on Chinese models and designs. The palace served as the imperial residence and the administrative centre for most of the Heian period (794–1185).
Located in the north-central section of the city, the palace consisted of a large, walled, rectangular Greater Palace (the Daidairi), which contained several ceremonial and administrative buildings including the government ministries. Inside this enclosure was the separately walled residential compound of the emperor, or the Inner Palace (Dairi). In addition to the emperor's living quarters, the Inner Palace contained the residences of the imperial consorts and buildings more closely linked to the person of the emperor. (Full article...)
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Architecture at Vkhutemas, book cover by El Lissitzky, 1927
Vkhutemas (Russian: Вхутемас, IPA:[fxʊtʲɪˈmas], acronym for Высшие художественно-технические мастерскиеVysshiye Khudozhestvenno-Tekhnicheskiye Masterskiye "Higher Art and Technical Studios") was the Russian state art and technical school founded in 1920 in Moscow, replacing the Moscow Svomas.
The workshops were established by a decree from Vladimir Lenin with the intentions, in the words of the Soviet government, "to prepare master artists of the highest qualifications for industry, and builders and managers for professional-technical education". The school had 100 faculty members and an enrollment of 2,500 students. Vkhutemas was formed by a merger of two previous schools: the Moscow School of Painting, Sculpture and Architecture and the Stroganov School of Applied Arts. The workshops had artistic and industrial faculties; the art faculty taught courses in graphics, sculpture and architecture while the industrial faculty taught courses in printing, textiles, ceramics, woodworking, and metalworking. (Full article...)
The mansion was designed in an eclectic French Renaissance style by C. P. H. Gilbert and built by foreman Harvey Murdock. The building largely retains its original design, except for a tankhouse on the roof. Gilbert and Murdock constructed the bulk of the house with brick, which was then faced with limestone ashlar. The northern facade on 79th Street, containing the main entrance, is characterized by multiple windows in square recesses or semi-elliptical and fully Gothic arches. The western facade on Fifth Avenue is symmetrical and dominated by a curved, projecting pavilion. The interior of the mansion comprises 27 rooms on six floors, for a total floor-space of 20,000 square feet (1,900 m2). Critical reviews of the house's architecture over its history have been largely positive. (Full article...)
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View from south east
St Nicholas is the Anglicanparish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest.
Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building. The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medievalfont. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)
Named for energy firm BP, which donated $5 million toward its construction, it is the first Gehry-designed bridge to have been completed. BP Bridge is described as snakelike because of its curving form. Designed to bear a heavy load without structural problems caused by its own weight, it has won awards for its use of sheet metal. The bridge is known for its aesthetics, and Gehry's style is seen in its biomorphic allusions and extensive sculptural use of stainless steel plates to express abstraction. (Full article...)
Sanssouci (German pronunciation:[ˈsãːsusi]) is a historical building in Potsdam, near Berlin. Built by Prussian King Frederick the Great as his summer palace, it is often counted among the German rivals of Versailles. While Sanssouci is in the more intimate Rococo style and is far smaller than its French Baroque counterpart, it, too, is notable for the numerous temples and follies in the surrounding park. The palace was designed and built by Georg Wenzeslaus von Knobelsdorff between 1745 and 1747 to meet Frederick's need for a private residence where he could escape the pomp and ceremony of the royal court. The palace's name is a French phrase (sans souci) meaning "without worries" or "carefree", emphasising that the palace was meant as a place of relaxation rather than a seat of power.
Sanssouci is little more than a large, single-storey villa—more like the Château de Marly than Versailles. Containing just ten principal rooms, it was built on the brow of a terraced hill at the centre of the park. The influence of King Frederick's personal taste in the design and decoration of the palace was so great that its style is characterised as "Frederician Rococo", and his feelings for the palace were so strong that he conceived it as "a place that would die with him". Because of a disagreement about the site of the palace in the park, Knobelsdorff was fired in 1746. Jan Bouman, a Dutch architect, finished the project. (Full article...)
