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Kuranda's first professional film work was as a teenager, discovered by Pulitzer Prize-winning playwright [[Jason Miller (playwright)|Jason Miller]]. Kuranda worked for several years as a youth in the Scranton Theater. His first professional theatrical work was at the [[New Jersey Shakespeare Festival]].<ref>{{cite web |url=https://www.shakespearenj.org/AboutUs/mission.html |title = The Shakespeare Theatre of New Jersey}}</ref> His film work includes a series of films with [[Bill Plympton]], which are part of the [[MOMA]] permanent collection. Kuranda's collaboration with Plympton helped launch the budding New York Underground Film and Video Festival<ref>{{Cite news|url=https://www.nytimes.com/1996/03/20/movies/a-festival-for-films-that-defy-convention.html|title = A Festival for Films That Defy Convention|newspaper = The New York Times|date = 20 March 1996|last1 = Grimes|first1 = William}}</ref> helmed by [[Todd Phillips]] and [[Andrew Gurland]].<ref>{{Cite news|url=https://www.nytimes.com/1994/03/13/movies/film-obscure-films-fuel-a-new-festival.html|title = FILM; Obscure Films Fuel a New Festival|newspaper = The New York Times|date = 13 March 1994|last1 = Peden|first1 = Lauren David}}</ref><ref>{{Cite web|url=https://www.undergroundfilmjournal.com/flashback-1994-new-york-underground-film-festival/|title = Flashback: 1994 New York Underground Film Festival|date = 18 February 2018}}</ref> Kuranda's early work at the [[Actors Studio]] included, amongst others, a six-month exploration of Oedipus Rex with [[Al Pacino]], [[Christopher Walken]] and [[Estelle Parsons]]. [[Lloyd Richards]], [[Romulus Linneyhttps://www.signaturetheatre.org/About/Playwrights---Residencies/Romulus-Linney.aspx|Romulus Linney]],<ref>{{cite web |url=https://www.signaturetheatre.org/About/Playwrights---Residencies/Romulus-Linney.aspx |title = Romulus Linney (Signature's Legacy Program Playwright)}}</ref> Jack Temchin, and Richard Kuranda were chronicled by the Village Voice as defining the Actors Studio Drama School at the New School for Social Research during their tenure of productions at Circle in the Square Theater Downtown at 159 Bleecker Street. Kuranda led the team at Epic Rep during a period of literary adaptations which included (amongst others): commissioning Romulus Linney to adapt [[Tim O'Brien (author)|Tim O'Brien's]] National Book winner ''[[Going After Cacciato|Going After Cacciatio]]''.
Kuranda's first professional film work was as a teenager, discovered by Pulitzer Prize-winning playwright [[Jason Miller (playwright)|Jason Miller]]. Kuranda worked for several years as a youth in the Scranton Theater. His first professional theatrical work was at the [[New Jersey Shakespeare Festival]].<ref>{{cite web |url=https://www.shakespearenj.org/AboutUs/mission.html |title = The Shakespeare Theatre of New Jersey}}</ref> His film work includes a series of films with [[Bill Plympton]], which are part of the [[MOMA]] permanent collection. Kuranda's collaboration with Plympton helped launch the budding New York Underground Film and Video Festival<ref>{{Cite news|url=https://www.nytimes.com/1996/03/20/movies/a-festival-for-films-that-defy-convention.html|title = A Festival for Films That Defy Convention|newspaper = The New York Times|date = 20 March 1996|last1 = Grimes|first1 = William}}</ref> helmed by [[Todd Phillips]] and [[Andrew Gurland]].<ref>{{Cite news|url=https://www.nytimes.com/1994/03/13/movies/film-obscure-films-fuel-a-new-festival.html|title = FILM; Obscure Films Fuel a New Festival|newspaper = The New York Times|date = 13 March 1994|last1 = Peden|first1 = Lauren David}}</ref><ref>{{Cite web|url=https://www.undergroundfilmjournal.com/flashback-1994-new-york-underground-film-festival/|title = Flashback: 1994 New York Underground Film Festival|date = 18 February 2018}}</ref> Kuranda's early work at the [[Actors Studio]] included, amongst others, a six-month exploration of Oedipus Rex with [[Al Pacino]], [[Christopher Walken]] and [[Estelle Parsons]]. [[Lloyd Richards]], [[Romulus Linneyhttps://www.signaturetheatre.org/About/Playwrights---Residencies/Romulus-Linney.aspx|Romulus Linney]],<ref>{{cite web |url=https://www.signaturetheatre.org/About/Playwrights---Residencies/Romulus-Linney.aspx |title = Romulus Linney (Signature's Legacy Program Playwright)}}</ref> Jack Temchin, and Richard Kuranda were chronicled by the Village Voice as defining the Actors Studio Drama School at the New School for Social Research during their tenure of productions at Circle in the Square Theater Downtown at 159 Bleecker Street. Kuranda led the team at Epic Rep during a period of literary adaptations which included (amongst others): commissioning Romulus Linney to adapt [[Tim O'Brien (author)|Tim O'Brien's]] National Book winner ''[[Going After Cacciato|Going After Cacciatio]]''.


