Bruce Botnick: Difference between revisions
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'''Bruce Botnick''' is a noted American record [[engineer]] and [[record producer| producer]], best known for his work with [[The Doors]], and with [[Love (band)|Love]]. He engineered Love's first two albums, and co-produced their third album, ''[[Forever Changes]]'', with the band's singer-songwriter, [[Arthur Lee (musician)|Arthur Lee]]. |
'''Bruce Botnick''' is a noted American record [[engineer]] and [[record producer| producer]], best known for his work with [[The Doors]], and with [[Love (band)|Love]]. He engineered Love's first two albums, and co-produced their third album, ''[[Forever Changes]]'', with the band's singer-songwriter, [[Arthur Lee (musician)|Arthur Lee]]. |
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In November 1970 he took over production of The Doors' ''[[L.A. Woman]]'' album -- their last with lead singer [[Jim Morrison]] -- after the band's long-serving producer [[Paul A. Rothchild]] fell out with the group over the album's direction. He later produced [[Eddie Money | Eddie Money's]] first two albums, ''[[Eddie Money (album) | Eddie Money]]'' in 1977 and ''[[Life for the Taking | Life For The Taking]]'' in 1978. Botnick also produced two albums for Paul Collins' rock group [[The Beat (US)|The Beat]], including 1979's ''The Beat'' and 1982's ''The Kids Are The Same''. |
In November 1970 he took over production of The Doors' ''[[L.A. Woman]]'' album -- their last with lead singer [[Jim Morrison]] -- after the band's long-serving producer [[Paul A. Rothchild]] fell out with the group over the album's direction. Bruce also has a credit as assistant engineer on the Rolling Stones ''Let It Bleed'' album. He later produced [[Eddie Money | Eddie Money's]] first two albums, ''[[Eddie Money (album) | Eddie Money]]'' in 1977 and ''[[Life for the Taking | Life For The Taking]]'' in 1978. Botnick also produced two albums for Paul Collins' rock group [[The Beat (US)|The Beat]], including 1979's ''The Beat'' and 1982's ''The Kids Are The Same''. |
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Botnick had a long-running association with film composer [[Jerry Goldsmith]] as his scoring recordist and mixer. Botnick first met Goldsmith on 1979's ''[[Star Trek: The Motion Picture]]'' and they worked together on most of Goldsmith's film projects - numbering over 100 - from the 1980s through to Goldsmith's death in 2004. |
Botnick had a long-running association with film composer [[Jerry Goldsmith]] as his scoring recordist and mixer. Botnick first met Goldsmith on 1979's ''[[Star Trek: The Motion Picture]]'' and they worked together on most of Goldsmith's film projects - numbering over 100 - from the 1980s through to Goldsmith's death in 2004. |
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Revision as of 16:17, 22 March 2008
Bruce Botnick is a noted American record engineer and producer, best known for his work with The Doors, and with Love. He engineered Love's first two albums, and co-produced their third album, Forever Changes, with the band's singer-songwriter, Arthur Lee.
In November 1970 he took over production of The Doors' L.A. Woman album -- their last with lead singer Jim Morrison -- after the band's long-serving producer Paul A. Rothchild fell out with the group over the album's direction. Bruce also has a credit as assistant engineer on the Rolling Stones Let It Bleed album. He later produced Eddie Money's first two albums, Eddie Money in 1977 and Life For The Taking in 1978. Botnick also produced two albums for Paul Collins' rock group The Beat, including 1979's The Beat and 1982's The Kids Are The Same.
Botnick had a long-running association with film composer Jerry Goldsmith as his scoring recordist and mixer. Botnick first met Goldsmith on 1979's Star Trek: The Motion Picture and they worked together on most of Goldsmith's film projects - numbering over 100 - from the 1980s through to Goldsmith's death in 2004.