The eastern half of Verdi Square contains the Verdi Monument, sculpted in 1906 by Pasquale Civiletti [it]. The monument contains a dark-granite pedestal with four statues of characters from Verdi's operas; a statue of Verdi stands atop the pedestal. Surrounding the monument is the original park, a triangular site with plantings. The western half of the park contains a head house that serves as an entrance to the 72nd Street station. Designed by Richard Dattner & Partners and Gruzen Samton, the head house contains artwork that references Verdi's opera Rigoletto. Each September, the park hosts a series of free concerts called Verdi Square Festival of the Arts. (Full article...)
Featured articles are displayed here, which represent some of the best content on English Wikipedia.
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Glessner House, designated on October 14, 1970, as one of the first official Chicago Landmarks Chicago Landmark is a designation by the Mayor and the City Council of Chicago for historic sites in Chicago, Illinois. Listed sites are selected after meeting a combination of criteria, including historical, economic, architectural, artistic, cultural, and social values. Once a site is designated as a landmark, it is subject to the Chicago Landmarks Ordinance, which requires that any alterations beyond routine maintenance, up to and including demolition, must have their permit reviewed by the Landmarks Commission. Many Chicago Landmarks are also listed on the National Register of Historic Places, providing federal tax support for preservation, and some are further designated National Historic Landmarks, providing additional federal oversight. (Full article...)
John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. Perhaps his best-known design is that for the Eastgate Clock in Chester. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival much of his output incorporates elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe, and frequently included elements of French, German, and Netherlandish architecture. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, in which he was influenced by the black-and-white revival in Chester. Other vernacular elements he employed included tile-hanging, pargeting, and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving.
John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
North Somerset constitutes part of the ceremonial county of Somerset. As a unitary authority, North Somerset is administered independently of the non-metropolitan county of Somerset. Its administrative headquarters are located in the town hall of Weston-super-Mare. North Somerset includes areas that were once part of Somerset before the creation of Avon in 1974. (Full article...)
Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
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Eastgate Clock designed by Douglas and erected on Chester's Eastgate in 1899 to commemorate Queen Victoria'sDiamond Jubilee John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses. He also designed a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving.
Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed a former assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work was carried out in Cheshire and North Wales, although some was further afield in regions including Merseyside, Greater Manchester, and Shropshire. (Full article...)
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John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving.
Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work on houses was in Cheshire and North Wales, although some was further afield, in Lancashire, Merseyside, Greater Manchester, Warwickshire, Herefordshire, Worcestershire, Derbyshire, Surrey, and Scotland. (Full article...)
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Mendip is a former local government district in the English county of Somerset. The Mendip district covers a largely rural area of 285 square miles (738 km2) ranging from the Mendip Hills through on to the Somerset Levels. It has a population of approximately 11,000. The administrative centre of the district is Shepton Mallet.
Skyline of Dallas (use cursor to identify buildings) Dallas, the third-largest city in the U.S. state of Texas, is the site of 42 completed high-rise buildings over 350 feet (107 m), 20 of which stand taller than 492 feet (150 m). The tallest building in the city is the Bank of America Plaza, which rises 921 feet (281 m) in Downtown Dallas and was completed in 1985. It also stands as the 3rd-tallest building in Texas and the 40th-tallest building in the United States. The second-tallest skyscraper in the city is the Renaissance Tower, which rises 886 feet (270 m) and was completed in 1974. The Comerica Bank Tower, completed in 1987 and rising 787 feet (240 m), is the third-tallest building in Dallas. Three of the ten tallest buildings in Texas are located in Dallas. (Full article...)
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Skyline of Cleveland in 2024 from Lakewood Park Cleveland, the second most populous city in the U.S. state of Ohio, has 51 completed high-rises taller than 200 feet (61 m). The tallest building in Cleveland is the 57-storyKey Tower, which rises 947 feet (289 m) on Public Square. The tower has been the tallest building in Ohio since its completion, in 1991; it also was the tallest building in the United States between Chicago and New York City before the completion, in 2007, of the Comcast Center in Philadelphia. The Terminal Tower, 771 feet (235 m), is the second tallest building in Cleveland and Ohio; at the time of its completion, in 1927, the building was the tallest in the world outside New York City.
