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'''Amy Heckerling''' (born May 7, 1954) is an American writer, producer, and director. Heckerling started out her career after graduating from [[New York University Tisch School of the Arts|New York University]], she has expanded from independent films to directing major studio films.
'''Amy Heckerling''' (born May 7, 1954) is an American writer, producer, and director. Heckerling started out her career after graduating from [[New York University Tisch School of the Arts|New York University]], she has expanded from independent films to directing major studio films.


Heckerling began her career after graduating from NYU and entering the [[American Film Institute]], making small, student films. She struggled to breakout into big films and was snubbed by Hollywood during her early career, up until the release of ''[[Fast Times at Ridgemont High]]'' (1982), and she broke out in fame. She has also directed the films ''[[Johnny Dangerously]]'' (1984), ''[[National Lampoon's European Vacation|National Lampoon’s European Vacation]]'' (1985), ''Look Who’s Talking'' (1989), ''[[Clueless]]'' (1995), ''Loser'' (2000), ''[[I Could Never Be Your Woman|I Could Never be Your Woman]]'' (2007) and ''[[Vamps (film)|Vamps]]'' (2012). She is also a producer on films ''[[A Night at the Roxbury]]'' (1998) and executive producer on ''[[Molly (1999 film)|Molly]]'' (1999).
Heckerling began her career after graduating from [[New York University|NYU]] and entering the [[American Film Institute]], making small, student films. She struggled to breakout into big films and was snubbed by Hollywood during her early career, up until the release of ''[[Fast Times at Ridgemont High]]'' (1982), and she broke out in fame. She has also directed the films ''[[Johnny Dangerously]]'' (1984), ''[[National Lampoon's European Vacation|National Lampoon’s European Vacation]]'' (1985), ''[[Look Who's Talking|Look Who’s Talking]]'' (1989), ''[[Clueless]]'' (1995), ''[[Loser (film)|Loser]]'' (2000), ''[[I Could Never Be Your Woman|I Could Never be Your Woman]]'' (2007) and ''[[Vamps (film)|Vamps]]'' (2012). She is also a producer on films ''[[A Night at the Roxbury]]'' (1998) and executive producer on ''[[Molly (1999 film)|Molly]]'' (1999).


Many of Heckerling’s films have evolved into television series due to their success. ''[[Fast Times at Ridgemont High|Fast Times at Ridemont High]]'' (1982), evolved into the series ''[[Fast Times]]'' (1986), as well as the film ''[[Clueless]]'' (1995) became a television series that ran from 1996 to 1999.
Many of Heckerling’s films have evolved into television series due to their success. ''[[Fast Times at Ridgemont High|Fast Times at Ridemont High]]'' (1982), evolved into the series ''[[Fast Times]]'' (1986), as well as the film ''[[Clueless]]'' (1995) became a television series that ran from 1996 to 1999.


Heckerling is a recipient of AFI's Franklin J. Schaffner Alumni Medal celebrating her creative talents and artistic achievements.
Heckerling is a recipient of AFI's [[Franklin J. Schaffner]] Alumni Medal celebrating her creative talents and artistic achievements.


=== Television ===
=== Television ===
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=== Directing Style ===
=== Directing Style ===
Amy Heckerling has an approach to films that have a proto-feminist perspective. One of the biggest focuses of Heckerling’s directorial style is her anti-hierarchal and boundary-blurring aesthetic. Amy Heckerling continues to push the gender norms within her films, and she consistently works against the sexist Hollywood status quo. Heckerling’s focuses on the female life at pivotal turning points in their life. With films such as ''[[Clueless]]'' (1995) and ''[[Fast Times at Ridgemont High]]'' (1982), Heckerling has a focus on women finishing high school and going into what would be their adult lives. Her characters are constantly going against the norms that women are pushed into within society. Heckerling has a tendency to prioritize the female friendships within her films, along with a larger discussion of gender positioning within teenager’s lifestyles.
Amy Heckerling has an approach to films that have a proto-feminist perspective<ref>{{Cite journal |last=Newman |first=Emily |date=2018 |title=REFOCUS: THE FILMS OF AMY HECKERLING Ed. Frances Smith and Timothy Shary. Edinburgh UP, 2016. 265 Pp. $120.00 Hardcover. |journal=Journal of Popular Film & Television |volume=2 |issue=46 |pages=125-126 |via=FIAF}}</ref>. One of the biggest focuses of Heckerling’s directorial style is her anti-hierarchal and boundary-blurring aesthetic. Amy Heckerling continues to push the gender norms within her films, and she consistently works against the sexist Hollywood status quo. Heckerling’s focuses on the female life at pivotal turning points in their life. With films such as ''[[Clueless]]'' (1995) and ''[[Fast Times at Ridgemont High]]'' (1982), Heckerling has a focus on women finishing high school and going into what would be their adult lives<ref>{{Cite news |last=Weston |first=Hillary |date=2016 |title=Made in New York: An interview with Amy Heckerling |work=criterion |url=https://www.criterion.com/current/posts/4057-made-in-new-york-an-interview-with-amy-heckerling.}}</ref>. Her characters are constantly going against the norms that women are pushed into within society. Heckerling has a tendency to prioritize the female friendships within her films, along with a larger discussion of gender positioning within teenager’s lifestyles.


