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==Biography==
==Biography==
Schanelec was born in Aalen, Baden-Württemberg, in Germany. Her artistic career began as an actress onstage;<ref>{{Cite journal|last=Baer|first=Hester|date=1 January 2013|title=Affectless Economies: The Berlin School and Neoliberalism |jstor=10.13110/discourse.35.1.0072 |journal=Discourse |volume=35 |issue=1 |pages=72–100 |doi=10.13110/discourse.35.1.0072|s2cid=140443155}}</ref> however, she is best known today for her career as a filmmaker, which began during her time at the [[Deutsche Film- und Fernsehakademie Berlin|Berlin Film and Television Academy]] (dffb). There, she studied under [[Harun Farocki]] and Hartmut Bitomsky,<ref name=":0">{{Cite book|title=The Berlin School: Films from the Berliner Schule|year=2013|isbn=9780870708749|last1=Roy|first1=Rajendra|last2=Leweke|first2=Anke|last3=Arslan|first3=Thomas|last4=Grisebach|first4=Valeska|last5=Heisenberg|first5=Benjamin|last6=Hochhäusler|first6=Christoph|last7=Hoss|first7=Nina|last8=Lim|first8=Dennis|last9=Nicodemus|first9=Katja|last10=Petzold|first10=Christian|last11=Rother|first11=Rainer}}</ref> and met [[Christian Petzold (director)|Christian Petzold]] and [[Thomas Arslan]], with whom she comprised the so-called first wave of the [[Berlin School (filmmaking)|Berlin School]]. During this time, she produced her thesis film, ''I Stayed in Berlin All Summer'', a 47-minute featurette.<ref name=":1">{{Cite book|title=The Counter-cinema of the Berlin School|last=Marco|first=Abel|publisher=Camden House|year=2013|isbn=9781571134387|location=Rochester, NY|pages=10}}</ref> Schanelec, Petzold and Arslan found support in the budding artistic scene of [[German reunification|post-reunification Berlin]], and in the production company Schramm Film, operated by Michael Weber and Florian Koerner von Gustorf.<ref name=":0" /> Since graduating from dffb, She has written and directed 7 features and contributed segments to the anthology films ''[[Bridges of Sarajevo]]'' and ''[[Germany 09: 13 Short Films About the State of the Nation|Germany 09]]''.<ref>{{Cite web|url=https://mubi.com/cast/angela-schanelec|title=Angela Schanelec|website=MUBI|access-date=23 May 2018}}</ref>
Schanelec was born in Aalen, Baden-Württemberg, in Germany. Her artistic career began as an actress onstage.<ref>{{Cite journal|last=Baer|first=Hester|date=1 January 2013|title=Affectless Economies: The Berlin School and Neoliberalism |jstor=10.13110/discourse.35.1.0072 |journal=Discourse |volume=35 |issue=1 |pages=72–100 |doi=10.13110/discourse.35.1.0072|s2cid=140443155}}</ref>
Today she is best known for her career as a filmmaker, which began during her time at the [[Deutsche Film- und Fernsehakademie Berlin|Berlin Film and Television Academy]] (dffb). There, she studied under [[Harun Farocki]] and Hartmut Bitomsky.<ref name=":0">{{Cite book|title=The Berlin School: Films from the Berliner Schule|year=2013|isbn=9780870708749|last1=Roy|first1=Rajendra|last2=Leweke|first2=Anke|last3=Arslan|first3=Thomas|last4=Grisebach|first4=Valeska|last5=Heisenberg|first5=Benjamin|last6=Hochhäusler|first6=Christoph|last7=Hoss|first7=Nina|last8=Lim|first8=Dennis|last9=Nicodemus|first9=Katja|last10=Petzold|first10=Christian|last11=Rother|first11=Rainer}}</ref> She met [[Christian Petzold (director)|Christian Petzold]] and [[Thomas Arslan]], with whom she has comprised the so-called first wave of the [[Berlin School (filmmaking)|Berlin School]]. During this time, she produced her thesis film, ''I Stayed in Berlin All Summer'', a 47-minute featurette.<ref name=":1">{{Cite book|title=The Counter-cinema of the Berlin School|last=Marco|first=Abel|publisher=Camden House|year=2013|isbn=9781571134387|location=Rochester, NY|pages=10}}</ref>
Schanelec, Petzold and Arslan found support in the budding artistic scene of [[German reunification|post-reunification Berlin]], and in the production company Schramm Film, operated by Michael Weber and Florian Koerner von Gustorf.<ref name=":0" /> Since graduating from dffb, she has written and directed 7 features and contributed segments to the anthology films ''[[Bridges of Sarajevo]]'' and ''[[Germany 09: 13 Short Films About the State of the Nation|Germany 09]]''.<ref>{{Cite web|url=https://mubi.com/cast/angela-schanelec|title=Angela Schanelec|website=MUBI|access-date=23 May 2018}}</ref>


==Critical reception==
==Critical reception==

Revision as of 20:27, 9 September 2024

Angela Schanelec
Born (1962-02-14) 14 February 1962 (age 62)
Aalen, Baden-Württemberg, West Germany
Occupation(s)Actress, film director, screenwriter
Years active1985–present

Angela Schanelec (German: [aŋˈɡeːla ˈʃaːnəlɛk];[1] born 14 February 1962) is a German actress, film director and screenwriter.