The history of skyscrapers in Cleveland began in 1889, with the construction of the Society for Savings Building, often called the first skyscraper in the city. Cleveland went through an early building boom in the late 1920s and the early 1930s, during which several high-rise buildings, including the Terminal Tower, were constructed. The city experienced a second, much larger building boom from the early 1970s to the early 1990s, during which it saw the construction of over 15 skyscrapers, including the Key Tower and 200 Public Square. Overall, the city is home to five out of the ten tallest buildings in Ohio. In 2020, the skyline of Cleveland was 27th in the United States and 96th in the world, ranked by buildings at least 330 feet (100 m) tall, with 18. (Full article...)
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Tokyo is the most populated of Japan's 47 prefectures. Mainland Tokyo is divided into two sections: Western Tokyo and the special wards of Tokyo. The prefecture's tallest structures are within the 23 special wards, which comprise the area formerly incorporated as Tokyo City. As of December 2024, there are over 200 structures in Tokyo that stand at least 150 metres tall (492 feet), of which 47 are at least 200 metres tall (656 feet), including those that are still under construction but have been topped out. Most of these structures are buildings; however, there are other types of structures among the tallest in the prefecture, such as freestanding towers and incinerationsmokestacks.
View of Downtown Toronto in 2020 Many of the tallest buildings in Toronto are also the tallest in all of Canada. The tallest structure in Toronto is the CN Tower, which rises 553.3 metres (1,815 ft). The CN Tower was the tallest free-standing structure on land from 1975 until 2007. However, it is not generally considered a high-rise building as it does not have successive floors that can be occupied. The tallest habitable building in the city is First Canadian Place, which rises 298 metres (978 ft) tall in Toronto's Financial District and was completed in 1975. It also stands as the tallest building in Canada.
The history of skyscrapers in Toronto began in 1894 with the construction of the Beard Building, which is often regarded as the first skyscraper in the city. Toronto went through its first building boom in the late 1920s and early 1930s, during which the number of high-rise buildings in the city vastly increased. After this period, there was a great lull in construction between 1932 and 1964 with only a single building above 91.5 metres (300 ft) tall being built. (Full article...)
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The Great Jackson Street skyscraper district. To the right sits the 52 floor, 153 m (502 ft) Elizabeth Tower. Beyond lies Deansgate Square, a cluster of four skyscrapers including the 65 floor, 201 m (659 ft) South Tower. The 51 floor 154 m (505 ft) Blade and Three60 skyscrapers sit out of frame to the right of Elizabeth Tower This list of the tallest buildings and structures in Greater Manchester ranks buildings in Greater Manchester by height. As of October 2024[update], Greater Manchester has 24 towers completed at a height of 100 metres (330 ft) or more and a further eight towers above 100 m under construction. This is the largest number of high-rises in any metropolitan area in the United Kingdom outside London. (Full article...)
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Skyline of Tulsa (Use cursor to identify buildings) Tulsa, the second largest city in the U.S. state of Oklahoma, is the site of 26 completed high-rises over 200 feet (61 m), 4 of which stand taller than 492 feet (150 m). The tallest building in the city is the BOK Tower, which rises 667 feet (203 m) in Downtown Tulsa and was completed in 1975. It also stands as the 2nd-tallest building in Oklahoma. The second-tallest skyscraper in the city is the Cityplex Central Tower, which rises 648 feet (198 m) and was completed in 1979. The First Place Tower, completed in 1975 and rising 516 feet (157 m), is the third-tallest building in Tulsa. Five of the ten tallest buildings in Oklahoma are located in Tulsa. (Full article...)
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There are 27 scheduled monuments in Maidstone, Kent, England. In the United Kingdom, a scheduled monument is an archaeological site or historic building of "national importance" that has been given protection against unauthorised change by being placed on a list (or "schedule") by the Secretary of State for Digital, Culture, Media and Sport; Historic England takes the leading role in identifying such sites. Scheduled monuments are defined in the Ancient Monuments and Archaeological Areas Act 1979 and the National Heritage Act 1983. They are also referred to as scheduled ancient monuments. There are about 20,000 scheduled monument entries on the list and more than one site can be included in a single entry. While a scheduled monument can also be recognised as a listed building, Historic England considers listed building status as a better way of protecting buildings than scheduled monument status. If a monument is considered by Historic England to "no longer merit scheduling" it can be removed from the schedule.