He is the former Producing Director of the [[Eugene O'Neill Theater Center]]. He also served as the Center‘s interim Artistic Director (for The O'Neill and all its programs.) Kuranda was asked to lead the National Playwrights Conference and the Center in 2004 after Ranelli resigned.<ref>{{cite web |url=https://www.playbill.com/article/j-ranelli-resigns-as-artistic-director-of-eugene-oneill-theater-center-com-120824 |title = J Ranelli Resigns as Artistic Director of Eugene O'Neill Theater Center {{!}} Playbill}}</ref><ref>{{cite web |url=https://www.theoneill.org/npc |title = National Playwrights Conference {{!}} Eugene O'Neill Theater Center}}</ref> While at the O'Neill, Kuranda was credited by the ''New York Times'' as restoring confidence to its national programs as well as restoring actual programs like the Cabaret, Film, and Television along with the appointments of Michael Bush, Wendy C. Goldberg, and Oz Scott and reversing the decision of previous leadership to combine all programs under one artistic office (then J Ranelli). James Houghton supported Kuranda through one of the most exhausting seasons of development due to J Ranelli's choice to combine all Conferences at once;<ref>{{cite news |url=https://www.nytimes.com/2005/02/27/theater/theaterspecial/preston-whiteway-and-richard-kuranda.html |title = Preston Whiteway and Richard Kuranda - The New York Times|newspaper = The New York Times|date = 27 February 2005|last1 = Piepenburg|first1 = Erik}}</ref> the success of several Projects developed under his tenure at the O'Neill included ''[[In The Heights]]'' and ''{title of show}'', "Madagascar" and others which have debuted at nearly every major regional theater in the US and abroad. He served as the Head of Operations at NY's [[Signature Theatre Company (New York City)|Signature Theatre]] Company under James Houghton. Kuranda co-founded Epic Repertory Theater in NY and in a three-year span produced 24 off-Broadway plays including new works by [[David Auburn]], [[JT Rogers]], Romulus Linney, and [[Lee Blessing]]. Venues of production included the Dr2, The Peter Norton Space on 42nd St, The Quintero (formerly the Kaufman), and the Public Theater.
He is the former Producing Director of the [[Eugene O'Neill Theater Center]]. He also served as the Center‘s interim Artistic Director (for The O'Neill and all its programs.) Kuranda was asked to lead the National Playwrights Conference and the Center in 2004 after Ranelli resigned.<ref>{{cite web |url=https://www.playbill.com/article/j-ranelli-resigns-as-artistic-director-of-eugene-oneill-theater-center-com-120824 |title = J Ranelli Resigns as Artistic Director of Eugene O'Neill Theater Center {{!}} Playbill}}</ref><ref>{{cite web |url=https://www.theoneill.org/npc |title = National Playwrights Conference {{!}} Eugene O'Neill Theater Center}}</ref> While at the O'Neill, Kuranda was credited by the ''New York Times'' as restoring confidence to its national programs as well as restoring actual programs like the Cabaret, Film, and Television along with the appointments of Michael Bush, Wendy C. Goldberg, and Oz Scott and reversing the decision of previous leadership to combine all programs under one artistic office (then J Ranelli). James Houghton supported Kuranda through one of the most exhausting seasons of development due to J Ranelli's choice to combine all Conferences at once;<ref>{{cite news |url=https://www.nytimes.com/2005/02/27/theater/theaterspecial/preston-whiteway-and-richard-kuranda.html |title = Preston Whiteway and Richard Kuranda - The New York Times|newspaper = The New York Times|date = 27 February 2005|last1 = Piepenburg|first1 = Erik}}</ref> the success of several Projects developed under his tenure at the O'Neill included ''[[In The Heights]]'' and ''{title of show}'', "Madagascar" and others which have debuted at nearly every major regional theater in the US and abroad. He served as the Head of Operations at NY's [[Signature Theatre Company (New York City)|Signature Theatre]] Company under James Houghton. Kuranda co-founded Epic Repertory Theater in NY and in a three-year span produced 24 off-Broadway plays including new works by [[David Auburn]], [[JT Rogers]], Romulus Linney, Melody Cooper and [[Lee Blessing]]. Venues of production included the Dr2, The Peter Norton Space on 42nd St, The Quintero (formerly the Kaufman), and the Public Theater.
Kuranda was a principal at Elliott Associates; having opened doors to film production in his first three.
Kuranda was a principal at Elliott Associates; having opened doors to film production in his first three.