Her film Places in Cities was screened in the Un Certain Regard section at the 1998 Cannes Film Festival.[2] In 2019, Schanelec won the Silver Bear for Best Director, for her film I Was at Home, But, at the 69th Berlin International Film Festival.[3] During the 73rd Berlin International Film Festival, in 2023, Schanelec won the Silver Bear for Best Screenplay, for Music.[4]

Biography

Schanelec was born in Aalen, Baden-Württemberg, in Germany. Her artistic career began as an actress onstage.[5]

Today she is best known for her career as a filmmaker, which began during her time at the Berlin Film and Television Academy (dffb). There, she studied under Harun Farocki and Hartmut Bitomsky.[6] She met Christian Petzold and Thomas Arslan, with whom she has comprised the so-called first wave of the Berlin School. During this time, she produced her thesis film, I Stayed in Berlin All Summer, a 47-minute featurette.[7]

Schanelec, Petzold and Arslan found support in the budding artistic scene of post-reunification Berlin, and in the production company Schramm Film, operated by Michael Weber and Florian Koerner von Gustorf.[6] Since graduating from dffb, she has written and directed 7 features and contributed segments to the anthology films Bridges of Sarajevo and Germany 09.[8]

Critical reception

Schanelec's films have premiered at numerous renowned film festivals, including the Cannes Film Festival, the Berlin International Film Festival, and the Toronto International Film Festival. Critics have generally embraced her cinematic style, which almost exclusively employs lengthy, static shots with little action and ambiguous emotional content, tenuously connected by a narrative. Marco Abel, a scholar of the Berlin School, argues that her films function through "affective images" which reach the viewer primarily through their visual content, mostly without requiring narrative context.[7] She is frequently compared to several European avant-garde filmmakers, such as Chantal Akerman,[9] Michelangelo Antonioni,[6] and Robert Bresson, whom she has cited as an important influence.[10] However, Derek Elley, writing for Variety, called Places in Cities a "joyless snoozer" and remarked that Schanelec's films "throw out no emotional lifelines for the viewer."[11]

Filmography

As Filmmaker

As actress

  • 1984 - Die Familie oder Schroffenstein (TV movie), as Agnes
  • 1985 - The Death of the White Stallion, as Anna
  • 1994 - I Stayed in Berlin All Summer, as Nadine
  • 1995 - My Sister's Good Fortune, as Isabel
  • 1997 - Daily Chicken, as Frau Rötting
  • 1999 - Dealer, as Eva
  • 1999 - Dragonland (TV movie), as Mother
  • 2001 - Passing Summer, as Thomas' geschiedene Frau
  • 2007 - Afternoon, as Irene
  • 2014 - A House in Berlin, as Käthe Blacher
  • 2015 - Take What You Can Carry (short), as Angela

Accolades

References

  1. ^ "Angela Schanelec presenta ESTABA EN CASA, PERO... | 4 de septiembre en cines". Atalante. 2 September 2020. Retrieved 24 February 2023.
  2. ^ "Festival de Cannes: Places in Cities". festival-cannes.com. Retrieved 3 October 2009.
  3. ^ a b "Berlin Film Festival 2019: Nadav Lapid's 'Synonyms' Wins Golden Bear". Variety. 16 February 2019. Retrieved 17 February 2019.
  4. ^ a b Roxborough, Scott (25 February 2023). "Berlin: French Documentary 'On the Adamant' Wins Golden Bear for Best Film". The Hollywood Reporter. Retrieved 15 June 2023.
  5. ^ Baer, Hester (1 January 2013). "Affectless Economies: The Berlin School and Neoliberalism". Discourse. 35 (1): 72–100. doi:10.13110/discourse.35.1.0072. JSTOR 10.13110/discourse.35.1.0072. S2CID 140443155.
  6. ^ a b c Roy, Rajendra; Leweke, Anke; Arslan, Thomas; Grisebach, Valeska; Heisenberg, Benjamin; Hochhäusler, Christoph; Hoss, Nina; Lim, Dennis; Nicodemus, Katja; Petzold, Christian; Rother, Rainer (2013). The Berlin School: Films from the Berliner Schule. ISBN 9780870708749.
  7. ^ a b Marco, Abel (2013). The Counter-cinema of the Berlin School. Rochester, NY: Camden House. p. 10. ISBN 9781571134387.
  8. ^ "Angela Schanelec". MUBI. Retrieved 23 May 2018.
  9. ^ "Saying Something: The Films of Angela Schanelec - Cinema Scope". Cinema Scope. 3 September 2016. Retrieved 8 March 2017.
  10. ^ "Interview: Angela Schanelec - Film Comment". Film Comment. 3 January 2017. Retrieved 8 March 2017.
  11. ^ Elley, Derek (15 June 1998). "Review: 'Places in Cities'". Variety. Retrieved 8 March 2017.
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