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Streetside in the district
The Sycamore Historic District is a meandering area encompassing 99 acres (400,000 m2) of the land in and around the downtown of the DeKalb County, Illinois county seat, Sycamore. The area includes historic buildings and a number of historical and Victorian homes. Some significant structures are among those located within the Historic District including the DeKalb County Courthouse and the Sycamore Public Library. The district has been listed on the National Register of Historic Places since May 2, 1978.
There are over 200 properties within the irregular boundaries of the Sycamore Historic District. Of those, 187 are considered contributing properties to the historic district, and 22 are non-contributing. Of all of the district's homes and buildings 75% fit within the historic district concept. Some of the major structures include several prominent Queen Anne style mansions, the Sycamore library, the DeKalb County Courthouse, and dozens of mid- to late 19th-century houses. (Full article...)
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The Fort's watch tower located at the edge of the entrance of Singapore's Keppel Harbour. The tower provided a commanding view of approaching ships entering into the harbour Fort Pasir Panjang or Labrador Battery is located within Labrador Park at the southern tip of Singapore island. It was one of the 11 coastal artillery forts built by the British in the 19th century to defend the western passageway into Keppel Harbour against piracy and foreign naval powers. During the 1942 Battle of Pasir Panjang, the fort played a supporting role but a limited one in defending the Malay Regiments against the Japanese invasion at Bukit Chandu. In 1995, the site was gazetted by the National Heritage Board as one of the 11 World War II sites in Singapore. (Full article...)
The Walls of Dubrovnik (Croatian: Dubrovačke gradske zidine) are a series of defensive stone walls surrounding the city of Dubrovnik in southern Croatia. Ramparts were built in the outlying areas of the city, including the mountain slopes as part of a set of statues from 1272. The existing city walls were constructed mainly during the 13th–17th centuries. The walls run an uninterrupted course of approximately 1,940 metres (6,360 ft) in length, encircling most of the old city, and reach a maximum height of about 25 metres (82 ft).
Refugees from destroyed towns such as Epidaurus fled to what would become the defensive settlement of Dubrovnik (also known later as Ragusa) which would become a haven of refuge with the construction of its town walls. The walls were reinforced by three circular and 14 quadrangular towers, five bastions (bulwarks), two angular fortifications and the large St. John's Fortress. Land walls were additionally reinforced by one larger bastion and nine smaller semicircular ones, like the casemate Fort Bokar, the oldest preserved fort of that kind in Europe. The moat that ran around the outside section of the city walls, which were armed by more than 120 cannons, provided superb city defense capabilities. (Full article...)
The Scottish Parliament Building at Holyrood designed by the Catalan architect Enric Miralles and opened in October 2004. The architecture of Scotland includes all human building within the modern borders of Scotland, from the Neolithic era to the present day. The earliest surviving houses go back around 9500 years, and the first villages 6000 years: Skara Brae on the Mainland of Orkney being the earliest preserved example in Europe. Crannogs, roundhouses, each built on an artificial island, date from the Bronze Age and stone buildings called Atlantic roundhouses and larger earthwork hill forts from the Iron Age. The arrival of the Romans from about 71 AD led to the creation of forts like that at Trimontium, and a continuous fortification between the Firth of Forth and the Firth of Clyde known as the Antonine Wall, built in the second century AD. Beyond Roman influence, there is evidence of wheelhouses and underground souterrains. After the departure of the Romans there were a series of nucleated hill forts, often utilising major geographical features, as at Dunadd and Dunbarton.
Castles arrived in Scotland with the introduction of feudalism in the twelfth century. Initially these were wooden motte-and-bailey constructions, but many were replaced by stone castles with a high curtain wall. In the late Middle Ages new castles were built, some on a grander scale, and others, particularly in the borders, simpler tower houses. Gunpowder weaponry led to the use of gun ports, platforms to mount guns and walls adapted to resist bombardment. Medieval parish church architecture was typically simpler than in England, but there were grander ecclesiastical buildings in the Gothic style. From the early fifteenth century the introduction of Renaissance styles included the selective use of Romanesque forms in church architecture, as in the nave of Dunkeld Cathedral, followed more directly influenced Renaissance palace building from the late fifteenth century, beginning at Linlithgow. The private houses of aristocrats adopted some of these features and incorporated features of Medieval castles and tower houses into plans based on the French Château to produce the Scots Baronial style. From about 1560, the Reformation led to the widespread destruction of church furnishings, ornaments and decoration and in post-Reformation period a unique form of church emerged based on the T-shaped plan. (Full article...)
