Kirklevington Country Club

Kirklevington Country Club, commonly known as 'The Kirk', was a club in the village of Kirklevington, Stockton on Tees which saw many of the bands of the 1960s, 1970s and 1980s appearing on its small stage. These included Eric Clapton (Cream), Jimi Hendrix, Joe Cocker, Rod Stewart, Zoot Money, George Melly, Terry Reid, Simple Minds, Yes, Mott the Hoople, Buddy Guy, Paul Young, The Alan Bown Set, Jimmy James and the Vagabonds, Geno Washington and the Ram Jam Band, Spooky Tooth, the Jeff Beck Group (feat. Rod "The Mod" Stewart and Ronnie Wood) Chris Rea, Paul Rodgers, David Coverdale, Dire Straits, Marc Almond / Soft Cell etc. many of whom went on to superstardom.

History

Early History

The club premises were (pre World War II) a filling station/garage, situated on the old A19 York road leading north to Newcastle and Sunderland. During the 1950s a local dance band leader Tommy Reay converted a large 1st floor room, and built extensions to form an out-of-town (Stockton/Middlesbrough) dance hall, which often also catered as a pre-motorway service station for early car-borne travellers, and as a regular stop-off venue for revellers driving home northwards up the A19. from race-meetings at York, Wetherby and Doncaster.

1960s

In the mid 1960s the Club was purchased by a young local musician and promoter John Benedict McCoy (whose 8-piece R&B band The Crawdaddies already had a regular following there) and his partner Ken Crawford. John McCoy had already proved himself well enough in touch with bands on 'the rise up' as early as 1963 by booking the Rolling Stones for £65 ($90) and The Hollies at a his previous club-venue The Outlook in Middlesbrough. On Saturday 13 July 1963 both The Hollies and The Rolling Stones appeared on the same bill at The Outlook, In fact this was the Rolling Stones first booking outside of Greater London, and this one-off gig was actually 'brokered' as a favour through John McCoys friend, blues-singer Long John Baldry. In Bill Wyman's book "Rolling With The Stones" (a detailed journal of his time with the band) he is adamant that this booking was at a Middlesbrough club called the Alcove. The Alcove was another name for "The Outlook", and was called that in the contract signed by McCoy and Brian Jones -- the idea was to give the cellar-club a separate identity from the 'Young Outlook' fashion store above it. An advertisement for this double booking at the "The Outlook" appeared in the Evening Gazette the previous night. At another small 200 capacity venue, Mr McCoys in Bottomley St, Middlesbrough, John Benedict McCoy had also booked Stevie Wonder and The Who.

During the 1960s, before widespread car ownership amongst the young, Kirklevington Country Club proved incredibly popular, even though its North Yorkshire village location was quite remote from local towns. Weekend nights at the "Kirk" were extremely well attended, as these were the nights the live-bands appeared. Many clubgoers would board the latest early-evening bus service there, and then rely on hitch-hiking home in groups along the roadside in the early hours. The club also operated a small 'casino' at this time featuring Blackjack & Roulette tables. However, the punitive taxation created by U.K. Gambling Acts of 1966 and 1968 soon made this facility unviable, accompanied with a certain loss of revenue.

Another financial blow was dealt by the creation of the County Borough of Teesside in 1968, the new boundaries of which extended into parts of the old North Riding of Yorkshire, including Kirklevington village. The immediate impact to patrons was that the very popular Sunday night, which had previously been licensed for alcohol sales until 12:00 midnight by the N. Riding licensing authority, was now reduced to 10:30pm by the new Teesside Licensing Dept. After this time, only 'soft-drinks' could be purchased until the club closed at midnight.

1970s

By the early 1970s John McCoy gave over part of the building ( a former vehicle workshop) to his brothers Peter, Tom & Eugene McCoy in order for them to open a small, almost 'bijou' 30-seater restaurant. After quickly establishing a very appreciative and widespread reputation for fine-food, they then went onto open McCoys at The Tontine, now a U.K. and internationally acclaimed gourmet dining venue, some 5-miles south, along the main A.19 road, near Osmotherley, North Yorkshire in a former 17thC. coaching-inn. (See also as of 2008 McCoy's Restaurant, Newcastle upon Tyne).

After his brothers vacated their restaurant from the club, John McCoy established a small 'bistro' dining area on the 1st floor which was primarily served by an open to view charcoal-grill facility, specialising in locally sourced steaks and salads, served with large bowls of U.S.style french-fries. Another unusual aspect McCoy introduced in the'70's was 'imported' (and hard to find in the U.K.) Australian Fosters lager, which was served to patrons 'in the can' to activate the ring-pull themselves. This procedure was so unique at that time, that an illustration of a 'foaming' can of lager bearing the club's logo, became part of it's publicity material.

During the late 1970s, John McCoy became personal manager of Middlesbrough born singer/songwriter Chris Rea.

1980s to present day

By the early 1980s after extensive touring, McCoy handed over Rea's management to Jim Beach (manager of Queen) and came back Kirklevington in order to further develop his club premises. This was to include a unique New England influenced, Bar & Grill type 60-cover restaurant Martha's Vineyard - which proved so popular it soon required at least 14-day advance table reservations. However, a new venture in Darlington, Perry's, around 1991 proved unsuccessful and eventually led to that venue, and The Kirklevington Country Club, being sold in the mid 1990s.

The new purchasers massively expanded the Club on the site, which meant that it lost much of its previous 'intimate' atmosphere, and many longtime, dedicated 'core' patrons,(being prior to this redevelopment, a total 375 capacity). The new Club premises, by now at 800 capacity, eventually failed after only 3-years, and the building was inevitably sold and demolished, for the erection of a group of 'faux' cottage style homes.