Revision as of 17:17, 18 August 2023

Richard Kuranda Introducing In the Heights, The Eugene O'Neill Theater Center, New London CT.

Richard Kuranda is an American director and artist of stage, cinema and television. He currently is the CEO of the Raue Center for the Arts in Crystal Lake, Illinois and the current Artistic Director of Williams Street Repertory. A widower, he resides in Illinois with his four children. In 2018, Raue Center and Williams Street Rep retired an 8.8 million dollar debt under his leadership.[1] What is more noteworthy, he negotiated a public/private deal which secured a 125 year subsidized lease at $100 per year with a 25-year corporate sponsorship from Home State Bank. This complimented an expansion of the Center's physical plant to include a new school and outdoor theater space. In 2005, The New York Times [2] profiled Kuranda’s artistic and producing work at the Eugene O’Neill Memorial Theater Center and labeled him as one of the nation's top theater talents to watch (at the time he was the youngest producing director of a Tony Award-winning Theater and had just “turned around” the O’Neill by restoring its National Programs). It is noteworthy to point out Kuranda was the leader and produced all of the programs in a short-lived consolidation of all National Programs; halfway thru his tenure at the O'Neill he reversed the Board's consolidation of programs which lead to a rebirth of the O'Neill.[3] Kuranda has had working relations with Former Senator Bob Kerrey, Senator Christopher J. Dodds, and others. Cumulative Box Office for projects developed under his leadership; 2.9 billion US.

Biography

Born in 1969 in North Eastern Pennsylvania, Kuranda was educated at the Jesuit Scranton Preparatory School, then attended West Virginia University as a scholarship student and at the Actors Studio program at the New School for Social Research from which he holds two Master's degrees under the guidance of Romulus Linney and Arthur Penn. As a graduate student, he was mentored by Norman Mailer. Kuranda has lectured at Yale, Harvard, NYU and various others. He also served as an advocate for the United Nations in conjunction with the Universal Forum of Cultures in Barcelona 2004.[4]

Kuranda's first professional film work was as a teenager, discovered by Pulitzer Prize-winning playwright Jason Miller. Kuranda worked for several years as a youth in the Scranton Theater. His first professional theatrical work was at the New Jersey Shakespeare Festival.[5] His film work includes a series of films with Bill Plympton, which are part of the MOMA permanent collection. Kuranda's collaboration with Plympton helped launch the budding New York Underground Film and Video Festival[6] helmed by Todd Phillips and Andrew Gurland.[7][8] Kuranda's early work at the Actors Studio included, amongst others, a six-month exploration of Oedipus Rex with Al Pacino, Christopher Walken and Estelle Parsons. Lloyd Richards, Romulus Linney,[9] Jack Temchin, and Richard Kuranda were chronicled by the Village Voice as defining the Actors Studio Drama School at the New School for Social Research during their tenure of productions at Circle in the Square Theater Downtown at 159 Bleecker Street. Kuranda led the team at Epic Rep during a period of literary adaptations which included (amongst others): commissioning Romulus Linney to adapt Tim O'Brien's National Book winner Going After Cacciatio.