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Conwy Castle from the river
Conwy Castle (Welsh: Castell Conwy; Welsh pronunciation:[kastɛɬ'kɔnwɨ̞]) is a fortification in Conwy, located in North Wales. It was built by Edward I, during his conquest of Wales, between 1283 and 1287. Constructed as part of a wider project to create the walled town of Conwy, the combined defences cost around £15,000, a massive sum for the period. Over the next few centuries, the castle played an important part in several wars. It withstood the siege of Madog ap Llywelyn in the winter of 1294–95, acted as a temporary haven for Richard II in 1399 and was held for several months by forces loyal to Owain Glyndŵr in 1401.
Following the outbreak of the English Civil War in 1642, the castle was held by forces loyal to Charles I, holding out until 1646 when it surrendered to the Parliamentary armies. In the aftermath, the castle was partially slighted by Parliament to prevent it being used in any further revolt, and was finally completely ruined in 1665 when its remaining iron and lead was stripped and sold off. Conwy Castle became an attractive destination for painters in the late 18th and early 19th centuries. Visitor numbers grew and initial restoration work was carried out in the second half of the 19th century. In the 21st century, the ruined castle is managed by Cadw as a tourist attraction. (Full article...)
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Main facade of the hotel as seen from across 44th Street
The hotel building is mostly twelve stories high, except for the extreme western end, which is three stories high. The first two stories of the facade are made of rusticated limestone blocks, while the upper stories have a Renaissance Revival brick facade, with limestone, metal, and terracotta details inspired by the Beaux-Arts style. When the hotel opened, it contained a large restaurant and a smaller cafe, which later became the Oak Room cabaret. The annex contains the Blue Bar on its ground story, while the upper stories were formerly used as a clubhouse. (Full article...)
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Keep of Bowes Castle
Bowes Castle is a medieval castle in the village of Bowes in County Durham, England. Built within the perimeter of the former Romanfort of Lavatrae, on the Roman road that is now the A66, the early timber castle on the site was replaced by a more substantial stone structure between 1170 and 1174 on the orders of Henry II. A planned village was built alongside the castle. Bowes Castle withstood Scottish attack during the Great Revolt of 1173–74 but was successfully looted by rebels in 1322. The castle went into decline and was largely dismantled after the English Civil War. The ruins are now owned by English Heritage and managed as a tourist attraction. There is free admission during daylight hours. (Full article...)
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The building pictured in 2014
The Rookery Building is a historic office building located at 209 South LaSalle Street in the Chicago Loop. Completed by architects Daniel Burnham and John Wellborn Root of Burnham and Root in 1888, it is considered one of their masterpiece buildings, and was once the location of their offices. The building is 181 feet (55 m) in height, twelve stories tall, and is considered the oldest standing high-rise in Chicago. It has a unique construction style featuring exterior load-bearing walls and an interior steel frame, providing a transition between accepted and new building techniques. The lobby was remodeled in 1905 by Frank Lloyd Wright. From 1989 to 1992, the lobby was restored to Wright's design.
One Bayfront Plaza is a proposed supertallskyscraper in Miami, Florida, U.S. The building, construction of which has been approved, would stand at 1,049 feet (320 m), with 93 floors,[A] becoming the tallest building in Miami and Florida. One Bayfront Plaza would primarily consist of offices and hotel space, but also would include a retail mall, condominiums, and parking garage on the lower levels, as well as possibly an observation deck at the top. The entire project consists of over 1,400,000 square feet (100,000 m2) of Class A office and hotel space, as well as a total building area of over 4,000,000 square feet (371,612 m2) including the large podium. One Bayfront Plaza is the first skyscraper over 1,000 feet (305 m) to be approved for construction in Miami. The building's primary advocate was real estate developer Tibor Hollo, who has won several awards for his 55 years as a developer in Miami, and is currently the president of Florida East Coast Realty.
