Michelle Hamer (artist): Difference between revisions
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Australian based visual artist '''Michelle Hamer''' uses hand-stitched [[tapestry|tapestries]] on perforated plastic canvas as a way to explore the small in-between moments of apparent ‘nothingness’ that permeate everyday life. Informed by her background in architecture, the work focuses on signage within urban landscapes. In particular addressing ideas of [[intertopia]]; margins of error; interstitial and impermanent spaces as represented through freeway signage and billboards. |
Australian based visual artist '''Michelle Hamer''' uses hand-stitched [[tapestry|tapestries]] on perforated plastic canvas as a way to explore the small in-between moments of apparent ‘nothingness’ that permeate everyday life. |
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==Style== |
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Informed by her background in architecture, the work focuses on signage within urban landscapes. In particular addressing ideas of [[intertopia]]; margins of error; interstitial and impermanent spaces as represented through freeway signage and billboards. |
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Through tapestry she explores everyday limitations - capturing small intense sped-up moments. Using this traditional technique Hamer explores an ironic romanticism present between tapestry and the digitalisation of imagery in contemporary society. |
Through tapestry she explores everyday limitations - capturing small intense sped-up moments. Using this traditional technique Hamer explores an ironic romanticism present between tapestry and the digitalisation of imagery in contemporary society. |
Revision as of 03:37, 20 March 2012
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Australian based visual artist Michelle Hamer uses hand-stitched tapestries on perforated plastic canvas as a way to explore the small in-between moments of apparent ‘nothingness’ that permeate everyday life.
Style
Informed by her background in architecture, the work focuses on signage within urban landscapes. In particular addressing ideas of intertopia; margins of error; interstitial and impermanent spaces as represented through freeway signage and billboards.
Through tapestry she explores everyday limitations - capturing small intense sped-up moments. Using this traditional technique Hamer explores an ironic romanticism present between tapestry and the digitalisation of imagery in contemporary society.
http://www.theprogram.net.au/featuresSub.asp?id=4668&state=1