He is the former Producing Director of the Eugene O'Neill Theater Center. He also served as the Center‘s interim Artistic Director (for The O'Neill and all its programs.) Kuranda was asked to lead the National Playwrights Conference and the Center in 2004 after Ranelli resigned.[10][11] While at the O'Neill, Kuranda was credited by the New York Times as restoring confidence to its national programs as well as restoring actual programs like the Cabaret, Film, and Television along with the appointments of Michael Bush, Wendy C. Goldberg, and Oz Scott and reversing the decision of previous leadership to combine all programs under one artistic office (then J Ranelli). James Houghton supported Kuranda through one of the most exhausting seasons of development due to J Ranelli's choice to combine all Conferences at once;[12] the success of several Projects developed under his tenure at the O'Neill included In The Heights and {title of show}, "Madagascar" and others which have debuted at nearly every major regional theater in the US and abroad. He served as the Head of Operations at NY's Signature Theatre Company under James Houghton. Kuranda co-founded Epic Repertory Theater in NY and in a three-year span produced 24 off-Broadway plays including new works by David Auburn, JT Rogers, Romulus Linney, Melody Cooper and Lee Blessing. Venues of production included the Dr2, The Peter Norton Space on 42nd St, The Quintero (formerly the Kaufman), and the Public Theater. Kuranda was a principal at Elliott Associates; having opened doors to film production in his first three.

Kuranda is a lifetime member of The Actors Studio, and the former Director of Professional Development for The Actors Studio Drama School at the New School for Social Research (The New School) having replaced the retiring Associate Dean, Stephen Benedict. Kuranda was recruited from the Signature Theater to come back to the West Village institution by James Lipton. During his tenure at The New School, he led the team to expand the campus with the acquisition of the old Bell Laboratories at Westhbeth, his team took over and turned it into one of the world’s most important theater training centers in the world. The history of the space is noteworthy; It was here that the first talking movie, the condenser microphone, the first TV broadcast, and the first binary computer were demonstrated. The program was the third generation of Dramatic Workshop run by Erwin Piscator. He is a member of the Dramatists Guild and The Stage Directors and Choreographers Society. Kuranda served as a Mentor for the Kennedy Center, Arts In Crisis program. He was a member of the Visiting Committee to West Virginia University (arts) for eight years. Kuranda also served on the Board of the New School as a student representative for 3 years and a senior director/representative for 4 years.[13]

Kuranda cites his collaborations with Bill Plympton, Jack Temchin, Al Pacino, JT Rogers, and James Lipton as defining moments in his career.[citation needed] Kuranda withdrew from the public during the Monte Cristo Award Ceremony in Beverly Hills honoring Karl Malden.

In recent years, Kuranda has focused on his family life and enjoys the small northwestern community of Crystal Lake, Illinois.[14][15] He serves locally on several Boards.

Kuranda also paints and his work is represented in several gallery shows in the US in 2024. Kuranda.art [16]

See also

References

  1. ^ "$2.3 Million Donation Pays off Raue Center Debt". 9 March 2018.
  2. ^ Piepenburg, Erik (27 February 2005). "Preston Whiteway and Richard Kuranda". The New York Times.
  3. ^ "O'neill in Upheaval". 18 July 2004.
  4. ^ https://unesdoc.unesco.org/ark:/48223/pf0000109133 [bare URL]
  5. ^ "The Shakespeare Theatre of New Jersey".
  6. ^ Grimes, William (20 March 1996). "A Festival for Films That Defy Convention". The New York Times.
  7. ^ Peden, Lauren David (13 March 1994). "FILM; Obscure Films Fuel a New Festival". The New York Times.
  8. ^ "Flashback: 1994 New York Underground Film Festival". 18 February 2018.
  9. ^ "Romulus Linney (Signature's Legacy Program Playwright)".
  10. ^ "J Ranelli Resigns as Artistic Director of Eugene O'Neill Theater Center | Playbill".
  11. ^ "National Playwrights Conference | Eugene O'Neill Theater Center".
  12. ^ Piepenburg, Erik (27 February 2005). "Preston Whiteway and Richard Kuranda - The New York Times". The New York Times.
  13. ^ "History".
  14. ^ https://www.crystallake.org/, Archived 2021-07-16 at the Wayback Machine
  15. ^ "Visit McHenry County, Illinois - Winter".
  16. ^ kuranda.art
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