One Bayfront Plaza has gone through several design revisions since its original proposal as a single, 80-floor, 1,180 feet (360 m) tower, which exceeded height restrictions. It was first approved as a complex of two connected towers as shown in the rendering below and was to be known as the 100 South Biscayne complex with the taller tower being 1,049 feet (320 m) high. The development was planned to include an adjacent, connected 850-room hotel tower referred to as 100 South Biscayne II. Both buildings in the complex had a scheduled groundbreaking in 2011, and were estimated to be completed by 2015. Most recent news suggests the development is back to a single 1,010-foot tower design with a large podium, which was given a possible 2014 groundbreaking; however, by 2014 it was stated that the project was being put off at least until the completion of FECR's under construction Panorama Tower in 2017. (Full article...)
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The keep and inner gatehouse, 2007
Longtown Castle, also termed Ewias Lacey Castle in early accounts, is a ruined Normanmotte-and-baileyfortification in Longtown, Herefordshire. It was established in the 11th century by Walter de Lacy, reusing former Roman earthworks. The castle was then rebuilt in stone by Gilbert de Lacy after 1148, who also established the adjacent town to help pay for the work. By the 14th century, Longtown Castle had fallen into decline. Despite being pressed back into use during the Owain Glyndŵr rising in 1403, it fell into ruin. In the 21st century the castle is maintained by English Heritage and operated as a tourist attraction. (Full article...)
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Vilnius Castle Complex
The Vilnius Castle Complex (Lithuanian: Vilniaus pilių kompleksas or Vilniaus pilys) is a group of cultural, and historic structures on the left bank of the Neris River, near its confluence with the Vilnia River, in Vilnius, Lithuania. The buildings, which evolved between the 10th and 18th centuries, were one of Lithuania's major defensive structures.
The complex consisted of three castles: the Upper, the Lower, and the Crooked (Lithuanian: Kreivoji pilis). The Crooked Castle was burned down by the Teutonic Knights in 1390 and was never rebuilt. The Vilnius Castles were attacked several times by the Teutonic Order after 1390, but they did not succeed in taking the entire complex. Its complete capture occurred for the first time during the 1655 Battle of Vilnius. Soon afterwards, the severely damaged castles lost their importance, and many buildings were abandoned. During the Tsarist annexation, several historic buildings were demolished; many more were damaged during the fortress construction in the 19th century. (Full article...)
St Briavels Castle was originally built between 1075 and 1129 as a royal administrative centre for the Forest of Dean. During the 13th century the castle became first a favourite hunting lodge of King John, and then the primary centre in England for the manufacture of arrows for use with the longbow, the predominant missile weapon of the English in the later medieval period, and quarrels, large numbers of which were required for crossbows in medieval warfare. (Full article...)
The Ellwood House was built as a private home by barbed wire entrepreneur Isaac Ellwood in 1879. It is located on First Street in DeKalb, Illinois, United States, in DeKalb County. The Victorian style home, designed by George O. Garnsey, underwent remodeling in 1898-1899 and 1911. The house was originally part of 1,000 acres (4.0 km2) which included a large stable complex known as "Ellwood Green." Isaac Ellwood lived here until 1910 when he passed the estate to his son, Perry Ellwood.
After Perry Ellwood inherited the home he remodeled the interior and exterior, drastically altering the home's appearance. Thus, the Ellwood House incorporates elements from several architectural styles. In 1964 the home was donated to the city of DeKalb and converted into a museum. The house was listed on the U.S. National Register of Historic Places in 1975. The Ellwood House Museum site contains six structures in addition to the main house. A 50-foot (15 m) tall water tower dominates the west side of the property while a 14-foot (4.3-m) tall miniature Stick style house is located nearer the main house. There is also a Visitor Center, built as an addition to the Perry Ellwood family's original garage, and a museum house that was once used to hold Harriet Ellwood's (Isaac's wife) collection of "curiosities." The property also includes the "Ellwood-Nehring House," the home given to Perry and May Ellwood as a wedding gift in 1898. From 1940 until 2011, the house was privately owned by Paul Nehring, owner of DeKalb's Nehring Electrical Works, and his wife Shirley. (Full article...)
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