Mandolin Concerto (Vivaldi): Difference between revisions
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[[Image:Embergher_Mandolin_Soloist_model_N._5_1904.jpg|thumb|The [[Mandolin]] as used in this work]] |
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The '''''Mandolin Concerto''''' in C major, [[Ryom Verzeichnis|RV]] 425, which may also be written '''''Mandoline Concerto''''', etc., is a [[concerto]] written by the [[Italy|Italian]] [[composer]] [[Antonio Vivaldi]] in [[1725]] and is often accompanied by ''[[The Four Seasons (Vivaldi)|The Four Seasons]]'' ([[1725]]). The music consists of virtuosic treatment of the solo instrument (i.e. the [[mandolin]]), and the interplay between the soloist and accompaniment of the [[orchestra]]. The demands are considered higher than other concerti by Vivaldi, and the work is one of the most famous [[mandolin]] pieces. |
The '''''Mandolin Concerto''''' in C major, [[Ryom Verzeichnis|RV]] 425, which may also be written '''''Mandoline Concerto''''', etc., is a [[concerto]] written by the [[Italy|Italian]] [[composer]] [[Antonio Vivaldi]] in [[1725]] and is often accompanied by ''[[The Four Seasons (Vivaldi)|The Four Seasons]]'' ([[1725]]). The music consists of virtuosic treatment of the solo instrument (i.e. the [[mandolin]]), and the interplay between the soloist and accompaniment of the [[orchestra]]. The demands are considered higher than other concerti by Vivaldi, and the work is one of the most famous [[mandolin]] pieces. |
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Revision as of 17:16, 18 March 2010
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The Mandolin Concerto in C major, RV 425, which may also be written Mandoline Concerto, etc., is a concerto written by the Italian composer Antonio Vivaldi in 1725 and is often accompanied by The Four Seasons (1725). The music consists of virtuosic treatment of the solo instrument (i.e. the mandolin), and the interplay between the soloist and accompaniment of the orchestra. The demands are considered higher than other concerti by Vivaldi, and the work is one of the most famous mandolin pieces.
Movements
There are three movements:
The first movement is a rapid, cheerful tune lasting slightly more than three minutes. Throughout the piece, Vivaldi creates sharp and low contrasts between the mandolin and the rest of the orchestra, attracting much attention to several crescendos within the music.
The second movement, is slightly less than three minutes long, and in contrast to the rapid and enthusiastic tune of the first movement, is slower and thoughtful in its composition. (This movement was used in, and popularized by, an onscreen performance by Robert Carradine in the Western film The Cowboys in 1972.)