=== References ===
=== References ===

Revision as of 18:32, 20 October 2023

Article Draft

Amy Heckerling (born May 7, 1954) is an American writer, producer, and director. Heckerling started out her career after graduating from New York University, she has expanded from independent films to directing major studio films.

Heckerling began her career after graduating from NYU and entering the American Film Institute, making small, student films. She struggled to breakout into big films and was snubbed by Hollywood during her early career, up until the release of Fast Times at Ridgemont High (1982), and she broke out in fame. She has also directed the films Johnny Dangerously (1984), National Lampoon’s European Vacation (1985), Look Who’s Talking (1989), Clueless (1995), Loser (2000), I Could Never be Your Woman (2007) and Vamps (2012). She is also a producer on films A Night at the Roxbury (1998) and executive producer on Molly (1999).

Many of Heckerling’s films have evolved into television series due to their success. Fast Times at Ridemont High (1982), evolved into the series Fast Times (1986), as well as the film Clueless (1995) became a television series that ran from 1996 to 1999.

Heckerling is a recipient of AFI's Franklin J. Schaffner Alumni Medal celebrating her creative talents and artistic achievements.

Television

1980's

Heckerling began her work on the small screen shortly after her massive success with Fast Times at Ridgemont High (1982), with the spinoff series Fast Times (1986), a 7 episode series on CBS that Heckerling produced and directed 3 episodes. She continued her work in television with a direct to TV movie that she produced titled Life on the Flipside, which was released in 1988.

1990's

Continuing into the 1990s is when Heckerling made her work on the silver screen a smash hit. Her 2 major works during this time in television were Baby Talks (1991-92) and Clueless (1996-99). These series were both spinoffs of the films Look Who’s Talking (1989) and Clueless (1995), which Heckerling directed. Both of these series were successes, with Clueless going on for 4 seasons and Heckerling staying on as a producer for it’s entire runtime.

2000's - Present

Amy Heckerling’s works after the turn of the millennium slowed down especially when it came to her work in television. She had no permanent involvement in any series, however, she did direct a number of episodes on a variety of popular television shows, including one episode of The Office (2005), an episode of Gossip Girl (2012). This as well as 6 episodes on the show Red Oaks (2015-17), and 10 episodes of Royalties (2020) over the courses of their runtimes.

Directing Style

Amy Heckerling has an approach to films that have a proto-feminist perspective[1]. One of the biggest focuses of Heckerling’s directorial style is her anti-hierarchal and boundary-blurring aesthetic. Amy Heckerling continues to push the gender norms within her films, and she consistently works against the sexist Hollywood status quo. Heckerling’s focuses on the female life at pivotal turning points in their life. With films such as Clueless (1995) and Fast Times at Ridgemont High (1982), Heckerling has a focus on women finishing high school and going into what would be their adult lives[2]. Her characters are constantly going against the norms that women are pushed into within society. Heckerling has a tendency to prioritize the female friendships within her films, along with a larger discussion of gender positioning within teenager’s lifestyles.

References

  1. ^ Newman, Emily (2018). "REFOCUS: THE FILMS OF AMY HECKERLING Ed. Frances Smith and Timothy Shary. Edinburgh UP, 2016. 265 Pp. $120.00 Hardcover". Journal of Popular Film & Television. 2 (46): 125–126 – via FIAF.
  2. ^ Weston, Hillary (2016). "Made in New York: An interview with Amy Heckerling". criterion.