Avid DNxHD: Difference between revisions
Change stuff around a bit. Still sucks though - the first paragraph doesn't say anything about what DNxHD brings to the party. In fact none of the article does. |
Added balancing comments to make it less of an Avid advertisement. |
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DNxHD offers a choice of 8- or 10-bit depth at three user-selectable bit rates. DNxHD data is typically stored in an [[MXF]] wrapper, although it can also be stored in Quicktime or AVI wrappers. A standalone Quicktime codec for both Windows XP and Macintosh OS X is available to create and play Quicktime files containing DNxHD material. |
DNxHD offers a choice of 8- or 10-bit depth at three user-selectable bit rates. DNxHD data is typically stored in an [[MXF]] wrapper, although it can also be stored in Quicktime or AVI wrappers. A standalone Quicktime codec for both Windows XP and Macintosh OS X is available to create and play Quicktime files containing DNxHD material. |
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DNxHD is intended to be an open standard. Ikegami's [[Editcam]] camera system for |
DNxHD is intended to be an open standard, but as of March 2008, has remained effectively a proprietary Avid format. Ikegami's [[Editcam]] camera system is unique in it's support for for DNxHD, and records directly to DNxHD encoded video. Such material is immediately accessible by editing platforms that support the DNxHD codec. The source code for the Avid DNxHD codec is licensable free of charge, though few (if any) companies have have done so as of March 2008. |
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DNxHD was first supported in [[Avid DS Nitris]] (Sept 2004), then [[Avid Media Composer Adrenaline]] with the DNxcel option (Dec 2004) and finally by [[Avid Symphony Nitris]] (Dec 2005). [[Xpress Pro]] is limited to using DNxHD 8-bit compression, which is either imported from file or captured using a Media Composer with Adrenaline hardware. Media Composer 2.5 also allows editing of fully uncompressed HD material that was either imported or captured on a Symphony Nitris or DS Nitris system. |
DNxHD was first supported in [[Avid DS Nitris]] (Sept 2004), then [[Avid Media Composer Adrenaline]] with the DNxcel option (Dec 2004) and finally by [[Avid Symphony Nitris]] (Dec 2005). [[Xpress Pro]] is limited to using DNxHD 8-bit compression, which is either imported from file or captured using a Media Composer with Adrenaline hardware. Media Composer 2.5 also allows editing of fully uncompressed HD material that was either imported or captured on a Symphony Nitris or DS Nitris system. |
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Avid reports that DNxHD was approved as compliant with the SMPTE VC3 standard.<ref>{{cite web|title=Avid DNxHD is First Codec Compliant with SMPTE VC-3|url=http://www.avid.com/company/releases/2008/080213_dnxhd_avid.html|accessdate=2008-02-13}}</ref> |
Avid reports that DNxHD was approved as compliant with the SMPTE VC3 standard.<ref>{{cite web|title=Avid DNxHD is First Codec Compliant with SMPTE VC-3|url=http://www.avid.com/company/releases/2008/080213_dnxhd_avid.html|accessdate=2008-02-13}}</ref> |
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In 2007, Apple unveiled [[ProRes 422]], a codec matching some features of DNxHD. ProRes lacks a low bandwidth offline resolution like DNxHD 36. ProRes is only supported for playback on Apple Computers, and requires purchase of the latest copy of Apple's video editing software package, Final Cut. |
In 2007, Apple unveiled [[ProRes 422]], a codec matching some features of DNxHD. ProRes lacks a low bandwidth offline resolution like DNxHD 36. ProRes is only supported for playback on Apple Computers, and requires purchase of the latest copy of Apple's video editing software package, Final Cut. DNxHD is similarly limited to only Avid edit systems, and is only supported on newer Avid software and hardware. Unlike DNxHD, ProRes 422 is not artificially limited to 8-bit compression in lower-end systems. |
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==References== |
==References== |
Revision as of 21:29, 12 March 2008
Avid DNxHD is a high-definition video post-production codec engineered for multi-generation compositing with reduced storage and bandwidth requirements. It was developed by Avid Technology, Inc.
This article contains promotional content. (February 2008) |
Uncompressed high definition digital video has a substantially higher bit-rate than standard definition and can require powerful computers to process and edit. Other codecs such as HDV, DVCPRO HD, AVC-Intra, AVCHD, and HDCAM use compression techniques that limit the spatial and temporal resolution of the image. While suitable for acquisition, these codecs will tend to degrade the image over the multiple encode-decode cycles that are typically required during the post-production of complex layered imagery.
DNxHD offers a choice of 8- or 10-bit depth at three user-selectable bit rates. DNxHD data is typically stored in an MXF wrapper, although it can also be stored in Quicktime or AVI wrappers. A standalone Quicktime codec for both Windows XP and Macintosh OS X is available to create and play Quicktime files containing DNxHD material.
DNxHD is intended to be an open standard, but as of March 2008, has remained effectively a proprietary Avid format. Ikegami's Editcam camera system is unique in it's support for for DNxHD, and records directly to DNxHD encoded video. Such material is immediately accessible by editing platforms that support the DNxHD codec. The source code for the Avid DNxHD codec is licensable free of charge, though few (if any) companies have have done so as of March 2008.
DNxHD was first supported in Avid DS Nitris (Sept 2004), then Avid Media Composer Adrenaline with the DNxcel option (Dec 2004) and finally by Avid Symphony Nitris (Dec 2005). Xpress Pro is limited to using DNxHD 8-bit compression, which is either imported from file or captured using a Media Composer with Adrenaline hardware. Media Composer 2.5 also allows editing of fully uncompressed HD material that was either imported or captured on a Symphony Nitris or DS Nitris system.
Avid reports that DNxHD was approved as compliant with the SMPTE VC3 standard.[1]
In 2007, Apple unveiled ProRes 422, a codec matching some features of DNxHD. ProRes lacks a low bandwidth offline resolution like DNxHD 36. ProRes is only supported for playback on Apple Computers, and requires purchase of the latest copy of Apple's video editing software package, Final Cut. DNxHD is similarly limited to only Avid edit systems, and is only supported on newer Avid software and hardware. Unlike DNxHD, ProRes 422 is not artificially limited to 8-bit compression in lower-end systems.
References
- ^ "Avid DNxHD is First Codec Compliant with SMPTE VC-3". Retrieved 2008-02-13.